בדרך כלל אני זוכר היטב את היום בו נחתי בקנדה לאחר שעזבתי את ישראל, אך השנה לאור מות אמי, התאריך הזה לא בדיוק עבר בראשי. אני נחתתי בוונקובר בחמישה עשר בפברואר אלפיים וחמש ומאז אני כאן. מדובר כבר בלמעלה משבע עשרה שנים
כאמור לא “חגגתי” השנה בשבעה עשר בפברואר את יום השנה של בואי לונקובר, כיוון שאמי נפטרה בשישה בפברואר. הגעתי בטיסת חירום לישראל כדי להיות עימה בבית החולים, ולמחרת הגעתי היא נפטרה. כאילו חיכתה רק לבואי
לאחר השבעה בה הגיעו עשרות חברים, מכרים של אחי אמיר ושלי, וכמובן בני משפחה וכן חברות רבות של אמא ושכנות שלה, נזקקתי ליום מנוחה לעקל את כל מה שעבר עלי. ואז בשבוע השני והאחרון שלי בתל אביב, התחלתי לארגן את דירת אמי לקראת הפינוי. עברתי על אין סוף מסמכים, ספרים, חפצי אמנות ובגדים, כדי לבדוק מה חשוב ומה לא. מה להמשיך ולשמור ומה לתרום. לפיכך לא היה לי זמן ומקום לחשוב על השבעה עשר בפברואר – שכאמור הוא “יום השנה” שלי כאן בוונקובר
השנתיים וחצי האחרונות בוונקובר ובכלל היום קשות מנשוא ומאוד מאוד מסובכות. הקוביד שיבש לנו את החיים והפכנו כמעט לאסירים בבתים ובאזור. בראשית שנה שעברה איבדתי את אבי שמת בגיל תעשים וארבעה חודשים, מסובכים של קוביד. אבא היה חולה מאוד וידענו שהסוף מגיע. לא יכולתי להגיע להלוויתו בגלל מגבלות הקוביד, ולפיכך ראיתי אותה באמצעות זום
אחי ואני חשבנו אמא תוכל לחיות עמנו עוד שנים רבות לאור כך שמצב בריאותה היה מצויין, לאשה בגיל תעשים ושתיים. היא הצליחה להתאושש ממותו של אבא וזה דבר לא פשוט לאחר שבעים ואחת שנות נישואים. אמא חזרה לשגרת החיים שלה שכללה מפגשים עם הרבה מחברותיה, עם בני המשפחה, ספורט כמעט כל יום וקריאת ספרים
באחד הימים (בשני לפברואר) היא ירדה מדירתה לאכול סלט, נחנקה בפתאומיות מתפוח שהיה בו והסיפור שלה נגמר מהר מאוד. היא הועברה לבית החולים איכילוב ולאחר ארבעה ימים נקבע מותה
ועתה כשאני משחזר את מה שעבר עלי בשנים האחרונות ובעיקר בשנה האחרונה, בה נפרדתי תחילה מאבא ולאחר מכן מאמא, קשה לי לחזור לשגרת החיים הרגילה, ולחשוב על שבעה עשרה השנים שלי כאן – בונקובר
כל צורת החיים שלי השתנה עת עברתי מתל אביב לוונקובר. קודם כל בישראל עבדתי במשרה מלאה כעיתונאי בתחום התקשורת, וכיום כאן זה תחביב בלבד. בשמונה השנים האחרונות אני עובד בחברה שמספקת הלוואות למי שלא יכול לקבל אותן מהבנק, ותפקידי הוא המבקר
בארץ הייתי מוקף בני משפחה חברים וכמובן היו לי בנות זוג לתקופות ארוכות בחיי. השהגעתי לוונקובר היכרתי כאן רק חבר אחד שעזב את תל אביב מספר שנים לפני. לאט לאט הצלחתי להכיר אנשים וכיום יש לי גם כן (כמו בתל אביב) מספר חברים טובים, בהם ישראלים, יהודים קנדים ומקומיים
ומהיבט האישי: מזה ארבע שנים ושמונה חודשים, יש לי בת זוג קבועה שהגיעה לוונקובר מסין. וואנווי גרה כאן כשמונה שנים ובשנתיים האחרונות היא עובדת בממשלה הפדרלית. יש לנו חיי אהבה ושותפות טובה, קירבה גדולה והרבה עניין משותף – בעיקר בתחומי האמנות והתרבות. החיים שלנו ביחד טובים מאוד ואנו רק מצפים להמשך של עוד ועוד
לסיכום: אין לי על מה להתלונן בשבע עשרה השנים שאני גר בבית בוונקובר
Judith Anderson speaks at the Wallenberg-Sugihara Civil Courage Society’s Raoul Wallenberg Day event last month. (photo by Masumi Kikuchi)
This year’s commemoration of Raoul Wallenberg Day took place April 10 at Congregation Beth Israel because COVID-19 restrictions prevented the gathering in January. The event honoured the courage of B.C. frontline healthcare providers during the pandemic.
Hosted by the Wallenberg-Sugihara Civil Courage Society, Judith Anderson welcomed attendees. She asked them to take a moment of silence to think about Ukraine and “all the victims of this humanitarian crisis, and to thank the countries welcoming refugees, especially Ukraine’s closest neighbours – Poland, Romania, Slovakia, Moldova and Hungary. In addition, let’s remember the many organizations and volunteers who are stepping forward to help.”
Anderson spoke about gratitude. “We are blessed to live in a peaceful society, where threads of various cultures are woven together to make a fabric that is stronger and warmer than any of the threads would be alone. Let’s recognize two special qualities of that fortunate fabric that we are thankful for today.
“First, we appreciate our shared land. Here in Vancouver, we are meeting on the unceded territories of Musqueam, Squamish and Tsleil-Waututh people. We thank them for sharing, and for having cared for these lands and waters for thousands of years.
“Second, we are thankful for our health care. Modern medicine has developed from diverse cultural threads, including science, people skills, systems management and the professional commitment of thousands of healthcare providers. Our routine expectations of health and longevity could scarcely have been imagined, just 100 years ago.
“And today,” she continued, “we are thankful, in particular, for the civil courage of those who have provided health care to British Columbians during the COVID-19 pandemic. They have faced a new, deadly, communicable disease with unknown risks to their own and their families’ health. They have worked to exhaustion under the most stressful conditions, saving lives and comforting families. Then, when vaccines became available, healthcare workers extended themselves yet more to immunize us all. Unfortunately, as some people have tired of public health restrictions, medical workers have been subjected to harassment and threats. And still they are there for us when we need health care, whatever the problem might be.”
Deputy Mayor Christine Boyle read the Raoul Wallenberg Day proclamation from the City of Vancouver, recognizing Jan. 17 as the day of its commemoration.
The Civil Courage Society’s Alan Le Fevre introduced the three speakers: Barb Nederpel, president of the Hospital Employees Union of British Columbia; Sherri Kensall, board chair of the Nurses and Nurse Practitioners of British Columbia; and Dr. Ramneek Dosanjh, president of the Doctors of British Columbia. They described the challenges and courageous responses of hospital workers, nursing professionals and doctors during the COVID pandemic.
The one-hour documentary Zero to Zero was screened at the event. Filmed over 15 months, it offers an unfiltered look at what it’s like to be a healthcare worker during the COVID-19 pandemic. It follows the staff of a hospital from the moment they admit their first patient in June 2020, till after the third wave. Filmed by a healthcare worker with unprecedented access to the hospital frontline, it deals with patients during life-and-death situations, but the focus remains on the indomitable strength of the human spirit.
After the screening, the guest speakers fielded questions from the audience about what they thought of the documentary, about long-COVID in healthcare workers and about the harassment they faced and how they responded to it.
The annual commemoration is held in memory of Raoul Wallenberg, a Swedish architect, businessman, diplomat and humanitarian, who became Sweden’s special envoy to Hungary in summer 1944 and, at great personal risk, saved tens of thousands of Jews from deportation and death. He disappeared into Soviet captivity on Jan. 17, 1945, and his fate remains unknown.
Wallenberg has been made an honorary citizen of Canada, the United States, Hungary, Australia and Israel. In 2000, the Canadian government proclaimed Jan. 17 as Raoul Wallenberg Day.
The event is also in memory of Chiune Sugihara, a Japanese diplomat who served as vice-consul in Lithuania during the Second World War. He chose to act, at clear professional and personal risk to himself and his family, issuing transit visas that allowed about 2,000 Jews, more than 90% from Poland, to escape almost certain death.
Both Wallenberg and Sugihara have been designated by Israel as Righteous Among the Nations.
The Wallenberg-Sugihara Civil Courage Society, said Anderson, defines “civil courage as an act entailing personal risk or sacrifice, intended to improve or save the lives of others who endure misfortunes attributable to social context. In even the best-managed societies, some people may suffer from conflict, injustice or threats to health and well-being – such as the COVID pandemic – that are intimately tied to our social structures. And those who help despite personal risk, show the same inner strength as wartime role models like Wallenberg and Sugihara.
“In 2006,” she continued, “the former honorary Swedish consul to Vancouver, Anders Neumuller, began Vancouver’s annual commemoration of Wallenberg Day. He later envisaged a nonprofit society dedicated to honouring acts of civil courage. And so the Wallenberg-Sugihara Civil Courage Society was formed in 2013 by members of the Swedish and Jewish communities in Vancouver.”
The Civil Courage Society honours the legacy of Wallenberg and Sugihara by acknowledging British Columbians who have demonstrated civil courage and by promoting civil courage.
“To that end, each year, we formally recognize a person or group of people who have displayed civil courage in British Columbia,” said Anderson. “We also screen a film intended to get the audience thinking about the importance of civil courage and how to encourage it.”
For more information, including photos and video of the commemoration, visit wsccs.ca.
– Courtesy Wallenberg-Sugihara Civil Courage Society
Art Vancouver returns after a two-year COVID-imposed hiatus. Artists and galleries from across Canada and the United States – as well as from countries including Argentina, Cuba, Iran, Kenya, Mexico, Taiwan and Zimbabwe – are scheduled to exhibit at the Vancouver Convention Centre May 5–8. Several of the artists are members of the Jewish community, and they spoke with the Independent about their art and the return of the event.
The international fair, first held in 2015, is the main annual event of the Vancouver Visual Art Foundation, which was formed in 2017. The foundation has not let the pandemic quash its momentum.
“The creation of Art Downtown was introduced as a safe space during COVID, where people could have a place to get out and enjoy arts and culture,” Art Vancouver founder Lisa Wolfin told the Independent.
The summer outdoor festival invites artists to create art in various public spaces in downtown Vancouver. People can come and see the creative process in action and speak with the artists. The artists’ works are exhibited, and available for purchase.
“There is an area where people can sit down, get their hands full of colour and learn how to make art at no cost, as this is sponsored by Opus Art Supplies, giving people an opportunity to try things they may have never done before,” said Wolfin. “Live music is part of the festival. Each week, there are two new musicians, including singers, guitarists, bands, and duets, in all genres.”
During the pandemic, the foundation also offered online art classes. Since the easing of health restrictions, in-studio classes have started.
“People from all over B.C., Canada, the United States, Costa Rica, and as far away as Australia, [have] registered for the classes,” she said. “The instructors are professional local artists, teaching in a variety of different styles – florals, landscapes, abstract, graphite, neurographic, impressionism and figurative are some of the subjects demonstrated, with acrylics, watercolours, oils, markers, palette knives and metallics … [being] some of the materials we use.”
Wolfin herself has taken more than 100 classes over the last two years.
“There are stations all over my art studio with different mediums waiting to be experimented with,” she said. “In every class I took, I received a golden nugget that has added to my repertoire and moved my work in a different direction…. Each instructor had their own style and colours that they preferred, which took me out of my comfort zone and back to kindergarten to start all over again, being open to trying new things.
“Neurographic art is a new direction my work has shifted into,” she continued. “Russian psychologist Pavel Piskarev coined the term neurography, or neurographica, in 2014 – it helps us engage more neurons. By this, he specifies how using the simplest tools to draw, through this technique, is a link between conscious and unconscious. This connection is made by the brain cells called neurons being activated in a way that brings forth awareness and mindfulness…. This is a healing project for people of all ages, no artistic abilities are required, only the interest in creating an artwork that is not only intuitive but greatly beneficial to our emotional and calming states…. Neurographical art is a way to transform the stress, fear and chaos of our world into something more calming and peaceful. Art is always about expression and finding that inner peace.”
While still undecided about exactly which art pieces she’ll be showing at Art Vancouver, Wolfin described a new tree series she has been working on.
“I start out with acrylics using bright colours instead of the neutral and natural colours found in nature, including various mediums and acrylics because they create more depth and richness to my work, which is meant to be more realistic,” she explained. “Life is colourful. I look deeply into the forests and feel the colours, then transfer what I pick up onto the canvas. Next, I add Posca paint pens, dabbing colours all over the canvas for an added dimension. Then I go over the canvas with oil pastels and add another texture to it. The pastels skip over the gaps in the weave, leaving little dots of another medium. Lastly, a layer of resin is poured over the canvas and spread out to create a luscious thick layer of gloss which intensely brings out the layers of the colours, making the colours pop.”
She also has been creating florals with KrinkNY paint markers. “Because the tips are much thicker than a paintbrush, I have had to loosen up and go with the flow of the paint,” she said. “This paint mixes with itself when you go over it and it gets wet again. You can blend as you paint, and it is a challenge to get what you think you want [based on the] traditional way of painting.”
Artist Sky Lilah also has used the pandemic years to branch out. “I am continually striving to do something new,” she said. “Over the past few years, I have started to teach online art classes, for youth and adults. I have done a series of abstracts with the theme being on consciousness. For Art Vancouver 2022, I am doing a new series of mixed media, with the focus on love, thoughtfulness and manifestation. I have also been spending more time creating a unique fashion line and hand-painted clothes.”
The work she’ll be bringing to Art Vancouver is a new style of mixed media, she said, “with the focus being on my family – making unique pieces based on each member, including components from their past, present and future. I am fascinated by time and consciousness and how our minds create our reality.”
In addition to her art, Lilah will be bringing to Art Vancouver a personal development workbook that “includes self-awareness exercises and creative exercises to help one further develop themselves and live their best life,” she said.
One of the works Sky Lilah will be bringing to Art Vancouver.
“My personal development practice always influences my style of artwork,” she added. “The constant strengthening of my creative muscle, I believe, helps me in all areas of life.”
Lilah is excited by Art Vancouver’s return.
“I love the thrill of prepping for a show, and the impact that the show has on the community is so rewarding. It is always a pleasure to connect with each attendee and hear different perspectives from the art world.”
“When creating the pieces for the Art Vancouver exhibition, I was on Cloud 9,” said Taisha Teal, explaining the title of one of her series of works.
“When I create art, I am in the flow,” she said. “I am in a meditative state where time does not exist. On Cloud 9 has a deeper meaning – of being in another space in time, in the ninth dimension of pure bliss and happiness. When I am in the studio, I am at peace. There is no stress. It is where the magic happens. My name, Taisha, also means number nine in Hebrew; so the title felt pretty perfect.”
During the pandemic, Teal said, “I had the chance to really experiment with new materials and the courage to play around with no judgment.”
“I am fearless,” by Taisha Teal, part of her series called the Naked Line Ladies.
The Naked Line Ladies, also known as her “sparkle ladies,” are women in her life “promoting body positivity and female empowerment,” said Teal. Reminders, she said, “that you’re beautiful no matter what, and your body is the only one you’ve got…. We’re embracing our uniqueness, celebrating who we are.”
About her Spraypainted Hearts series, Teal said, “Infinite hearts, infinite strength. There is enough love to go around.”
And the Abstract Alcohol Ink collection is dedicated to her travels. “During this pandemic, I have felt very stuck,” she said. “I have been reminiscing about the places I’ve been and the colours I’ve felt along the way. This abstract series has really helped my mental health in overcoming the chaos in this pandemic. Not having to create the perfect realistic image, I use colours and gestural marks to create a piece that resembles places I have been.”
Artist Monica Gewurz also has been doing more abstract work over the pandemic, focusing more on the feelings generated by the landscape than its literal appearance.
“During the lockdown,” she said, “I continued to explore new techniques and tools, incorporating heavy textures and thin veils, to capture moments that uplift and refresh. We have all been held back from so many important things in life and, hopefully, these paintings can bring some uplifting and beauty to people’s lives.”
Gewurz is planning on bringing a new collection of more than 30 works to Art Vancouver.
“I paint primarily in acrylic,” she said, “but combine this with a variety of other media such as gesso, mediums, glazes and inks. I also like to use materials that excite me, like gold leaf and unusual acrylic mediums.”
“Exposed,” by Monica Gewurz.
During the pandemic, Gewurz said she has taken several online courses and “successfully increased the number of virtual juried exhibitions in B.C. and the U.S.” She also has “participated in numerous art shows conveying the climate change and our large carbon footprint in our planet. I am now being recognized as an eco-artist in the U.S.,” she said.
The environment is a top concern for Gewurz. For example, a piece of hers, “Ebbing,” was chosen for “the label of Safe Haven fortified wine of the 40 Knots winery,” she told the Independent in an April 2020 interview. “A portion of the wine sales goes to support salmon habitat restoration. I donated the artwork.”
Gewurz is one of 11 artists – with her painting “SOS” – in the year-long touring exhibit Diving In: The Art of Cleaning Lakes and Oceans’ Art Tour, an environmental art campaign initiated by the Sea to Sky Arts Council Alliance with Divers for Cleaner Lakes and Oceans, Return-It and local artists. It showcases “stunning pieces of art by selected artists created from a range of objects recovered through clean-up dives at local lakes and ocean sites.”
For a professional artist, said Gewurz, “it is important to exhibit at high-calibre international art exhibition shows. Art Vancouver provides me with a platform to display my works as well as sell them – this will be my fifth time exhibiting there.”
Grateful for the opportunity, she said, “To showcase my work in person was something I truly took for granted. Over these last few years, I have found a new appreciation and gratitude for events like this. To be able to connect, converse and exhibit amongst other creative people in my hometown is such a great opportunity.”
Given the continuing pandemic, safety won’t be lost in the excitement.
“We have a larger room in the Convention Centre West building so we can create a safe, socially distanced exhibition with more space between the aisles,” said Wolfin, acknowledging the work of the women-led organizing team of the event and the many volunteers.
The art exhibit is but one of the weekend’s activities. There will be a talk on non-fungible tokens (NFTs), for instance.
“There will be a whole section with NFTs for people to enjoy and learn about this whole new direction in the arts,” said Wolfin. “Art classes are going to feature non-traditional art mediums so anyone interested can try their hand in art…. Opening night starts off with The Face of Art, our runway show that puts a face to the artwork. Friday night will have an all-new art game feature – teams of three people will compete with each other for one hour to build a sculpture out of Lego…. Saturday night is Art Masters, a one-hour painting competition where the artists are given a theme and one hour to create using non-traditional tools, as there are no paintbrushes included!”
בשנתיים האחרונותחוויתי אירועים קשים שכמעטו ולא היו כדוגמתם לאורך כשנות חיי, בישראלועתה בקנדה. כשאני חושב על מה שעבר עלי מאז חודש מרץ לפני שנתיים בדיוק, זה נראה לי הזוי- ממש מדע בדיוני
קודם כל החלה אז במרץ אלפיים ועשרים מגפת הקורונה לצבור תאוצה בכל העולם. תחילה שמענועל כך בסין ולא חשבנו כי המגפה יכולה להתפשט גם למערב ובעצם לכל העולם. אני זוכר היטב אתהנסיעה שלי לישראל לבקר את הורי בתל אביב, בסוף מרץ לפני שנתיים. מצד אחד הם רצו לראותאותי מצד שני חששו שמה אדביק אותם בקוביד, כיוון שטסתי מונקובר, עצרתי למספר ימים בברליןוהמשכתי משם לתל אביב
מאוד שמחתי שהצלחתי לראות את ההורים וכרגיל לשון אצלם בבית. לא שיערתי אז שזו שתהיהבעצם, הפעם האחרונה שאראה אותם פיזית. אבי כבר דעך מכל הבחינות, התקשה ללכת ואףהזיכרון שלו כבר לא היה טוב. לאחר זמן מה הבנו שהוא לקה בדמנציה
באותו שבוע קצר בתל אביב נפגשתי עם מספר חברים טובים עמם אני שומר על קשר שנים רבות, למרות שאני גר בוונקובר כבר שנים רבות. כן הספקתי באותם ימים בתל אביב אף להצביע בבחירותהכלליות בישראל, תוך תקווה להחליף את ראש הממשלה הנצחי של ישראל, בנימין נתניהו. זה לאקרה אז אלא רק לאחר כשנה
הביקור בישראל ישאר בזכרוני לזמן ארוך כי כאמור זו הפעם האחרונה שבה ראיתי את הורי
אני חזרתי לוונקובר בדיוק שבוע לפני שהשמיים נסגרו והופסקו הטיסות למספר חודשים. המגפההחריפה והחיים שלנו השתנו מקצה אל קצה. מי היה מאמין שתופעה מוזרה ולא מוכרת זו תימשךשנתיים תמימות. כל שגרת החיים השתנתה, הפסקנו לצאת למקומות ולצרוך תרבות, נצמדנולטלוויזיה, רכשנו מסכות, חומרי חיטוי לידיים ועוד מוצרים התקפים לעיתות של מגפות
עסקים רבים נפגעו קשות מהמגפה בהם מקום העבודה שלי – חברה המספקת הלוואות למי שלאיכול להשיג אותן באחד הבנקים המסחריים, בשל קרדיט גרוע. בזמן החופשי שנותר בידי והוא היהבשפע התחלתי לצעוד מדי יום שעות ארוכות ברחבי העיר ונקובר והסביבה. מכוני הכושר היוסגורים ולכן החלטתי שאני חייב להיות פעיל כדי לשמור על כושר סביר, וההליכות עשו את שלהן
בתחילה ראיתי איך ונקובר הפכה לעיר מתה, ולאט לאט לקראת הקיץ היא החלה קצת להתעורר, אם כי לא באופן שאני רגילים לו. למזלנו מחוץ בריטיש קולומביה נפגע פחות מהמגפה לעומתאזורים אחרים בקנדה, כך שהצלחנו לשמור על חיים שפויים פחות או יותר
בגלל המצב הקשה של החברה באני אני עובד נאלצנו לפנות לבית המשפט לקראת סוף שנתאלפיים, ולבקש הגנה מפני נושים. אני נרתמתי לעזור להנהלת החברה ושוחחתי ארוכות עם בעליאגרות החוב שלנו, כדי לעודד אותם לחתום על הסכם חדש, שיאפשר את המשך קיום החברה. אכןזה קרה ויצאנו לדרך חדשה, באישור בית המשפט, חברה רזה יותר, עם הרחבה פחות חובותועובדים, ועתיד שנראה טוב יותר
במקביל לקראת סוף אלפיים ועשרים מצבו הבריאותי של אבי הידרדר מיום ליום וחששנו ממהשעתיד לקרות. הוא נפל כל הזמן, הפסיק לקחת כדורים, זכרונו בגד בו, ומצבו החמיר. במהלךחודש בפרואר אלפיים עשרים ואחד הוא נאלץ להתאשפז בבית החולים איכילוב הסמך לביתו. שדםלצערנו נדבק גם בקוביד וידענו שהסיום מתקרב. הוא החזיק מעמד כשבועיים עד שנכנע למגפההקשה הזו. בגיל תשעים וארבעה חודשים הוא נפטר
אני לא הצלחתי להגיע להלוויה בגלל מגבלות הקוביד וראיתי את האירוע הקשה הזה באמצעות זום. לא היה זה פשוט לראות איך קוברים את אבא שלי כל כך מרחוק, באמצעות מסך המחשב
הורי היו נשואים שבעים ואחת שנים והיה מאוד קשה לאמא להתרגל לכך שאבא כבר לא איתנו. למרות החשש הכבד של אחי ושלי, אמא לאט לאט חזרה לעצמה ופיתחה לעצמה שגרת חייםחדשה ללא אבא. כנראה שהרצון האדיר שלה לחיות הוא שהוביל אותה. אמא למרות שמלאו להתשעים ושתיים המשיכה להיות מאוד פעילה מבחינה ספורטיבית, חברתית ותרבותית. האופיהאופטימי שלה עזר לה רבות, להמשיך ולחיות לבד. היא הצליחה לקבל עובדת זרה פיליפיניתשתעזור לה בעבודות הבית, וכדי שלא תרגיש בודדת בלילות. ניהלתי לא מעט שיחות טלפון עםאמא ושמחתי שהיא חוזרת לעצמה, צוחקת, נפגשת עם החברות שלה ועם בני המשפחה השונים. היא בחרה בחיים והחיים והכל נראה מתנהל כשורה
כאן בוונקובר עברנו אשתקד את הקיץ החם ביותר בתולדות בריטיש קולומביה ובעצם בקנדה. החוםהיה בלתי נסבל ולצערנו מאות קשישים וחולים נפטרו. אני לשמחתי יש לי מזגן בבית כך שיכולתילהמשיך בשגרת החיים הרגילה ולעבוד כרגיל. רק בערבים הייתי מוציא את האף החוצה
במהלך חודש נובמבר אשתקד חטפנו כאן מכה נוספת ממזג האוויר: כמות אדירה של שטפונותשגרמו נזק אדיר למחוז, הנאמד בכארבעה מיליארד דולר. כבישים, גשרים, בתים ותשתיות רבותנעקרו ממקום כמו אבנים של דומינו שנופלות אחת אחרי השנייה
אני נערכתי לנסיעה לישראל לבקר את אמי בסוף חודש נובמבר. בגלל תקנות הקוביד הקשות בכלמדינה, הכנתי מסמכים רבים, הצלחתי לקבל את החיסון השלישי של פייזר לפני הזמן ונרשמתילבצע בדיקות קוביד בוונקובר ובתל אביב. שבוע לפני הנסיעה נדהמתי לדעת שווריאנט חדש שלהקוביד – אומיקרון משתלט על העולם. אמי התקשרה אלי בבהלה והציעה לי לבטל את הנסיעה. ואכן זה מה עשיתי כי ידעתי שאחרת אאלץ לשהות בבידוד בחלק גדול של הנסיעה. זה היה מאודמעציב שאינני יכול לטוס ולבקר את אמא שהתאלמנה כתשעה חודשים קודם לכן
בינתיים החורף הגיע גם הגיע לוונקובר ולשם שינוי גם הוא היה קשה ביותר. לא זכור לי כבר הרבהשנים קור נוראי כזה ושלג ללא הפסקה
ואז נחתה עלי מכה נוראית נוספת: בראשית חודש פברואר אחי התקשר אלי בדחיפות והודיע לי כיאמא אושפזה בבית החולים ומצבה חמור ביותר. היא נחנקה מחתיחת תפוח בסלט שאותו היאאכלה. במשך עשרים דקות שהתהה ללא חמצן, כך שהבנו שנגרם למוחה נזק אדיר שאין לא תקנה
יצאתי בטיסת חירום לישראל והספקתי לראות את אמא מחוברת לכל הצינורות שבעולם באיכילוב. למחרת הגעתי לבית החולים מוקדם בבוקר ונתבשר לי שהיא נפטרה. אני זה שנאלצי לבשר לאחילשאר בני המשפחה על מותה של אמא. היה קשה להשתתף בהלוויה ולאחר מכן לשבת שבעהולקבל ניחומים, מבני משפחה, חברים וידידים רבים
אמא ואבא נקברו באותו יום בדיוק הפרש של שנה. בקיצור: איבדתי את הורי בתוך שנה תמימהאחד
לא הספקתי להתאושש ממותה של אמא ואז נחתה על כולנו מכה קשה חדשה: ולדימיר פוטיןהחליט שהוא רוצה לעצמו את אוקראינה ופתח במלחמה נוראית ומיותרת
אני מקווה שאחרי שנתיים הזויות אלה אוכל קצת לזכות בשקט ובשלווה וללא שום אירועים חריגים. זה כבר הספיק לי
בימים אלה חזרתי לקנדה מנסיעה לישראל עייף ומותש. הוראות הקוביד במדינות השונות הפכו את הנסיעה לדבר מסובך, מורכב ובעיקר מעייף. כמובן שזה גם הרבה יותר יקר לטוס בימים אלה. יש לקוות שתקנות הקוביד יבוטלו ונחזור לשגרת חיים רגילה. לדעתי הגיע הזמן להתייחס לקוביד כמו אל כל זן חדש של שפעת. אי אפשר להמשיך במגבלות השונות שנה שלישית ברציפות.
הצטרכתי לטוס מוונקובר לתל אביב בשל אשפוזה של אמי בבית החולים. לאחר מספר ימים שם היא נפטרה ואז נשארתי למסע הלוויה ופרק הניחומים.
רכשתי כרטיס טיסה בקיי.אל.אם מהרגע להרגע והתענוג עלה לי לא פחות מאלפיים ארבע מאות דולר. יצאתי מיד לבצע בדיקת קוביד לפי דרישות מדינת ישראל והתשלום הוא גבוה במיוחד: מאתיים דולר. נדמה לי שקנדה היא המדינה היקרה ביותר במערב בכל הנוגע לבדיקות קוביד עבור אלה שטסים. כיוון שהתוצאות של הבדיקה הובטחו לי בתוך עשרים וארבע שעות לא יכולתי לצאת לכיוון ישראל בעשות הבוקר ולכן נשארה לי רק האופציה של החברה התעופה ההולנדית.
בגלל הביקור החפוז החלטתי שלא לעשות צ’ק אין למזוודה ולקחתי עמי תיק מסמכים ומזוודה קטנה למטוס. למרות זאת נאלצתי לעבור בדלפק של קיי.אל.אם בשדה התעופה שלוונקובר, כדי שיאשרו את כל מסמכי הקוביד: תוצאה שלילית של הבדיקה, הטפסים עבור הכניסה לישראל ואישור שחוסנתי בקנדה כבר שלוש פעמים.
לאחר הטיסה הארוכה שנמשכה למעלה מתשע שעות נחתנו באמסטרדם לעצירת ביניים. בדרך כלל אני יוצא מהשדה אל העיר לאור כך שיש לי כעשר שעות של המתנה עד לטיסה שיוצאת לתל אביב, אך הפעם החלטתי שלא לנהוג כך, כדי שלא אאלץ שוב לאשר את מסמכי הקוביד.
הסתובבתי שעות בשדה, אכלתי לא מעט, שתיתי יין, התקלחתי ואף שכרתי חדר במלון שבטרמינל למספר שעות. למרות זאת נשארתי מאוד עייף, נמנמתי קלות בטיסה לתל אביב שיצאה בסביבות תשע בלילה.
נחתנו בתל אביב בסביבות שתיים לפנות בוקר ולשמחתי שדה התעופה היה כמעט ריק בלילה שבין שישי לשבת. רצתי מייד לבצע בדיקת קוביד שנייה עבור ישראל, שעברה מהר יחסית והייתה הרבה יותר זולה מזו שעשיתי בוונקובר.
יומיים לפני הטיסה בחזרה לוונקובר ביצעתי בתל אביב בדיקת קוביד נוספת, הפעם עבור הממשלה הקנדית. גם היא הייתה הרבה יותר זולה מאשר זו שעשיתי כאן. מילאתי את כל הטפסים הדרושים בעידן הקוביד: טופס יציאה מישראל וטופס כניסה לקנדה. עדכנתי גם את האתר של קיי.אל.אם בכל המסמכים הדרושים ובכן בתוצאת הבדיקה.
עם זאת כשהגעתי לשדה התעופה בתל אביב נדרשתי שוב לאשרר את כל המסמכים. קיוויתי שזה הסוף לטירטורים בעידן הקוביד אך טעיתי בגדול.
עם הנחיתה באמסטרדם נאלצתי שוב לאשרר את כל מסמכי הקוביד עבור קנדה. המתנתי בתור ארוך והפקיד רשם משהו על כרטיס עליה למטוס שלי. כשהגעתי לשער העלייה למטוס התברר שהפקיד לא הוסיף מדבקה המאשרת את המסמכים וצוות הקרקע סירב לאפשר לי להיכנס למטוס. נאלצתי שוב לחפש את אותו פקיד כאשר תור גדול של אנשים עמד לפניו. למזלי אשת צוות קרקע עזרה לי והעבירה לו מיד את כרטיס עלייה למטוס והוא הוסיף את המדבקה המיוחלת. רציתי במהירות לשער העלייה למטוס כי פחדתי שהטיסה תצא אל הדרך.
עם הנחיתה בוונקובר נחתה עלי מכה נוספת: נתבקשתי באופן אקראי לעשות בדיקת קוביד נוספת, רביעית במספר בטיול זה. חוקי הקוביד עייפו אותי עד מאוד בנסיעת חירום זו.
All over social media, we’re reminded to “Learn something new each day!” Even before the internet, I remember similar aphorisms – and then “Heck, if you’re lucky, learn two!” Attached to these reminders was the message that each experience and, yes, especially the awful ones, offered us learning opportunities.
While encountering this social media push for self-improvement, I happened to study, from the Babylonian Talmud, Chagigah 3a&b. This page of Talmud points out something that never occurred to me before. This message about lifelong learning is both a Jewish and ancient one. In the second century CE, in Peki’in, Rabbi Yohanan ben Beroka and Rabbi Elazar ben Hisma went to greet Rabbi Yohoshua. Rabbi Yehoshua asked them what new thing they’d learned that day in the study hall. They suggested they were his students and learned directly from him – how could they present him with something new?
Rabbi Yehoshua responded there couldn’t be a study hall without “novelty.” He went on to ask them who had lectured that week. Upon learning that Rabbi Elazar ben Azarya had taught them, he coaxed them for information. Then, he learned something new from the students.
This sounded just like when we greet our kids as they get off the school bus, or ask students (of any age) what they are learning from other teachers. Inevitably, there is something to learn. This bit of wisdom goes further. The Gemara (later commentators) add that the Torah is like a goad. It pushes us on to learn more. Like a sharp nail or cattle prod, it forces us to keep moving onward and learning from new and different circumstances. Torah, the rabbis conclude, doesn’t just have a single, immovable or simple answer for us.
OK then, I thought, what are some of the lessons we’re able to draw from the pandemic and the political upheaval around us? Many feel as though the pandemic is over, just because we’re tired of it but, practically, this virus will “be over” only when it’s ready to be. In an effort to get past this world-weary reaction, I thought about some of what we’ve learned so far.
1) Since Omicron’s arrival, we’ve realized, more than ever, that we must do our own cautious self-management of health. For awhile, in our North American culture, we expected a doctor to diagnose every illness; our workplaces required a doctor’s note. However, when the level of sickness around us is overwhelming, we’re required to examine and diagnose ourselves. This actually returns us to the world of the rabbis in some sense, where bloodletting, herbs and other cures were advised. Much like Ivermectin, some of these did more harm than good.
2) We should stay home when sick. We’ve all felt forced by the culture around us to work through illness even when it would be best to stay home. Yet, highly contagious illnesses mean we need to protect others to keep sickness from spreading. Again, we’ve lived in a “modern” bubble here for awhile. We’ve had fewer contagions and better vaccines and medical care that allowed us to circulate even when we were probably sick. For centuries, people have fought terrible illness by isolating. A quick example would be that of leprosy – we learn from the Torah and the Talmud that those afflicted must stay outside “the camp” and away from others. Self-isolating is the modern equivalent.
3) With the requirement to stay home came widespread acknowledgement of inequity. Many low-income people can’t afford to stay home. Their jobs don’t allow for it. Without paid sick leave, people can’t rest at home. Jewish tradition suggests we should visit or bring food for the sick. We should care for those less fortunate in our communities, such as widows and orphans. While our political advocacy may involve supporting food banks or homeless shelters, does our contemporary Jewish community focus on fixing inequity? We no longer have a Shmita year that forgives debt and evens the playing field. Is the Canadian answer something like universal basic income or the $10-a-day childcare plan?
4) Change isn’t always bad. Career changes, whether forced or chosen, can be positive. Our educational systems shifted enormously to deliver remote learning and accommodate COVID protocols. Our elder-care facilities are in dire need of improvement. Our hospitals need more capacity and redundancy, in both staff and space, so that even pandemics can be managed.
5) Scientists predicted that with climate change, pandemics may become more frequent. Planning to alleviate some of the effects of climate change has been a rocky path. So many governments get swept up in politics and make no policy adjustments. Our current COVID situation is a reminder that climate change, long predicted, is now here. Leaders must arm themselves with science rather than politics to save lives. Saving lives and caring for the earth are Jewish imperatives. This pandemic has been a frightening wake up call.
We can learn from every situation. The rabbis in the talmudic tractate of Chagigah at first assumed their mentors and leaders knew everything. This offered me a lesson too. Good leaders pursue lifelong learning because they are humble enough to know they will never know it all. Facing challenging experiences and learning from them can goad us so that we grow to be better people. The huge number of deaths, chronic illness and hospitalizations from COVID is devastating. If we try hard, we can find lessons here for a better future.
Joanne Seiffhas written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.
The Committee on Teaching and Learning of the American Academy of Religion has honoured Rabbi Dr. Laura Duhan Kaplan with the 2022 Katie Geneva Cannon Excellence in Teaching Award, which recognizes the importance of teaching and celebrates outstanding teaching in the field.
Duhan Kaplan currently serves as the director of inter-religious studies and is a professor of Jewish studies at Vancouver School of Theology. The award committee was deeply impressed by her commitment to critical and trauma-informed pedagogy, meaningful interreligious dialogue and community engagement. They also noted her innovative classroom practices, including an intensive course that culminates in a public-facing conference on contemporary interfaith issues.
The American Academy of Religion, in Atlanta, Ga., is dedicated to the academic study of religion, with more than 5,000 members around the world. Its mission is to foster excellence in the academic study of religion and enhance the public understanding of religion.
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Late last fall, storms flooded the entire cities of Princeton, Merritt and Abbotsford, and many other areas across the Fraser Valley. In response to the damage and displacement caused, the Jewish Federation of Greater Vancouver was among the organizations that set up mechanisms to aid those affected.
In November 2021, Federation opened the B.C. Flood Relief Fund with a $10,000 disbursement from its emergency relief fund. Since then, thanks to the support of hundreds of donors, including funds from Jewish Federation of Victoria and Vancouver Island, more than $359,000 has been raised.
To date, $36,000 has been given to Gurdwara Dukh Nivaran Sahib (Surrey Sikh Temple) and the Guru Nanak Food Bank to offset the cost of shipping the goods to Merritt and renting a warehouse to establish a new food bank there, as well as to purchase blankets and air mattresses for people who were displaced by the flooding or lost their possessions or both.
Additionally, $50,000 has been used to purchase emergency kits for First Nations Emergency Services Society (FNESS) to distribute to 30 First Nations communities. As well, $25,000 has been directed to GiveClear to support ongoing efforts, which includes $12,000 to support displaced agricultural workers from Mexico whose belongings were lost in the floods.
On Feb. 14, Jewish Federation was one of the donors that participated in GiveClear Foundation Canada’s Celebration of Giving event at Arnold Community Church in Abbotsford. The online platform, a registered charity operated out of Abbotsford, created a quick and simple way for people and businesses to donate to local flood recovery and, so far, more than $600,000 has been raised through various campaigns facilitated by GiveClear.
Jewish Federation has formed key partnerships to maximize the impact of the B.C. Flood Relief Fund, and it takes networks both within Federation and beyond to nurture these relationships. Much of what has been accomplished in the last several months is the result of many years of ongoing efforts. Shelley Rivkin and Rabbi Philip Bregman from Federation’s office, and Nico Slobinsky and Etti Goldman at the Centre for Israel and Jewish Affairs, have done invaluable work in this area.
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In July 2020, the Jewish Federation of Greater Vancouver established the Community Recovery Task Force, chaired by Risa Levine. Combined with the emergency funds released at the start of the initial lockdown almost two years ago, Federation has distributed nearly $1,320,000 to aid community recovery from the impact of COVID.
Here is a summary of Community Recovery Fund distributions to date:
Initial grants ($593,100) addressed the immediate consequences of the pandemic on the day-to-day operations of local organizations in the areas of technology, mental health, operational losses, COVID-associated expenses, critical social services, and capacity building.
Camp grants ($111,000) helped offset the significant expenses summer camps incurred in order to meet new public health guidelines.
Capacity grants ($25,500) assisted organizations in hiring an outside facilitator to help them develop a recovery plan.
Transformation grants ($385,000) are for developing innovative and collaborative programs and services that will lead to long-term change in the community.
Transition grants ($200,000) enabled agencies to maintain stability and restore their revenue streams.
Additional funds have been distributed recently for continuing COVID needs, such as N95 masks for schools and community organizations, and small gifts to frontline community staff in special recognition of their outstanding commitment over the last year.
The task force’s final recommendation is that, when it is determined that the pandemic is truly over, if there are funds remaining, these should be used so that the community can continue to be prepared to help agencies in future crises.
A subcommittee of the task force, comprised of Levine, Candace Kwinter, Hodie Kahn, Shawn Lewis and David Porte, with additional assistance from Diane Switzer, has been formed to respond to anticipated needs as a result of the continuation of the pandemic. They will consult with Shelley Rivkin, Federation’s vice-president, global and local engagement, on the further expenditure of COVID recovery funds when new needs arise.
Federation thanks the task force – Levine, Porte, Kwinter, Kahn, Lewis, Andrew Altow, Jill Diamond, Michelle Gerber, Justin L. Segal and Isaac Thau – for their commitment, as well as Rivkin and Marcie Flom, executive director of the Jewish Community Foundation, who provided professional support to the task force, and everyone who has contributed to the Community Recovery Fund or helped in others ways.
A screenshot of Morley’s Minyan playing poker. Top row, from left: Al Hornstein, Larry Moscovitz and Carolyn Aronson. Middle row, from left: Lyall Levy, Murray Atnikov (the night’s big winner) and Macey Morris. Bottom left is Tony Aronson. Missing are Steve Bernstein, Joel Finkelstein, Marshall Cramer and Irv Sirlin. (image from Carolyn Aronson)
In 1948 or 1949, a group of Jewish students at the University of British Columbia started a weekly poker game. While none of the original players remain, the regular game has continued, with a few interruptions, for more than 70 years. Now, children of some of the earliest members are joining – and the “young” card players are themselves middle aged.
Murray Atnikov, now 97, joined the poker game around 1960. He enjoys playing, but it’s the kibitzing that keeps him coming back.
“The company is very, very jovial, to say the least,” said Murray. “We have a good time.”
The march of time means the faces have changed, but the endurance of the game has been remarkable. It started out as a weekly event, though it went to biweekly when the Vancouver Canucks joined the National Hockey League in 1970. Since the pandemic began, they have played via an online poker platform.
“The continuity is something that amazes me,” said Murray.
Lyall Levy, a retired family doctor who is 85, joined the group in 1964. In those days, the games rotated among the players’ homes. The players were all men and the wives would outdo one another preparing refreshments.
“It would be like going to a high-end Jewish restaurant,” Lyall said. His daughter, Carolyn Aronson, recalls having extra-special lunches the day after poker nights.
Carolyn, now 60, broke the gender barrier when she became the first female to join the men’s game. She is one of four members who are a generation younger than the other players. Her husband, Tony Aronson, also plays. Joel Finkelstein joined the game when his father, Norty, passed away, and Larry Moscovitz took the place of his late father, Bill. The others range from 81 to Murray, at 97.
As the players (and their wives) got older, they moved the games to the Richmond Golf and Country Club, to which they hope to return as soon as the COVID situation makes it reasonable to do so. When some wives complained that the men were driving home on dark winter nights, they moved the games to the afternoon, followed by noshes in the restaurant.
The group never had a name or any formal structure, but after Morley Koffman, a Vancouver lawyer who was a founding player, passed away in 2015 at age 85, they dubbed themselves Morley’s Minyan in his honour.
The players and their families formed tight bonds. Morley, a meticulous record-keeper, would hold back some of the cash from the kitty each week to put toward an annual group golfing and eating excursion in Seattle with spouses.
“I think that appeased the wives because they got to go to Seattle and go shopping or whatever,” speculated Carolyn.
While her husband joined the game in person before the pandemic, she came in only after it went online.
“They’ve never said no girls but there’s never been a woman in the game before,” she laughed. She’s not sure she’ll be invited when they return to live games.
“When we go back to live, she will be there,” her husband insisted. “The other guys will want her there, trust me.”
Her father foresees some potential gender conflicts, though.
“The problem with adding women is, I can think of at least two others whose wives are better players than their husbands,” said Lyall. Another issue, he said, is that some wives may not know how much money their husbands have been losing all these years.
It’s a friendly game – for the most part. Lyall shared tales of sharp competitiveness, referring to some players as “archenemies.”
His daughter downplayed the sharp elbows, insisting it’s all fun and games.
“It’s all fun and games to watch them get at each other,” her father retorted. “There was a lot of hostility between one player and the next. I could tell you some stories.”
“They like ripping each other,” conceded Carolyn, “especially my dad and Murray, they’re old friends.”
When Murray makes a big raise, Lyall studies his opponent’s face.
“I can tell – when his lip starts to quiver, he’s bluffing,” Lyall said. This puts Lyall at a disadvantage in the online game, where faces are obscured and quivering lips are undetectable.
Morley’s Minyan as their avatars playing on Pokerstars. (image from Carolyn Aronson)
The Aronsons used to jet off regularly to Vegas to play the game. When Lyall invited his son-in-law to join about four years ago, he warned him that the group takes things seriously.
Tony acknowledged, “When Lyall first invited me to join, he said to me, ‘Tony, you gotta think about whether you want to play.’ I said, ‘I can handle it.’”
But joining a group already (long) in progress involves some adjustments.
“I said, ‘What games do you play?’” Tony recalled. “He said, ‘It’s dealer’s choice. You can play any game you want.’ I said, ‘Oh good, that’s nice.’ The first game I arrived at, it came around to me and I said, ‘OK, we’ll play Omaha.’ ‘No, no. We don’t play Omaha.’ So I said, ‘OK, how about Three-card Monte?’ ‘Nope, we don’t play that.’ I said, ‘I thought it was dealer’s choice.’ They said, ‘It is. Seven or five card stud, whichever one you want.’”
The games are not penny ante, but nor are the pots nothing. A hundred or a couple of hundred bucks may be at stake but the bragging rights are the real jackpot.
Recently, Murray had a big win.
Carolyn said, “I heard my dad talking to him two days later and he said, ‘I’m still walking four feet above the ground.’ He’s phoning everybody he knows to say that he won at poker.”
For the longer-term players, these connections constitute decades-long friendships.
“Some of these people he’s maintained the relationships with them for 50, 60 years,” said Carolyn.
Added Tony: “For the younger generation – Larry and Joel and Carolyn and myself – it’s just been an amazing way to connect with these people in a way that we probably couldn’t have before and it feels good that, during COVID, we have been able to put them together and give them the joy of something that they love that they couldn’t do.”
“It’s always an entertaining evening,” Lyall said, “no matter whether you’ve won or lost.”
Left to right: Sofie Kane, Zachary Bellward and Angus Yam in Studio 58’s The Rocky Horror Show, with costume design by Donnie Tejani and makeup by Weebee Drippin. (photo by Emily Cooper)
“It’s the fun and freaky escape we’ve all been craving!” announces the press release for Studio 58 at Langara College’s The Rocky Horror Show. And it’s a statement that’s proven true, with an almost sold-out run as the JI went to press this week.
At least two Jewish community members are involved in the production, which takes place live in the theatre Feb. 3-20. Josh Epstein directs and Itai Erdal created the lighting design.
Amid the happy news regarding ticket sales, COVID continues to cause challenges. “We have multiple Plan Bs and we update them often,” Epstein told the Independent. “Enough of the show has been learned that I know, wherever we end up, this incredible group of performers can entertain.”
While Epstein has done other creative works over the past two years, and so has experience dealing with all the pandemic regulations, this show has been “way harder,” he said.
“I was involved in Craigslist Cantata, which was a filmed production; and a workshop of a new musical at Studio 58 I co-wrote, it was basically an outdoor concert. With Rocky Horror, the cast is large, the lighting, sets and costumes are all world-class. We are being extremely careful to follow all regulations, Studio 58 guidelines and avoid infection. We took a week on Zoom when needed and made other adjustments as needed. I also have two kids under 2 – that’s really the harder part!”
Erdal also has been busier than many in the performing arts sector, but he, too, is finding the situation difficult.
“I have been luckier than most designers I suppose, but still, the last couple of years have been a real struggle, both financially and mentally,” said Erdal. “Just last week, I had to postpone my one-man show How to Disappear Completely, which was scheduled to run at Presentation House in North Van – one of the toughest decisions I had to make.
“Making a living as a theatre artist is tough in the best of times,” he added. “Right now, it’s damn near impossible. It’s been tough mentally too – I basically sat at home for a year between November 2020 and 2021. Fortunately, I’ve been writing a play about my military service [in Israel], so that kept me busy and sane for that year.”
That Erdal is also a writer, producer, performer and artistic director (of the Elbow Theatre) must help in his design of lighting for a production, which begins with his reading of the play in question, “taking notes of things like locations, time of day, mood, atmosphere, effects (lighting, gun shots, smoke, haze, etc.).”
He then meets with the director to “hear their vision of the piece and if they have any specific ideas about lighting. Ideally, this is before the set is designed so I have some input into the set design – Is it an abstract set or a naturalistic one? If the set has walls on the sides, then I can’t use side lighting; if it’s staged in the round, it will obviously change my design.”
He takes more notes while watching rehearsals and, for a musical, like Rocky Horror, he needs to know exactly where the performers are for every song.
“Then I will go home and draw the lighting plot – this show has about 150 lights and the crew needs to know where every light is hung, which way it’s facing and what colour or pattern it takes. Then we hang all the lights, circuit them and patch them to the lighting board.
“After the hang is finished,” he said, “we focus all the lights and then we record the cues. A musical will typically have anywhere between 200 and 300 lighting cues, so that will take awhile to record, at least 12 hours. I use light walkers and ask them to stand where the performers will be standing and we record all the cues and put them all in the prompt script so the stage manager can call the show.”
The performers are then shown their every cue, being told “where to stand, making sure the director likes how it looks and the stage manager knows exactly when the cue is called. In a musical like Rocky Horror,” said Erdal, “the vast majority of the cues will be called with the music, so I would give the stage manager a detailed cue list that includes bar numbers so the show can be called musically. After practising all that for a few days, we add the costumes and all other design elements and do a tech dress and then a dress rehearsal. After that, the audience comes in for previews and we do a few last tweaks before we open the show.”
Collaboration is crucial and it’s one of Epstein’s favourite parts of directing this show – working with the students and the creative team. “After a few years away from this process,” he said, “there is nothing that gets me jazzed more than bouncing artistic ideas off each other and then guiding them to life.”
Given the popularity and longevity of The Rocky Horror Show – first staged in 1973 and then made iconic by the 1975 film adaptation – one might be intimidated when faced with staging it, but not Epstein.
“I love and trust my artistic team and give them a lot of ownership over where we’re headed. If we each dream big and make it happen, it will be unlike any other production – and I think we’ve done that,” said the director.
“Usually,” he added, “I avoid any other productions or history of a show but Rocky Horror has had such a unique life. I researched its beginnings, looked for lyric changes, did consultations with different communities, made conscious decisions about context and intention. I really took to heart ‘Don’t dream it, be it’ and have made that a touchstone of our show – that you can be whoever you want to be and, more importantly, be fabulous.
“One thing that’s going to happen,” Epstein concluded, “is we’re going to honour the audience that this show created, in a big way.”
When it was warmer, back in the fall, I met an older friend outdoors for coffee. A third person was there, someone she wanted me to meet. She couldn’t imagine how I’d never met them before. Winnipeg is like this, small enough so that everyone might have a few connections in common. Big enough that, actually, you don’t know everybody either. As it turned out, my new acquaintance was someone in the Jewish community. By the end of our meeting, I’d learned that she really didn’t like when new melodies were introduced at services. I suggested that it was important to keep learning, that the melodies themselves weren’t what was important. And that, in fact, some of the “new” melodies introduced were pretty old themselves, but just hadn’t been used at the congregation she’d attended.
She wasn’t to be swayed. As we parted, it was clear that I liked the changing tunes and she, most certainly, did not. This exchange came to mind because at the Saturday morning Shabbat service I attended (via streaming only) on Jan. 1, Adon Olam was sung to – snort – the tune of Auld Lang Syne.
All this came to mind, too, as I considered the Jan. 5 anniversary of when I started studying Daf Yomi, a page of Talmud a day. This year, in 2022, I’ll have pursued this endeavour for two years. I’ll be a fourth of the way through the commitment. At a page a day, this process takes seven-and-a-half years. For me, it’s mostly a solitary practice. I study late at night before I go to sleep, and only occasionally learn with others during a special class or siyyum (celebration when finishing an entire tractate).
I read mostly in English translation, only reading the Hebrew and Aramaic in chunks when I’m not too tired or struggling too much with the text. It’s not perfect, but it’s what I’ve got for now. It’s enriched my Jewish learning and practice. Now I find answers for many things I never knew before – the information has always been there, spelled out in the Babylonian Talmud.
For instance, I read in the tractate Megillah, on page 21, about the seemingly arbitrary rules we set up for ourselves – like how many parshiyot (Torah portions) we read, how many people can read each one and when. For the Megillah reading on Purim, we can sit or we can stand, we can hear one person read or several. How does this work?
I flashed back to all the different ways I’d heard the Megillah or even read it through the years, from spiels and Purim carnivals as a kid and onward. I remembered when I read the Megillah to myself in an airport on the floor, on a long layover between flights.
One snowy, cold Purim, crammed into a smaller, overheated, crowded room at Chabad, one of my twins nearly passed out in his polar bear costume. I rushed him through the open fire door, into the hallway, to the emergency stairwell. His colour returned as he cooled down. This, too, was a place to hear the Megillah.
Before my son nearly passed out, I remember that we were sitting near someone who smiled at us, in the integrated seating (men and women sat together) area. He was familiar, part of the community. Only later, it turned out he had a date in court for something that went very wrong. This also is community.
I thought a lot about variations to traditional practice last week as we watched services, streaming, on Shabbat morning. It was a bitterly cold morning in Winnipeg, the kind when the windchill is -45 and you feel remarkably lucky if your car starts. Except, because of COVID, we didn’t have to decide to stay home or go. On Jan. 1, there were only three people in the sanctuary. Two people ran the service, and one person did the streaming.
A service must be adaptable. One person, the cantorial soloist, read the entire Torah portion – a real feat, she did a beautiful job. So, I thought, here we have a tradition with a lot of rules, a lot of “ways things should go,” but also, to keep our traditions strong, we build flexibility.
In Megillah 21a, it says, if it’s the custom to say a blessing before the reading of the Megillah where you are, say a blessing. If not, don’t. Later, it explains, yes, here are the blessings to say and it’s good to say a blessing, but it’s a truly open discussion. Do what works and is usual where you are.
In the midst of the Omicron wave, I hear a lot of random but repeated comments: “in-person schooling is much better” is one. However, safety and avoiding healthcare collapse really must come first, in my view. In our family, during most of the 2021-2022 school year, we did remote schooling. I worked, writing at night. As a former teacher, I was able to help my kids learn and guess what? They came out of it better academically prepared than they were previously. What does this mean? There is no one size fits all. There’s no perfect way to be.
We are all different. Yes, we need to work together, as individuals and communities, to acknowledge this pandemic challenge. We must choose to do everything we can to be as safe as we can: vaccinate, wear high-quality masks like N95s, stay home as much as possible, social distance, self-isolate when sick, etc. But, there isn’t just a single way to take care of a community. That’s what Torah – and the talmudic tractate Megillah 21 – tell us. There isn’t just one way.
Joanne Seiffhas written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.
