pandemic

Campaign launch nears

Comedian Elon Gold will perform a full show of comedy at the launch of the Jewish Federation of Greater Vancouver’s annual campaign on Sept. 11. (photo by Limor Garfinkle)

Comedian Elon Gold helps the Jewish Federation of Greater Vancouver launch its annual fundraising campaign on Sept. 11.

The last time the Jewish Independent spoke with Gold, in 2019, he was driving from his home in Los Angeles to Las Vegas, with his family, for a Jewish National Fund event. This time, he had returned home from New York, where he performed gigs all over the East Coast, from DC to Jersey to the Catskills.

It’s a tradition for Gold and his family – wife Sasha and their four children – to spend summers in New York, though, this year, his oldest son, 24, has a job, so had to stay in Los Angeles.

“We all have really fun summers together because both of our families are from New York,” said Gold. All their oldest friends are also in New York, he added. “So, it’s like a summer of recharging, with our roots and our family and all that.”

Amid performing at various venues, working on a film, writing a TV series and creating a new comedy special, among other things, Gold gets great joy from doing shows for Jewish organizations.

“My motto is, ‘everything matters and nothing matters.’ That’s how you should look at life, and that’s how you should look at gigs,” he told the Independent.

The nothing matters isn’t about being “lackadaisical and lazy and dismissive,” he said, but more about reducing the stress level.

“It doesn’t really matter, it’s just a gig. If it doesn’t go well, I’ll have another one tomorrow, whatever, it’s fine. It takes the pressure off,” said Gold. “But everything matters is also a big part of it, because everything does matter, and every gig, to me, is important.

“It’s important for myriad reasons. The whole community is getting together and to let them down would be very upsetting, not just to them, but to me,” he said. “I always call these nights of community, unity and comedy. So, it does matter that you not just do well, but I try to hit it out of the park every time.”

photo - Elon Gold performs in Vancouver Sept. 11 — Elon Gold performs in Vancouver Sept. 11. *(photo by Limor Garfinkle)*

Since the Oct. 7, 2023, Hamas terror attacks on Israel, community gatherings like the Federation’s campaign launch, are especially important, said Gold.

“We need these nights more than ever before,” he said. “We need these nights to forget that the world hates us, which also is perception, not reality…. The world doesn’t really hate us – there’s far too many people who do hate us, but the world as a whole?

“I was talking to my friend in Israel – I’m writing a TV series in Israel that we’re going to film there, hopefully in the spring – and he was saying he just went to Greece. All you see on social media is they hate the Israelis, [but] everyone we met said, ‘Oh, you’re Israeli? Wow, welcome,’ and gave us hugs.”

That being said, Gold acknowledged we’re living in a frightening time and antisemitism is prevalent.

“But it’s not omnipresent, it’s not everywhere,” he said. “It’s groups of people. There have always been groups of people who hate us, and I always say to Jews, don’t take it so personally. Usually, those groups hate other groups. It’s not just us that people hate. Racism doesn’t start and end with us, but, for some reason, we seem to be the favourite scapegoat of humanity and a lot of it is on us. And, again, I’m not dismissing antisemitism – it is so real.”

Referencing the Jewish man in Montreal who was beaten in front of his children, calling it “disgusting,” Gold said, “It’s really a constant, whether it’s Colorado or DC or wherever you look, there’s another attack, so that’s why we have to be strong and vigilant and stay safe, but also we can’t live our life through the prism of everybody hates us and everything’s terrible. The truth is, a lot of people have always hated us, and whether it’s, ‘they are drinking the blood of Christian children’ to ‘they’re starving Palestinian children,’ they’re blood libels. This is the latest iteration of a blood libel that gives the haters an excuse to hate.”

Gold pointed to inaccurate reporting by the media, including the New York Times’s use on its cover of a photo of a sick, emaciated child in Gaza, wrongly claiming the child was starving.

“It turns out it’s a genetic disease that he has,” said Gold, “and so many of the pictures have been falsified and misrepresented as starvation, when they are children with diseases, which is tragic in its own right, but to blame Israel … and to put that on the cover of the New York Times, that incites and emboldens the haters to hate us and attack us even more. So, it’s all based on lies. The only truth is that there is a war that Israel didn’t start or want and must fight to the end or there’ll be Oct. 7 every day until the last Jew standing. So, we shouldn’t apologize for defending ourselves ever again – but we do have to clarify all the mistruths out there that are representing the Jewish state, and thereby the Jewish people, in the worst light.”

After Oct. 7, Gold needed to step back from work. “For the first few weeks, I found no humour, I was in a state of shock and traumatized, like everybody,” he said. “I actually canceled gigs, I couldn’t do them.”

But one gig he wasn’t allowed to cancel was emceeing a Jewish Federation of Los Angeles event that happened in the shadow of Oct. 7.

“Steven Singer from the Federation in LA said, ‘No, no, we’re insisting that you do it, and that you do open with 10 minutes of comedy in a respectful way. We really need this and … even though we’re still mourning, we have to start healing…. It was the first time I went back on stage, almost a month in,” said Gold.

The terror attacks and the hostages are continually on his mind, he said, but he must pull himself back from those thoughts.

Fortunate to have had an “average to normal childhood,” with parents who “are amazing and brought us up in a loving, happy house … my comedy doesn’t come from pain,” he said. “And now, I’m in more pain emotionally than I’ve ever been with everything going on, but I push it away because, if I delve in too much for too long, I won’t be able to come out of it, I won’t be able to be the funny guy.

“And it’s not just my responsibility,” he said. “In life, I’m fulfilling my purpose by being light and fun and funny, and bringing that to other people, so I can’t get too into it because my rage for what happened and what’s happening and how the world is denying or excusing Oct. 7, the way the world’s demanding the end to the existence of our ancestral homeland – it’s so infuriating and so depressing. If I focus and harp on it too much, I won’t be able to deliver the goods.”

And delivering the goods is something he is compelled to do, by his very nature. When COVID-19 hit and the forecast was that it would last only a few weeks, Gold said his first thought was that he’d catch up on every TV streaming service, binge on shows he’d never been able to watch with four kids and a job that is pretty much 24/7. But, by Day 2 of the pandemic, he was doing a daily show on Instagram Live called My Funny Quarantine.

“Every day at 6:13, which is the number of mitzvahs in the Torah, I would do an 18-minute show, which is also, again, significant, 18 is chai [life],” he said. Most of Gold’s Instagram followers are Jewish, so the show had a lot of Jewish themes, though the guests were wide-ranging, including comedians from Jim Gaffigan to Bill Burr to Tiffany Haddish, Jay Leno and Michael Serra.

Gold’s friend, screenwriter and director Jeremy Garelick, loved My Funny Quarantine and suggested Gold do a Jewish dating show every Saturday night.

The Bachor (bachor is Hebrew for young man, guy) ran for a couple of years. “I made two shidduchim [matches],” said Gold.

“It was a way for people to connect, and no one was doing anything, no one could go anywhere, and I had so many people watching live,” he said.

Gold also did Zoom stand-up shows and outdoor performances during the pandemic. More recently, he worked on the film The Badchan, spending a month in Israel for it. He’s been to Israel four times in the last two years, he said, doing shows.

“Badchan is like a wedding jester,” Gold explained. The film was written by Shuli Rand and Gidi Dar, who did the 2004 film Ushpizin (Guests) together.

“To me, every decade has a seminal cultural Jewish film, like Yentl or Fiddler or The Chosen or their Ushpizin,” said Gold. “And I think this is going to be that film of this decade. It’s going to come out in November, hopefully.”

Gold is currently developing a new hour-long comedy special, which will come out sometime near the end of next year perhaps.

“It’s really exciting,” said Gold, “because Chris Rock, one of my comedy mentors, he said every special should be like a thesis and I have the thesis for this one, and I already have been closing for 20 minutes with this thesis. And so, now I’m just building it out, and I think it’s going to be very fun and relatable, because I’m getting more personal in my comedy.”

He said, “The more you reveal, the more they relate.”

“Little arguments with the wife, little stories that happen, when you share them, I have not just men but women coming over to me going, oh my God, are you in my house? How do you know this happens? I’m like, because it happens to me…. The comedian’s job is to relate and connect, to have this shared experience where you’re taking observations about human behaviour … and laughing about it.”

As for Gold’s performance here on Sept. 11, it represents more than just a good many laughs.

“I think everyone should come out,” he said. “I think we all need nights like this event, and supporting your local community and your local Federation, that’s one of the best ways to help us all get through these tough, insane times where the world feels upside down. I’ll try to turn the world right side up for even just a little bit, even just for one night.”

For tickets ($36) to Gold’s show on Sept. 11, go to jewishvancouver.com/faco25.

Artist reflects on career

Imre Székely, left, gives his artwork to then-prime minister Jean Chrétien. (photo from szekelygallery.com)

From his hometown of Győr, Hungary, a city halfway between Vienna and Budapest along the Danube River, to his studio in Victoria’s Chinatown, Jewish community member Imre Székely has been creating art for more than five decades, primarily in the linocut/monotype style of printmaking.

Linocut, also known as lino print, is a design carved in relief in linoleum. The art form was popularized in the early part of the 20th century. In monotype, an artist presses ink directly onto a plate. The plate is then pressed against paper to transfer the ink.

As Imre Székely’s approaches 70 years old, he looks back at his career. (photo by Kor Gable)

Székely discovered his calling early in life, under the tutelage of Imre Krausz and István Tóvári-Tóth, both distinguished artists in Hungary. However, Hungary in the 1970s and 1980s was no place for anyone whose views differed from those of the regime.

“The communist regime at the time did not have a role for a forward-thinking, modern artist. There wasn’t much chance of self-actualization,” Székely told the Independent.

Thus, in 1987, he said goodbye to his family and jumped on a westward-bound bus. His first stop was a refugee camp in Austria, then on to France, the Netherlands and, finally, Canada, in 1988. After stops in Winnipeg and Toronto, he set off west where, in 1991, he settled in Victoria, finding the provincial capital to be an ideal spot for his professional and private life. His wife and children joined him shortly after he arrived in British Columbia.

Székely describes himself as a hyper-surrealist artist, who blends “a variety of colours, patterns and shapes that are the spices of life.”

Throughout his career, he has donated his works and given them to people who couldn’t otherwise afford a work of art. He also has presented his artwork to provincial ministers, foreign dignitaries and prime ministers.

In 1999, for example, he traveled to Rome for a personal audience with Pope John Paul II, to donate his work “Abba Pater” to the Vatican.

In 2001, he showed his gratitude to his adopted homeland by donating his art-deco-styled piece “Canada: Past, Present and Future,” to then-prime minister Jean Chrétien, who accepted it on behalf of the government of Canada.

“This occasion was especially meaningful to me, as it presented a way to express my thanks to Canada for accepting so many refugees to this country with open arms,” said Székely, who has also presented a work to Prime Minister Justin Trudeau.

“Gifting Justin Trudeau with one of my art pieces was a highlight in my life … this kind of event was impossible in my home country under communist rule,” he told Senior Living Magazine in 2021.

One of the works of which he is most proud, “Hungarian Conquest (Honfoglalás),” was presented to the Hungarian parliament in Budapest. When, in 2010, Pecs, Hungary, was chosen as the European Capital of Culture, Székely provided the city with 31 of his works for a solo exhibition. His hometown Győr’s city hall houses his artwork and he has donated his works locally, to the City of Victoria and to the Hungarian consulate in Vancouver.

photo - Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II — Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II. *(photo from szekelygallery.com)*

At the height of the COVID-19 lockdowns in 2020, retreating to his studio, Székely produced “Satan Sneers,” a work in which, as an artist, he detaches himself from shared circumstances to show pity for the human race as it confronts an undetermined fate.

Székely sent a photo of the work to Dr. Tedros Adhanom Ghebreyesu, director-general of the World Health Organization, in the hope of donating the work. According to Székely, Dr. Tedros (his preferred moniker) liked the piece very much.

“Unfortunately, I couldn’t personally hand it over to him in Geneva at the time because the two-week quarantine was introduced before my departure,” Székely recalled.

In 2021, the artist created a work entitled “Hope and Genius,” dedicated to Katalin Karikó, the biochemist and researcher at the University of Pennsylvania, who, together with Drew Weissman, took home the 2023 Nobel Prize in medicine for work leading to the discovery of mRNA vaccines to fight COVID-19.

“She deserves lots of thanks and appreciation from us all,” he said. “My work is recognition and homage to her human and scientific greatness.”

At present, Székely is working on several projects, one of which is called “Magical Artificial Intelligence,” a surrealistic piece on what he views as the issue that offers the most positive potential for humanity – and the most danger.

He hopes to donate works to other notable people in the political and business worlds, such as Bill Gates, Kamala Harris and Ernő Rubik, a fellow Hungarian who invented the Rubik’s Cube.

As he approaches his 70th birthday in December, Székely said he feels freer now than at any time in the past, drawing strength from family, friends and art.

“Artistic creation is the outflow of strength, good mood and joy of life. A true artist enjoys his own creative power. Creation is one of the most difficult things in the world, creating from nothing,” he said.

“I am convinced that art and culture will unite the world again. I know that artistic ability can be viewed as a blessing, but it is worthless without creative work and humility.”

For more on Székely, visit szekelygallery.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Freedom and friendship

Achiya Klein and Joy at Trout Lake Park in Vancouver April 4. Klein and Joy were brought together by the Israel Guide Dog Centre for the Blind. (photo by Cynthia Ramsay)

“The Israel Guide Dog Centre is not just a centre,” said Achiya Klein. “It’s like a family.”

Klein and his assistance dog, Joy, came to Vancouver from Toronto earlier this month with Atarah Derrick, executive director of Canadian Friends of the Israel Guide Dog Centre for the Blind. The Independent met with them at Trout Lake Park April 4.

It was an educational experience to see Klein and Joy interact, like a unit. Even when Joy was off leash, clearly enjoying the freedom of running around on her own, meeting other dogs, she would respond to Klein’s occasional check-in whistles or calls. Being a Hebrew-speaking dog, one wonders what she had to say to her Canadian compatriots. Only once, enticed by the lake, did Joy hesitate to return to Klein, but she did – and before taking the plunge she so obviously wanted to take. On our walk, Derrick explained that all the

Israeli guide dogs have English names so that the animals will know it’s them being called – imagine, she said, if a client called out a name like Yossi in an Israeli market, for example.

Klein has had Joy since the end of last October, since his first guide dog, Night, passed away at the age of 8.

“Having a guide dog is my way to get my independence again,” said the Israel Defence Forces veteran, who was injured in 2013. “I can do whatever with a guide dog because I can walk alone, with no fear, and being comfortable.”

Klein has serious visual impairment. “I have some sight,” he said, “but it’s minimal.”

A team commander in Yahalom, a special unit of the IDF that deals with the handling of dangerous ammunition and weapons, Klein was injured in a Gazan tunnel. “I was on a mission to demolish the terror tunnel that crossed into Israel,” he explained, “and, when we were walking in the tunnel … there was a booby-trap, and I got injured from that when it exploded.”

Klein moved to Canada with his wife, who is Canadian, in 2023. Noach Braun, the founder of the Israel Guide Dog Centre, personally brought Joy to Klein, where he worked with the pair for 10 days. The training period was shorter than usual because Klein had already had a guide dog. Normally, after matching a client with a dog, the pair train together for a few weeks at the centre, which then provides more training in the client’s home environment.

“It’s not like they just give you a dog and say, ‘OK, good luck,’” said Klein. “It’s more than that, and I think that one of the best examples is, after Night passed away, even though I was in Canada and I was supposed to go to Israel to receive a new dog, because of Oct. 7, I couldn’t make it to Israel, so Noach … came here during the war. He came here with Joy and I think that’s a beautiful story, to show what it means to be a part of the family.”

According to Derrick, who has been leading the Canadian Friends of the Israel Guide Dog Centre for the Blind since 2021, the centre has placed 796 guide dogs, 39 post-traumatic stress disorder (PTSD) dogs and 442 emotional support dogs, for a total of 1,277 since its founding in 1991. In 2023, there were 176 puppies being raised by centre volunteers, she said.

“The IGDCB (as it is known in Israel) serves Israel’s blind community by providing them with mobility, independence, self-confidence and companionship through the faithful assistance of guide dogs specially trained in Hebrew to meet Israel’s rigorous and challenging environment,” Derrick explained in an email. “We also breed and train service dogs for IDF veterans who have service-related PTSD and provide emotional support dogs for children on the autism spectrum.”

Canadian Friends of the Israel Guide Dog Centre for the Blind was established almost 20 years ago and Canada accounts for 6.6% of donations, according to its 2022 annual report. It is one of Derrick’s goals to increase that amount.

“I have always been passionate about community service and working in the charity sector, raising funds for vulnerable communities,” she said. “I’m a real dog person and, when the opportunity opened at Canadian Friends of the Israel Guide Dog Centre, it was the perfect match for my skills, interests and passions – helping people, Israel and dogs!”

Last year, Derrick and Braun visited Vancouver to visit donors and meet others interested in the centre’s work. “Everyone asked us to come back soon, preferably with a client and their dog, so they could see our work in action,” said Derrick, which was why she came this spring with Klein – who has become, she said, since being injured, “a Paralympic rower, a dedicated skier, a father and an asset to the IDF” – and Joy.

“We visited Vancouver Island first, with a meeting in Ladysmith to meet new friends there,” said Derrick. “We then headed south to Victoria, specifically Chabad of Vancouver Island. Then we moved east to Vancouver, where we met with Schara Tzedeck, the Kollel, and held a parlour meeting at the home of new friends. It was such a lovely visit, and we got to meet terrific people with whom our work really resonated.”

Initially, former Jewish National Fund shaliach (emissary) to Vancouver Mickey Goldwein, his wife Lili and her dog, Zita, were to accompany Derrick on the BC visit. Unfortunately, they couldn’t make the journey from Israel.

Lili Goldwein was partnered with Zita in 2018, explained Derrick, “because Lili’s vision had significantly deteriorated. Mickey joined the Israel Guide Dog Centre for the Blind’s board in 2022.”

The need for the centre and its services has increased since Oct. 7.

“Due to this war, we altered the criteria for receiving an emotional support dog to provide an immediate response to those injured or suffering due to the war,” said Derrick. “Since then, we have provided our emotional support dogs to children and adults with special needs whom the war has immensely impacted. Some of these people fought on Oct. 7 and were discharged immediately because of the trauma they endured. Some are widows of fallen soldiers. Some have been afraid to leave the house for months.

“We are aware of some soldiers who have lost their vision in this conflict, and we need to be ready for them when they need us. This is in addition to the current clients on the waitlist,” she said.

The war also has disrupted the centre’s training, which may impact the number of guide dogs it can provide this year. “But we are doing our best to meet the challenge,” said Derrick.

photo - Atarah Derrick, executive director of Canadian Friends of the Israel Guide Dog Centre for the Blind, with Cookie — Atarah Derrick, executive director of Canadian Friends of the Israel Guide Dog Centre for the Blind, with Cookie. (photo from Atarah Derrick)

And they are meeting the challenge while still feeling the effects of the pandemic.

“COVID had two major impacts on our training,” said Derrick. “The first was in the socialization of our puppies. In their first year, it’s crucial to expose them to as many environments as possible. The office or university, the mall and the train station are all places where our pups get to experience lots of people, noises and smells and become more comfortable navigating those environments. Because of the lockdowns, most were cut off from those experiences, and many were not ready to take on service work. So, our success rate through COVID dropped, and our clients had to wait longer periods for their dogs. This was the case worldwide.

“The second was that we were not able to open our residences to clients in guide dog courses. When a person is partnered with a guide dog, they live in residence with us for two weeks while they train together with our professionals. This was impossible during COVID, so our trainers went to the clients and worked with them at home, one-on-one, to complete the course. We put a lot of mileage on our vans during those years.”

Now, it is hospital visits that account for some of the mileage being put on the centre’s vans, with puppies and guide-dogs-in-training traveling to offer comfort to injured soldiers and civilians across Israel.

“As the war rages on, we’re committed to continuing this mission of love and compassion,” reads the centre’s latest blog. “Because no matter the circumstances, a little bit of puppy love can go a long way in healing hearts and bringing people together.”

Seeing Klein and Joy together at Trout Lake Park and getting a glimpse of what having a guide dog has meant to Klein, the importance of the IGDCB’s work seems clear.

“They provide you with one of the most basic tools that you use every day,” Klein said. “But it’s not just a tool, it’s also a friend.”

To learn more about the Israel Guide Dog Centre for the Blind, visit israelguidedog.ca.

Creating a community

Laura Rosenberg and Andy Muchin co-founded the Victoria Jewish Culture Project with Farley Cates. Here, the two participate in the group’s 2021 Passover seder (screenshot)

In late 2019 and early 2020, before the pandemic struck and lockdowns took effect, a group of friends in Victoria gathered to talk about forming a cultural group – a havurah, or casual and friendly meeting place for people to discuss art and social events through a Jewish lens.

As COVID hit, with everyone at home and in-person meetings impossible, the group, which had called itself the Victoria Jewish Culture Project, held its first gatherings over Zoom. These days, the VJCP, under the leadership of members Laura Rosenberg, Andy Muchin and Farley Cates, still meets weekly and for Jewish holidays over Zoom.

“As a result of what at that time felt like an interim, for-the-moment format, we started having a variety of events on Zoom, including holiday celebrations and commemorations, as well as a weekly discussion group,” said Rosenberg. “I am shocked to note that here we are almost four years in.”

The discussion group at first would meet to go over the Torah portion of the week. Once the biblical cycle was complete, the group shifted to different social and cultural topics from week to week. While most of the VJCP attendees are based in Victoria, they have active members elsewhere. Because their meetings are held on Zoom, geography does not pose a barrier.

“We have an active Zoomer from Salt Spring Island every Saturday,” said Muchin. “For some of our holiday events, we have people pop in from various places – relatives of friends, friends of friends, even my sons played roles in our Zoom Purim spiels, from different American cities.”

“VJCP is basically a group of people who generally view things from a secular humanist perspective. The biggest thing we are offering right now is the opportunity for some discussion among people of different backgrounds,” said Cates. “We want to look at things critically and think things through.”

Rosenberg said, while she was excited about a weekly discussion group four years ago, she never anticipated it would end up becoming such an important venue for the exchange of ideas and a catalyst for many of the other events the group has organized. Holiday celebrations have included a drag Purim spiel, co-sponsored with the Klezbians band and an outdoor Tashlikh ceremony at Esquimalt Gorge Park.

“It has been a generative force and this, I think, is something which will continue to be a core activity for this group, and [it will] continue to generate ideas and thoughts that can bring a number of different activity spin-offs,” Cates said.

“I would go so far to call the Saturday morning a ritual we have developed for ourselves. It is really a part of my Saturdays. There’s always a critical mass of people,” said Muchin. “It is a great ongoing connection for us in addition to being a wonderful way to explore issues.”

“What we are trying to do,” explained Cates, “is reflect on what the Jewish community is faced with, as well as what other communities are faced with, and what the world is faced with generally.”

Since the events of Oct. 7, the members of VJCP have expressed gratitude for having a “safe haven” in which civil and open discussion can take place.

“We have a forum where we can discuss these things that were obviously deeply painful and could have been very divisive, but we could discuss them in a respectful manner – even when, as individuals, we did not always agree,” Rosenberg said.

Aside from the VJCP, Rosenberg, Muchin and Cates have been engaged in various aspects of Jewish cultural life and beyond for a long time. Rosenberg plays concertina for the Victoria-based, all-female klezmer ensemble Kvell’s Angels. She is also the newly appointed director of Klezcadia, a klezmer music and Yiddish culture festival run through Victoria’s Congregation Emanu-El. The festival will have its inaugural season in June 2024.

For the past 13 years, Muchin has been the host and producer of Sounds Jewish, a weekly radio show that airs on Mississippi Public Broadcasting and is distributed on PRX, a web-based radio platform. As well, he is active with the Victoria International Jewish Film Festival (VIJFF) and has written for several Jewish publications.

Cates has been co-director of the VIJFF for four seasons. Outside the Jewish community, his “pet project” is Theatre Inconnu, the longest-surviving alternative theatre company on the island, where he serves on the board. Furthermore, he is involved in various cultural activities in the Victoria area, such as a performing arts centre on the West Shore and the Arts & Culture Colwood Society.

The VJCP says the group is open to new members and welcomes suggestions for activities or programs others are interested in pursuing. They are holding a Hanukkah party over Zoom on Dec. 15 at 7 p.m. For more information about the event and/or the VJCP, write to [email protected].

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Openings in wake of COVID

Inscribing what the philosopher Emmanuel Levinas might call espace vital (the space we can survive), Ouvert Oeuvre: Openings (2023) is an exploration of openings in a (never quite) post-COVID world. Written by poet, performer and cultural theorist Adeena Karasick and visualized by designer/author and vis lit creator Warren Lehrer, both the title poem and “Touching in the Wake of the Virus” track the trepidations and celebrations of openings read through socioeconomic, geographic and bodily space.

Both poems explore a range of intralingual etymologies laced with post-consumerist and erotic language, theoretical discourse, philosophical and kabbalistic aphorisms. They foreground language and book-space as organisms of hope – highlighting the concept of opening and touching as an ever-swirling palimpsest of spectral voices, textures, whispers and codes transported through passion, politics and pleasure as we negotiate loss and light.

In this first collaborative book, Lehrer choreographs Karasick’s words on the stage of the page through typographic compositions that give form to the emotional, metaphorical, historical and sonic underpinnings of the texts. Together, the writing and visuals engage the reader to become an active participant in the experience/performance of the work. The book also comes with a soundtrack recording (via QR code) of Karasick reading the poems with music composed and performed by Grammy award-winning composer and trumpet player, Sir Frank London.

Produced in a smyth-sewn, three-colour foil stamped, three-piece hardcover binding, printed on acid-free paper, Ouvert Oeuvre: Openings bridges the gap between art book and trade publication that will speak to lovers of poetry, philosophy, art, design, new media, performance, and anyone trying to navigate opening and touching in the wake of pandemics and other mass maladies.

Ouvert Oeuvre: Openings can be purchased from most online booksellers.

– Courtesy Lavender Ink

Getting back into traditions

Camp Miriam adapted during the pandemic, but nothing quite compares to being back in the old stomping grounds of Gabriola Island. (photo from Camp Miriam)

Camp Miriam is a place that holds fast to tradition. This tendency is obvious if you just look around: tables in the chadar (dining hall) are signed and dated by the former chanichimot (campers) who painted them, with the oldest table proudly displaying an impressive “1997.” Besides the tables, Camp Miriam has been running educational and Labour Zionist-oriented programming since it opened in 1948. Camp Miriam has a solid foundation of tradition and is not a place accustomed to rapid or unexpected change.

If Camp Miriam is so deeply rooted in tradition, how, then, to return to its customs after they were so rapidly and unexpectedly interrupted during the past couple of years? With 2022 constituting the first year that Camp Miriam could offer campers a full-capacity summer on Gabriola Island since 2019, there were many traditions to get back to. I, for one, had started to forget what it feels like when all of camp holds hands on Saturday nights during Havdalah. I was also having a hard time recalling the early morning energy that fills machaneh (camp) at 8 a.m., when around 200 chanichimot and tzevet (staff) are just waking up, eager to meet the day.

Of course, I did get around to remembering both the longstanding customs and everyday activities that take place at camp. But I didn’t do it alone. This summer, I worked as a madatz madrichol (counselor-in-training counselor), one of four madatz madrichimot, meaning I spent a lot of time with youth aged 16 to 17. As future leaders of Camp Miriam, the madatz were grateful to have the chance to take part in the leadership development program, especially after having lost valuable experiences to the pandemic. Throughout the summer, I watched them grow, face challenges and become people who will be important guides in the lives of Camp Miriam campers for years to come. I was impressed and humbled by all they accomplished, and it is largely through them that I was able to remember what it means to be at Camp Miriam.

So what does it mean? Camp offers lots of opportunity for personal development and growth and, at the same time, it provides a nearly criminal amount of fun, both for chanichimot and tzevet. There is avodah (labour) and a chance to take care of their summer “home,” and there are chuggim (interest groups), where kids chose an activity that interests them, like pretending to be Vikings, or swimming or making friendship bracelets. We all explored Gabriola and Vancouver Islands on tiyul (out trips), shared Shabbatot together, and contributed to meaningful conversations in daily educational programming blocks, during which we covered topics from consumerist culture to antisemitism.

While Camp Miriam adapted during the pandemic, nothing quite compares to being back in the old stomping grounds of Gabriola Island. Sure, maybe madrichimot had to explain basic elements of camp to kids more times than usual, but the synapses of the Camp Miriam community were firing and, together, we remembered. It is not a far cry to consider the summer of 2022 as a triumph – both in recovering the institutional memory of Camp Miriam, and in providing campers with meaningful summers. I, for one, know that more than one madatz went home with stories they’ll be telling to their own children.

Reflecting back on the summer, I can’t help but feel a certain amount of pride. There is pride in remembering, and it is thanks to this recovered memory that Camp Miriam will continue to grow.

Emma Paidra has been a chanichol (camper) at Camp Miriam since 2009 and she is a fifth-year madrichol (counselor).

Encouraging independence

At Camp Solomon Schechter, campers are encouraged to take some risks, embrace imperfection, connect and make new friends, and grow as leaders and good citizens of the world. (photo from Camp Solomon Schechter)

The pandemic and its restrictions on socializing greatly affected kids in particular. Being together at school and at camp gives children the chance to practise being in community and build skills around dialogue, collaboration, connection and identity. Without face-to-face interactions, in-person education and events, physical touch and their relationships, they have struggled to stand up for themselves and build the confidence they need to make their own decisions and truly find out who they are. Especially with how much social media and celebrity culture influence kids to try the latest trends to be part of the in-crowd, many of them are losing their own self-worth and misinterpreting their identities.

As many camps and groups for young people do, Camp Solomon Schechter values each child as an individual, and strives to support their social, emotional, physical and spiritual growth. At Solomon Schechter, campers have the opportunity to practise independence by choosing their own chuggim (activities) and making their cabins their own through spirited chants or personal artwork. Campers can do all of this in a safe, nurturing environment and find their passion to do what makes them happy, whether it’s arts and crafts, sports, nature or musical theatre. Every camper is encouraged to risk a little (but not without guidance and protection from counselors), embrace imperfection, try something new, connect and make new friends, make choices that support their community, and grow as leaders and good citizens of the world.

For summer 2023, Camp Solomon Schechter is making an even greater and more intentional effort to praise perseverance and inspire confidence in our campers to help them discover themselves. All of the programming this summer will be infused with key curricula that will teach campers how to set goals, show love, explore their feelings and emotions, find new activities they can be passionate about, and develop skills they can bring back home and use in life outside of camp.

One of the newest programs, started last summer, was the middot (values) system, which includes values such as compassion, respect and teamwork. This was designed to show campers the 10 values that members of the Camp Solomon Schechter community uphold. Each value corresponds with a coloured bead, and a camper received a bead from a counselor when they displayed one of the 10 values. Each cabin of campers collected their beads in a jar and, once they reached 25 beads, they received an award.

“We’re immensely proud of this program and the campers who displayed these values all throughout the summer. We believe that this program and others are crucial in developing confidence,” said Zach Duitch, Camp Solomon Schechter executive director. “We know that they will treasure these values and take them with them as they grow and begin participating in the community at large. We can’t wait to bring our middot program back to camp this summer and see how our campers have used these values outside of camp.”

– Courtesy Camp Solomon Schechter

Father’s Day ride for STEM

A few dozen cyclists participated in last year’s ORT Vancouver Ride for STEM. (photo from ORT Vancouver)

The third annual ORT Vancouver Ride for STEM takes place on Father’s Day, June 19. The cycling event, which begins and ends at Richmond Jewish Day School (RJDS) grounds, raises funds for STEM programming – science, technology, engineering and math, said Mary Tobin, longtime executive director of ORT Vancouver.

Participants can choose from a five-kilometre, 36-kilometre or 72-kilometre ride, all of them within Richmond, which is a naturally flat environment.

Founded in Russia, in 1880, World ORT is one of the largest education and training organizations in the world. To date, more than two million students have been educated by ORT and 300,000 students benefit worldwide from World ORT projects in more than 100 countries every year. ORT schools and training centres operate in North and Latin America, Eastern and Western Europe, Africa, Asia and the Pacific, as well as in Israel.

Katia Fermon, director of Jewish life and community engagement at RJDS, said half of the funds raised will go to ORT Vancouver and half will fund programs at her school.

During the pandemic, RJDS, like many schools, was forced to adapt to remote and virtual education. Now integrating a hybrid approach, the technology that was implemented by necessity is being leveraged to strengthen the delivery of educational programs.

“Starting this year, we are trying to push our STEM programming with graphic design, programming with robots and more online education,” said Fermon. The plan is to implement more technology, design skills, programming and coding skills into the curriculum.

“Now we need the hardware to do it,” she said.

photo - Cyclists in last year’s ORT Vancouver Ride for STEM — Cyclists in last year’s ORT Vancouver Ride for STEM. *(photo from ORT Vancouver)*

Since the cycling event takes place outdoors, the partners were able to run the fundraiser right through the pandemic. Last year, she said, 35 or 40 riders participated, raising about $26,000. Because pandemic restrictions have been eased, the event is taking place during the school year this time and students and parents are encouraged to participate.

Because of the varying route length options, the return times of riders is staggered. As a result, the social component of the day takes place at the beginning.

“There’s a little reception at the start,” Fermon said. “We greet everyone, they get their water bottle, their snacks, we do a couple of pictures. We did it last year and it was very heartwarming. I don’t know of any other Jewish ride, so it becomes a very Jewish moment where we feed you, you say hi to old friends – ‘I haven’t seen you since the bat mitzvah!’ – it’s a very Jewish reception.”

Organizers are inviting everyone – not just riders – to get involved. With more cyclists than ever anticipated in this year’s event, more volunteers are still required. There is a silent auction that anyone is welcome to participate in by dropping by RJDS on the day. And, of course, donations of cash or auction items are welcome.

More information is online at ortcanada.com/vancouver or by calling Tobin at 604-276-9282.

Bigsby the Bakehouse – a survival success story

Beverley Kort is a registered psychologist by day and a cartoonist in her off hours. She recently took a course in comics journalism at the School for Visual Arts in New York and one of the assignments was to do a local story. Bigsby the Bakehouse is her local bakery in Vancouver and surviving the pandemic is a current topic. She decided to merge these two interests to create this article.

Opportunity to be healthier

There’s been much discussion about mental health, physical health and well-being as it relates to the pandemic. This can only be a good thing. It shines a light on something we should all think more about. For example, asking: “How are you doing? How are your family members and friends doing? Do they need support? Are they sad, isolated, lonely or not feeling well?” and actually hearing the responses.

Yet, once we start raising these questions about well-being, we have to acknowledge that we just don’t have the bandwidth or the social and medical infrastructure to deal with the outcomes. Many times, no one has cared, asked or listened when someone has spoken up and said things weren’t OK. It might be new for some to acknowledge that we’re not always “fine” and that there’s often not much professional help available either. (Just look at wait times to get mental health or addictions support.)

Our household had a great weekend recently. The weather was outstanding, warm and sunny, with highs of 20 to 23°C. We had outdoor experiences, with low-risk social experiences. We participated in a friendly neighbourhood cleanup and a big picnic with soccer and badminton. My kids gave me handmade art for Mother’s Day, with notes they wrote themselves. There was time for lots of good food, walks, playing and even some household cleaning. All four of us commented on Sunday night that we’d done so much, eaten well, and had so much fun.

I had so many feelings about this. I, too, loved the sunshine and the weekend’s events. I also felt physically well and energetic, capable of celebrating it all. That said, being absolutely prepared ahead of time, with lists of what we needed for each outing, a schedule, and carefully pre-organized and prepared meals was a lot of emotional labour. Like moms everywhere through the pandemic, I’ve shouldered much of this. When I woke up Monday morning, I was really tired.

The kids went to school. My partner settled down to his online meeting. I threw together food in two slow cookers for dinner and went to my desk – to work and to process my intense feelings. I knew I’d been starved for company. Seeing people outdoors, even strangers, with smiles and an intention to socialize and get to know us, was gratifying. Also, breaking out of our normal cold weather weekend pandemic routine was both fabulous and more work. Choosing to go out and chat with strangers – it was all good but also alien. That strange mix of feelings led me to think harder.

Working, I opened a fascinating listserv email about an informal comparison between Modern Hebrew, Yemenite Hebrew and Samaritan Hebrew. A Canadian engineer named Bahador Alast hosts YouTube interviews for a wide variety of languages in which he explores language, linguistics and culture. In this video, an Israeli speaker of Modern Hebrew, a Samaritan Israeli and a Yemenite Israeli all take apart informal sentences, a sentence of poetry, a sentence from the Torah (and liturgy) and another from the Mishnah (part of the Talmud). They easily code switch between their dialects of origin (Samaritan/Yemenite), Modern Hebrew, English and Arabic. They discuss the origins of their community’s pronunciations and conversational styles, their relationship to other Semitic languages and Modern Hebrew. With focus, they do all this in less than 20 minutes. It’s also done in such a friendly, open way that the moderator, Alast, who does this with many different cultures and languages, mostly sits and listens to the magic unfold.

This content stretched me intellectually, especially my auditory capacity, since I hadn’t heard these differences explained and formalized before. I loved this rare learning moment and the very specific linguistic context and comparison.

My personal realization about the weekend’s events and warmth and my Monday morning exhaustion was that context matters. The reason why it was all so fun was that we came into the weekend prepared. Also, all felt well rested and ready for lots of activity. Since the pandemic started, there has been acknowledgement of women’s household burdens with the cancellation of “regular” activities, but context matters. I had mostly the same burdens pre-pandemic and the normal run of activities made life overwhelmingly busy. The break in obligations allowed me to see the emotional labour in getting everything ready. I now sometimes can get my spouse to take on some of the load. Sometimes, we restructure things or do less.

The pandemic forced us to hit pause in many ways. Hopefully, it’s also opened up moments to make positive changes. People have always asked each other how we were, but did everyone listen to the responses? No. Many of us didn’t even have the time to listen to ourselves. Our own health and well-being can sometimes be hard to figure out. We need that quiet space to contextualize our experience. “Does this hip hurt more than it used to?” a physio might ask. However, if we don’t stop to think about what hurts or to discuss our feelings, experiences and needs, we cannot possibly contextualize them, either.

Judaism teaches us that we’re obligated to one another, in families, communities and society. Yet, if we aren’t listening to one another, we can’t help one another. Whether it’s speaking a common language with dialects or providing one another with mental health and other supports, we cannot lift one another up if we’re not listening or trying. We need to be self-aware to listen to our own bodies, minds and feelings. Then we can listen to and help others, too.

We may have a lot of health issues ahead, from long-COVID, health concerns left undiagnosed and mental health struggles. We have an obligation to recognize that we don’t have the social and medical infrastructure we need to manage it all. It’s up to us to start bridging the gaps. Listening to one another, offering context and support, is a first step. It’s an important opportunity to make things better.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.