Victoria – Jewish Independent

New rabbi joins Victoria shul

Rabbi Matt Ponak is the new education director and assistant rabbi at Congregation Emanu-El. (photo from AJNews)

Going as far back as his days with Northwest Canada Region of B’nai Brith Youth Organization, Matt Ponak has had a passion for the spiritual aspects of Judaism, and now he is bringing that passion to Victoria.

Having impressed the congregation as an interim rabbi during Rabbi Harry Brechner’s sabbatical, Congregation Emanu-El announced in mid-May that Ponak would be joining them on a full-time basis as education director and assistant rabbi. Officially, his position began last month, following his graduation – with a master’s degree in Jewish studies – and his June 7 ordination from Hebrew College in Newton, Mass.

Ponak grew up in Calgary, where he attended Jewish day school at Calgary Jewish Academy, and was a member of Beth Tzedec and Temple B’nai Tikvah congregations. Through high school, he was an active member of B’nai Brith Youth Organization and attended Camp BB Riback as a staff member. His ties to Vancouver Island are also strong.

“I grew up in Calgary and spent many summers on the Island growing up,” he said. “My mother is from Port Alberni and I have many relatives in the area.”

Although his spiritual education led him to American schools and life, Ponak said he is looking forward to planting roots back in Canada, and making Victoria his new home. “I’m so excited about this because I get to return to Canada and to live in an incredible city with a community of warm, embracing, open-minded and dedicated people,” he said.

Before rabbinical school, Ponak earned a master’s in contemplative religions at Naropa University, a Buddhist-inspired institution in Boulder, Colo. He earned an undergraduate multidisciplinary degree with a minor in religious studies from the University of Calgary, and also has a certificate in spiritual entrepreneurship through the Glean Network, in association with Columbia University.

During rabbinical school, Ponak interned with the Asiyah Jewish Community in Somerville, Mass.; the Common Street Spiritual Centre in Natick, Mass.; Temple Emanuel in Andover, Mass.; and the One River Foundation with author Rabbi Rami Shapiro. He also served as a curator of the Spiritual Paths Institute, working on an interspiritual website for people of all backgrounds who want to explore their inner lives more deeply. He is one of the founders of Or Chadash, the men’s group at Hebrew College.

Ponak’s capstone project, “Torah for the New Age,” focused on translating and commenting on Jewish mystical texts relevant to contemporary spiritual seekers of all backgrounds. With supervision from Hebrew College rector Rabbi Arthur Green, Ponak translated and commented on 42 mystical texts and used digital design layouts to make them look like Talmud pages. “It was an absolute pleasure working with Rabbi Green,” said Ponak. “He is one of the leading voices for Jewish mystical theology, commentary and translations in our era.”

Ponak is a talented banjo player. He specializes in leading niggunim, wordless melodies from the Jewish mystical tradition. During his first year of rabbinical school, he released a banjo niggun album entitled Bridges of Song. He is also a practitioner of qigong and focusing, using movement and body-centred contemplation to guide people through inner constrictions and into the emerging stages of their journey.

“I am a teacher, musician and lover of life,” said Ponak. “I help spiritual seekers follow the call of their soul. I am passionate about bringing forth ancient Jewish wisdom to meet the needs of today.”

Founded in 1921, Hebrew College is committed to Jewish scholarship in a pluralistic, trans-denominational academic environment, while Congregation Emanu-El is an egalitarian Conservative Jewish synagogue. At 157 years old, Emanu-El is Canada’s oldest synagogue in continuous use, and has been designated a national historic site.

Daniel Moser is editor of AJNews, where a longer version of this article was originally published. For more Alberta Jewish news, visit albertajewishnews.com.

Survivor retained hope

A photo of George Pal with the class of 2016 I-witness Field School, which can be found in his recently released memoir, Prisoners of Hope.

Shoah survivor George Pal introduced the printed and electronic versions of his memoir, Prisoners of Hope: Rising from the Ashes of the Holocaust, to a Zoom audience on June 30.

His eyewitness account describes life at Auschwitz, where Pal, now 94, was interned in 1944-45 as prisoner #42821. The book is the result of the warm response to his presentations given through the University of Victoria’s I-witness Field School, a program that explores “the ways in which the Holocaust is memorialized in Central Europe, to build an understanding of how the lessons of the Holocaust are relevant in today’s world.”

His story demonstrates how rapidly upheaval can occur in a person’s life. Pal’s hometown of Mukachevo, now in Ukraine, found itself, by turns, under the rule of Czechoslovakia, Hungary, Germany and Russia – all within the first half of the century. “At the age of 17, I already had lived in several different countries, without ever having left town!” Pal observes.

The memoir’s title conveys Pal’s steadfast spiritual resistance to the horrors and brutality that he endured. He believes that many of his fellow concentration camp inmates shared this resolve. Eventually, he was “liberated” by the Russian army, and traveled back to Mukachevo, where he was reunited with his mother and sister. His mother had been interned in a ghetto in Budapest, while his sister had survived a concentration camp.

Pal soon moved to Budapest. A decade later, that city was invaded by the Soviet Union. By then a married engineer with two children, Pal went to Austria. Ultimately, he found asylum in Canada, where he became the dean of engineering at Mohawk College in Hamilton, Ont. There, he learned English. He already spoke Czech, German, Hungarian, Hebrew and a smattering of Russian. In 2006, he moved to Victoria. His journey has been one of patience, perseverance, love and hope.

The release of his memoir proves timely, as nations worldwide explode in public protests urging their governments and police to confront their histories of systemic racism. Pal’s heartfelt plea reiterates the famous refrain “never again.”

“Having survived one of the most monstrous events in human history, I believe that it is my duty to testify. This is crucial especially because Nazi sympathizers and followers continue to exist throughout the world,” he writes.

In May 2019, Pal began working with Vancouver editor Lisa Ferdman, whom he credits for “her consummate skill and insight.” Her recent work as editor includes The Nazi’s Granddaughter: How I Discovered My Grandfather Was a War Criminal by Silvia Foti, soon to be released by Regnery Publishing, in Washington, D.C.

“It was an honour to assist Pal in sharing his story with a wider audience,” Ferdman affirmed.

The book launch featured Prof. Helga Thorson of the University of Victoria’s department of Germanic and Slavic studies; Shoshana Litman of the Victoria Storytellers’ Society; and a video-recorded conversation with Pal.

“For the past 10 years, George has shared his story in my Holocaust studies courses at UVic. In this way, he has affected the lives of countless students, who now carry his story with them as they face their own experiences of a world still struggling with racism, antisemitism and genocide – 75 years after the Shoah,” Thorson said.

“George’s stories of resilience offer concise glimpses of experiences few of us have endured. His writing helps us begin to understand the tremendous perils of unchecked racism in a very personal way,” Litman, Canada’s first ordained maggidah (female Jewish storyteller), reflected.

In one of the later chapters, Pal states: “I have often been asked, ‘Do you hate the Germans?’ My emphatic answer is always, ‘No! If I were to blame the entire German people for everything that happened to me, my family and all those who did not survive, I would be making the same mistake that the Nazis made in blaming the Jews for all of Germany’s woes.’ Such generalizing, or demonizing, is dangerous.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

No barriers to music

Victoria composer Ari Kinarthy. (photo from Ari Kinarthy)

Victoria composer Ari Kinarthy has not let spinal muscular atrophy (type 2), a condition that has confined him to a wheelchair since the age of 6, inhibit his ability to create music. In fact, the very movements he makes in the wheelchair go into producing his music.

Using Soundbeam, an interactive hardware and software system that forms sounds from movements, Kinarthy’s music is recorded into multimedia platforms. For example, movements closer to the recording device establish lower notes and movements away spark the higher notes.

“I create all my music entirely with the computer. Sometimes, I will have access to a guitar player or singer but normally the music will be all done by the samples I use. I usually start with just piano and sometimes will write out a score. I think of a melody and/or harmony and continue from there. I love making themes,” Kinarthy, 30, told the Independent.

“I got into music at age 16 with music therapy sessions. I loved creating music. I started with remixing songs and then creating my own from scratch. I wanted to see what I could create and it just continued from there,” he said.

Starting out at the music therapy department at Canuck Place in Vancouver in 2006, he moved to the Victoria Conservatory of Music in 2007, where, over time and under the tutelage of music therapist Allan Slade, Kinarthy became adept at mastering the intricacies of his device.

The Soundbeam device, which looks like a large red microphone, is stationed in Kinarthy’s studio. It transmits ultrasonic sound, i.e., sound that is inaudible to the human ear, which, in turn, intersects with motion. This then transforms the resulting sound into MIDI, a digitized protocol for electronic instruments.

In 2012, Kinarthy released his first album, A Lion’s Journey, a play on his Hebrew name, Ari, which means lion. It featured an eclectic blend of many genres, including jazz and rock, mixed through the assistive technology. Though he is inspired by several music styles, he admits to loving orchestral music, specifically what one hears in Hollywood films, with Hans Zimmer and John Williams among his favourite composers.

When Soundbeam held an international competition to mark the company’s 25th anniversary in 2013, Kinarthy was one of two winners selected by a jury of musical heavyweights, which included Led Zeppelin bassist and keyboardist John Paul Jones, conductor Charles Hazelwood and composer Edward Williams.

“Pain E Motion,” the composition he presented, was lauded by the jury. Of it, Jones said, “A very interesting idea of performing live with a pre-recorded composition. A very good piece of work in its entirety.”

It was at that moment when Kinarthy decided he would devote himself further to studying music. He enrolled in the Berklee College of Music’s online program and received his certification in orchestration and music composition in film and TV in 2017, but not before releasing his follow-up album, A Lion’s Roar, which also delved into his extensive musical interests.

Judaism, too, has an important role in Kinarthy’s creative process, and his faith has been a source of inspiration. “I recently created a piece of music to honour my local temple. Creating music to share with my congregation made me very happy. I would say that Judaism has helped me share beautiful music,” he said.

After the High Holidays last year, Kinarthy wrote a song called “Kolot Mayim,” with lyrics in Hebrew and English, taken from the Book of Psalms.

His physical challenges have not infringed on his ability to perform live, which he has done on several occasions throughout Victoria.

Presently, Kinarthy is looking for people who might need original music for their project, as well as focusing on promotion and small personal pieces for family and friends.

“I don’t know if it will ever be a reality, but composing for visual media would be a dream come true, be it film, TV or even a commercial. Other than that, I just keep composing music and maybe take some more music classes. There’s always more to learn,” Kinarthy said.

“I never thought I would be able to not only create beautiful songs but also perform them live! That’s all thanks to the technology I have in my home studio.”

To learn more about Kinarthy and hear some of his music, visit facebook.com/arikinarthymusic.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Hurdles to become a doctor

Ruth Simkin with her dog, Kelly. (photo by Chris Wilson)

Feminism is really true equality between women and men; nothing more, and nothing less,” Ruth Simkin writes in her new book, Dear Sophie: Life Lessons in Feminism & Medicine, a memoir dedicated to her great-niece.

“There are many people who scoff at the word ‘feminism,’” Simkin adds. “But consider this – when I was in my first year of medical school, I, and any other woman, could not get a credit card in our own name. Until 1974, a husband’s signature was needed for women to have credit cards. At that time, I met women who were teachers who lost their jobs because they and their husbands wanted to start a family and they became pregnant – a no-no for working teachers until 1978. I could go on and on with examples like this to show why feminism was, and still is, such an important part of all our lives.”

Born in Winnipeg in 1944, Simkin has prevailed over many obstacles throughout her life and career. In Dear Sophie, readers join her as she struggles to get into medical school.

“There was stiff competition to get into an innovative medical program launched at the University of Calgary in the late 1960s,” she told the Independent from her home in Victoria. “I was one of 32 of roughly 1,200 applicants to be accepted.”

Admission to the program, however, would turn out to be an easier hurdle than those that were yet to come during her schooling and subsequent training. The length of her time in med school is replete with stories of sexual harassment and discrimination by both fellow classmates and senior members of the faculty.

“Male doctors, on more than one occasion, did all they could to get me expelled from med school, but I stood my ground,” Simkin said.

She managed to complete her residency, despite being blocked at almost every step, and clashing with the established medical community. But she prevailed. She was the first U of C med school graduate to open a practice – one that thrived – while also working as a professor and preceptor at the school.

In the memoir, Simkin details her experiences from that time to the present and uses her account as a way to demonstrate to Sophie, and to other women, how to live a happy, feminist life. She hopes that Sophie, a pre-adolescent during the time Simkin was writing the book, will learn from her experiences before entering adulthood.

Simkin’s long and varied career has seen her undertake many ventures. In the 1980s, she learned acupuncture in Shanghai and, ultimately, became the first physician to be approved by the Alberta College of Physicians and Surgeons to incorporate acupuncture in a medical practice. Later that decade, she went to London, England, to study with Dr. Katharina Dalton, who brought premenstrual syndrome to the world’s attention and also coined the term.

Upon her return to Canada, Simkin opened the first PMS clinic in Western Canada. She also has opened Western Canada’s first hologram gallery, produced concerts, been involved in theatre projects and started the lesbian and gay political action group CLAGPAG.

In the 1990s, she moved to Salt Spring Island, where she became a farmer – growing “yuppie” veggies. A return to medicine saw her become the first fellow to study palliative care at the University of British Columbia. In 2014, she was honoured with a life membership from the College of Family Physicians of Canada.

Among her other published works, Simkin has written What Makes You Happy, a collection of short stories, both autobiographical and fictional; The Y Syndrome, a medical thriller set in 1990s Calgary; and Like an Orange on a Seder Plate, a feminist Haggadah. The Jagged Years of Ruthie J (2012) is an autobiographical account of her experiences in Winnipeg before medical school.

Over the years, she has written scores of medical papers and contributed to textbooks, as well as mixed media presentations. Having travelled extensively, she has an (as-yet) unpublished book, Come Away with Me, about her journeys through China.

Dear Sophie received the 2019 Rainbow Award in the LGBT biography/memoir category. In its review of the book, the prize committee said, “Dear Sophie is a flawless memoir that is not only a story of Dr. Ruth Simkin, but a story of feminism and women in Canada and the field of medicine, skilfully woven together with valuable life lessons.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Victoria hosts Klondike

Cooper & Levy store, 104-106 1st Ave. S. near Yesler Way, Seattle, 1897. The store was one of the major outfitters of the Klondike Gold Rush. (photo from Asahel Curtis Collection, University of Washington UW 4770)

The archival images and newspaper headlines contained in the Gold Rush exhibit now on display at the Jewish Community Centre of Victoria (JCCV) evoke a sense of the hysteria that gripped the West Coast more than century ago, in spite of the risks involved in traveling to a severe and treacherous terrain. And Jews were not immune from the mania, as the three-panel display, entitled “The Jewish Presence During the Klondike Gold Rush 1897-1918,” distinctly demonstrates.

The exhibit will be at the JCCV through January. It brings with it a number of revisions from the one that toured Canada from 2016 to 2018 and included a stop in Vancouver.

“During its previous run, we received a lot of additional information from people who visited the exhibit, so much so that we couldn’t include it all in the current display. We are seriously thinking about doing a book starting later this year,” Rick Karp, president of the Jewish Cultural Society of Yukon (JCSY), told the Independent.

Once the previous display returned to Whitehorse, Karp followed up on the input he received and updated the three panels and the booklet accompanying the exhibit.

“As well, we revised the video that details the finding of the Jewish cemetery from the Gold Rush in Dawson, the cleaning and bringing it back to its original condition, and the rededication ceremony,” Karp said. “All the information about the cemetery in the accompanying booklet has been added, as well as the section entitled ‘The History of the Jews in the Klondike Gold Rush’ and the ‘Stories of the Gold Rush.’”

A significant addition to the Gold Rush stories is that of Joseph Barron, one of the first to open a mercantile store in Dawson. Barron came from Winnipeg and followed the stampede of 1898. He mushed into the Yukon via the White Pass route, bringing with him a stock of merchandise.

His beginnings in the north were not the most fortuitous. He lost his supplies on three occasions to fire between 1899 and 1901. Undeterred by adversity, he restocked and started over.

The Barrons would become a prominent Calgary family. Joseph’s son Abe founded the law firm Barron & Barron, which is still operated by the family today. His other son, Jacob (J.B.), was a leading businessman and theatre owner in the city, building Calgary’s first high-rise, the Barron Building, and breaking ground on its first Modern Orthodox synagogue, Shaarey Tzedec (which was demolished in 2013).

Joseph Barron’s wife and children did not come to Dawson until 1902. The younger Barrons only stayed for two years before they left to complete their education. The senior Barrons eventually left Dawson to join their children in Calgary in 1915.

Henry Isaacs was another entrepreneur who ventured north. He earned the moniker “the Butter King of the Klondike” upon learning about a technique using sea water to re-churn a shipment of what others had considered rancid butter into something edible.

Among the most enterprising adventurers was David Gross, a Russian immigrant and dropout trained as tailor, who, not yet 20 years of age when he made the journey north, found ways to make money selling groceries, stoves and other provisions, though his primary business was a clothing store. His ingenuity led him to see opportunities where others did not. For example, if butter had turned rancid and was unsalvageable for food purposes, he would sell it as axle grease for squeaky wheels. After learning that water can only penetrate an inch or two into flour, he would purchase large sacks of flour other merchants thought had been drenched and, therefore, ruined and then sell the flour that the water had not reached at a much higher price. Gross also became active in the nascent movie theatre business in Dawson City.

Yet the prize for the most daring Jewish seeker of fortune would have to go to Max Hirschberg. After losing his supplies en route and then finding, in 1890, that many of the good claims in Dawson had been staked, Hirschberg pushed on to Nome, where more gold was reported to be, on a bicycle!

Later in life, before his passing in 1964, he recounted the 11-week journey in which he made his way along a two-inch trail, confronting snow-blindness, exposure and exhaustion, nearly drowning in the Shaktoolik River and losing $1,500 in gold dust. When his bike chain broke, he made a sail from his coat and rigged it to his bicycle, then crossed the Norton Sound to Nome.

Interest in the Jewish community during the Gold Rush was ignited after the discovery of the aforementioned Jewish cemetery in Dawson City in 1995, and its ensuing restoration in 1997 and 1998. “The discovery of lives lost inevitably leads to questions about lives lived,” the exhibit booklet reads.

“The Jewish Community Centre of Victoria is excited to host the mobile exhibit. We would like to thank Rick for making it possible,” said Larry Gontovnick, president of the JCCV.

After it completes its current tour around Canada, the exhibit will be on permanent display at the Dawson City Museum in the Yukon. A duplicate copy will tour various communities in the United States.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Police incident at shul

No one was injured and police are ruling out antisemitic motivations after an intruder caused a standoff in Victoria’s Emanu-El synagogue.

Victoria police were called to the historic Blanshard Street synagogue shortly after 8:30 a.m. on Dec. 9 after a report of an unwanted man inside the building.

“Upon arrival of officers, they attempted to speak with the man, which was not successful,” according to a police statement. “Out of an abundance of caution, the Greater Victoria Emergency Response Team was activated along with crisis negotiators.”

The standoff lasted nearly four hours.

“Shortly before 12:30 p.m., the man, who was suffering a mental health crisis, was apprehended and transported to hospital with non-life threatening injuries,” according to police.

Rabbi Harry Brechner, spiritual leader of Congregation Emanu-El, which is Canada’s oldest synagogue in continuous operation, issued a statement later in the day.

“A mentally ill person brushed past a Gan Shalom (daycare) parent and managed to enter the building not due to any fault of the daycare parent,” Brechner wrote. “Another daycare parent quickly called emergency 911 and the police were dispatched. The police were remarkably responsive, communicative and efficient. Our daycare children were never in a dangerous situation and, for most of the incident, they were not aware that anything unusual was happening.

“This mentally ill man held himself up in the balcony of the sanctuary; we were not successful at talking him down and out of the building. The police provided a transit bus for the daycare to transport the children to the other Gan Shalom daycare and the children felt like they were going on a field trip. It took the police a bit of force to subdue and retain the intruder and we are left with some broken windows and a mess to clean up. I am super-thankful to Victoria’s finest for their professionalism in containing this situation and ensuring that everyone was safe,” said Brechner. “This incident had nothing to do with antisemitism and could have occurred in any downtown building. The incident is a difficult and powerful reminder of the intensity and difficulties associated with our current mental health crisis.”

The rabbi concluded: “I want to also state that the Gan Shalom staff and Gan Shalom parents who stayed by to ensure that the children were safe were remarkable and very calm. We are very safe, our protocols were tested and proved efficient.”

O My God at Emanu-El

Bema Productions presents the Canadian première of the comedy O My God at Congregation Emanu-El Synagogue in Victoria, Jan. 16-26. In O My God by Israeli playwright Anat Gov, God walks into a therapist’s office suffering from depression. The therapist asks, “How long have you felt this way?” God says, “Two thousand, five hundred years. Give or take.” “You’ve been depressed for 2,000 years and only now you’ve come to therapy? What were you waiting for?” asks the therapist. And God says, “I thought time would heal.”

Gov, who died of cancer at 58, was born in 1953, and was a graduate of Thelma Yellin High School of the Arts. She was briefly a student in Tel Aviv University’s theatre department – she dropped out to become a successful playwright and television writer. She also married and was a mother of three and grandmother of two.

The Bema Productions staging of O My God is directed by Zelda Dean and performed by Christine Upright (the therapist), Rosemary Jeffery (God) and Jesse Wilson, who is on the autism spectrum himself, plays the autistic son of the therapist.

Tickets ($23) can be purchased online at ticketrocket.co or at the door.

Kolot Mayim installs rabbi

Rabbi Lynn Greenhough represents a series of firsts for the Victoria Jewish community. (photo from Kolot Mayim)

When Lynn Greenhough is officially installed as rabbi of Kolot Mayim Reform Temple in Victoria tonight, Sept. 6, she will bring with her a series of firsts to the city’s Jewish community: its first rabbi born on Vancouver Island, its first Canadian-born rabbi, its first full-time female rabbi with her own congregation and its first rabbi who was not born into Judaism.

A stalwart in Victoria’s Jewish life for nearly 30 years, Greenhough has been Kolot Mayim’s spiritual leader since 2017, while simultaneously completing her rabbinical studies at the program offered by the Jewish Spiritual Leaders Institute (JSLI) in New York.

For someone born and raised in Happy Valley – 15 kilometres west of Victoria – at a time when the area was still a farming community, the rabbinate was not a calling many in the community, or indeed on the Island, might have considered.

Her first taste of Judaism, and some of the recent history of the Jewish people, came in Grade 5, when she found a copy of William L. Shirer’s The Rise and Fall of the Third Reich in her schoolroom library, and her curiosity and sense of connection to Judaism ensued. She recognized that justice had tragically failed Jews during the Holocaust and she felt a need to be part of rebuilding a world where such a failure could never happen again.

“I consciously gravitated towards Judaism because of its inherent sense of justice,” Greenhough told the Independent. “At that early point, I realized, I would be a Jew.”

Life, jobs and family followed. She finished school, married and had a son, helped open Everywoman’s Books in Victoria and then worked for Canada Post as a truck driver for 20 years.

In the 1980s, Greenhough attended a few Jewish events at Victoria’s Congregation Emanu-El. She began to light candles and tried to build a sense of Shabbat into her week. She also looked for a Jewish partner who could help her build a Jewish home. Yet, it wasn’t until she was in her late 30s that she was determined – accompanied by now-husband Aaron Devor – to convert. Devor grew up in a Jewish neighbourhood on Long Island, but was not a regular synagogue attendee. Along the way, the couple became deeply engaged in Jewish life.

By 1992, Greenhough’s conversion was complete and, from then, it was full-on immersion to the point where she became a leader and educator. At Emanu-El, she guided historical tours, joined the board of directors, led services, including chanting Haftarot and Torah, joined the Chevra Kadisha (Burial Society) and served as a funeral officiant.

In 1996, she served as an instructor at the synagogue’s Hebrew school and then began teaching and coordinating b’nai mitzvah classes. In 1998, she began to teach Torah and Haftorah studies for adults and, in 1999, taught an introduction to Judaism course for those interested in conversion.

However, it was the Chevra Kadisha that became her passion. In 2000, Greenhough completed her master’s degree at Royal Roads University under the supervision of Dr. Rabbi Neil Gillman, z”l, from the Jewish Theological Seminary in New York. Her thesis – We Do the Best We Can: Chevra Kadisha in Small Jewish Communities in North America – looked at both the history of Jewish models for care of the dead, and present-day practices and training models from 16 different small Jewish communities.

This work led to further connections. Greenhough, along with Rena Boroditsky of Winnipeg, Man., and David Zinner of Maryland, worked together to organize the first of now 16 international conferences dedicated to learning about these burial practices.

Greenhough has also taught Judaism in the University of Victoria’s religious studies program (2007-09), was scholar-in-residence at Temple Beth Shalom in Phoenix, Ariz. (2009) and taught courses in academic writing at Royal Roads (2012-16).

In 2014, she joined Kolot Mayim as a member and led Torah studies and Shabbat and holiday services as needed, before becoming its spiritual leader in September 2017. Synagogue members are glowing in their praise of Greenhough as their choice.

“She brings a richness of experience as a born and raised ‘Island Girl.’ Indeed, she has attracted, and continues to attract, new members through her wisdom, spirituality, empathy, knowledge and quirky sense of humour,” said Sharon Shalinsky, president of Kolot Mayim.

Kolot Mayim was founded in 1998 by a small group of individuals and families, initially meeting monthly at the Victoria Jewish Community Centre. As the congregation grew, the frequency of services increased, ultimately to a weekly schedule. The synagogue has struggled to find a permanent rabbi and has, at times, been challenged in terms of membership recruitment and retention. The past year, though, it has seen a 70% increase in membership.

To mark the installation of a new rabbi at its westernmost location, Dr. Pekka Sinervo, the head of the Canadian Council of Reform Judaism, will be on hand at the ceremony, as will Rabbi Allan Finkel, who, along with Greenhough, is a 2019 graduate of the JSLI program and now leads services at Temple Shalom in Winnipeg.

Ahead of the occasion, Greenhough reflected, “This was not a career move, but the fulfilment of a dream.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

The first Shtisel book

Maurice Yacowar and wife Anne Petrie. (photo from Yacowars)

Shtisel, the unlikely yet addictive hit television series about a Charedi family in Jerusalem, is now the subject of a new book, Reading Shtisel: A TV Masterpiece from Israel, an episode-by-episode analysis penned by Victoria writer and critic Maurice Yacowar, which he will share at the Jewish Community Centre of Victoria June 2.

Yacowar, a retired film professor, began his project in December 2018, as Netflix started airing the series that has become de rigueur viewing among Jews and non-Jews alike. As with many of the show’s aficionados and binge watchers, he was hooked, but his is the only book on Shtisel written thus far. The book’s first printing took place in March.

From his perspective, the show transcends what some may initially dismiss as soap-operatic tendencies. Not a character, not a scene, not an action in the two-season, 24-episode show is out of place, according to Yacowar.

“People (and animals) come and go, some questions may seem unanswered, but those elements are not relevant to the story. Nothing in the show is superfluous or unnecessary. Everything has a reason. We enter their domain, and we leave it, just at the right time,” he recently told the Jewish Independent at a Victoria restaurant.

Hence, the use of the word masterpiece in the book’s subtitle. “People from all cultures are able to relate to the drama and the compassion,” Yacowar explained.

“What’s more, no character stands for a safe idea,” he added. Shulem, the patriarch of the Shtisel family, is the most confounding of them all. At times, he is bullying to the point of being dictatorial; at other times, gentle and caring.

All involved do things that are not “in character,” said Yacowar, which takes viewers along various side streets or smaller stories within the story. There is the studious Zvi Arye, who, after watching a video taken in childhood, laments having had a shot at singing stardom thwarted; the scheming Lippe, who, for a time, abandons his family, though exhibits moments of great kindness and affection to those closest to him; and the show’s least sympathetic character, Nuchem, who doesn’t want his daughter, Libbi, to marry a deadbeat artist, aka his nephew Akiva, Shulem’s son.

Throughout the series are connections to the world outside the strict ultra-Orthodox confines of the Geula neighbourhood in Jerusalem, said Yacowar. Grandmother Malka is fixated by American daytime dramas, Giti’s need for money after her husband departs for Argentina leads her to seek work as a housekeeper for a clothing store manager, and cellphone use among this set of Charedim is ubiquitous.

It is Akiva’s desire to be an artist, though, which perhaps represents the greatest struggle between the secular and the religious in the show, not to mention the personal psychological conflict for the character himself. There are times, particularly those when he is immersed in his art, that Akiva appears to shift seamlessly from one world to another. And others, such as the scene where Akiva is presented with an award and funds for his art at an elite gallery, when the distinction between the pious Shtisel family and mainstream Israeli society could not be more pronounced.

Akiva, Yacowar pointed out, manages to rise in his battle and become his own person as the series concludes at the end of Season 2, no longer shackled by the vagaries of his father’s moods. In contrast, Shulem’s flaws – his conceit and ego, his inability to accept his son’s success in that other world – are on full display.

Yacowar doesn’t expect everyone to agree with his assessment of the series. “Other critics may well choose different points of emphasis, different connections and implications in phrase, situation or device,” he writes. “That’s the beauty, magic of connecting with a drama of such extraordinary richness and complexity.”

There is one point, however, on which he does expect readers of his book to be in agreement: “Let there be the illumination of a Season 3 – but only from the same creators and the same depth and integrity.”

Yacowar has written more than a dozen books on subjects ranging from the films of Alfred Hitchcock to the comic art of Mel Brooks and Woody Allen. He has written two books about The Sopranos and a humorous work, Mondays with Moishe.

Reading Shtisel: A TV Masterpiece from Israel is available online and at Congregation Emanu-El and the JCC of Victoria. Yacowar’s June 2 presentation at the JCC will start at 11 a.m.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Three-generation comedy

David Biltek and Susan Wilkes are part of the cast of Bema Productions’ presentation of We Are the Levinsons, by Wendy Kout. (photo from Bema Productions)

Bema Productions’ 2019 Mainstage presentation is the Canadian première of We Are the Levinsons, by Wendy Kout, an award-winning writer/producer of theatre, film, television and prose. Zelda Dean directs the Victoria production, which opened May 9 at Congregation Emanu-El’s Black Box Theatre.

The story details the phenomenon of the “sandwich generation” – adults caring for both children and aging parents – through the lens of one family’s momentous year. Rosie, a daughter with mother issues, surprises her parents with a trip home. And life surprises Rosie. Sanity, survival and humour are tested and love is deepened in this three-generation family, and chosen family, comedy.

We Are the Levinsons will be performed May 12, 3 p.m.; May 14-16, 7:30 p.m.; May 19, 3 p.m.; and May 23, 7:30 p.m., at Congregation Emanu-El, in Victoria. Tickets are $23 from Ticket Rocket, ticketrocket.co or 1050 Meares St.