Sam Margolis

Victoria club’s many benefits

Since August 2025, a group of enterprising individuals from the Greater Victoria community has been gathering at various venues to discuss prospects, offer guidance and bounce ideas off one another as part of the area’s Jewish Business Club.

photo. -The Jewish Business Club in Victoria offers business owners the chance to create networks and get to know one another. The next gathering takes place Feb. 26 — The Jewish Business Club in Victoria offers business owners the chance to create networks and get to know one another. The next gathering takes place Feb. 26. *(photo by Joe Mabel / flickr)*

The group was guided into its current form by Elvira Molochkovetski, who took on the role of community connector in Victoria last summer. The role is a joint position of the Jewish Federation of Victoria and Vancouver Island (JFVVI) and the Jewish Federation of Greater Vancouver. Other community connectors can be found in the Okanagan, Salt Spring Island, the Comox Valley, South Delta and Squamish.

According to Molochkovetski, some local businesspeople, who had established friendships through their ventures, had been meeting informally and sporadically over coffee for a couple of years.

“We just created something more structured, giving them a space, a reason and a schedule to meet and invite more people,” she said. “The goal was the same goal they always had: create networks, support each other and get to know each other. And many new connections were created through those meetings already.”

Attendees, who come from different backgrounds and places, and represent a range of business sectors, participate in the club, which, Molochkovetski stressed, is open to all. Some, like Molochkovetski, have come to Victoria from Winnipeg, where a similar club was formed at the Rady Jewish Community Centre.

Young entrepreneurs, she said, have also joined because they have ideas for businesses and want to see what other business owners think, or to find out what is happening in a particular market. In some cases, more experienced entrepreneurs have served in a mentor-like capacity.

“When you are business-oriented, you love spending time with other business-oriented people,” Molochkovetski said. “We had a few young people who just … bought a condo and want to rent it out. So, they joined and received some advice from people who had experience in this kind of business before.”

The club’s meetings often start with an introductory circle. Participants can bring promotional materials, share information about their business and ask questions. Meetings can include playing business-oriented games, solving problems or suggesting what one might like to do or invest in within the community.

At one of the Jewish Business Club’s meetings, a member welcomed everyone to his house to sample some of his culinary creations, as his business centres around the food industry.

Molochkovetski added that the meetings have brought in people who have not maintained ties to Jewish organizations yet feel connected to the community through the club.

One regular attendee who has found the gatherings beneficial is Felix Gelman, who runs Alpha Victoria HVAC Ltd., a company that installs residential heat pumps in Victoria and surrounding communities.

“The Jewish Business Club in Victoria is a strong opportunity to connect with fellow Jewish business owners, exchange referrals and build real local relationships,” Gelman told the Independent. “It’s also an effective way for people to learn what you do, while gaining insight from others’ experiences in the Victoria business community.”

Gelman opened Alpha Victoria HVAC in 2022 after relocating from Winnipeg, where he still operates an active HVAC business specializing in furnaces, air conditioners, heat pumps, ventilation and indoor air quality systems.

Originally from Israel, Gelman, a Red Seal refrigeration mechanic with 30 years of experience in residential HVAC systems, immigrated to Canada in 2005. He is also a licensed general contractor. On Vancouver Island, he helps homeowners build garden suites and lane houses, either to generate rental income or accommodate family members.

In total, roughly 35 people have attended Jewish Business Club meetings in the past six months, with 12 to 15 generally showing up each time. Meetings alternate between mornings and evenings to fit the different schedules of those in the community.

The next get-together is planned for Feb. 26, 7:30 p.m., at a restaurant in the Westshore region of Greater Victoria. The location will be provided upon registration to those who wish to attend.

Billed as the “Jewish Business Club Night Out,” the event will offer opportunities to share and introduce businesses, chat with fellow entrepreneurs and enjoy a light snack and soft drinks.

“Whether you’re just starting out or growing an established business, this is a chance to connect, collaborate and support one another’s success,” said the organizers.

To register for the upcoming event, visit jewishvancouver.com/jewish-business-club.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Avodah dedicated to helping

Members of Congregation Emanu-El’s Avodah at last year’s Coldest Night of the Year event. (photo by Penny Tennenhouse)

A 12-member team from Avodah, the social-action arm of Victoria’s Congregation Emanu-El, will be participating for the ninth time in the Coldest Night of the Year, a fundraising walk to support various charities that help people experiencing poverty and homelessness, on Feb. 28.

Funds raised by Avodah will go to Our Place Society, which provides more than 1,400 meals a day, as well as shelter, supportive housing, hot showers, paramedic services and other assistance. It is Vancouver Island’s only long-term therapeutic recovery community.

Penny Tennenhouse, a central figure in Avodah since its inception, said the name of the fundraising event, the Coldest Night of the Year, is misleading – and not because of the temperature reading on a thermometer.

“I call it the warmest night of the year. It’s festive, actually. It’s love in motion because it’s enjoyable to come together, especially after the pandemic. And it’s enjoyable because we feel good about what we’re doing and we know it’s important,” she said.

This year, Avodah’s participation will be in honour of Annette Wigod’s 99th birthday. Wigod has been a regular presence in Avodah’s efforts. Her daughter, Eve Abrams, will be walking with the Avodah team.

“Annette has been involved with Avodah for many years. She used to come every month with me to Our Place to serve ice cream and cake. She’s a very caring and dedicated person,” Tennenhouse said.

photo - Avodah at last year’s Coldest Night of the Year event — Avodah at last year’s Coldest Night of the Year event. *(photo by Penny Tennenhouse)*

There are 47 groups and 224 walkers taking part in the 2026 Victoria event, which is divided into two- and five-kilometre routes.

As of press time, Avodah’s team had raised $6,702, which placed them second in terms of fundraising among the groups participating.

Over the last three years, Avodah has raised more than $21,000 for Our Place. Collectively, after this most recent walk, it hopes to exceed $50,000 in funds raised since the group first started participating.

“There’s one woman I have to mention, Debbie Yaffe, who I consider my partner in originating this involvement. She’s been amazing,” said Tennenhouse.

As of earlier this week, Yaffe had raised $2,221, with 30 people donating to her walk, placing her second on the Coldest Night of the Year scoreboard. Tennenhouse, who had raised $1,425 with 18 donors, was in sixth place.

Across Canada, there will be fundraising walks in 222 locations for the Coldest Night of the Year. Nationally, the walks are organized by the Blue Sea Foundation, which is based in Kitchener, Ont.

Avodah was inspired by Rabbi Harry Brechner, who wrote in the synagogue’s newsletter in 2003 that the core beliefs of Judaism – care for one’s neighbour, acts of loving kindness, repairing the world – should be put into practice. Avodah can be translated from Hebrew as work or service.

“Within about a nanosecond of the rabbi’s post, a few other people and I responded that we wanted to be involved in such an initiative,” said Tennenhouse. “Because we were starting from scratch, we thought we would support those groups that are already in existence that are devoted and dedicated to serving people in dire need, vulnerable people in our community.”

Brechner, who retired in 2025 after serving the congregation for 24 years, remains active in the community and holds the title of rabbi emeritus.

Avodah’s outreach over the years has included offering shelter at the synagogue to youth experiencing homelessness, giving away thousands of pairs of socks to people living on the street and serving up annual lunches during Hanukkah at Our Place, located a block away from the shul.

“We’ve had a long history in supporting these groups, and it’s been made possible largely through the support of our congregation, because, if we didn’t get the support of our congregation, we wouldn’t be able to do these things,” Tennenhouse said. “We provide financial resources, but we also think it’s important to volunteer our actual time and energy to be connected to people that way as well.”

In addition to Our Place, Avodah gives financial and volunteer support to organizations such as the Burnside Gorge Community Centre, the Quadra Village Community Centre, 1Up Victoria Single Parent Resource Centre, St. John the Divine’s Food Bank and SOLID Outreach, a group that provides harm reduction for those on the street.

Every Thursday, several Avodah volunteers serve meals, clean tables and engage with visitors at a free lunch sponsored by the James Bay United Church. Monthly, Avodah provides “good food boxes,” fresh fruit and vegetables, to families of students at an inner-city school.

In addition to donations from Emanu-El members, Avodah receives support from Vancouver’s Betty Averbach Foundation.

For more information about Victoria’s Coldest Night of the Year, visit en.cnoy.org/location/victoriapandora. To find a walk near you, go to cnoy.org/locations.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Broadway’s Jewish storylines

David Benkof, the Broadway Maven, spoke on Jan. 11 as part of Kolot Mayim Reform Temple’s 2025-26 Voices of Jewish Music series. (photo from David Benkof)

David Benkof, the Broadway Maven, visited Victoria recently, to give a talk titled Spotlight on Jewish Broadway, on Jan. 11. He began with a clip from the musical Spamalot, which, in a tongue-in-cheek manner, asserts that a potential show may have the finest sets, the loveliest costumes and the best shoes, yet it “won’t succeed on Broadway if you don’t have any Jews.”

“The joke is that Jews wrote Broadway, Jews perform Broadway, Jews produce Broadway – and that’s true. It’s historically true, it’s statistically true, and it’s been said so many times that it barely counts as an insight anymore,” Benkof said.

Although seemingly innumerable Jews – Irving Berlin, Jerome Kern, Barbra Streisand, to name a mere few – may be associated with Broadway, Benkof encouraged the audience to consider the meaning of “Jewish Broadway” as something beyond the names of those who created and performed in well-known shows. Rather, he asked those attending in person and on Zoom to think in terms of Jewish-related themes: assimilation, reinvention, insecurity, exile, visibility and ambivalence.

“I want to go a step further,” he said, “and argue that Broadway isn’t primarily Jewish because of the people involved, but because of the very sensibility of the art form. Broadway is Jewish because its plots, themes and character arcs reflect the Jewish experience in North America.”

With clips from Hairspray, Hello, Dolly, A Chorus Line and Chicago, Benkof demonstrated that, while characters and plots were not overtly Jewish, or Jewish at all, there are invariably elements – such as restlessness, striving and defensiveness – that make them feel deeply Jewish.

“It grows out of histories of conditional welcome, where excellence becomes a survival strategy and visibility is both opportunity and danger,” said Benkof. “Broadway characters don’t assume that the room loves them. They hustle to make the room need them. That’s why Broadway feels Jewish even when Jews are nowhere in sight.”

Hairspray, for example, makes no claim that the characters are Jewish. It is method, not identity, according to Benkof, that makes it Jewish. The lead character does not want to tear down the system; she seeks to join it, he pointed out.

“The belief that assimilation is both a strategy and an ethical good is deeply Jewish in a North American context,” Benkof said.

“The combination of idealism, anxiety, and faith that the system can be nudged towards justice if you appeal to its conscience is not universal,” he argued. “It’s a Jewish sensibility operating inside a story that never needs to say the word Jewish out loud, which makes Hairspray slightly subversive, like quite a bit of postwar Jewish art.”

By the end of his Victoria lecture, audience members were able to find Jewish themes in musicals that, on the surface, seem far removed from the Jewish experience: The Lion King, The Phantom of the Opera, The Sound of Music, even The Book of Mormon (think reinvention).

In the example of The Sound of Music, audience members found that its themes of escape, persecution and fear were elements that could be perceived as related to the Jewish experience.

Congratulating the audience, Benkof said, “We could have said, Richard Rodgers was Jewish and, therefore, The Sound of Music is Jewish. That is true and boring. What we have been able to do here today is think about how you won’t succeed on Broadway if you don’t have any Jewishness, as opposed to just Jews.”

Benkof also discussed a Canadian connection to Jewish Broadway, Come from Away, a musical about the care of thousands of travelers, who, after Sept. 11, 2001, had their flights diverted to Gander, Nfld.

In 2024, Benkof made a trip to Gander to see a performance of the show, written by Canadians David Hein and Irene Sankoff.

“I got to go and meet some of the people who had done it,” he said. “They welcomed people into their home and their community, and that, I think, is a very Jewish theme.”

Benkof’s website, broadwaymaven.com, offers five to 15 classes every month. In January, for example, the online educational community had classes on the musicals of Howard Ashman and Alan Menken, on Pal Joey, and a 50th anniversary roundtable on Pacific Overtures by Stephen Sondheim and John Weidman. Upcoming events include classes on Sweeney Todd, Evita, Kiss Me, Kate and Cats, among others. Benkof also posts weekly about Broadway on Substack: substack.com/@thebroadwaymaven.

Benkof’s talk was the third lecture in Kolot Mayim Reform Temple’s 2025-26 Voices of Jewish Music series, part of the Vancouver Island shul’s annual Building Bridges program. The next in the series will be from Naomi Cohn Zentner, an ethno-musicologist at Israel’s Bar-Ilan University, on Feb. 8. Her talk – Music and War: An Optimistic View – will examine how Israeli musicians have responded to recent historic events and explore music’s role in processing grief, inspiring resilience and connecting community in times of crisis. Visit kolotmayimreformtemple.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

New rabbi settles into post

Victoria’s Congregation Emanu-El welcomed Rabbi Elisha (Eli) Herb as its new spiritual leader at the beginning of September, marking the next chapter for the historic shul, Canada’s oldest synagogue in continuous use. He takes over from Rabbi Harry Brechner, who served the community for the past 24 years.

Herb, a 2016 graduate of the Hebrew College Rabbinical School, joins Emanu-El after serving for nine years as the rabbi for Temple Beth Shalom, a Reconstructing Judaism synagogue in Salem, Ore.

photo - Rabbi Elisha (Eli) Herb is Congregation Emanu-El’s new spiritual leader — Rabbi Elisha (Eli) Herb is Congregation Emanu-El’s new spiritual leader. *(photo from Emanu-El)*

“The Victoria community has been really wonderful,” Herb told the Independent earlier this month. “It feels like I found a niche, and that feels great. I love the people here. And I love Victoria. The island is amazing. I’m enjoying being here immensely.”

When the Emanu-El board announced that they had chosen Herb this spring, following a seven-month selection process, it notified members that a two-thirds majority in a closed ballot was required to confirm the new rabbi. The motion to hire Herb passed with 97% of the vote.

Since late summer, Herb said he has been learning from the community and hearing from people at Emanu-El about what they find satisfying about the synagogue and what they would like to see changed or enhanced. He wants “to listen more than lead right now,” he said.

“Something exciting for me is, in general, that people love Emanu-El. They really like being here, and want more. I like the request for more – more social connections, more diversity in programming, more programming,” he said.

Although Emanu-El has a reputation for supporting progressive causes, labeling it as a “lefty shul,” in Herb’s view, does not fully reflect the range of perspectives held by members.

“Our membership is a big spectrum of backgrounds, orientations, ideologies, and so forth,” he said. “The community I’m experiencing is really much more about developing and strengthening the relationships they have to each other and trying to be a positive presence in Victoria as a whole.”

After Oct. 7, 2023, strong opinions within the Victoria Jewish community emerged, often pitting members against one another and leading to a fracturing of relationships.

“A lot of judgments have been made absent a direct relationship, and that’s very painful. It feels important to me that some healing goes on,” Herb said. “Compared to where I was in Oregon, it feels like it’s been much harder for people here because of the schisms … within the Jewish community.”

Herb is an active social media user, with videos on YouTube about the weekly Torah reading and posts on the Emanu-El WhatsApp and Signal groups about Jewish art, jokes, music, poems and other insights.

“It’s not edgy or politically motivated. It’s I saw this and it touched me, so I’m sharing it with you. This made me laugh, so I’m sharing it with you,” he explained.

One aim as rabbi, Herb said, is to increase commitment to the practice of Judaism and to enhance people’s relationship to God.

“I have this idea of connecting people with the people of Israel and with Torah and with Hashem,” he said. “But, in terms of actual programming, mostly right now, I’m responding to needs rather than directing things, I would say. That’s my philosophy. I need to get a lay of the land and know who I’m working with.”

Herb stressed that he feels fortunate to be in Victoria.

“I want to be here, partly because of the nature of this community and the nature of the people who are involved, but it’s definitely also Victoria and Vancouver Island,” he said.

In addition to serving as a rabbi, Herb has been an outdoor educator, with certification from the National Outdoor Leadership School in the United States, and a river guide for the Four Corners School of Outdoor Education in Monticello, Utah.

Though Brechner is stepping down as spiritual leader of the congregation, he remains an active member of the community and now holds the role of rabbi emeritus.

“As much as I have grown this community, it’s also grown me,” said Brechner, before leaving his post. “The people I’ve met, the joy and pain I’ve had entrée to and the relationships I’ve developed all inform how I understand our place in the world as a Jewish people,” he said. “I hope Rabbi Eli has a similar experience. I know I’m handing our synagogue into very capable and caring hands.”

Last year, Brechner received the King Charles III Coronation Medal for his significant contributions to interfaith connections, social justice and community dialogue in British Columbia. Earlier this year, he was awarded an honourary doctorate from the Jewish Theological Seminary in New York City for his more than 25 years of distinguished service.

“Rabbi Harry is a gem,” said Ilana Stanger-Ross, president of Emanu-El. “While deeply grounded in tradition, he has always embraced a progressive vision that inspires action and nurtures deep community – things we are known for in Victoria.”

On Dec. 21, Emanu-El will celebrate Hanukkah with its annual menorah lighting in Victoria’s Centennial Square, starting at 5:15 p.m.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Partners in the telling of stories

Robert “Lucky” Budd, left, and Roy Henry Vickers have co-authored close to 20 books together, with more to be released in 2026. (photo from “Lucky” Budd)

As oral historian Robert “Lucky” Budd tells it, his collaboration with First Nations artist Roy Henry Vickers, which has produced several award-winning and bestselling books, was accurately summed up during a car ride with Vickers’ sister, Patricia, as a unique version of a father-son bond.

“Roy’s the same age as both of my parents, and I am the same age as one of his sons. So, we do have this relationship that’s very, very close, and there definitely is a bit of a father-son element to it,” said Budd, who is a member of the Victoria Jewish community.

“I consider him one of my closest friends, and I love learning with and from him, and we learn a lot together, and he teaches me something all the time. I’m so deeply interested in the stories he has to share.”

For the past 14 years, the pair has teamed up on a variety of projects, but the path that led them to one another, according to Budd, goes back decades, to when Vickers was in high school in Victoria.

His art teacher, realizing that there was little to teach his student, tasked the young Vickers with delving into the art of the Tsimshian and the Haida. Missing his home on the Skeena River, in Hazelton, Vickers started his research, but his efforts yielded no results until he met cultural anthropologist Wilson Duff.

Through Duff, Vickers was able to locate books and recordings, such as those produced by CBC journalist Imbert Orchard, who, from 1959 to 1966, recorded interviews with BC pioneers and those from First Nations. On the cassettes, Vickers listened to stories of the people of the Tsimshian and was moved.

“Over the years, he ended up losing those tapes, but it stuck with him. And so, around 2009, 2010, he went on a mission to try to find those recordings,” Budd said.

Vickers got in touch with the BC Archives, but nobody there knew what he was talking about, until he spoke to someone who said, “Oh, I think the person you’re supposed to be talking to is Lucky Budd.”

Vickers called Budd, asking for help in retrieving the recordings, and their work together began.

Budd holds a master’s in history from the University of Victoria; he is also a rock musician with a penchant for recording everything. At the time of Vickers’ call, he was digitizing audio recordings owned by the CBC and the BC Archives.

“The crown jewel was the Orchard Collection,” said Budd. “And it hit me very early on that I was supposed to turn that material into a book because I was getting an education on the history of the province that no one had ever heard before.”

Budd’s first book, Voices of British Columbia, was based on those recordings, and many of the ones that interested Vickers were in the book.

Budd returned Vickers’ call, telling him, “I know exactly who you are, I know exactly what you’re looking for, I can help you find those stories. It’d be my pleasure to do so.”

By this time, Budd had started a business, Memories to Memoirs, where he interviews and records people to help them tell their stories. He asked Vickers if he had thought of sharing his.

“He said, ‘Oh no, no, no, I’m way too young to do a thing like that,’” Budd recalled. “I was joking with him, and I took a little risk, and I said, ‘Hey man, didn’t you just release a print called “65 Years”? Doesn’t that mean that you get an old-age pension?’ And I started laughing, and he said, ‘OK.’”

After deciding that he had found the right person to work on his story, Vickers invited Budd to visit him in Tofino on Nov. 11, 2011.

“We hit it off like old friends. Roy, in that moment, was, like, if this isn’t the voice of the Creator saying that we ought to be working together, I don’t know what it is,” Budd recalled.

“Lucky has been an inspiration for me since the day we met,” Vickers told the Independent. “His enthusiasm and positivity is uplifting. Lucky has impressed upon me the importance of writing my stories.”

In the 14 years since their first meeting, the duo has co-authored close to 20 books, with more to be released in 2026. Their published titles, such as Raven Brings the Light (2013), Cloudwalker (2014), Orca Chief (2015) and Peace Dancer (2016), have sold well and brought home awards.

The two have also put together board books for children featuring Vickers’ artwork: Hello Humpback! (2017), One Eagle Soaring (2018) and Sockeye Silver, Saltchuck Blue (2019). In 2026, Harbour Publishing will be releasing Summer Brings Berries, a board book using rhyming text and colourful imagery to explore and celebrate traditional foods of the West Coast.

Additionally, Budd and Vickers have two other books coming out next year: a children’s colouring book and an art book celebrating Vickers’ 80th birthday.

“I am an oral historian,” said Budd. “I work in the medium of storytelling, and he’s one of the best storytellers I can imagine. We get on the phone and we start talking and, the next thing I know, 45 minutes or an hour has gone by, and he’s told me a ton of different stories.”

Besides his books, Vickers is recognized as a printmaker, painter, carver, designer, author and keynote speaker. Among his numerous accolades is a nomination for a Grammy Award in 2019 for his artwork on a box set of Grateful Dead recordings.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Music can comfort us

On Dec. 3, in the second webinar of Kolot Mayim Reform Temple’s 2025/26 Building Bridges Lecture Series, Rabbi Deborah Sacks Mintz guided an interactive examination of the potential to harness the power of music, especially that which provides solace, be it secular or liturgical.

Rabbi Deborah Sacks Mintz, director of prayer and music at the Hadar Institute in New York. (photo from Hadar Institute)

The director of tefillah (prayer) and music at the Hadar Institute, an educational organization in New York City, Sacks Mintz showed how, through text study, deep listening and participation, comfort (or anchor) songs can ignite creativity and provide strength, resilience and hope in an individual – and also serve communities in times of disruption.

“Tumultuous times are unfortunately nothing new. Times have been tumultuous since the dawn of humanity. And, also since the dawn of humanity, folks have drawn comfort from a variety of modalities,” she said, emphasizing that one of those modalities is communal song.

The talk began with a listening and reflection exercise around the question of comfort. Before playing a version of Hashiveinu, performed by Sacks Mintz and members of the Nigun Circle at Hadar, she asked participants to write down something that gives them comfort. The answers were varied and dynamic, ranging from prayer, food and song to family, friends and nature.

The role of comfort music in Jewish text was explored, starting with 1 Samuel: “So, it came about whenever the [evil] spirit from God came to Saul, David would take the harp and play it with his hand, and Saul would be refreshed/re-expanded, and be well, and the evil spirit would depart from him.”

Some in the Zoom audience described what happened in this passage as a possible early form of music therapy, bringing Saul healing and comfort.

Moving ahead several centuries, Sacks Mintz quoted Rabbi Nachman of Breslov’s encouragement for all to sing a niggun (wordless melody, often used in prayer): “It is good for a person to accustom oneself to reviving oneself with a niggun, because niggun is a powerful and mighty tool, and it has the great strength to awaken a person and point their heart towards the Blessed Name.”

Nachman called everyone to music, even those who could not play an instrument or were able to sing, said Sacks Mintz, for music has the power to revive the self, “for the lift of a niggun cannot be measured.”

She explained, “[He’s] not saying, wow, you should become a pro jazz musician and an amazing singer, and then you too can be sustained by song. You just have to be willing to engage in it on your own, and that can revive the self. It’s about being in a relationship with your internal world.”

Sacks Mintz shared two different pieces from the Jewish canon that comfort her, while asking the audience to reflect and unpack what might be core elements in the language of comfort they offer. She also asked the audience to consider what constitutes a comfort song for them.

One piece was by Rabbi Menachem Goldberger, a prolific composer of niggunim. It was an example of the various feelings one can experience in a piece of music. Reactions ran the gamut from feeling rejuvenated and uplifted to grounded and anchored. Similar feelings were expressed after “Mi Yiten Li Ever,” a song based on Psalm 55:7 by Rabbi Miriam Margles and the Hadar Ensemble, was played. The translation on its Bandcamp page reads: “Who will give me the wings of a dove, that I might fly away and find rest? I would flee to the wilderness; finding refuge from the tempest, from the sweeping wind.”

As well as being a facilitator of Jewish communal music, Sacks Mintz is a vocalist and multi-instrumentalist. As a performer and composer, she has collaborated on more than two dozen albums across the Jewish soundscape, including her original spiritual works The Narrow and the Expanse (2020) and Yetzira (2023), with Rising Song Records. A third album is expected in early 2026.

Sacks Mintz received rabbinic ordination from the Jewish Theological Seminary, holds a master’s degree in women’s and gender studies, and earned degrees in music and religious anthropology from the University of Michigan.

Founded in 2006, the Hadar Institute strives to build communities in North America and Israel, offering various programs to support the development of Judaism that is both traditional and egalitarian.

The next lecture in the Kolot Mayim series will feature Broadway historian and lecturer David Benkof on Jan. 11 at 11 a.m. Benkof will deliver his talk – Spotlight on Jewish Broadway with the Broadway Maven – in Victoria in person and on Zoom. For information, visit kolotmayimreformtemple.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

An oral song tradition

Shenandoah University Prof. Lori Şen spoke about Sephardic music on Nov. 2, as part of Kolot Mayim Reform Temple’s 2025/26 lecture series. (PR photo)

Kolot Mayim Reform Temple started its 2025/26 Building Bridges Zoom lecture series – six music-themed talks running through April – on Nov. 2, with Lori Şen, a professor of vocal pedagogy at Shenandoah University in Winchester, Va.

The title of Şen’s lecture was Classical Echoes in Ladino: Sephardic Songs Reimagined.

“This talk is especially meaningful to me, as it reflects a journey that began about eight or nine years ago with my doctoral dissertation in voice performance,” she said.

“What started as an academic project has since grown into a broader exploration and celebration of a rich and underrepresented genre within the Western classical tradition – Sephardic art song.”

Şen spoke about the Sephardim, their history, language and culture, before discussing the elements of traditional Sephardic music. Later, she introduced Western classical arrangements of Sephardic folk songs for voice and various instruments, and spoke about the development of this genre, playing excerpts from a variety of songs.

Within the expanse of what constitutes Sephardic culture, there is a language, most commonly called Ladino or Judeo-Spanish, a mix of 14th- and 15th-century Castilian, with contributions from Galego-Portuguese, Catalan, Valencian, Aragonese, Hebrew, Turkish, Arabic and others, such as Greek, French, Italian and Balkan languages.

“A certain linguistic creativity is inherent to Judeo-Spanish, which has even been used as a vehicle for expressing verbal revenge through humour in an oppressive society,” Şen said, citing examples of plays on words that can be found in Ladino.

Şen quoted from linguist Marie-Christine Varol, author of Manual of Judeo-Spanish: “Irony, distance, puns and endless plays on meanings and stylistic nuances bouncing back and forth make this language of quotations, double entendres, discrete jokes that seem undecipherable of implied and overly clear meanings into an original and eternally renewed linguistic system steeped in a devastating sense of humour that can only be achieved through a knowledge of several languages, a knowledge that gives it its strength, its richness and its freedom.”

Şen said the types of Sephardic song are defined based on musical parameters such as structure, melody and rhythm, as well as the text and the relationship between the music and text. Many songs were passed down orally, making their origins difficult to trace. Others are Ladino translations or adaptations of Turkish, French and Balkan songs, incorporating dance rhythms like tango and foxtrot, and sometimes referencing familiar operettas.

“Since this repertoire represents such a wide range of cultural exchange, the musical analyses of them require vast musical knowledge,” Şen said. “Sephardic music possesses elements of Western classical music of all periods, starting from medieval, Spanish, Moroccan, Balkan and Greek musical traditions, and Turkish folk and classical forms, including makam.”

Makam is the Middle Eastern modal practice with more pitches than we’re used to in our Western 12-tone notation system.

According to Şen, although instruments were employed on occasion, the Sephardic song repertoire is essentially vocal. When instruments were involved, they were mainly percussive, a tambourine, for instance, though mandolin and oud were also employed.

Traditional Sephardic folk songs, since they were transmitted orally, incorporate a large amount of improvisation. Thus, the melodies of the same songs can differ significantly between communities and across generations.

On her website, lorisen.com, Şen has a catalogue she compiled that includes lists of Sephardic works and composers, works categorized by instrumentation, and songs. Based on archival research and interviews she has conducted with Jewish musicians and music scholars, Şen has identified more than 45 composers who have arranged more than 190 different traditional Sephardic folk songs in the art song form for voice and various instruments. Also on her website is a Ladino diction guide designed to assist singers interested in performing Sephardic songs.

A mezzo-soprano and Fulbright alumna, Şen’s range spans opera, art song, musical theatre and jazz, and she has performed throughout Europe and the United States. Her teaching and research specialize in vocal literature, pedagogy and voice science. Further, through her background in physics, she explores the art and science of the singing voice.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Aiding medical research

When Ariel Louwrier speaks about StressMarq Biosciences – the Victoria-based company he founded that specializes in the development and commercialization of high-quality bioreagents – in terms a layperson would understand, he draws an analogy to another era.

“If you think of drug discovery as a gold rush, we make the picks and shovels,” Louwrier said.

Ariel Louwrier, founder of StressMarq Biosciences. (photo from StressMarq)

The company’s start during the 2008 financial crisis may not have been the most opportune time to launch an enterprise. Yet, Louwrier was able to secure a small amount of funding from the United Kingdom, which he used to invest in a variety of licences to make certain tools – at the time, antibodies specific to cancer research.

One of the hurdles he had to confront at the time was a strong Canadian dollar. For a company that exports its product and generally charges customers in US dollars, this posed challenges to the bottom line, until currency rates began to normalize after 2012.

“We were very draconian in terms of our spending, because the company was still very much in start-up mode,” he said. “I didn’t take a salary for the first three or four years, which helped the company. Of course, it didn’t help me.”

Eventually, around 2015, StressMarq considered developing a different type of product. Whereas it had once made antibodies, it decided to start making proteins instead. It moved into the neurodegenerative disease research space, as opposed to cancer, which, Louwrier noted, is a crowded area with companies from the United States, Europe and Asia vying against one another, making for a lot of products in the market.

“The genesis of it was literally a friend of a friend that asked us to try to make something, a very specific product. It’s unusual for people to undertake strange projects for free in this world,” Louwrier said. “I’d always felt that it was an interesting and useful thing to allocate about 10% of our time and money into doing exactly that, because you never know what’s going to come out in the end. We were asked and tasked specifically to make a particular protein aggregate – those are proteins that come together and they form, literally, an aggregate.”

The artificial protein aggregates that StressMarq makes are comparable in many ways – though not always the same – to what forms in the human brain as neurodegenerative diseases progress, whether it’s Parkinson’s, Alzheimer’s or ALS. They are all different proteins, but the process is roughly the same.

“For us, the task has always been to try to make something that is as biologically relevant as possible for the researchers because they use that material to create the model,” Louwrier said. “The model is essentially a version of the diseased brain, but in a much more simplistic form. Then, researchers can proceed and do their work on the model. They’ll have drug candidates. They may have different treatment regimes, as well. But they work on an artificial model, and we produce the products for them.”

The timing for StressMarq to move into a different arena was good. Dollars were beginning to pour into research for neurodegenerative diseases, such as Alzheimer’s and Parkinson’s, including money from the National Institutes of Health in Washington, DC, the largest public funder of biomedical research in the world.

“We’ve ended up in a position where it makes sense to try to find, not necessarily cures, but treatments that can extend the time period for patients whilst they still have the vast majority of what you think of as typical cognitive abilities,” Louwrier said.

Continuing growth

Beginning in a 150-square-foot office on Douglas Street in Victoria, Louwrier hired his first employee in 2008 and produced a small array of products. These days, StressMarq employs 27 people, in 9,000 square feet allocated through six different suites in a building in Victoria’s Oaklands neighbourhood.

By Louwrier’s account, StressMarq is likely the largest biotechnology company from a laboratory perspective in the city and certainly the largest that is private.

“There’s no government funds, there’s no venture capital funds in here. It’s a completely self-defined and self-financing business,” he said.

StressMarq was not shaken by the pandemic because it was one of the entities governments wanted to keep open, even though it was not involved with COVID-related research.

This year, in a turbulent economic situation, with tariffs often changing, StressMarq has not been impacted for the most part, aside from a couple of minor exceptions. Louwrier said StressMarq’s customers have not been affected by the macroeconomic volatility, or the furloughs that occurred during the US government shutdown.

As the industry space and its technologies become more mainstream, Louwrier envisages a bright future for the firm, and he suspects the company will long outlast him when he decides to retire – whenever that may be.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Lessons from past for today

At the Kristallnacht commemoration in Victoria on Nov. 6, Congregation Emanu-El’s Rabbi Elisha Herb led a community pledge of mutual respect and support, joined by local politicians, faith leaders and law enforcement. (photo by Penny Tennenhouse)

“Hate has no boundaries and needs to be resisted wherever and against whomever it is found. This is necessary to protect our whole society. The history of the Shoah teaches us the dangers of complacency,” said Micha Menczer in his opening remarks at the Nov. 6 commemoration in Victoria of Kristallnacht, the Night of Broken Glass.

Menczer is a founding member of the Victoria Shoah Project, which held the community’s commemoration at Congregation Emanu-El. The project is a group of Holocaust survivors and their descendants, as well as educators and other individuals, dedicated to Holocaust remembrance and education.

photo - Micha Menczer — Micha Menczer, a founding member of the Victoria Shoah Project, gave the opening remarks at the Nov. 6 commemoration in Victoria of Kristallnacht. *(photo by Penny Tennenhouse)*

After Menczer spoke about the increase in hate crimes in Canada – of which Jews are often the target – Kristin Semmens, a history professor at the University of Victoria, spoke about Kristallnacht, the organized anti-Jewish riots in Germany and Austria on Nov. 9-10, 1938. The violence sent a clear message to Jews that they were not welcome in Germany, said Semmens, noting that, although Jews had already faced extreme persecution, no one foresaw what would come.

“Even after November 1938, even after the destruction and horror and humiliation and fear, even after the shattered storefronts, the burning synagogues, the mass arrests, the physical assaults and murders, few could have imagined how much worse things could get,” she said.

Semmens stressed that, while people came on Nov. 6 to commemorate what happened in the past, it is also fundamentally important to act in the present, to differentiate among people when it comes to basic human rights today.

“We cannot turn a deaf ear or a blind eye to defamation and demonization,” she said. “We must find the courage to challenge the wrongs we see in our society. And, as the events leading to Kristallnacht reveal, we must beware of the beginnings.”

Nina Krieger, British Columbia’s solicitor general and minister for public safety, was the keynote speaker. Due to inclement weather that evening, she spoke from the Lower Mainland via Zoom.

“How can we, today, fathom six million lives cut short solely because they were Jewish?” asked Krieger, who, before entering politics, was the executive director of the Vancouver Holocaust Education Centre (VHEC).

“Sadly, as we gather to remember events of 87 years ago, our historical imagination, I think, is less challenged than we thought. With the recent Manchester synagogue attack and the graffiti scrawled on this congregation, the echoes of the past are particularly and painfully resonant.”

In August, antisemitic graffiti was painted at the entrance of Congregation Emanu-El. According to a September post by the synagogue, Victoria police have since found the suspected perpetrator, who “has been charged on two counts: mischief relating to religious property and wilful promotion of hatred.”

Krieger noted that, during the pandemic in Canada, contingents within the anti-vaccination movement borrowed symbols from the Holocaust, such as yellow stars and photos of Anne Frank, to portray their feelings of being marginalized and victimized for the requirement to carry proof of vaccination. She said a commitment to history and memory is the necessary antidote to such Holocaust distortion and trivialization, “which we are seeing with increasing frequency as the Holocaust transitions from lived to mediated memory.”

She pointed to the VHEC’s use of primary sources when engaging with the 25,000 young people the centre educates each year. “Fragments of the Shoah – artifacts, photographs, documents – provide tangible entry points into the past and to individual human experiences during an event that might otherwise be an abstraction of numbers,” said Krieger, who reminded the audience that, in a time of rising antisemitism, the Holocaust may not simply be a lesson but a warning, “an inescapable fact that speaks to what is possible.”

Remembrance of the Shoah, she said, “provides an opportunity to wrestle with fundamental questions about the fragility of democracy and our responsibility as citizens today.”

Music performed by Kvell’s Angels, a local klezmer group, and the Capriccio Vocal Ensemble of Victoria, conducted by Adam Jonathan Con, was interspersed between speakers at the commemoration.

Politicians, leaders from other faith groups and members of the Victoria Police Department rose at the end of the ceremony to recite a pledge of mutual respect and support.

In the program notes to the commemoration, the organizers drew attention to the events that transpired in Germany 87 years ago, when at least 91 Jews were killed and 30,000 Jewish men were forced into concentration camps, Jewish homes and institutions were ransacked, businesses destroyed and synagogues burned. It was, the notes read, “a reflection of the inability of ‘polite society’ – of Jews and non-Jews – to comprehend that the institutions at the very heart of civil society (the police, uniformed people, political representatives) would be at the very core of this violence inflicted on the Jews of Germany and Austria, or contribute … to its devastating effect.”

The commemoration was sponsored by Congregation Emanu-El and the Jewish Federation of Victoria and Vancouver Island.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Young man is missed

Orca Wiesblatt was to play for the ECHL’s Allen Americans this season. The 25-year-old died in a car accident on Vancouver Island Sept. 14. (photo from allenamericans.com)

A crowdfunding initiative is underway to honour the memory of Orca Wiesblatt, a professional hockey player who died in a car accident on Vancouver Island Sept. 14, and to help his family and friends navigate through the hardship of losing a loved one who was only 25.

Paula King, a family friend of the Wiesblatts, launched the GoFundMe campaign shortly after news of the tragedy broke last month. The goal is to raise $22,000. Thus far, more than $16,000 has been contributed.

“There has been such an outpouring of love for this young man in statements from so many fans, friends, former teammates and every organization he has played for. His talent, love of life and infectious smile never went unnoticed on or off the ice; it is one to be recognized and to be remembered with such a high regard,” King, who knew the Wiesblatt family through the hockey community in Calgary, says on the site.

“I want the Wiesblatt family to know that they are not alone,” writes King. “Every friend, teammate and fan that has come to know them, we are here, standing united as a deep-rooted hockey community from near or far away. It takes a village, and we are here for them now more than ever.”

Wiesblatt was one of four hockey-playing brothers born to deaf parents. The children learned American Sign Language before they could speak English, and each could communicate in French and Quebec Sign Language as well.

Raised in both Kelowna and Calgary, Wiesblatt’s skills as a hockey player were evident early. In 2007, at age 7, he was ranked the best player in his class in the Okanagan.

The family was featured in a Nov. 9, 2007, article by Kelley Korbin in the Independent. At the time, his father, Art Wiesblatt, said, “Orca’s able to steal the show. I feel bad for the other parents, but he just gets out there and he’s all over the ice and the other kids just can’t keep up. Like Ocean (his older brother), he’s beyond the age range of the other boys he’s playing with. He’s at a whole different level.”

Wiesblatt’s death has been met with shock and grief from the teams he played for in his professional career. The Calgary Hitmen of the Western Hockey League, where Wiesblatt got his start, said in a statement, “It is with great sadness that we mourn the tragic passing of [former Hitmen] Orca Wiesblatt. We are heartbroken for his family, friends and everyone who knew and loved him.

“On behalf of the ownership, management, coaches, players and staff of Calgary Sports and Entertainment, we extend our deepest heartfelt sympathies during this very difficult time.”

Scott Hull, president of the Athens (Ga.) Rock Lobsters of the Federal Prospects Hockey League (FPHL), where Wiesblatt spent the 2024-25 season, said, “Orca will always be remembered as one of the players who helped set the tone for our franchise in its very first season.

“His passion for the game and his infectious energy made him a fan favourite and a true teammate. But, more than that, Orca was an even better person off the ice – kind, humble, and someone everyone was grateful to know. We are devastated by this loss and our thoughts are with his family.”

Wiesblatt was slated to play for the Allen (Tex.) Americans of the ECHL (formerly called the East Coast Hockey League) for the 2025-26 season after the team signed him in August.

“We are all heartbroken,” said Steve Martinson, the Americans general manager and head coach. “Orca was really looking forward to this next step in his hockey career. He wasn’t just skilled, he was a momentum-changing hitter. I can still see his grin when he would return to the bench after one of his big hits. That is what we will miss the most, his infectious smile.”

The Americans will pay tribute to Wiesblatt during their home opener on Oct. 24.

According to Vancouver Island’s CHEK News, Wiesblatt was driving a vehicle that veered off the road in Nanaimo and struck a light pole during the early morning hours of Sept. 14. He died at the scene. A passenger was treated in hospital for minor injuries.

Wiesblatt and his brothers were the subject of a 2019 Sportsnet Home Team Heroes segment titled “The Remarkable Story of the Wiesblatt Family.” Done in English and ASL, the piece covered the determination of Wiesblatt’s mother, Kim White, to have her sons participate in sports.

In the video, Wiesblatt credits his mother for paving the way for their hockey careers. “You don’t hear of a lot of people that have five kids in their family, four of them playing high elite hockey. She sacrificed everything for us. She is a hero to us.”

Of his other brothers, Ocean Wiesblatt currently plays for the Danville Dashers of the FPHL, Oasiz Wiesblatt for the Milwaukee Admirals of the American Hockey League and Ozzy Wiesblatt for the National Hockey League’s Nashville Predators.

To learn more about the family and King’s fundraising effort, visit gofund.me/9000f7caf.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.