Victoria

Aiding medical research

When Ariel Louwrier speaks about StressMarq Biosciences – the Victoria-based company he founded that specializes in the development and commercialization of high-quality bioreagents – in terms a layperson would understand, he draws an analogy to another era.

“If you think of drug discovery as a gold rush, we make the picks and shovels,” Louwrier said.

Ariel Louwrier, founder of StressMarq Biosciences. (photo from StressMarq)

The company’s start during the 2008 financial crisis may not have been the most opportune time to launch an enterprise. Yet, Louwrier was able to secure a small amount of funding from the United Kingdom, which he used to invest in a variety of licences to make certain tools – at the time, antibodies specific to cancer research.

One of the hurdles he had to confront at the time was a strong Canadian dollar. For a company that exports its product and generally charges customers in US dollars, this posed challenges to the bottom line, until currency rates began to normalize after 2012.

“We were very draconian in terms of our spending, because the company was still very much in start-up mode,” he said. “I didn’t take a salary for the first three or four years, which helped the company. Of course, it didn’t help me.”

Eventually, around 2015, StressMarq considered developing a different type of product. Whereas it had once made antibodies, it decided to start making proteins instead. It moved into the neurodegenerative disease research space, as opposed to cancer, which, Louwrier noted, is a crowded area with companies from the United States, Europe and Asia vying against one another, making for a lot of products in the market.

“The genesis of it was literally a friend of a friend that asked us to try to make something, a very specific product. It’s unusual for people to undertake strange projects for free in this world,” Louwrier said. “I’d always felt that it was an interesting and useful thing to allocate about 10% of our time and money into doing exactly that, because you never know what’s going to come out in the end. We were asked and tasked specifically to make a particular protein aggregate – those are proteins that come together and they form, literally, an aggregate.”

The artificial protein aggregates that StressMarq makes are comparable in many ways – though not always the same – to what forms in the human brain as neurodegenerative diseases progress, whether it’s Parkinson’s, Alzheimer’s or ALS. They are all different proteins, but the process is roughly the same.

“For us, the task has always been to try to make something that is as biologically relevant as possible for the researchers because they use that material to create the model,” Louwrier said. “The model is essentially a version of the diseased brain, but in a much more simplistic form. Then, researchers can proceed and do their work on the model. They’ll have drug candidates. They may have different treatment regimes, as well. But they work on an artificial model, and we produce the products for them.”

The timing for StressMarq to move into a different arena was good. Dollars were beginning to pour into research for neurodegenerative diseases, such as Alzheimer’s and Parkinson’s, including money from the National Institutes of Health in Washington, DC, the largest public funder of biomedical research in the world.

“We’ve ended up in a position where it makes sense to try to find, not necessarily cures, but treatments that can extend the time period for patients whilst they still have the vast majority of what you think of as typical cognitive abilities,” Louwrier said.

Continuing growth

Beginning in a 150-square-foot office on Douglas Street in Victoria, Louwrier hired his first employee in 2008 and produced a small array of products. These days, StressMarq employs 27 people, in 9,000 square feet allocated through six different suites in a building in Victoria’s Oaklands neighbourhood.

By Louwrier’s account, StressMarq is likely the largest biotechnology company from a laboratory perspective in the city and certainly the largest that is private.

“There’s no government funds, there’s no venture capital funds in here. It’s a completely self-defined and self-financing business,” he said.

StressMarq was not shaken by the pandemic because it was one of the entities governments wanted to keep open, even though it was not involved with COVID-related research.

This year, in a turbulent economic situation, with tariffs often changing, StressMarq has not been impacted for the most part, aside from a couple of minor exceptions. Louwrier said StressMarq’s customers have not been affected by the macroeconomic volatility, or the furloughs that occurred during the US government shutdown.

As the industry space and its technologies become more mainstream, Louwrier envisages a bright future for the firm, and he suspects the company will long outlast him when he decides to retire – whenever that may be.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

New leadership at the JCCV

Following 12 years as president of the Jewish Community Centre of Victoria (JCCV), with many accomplishments to his credit, Larry Gontovnick will hand over the reins of the organization to Deborah Bricks at the JCCV’s annual general meeting in December.

A charitable nonprofit, the JCCV houses a deli, gift shop and library. It is also home to the Jewish Federation of Victoria and Vancouver Island, PJ Library, Jewish Family Services and Kolot Mayim Reform Temple. Additionally, it provides a location for Bema Productions, the Victoria Jewish theatre, to hold its auditions and rehearsals, and it hosts other Jewish organizations, such as Hadassah-WIZO and Camp Miriam, for meetings and events. Among the activities the JCCV organizes are webinars with guest speakers, a virtual Jewish conversation café, drop-in mahjong, a book club and Israeli dance.

photo - After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks — After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks. *(photo from Larry Gontovnick)*

Gontovnick, by far the longest-serving president of the JCCV since its founding in 1989, oversaw the raising of grant monies to renovate the centre’s kitchen, revitalize the interior and exterior of the building, enhance its security system and improve its audio-visual system.

The technical side of operations witnessed the redesign of the JCCV website, which now offers an online calendar and a PayPal option for donations and membership dues. A newsletter was implemented for communications with members and friends, and a payment device was installed at the centre for purchases.

“I am most proud of maintaining the warm, friendly and welcoming environment of the deli and centre, and maintaining this important facility for the Jewish community in Victoria,” Gontovnick told the Independent about his time running the JCCV. “I am very thankful for the wonderful staff and volunteers at the centre and the board members, who have all been a great pleasure to work with.

“I will now turn my attention to three beautiful grandchildren and being the best zayde I can be. My wife and I will continue our travels, as well as thoroughly enjoy living in one of the most beautiful places on earth.”

A notable and ongoing program started under Gontovnick’s leadership is the Victoria International Jewish Film Festival (VIJFF), now in its 11th year. Bricks is the current director of the VIJFF.

“I am so pleased that Deborah, a current board member and director of the VIJFF, will be standing for president at the upcoming AGM,” said Gontovnick, who believes the energy and enthusiasm he brought to the centre will be furthered by his successor.

An event planner with deep roots in Jewish culture and community, Bricks has been designing and orchestrating arts and culture events – music, cinema and literature – through Deborah B Event Management, both in Toronto and, for the past 10 years, in Victoria. She holds a bachelor’s degree from the University of Toronto in religious and cinema studies and a master’s in media and communications from the New School for Social Research in New York.

“The JCCV president role – a combination of strategic direction, community building and operational oversight – is especially important now,” Bricks said. “JCCV provides a home, a makom [place], for programs, services and events important to communities of Canadian Jews and our culture, such as the Lox, Stock & Bagel Deli, loved by community.

“And there are untapped directions for new, meaningful programs, services and events that build community among Jews in Victoria, seniors and families alike, and with our neighbours in Canada.”

As part of her community-building goals, Bricks is already engaging younger Victoria-area Jews from her own network to join the JCCV and its board, as well as older community members, who may enjoy the experience of Jewish community via the JCCV.

Part of her vision as president, Bricks said, is to direct a new strategic plan for the JCCV that eventually transforms it (i.e., its constitution) into a Jewish community arts and culture centre. As a formal arts organization, the centre could access more local, provincial, federal and other grants.

photo - Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival — Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival. *(photo from Deborah Bricks)*

Bricks told the Independent that she sees the JCCV “serving up something Jewish-ish for everyone.”

While president, Bricks will continue as director of VIJFF, leading its planning, film curation and event strategy.

“As Victoria’s only Jewish cultural festival, we try to spotlight Canadian-Jewish filmmaking and filmmakers,” Bricks said. “This year, we have three films by Canadians, ranging from stories about a Franco-Moroccan mother and son, about Yiddish in Sweden, and about the early Jewish immigrant experience in Montreal.”

Also playing will be Sabbath Queen, which follows the story of Rabbi Amichai Lau-Lavie, the heir of 38 generations of Orthodox rabbis who became a drag queen and the founder of Lab/Shul, an experimental “God-optional” congregation based in New York. It will be followed by a discussion with filmmaker Sandi DuBowski (via Zoom) and Victoria drag king Dublin Tendre.

This year’s festival runs Oct. 18-23 and features seven film events at the Vic Theatre. For more information, visit vijff.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

FSWC gives workshop

Left to right: Emily Bonnell-Marcus (Friends of Simon Wiesenthal Centre), Zelda Dean (Emanu-El), Johanna Herman (FSWC), April Nowell (Jewish Federation of Victoria and Vancouver Island), Frances Grunberg (JFVVI) and Jaime Stein (FSWC, Western Canada). (photo from FSWC)

On Aug. 12, more than 80 people from diverse faith backgrounds gathered at Victoria’s Congregation Emanu-El for Friends of Simon Wiesenthal Centre’s flagship antisemitism education workshop – Antisemitism: Then and Now.

Geared for professionals, community members and volunteers who are interested in combating hatred, the workshop is presented by Jewish Federation of Victoria and Vancouver Island in partnership with FSWC. It is designed to build historical understanding of antisemitism and the Holocaust, examine how antisemitism shows up today, offer practical strategies to recognize and respond to antisemitic rhetoric and behaviour, and strengthen an organization’s capacity for allyship and inclusivity.

While in British Columbia, FSWC advocacy team members also attended the Canadian Association of Chiefs of Police Annual Conference. During the event, they strengthened their partnership with the Canadian Police Knowledge Network to advance the development of a national antisemitism training module, which will be made available to police services across the country. They also established new connections to support their law enforcement training initiatives, and promoted the upcoming Building a Case Against Hate Conference in Vancouver, scheduled for February.

For more information, visit fswc.ca.

– Courtesy Friends of Simon Wiesenthal Centre

Victoria’s new market

The grand opening of Essential Kosher on March 26. Cutting the ribbon are Rebbetzin Chani and Rabbi Meir Kaplan, centre, and Essential Kosher co-managers Zev Kantorovich, left, with wife Andrea and daughter Stephie, and David Franco, second from the right, with his wife, Claudia, and son, Jacob. (photo by David J. Litvak)

Victoria’s observant Jewish community can now do one-stop shopping – at a new kosher market.

Essential Kosher opened March 26. The brainchild of Rabbi Meir Kaplan of Chabad of Vancouver Island, the market is co-managed by two Mexican Jews, David Franco and Zev Kantorovich, who came to Victoria with their respective families to embark on a Canadian adventure together.

Until now, Jewish residents of Victoria had limited options in purchasing kosher food. They could buy challah from Chabad before Shabbat, a selection of kosher products from Fernwood General Store, and products with hechshers (kosher certifications) in various local supermarkets. Kosher meat and poultry would have to be shipped in from places like Omnitsky’s in Vancouver.

photo - Essential Kosher in Victoria, adjacent to Chabad of Vancouver Island, is open Sundays to Fridays — Essential Kosher in Victoria, adjacent to Chabad of Vancouver Island, is open Sundays to Fridays. *(*photo by David J. Litvak*)*

Kaplan said he conceived of the idea of a kosher market after concluding that “no affordable kosher food was available on the island, which made it very difficult for people to keep kosher in Victoria and the rest of Vancouver Island.

“The idea became a reality once we realized that we had a space next to the synagogue that could accommodate a market, and we had two Jewish families who moved here from Mexico and who were looking to do something for the community,” he said. “It turned out be a great opportunity and a match made in heaven for all of us.”

Both the Franco and Kantorovich families had established businesses in Mexico.

Kantorovich’s grandfather, Kiva, migrated from Russia during the Second World War and, starting from scratch, opened a hardware store in downtown Mexico City. The store survived for more than 70 years and could have continued, but, after managing it for 30 years, Kantorovich decided to sell the business, hoping for a fresh start someplace else.

Franco had a company that sold plastic bags used for food packaging but decided to leave Mexico, he said, because of “the growing insecurity and increasing crime rates” and out of a desire “to look for a better place for our son to grow up.”

The two families chose to move to Victoria because Franco’s wife, Claudia, and Kantorovich’s wife, Andrea, both had an opportunity to pursue master’s degrees at Royal Roads University. While the Franco family had never been to Victoria before, the Kantoroviches had fallen in love with the city when their cruise ship to Alaska stopped there for a day. This short stay was the catalyst for the two families, who are close friends, to move to Victoria together.

The families were invited by Kaplan for a Shabbat dinner, and their connection to Jewish life in Victoria began.

The Chabad community “has been especially kind to us, even though we are not Orthodox,” said Franco. “They include all kinds of Jewish families in their programs and events and make everyone feel at home.”

Franco likes that the Victoria Jewish community is growing, and offering more educational opportunities and activities for children. He remarked “how warm and welcoming people have been here.

“Back home, people tend to be a bit more distant or indifferent,” he said.

Mexico City’s Jewish community is much larger than that of Victoria.

“Victoria feels calm, friendly and full of nature,” said Franco.

Initially, Franco and Kantorovich were thinking about opening a business on their own, however, Kaplan convinced them to open a kosher store “because the community really needed one and he also explained how kosher supplies were missing.”

The three of them decided to run the store together.

“Rabbi Kaplan supports and guides the store, and we manage the store on a day-to-day basis,” said Franco.

The market, which is open Sundays to Fridays, offers a variety of kosher items, including meat, cold cuts and poultry, Chalav Yisrael dairy products, grape juice and gefilte fish, Israeli snacks and fresh baked challah every Friday, which is baked by Rebbetzin Chani Kaplan, with her family sometimes sharing baking and cooking duties with her. Soon, customers should be able to shop online, and additional products will be available. Opening just prior to Passover, Essential Kosher offered customers kosher-for-Passover items.

For more information about the market, visit chabadvi.org or email [email protected].

David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer and publicist, and a mashgiach at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.

Balancing education and art

Alix West Lefler plays Frida in The Fast Runner, a 15-minute short from director David Bercovici-Artieda that was shot over the course of four days in the Greater Victoria area. (photo from thefastrunnerfilm.com)

The Fast Runner, a film about a young girl and a rabbi confronting the reality of the Holocaust, will be shown at the Comox Valley International Film Festival on April 5. The 15-minute short was shot over the course of four days in the Greater Victoria area and involved 260 people.

Director David Bercovici-Artieda, the son of a Holocaust survivor, described the project as both a profound responsibility and an intensely personal journey. His father’s experience, though not depicted in the story, inspired him to bring the film to fruition.

“It’s not just about telling a story. It’s about honouring the memory of those who lived through unimaginable horrors, including my own father. Every frame, every scene and every creative choice carries the weight of history – my family’s history,” he told the Independent.

“I came to understand the profound impact of survival – not just the physical endurance, but the emotional and psychological resilience that followed. His story, and those of so many others, shaped my perspective on the responsibility of storytelling and the importance of preserving these narratives for future generations.”

Bercovici-Artieda said creating a film like The Fast Runner is a balancing act between art and education. It must be compelling, engaging and cinematic, but also serve the greater purpose of preserving memory and fostering empathy. At its core, he explained, the film carries a message of compassion, hope and perseverance in the darkest moments of history.

“It is a reminder that, even in the face of cruelty, there were acts of kindness, moments of defiance and an unbreakable human spirit. These themes are as relevant today as they were then,” he said.

Bercovici-Artieda admitted that, during the process of putting the film together, he questioned whether he was doing justice to the story and honouring his father’s legacy in the right manner.

“Ultimately, telling these stories is a privilege,” he said. “It is a way to ensure that the Holocaust is never forgotten, to remind audiences that history is not just in textbooks – it lives in the voices and memories of those who came before us.”

Bercovici-Artieda stressed that the film is about choices as well: those forced upon people who suffered and those made by people who stood by, helped or betrayed. Viewers, he hopes, will recognize the weight of these decisions and that history is not just a collection of events: it is built on the actions and moral dilemmas of individuals.

“I also hope audiences see the film not just as a story about the past, but as a reflection of today’s world,” he said. “The forces of hate, intolerance and dehumanization did not disappear with the Holocaust. They persist in different forms. If we are not vigilant, history can repeat itself. And, right now, we are witnessing a dangerous rise in antisemitism, Holocaust denial and historical revisionism.”

photo - Director David Bercovici-Artieda behind the camera of The Fast Runner, which next screens at the Comox Valley International Film Festival — Director David Bercovici-Artieda behind the camera of *The Fast Runner*, which next screens at the Comox Valley International Film Festival. *(photo from thefastrunnerfilm.com)*

Most importantly, Bercovici-Artieda would like people to leave the theatre with a sense of empathy. Survivors like his father, he said, endured unspeakable horrors, but they carried on, rebuilt their lives and, in many cases, found a way to forgive.

“If they could move forward with hope, so can we,” he said.

Currently, Bercovici-Artieda is raising funds to support a partnership with Journeys in Film, an educational nonprofit, to help teachers bring The Fast Runner into classrooms worldwide. In addition, he would like to expand screenings, panel discussions and outreach programs to engage audiences in meaningful conversations about the Holocaust, resilience and the dangers of historical revisionism.

“My hope for educating people about the Holocaust through The Fast Runner is to provide a deeply human perspective on one of history’s darkest chapters – one that goes beyond statistics and textbooks,” he said. “I want audiences, especially younger generations, to connect emotionally with the story, to feel the weight of what was lost and to understand the consequences of hatred and intolerance.”

The Fast Runner screened at the Victoria Film Festival in February; the Shabbat Lounge, a Jewish cultural event running alongside the Sundance Film Festival in Park City, Utah, in January; and the Victoria International Jewish Film Festival last November. After Comox, it will make its Latin American debut, with three screenings in Ecuador, Bercovici-Artieda’s home country. One of the screenings will take place on Holocaust Remembrance Day (Yom Hashoah), on April 23, in Quito.

The film stars Alix West Lefler as the young girl Frida and Alex Poch-Goldin as the rabbi. Only 13 years old, West Lefler has a considerable list of acting credits, including roles in films (Speak No Evil, The King Tide) and on television (The Good Doctor, Riverdale). Poch-Goldin is a veteran stage and television actor with appearances on Nero Wolfe, Murdoch Mysteries and Queer as Folk; he is also a playwright, director and librettist.

Michael Bruce Adams wrote the screenplay for The Fast Runner. Adams has been involved in more than 150 film productions. Besides short films, he has written features and documentaries.

Bercovici-Artieda has been the cinematographer on dozens of film projects and a director of several recent television series’ episodes and movies, including the holiday film Making Spirits Bright.

For more about The Fast Runner, visit thefastrunnerfilm.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Whimsical “wood friends”

“Jug Band” by Anita Colman, whose work is on display at the Cedar Hill Recreation Centre in Victoria through March 3. (photo from Anita Colman)

The distinctive, colourful characters that artist Anita Colman creates out of driftwood and various objects she discovers around Victoria are currently on display in hallway showcases at the Cedar Hill Recreation Centre in Victoria through March 3.

Her “wood friends,” as she dubs them, constitute a wide assortment of critters – from avians to insects, canines to felines. There are birds nested on a woman’s head, a jug band and a dog with a beanie. There is also a unicyclist and a schoolboy riding a pogo stick.

photo - “Unicyclist and Pogo Stick Boy” by Anita Colman — “Unicyclist and Pogo Stick Boy” by Anita Colman. (photo from Anita Colman)

Colman grew up in Montreal and studied fine arts at Concordia University. After graduation, with what she jokes were “no applicable skills,” she worked building fences, painting houses and selling produce at an outdoor market.

“Then, in 1980, a friend and I went on an epic road trip from Montreal to the San Francisco Bay and I ended up staying,” she told the Independent.

With a penchant for cartooning, Colman, while getting settled in the United States, freelanced for several greeting card companies, including American Greetings, Marcel Schurman Fine Papers, Andrews McMeel and Hallmark Cards, among others.

One day, Hallmark contacted her to say that they wanted her to work in-house at their headquarters in Kansas City.

“As a single parent at the time, a steady income with a health plan was an offer I couldn’t refuse,” she said. “I’ll never forget the day we landed at the Kansas City International Airport in August. As soon as we exited the airport, we were hit with a blast of hot, humid air. It was an inferno. All I could think was, ‘What have I done?’”

At Hallmark, she was part of Shoebox, an alternative humour studio, where she illustrated not only myriad cards but books and calendars, and designed logos and fonts. Her artwork also was applied to stickers, school supplies, mugs, T-shirts, and dog and cat bowls.

The company, Colman recollected, had a farm where artists would go for what she called “creative renewal.”

“The barn had a fully equipped woodshop and welding area. That’s where I learned woodworking. We built crazy birdhouses and robots that moved and lit up,” she said.

“There was also a small woodshop for artists at headquarters. It was located beside the model shop, where carpenters built displays for shows, etc. I learned a lot from them. Any free time I had was spent in the woodshop.”

Anita Colman’s creations are on display in Victoria. (photo from Anita Colman)

As a humour artist, Colman said she was continually developing different characters and critters. Now she does the same with wood.

“The elements of design are the same – line, form, texture, colour. Driftwood already has texture and shape that can look like a nose, ears or tail.”

Accompanying Colman on her hunts for items to turn into art is her rescue dog Bean.

“He’s my sidekick,” she said. “He comes along when I walk the beach looking for good wood or browse ReStore, Value Village and hardware stores with an eye out for objects I can incorporate in my pieces. Bean’s always on the lookout for treats and makes out pretty good.”

The whimsical wooden creations have become an increasingly familiar sight in the capital city. Last fall, they were exhibited at the library in Victoria’s Commonwealth Place. In January, Colman was featured in a CTV News Vancouver Island report by Adam Sawatsky, which showed her, along with Bean, scouring a Victoria beach for things that could be incorporated into her work.

“Some people like shopping for shoes, I like shopping for junk,” she said.

Bean, too, is a recipient of Colman’s artistic flair. In the CTV report, he was seen clad in a denim vest with flames and a dragon embroidered into the back; his hair was molded into a mohawk to make him look “like a tough little dude.”

photo - Anita Colman creates distinctive characters, a wide assortment of “wood friends,” including dogs — Anita Colman creates distinctive characters, a wide assortment of “wood friends,” including dogs. *(photo from Anita Colman)*

Colman’s display at the recreation centre is part of a Family Arts Exhibition organized by the District of Saanich. One of the images the municipality’s website is using to promote the event is Colman’s woodwork of a cat ballerina. Other artists whose work will be shown are Tanya Bub, Randy Barron and Susan Wright.

In the midst of the exhibition, the recreation centre will host a Family Arts Festival on Feb. 17 (Family Day) from 11 a.m. to 3 p.m. in what the municipality is billing as “a celebration of imagination, creativity and discovery.” Among the activities will be mini-quilt design, tin foil sculpture and LEGO robotics.

Colman’s finished products are not for sale. They can, however, be viewed on her website: anitacolmanart.weebly.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Revisiting magic in Victoria

Linda Dayan Frimer signs books at the Indigo in Victoria’s Mayfair Mall. (photo by David J. Litvak)

Victoria has always been a magical place for BC artist and author Linda Dayan Frimer. She has exhibited her art at the Empress Hotel and participated in a concert with the Victoria Symphony Orchestra. It was an agent from Victoria who helped kickstart her career and, more recently, she connected with the Victoria editor who worked on her latest book, Luminous. On a trip this fall to Victoria to promote that book, Frimer rekindled her special relationship with British Columbia’s capital.

“Victoria is a place of very special memories and wondrous new happenings for me and my art,” said Frimer.

Recalling her early days, she said, “My large watercolour paintings depicting the landscape of British Columbia, placed in the window of Northern Passage Gallery by the owner and my Victoria-based art agent Valerie Pusey, seemed to fly out the door in swift succession.”

Pusey “was astonishing in helping my art champion many causes,” said Frimer. Those causes included Margaret Laurence House for women leaving an abusive partnership, breast cancer research, and arts and science benefits. With Pusey’s help, Frimer was chosen as the first artist to represent the Trans Canada Trail, with her painting “The Golden Journey, 5000 Miles of Freedom.” That long-ago concert with the Victoria symphony was a fundraiser, with Frimer being invited to paint on stage just behind the orchestra.

“Hearing the symphony inside my heart while painting in harmony with them was an exquisite experience,” Frimer shared.

Frimer’s memoir, Luminous: An Artist’s Story as a Guide to Radical Creativity, follows the history of her ancestors from Romania, Lithuania and Russia, as they experienced cultural turmoil and fled to North America, and delves into the stories of renowned artists and the artworks they produced in response to social injustice and war. The book includes exercises designed to help readers connect with these artists, and to inspire readers to get in touch with their own inner artist and the art of their own story. (See jewishindependent.ca/how-to-be-radically-creative.)

photo - A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art — A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art. *(image from Linda Dayan Frimer)*

While Frimer has traveled across North America promoting Luminous, this recent trip was her first event in Victoria promoting it. As people passed by the table where Luminous was displayed at Indigo in the Mayfair Mall, they couldn’t help but notice it. One young fan could not take her eyes off it.

“My book was blessed by the appearance of a little 7-year-old girl who appeared at my signing table,” said Frimer. “She began to turn each page of the book intently. After a few minutes, her mother asked her if she would like to go to the toy department. No, she responded, I want to stay right here. She seemed mesmerized by each colour-filled page and, as she pointed out her favourite painting, entitled ‘Wonder,’ I felt a rush of awe. When her mother returned after some time shopping, I gifted the little girl my book and when she received the book, she hugged it tightly. Her mother was in tears and said to us that this was a seminal moment in her daughter’s life that would guide her future.”

Frimer was moved by the encounter.

“This was the best gift my life and art could receive – for I know that each of us is the artist of our own story and, when we are inspired to reach the foundational core of ourselves, we discover true meaning and purpose,” she said. “That afternoon, I realized that, if I had only written my book to bring wonder to this little girl, it had served its purpose.”

In addition to the event at Indigo, Frimer got together with Ellen Godfrey, the editor of Luminous, and Pusey while she was in Victoria.

“I vividly recall my first glimpse of Linda Dayan Frimer’s artwork and my feeling of awe at the interplay of emotion and passion, intelligently expressed through paint on paper,” said Pusey. “That glimpse confirmed all that critics had previously observed: her distinct ability to cultivate colour, light and motion within the watercolour medium. Linda Frimer’s artwork is so fundamentally powerful that it transcends esthetic beauty to express a depth of spiritual awareness and sensitivity. Her message is one of reverence for all of creation.”

During the rest of Frimer’s time in Victoria, seeds were planted for a future event at Congregation Emanu-El and possibly an artist residency at one of the local hotels. For more information about Frimer and her work, visit lindafrimer.ca.

David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer, former Voice of Peace and Co-op Radio broadcaster, “accidental publicist,” and “accidental mashgiach” at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.

Up-and-coming pitcher

Jake Finkelstein’s repertoire includes a fastball, curveball and changeup. (photo by Justin Morash)

Pitcher Jake Finkelstein is looking forward to his third season in the Victoria HarbourCats lineup next summer.

Finkelstein, a 2020 King David High School graduate, told the Independent the decision to return to the region was a “no-brainer” and that it “feels great” to be coming back. During his first year with the club in 2023, the HarbourCats took home the WCL North Division title and nearly won the WCL championship. The team was knocked out during the 2024 North Division semifinal series, leaving what Finkelstein described as a “tremendous hunger to win it all” in 2025.

The HarbourCats are part of the West Coast League, a collegiate baseball circuit that was started in 2005.

“The past two summers I’ve played there have been some of the most fun I’ve had,” said Finkelstein. “One reason why Victoria is such a great place to play is the fans. They create one of the most electric atmospheres in all of summer ball and it’s a privilege to get to play for a city that cares about the team the way Victoria does.”

The left-handed pitcher credits Victoria head coach Todd Haney, a former Montreal Expo, for recruiting not only players who can perform at a high level but who are team players, making it very easy to build relationships during the short WCL summer season.

photo - Jake Finkelstein has played two summers with the Victoria HarbourCats — Jake Finkelstein has played two summers with the Victoria HarbourCats. *(photo by Christian J. Stewart)*

“Victoria is also such a great place to play because of the coaching staff. They do a great job of keeping everyone on the same page while making sure we enjoy our summer. The HarbourCats are a team that wins, and I believe that the relationships that the players gain with one another, as well as the coaching staff, are a major reason as to why,” Finkelstein said.

Now spending the academic year at Georgia Gwinnett College (GGC) in Lawrenceville, a suburb northeast of Atlanta, Ga., Finkelstein has also played for Montana State University Billings and Spokane Falls Community College.

The move to GGC was a big decision for Finkelstein. However, after numerous conversations with the GGC coaching staff and some with the players, the lure of suiting up for a college baseball powerhouse ultimately won him over.

“GGC baseball has one of the most knowledgeable coaching staffs in the nation,” said Finkelstein.

“While winning is a huge part of the program, and our track record proves it, development and unlocking an athlete’s full potential are the top priorities. Everything we do on a day-to-day basis reflects that,” he said.

“Speaking with my now-friend and -teammate Austin Testerman before I decided on GGC, I was able to get a glimpse into the mindset that one must possess and the way one must act to be a GGC Grizzly. This was my selling point. I didn’t know much about the minor ins and outs of the program, but I knew that I was walking into a place where I had a chance to be a part of something special.”

The 22-year-old HarbourCat veteran, whose repertoire includes a fastball, curveball and changeup, sees his biggest strength as being able to throw strikes consistently. A pitcher’s job, he said, is not about simply throwing hard, but getting the ball to “end up wherever you want while making it do weird things.”

That control, coupled with composure, according to Finkelstein, are tremendous assets on the mound.

“Being a pitcher is very stressful and can be very humbling at times,” he acknowledged. “I’ve always noticed that the best pitchers keep the same body language and demeanour no matter what is happening in the game. Even if a home run was just hit off of them, they’re right back at it, throwing strike one to the next guy. That is what I pride myself on and try to embody every time I am on the mound.”

As he continues to hone his craft, Finkelstein would like to finish innings on fewer throws.

“Getting every batter you face out, but throwing five or more pitches to each of them adds up and tires you out. Being able to keep your pitch count down is essential to maintaining longevity on the mound. So, I would say that my biggest facet of pitching that I am working on right now is being able to get hitters out early more consistently,” he said.

Turning professional is Finkelstein’s ultimate goal – whether it be affiliated, independent or overseas baseball. Academically, he is working towards a degree in business management with a minor in finance.

The HarbourCats are also excited to have Finkelstein back for another summer.

“Jake’s a great kid. First and foremost, he is a quality individual who has been a tremendous teammate and a competitor. He is a pitcher not a thrower, he wants to get hitters out,” said Jim Swanson, the HarbourCats managing partner.

“He works a good curve that is especially problematic for left-handed hitters and his fastball has more than enough to get guys out,” said Swanson. “He has always played very well for us and been a gamer.”

For Swanson, a game during the 2023 divisional playoffs against the Bellingham Bells stands out. Victoria trailed 6-0 when they brought Finkelstein in and, thanks to his tenacity on the mound, and HarbourCats hitters finding their way around the bases, Victoria came back to win 9-7.

Finkelstein, a college junior, earned academic all-America team accolades at NCAA Division II Montana State University Billings and is a member of Chi Alpha Sigma, the National College Athlete Honour Society. (His sister Leann played collegiate softball for Long Island University Post and Simon Fraser University.)

Last season, Finkelstein made 11 appearances, including nine starts, threw 38.1 innings, struck out 23 and won two games.

The HarbourCats 2025 home opener is June 6 against the Port Angeles Lefties.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Artist reflects on career

Imre Székely, left, gives his artwork to then-prime minister Jean Chrétien. (photo from szekelygallery.com)

From his hometown of Győr, Hungary, a city halfway between Vienna and Budapest along the Danube River, to his studio in Victoria’s Chinatown, Jewish community member Imre Székely has been creating art for more than five decades, primarily in the linocut/monotype style of printmaking.

Linocut, also known as lino print, is a design carved in relief in linoleum. The art form was popularized in the early part of the 20th century. In monotype, an artist presses ink directly onto a plate. The plate is then pressed against paper to transfer the ink.

As Imre Székely’s approaches 70 years old, he looks back at his career. (photo by Kor Gable)

Székely discovered his calling early in life, under the tutelage of Imre Krausz and István Tóvári-Tóth, both distinguished artists in Hungary. However, Hungary in the 1970s and 1980s was no place for anyone whose views differed from those of the regime.

“The communist regime at the time did not have a role for a forward-thinking, modern artist. There wasn’t much chance of self-actualization,” Székely told the Independent.

Thus, in 1987, he said goodbye to his family and jumped on a westward-bound bus. His first stop was a refugee camp in Austria, then on to France, the Netherlands and, finally, Canada, in 1988. After stops in Winnipeg and Toronto, he set off west where, in 1991, he settled in Victoria, finding the provincial capital to be an ideal spot for his professional and private life. His wife and children joined him shortly after he arrived in British Columbia.

Székely describes himself as a hyper-surrealist artist, who blends “a variety of colours, patterns and shapes that are the spices of life.”

Throughout his career, he has donated his works and given them to people who couldn’t otherwise afford a work of art. He also has presented his artwork to provincial ministers, foreign dignitaries and prime ministers.

In 1999, for example, he traveled to Rome for a personal audience with Pope John Paul II, to donate his work “Abba Pater” to the Vatican.

In 2001, he showed his gratitude to his adopted homeland by donating his art-deco-styled piece “Canada: Past, Present and Future,” to then-prime minister Jean Chrétien, who accepted it on behalf of the government of Canada.

“This occasion was especially meaningful to me, as it presented a way to express my thanks to Canada for accepting so many refugees to this country with open arms,” said Székely, who has also presented a work to Prime Minister Justin Trudeau.

“Gifting Justin Trudeau with one of my art pieces was a highlight in my life … this kind of event was impossible in my home country under communist rule,” he told Senior Living Magazine in 2021.

One of the works of which he is most proud, “Hungarian Conquest (Honfoglalás),” was presented to the Hungarian parliament in Budapest. When, in 2010, Pecs, Hungary, was chosen as the European Capital of Culture, Székely provided the city with 31 of his works for a solo exhibition. His hometown Győr’s city hall houses his artwork and he has donated his works locally, to the City of Victoria and to the Hungarian consulate in Vancouver.

photo - Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II — Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II. *(photo from szekelygallery.com)*

At the height of the COVID-19 lockdowns in 2020, retreating to his studio, Székely produced “Satan Sneers,” a work in which, as an artist, he detaches himself from shared circumstances to show pity for the human race as it confronts an undetermined fate.

Székely sent a photo of the work to Dr. Tedros Adhanom Ghebreyesu, director-general of the World Health Organization, in the hope of donating the work. According to Székely, Dr. Tedros (his preferred moniker) liked the piece very much.

“Unfortunately, I couldn’t personally hand it over to him in Geneva at the time because the two-week quarantine was introduced before my departure,” Székely recalled.

In 2021, the artist created a work entitled “Hope and Genius,” dedicated to Katalin Karikó, the biochemist and researcher at the University of Pennsylvania, who, together with Drew Weissman, took home the 2023 Nobel Prize in medicine for work leading to the discovery of mRNA vaccines to fight COVID-19.

“She deserves lots of thanks and appreciation from us all,” he said. “My work is recognition and homage to her human and scientific greatness.”

At present, Székely is working on several projects, one of which is called “Magical Artificial Intelligence,” a surrealistic piece on what he views as the issue that offers the most positive potential for humanity – and the most danger.

He hopes to donate works to other notable people in the political and business worlds, such as Bill Gates, Kamala Harris and Ernő Rubik, a fellow Hungarian who invented the Rubik’s Cube.

As he approaches his 70th birthday in December, Székely said he feels freer now than at any time in the past, drawing strength from family, friends and art.

“Artistic creation is the outflow of strength, good mood and joy of life. A true artist enjoys his own creative power. Creation is one of the most difficult things in the world, creating from nothing,” he said.

“I am convinced that art and culture will unite the world again. I know that artistic ability can be viewed as a blessing, but it is worthless without creative work and humility.”

For more on Székely, visit szekelygallery.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

A solemn anniversary

The Vancouver and Victoria Jewish communities will each hold a memorial ceremony Oct. 7 to honour and remember the victims of the attacks on Israel a year ago.

Led by the Rabbinical Association of Vancouver (RAV) and in partnership with the Jewish Federation of Greater Vancouver and many others, an evening event in Vancouver will be an opportunity for people of all ages to come together.

A special gathering for young adults will take place from 6 to 7 p.m., providing a space for reflection and connection. The main ceremony will begin at 7 p.m., and will include what is being described as a poignant tribute led by our community’s rabbis. The location of the event will be emailed upon registration. Register at jewishvancouver.com/october-7th-memorial.

Following the ceremony, Jewish Family Services will offer “living rooms,” in both Hebrew and English, where attendees can share their thoughts and find comfort. An Israeli sing-along will also take place, with the intention of helping participants find strength in unity and to support one another.

Relatives of Oct. 7 victims will present representative stories of the heroes and victims and organizers are planning interactive elements so participants can actively memorialize. There is an intention to ensure that all the victims’ names, as well as fallen soldiers’ names, can be articulated in the course of the program.

Politics – local or international – are to be kept out of the program. Elected officials may attend but the focus is on memorializing and honouring the dead.

While Oct. 7 created an unprecedented new world, in many ways, there is a precedent for the sort of memorial event planned, according to Beth Israel’s Rabbi Jonathan Infeld, who is head of RAV.

The Yizkor service will be the template for this commemoration, said Infeld.

“We know that the Yizkor service is something that the synagogue-going Jew can relate to, but we know that not all the members of our community go to synagogue on a regular basis,” he said. “We want to make sure that it works for everyone. Yizkor is the framework, but there will be creative pieces in it as well that will work for everyone in the community.”

As the anniversary approaches, Infeld said the community should be “thinking first and foremost of the memory of those who were murdered in this horrific, horrible terror attack.”

There are 97 hostages still being held in captivity in Gaza of the more than 240 Israelis and others kidnapped by Hamas on Oct. 7. (Four other hostages have been held since 2014/15.)

People need to be reminded of the absolute necessity to support the people of Israel at this moment, and to support fellow Jews here in Canada and around the world against the rise of antisemitism, said Infeld. “We would like to see everyone really rally together and gather together to support each other and to show our support for Israel and the Jewish people, and to comfort each other as well.”

A memorial in Victoria will take place at the same time on Oct. 7, at the Esquimalt Gorge Pavilion. Pre-registration is mandatory at jewishvictoria.ca.

On Sept. 28, as part of Beth Israel’s Selichot service, Rabbi Infeld will lead a conversation with Thomas Hand, whose daughter, Emily, was a hostage in Gaza. Emily, who turned 9 in captivity, was kidnapped along with her friend and the friend’s mother. The two girls were released in November. Hand will talk about the “spiritual, emotional and moral roller coaster” of his daughter’s captivity and eventual freedom.