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Tag: Vancouver Comic Arts Festival

Small wins amid gloom

The rescue of four Israeli hostages from Gaza last week and their reunions with their loved ones is a bright spot amid much dismal news – though there remain 120 hostages whose reunions with their families we dream of and hope will happen soon.

This rescue has been a source of tempered joy for Israelis and others. In a time of tragedy and despair, these moments are worth appreciating. Amid the relief, we mourn the life of the Israel Defence Forces officer who died from wounds received during the operation and we mourn the lives of the many innocent Gazans lost. Holding this tension is weighing mightily on many of us, knowing that placing hostages among civilians is a deliberate and overwhelmingly cruel strategy of Hamas.

Closer to home, we are not without bleak news, but neither are we bereft of hopefulness.

The arson attack on Schara Tzedeck Synagogue two weeks ago is deeply troubling and scary. The outpouring of support and empathy from so many is a silver lining. Clergy, elected officials, multicultural community leaders and ordinary folks have expressed solidarity with Schara Tzedeck and the broader Jewish community.

A few less monumental but hopeful items crossed our desks recently.

The Vancouver Comic Arts Festival, which had earlier canceled the participation of artist Miriam Libicki, issued an apology for their actions – and announced that “the vast majority” of individuals who had perpetrated Libicki’s banning had resigned from the organization’s board.

Suffice to say, this is not the foremost news story this year. But it is surprisingly uplifting when a glimmer of common sense emerges where intolerance had once prevailed.

Libicki had been canceled ostensibly because she had served, once upon a time, in the Israeli army. IDF service was also the excuse used when inspirational speaker Leah Goldstein, a BC resident, was canned from an International Women’s Day event in Ontario in March. 

Assertions that an artist (or performer or whoever) is being excluded because they served in a military that we see every day in the news engaged in a tragic conflict may seem legitimate, or at least not quite as blatant as, say, posting a sign that reads “No Jews allowed.” Notably, though, no such litmus test, to our knowledge, has ever been applied to any artist (or whoever) in Canada based on their service in any other national armed forces – and, given the diversity of our country, we can be pretty much assured that we have citizens who have served in many of the world’s most tyrannical and nasty, even genocidal, militaries.

Other excuses to ban Jews or pull Jewish- or Israel-related work from events, exhibits, performances, etc., have also included enough plausible deniability to steer just clear of indisputable antisemitism.

Goldstein’s cousin, local photographer Dina Goldstein (it’s sadly becoming a family affair), was recently removed from a group exhibition. In this instance, the gallery claimed financial considerations were the deciding factor.

Then there are cases where venues pull an event or performer based on security concerns, as the Belfry Theatre in Victoria did with their scheduled performance of the play The Runner. They had reason to fear violence – the theatre was vandalized amid the controversy. But cancelations based on security concerns, as valid as they may seem, give an effective veto to those who are potentially violent.

In the shadow of the Belfry decision, The Runner was pulled from the PuSh Festival in Vancouver, the stated reason being that another artist threatened to pull their work from the event if the play was mounted. 

In addition to cancelations, there is plenty to raise alarm bells about anti-Israel bias in the public education system, as well, as we are forced to outline in discouraging detail elsewhere in this issue, with the BC Teachers’ Federation making some controversial decisions. But, again, here some reason prevails, though not from the BCTF.

The Burnaby school district took what it called “immediate action” when it became known that elementary students had been given an exam question asking them to make a case for and against the existence of the state of Israel. We could fill volumes with outrage about the unmitigated nerve of a teacher thinking this was a legitimate subject for grade sixers (if it was on the exam, one can only imagine what the same educator said in the classroom) but let’s take some solace that there were reasonable people in a position of authority to respond when this became public.

In further good news in the education realm, on June 1, the University of British Columbia’s Vancouver Senate soundly rejected (by a vote of 49 to 16) a motion urging the university to cut ties with institutions in Israel.

In challenging times, it is even more necessary to acknowledge and celebrate small victories and acts of decency. It is an act of individual and communal resistance to remain hopeful and steadfast in pursuit of peace and justice. 

Posted on June 14, 2024June 13, 2024Author The Editorial BoardCategories From the JITags antisemitism, arson, BC Teachers' Federation, BCFT, cancelations, Dina Goldstein, education, Gaza, hope, hostages, IDF, Israel Defence Forces, Israel-Hamas war, Leah Goldstein, Miriam Libicki, PuSh Festival, Schara Tzedeck, The Belfry, UBC, University of British Columbia, Vancouver Comic Arts Festival
VanCAF apologizes

VanCAF apologizes

Miriam Libicki in 2017, when she was writer-in-residence at the Vancouver Public Library. (photo by Jeff Vinnick/VPL)

The Vancouver Comic Arts Festival (VanCAF) issued a public apology to Miriam Libicki on June 2, eight days after posting online that it was permanently banning the American-Israeli graphic novelist and artist because she had once served in the Israel Defence Forces.  

Additionally, the apology stated, the vast majority of the board of directors who had written the May 25 “accountability statement” – which banned Libicki from the festival – have resigned. Those who have remained, the unnamed writers of the apology affirmed, are only there to help assist in the transition to a new board.

In a June 4 social media post responding to VanCAF’s about-face, Libicki, who resides in Vancouver, wrote, “I applaud this. I applaud the entire board responsible for the first accountability statement (which contained no accountability) resigning.” 

She added, “This is a really positive and necessary first step. I look forward to a restorative justice process with the new board when there is one, and to see the steps they make to ensure they can act ethically when (and it is a matter of when) a harassment brigade dogpiles again.”

VanCAF’s original statement, which did not mention Libicki by name – nor was it signed by anyone on its board – lamented “the oversight and ignorance to allow this exhibitor in the festival, not only this year but in 2022 as well.”

Libicki’s appearance at the festival, the former board said, “fundamentally falls in absolute disregard to all of our exhibiting artist’s (sic), attendees and staff, especially those who are directly affected by the ongoing genocide in Palestine and Indigenous community members alike. Upon examining these concerns and conducts, this exhibitor will not be permitted to return to the festival.”

The decision to ban Libicki received widespread attention in national and international Jewish and other media. Reports were published by the Canadian Jewish News, the Times of Israel, the Jewish Telegraphic Agency and the Jewish News Syndicate, as well as the popular comics website, The Beat. According to an article on Vancouver arts and culture website Stir, VanCAF was contacted by a lawyer representing Libicki.

On May 29, VanCAF’s so-called accountability statement was removed from its website and social media accounts.

VanCAF’s June 2 apology said the organization wished to “express deep and sincere apologies for the impact our previous statement has caused. First and foremost, to the individual directly affected by our first post.

“The decision was ultimately wrong-headed and moved too quickly and without adequate consultation. We also wish to apologize to the wider impacted community. VanCAF has lost and continues to lose the trust of many we have sought to serve.

“Our statement was one that only represented the VanCAF board at the time of writing and had no relationship to the Roundhouse [the festival’s venue], any of our sponsors, or any former staff. It was solely our own statement.”

The apology finished by announcing that the organization was about to change and that it would strive to prioritize the safety of all attendees, volunteers and exhibitors. By the end of summer, it hoped to have a new team in charge of the festival.

Libicki’s work explores her Jewish identity and the clash of cultures through her own experiences. Her autobiographical comic series, jobnik!, which she self-published in 2008, looks at her service in the Israeli army during the Second Intifada. 

Toward a Hot Jew, published by Fantagraphics in 2016, is a series of graphic essays written over about 10 years, from her time in the IDF to her position as an art professor, and is a mix of autobiography, cultural commentary and analysis. In 2017, she was writer-in-residence at the Vancouver Public Library – it was the first time the library had chosen a graphic novelist for the position. She was a 2020 nominee for best short story in the Eisner Awards, considered by many to be the most prestigious honour in the comics industry, for her graphic essay, “Who Gets Called an ‘Unfit’ Mother?” Libicki was one of three graphic novelists selected to tell the stories of four Holocaust survivors in the 2022 book But I Live.

image - jobnik! book cover
image - Toward a Hot Jew book cover
Among Miriam Libicki’s award-nominated and -winning publications are jobnik! and Toward a Hot Jew.

“I am a Jewish artist who makes nonfiction and autobiographical comics,” Libicki told the Canadian Jewish News last month after the VanCAF ban was announced. “I am, and I have consistently, publicly, been pro-peace. I am in favour of a Palestinian state via negotiations. Because of the vulnerable populations I work with, I prefer not to discuss my specific political views in public. I believe all policing of artists’ personal identities and nationalities is wrong.”

Libicki exhibited at VanCAF every year from 2012 until 2022. In 2022, members of the public notified festival volunteers, complaining that VanCAF had included, according to Stir, a Zionist who was showing Zionist propaganda.

Stir reported that Libicki had missed the initial call for applications in 2023 and was not given a table by organizers because they wanted to look into the 2022 incident. This year, VanCAF at first denied Libicki a table, but later said she could be included if she only exhibited But I Live.

Libicki told Stir that she wants to use the recent publicity to garner funds for peace activists in Israel and Palestine. She is selling a watercolour series of seahorses, the proceeds of which will go entirely to the Mothers Call, which Stir describes as “a grassroots collaboration between Women of the Sun in Palestine and Women Wage Peace in Israel.”

In a June 2 social media post, Libicki expressed appreciation for all the messages of support she has received recently and offered a positive outlook.

“I believe we can move towards a peaceful and just (as just as possible) resolution to that public incident,” she wrote. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on June 14, 2024June 13, 2024Author Sam MargolisCategories LocalTags antisemitism, apology, Miriam Libicki, VanCAF, Vancouver Comic Arts Festival
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