Victoria

Raising funds for Survivors

Artists Claire Kujundzic and Bill Horne have created a Bondi Beach memorial shirt. Monies raised are being donated to Bema Productions’ high school Holocaust education tours of Wendy Kout’s Survivors. (photo from Amazing Studios)

After the terror attack at Bondi Beach, Australia, on Dec. 14, in which two gunmen killed 15 people and wounded some 40 others who had gathered to celebrate the first night of Hanukkah, Victoria artist Bill Horne hosted a print-your-own glow-in-the-dark menorah shirt event at his and partner Claire Kujundzic’s Amazing Space Studio.

“Claire and I were very distressed by the antisemitic murders at Bondi Beach, and wanted to do something,” Horne told the Independent. “I’ve screen-printed with glow-in-the-dark ink before, e.g. images of aurora borealis, and the image of a glowing menorah popped into my mind. I thought it could symbolize the spirits of those killed at Bondi Beach, as well as literally ‘light up’ a menorah on a shirt this way.”

On Facebook, Horne invited anyone who wanted to print their own glow-in-the-dark menorah to bring a shirt to the Saanich studio before one of the Hanukkah light-up events in Victoria.

image - The front of the shirt features a menorah that glows in the dark — The front of the shirt features a menorah that glows in the dark. *(photo from Amazing Studios)*

“I had a few spare, unprinted black shirts in the cupboard, so I printed them,” he said. “When our visitors saw them, they asked if they were for sale. I hadn’t conceived of this as a commercial project, and that would have felt completely wrong, so I thought it could be a fundraiser. With Zelda Dean’s permission, I announced through word-of-mouth and our studio’s newsletter that we would be printing the shirts to raise funds for the high school tours of Bema theatre’s production of Survivors, as part of BC’s Holocaust education.”

Horne and Kujundzic, neither of whom is Jewish, have seen the play.

“It was an excellent production,” said Horne.

“The first production we attended at Bema was Si Kahn’s Stranger in a Strange Land,” he said. “I had heard Si sing at the Vancouver Folk Music Festival many years ago, and didn’t know he wrote plays. We saw a poster for this play of his at the [Victoria] Jewish Community Centre one day when we went for lunch. The musical was great, and Si was in attendance, which was a bonus.”

That was when the couple first met Dean, the founder and managing artistic director of Bema Productions, which is based in Congregation Emanu-El.

“We think she’s one of the best things about Victoria!” said Horne.

He and Kujundzic have since seen various plays and readings at Bema.

image - The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah — The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah. *(photo from Amazing Studios)*

The fundraising initiative is just starting, with $100 donated from that first, unplanned small batch of shirts.

“Once we receive enough orders to print and sell at least a few dozen more shirts, we’ll be able to make a larger contribution,” said Horne. “In terms of raising spirits, most people who see the shirt (especially with the lights out) have been moved or glad to see something positive in response to the Bondi Beach massacre. I also think it’s important for gentiles to wear a shirt like this in solidarity.”

“I am so grateful to my dear friends Claire and Bill for their tremendous generosity and their ongoing efforts to make the world a better place,” Dean told the Independent, noting that fundraising “becomes more difficult every year and we welcome donations toward this very important Grade 8 to 10 educational play, which is approved by the provincial government.”

Bema will be doing its fifth annual tour to BC schools with Survivors, which was written by Wendy Kout, based on recorded testimonies of 10 survivors talking about their experience as teens during the Holocaust, said Dean. “We have so far presented at 45 schools on Vancouver Island and in Greater Vancouver and hope to reach the Interior as well this year.”

Horne and Kujundzic operated Amazing Space Studio and Gallery in Wells, BC, for more than 25 years, before moving to Saanich in 2021. While not a retail gallery anymore, people can arrange a visit to the studio.

The Bondi Beach memorial shirt is completely in character for the couple, who have been involved in many causes and projects since they met in 1981.

“Tools for Peace published two fundraising calendars of Claire’s Nicaragua-themed art in the late 1980s,” said Horne. “We’ve produced art and design for fundraising or promotion projects for groups such as BC Black History Awareness Society, the Wells Historical Society, Friends of Barkerville, families of Nicaraguan political prisoners, Ukrainian refugee families, RAVEN Trust and Treaty 8 First Nations (resisting the Site C dam), the United to End Racism delegation at the World Peace Forum (Vancouver, 2006) and the successful Wells Save Our School Campaign of 2002-2003.

“Claire has designed logos, graphics and posters for Pacific Post Partum Society, BC Organization to Fight Racism, Potters Without Borders, Nuu-Chah-Nulth Tribal Council, Kettle Friendship Society, International Women’s Day, many unions, including Union Women, and the International Metalworkers’ Federation.”

As a printmaker, Horne can silkscreen shirts, as well as editions of prints for exhibitions, he said. He has also designed books of poetry and photography.

“Claire learned the printing trade in her 20s, worked as a designer doing layout and logos, and produced paintings, prints and sculptures as well,” he noted.

A reprint of the menorah shirts will take place this spring, with probably another run in the fall. Horne needs to first create a secure online order system.

If anyone wants a shirt, contact the studio for details of the next printing, shirt size/style options and prices: amazingspacestudio.com. To donate to Bema Productions’ high school tours of Survivors directly, go to holocausttheatre.com.

Victoria club’s many benefits

Since August 2025, a group of enterprising individuals from the Greater Victoria community has been gathering at various venues to discuss prospects, offer guidance and bounce ideas off one another as part of the area’s Jewish Business Club.

photo. -The Jewish Business Club in Victoria offers business owners the chance to create networks and get to know one another. The next gathering takes place Feb. 26 — The Jewish Business Club in Victoria offers business owners the chance to create networks and get to know one another. The next gathering takes place Feb. 26. *(photo by Joe Mabel / flickr)*

The group was guided into its current form by Elvira Molochkovetski, who took on the role of community connector in Victoria last summer. The role is a joint position of the Jewish Federation of Victoria and Vancouver Island (JFVVI) and the Jewish Federation of Greater Vancouver. Other community connectors can be found in the Okanagan, Salt Spring Island, the Comox Valley, South Delta and Squamish.

According to Molochkovetski, some local businesspeople, who had established friendships through their ventures, had been meeting informally and sporadically over coffee for a couple of years.

“We just created something more structured, giving them a space, a reason and a schedule to meet and invite more people,” she said. “The goal was the same goal they always had: create networks, support each other and get to know each other. And many new connections were created through those meetings already.”

Attendees, who come from different backgrounds and places, and represent a range of business sectors, participate in the club, which, Molochkovetski stressed, is open to all. Some, like Molochkovetski, have come to Victoria from Winnipeg, where a similar club was formed at the Rady Jewish Community Centre.

Young entrepreneurs, she said, have also joined because they have ideas for businesses and want to see what other business owners think, or to find out what is happening in a particular market. In some cases, more experienced entrepreneurs have served in a mentor-like capacity.

“When you are business-oriented, you love spending time with other business-oriented people,” Molochkovetski said. “We had a few young people who just … bought a condo and want to rent it out. So, they joined and received some advice from people who had experience in this kind of business before.”

The club’s meetings often start with an introductory circle. Participants can bring promotional materials, share information about their business and ask questions. Meetings can include playing business-oriented games, solving problems or suggesting what one might like to do or invest in within the community.

At one of the Jewish Business Club’s meetings, a member welcomed everyone to his house to sample some of his culinary creations, as his business centres around the food industry.

Molochkovetski added that the meetings have brought in people who have not maintained ties to Jewish organizations yet feel connected to the community through the club.

One regular attendee who has found the gatherings beneficial is Felix Gelman, who runs Alpha Victoria HVAC Ltd., a company that installs residential heat pumps in Victoria and surrounding communities.

“The Jewish Business Club in Victoria is a strong opportunity to connect with fellow Jewish business owners, exchange referrals and build real local relationships,” Gelman told the Independent. “It’s also an effective way for people to learn what you do, while gaining insight from others’ experiences in the Victoria business community.”

Gelman opened Alpha Victoria HVAC in 2022 after relocating from Winnipeg, where he still operates an active HVAC business specializing in furnaces, air conditioners, heat pumps, ventilation and indoor air quality systems.

Originally from Israel, Gelman, a Red Seal refrigeration mechanic with 30 years of experience in residential HVAC systems, immigrated to Canada in 2005. He is also a licensed general contractor. On Vancouver Island, he helps homeowners build garden suites and lane houses, either to generate rental income or accommodate family members.

In total, roughly 35 people have attended Jewish Business Club meetings in the past six months, with 12 to 15 generally showing up each time. Meetings alternate between mornings and evenings to fit the different schedules of those in the community.

The next get-together is planned for Feb. 26, 7:30 p.m., at a restaurant in the Westshore region of Greater Victoria. The location will be provided upon registration to those who wish to attend.

Billed as the “Jewish Business Club Night Out,” the event will offer opportunities to share and introduce businesses, chat with fellow entrepreneurs and enjoy a light snack and soft drinks.

“Whether you’re just starting out or growing an established business, this is a chance to connect, collaborate and support one another’s success,” said the organizers.

To register for the upcoming event, visit jewishvancouver.com/jewish-business-club.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Avodah dedicated to helping

Members of Congregation Emanu-El’s Avodah at last year’s Coldest Night of the Year event. (photo by Penny Tennenhouse)

A 12-member team from Avodah, the social-action arm of Victoria’s Congregation Emanu-El, will be participating for the ninth time in the Coldest Night of the Year, a fundraising walk to support various charities that help people experiencing poverty and homelessness, on Feb. 28.

Funds raised by Avodah will go to Our Place Society, which provides more than 1,400 meals a day, as well as shelter, supportive housing, hot showers, paramedic services and other assistance. It is Vancouver Island’s only long-term therapeutic recovery community.

Penny Tennenhouse, a central figure in Avodah since its inception, said the name of the fundraising event, the Coldest Night of the Year, is misleading – and not because of the temperature reading on a thermometer.

“I call it the warmest night of the year. It’s festive, actually. It’s love in motion because it’s enjoyable to come together, especially after the pandemic. And it’s enjoyable because we feel good about what we’re doing and we know it’s important,” she said.

This year, Avodah’s participation will be in honour of Annette Wigod’s 99th birthday. Wigod has been a regular presence in Avodah’s efforts. Her daughter, Eve Abrams, will be walking with the Avodah team.

“Annette has been involved with Avodah for many years. She used to come every month with me to Our Place to serve ice cream and cake. She’s a very caring and dedicated person,” Tennenhouse said.

photo - Avodah at last year’s Coldest Night of the Year event — Avodah at last year’s Coldest Night of the Year event. *(photo by Penny Tennenhouse)*

There are 47 groups and 224 walkers taking part in the 2026 Victoria event, which is divided into two- and five-kilometre routes.

As of press time, Avodah’s team had raised $6,702, which placed them second in terms of fundraising among the groups participating.

Over the last three years, Avodah has raised more than $21,000 for Our Place. Collectively, after this most recent walk, it hopes to exceed $50,000 in funds raised since the group first started participating.

“There’s one woman I have to mention, Debbie Yaffe, who I consider my partner in originating this involvement. She’s been amazing,” said Tennenhouse.

As of earlier this week, Yaffe had raised $2,221, with 30 people donating to her walk, placing her second on the Coldest Night of the Year scoreboard. Tennenhouse, who had raised $1,425 with 18 donors, was in sixth place.

Across Canada, there will be fundraising walks in 222 locations for the Coldest Night of the Year. Nationally, the walks are organized by the Blue Sea Foundation, which is based in Kitchener, Ont.

Avodah was inspired by Rabbi Harry Brechner, who wrote in the synagogue’s newsletter in 2003 that the core beliefs of Judaism – care for one’s neighbour, acts of loving kindness, repairing the world – should be put into practice. Avodah can be translated from Hebrew as work or service.

“Within about a nanosecond of the rabbi’s post, a few other people and I responded that we wanted to be involved in such an initiative,” said Tennenhouse. “Because we were starting from scratch, we thought we would support those groups that are already in existence that are devoted and dedicated to serving people in dire need, vulnerable people in our community.”

Brechner, who retired in 2025 after serving the congregation for 24 years, remains active in the community and holds the title of rabbi emeritus.

Avodah’s outreach over the years has included offering shelter at the synagogue to youth experiencing homelessness, giving away thousands of pairs of socks to people living on the street and serving up annual lunches during Hanukkah at Our Place, located a block away from the shul.

“We’ve had a long history in supporting these groups, and it’s been made possible largely through the support of our congregation, because, if we didn’t get the support of our congregation, we wouldn’t be able to do these things,” Tennenhouse said. “We provide financial resources, but we also think it’s important to volunteer our actual time and energy to be connected to people that way as well.”

In addition to Our Place, Avodah gives financial and volunteer support to organizations such as the Burnside Gorge Community Centre, the Quadra Village Community Centre, 1Up Victoria Single Parent Resource Centre, St. John the Divine’s Food Bank and SOLID Outreach, a group that provides harm reduction for those on the street.

Every Thursday, several Avodah volunteers serve meals, clean tables and engage with visitors at a free lunch sponsored by the James Bay United Church. Monthly, Avodah provides “good food boxes,” fresh fruit and vegetables, to families of students at an inner-city school.

In addition to donations from Emanu-El members, Avodah receives support from Vancouver’s Betty Averbach Foundation.

For more information about Victoria’s Coldest Night of the Year, visit en.cnoy.org/location/victoriapandora. To find a walk near you, go to cnoy.org/locations.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Aiding medical research

When Ariel Louwrier speaks about StressMarq Biosciences – the Victoria-based company he founded that specializes in the development and commercialization of high-quality bioreagents – in terms a layperson would understand, he draws an analogy to another era.

“If you think of drug discovery as a gold rush, we make the picks and shovels,” Louwrier said.

Ariel Louwrier, founder of StressMarq Biosciences. (photo from StressMarq)

The company’s start during the 2008 financial crisis may not have been the most opportune time to launch an enterprise. Yet, Louwrier was able to secure a small amount of funding from the United Kingdom, which he used to invest in a variety of licences to make certain tools – at the time, antibodies specific to cancer research.

One of the hurdles he had to confront at the time was a strong Canadian dollar. For a company that exports its product and generally charges customers in US dollars, this posed challenges to the bottom line, until currency rates began to normalize after 2012.

“We were very draconian in terms of our spending, because the company was still very much in start-up mode,” he said. “I didn’t take a salary for the first three or four years, which helped the company. Of course, it didn’t help me.”

Eventually, around 2015, StressMarq considered developing a different type of product. Whereas it had once made antibodies, it decided to start making proteins instead. It moved into the neurodegenerative disease research space, as opposed to cancer, which, Louwrier noted, is a crowded area with companies from the United States, Europe and Asia vying against one another, making for a lot of products in the market.

“The genesis of it was literally a friend of a friend that asked us to try to make something, a very specific product. It’s unusual for people to undertake strange projects for free in this world,” Louwrier said. “I’d always felt that it was an interesting and useful thing to allocate about 10% of our time and money into doing exactly that, because you never know what’s going to come out in the end. We were asked and tasked specifically to make a particular protein aggregate – those are proteins that come together and they form, literally, an aggregate.”

The artificial protein aggregates that StressMarq makes are comparable in many ways – though not always the same – to what forms in the human brain as neurodegenerative diseases progress, whether it’s Parkinson’s, Alzheimer’s or ALS. They are all different proteins, but the process is roughly the same.

“For us, the task has always been to try to make something that is as biologically relevant as possible for the researchers because they use that material to create the model,” Louwrier said. “The model is essentially a version of the diseased brain, but in a much more simplistic form. Then, researchers can proceed and do their work on the model. They’ll have drug candidates. They may have different treatment regimes, as well. But they work on an artificial model, and we produce the products for them.”

The timing for StressMarq to move into a different arena was good. Dollars were beginning to pour into research for neurodegenerative diseases, such as Alzheimer’s and Parkinson’s, including money from the National Institutes of Health in Washington, DC, the largest public funder of biomedical research in the world.

“We’ve ended up in a position where it makes sense to try to find, not necessarily cures, but treatments that can extend the time period for patients whilst they still have the vast majority of what you think of as typical cognitive abilities,” Louwrier said.

Continuing growth

Beginning in a 150-square-foot office on Douglas Street in Victoria, Louwrier hired his first employee in 2008 and produced a small array of products. These days, StressMarq employs 27 people, in 9,000 square feet allocated through six different suites in a building in Victoria’s Oaklands neighbourhood.

By Louwrier’s account, StressMarq is likely the largest biotechnology company from a laboratory perspective in the city and certainly the largest that is private.

“There’s no government funds, there’s no venture capital funds in here. It’s a completely self-defined and self-financing business,” he said.

StressMarq was not shaken by the pandemic because it was one of the entities governments wanted to keep open, even though it was not involved with COVID-related research.

This year, in a turbulent economic situation, with tariffs often changing, StressMarq has not been impacted for the most part, aside from a couple of minor exceptions. Louwrier said StressMarq’s customers have not been affected by the macroeconomic volatility, or the furloughs that occurred during the US government shutdown.

As the industry space and its technologies become more mainstream, Louwrier envisages a bright future for the firm, and he suspects the company will long outlast him when he decides to retire – whenever that may be.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

New leadership at the JCCV

Following 12 years as president of the Jewish Community Centre of Victoria (JCCV), with many accomplishments to his credit, Larry Gontovnick will hand over the reins of the organization to Deborah Bricks at the JCCV’s annual general meeting in December.

A charitable nonprofit, the JCCV houses a deli, gift shop and library. It is also home to the Jewish Federation of Victoria and Vancouver Island, PJ Library, Jewish Family Services and Kolot Mayim Reform Temple. Additionally, it provides a location for Bema Productions, the Victoria Jewish theatre, to hold its auditions and rehearsals, and it hosts other Jewish organizations, such as Hadassah-WIZO and Camp Miriam, for meetings and events. Among the activities the JCCV organizes are webinars with guest speakers, a virtual Jewish conversation café, drop-in mahjong, a book club and Israeli dance.

photo - After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks — After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks. *(photo from Larry Gontovnick)*

Gontovnick, by far the longest-serving president of the JCCV since its founding in 1989, oversaw the raising of grant monies to renovate the centre’s kitchen, revitalize the interior and exterior of the building, enhance its security system and improve its audio-visual system.

The technical side of operations witnessed the redesign of the JCCV website, which now offers an online calendar and a PayPal option for donations and membership dues. A newsletter was implemented for communications with members and friends, and a payment device was installed at the centre for purchases.

“I am most proud of maintaining the warm, friendly and welcoming environment of the deli and centre, and maintaining this important facility for the Jewish community in Victoria,” Gontovnick told the Independent about his time running the JCCV. “I am very thankful for the wonderful staff and volunteers at the centre and the board members, who have all been a great pleasure to work with.

“I will now turn my attention to three beautiful grandchildren and being the best zayde I can be. My wife and I will continue our travels, as well as thoroughly enjoy living in one of the most beautiful places on earth.”

A notable and ongoing program started under Gontovnick’s leadership is the Victoria International Jewish Film Festival (VIJFF), now in its 11th year. Bricks is the current director of the VIJFF.

“I am so pleased that Deborah, a current board member and director of the VIJFF, will be standing for president at the upcoming AGM,” said Gontovnick, who believes the energy and enthusiasm he brought to the centre will be furthered by his successor.

An event planner with deep roots in Jewish culture and community, Bricks has been designing and orchestrating arts and culture events – music, cinema and literature – through Deborah B Event Management, both in Toronto and, for the past 10 years, in Victoria. She holds a bachelor’s degree from the University of Toronto in religious and cinema studies and a master’s in media and communications from the New School for Social Research in New York.

“The JCCV president role – a combination of strategic direction, community building and operational oversight – is especially important now,” Bricks said. “JCCV provides a home, a makom [place], for programs, services and events important to communities of Canadian Jews and our culture, such as the Lox, Stock & Bagel Deli, loved by community.

“And there are untapped directions for new, meaningful programs, services and events that build community among Jews in Victoria, seniors and families alike, and with our neighbours in Canada.”

As part of her community-building goals, Bricks is already engaging younger Victoria-area Jews from her own network to join the JCCV and its board, as well as older community members, who may enjoy the experience of Jewish community via the JCCV.

Part of her vision as president, Bricks said, is to direct a new strategic plan for the JCCV that eventually transforms it (i.e., its constitution) into a Jewish community arts and culture centre. As a formal arts organization, the centre could access more local, provincial, federal and other grants.

photo - Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival — Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival. *(photo from Deborah Bricks)*

Bricks told the Independent that she sees the JCCV “serving up something Jewish-ish for everyone.”

While president, Bricks will continue as director of VIJFF, leading its planning, film curation and event strategy.

“As Victoria’s only Jewish cultural festival, we try to spotlight Canadian-Jewish filmmaking and filmmakers,” Bricks said. “This year, we have three films by Canadians, ranging from stories about a Franco-Moroccan mother and son, about Yiddish in Sweden, and about the early Jewish immigrant experience in Montreal.”

Also playing will be Sabbath Queen, which follows the story of Rabbi Amichai Lau-Lavie, the heir of 38 generations of Orthodox rabbis who became a drag queen and the founder of Lab/Shul, an experimental “God-optional” congregation based in New York. It will be followed by a discussion with filmmaker Sandi DuBowski (via Zoom) and Victoria drag king Dublin Tendre.

This year’s festival runs Oct. 18-23 and features seven film events at the Vic Theatre. For more information, visit vijff.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

FSWC gives workshop

Left to right: Emily Bonnell-Marcus (Friends of Simon Wiesenthal Centre), Zelda Dean (Emanu-El), Johanna Herman (FSWC), April Nowell (Jewish Federation of Victoria and Vancouver Island), Frances Grunberg (JFVVI) and Jaime Stein (FSWC, Western Canada). (photo from FSWC)

On Aug. 12, more than 80 people from diverse faith backgrounds gathered at Victoria’s Congregation Emanu-El for Friends of Simon Wiesenthal Centre’s flagship antisemitism education workshop – Antisemitism: Then and Now.

Geared for professionals, community members and volunteers who are interested in combating hatred, the workshop is presented by Jewish Federation of Victoria and Vancouver Island in partnership with FSWC. It is designed to build historical understanding of antisemitism and the Holocaust, examine how antisemitism shows up today, offer practical strategies to recognize and respond to antisemitic rhetoric and behaviour, and strengthen an organization’s capacity for allyship and inclusivity.

While in British Columbia, FSWC advocacy team members also attended the Canadian Association of Chiefs of Police Annual Conference. During the event, they strengthened their partnership with the Canadian Police Knowledge Network to advance the development of a national antisemitism training module, which will be made available to police services across the country. They also established new connections to support their law enforcement training initiatives, and promoted the upcoming Building a Case Against Hate Conference in Vancouver, scheduled for February.

For more information, visit fswc.ca.

– Courtesy Friends of Simon Wiesenthal Centre

Victoria’s new market

The grand opening of Essential Kosher on March 26. Cutting the ribbon are Rebbetzin Chani and Rabbi Meir Kaplan, centre, and Essential Kosher co-managers Zev Kantorovich, left, with wife Andrea and daughter Stephie, and David Franco, second from the right, with his wife, Claudia, and son, Jacob. (photo by David J. Litvak)

Victoria’s observant Jewish community can now do one-stop shopping – at a new kosher market.

Essential Kosher opened March 26. The brainchild of Rabbi Meir Kaplan of Chabad of Vancouver Island, the market is co-managed by two Mexican Jews, David Franco and Zev Kantorovich, who came to Victoria with their respective families to embark on a Canadian adventure together.

Until now, Jewish residents of Victoria had limited options in purchasing kosher food. They could buy challah from Chabad before Shabbat, a selection of kosher products from Fernwood General Store, and products with hechshers (kosher certifications) in various local supermarkets. Kosher meat and poultry would have to be shipped in from places like Omnitsky’s in Vancouver.

photo - Essential Kosher in Victoria, adjacent to Chabad of Vancouver Island, is open Sundays to Fridays — Essential Kosher in Victoria, adjacent to Chabad of Vancouver Island, is open Sundays to Fridays. *(*photo by David J. Litvak*)*

Kaplan said he conceived of the idea of a kosher market after concluding that “no affordable kosher food was available on the island, which made it very difficult for people to keep kosher in Victoria and the rest of Vancouver Island.

“The idea became a reality once we realized that we had a space next to the synagogue that could accommodate a market, and we had two Jewish families who moved here from Mexico and who were looking to do something for the community,” he said. “It turned out be a great opportunity and a match made in heaven for all of us.”

Both the Franco and Kantorovich families had established businesses in Mexico.

Kantorovich’s grandfather, Kiva, migrated from Russia during the Second World War and, starting from scratch, opened a hardware store in downtown Mexico City. The store survived for more than 70 years and could have continued, but, after managing it for 30 years, Kantorovich decided to sell the business, hoping for a fresh start someplace else.

Franco had a company that sold plastic bags used for food packaging but decided to leave Mexico, he said, because of “the growing insecurity and increasing crime rates” and out of a desire “to look for a better place for our son to grow up.”

The two families chose to move to Victoria because Franco’s wife, Claudia, and Kantorovich’s wife, Andrea, both had an opportunity to pursue master’s degrees at Royal Roads University. While the Franco family had never been to Victoria before, the Kantoroviches had fallen in love with the city when their cruise ship to Alaska stopped there for a day. This short stay was the catalyst for the two families, who are close friends, to move to Victoria together.

The families were invited by Kaplan for a Shabbat dinner, and their connection to Jewish life in Victoria began.

The Chabad community “has been especially kind to us, even though we are not Orthodox,” said Franco. “They include all kinds of Jewish families in their programs and events and make everyone feel at home.”

Franco likes that the Victoria Jewish community is growing, and offering more educational opportunities and activities for children. He remarked “how warm and welcoming people have been here.

“Back home, people tend to be a bit more distant or indifferent,” he said.

Mexico City’s Jewish community is much larger than that of Victoria.

“Victoria feels calm, friendly and full of nature,” said Franco.

Initially, Franco and Kantorovich were thinking about opening a business on their own, however, Kaplan convinced them to open a kosher store “because the community really needed one and he also explained how kosher supplies were missing.”

The three of them decided to run the store together.

“Rabbi Kaplan supports and guides the store, and we manage the store on a day-to-day basis,” said Franco.

The market, which is open Sundays to Fridays, offers a variety of kosher items, including meat, cold cuts and poultry, Chalav Yisrael dairy products, grape juice and gefilte fish, Israeli snacks and fresh baked challah every Friday, which is baked by Rebbetzin Chani Kaplan, with her family sometimes sharing baking and cooking duties with her. Soon, customers should be able to shop online, and additional products will be available. Opening just prior to Passover, Essential Kosher offered customers kosher-for-Passover items.

For more information about the market, visit chabadvi.org or email [email protected].

David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer and publicist, and a mashgiach at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.

Balancing education and art

Alix West Lefler plays Frida in The Fast Runner, a 15-minute short from director David Bercovici-Artieda that was shot over the course of four days in the Greater Victoria area. (photo from thefastrunnerfilm.com)

The Fast Runner, a film about a young girl and a rabbi confronting the reality of the Holocaust, will be shown at the Comox Valley International Film Festival on April 5. The 15-minute short was shot over the course of four days in the Greater Victoria area and involved 260 people.

Director David Bercovici-Artieda, the son of a Holocaust survivor, described the project as both a profound responsibility and an intensely personal journey. His father’s experience, though not depicted in the story, inspired him to bring the film to fruition.

“It’s not just about telling a story. It’s about honouring the memory of those who lived through unimaginable horrors, including my own father. Every frame, every scene and every creative choice carries the weight of history – my family’s history,” he told the Independent.

“I came to understand the profound impact of survival – not just the physical endurance, but the emotional and psychological resilience that followed. His story, and those of so many others, shaped my perspective on the responsibility of storytelling and the importance of preserving these narratives for future generations.”

Bercovici-Artieda said creating a film like The Fast Runner is a balancing act between art and education. It must be compelling, engaging and cinematic, but also serve the greater purpose of preserving memory and fostering empathy. At its core, he explained, the film carries a message of compassion, hope and perseverance in the darkest moments of history.

“It is a reminder that, even in the face of cruelty, there were acts of kindness, moments of defiance and an unbreakable human spirit. These themes are as relevant today as they were then,” he said.

Bercovici-Artieda admitted that, during the process of putting the film together, he questioned whether he was doing justice to the story and honouring his father’s legacy in the right manner.

“Ultimately, telling these stories is a privilege,” he said. “It is a way to ensure that the Holocaust is never forgotten, to remind audiences that history is not just in textbooks – it lives in the voices and memories of those who came before us.”

Bercovici-Artieda stressed that the film is about choices as well: those forced upon people who suffered and those made by people who stood by, helped or betrayed. Viewers, he hopes, will recognize the weight of these decisions and that history is not just a collection of events: it is built on the actions and moral dilemmas of individuals.

“I also hope audiences see the film not just as a story about the past, but as a reflection of today’s world,” he said. “The forces of hate, intolerance and dehumanization did not disappear with the Holocaust. They persist in different forms. If we are not vigilant, history can repeat itself. And, right now, we are witnessing a dangerous rise in antisemitism, Holocaust denial and historical revisionism.”

photo - Director David Bercovici-Artieda behind the camera of The Fast Runner, which next screens at the Comox Valley International Film Festival — Director David Bercovici-Artieda behind the camera of *The Fast Runner*, which next screens at the Comox Valley International Film Festival. *(photo from thefastrunnerfilm.com)*

Most importantly, Bercovici-Artieda would like people to leave the theatre with a sense of empathy. Survivors like his father, he said, endured unspeakable horrors, but they carried on, rebuilt their lives and, in many cases, found a way to forgive.

“If they could move forward with hope, so can we,” he said.

Currently, Bercovici-Artieda is raising funds to support a partnership with Journeys in Film, an educational nonprofit, to help teachers bring The Fast Runner into classrooms worldwide. In addition, he would like to expand screenings, panel discussions and outreach programs to engage audiences in meaningful conversations about the Holocaust, resilience and the dangers of historical revisionism.

“My hope for educating people about the Holocaust through The Fast Runner is to provide a deeply human perspective on one of history’s darkest chapters – one that goes beyond statistics and textbooks,” he said. “I want audiences, especially younger generations, to connect emotionally with the story, to feel the weight of what was lost and to understand the consequences of hatred and intolerance.”

The Fast Runner screened at the Victoria Film Festival in February; the Shabbat Lounge, a Jewish cultural event running alongside the Sundance Film Festival in Park City, Utah, in January; and the Victoria International Jewish Film Festival last November. After Comox, it will make its Latin American debut, with three screenings in Ecuador, Bercovici-Artieda’s home country. One of the screenings will take place on Holocaust Remembrance Day (Yom Hashoah), on April 23, in Quito.

The film stars Alix West Lefler as the young girl Frida and Alex Poch-Goldin as the rabbi. Only 13 years old, West Lefler has a considerable list of acting credits, including roles in films (Speak No Evil, The King Tide) and on television (The Good Doctor, Riverdale). Poch-Goldin is a veteran stage and television actor with appearances on Nero Wolfe, Murdoch Mysteries and Queer as Folk; he is also a playwright, director and librettist.

Michael Bruce Adams wrote the screenplay for The Fast Runner. Adams has been involved in more than 150 film productions. Besides short films, he has written features and documentaries.

Bercovici-Artieda has been the cinematographer on dozens of film projects and a director of several recent television series’ episodes and movies, including the holiday film Making Spirits Bright.

For more about The Fast Runner, visit thefastrunnerfilm.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Whimsical “wood friends”

“Jug Band” by Anita Colman, whose work is on display at the Cedar Hill Recreation Centre in Victoria through March 3. (photo from Anita Colman)

The distinctive, colourful characters that artist Anita Colman creates out of driftwood and various objects she discovers around Victoria are currently on display in hallway showcases at the Cedar Hill Recreation Centre in Victoria through March 3.

Her “wood friends,” as she dubs them, constitute a wide assortment of critters – from avians to insects, canines to felines. There are birds nested on a woman’s head, a jug band and a dog with a beanie. There is also a unicyclist and a schoolboy riding a pogo stick.

photo - “Unicyclist and Pogo Stick Boy” by Anita Colman — “Unicyclist and Pogo Stick Boy” by Anita Colman. (photo from Anita Colman)

Colman grew up in Montreal and studied fine arts at Concordia University. After graduation, with what she jokes were “no applicable skills,” she worked building fences, painting houses and selling produce at an outdoor market.

“Then, in 1980, a friend and I went on an epic road trip from Montreal to the San Francisco Bay and I ended up staying,” she told the Independent.

With a penchant for cartooning, Colman, while getting settled in the United States, freelanced for several greeting card companies, including American Greetings, Marcel Schurman Fine Papers, Andrews McMeel and Hallmark Cards, among others.

One day, Hallmark contacted her to say that they wanted her to work in-house at their headquarters in Kansas City.

“As a single parent at the time, a steady income with a health plan was an offer I couldn’t refuse,” she said. “I’ll never forget the day we landed at the Kansas City International Airport in August. As soon as we exited the airport, we were hit with a blast of hot, humid air. It was an inferno. All I could think was, ‘What have I done?’”

At Hallmark, she was part of Shoebox, an alternative humour studio, where she illustrated not only myriad cards but books and calendars, and designed logos and fonts. Her artwork also was applied to stickers, school supplies, mugs, T-shirts, and dog and cat bowls.

The company, Colman recollected, had a farm where artists would go for what she called “creative renewal.”

“The barn had a fully equipped woodshop and welding area. That’s where I learned woodworking. We built crazy birdhouses and robots that moved and lit up,” she said.

“There was also a small woodshop for artists at headquarters. It was located beside the model shop, where carpenters built displays for shows, etc. I learned a lot from them. Any free time I had was spent in the woodshop.”

Anita Colman’s creations are on display in Victoria. (photo from Anita Colman)

As a humour artist, Colman said she was continually developing different characters and critters. Now she does the same with wood.

“The elements of design are the same – line, form, texture, colour. Driftwood already has texture and shape that can look like a nose, ears or tail.”

Accompanying Colman on her hunts for items to turn into art is her rescue dog Bean.

“He’s my sidekick,” she said. “He comes along when I walk the beach looking for good wood or browse ReStore, Value Village and hardware stores with an eye out for objects I can incorporate in my pieces. Bean’s always on the lookout for treats and makes out pretty good.”

The whimsical wooden creations have become an increasingly familiar sight in the capital city. Last fall, they were exhibited at the library in Victoria’s Commonwealth Place. In January, Colman was featured in a CTV News Vancouver Island report by Adam Sawatsky, which showed her, along with Bean, scouring a Victoria beach for things that could be incorporated into her work.

“Some people like shopping for shoes, I like shopping for junk,” she said.

Bean, too, is a recipient of Colman’s artistic flair. In the CTV report, he was seen clad in a denim vest with flames and a dragon embroidered into the back; his hair was molded into a mohawk to make him look “like a tough little dude.”

photo - Anita Colman creates distinctive characters, a wide assortment of “wood friends,” including dogs — Anita Colman creates distinctive characters, a wide assortment of “wood friends,” including dogs. *(photo from Anita Colman)*

Colman’s display at the recreation centre is part of a Family Arts Exhibition organized by the District of Saanich. One of the images the municipality’s website is using to promote the event is Colman’s woodwork of a cat ballerina. Other artists whose work will be shown are Tanya Bub, Randy Barron and Susan Wright.

In the midst of the exhibition, the recreation centre will host a Family Arts Festival on Feb. 17 (Family Day) from 11 a.m. to 3 p.m. in what the municipality is billing as “a celebration of imagination, creativity and discovery.” Among the activities will be mini-quilt design, tin foil sculpture and LEGO robotics.

Colman’s finished products are not for sale. They can, however, be viewed on her website: anitacolmanart.weebly.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Revisiting magic in Victoria

Linda Dayan Frimer signs books at the Indigo in Victoria’s Mayfair Mall. (photo by David J. Litvak)

Victoria has always been a magical place for BC artist and author Linda Dayan Frimer. She has exhibited her art at the Empress Hotel and participated in a concert with the Victoria Symphony Orchestra. It was an agent from Victoria who helped kickstart her career and, more recently, she connected with the Victoria editor who worked on her latest book, Luminous. On a trip this fall to Victoria to promote that book, Frimer rekindled her special relationship with British Columbia’s capital.

“Victoria is a place of very special memories and wondrous new happenings for me and my art,” said Frimer.

Recalling her early days, she said, “My large watercolour paintings depicting the landscape of British Columbia, placed in the window of Northern Passage Gallery by the owner and my Victoria-based art agent Valerie Pusey, seemed to fly out the door in swift succession.”

Pusey “was astonishing in helping my art champion many causes,” said Frimer. Those causes included Margaret Laurence House for women leaving an abusive partnership, breast cancer research, and arts and science benefits. With Pusey’s help, Frimer was chosen as the first artist to represent the Trans Canada Trail, with her painting “The Golden Journey, 5000 Miles of Freedom.” That long-ago concert with the Victoria symphony was a fundraiser, with Frimer being invited to paint on stage just behind the orchestra.

“Hearing the symphony inside my heart while painting in harmony with them was an exquisite experience,” Frimer shared.

Frimer’s memoir, Luminous: An Artist’s Story as a Guide to Radical Creativity, follows the history of her ancestors from Romania, Lithuania and Russia, as they experienced cultural turmoil and fled to North America, and delves into the stories of renowned artists and the artworks they produced in response to social injustice and war. The book includes exercises designed to help readers connect with these artists, and to inspire readers to get in touch with their own inner artist and the art of their own story. (See jewishindependent.ca/how-to-be-radically-creative.)

photo - A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art — A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art. *(image from Linda Dayan Frimer)*

While Frimer has traveled across North America promoting Luminous, this recent trip was her first event in Victoria promoting it. As people passed by the table where Luminous was displayed at Indigo in the Mayfair Mall, they couldn’t help but notice it. One young fan could not take her eyes off it.

“My book was blessed by the appearance of a little 7-year-old girl who appeared at my signing table,” said Frimer. “She began to turn each page of the book intently. After a few minutes, her mother asked her if she would like to go to the toy department. No, she responded, I want to stay right here. She seemed mesmerized by each colour-filled page and, as she pointed out her favourite painting, entitled ‘Wonder,’ I felt a rush of awe. When her mother returned after some time shopping, I gifted the little girl my book and when she received the book, she hugged it tightly. Her mother was in tears and said to us that this was a seminal moment in her daughter’s life that would guide her future.”

Frimer was moved by the encounter.

“This was the best gift my life and art could receive – for I know that each of us is the artist of our own story and, when we are inspired to reach the foundational core of ourselves, we discover true meaning and purpose,” she said. “That afternoon, I realized that, if I had only written my book to bring wonder to this little girl, it had served its purpose.”

In addition to the event at Indigo, Frimer got together with Ellen Godfrey, the editor of Luminous, and Pusey while she was in Victoria.

“I vividly recall my first glimpse of Linda Dayan Frimer’s artwork and my feeling of awe at the interplay of emotion and passion, intelligently expressed through paint on paper,” said Pusey. “That glimpse confirmed all that critics had previously observed: her distinct ability to cultivate colour, light and motion within the watercolour medium. Linda Frimer’s artwork is so fundamentally powerful that it transcends esthetic beauty to express a depth of spiritual awareness and sensitivity. Her message is one of reverence for all of creation.”

During the rest of Frimer’s time in Victoria, seeds were planted for a future event at Congregation Emanu-El and possibly an artist residency at one of the local hotels. For more information about Frimer and her work, visit lindafrimer.ca.

David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer, former Voice of Peace and Co-op Radio broadcaster, “accidental publicist,” and “accidental mashgiach” at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.