Sam Margolis

Thoughts on Bahrain

Nancy Khedouri, a member of the National Assembly of Bahrain. (photo from bahrainthisweek.com)

Nancy Khedouri, a Jewish politician, writer and businesswoman from Bahrain, provided insight into the history of the Jewish community in the small Gulf state and its recent normalization agreement with Israel, signed in September. She spoke at a Nov. 29 Zoom talk organized by Canadian Friends of the Hebrew University and moderated by Ambassador Ido Aharoni.

A member of the National Assembly of Bahrain since 2010, Khedouri is also the author of From Our Beginnings to Present Day, a history of the Bahraini Jewish community, which started at the end of the 19th century.

“Bahrain was known as a place that always embraced people of various religious and cultural backgrounds. The Jews of Bahrain were always allowed to practise their religion freely,” said Khedouri, a third-generation Bahraini and descendant of Iraqi Jews.

The Jewish community in Bahrain totaled close to 2,000 people a century ago. From the 1940s through the 1960s, many Jews left the country on their own volition; they were never expelled, she pointed out. These days, their numbers are rather small, with roughly a half-dozen resident families, or about 40 individuals, covering all age groups. Most Jews living in Bahrain now came from Iraq.

“Overall, the Jewish people worked in various professions, tobacco, olive oil, electronics, some were in the record business – both my grandfathers were involved in the leasing of cinemas. Some of those here today work in the money exchange business. We have integrated very well in the texture of society. We are highly respected,” she said

One famous member of Bahrain’s Jewish community in the 1940s was a midwife known as Um-Jan, in Arabic, whose story influenced a popular 2020 Arabic television series Um Harun. When the community was larger it had a shochet (ritual slaughterer), and it still maintains a Jewish cemetery.

These days, Jewish traditions and festivals in Bahrain are taught and celebrated at home. Bahrain’s synagogue, located in country’s capital, Manama, is not presently in use. Established in the 1930s, the shul was funded by a Jewish pearl trader from France who wanted to create a place of worship for local Jews. At that time, he entrusted a community member with the responsibility of looking after the title deeds of the property. The synagogue is currently under renovation, and the hope is to have it reopen by Purim.

On the question of the tolerance shown towards Jews in Bahrain, Khedouri highlighted the “open-mindedness” of the ruling family and Islam, “a religion that teaches coexistence, peace and respect for one another. They have embraced the true values of being Muslim.” She pointed out that other religions live in peace in Bahrain: in addition to the synagogue, Bahrain houses churches and the only Hindu crematorium in the Gulf.

Aharoni remarked on the prominent role women seem to have in Bahraini society and public life. “Bahrain took pioneering steps to empower women. We have reached advanced stages,” said Khedouri. “We have had women as ministers and leading roles through the years.” Khedouri’s cousin, Houda Nonoo, served as Bahrain’s ambassador to the United States from 2008 to 2013.

Since the 1950s, women have joined the workforce and, since the 1960s, have started companies, said Khedouri. They joined the police force in the 1970s, she continued. And, now, Bahraini women constitute a high percentage of those employed as doctors. Nonetheless, there is still room for improvement, she said.

On the newly formed ties with Israel, Khedouri commented, “We must remember that Israel never posed a threat to the Gulf countries or the region. Seven decades of lost opportunity is a long time. Everyone met the new agreement with great excitement. We believe both countries will benefit. Israel will benefit by having a great trading partner.”

She expects joint collaborations in many aspects. There are opportunities, she said, in technology, in cinema, arts and tourism. In Manama, much preparation is underway for the arrival of Israeli tourists to the country. A number of hotels and supermarkets are offering kosher menus and products.

Khedouri lauded outgoing American president Donald Trump and his son-in-law and senior advisor Jared Kushner for being instrumental in bringing about a peaceful arrangement with Israel. Bahrain followed the United Arab Emirates in normalizing ties with Israel; afterwards, Sudan and, later, Morocco established deals with the Jewish state. These agreements collectively have been referred to as the Abraham Accords.

Bahrain’s political system is a constitutional monarchy with two legislative chambers. Its Council of Representatives is elected while its Consultative Council (or Shura Council), on which Khedouri sits, is appointed by the king.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Our rights in the age of AI

Dr. Rumman Chowdhury, chief executive officer and founder of Parity, gave the keynote address at the Simces & Rabkin Family Dialogue on Human Rights. (photo from rummanchowdhury.com)

Data and social scientist Dr. Rumman Chowdhury provided a wide-ranging analysis on the state of artificial intelligence and the implications it has on human rights in a Nov. 19 talk. The virtual event was organized by the Canadian Museum for Human Rights in Winnipeg and Vancouver’s Zena Simces and Dr. Simon Rabkin for the second annual Simces & Rabkin Family Dialogue on Human Rights.

“We still need human beings thinking even if AI systems – no matter how sophisticated they are – are telling us things and giving us input,” said Chowdhury, who is the chief executive officer and founder of Parity, a company that strives to help businesses maintain high ethical standards in their use of AI.

A common misperception of AI is that it looks like futuristic humanoids or robots, like, for example, the ones in Björk’s 1999 video for her song “All is Full of Love.” But, said Chowdhury, artificial intelligence is instead computer code, algorithms or programming language – and it has limitations.

“Cars do not drive us. We drive cars. We should not look at AI as though we are not part of the discussion,” she said.

screenshot - In her presentation Nov. 19 at the Simces & Rabkin Family Dialogue on Human Rights, Dr. Rumman Chowdhury highlighted the 2006 Montreal Declaration of Human Rights. — In her presentation Nov. 19 at the Simces & Rabkin Family Dialogue on Human Rights, Dr. Rumman Chowdhury highlighted the 2006 Montreal Declaration of Human Rights.

The 2006 Montreal Declaration of Human Rights has served as an important framework in the age of artificial intelligence. The central tenets of that declaration include well-being, respect for autonomy and democratic participation. Around those concepts, Chowdhury addressed human rights in the realms of health, education and privacy.

Pre-existing biases have permeated healthcare AI, she said, citing the example of a complicated algorithm from care provider Optum that prioritized less sick white patients over more sick African-American patients.

“Historically, doctors have ignored or downplayed symptoms in Black patients and given preferential treatment to white patients – this is literally in the data,” explained Chowdhury. “Taking that data and putting it into an algorithm simply trains it to repeat the same actions that are baked into the historical record.”

Other reports have shown that an algorithm used in one region kept Black patients from getting kidney transplants, leading to patient deaths, and that COVID-19 relief allocations based on AI were disproportionately underfunding minority communities.

“All algorithms have bias because there is no perfect way to predict the future. The problem occurs when the biases become systematic, when there is a pattern to them,” she said.

Chowdhury suggested that citizens have the right to know when algorithms are being used, so that the programs can be examined critically and beneficial outcomes to all people can be ensured, with potential harms being identified and corrected responsibly.

With respect to the increased use of technology in education, she asked, “Has AI ‘disrupted’ education or has it simply created a police state?” Here, too, she offered ample evidence of how technology has sometimes gone off course. For instance, she shared a news report from this spring from the United Kingdom, where an algorithm was used by the exam regulator Ofqual to determine the grades of students. For no apparent reason, the AI system downgraded the results of 40% of the students, mostly those in vulnerable economic situations.

Closer to home, a University of British Columbia professor, Ian Linkletter, was sued this year by the tech firm Proctorio for a series of tweets critical of its remote testing software, which the university was using. Linkletter shared his concerns that this kind of technology does not, in his mind, foster a love of learning in the way it monitors students and he called attention to the fact that a private company is collecting and storing data on individuals.

To combat the pernicious aspects of ed tech from bringing damaging consequences to schooling, Chowdhury thinks some fundamental questions should be asked. Namely, what is the purpose of educational technology in terms of the well-being of the student? How are students’ rights protected? How can the need to prevent the possibility that some students may cheat on exams be balanced with the rights of the majority of students?

“We are choosing technology that punishes rather than that which enables and nurtures,” she said.

Next came the issue of privacy, which, Chowdhury asserted, “is fascinating because we are seeing this happen in real-time. Increasingly, we have a blurred line between public and private.”

She distinguished between choices that a member of the public may have as a consumer in submitting personal data to a company like Amazon versus a government organization. While a person can decide not to purchase from a particular company, they cannot necessarily opt out of public services, which also gather personal information and use technology – and this is a “critical distinction.”

Chowdhury showed the audience a series of disturbing news stories from over the past couple of years. In 2018, the New Orleans Police Department, after years of denial, admitted to using AI that sifted through data from social media and criminal history to predict when a person would commit a crime. Another report came from the King’s Cross district of London, which has one of the highest concentrations of facial-recognition cameras of any region in the world outside of China, according to Chowdhury. The preponderance of surveillance technology in our daily lives, she warned, can bring about what has been deemed a “chilling effect,” or a reluctance to engage in legitimate protest or free speech, due to the fear of potential legal repercussions.

Then there are the types of surveillance used in workplaces. “More and more companies are introducing monitoring tech in order to ensure that their employees are not ‘cheating’ on the job,” she said. These technologies can intrude by secretly taking screenshots of a person’s computer while they are at work, and mapping the efficiency of employees through algorithms to determine who might need to be laid off.

“All this is happening at a time of a pandemic, when things are not normal. Instead of being treated as a useful contributor, these technologies make employees seem like they are the enemy,” said Chowdhury.

How do we enable the rights of both white- and blue-collar workers? she asked. How can we protect our right to peaceful and legitimate protest? How can AI be used in the future in a way that allows humans to reach their full potential?

In her closing remarks, Chowdhury asked, “What should AI learn from human rights?” She introduced the term “human centric” – “How can designers, developers and programmers appreciate the role of the human rights narrative in developing AI systems equitably?”

She concluded, “Human rights frameworks are the only ones that place humans first.”

Award-winning technology journalist and author Amber Mac moderated the lecture, which was opened by Angeliki Bogiatji, the interpretive program developer for the museum. Isha Khan, the museum’s new chief executive officer, welcomed viewers, while Simces gave opening remarks and Rabkin closed the broadcast.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

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Note: This article has been corrected to reflect that it was technology journalist and author Amber Mac who moderated the lecture.

Benefits to writing memoir

Junie Swadron recently released her latest book. (photo from Junie Swadron)

The Nov. 3 release of Junie Swadron’s most recent book, Your Life Matters! 8 Simple Steps to Writing Your Story, could not have arrived on the shelves of booksellers at a more opportune time. The pandemic has presented an occasion for self-reflection, and a chance to place memories and contemplations onto paper and computer.

Swadron, a Victoria-based psychotherapist, author and writing coach, hopes the book will aid prospective memoirists in writing their story, breaking through blocks with confidence and freeing them from what may have been a painful past. Hard lessons of life can become the greatest gift, she says, and writers can inspire others with the wisdom they have gained.

“In my 30 years practising psychotherapy, the most common theme among clients – whether they be CEOs of large companies or art students – is low self-esteem. Most people don’t value what they have achieved and don’t know how to recognize the good in themselves, to varying degrees,” Swadron, who is Jewish, told the Independent.

“This is a book for people to look at their lives and see the value, the beauty and the contributions they have made. And then to write their life stories from an empowered place, from a place of feeling strong, tall and proud. Not in an egoistic way, but in a way that they can say, ‘Hey, look how far I’ve come. Or, wow, I did that!’”

The challenge of writing a memoir can be daunting, the book notes, even for a professional with years of experience in their chosen field or an individual with a unique point of view. In Your Life Matters, Swadron attempts to guide the reader towards a focus on common themes – while remaining honest and truthful to the past – and the recording of meaningful experiences with certainty and ease. She also shares some of the factors that have helped her become a more assured writer and demonstrates how someone could apply these insights to their own memoir.

The book, too, provides therapeutic exercises for writers to use when drafting their stories. A memoir, Swadron said, can be a useful tool for an individual to work through difficult experiences and reframe their trauma. Your Life Matters lists steps to record the significance of life’s major events and influences. According to Swadron, memoir writing then becomes a memorable and achievable goal.

“The book is for anyone who wants to recount their life journey, whether they be a senior or an entrepreneur, and take the time to understand more about themselves throughout the process and transform pain from the past. What sets me apart from other writing coaches is being a psychotherapist. Not only do I know how to teach people how to write books, I get them to dive deep into their story and come out the other side stronger, as a result of them knowing who they are,” she explained.

“Say a person found a weight loss program and it’s really successful,” Swadron posited. “They got into it in the first place because they needed to lose weight. They lost 200 pounds, kept it off, and they need to not only write the story of how they did that but who they were as someone struggling with a food addiction. And who they have become since they have achieved their maximum goal of what is healthy for them. They need to put themselves in the story for others to be able to relate to whatever it is they are passionate about because they have found a solution and can assist others going through a similar struggle to find their way with more ease and grace.”

She cites her operating principle as “your soul meets you on the page and something shifts. You begin to stand taller. Then, one day, you notice your voice on the page has become your voice in the world.”

Swadron has three previous titles to her credit: Colouring Your Dreams Come True, a colouring book for people of all ages, Re-Write Your Life and Write Where You Are. Additionally, she has penned a piece for the stage, Madness, Masks and Miracles, a play to dispel myths and stigmas about mental illness. Last year, she founded the Academy for Creative and Healing Arts (ACHA) for people with mental health challenges.

Beyond her books, Swadron provides workshops, online courses and meetings throughout the year – all of which are currently taking place on Zoom – to help people with their writing. These include an author mentorship program, a class on creativity during COVID-19 and a Sunday morning “sacred” writing circle. For more information, visit her website, junieswadron.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Returning after tragedy

Abigél Szoke and Károly Hajduk in the film Those Who Remained. (photo from Menemsha Films)

The Hungarian movie Those Who Remained has been making the rounds at international film festivals, including, in recent weeks, the Victoria International Jewish Film Festival. And perhaps no other film at this year’s VIJFF, which contained six features and one short, generated as much discussion afterwards.

“In its purest form, Those Who Remained represents near-perfect film composition, entailing exceptional directing, editing, pacing, acting and cinematography. A film of this calibre only comes along every few years,” said Farley Cates, a committee and jury member of this year’s VIJFF.

“This film was selected for its ability to leave such a strong impression on the viewer, pondering its many layers and facets from a psychological and geopolitical perspective. This film is like a wondrous painting in which the longer you look at it, the more you see happening,” added Cates, who will serve as co-director of the festival in 2021.

The film takes place in Budapest during the period between the end of the Second World War and the 1956 Hungarian Revolution. While surviving Hungarian Jews did go to Israel and elsewhere, a large number stayed in their homeland. The Jewish population of Hungary today is estimated to be well over 100,000, the vast majority of whom live in Budapest.

The postwar period for Jews who remained in Hungary was difficult. An Orwellian state of affairs had commenced: people were questioned by the police in the middle of the night; colleagues reported on other colleagues. Amid this upheaval in Hungarian society, the two principal characters in the film – Aldo, a middle-aged doctor, and Klara, a teenage girl – deal with the trauma they experienced during the Holocaust.

Abigél Szoke, who plays Klara, was selected by Variety as one of the “10 Europeans to watch” in 2020. The magazine calls her a “revelation”: “She makes Klara’s energy, pain and smarts palpable, all the while being touchingly tuned to the emotional shadings of Aldo.”

The relationship between Aldo (played by Károly Hajduk) and Klara never develops into anything scandalous, though some of the peripheral characters in the film perceive it to be so. Despite Klara’s advances, Aldo does not allow the relationship to become sexual.

The film is a tale of survival, depicting two people’s attempts to get on with the normal, sometimes banal tasks of everyday life within the shadow of the unspeakable atrocities they witnessed and experienced only a very short time before.

Repressed emotions among survivors was a central theme to the VIJFF panel discussion after the film. Speakers included Budapest-born survivor Adrienne Carter, University of Victoria professor Charlotte Schallié, psychologist and member of the Victoria Shoah Project Robert Oppenheimer and music professor Dániel Péter Biró of the University of Bergen in Norway. Among other things, they discussed the common tendency of many survivors to refuse to talk about the events of the camps and the persecution afterwards, just as, in the film, Aldo refuses to say anything about the loss of his wife and children.

What is interesting, too, about this movie, the panelists noted, is that it was made in a Hungary led by Viktor Orban, a populist, nationalist and authoritarian leader who has presided over the country in an undemocratic fashion for the past 10 years. In fact, Hungary has produced a number of films set in the period around the war recently, including 1945 (2017) and Son of Saul, which was selected as the best foreign language film at the 2015 Academy Awards.

Orban has displayed a penchant for playing up the antisemitic caricature of Jews as the power brokers of the world stage. A popular target of his has been 90-year-old Hungarian-born financier George Soros, a regular figure of derision among right-wing groups in North America, as well. In 2017, Orban, who ironically received a scholarship from the Soros Foundation to study at Oxford in the late 1980s, plastered billboards across the country in an anti-migrant campaign featuring a smiling Soros that read “let’s not let Soros laugh in the end.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

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Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Saving Israel’s environment

Israel’s Hula Valley is a major stopping place for migrating birds. (photo by D.J. Tiomkin)

Jay Shofet, the director of partnerships and development for the Society for the Protection of Nature in Israel (SPNI), presented an overview of the broad range of work his organization does in addressing environmental issues in the Holy Land during a Nov. 19 webinar hosted by the Jewish Community Centre of Victoria with the Canadian SPNI.

With 35,000 member households in Israel and thousands more around the world, SPNI is the largest Israeli group of its kind. It engages in environmental lobbying of the Knesset and hopes to foster a love of nature through its endeavours. SPNI has delivered environmental education in the Israeli school system and is known for promoting the country’s hiking trails.

Shofet began with the history of the environmental movement in Israel and the “traditional Jewish call for wise environmental stewardship of the land.” It was from this concept that SPNI was founded, in 1953, by a group of scientists, teachers and kibbutzniks who were trying to prevent the draining of swamps in the Hula Valley in northern Israel.

Among the highlights of SPNI’s history is an initiative it spearheaded in the 2000s: a cross-border and environmentally friendly cooperation with Jordan and Palestine to use barn owls rather than pesticides to reduce the rodent populations in agricultural lands.

Israel houses what the United Nations refers to as a “global biodiversity hotspot,” Shofet said. “It’s important to note that Israel is a land bridge between three continents and four climatic zones.”

The numbers of bird and animal species in Israel exceed that of the United Kingdom; the country is also home to a wide variety of flora. Species from Europe, North Africa and Asia commingle with those native to Israel and the eastern Mediterranean. And, each year, Israel is a major migration route for hundreds of millions of birds, including pelicans, which makes the country a destination for birders.

Elsewhere, SPNI has been active in stopping what it believes to be the wrong type of afforestation, the introduction of trees in areas to which they are not ideally suited and that infringe on the natural habitat, such as the batha, a unique Mediterranean scrubland, or what Shofet called “the Serengeti of Israel.”

SPNI is in charge of blazing and maintaining the Israel National Trail and other parts of the more than 10,000 kilometres of trail systems in the country. “It’s a rite of passage for young Israelis to hike the Trail,” Shofet said about the INT.

Recently, the organization has focused on maintaining what Shofet described as a “sustainability mindset.”

“Renewable energy, moving away from fossil fuels, is what the environmental movement is about today,” he said. “Climate change is the organizing principle of the movement…. Our bottom line is to find nature-based solutions to mitigate climate change.”

At the top of current environmental issues for Israel is land-use planning, said Shofet. One of the densest populations of the OECD countries, Israel confronts obstacles in the use of its land. In 2015, SPNI lobbied to stop a group of business and political powerhouses, including former United States vice-president Dick Cheney and media tycoon Rupert Murdoch, from fracking in the centre of Israel.

Shofet emphasized that densely packed, sustainable cities like Tel Aviv are at the heart of protecting Israel’s biodiversity. “This is the only way to keep the open spaces open and to keep nature well-protected,” he said.

“Not all of Israel has to look like Tel Aviv, but Israel does have to build its cities in a smarter way and avoid suburban sprawl,” he told the audience. “Suburban sprawl is killing our open spaces and making life less interesting for people. Cities can be the solution to the environment. If the world had the global footprint of New York City, there would be no global warming.”

A niche for SPNI is urban nature. Such spaces are needed in green cities, said Shofet. To demonstrate this, he showed slides of the Jerusalem Bird Observatory near the Knesset, a place where schoolchildren and tourists alike visit and learn about ornithology up close, and Gazelle Valley Park, also in Jerusalem, Israel’s first urban nature reserve.

The final part of Shofet’s talk touched on the work SPNI is doing during the pandemic to try and ban Israel’s currently legal hunting season. As a start, SPNI has succeeded in getting the Ministry of Environmental Protection to call the laughing dove and the quail endangered species.

SPNI is also rehabilitating the nation’s rivers, trying to protect the diverse number of species and habitats found in its sea, promoting the use of solar energy, working to ensure that Israel has clean and accessible beaches, and encouraging the planting of trees in a way that is mindful of the country’s ecosystem.

Shofet’s concluding remarks offered a hopeful note to the current global environmental situation and Israel’s role in it, pointing out that the entrepreneurial spirit of the start-up nation is well-suited to tackling the challenges of adapting to the green economy.

For more information, visit natureisrael.org.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Panel on shared legacy

A still from the documentary Shared Legacies: From the left are Martin Luther King Jr., Ralph Abernathy, Maurice Eisendrath and Abraham Joshua Heschel during the march from Selma to Montgomery, 1965.

The Victoria Shoah Project held a panel discussion on Oct. 20, following an online showing of the documentary Shared Legacies: The African American-Jewish Civil Rights Alliance.

The 2020 film, part of the sixth annual Victoria International Jewish Film Festival, chronicles the common history of prejudice and hardships each group has faced, and features footage of the relationships of such luminaries as Dr. Martin Luther King and Rabbi Abraham Joshua Heschel. Included are interviews with many prominent civil rights leaders of the time, such as Andrew Young, John Lewis, Rabbi Alvin Sugarman and Rabbi Peter S. Berg.

After the screening, there was a Vancouver Island-based panel discussion with Adrienne and Barrie Carter, Paul Winn and the Victoria Shoah Project’s Robert Oppenheimer. From their own experiences, they each spoke about African-Canadian and Jewish-Canadian relations. They also talked about the film, and the events from 1960s America that it depicts, from personal, historical, present-day and Canadian perspectives. Rick Kool, also of the Shoah Project, served as moderator.

Adrienne Carter was born in Hungary in 1944, as the Nazis marched into the country and were increasing their campaign to exterminate the Jews. Many in her extended family died in Auschwitz. She and her family moved to Canada in 1956, following the Hungarian Revolution. “The whole stateless experience is very well known to me,” she recalled. “I married Barrie in 1965, at a time when Blacks and whites rarely ever connected, let alone married, and at a time when many Southern states had laws against interracial marriages.”

A co-founder and the director of services at the Vancouver Island Counseling Centre for Immigrants and Refugees, she has spent much of her working life helping immigrants by providing therapy to those who have experienced trauma, including intergenerational trauma.

Barrie Carter, who was a special needs education assistant until his retirement, told the audience of his early years. Born in Jacksonville, Fla., he moved to the northeastern part of the country where, in his teens, he volunteered with the NAACP in Bridgeport, Conn., and in New York and picketed Walgreens to challenge their segregationist luncheonette policies in the South. He immigrated to Canada on a bicycle in 1963. “While I was riding north, people were taking the bus south to the March on Washington. But I just had to get away,” he said.

Both Barrie and Adrienne Carter have traveled around the world, providing services to victims of torture and genocide.

Winn, whose work experience includes having been the executive director of the Canadian Race Relations Foundation, followed by recounting his experiences growing up in Toronto’s diverse Kensington Market neighbourhood.

“When I was 10 or 11, I was a Shabbos goy. I would do some things for the neighbours on Saturdays because they were unable to perform those tasks for religious reasons,” Winn recalled. “I got invited to bar and bat mitzvahs.”

He said, “It was natural for the Black and Jewish communities to support each other when there were struggles with such things as immigration. When I watched the film, I remembered how the connection between the religious Black and Jewish communities helped bring about a lot of activities in Canada, as well.”

Oppenheimer, a clinical psychologist with a focus on traumatized children and youth, a human rights activist and a staunch promoter of Holocaust education, also shared some information about his career. Reflecting on the 28 years he spent working in Detroit, he said, “It was an interesting experience for me. I was the only non-African-American on the staff and I was impressed with how welcoming the community was to me.

He added, “One of the things that impressed me about the movie was when Heschel said ‘not to be a bystander to history.’ I think that is central to my idea of human rights, that we cannot just stand by.”

“One of the things that really hit me in the film,” said Kool, “was a pastor standing in a church with a rabbi who said, ‘Reverend King isn’t here anymore, Rabbi Heschel isn’t here anymore, but are their children here now?’”

Barrie Carter observed that the youth in activist groups today “have the same dynamism as we did. They have an energy and a knowledge of concepts. It isn’t just a blind following. It is a positive morality.”

“They seem to believe it is part of their responsibility to make things better,” added Winn about today’s activists. “They want to make things better.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

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Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Litman shares stories

Storyteller Shoshana Litman. (photo from maggidah.com)

Shoshana Litman, Canada’s first ordained maggidah (storyteller), kicked off Kolot Mayim Reform Temple’s 2020-21 monthly lecture series on Nov. 1 with a talk entitled Building Jewish Culture Through Stories and Song.

“We humans are a storytelling species,” Litman told the Zoom audience. “That’s what we do. Whether it’s the conversations we have with each other about what’s going on in our lives or the stories we tell ourselves in our own minds, whether they’re true or false, we are always doing this.

“And we Jews are a storytelling people,” she said. “This is what we do, too. If you look at our core text, it is full of stories. The first two Books of Moses are full of stories.”

Litman’s path towards being a maggidah began as her children grew older and she rejoined the workforce. At the time, she started to become ba’al teshuvah (a secular person who “returns” to Judaism). Based in Victoria, she attended conferences run by the Mussar Institute, which was founded by Vancouverite Alan Morinis, and, ultimately, located a program that trains maggidim.

In the mid-2000s, Litman connected with maggid Yitzhak Buxbaum, a student of Rabbi Shlomo Carlebach, in Brooklyn, and she embarked on a two-year program that was taught via conference calls and semi-annual workshops. Upon completing the program in 2008, Buxbaum said to her, “Shoshana, I see how good you are. Now go, save our people.”

Litman regaled attendees of the Victoria synagogue’s event with a story about the Baal Shem Tov from Buxbaum’s Storytelling and Spirituality in Judaism. It happens in the time just before the Baal Shem Tov’s passing, when he told his disciples what they should do when he was no longer with them.

To his follower Rabbi Yaakov, the Baal Shem Tov advises that he go off and become a storyteller. Rabbi Yaakov is skeptical. How can someone make his living as a storyteller? he wonders.

After two-and-a-half years as a peripatetic purveyor of tales following his teacher’s death, Rabbi Yaakov gets wind of a magnate in Italy who would give a gold coin for each story of the Baal Shem Tov he heard.

When Rabbi Yaakov arrives at the gate of the rich man’s villa, he says to the servant, “Tell your master that the personal assistant of the Baal Shem Tov has come, and I have many wonderful stories to tell from experience and not from hearsay.”

The rabbi is invited in and, after a week of good food and relaxation, Shabbat comes. Following a festive meal replete with songs, it is time for stories. But, just then, something peculiar takes place. All recollections of the Baal Shem Tov evaporate from Rabbi Yaakov’s memory. Every trick he tries to elicit the stories fails. The host tells him not to worry, to go to sleep and try again the next morning.

The next day arrives and nothing has changed. Shabbat passes. The other guests at the magnate’s home grow increasingly doubtful. As it comes time to leave, still no tales have sprung from Rabbi Yaakov’s mouth, yet the magnate gives him a bag of gold anyway.

When the rabbi suddenly recalls everything, as he enters his carriage, the magnate asks him to return and Rabbi Yaakov tells the story of a journey he had taken with the Baal Shem Tov.

The group ended up in a town where angry crowds were drawing lots to carry out violent acts against Jews. Everyone was scared, except the Baal Shem Tov. They came to their lodgings in the town and the great Chassidic master went upstairs and opened a window looking out to the main square. The Baal Shem Tov pointed to a house across the square and out of that house walked a bishop, the man responsible for inciting the townspeople against Jews. The Baal Shem Tov told Rabbi Yaakov to bring the bishop to him.

Rabbi Yaakov went to the stage where the bishop was speaking and told him that the Baal Shem Tov wanted to talk to him. At first, the bishop refused, but, after much pressing, the bishop relented and went to see the Baal Shem Tov.

Rabbi Yaakov admits that he doesn’t know what the bishop and his master discussed. Nonetheless, as he finishes his story, tears are streaming down the rich man’s face.

“I can tell you exactly what the Baal Shem Tov said, for, you see, I was that bishop,” says the magnate. “Fortunately, I had holy relatives who convinced the Baal Shem Tov to save my soul. To do so, I had to do many mitzvot. He said I would know when I had been forgiven when someone comes to me and tells me my story.”

During non-pandemic times, Litman performs at schools (from nursery to university), libraries, senior facilities, theatres, houses of worship and other local, national and international venues. To hear her recent talk in full, including the entire Baal Shem Tov story, visit kolotmayimreformtemple.com/shoshana-litman. For more information on her, visit maggidah.com.

The next Kolot Mayim lecture, which takes place Dec. 6, at 11 a.m., features Jonathon Orr-Stav on the topic Arabic Hebrew: An Introduction to How Modern Israelis Really Speak. For more information, visit kolotmayimreformtemple.com/lectures.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Women in labour force

Pamela Jeffery, founder of the Prosperity Project. (screenshot)

Pamela Jeffery, the driving force behind the Prosperity Project, led an Oct. 7 webinar entitled When Women Succeed, We all Prosper – Don’t Let COVID-19 Hold Us Back, which was part of a National Council of Jewish Women of Canada series on women and justice.

Launched on May 21 of this year, the Prosperity Project hopes to ensure that gains made by women in the workplace and elsewhere are not set back permanently by the pandemic. In July, a Royal Bank of Canada report showed that women’s participation in the labour force had decreased to its lowest level in 30 years. Women, according to RBC, have been disproportionately affected by the overall decline in work hours since March, and this has been exacerbated by the household and childcare responsibilities for which women take on a greater share than men, particularly when children are not learning in school.

“We all know that the women’s movement is unfinished,” said Jeffery. “This is why our leadership is necessary – no matter what our age or our gender. It is up to all of us to ensure that men and women have equal opportunity, which is at the heart of the Prosperity Project.”

She stressed, “There is a clear focus on making sure that the progress made over the last 60 years on gender equality is not rolled back. That is why the Prosperity Project exists.”

Jeffery spoke of three essential themes to advancing the movement: resourcefulness, relationships and risk. “Each of us has the power to bring an idea forward. We can take a calculated risk and draw on our resourcefulness and relationships to make things happen,” she said.

The Prosperity Project has several initiatives it hopes will safeguard the progress by women in the past few decades and propel it further. Among them is a “matching initiative” for nonprofit organizations whose mission is geared towards helping women with training, employment pathways, crisis counseling and mental and physical health. The initiative introduces women and men in the private sector with specific skill sets to the staff and existing boards of these nonprofits for extended volunteer assignments.

Jeffery pointed out the importance of role models and mentors for women. “A good mentor pushes someone outside of their comfort zone. Women are less likely to have mentors than men, which can explain our different career trajectories,” she said.

The Prosperity Project also plans to research and share practical solutions that will provide insights to employers and policy-makers on how to improve gender equality. Furthermore, it will enable women to learn from one another, to increase their employment income and well-being.

Jeffery cited a 2017 study by McKinsey & Co., reporting the overall societal benefits of advancing women’s equality. By addressing this issue, McKinsey found that Canada could “add $150 billion in incremental GDP in 2026 or see a 0.6% increase of annual GDP growth.”

The Prosperity Project also plans to create a modern-day Rosie the Riveter campaign, inspired by the iconic image used in advertising materials to encourage women to do factory work during the Second World War. The modern-day objective is to increase the labour force participation rate of women and, at the same time, encourage partners to share household responsibilities equally and motivate employers to bolster advancement opportunities and achieve gender parity at all levels of an enterprise.

The Prosperity Project has thus far brought on board 62 diverse female leaders from across the country, such as Enterprise Canada chief executive officer Barbara Fox, Sleep Country co-founder Christine Magee and former B.C. premier Christy Clark.

Jeffery’s own biography is one of enterprise, determination and success. An MBA graduate from Western University, in Ontario, she is the founder of the Women’s Executive Network and Canadian Board Diversity Council. She has served on the board of numerous organizations and has been a frequent contributor to the Globe and Mail and National Post.

“I am optimistic about the situation we find ourselves in, in 2020. I remind myself of how far we have come,” she said. “Back in 2003, six percent of FP500 board seats were held by women. Now, it is over 25%. I am confident we are going to be able to work together to make sure that COVID-19 does not bring us back.”

The webinar was serendipitously scheduled for an hour before the American vice-presidential debate between Kamala Harris and Mike Pence.

“We are doing quite a lot, but there is so much more to be done,” Jeffery concluded.

For more information, visit canadianprosperityproject.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Doctors urge mask use

Dr. Anna Wolak is one of the doctors who started Masks4BC. (photo from King Edward Medical Centre)

Mandatory use of masks, in addition to physical distancing and hand hygiene, will help save lives and the economy in the wake of the coronavirus, according to Masks4Canada, a nation-wide, grassroots group of healthcare professionals. The group was formed in May, while a provincial branch, Masks4BC, started operations in July.

Masks4Canada works to inform all levels of Canadian government and the public of the critical importance of wearing masks in reducing the transmission of COVID-19. The group promotes the use of masks in all indoor settings – such as schools, businesses, factories and stores – on public transport and outdoors, when physical distancing is not possible.

Jewish community member Dr. Anna Wolak, the medical director at Vancouver’s King Edward Medical Centre, is one of the doctors who started Masks4BC, following the implementation of mask mandates in Ontario and Alberta. As of this writing, such a mandate had not been instituted in British Columbia and Masks4Canada has written a public letter to the B.C. government, including Dr. Bonnie Henry, urging the adoption of one.

“A universal mask use mandate has always been up to the provincial health officer and the B.C. health minister. As numbers continue to rise, all we can do is vocalize the need for it and continue making sure the information about masks is available,” said Wolak, who also serves as a family physician and as a clinical assistant professor of family medicine at the University of British Columbia.

“As more businesses bring in mandatory mask use, it will make it easier to normalize their use. Scientific journals are also very good at making sure findings about the protectiveness of masks are available, but these publications are not typically read by the lay public and, therefore, need to be conveyed through various media channels,” Wolak added.

In its letter to the provincial government, Masks4Canada recommended that mandatory masking policies be applied with the acronym “ACT”: all indoor spaces outside the home (such as hospitals, schools, shops and businesses), crowds (any place where it is difficult to distance from others) and transit.

Though the B.C. government did not respond to the letter, the group has made an impact. Transportation authorities, including BC Transit and TransLink, have mandated masks on all public transit – buses, SkyTrain and SeaBus – and BC Ferries has followed suit. Individual businesses have likewise taken strides to implementing the wearing of masks to protect the public from infection.

According to Wolak, a mask mandate should have been introduced when numbers of daily infections were low, and before schools reopened. She emphasized, however, that it is not too late to bring about a mandate as long it happens before the respiratory viral season – which includes influenza, parainfluenza, RSV (respiratory syncytial virus) and the common cold – really gets underway.

“I think B.C. missed an opportunity to contain the virus,” Wolak told the Independent. “Ideally, I would like to see masks required in all indoor areas outside of the home, including classrooms, as well as masks in crowded outdoor areas. Of pressing importance is the need for a mask mandate in hospitals because, as surprising as this might sound, it is not currently the case.”

Masks4Canada does state that people with certain medical conditions or disabilities, along with young children, be exempt. Nonetheless, for most people they recommend the use of masks.

Further, they say there should be free distribution of masks to populations that may be vulnerable or at higher risk. Rather than focusing on penalties to enforce policy, the group encourages education to help the public understand how to wear a mask properly, as well as the importance of wearing masks for the protection of health and provincial economic recovery.

British Columbia and other provincial mask groups have seen an increase in the number of doctors supporting the cause. As other provinces put mandates in place, focus in those areas has broadened to other relevant issues, such as effective ventilation protocols and tracking school outbreaks.

Masks4Canada does not sell masks or medical supplies, nor does it endorse or partner with for-profit enterprises.

Wolak has had a significant media presence since helping create Masks4BC. She has appeared on CTV Vancouver, Global News, CTV News Ottawa and OMNI Television, among other TV news programs. She has also spoken on various news radio shows, including CKNW’s Lynda Steele Show, The Jill Bennett Show and the nationally broadcast Charles Adler Live.

For more information, go to masks4canada.org.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Arts Club stage opens

Among the theatre performances around town cautiously returning to live venues is the Arts Club’s production of Buffoon, a one-man play being presented at the Granville Island Stage until Dec. 6, and featuring the contributions of two members of the Jewish community, Amir Ofek and Itai Erdal.

Buffoon is the second of three works being put on by the Arts Club this fall. The play has two different actors playing the lead in separate shows at different times, and audience size in the theatre, which can seat 400 people, is limited to a maximum of 50.

“The fall theatre trio will be the first time for audiences to see fully staged and designed shows at the Arts Club since March,” remarked Ofek, the play’s set designer, when he spoke to the Independent before the opening of the play’s run Oct. 22. “Buffoon will be a real visual feast for the audience. Seating arrangements were planned. Actors can only get so close to the audience.

“The set, lighting, costume and sound design surrounding the sole performer will take the audience on a ride into the magical world of circus,” he added.

On working in the time of COVID-19, Ofek mused, “As a designer, we work at a personal level and often have animated meetings. Now, all the conversations had to be done over the phone or, in the case of a socially distanced meeting with director Lois Anderson, in a schoolyard.”

Erdal, the lighting designer, expressed his excitement at being involved with this production, while pointing out that there are unique demands posed during the pandemic. “I am used to coming and going from the theatre. We have to be very careful now. We have to wear masks and only so many people are allowed in at a given time. Working with these safety precautions during the pandemic is a challenge. Having to do it twice with two casts of one is also a challenge,” he told the Independent.

Indo-Canadian playwright Anosh Irani’s Buffoon tells the story of Felix. Born to a circus family who prefer trapezing to parenting, he quickly learns to turn life’s hard knocks into comedy. His longing for family and home is piqued at the tender age of 7, when he falls for an older woman, aged 8 – an event that inspires his journey to becoming a true buffoon.

The show is one part of a full season for both artists. Ofek is also working on Francis Poulenc’s La Voix Humaine for Vancouver Opera. That production had its digital première on Oct. 24.

“I am really happy to be busy now, at a time when theatre and live performance struggle to exist. I hope it is not a farewell burst of fireworks that signals the end of our time,” Ofek said.

Erdal, meanwhile, has recently designed two shows, B for Rumble Theatre and This Crazy Show for Company Vision Selective at the Queer Arts Festival, and is designing the Nov. 12-22 run of The Amaryllis for the Firehall Arts Centre. He has a photo exhibit at Luppolo Brewing, is writing a play, Check Point, for his company, Elbow Theatre, and is teaching an online course for the Musical Stage Company in Toronto.

Ofek and Erdal have collaborated in the past – on Florian Zeller’s The Father, at the Vancity Culture Lab in 2019, and on Joan MacLeod’s The Valley, in 2016 at the Arts Club.

The Arts Club stresses that the performance and rehearsal models for its fall trio of presentations were designed to be as safe as possible for artists, staff and audience members. All shows are being staged in adherence to safety guidelines established by the B.C. government, including the aforementioned cap of 50 patrons per show, staggered admission times and a mandatory mask policy (with the exception of patrons with respiratory or other health concerns). Each show has two rotating casts and crews, who do seven performances each week and rehearse in separate halls.

“Smaller, more intimate shows allow us to be nimbler than we would be with larger productions,” explained Peter Cathie White, the executive director of Arts Club. “This ‘bubble method’ of alternating casts and crews is a brand-new way of producing theatre for the Arts Club, and we hope it will become a model for performances to come.”

Other shows in the Arts Club fall lineup include No Child, to Nov. 8, about an underfunded high school in the Bronx; and the holiday comedy The Twelve Dates of Christmas, running Nov. 19-Jan. 3.

Besides the in-theatre experience, patrons have the option of purchasing tickets to a digital recording of each of the three productions, which is available to view for a limited time.

For more information and to purchase tickets, visit artsclub.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.