Holocaust

Shoah education continues

Dr. Claude Romney speaking to students pre-COVID. (photo from Vancouver Holocaust Education Centre)

For many years, people dedicated to educating about the Holocaust and its moral lessons have been adapting to new realities. The declining number of survivors and the need to preserve their eyewitness testimony has necessitated innovative means of conveying these lessons to successive generations. As a result of these preparations, organizations like the Vancouver Holocaust Education Centre (VHEC) have been remarkably prepared to continue their work despite the limitations imposed by a global pandemic.

Dr. Claude Romney has been sharing her wartime experiences with younger audiences for several years. Her father, Dr. Jacques Lewin, was arrested in Paris at the end of 1941 and was among the first prisoners transported to Auschwitz. While Romney and her mother survived the war in southern France, evading numerous close calls, her father survived the most notorious Nazi camp because his skills were useful to the Nazis – he was a doctor who was put into service at the camp. Romney has researched and spoken about the experiences of her father and other “prisoner-doctors.”

Since the pandemic began, Romney has done two virtual presentations to schools and, while she wishes the talks could be in person, she is grateful that the technology exists to allow them to happen at all.

“I personally, and I think the other survivors who continue to talk to students online, have to be grateful both to the [Vancouver] Holocaust Education Centre and, of course, most of all, to the teachers who still get in touch and haven’t given up,” she said. “It’s something which could easily have fallen by the wayside. I think it’s very fortunate that teachers are dedicated enough to continue.”

A year and counting into the pandemic, Romney said the global upheaval could have led to lost opportunities.

“We feel there is some urgency because we’re not getting any younger,” she said. “It’s very important.”

The online events differ, depending on the audience. Some classes that are still meeting in person are set up so that the speaker sees the teacher but not the entire class. When classes are virtual, the speaker is one of many faces on a Zoom call.

“This would never have been possible for students 15 years ago, 10 years ago maybe even,” Romney said. “It makes a big difference because, of course, there are books and articles, but it’s not the same as hearing somebody tell their personal stories.”

While the survivor speakers are talking about their past, the lessons they aim to impart are for the present and future.

“I think it’s vital that the new generations know about what happened because it’s up to them to prevent this kind of thing from happening again,” she said. “And to understand that it’s vital to be tolerant of other people who may be different in some ways because they come from different cultures, different religions. It’s a cautionary tale really.”

Ashley Ross has been teaching a course in genocide studies at Aldergrove Community Secondary School for four years. She can attest that students make connections between the present and the past – and that relevance has been honed more sharply in the past couple of years.

“When I first started teaching it, it was very hard for them to understand the German context of that era,” she said, noting that she was challenged to demonstrate the “slippery slope” of hatred, fear and scapegoating. Sadly, students understand that phenomenon better than just a few years ago. “Right now, they are immediately seeing connections and understanding and seeing it play out in their current world.… More than ever, the lessons of the power of propaganda and the fear and the scapegoating are really resonating in our world. It’s through those historical lessons that we are better equipped to process what we’re currently facing.”

She maintains that the survivor speakers’ virtual events are every bit as powerful on the students as an in-person one. She even sees a benefit in the fact that, when they know they can’t be seen by the speaker, students may be more open with their emotional responses.

“Because the Holocaust survivor is only looking at my face rather than their faces, I find that it’s often more raw for the students. In a large auditorium, it doesn’t have that same personal impact,” said Ross, who has led a student trip to Europe that included a visit to Auschwitz.

Sharing firsthand accounts with young generations puts a human face to a part of history that is enormous in scope and perhaps remote in time from the perspective of a teenager.

“I think there’s a sense of honour to have a direct connection to this history that sometimes feels so far away,” she said. “It’s a reminder that it isn’t so far away. I think it’s really impactful to hear first-person accounts [about] something that can get so bogged down in huge numbers.”

photo - Dr. Ilona Shulman Spaar, education director and curator at the Vancouver Holocaust Education Centre — Dr. Ilona Shulman Spaar, education director and curator at the Vancouver Holocaust Education Centre. *(photo from vhec.org)*

Dr. Ilona Shulman Spaar, education director and curator at the VHEC, acknowledges that her team did not know what to expect when the pandemic began a year ago. At the same time, the remote delivery of programs and resources that was necessary due to COVID was something for which the centre was already prepared. Not only were Holocaust survivors and other educators delivering virtual talks to student groups in remote parts of British Columbia, a vast digitization process over the past several years has made much of the centre’s collections accessible online, including artifacts, documents, written testimonies and videos.

“In a way, that’s nothing new for us,” she said.

Some research requests saw an uptick as teachers encouraged students to undertake individualized projects – and because the revised provincial curriculum also emphasizes “self-directed learning.”

The VHEC also saw an increase in donations of artifacts and documents. This may be because people are spending more time at home and deciding to clean out attics and closets. Shulman Spaar also thinks people may have a little more time to read the communications they send to supporters, which often include appeals for family records and other items.

Echoing the Aldergrove teacher, Shulman Spaar thinks another factor for increased interest in the VHEC’s programs and resources may be due to current events. Political situations in the United States and around the world, the increased awareness of violence against minority communities and other topics in the news daily underscore the relevance of the organization’s work.

“Ultimately, we are an anti-racism-based Holocaust education centre,” she said. “If you look at what’s going on, it does seem very relevant at the moment.”

There were challenges in rapidly scaling the delivery of virtual programs to more groups. Docents, educators and survivor speakers had to learn the new technologies and adapt their messages to the medium.

Conversely, there have been silver linings. Some survivors who, for health or mobility reasons, could not present their testimonies in person have been able to do so virtually. As capacity has grown for delivering programs remotely, so have requests. The VHEC has welcomed invitations from other provinces, as well as schools in northern British Columbia and other remote parts of the province where survivors are unlikely to visit.

Moreover, said Shulman Spaar, some participants have commented that seeing survivors in their own homes, rather than on a stage, is unexpectedly powerful.

“It’s not the same as an in-person encounter,” she acknowledged, “but, also, hearing the speaker speaking from her or his living room, it’s a different intimate situation that happens. Yes, there is this screen still, but some students and teachers comment how they feel very close and it feels like an intimate encounter rather than being in a big hall and on a stage.

“It’s just different,” she said.

Yom Hashoah commemorations

There are several opportunities for the local community to commemorate Yom Hashoah this year.

On Wednesday, April 7, 3 p.m., the Vancouver Holocaust Education Centre (VHEC) is partnering with the Montreal Holocaust Museum for an online program focusing on the importance of remembrance and the intergenerational transmission of memory. The program will include survivor testimony clips and comments from members of the second and third generations about their families’ experiences during the Holocaust. Attend live via facebook.com/events/188237616165702. For more information, visit museeholocauste.ca/en/news-and-events/yom-hashoah.

On Thursday, April 8, 3:30 p.m., community members can join Premier John Horgan for a Holocaust Memorial Day service livestreamed from the B.C. Legislature in Victoria, in a gathering organized with the VHEC and the Centre for Israel and Jewish Affairs. Holocaust survivors are invited to a private pre-ceremony reception with Horgan at 3 p.m. – survivors may RSVP to receive a Zoom link by emailing [email protected] or phoning 604-622-4240.

Also on April 8, at 4 p.m., the VHEC, together with the Neuberger Holocaust Education Centre, Azrieli Foundation, Canadian Society for Yad Vashem, Facing History and Ourselves, Friends of Simon Wiesenthal, March of the Living Canada and UIA present a Canada-wide Yom Hashoah program featuring survivor testimony from cities across the country, a candlelighting ceremony and other components that share stories of resiliency, faith and hope. Register via holocaustcentre.com/2021-cross-canada-yom-hashoah.

On Sunday, April 11, at 11 a.m., the Victoria Shoah Project is inviting the community to attend a virtual Yom Hashoah with the theme of “Preserving and Honouring Voices from the Shoah.” The program features a tribute to a survivor originally from Hungary, George Pal, who will speak about his book, Prisoners of Hate, which was published in 2018. The service will also include an historian speaking about the Holocaust in Hungary, a recitation of the Kaddish of the Camps, commemorative music, and a message from Rabbi Harry Brechner of Congregation Emanu-El, Victoria. For the Zoom link, visit victoriashoahproject.ca.

R2R fest teaches, entertains

Seu Jorge, left, and Noah Schnapp in a still from Abe. (image from Reel 2 Real)

The upcoming Reel 2 Real International Film Festival for Youth is not just for youth, though younger viewers are its target audience. There are entertaining and engaging films for all ages among the 18 features and 45 shorts that will be available for streaming online April 14-23.

The focus of this year’s festival is “films that explore the impact of social media, racism and discrimination, with a focus on Germany.” While many of the offerings will interest Jewish community members, at least four cover topics of specific relevance.

The American feature Abe was part of the recent Vancouver Jewish Film Festival. It is carried by the impressive acting of Noah Schnapp as 12-year-old Abe and that of Seu Jorge as Chico, the Brazilian-American chef that Abe idolizes. The food, glorious food, is an added bonus.

While the writing of Abe’s family dynamics is clunky and without nuance – his father’s side is Muslim, his mother’s Jewish, and never the twain shall meet on religion or the Palestinian-Israeli conflict – Abe himself is charming. He puts his heart into trying to bring everyone together, in part, by creating a fancy dinner that comprises several of his grandmothers’ traditional recipes. The grumpy but caring Chico helps, having reluctantly taken Abe in, first as a dishwasher then as one of his prep cooks.

Food doesn’t turn out to be the way to his family members’ hearts but the disastrous fusion meal, which ends in a big fight and Abe running away, does push his family to at least reconsider their priorities.

***

still - Mouize and Ranin become friends over popcorn and a shared love of cinema in Cinema Rex — Mouize and Ranin become friends over popcorn and a shared love of cinema in *Cinema Rex. (image from Reel 2 Real)*

In another charming film, the young also show the adults the possible way to some form of peace. In the Israeli animated short Cinema Rex, the Jewish boy Mouize and the Arab girl Ranin become friends over popcorn and a shared love of cinema.

Set in Jerusalem in 1938, a new movie theatre opens, “In the heart of the city, on the seam line between the Jewish side and the Arab side, and adjacent to the British police.” It is “co-owned by partners from both sides of [the] divided city” and Mouize’s dad is the projectionist. When Mouize catches a glimpse of someone peeking into the projection room, he follows the trail of popcorn to Ranin, who shares it with him in exchange for a seat beside him in the best seats in the house. The two imagine themselves as the heroes in Robin Hood, as actors in a Laurel and Hardy film, dancers in a Fred Astaire and Ginger Rogers movie, and more.

Ranin’s mother is non-plused to find her daughter hanging out with Mouize, and Mouize’s dad tries to tell him, “Someday, you’ll understand why you and she can’t be friends.” But the kids have none of it.

Beautifully drawn and a story simply told – in Arabic, English and Hebrew with English subtitles – this short is highly recommended viewing.

***

still - Alina is a tension-filled short film — *Alina* is a tension-filled short film. *(image from Reel 2 Real)*

A more serious and nerve-wracking short is the tension-filled American film Alina. For 25 minutes, breathing will be more difficult, as the fate of a three-month-old baby lies in the hands of Alina (played by Alia Shawkat). The non-Jewish woman is part of a group of women (and men, as her brother helps) who are smuggling Jewish children out of the Warsaw Ghetto during the Holocaust.

Inspired by factual events, but fictional, the film opens as Nazi soldiers kick their way into a building and make their way up each floor, searching every room for children, with orders to seize them. Alina must escape from an upper-level apartment with the baby through the bathroom window, using a makeshift rope of tied sheets. She must then meet her brother, make it through a checkpoint and even face Nazi soldiers in her own home, as a Nazi captain accompanies her there from the checkpoint, so convinced is he that she is hiding something from him.

Alina is a multiple-award-winning film for many reasons. And it precedes the fascinating feature-length documentary The Lesson, which sees its Canadian première at Reel 2 Real.

photo - The Lesson director Elena Horn — *The Lesson* director Elena Horn. *(image from Reel 2 Real)*

Through the lens of German filmmaker Elena Horn, who herself grew up in Fröndenberg and went to Fröndenberg Comprehensive School, The Lesson is a personal look at how students in Germany are taught about the Holocaust. Over a five-year period, Horn followed a handful of students through their classes on the topic, their projects and field trips. She juxtaposes this perspective with archival footage from the 1930s, showing children doing paramilitary exercises, learning about what makes a good German and other propaganda. She also includes current-day nationalism and how some of the students deal with the differences between what they’re being taught in school about the Holocaust and what their families have told them about that period in time.

Horn frames the content in the context of overarching questions such as, could the Holocaust have been initiated by other countries just as easily as in Germany, or is there something inherent about Germany that allowed it to start there? She wonders if history is repeating itself, and she continues to struggle with the question, “What would I have done?” She highlights some of the efforts of those who refused to be bystanders to genocide, and she hopes to inspire some viewers to be courageous if, God forbid, they ever face such a choice.

***

For the full festival schedule and tickets, as well as information on Reel 2 Real’s several youth programs and workshops, visit r2rfestival.org.

Anti-racism fundraiser

Olga Campbell is raising money for the Vancouver Holocaust Education Centre’s anti-racism programming. (photo from Olga Campbell)

Half of all sales during March of Olga Campbell’s multiple-award-winning A Whisper Across Time: My Family’s Story of the Holocaust Told Through Art and Poetry will be donated to the Vancouver Holocaust Education Centre’s anti-racism programming, engaging youth and teachers in promoting human rights, social justice and genocide awareness. Campbell’s goal is to raise $5,000. Her objective is to raise “concerns about the fragility of democracy and the rise of white nationalism, racism and antisemitism in the world today.”

In A Whisper Across Time, Campbell – whose mother lost all of her family during the Second World War – writes, “This is the story of one family out of millions of families who went through the Holocaust.”

As quoted in the Jewish Independent when the book was published in 2019, “It is ‘the story of survival and death,’ ‘of how trauma of such magnitude is passed from one generation to another to another….’ It is also an ardent call for readers to remember Rwanda, Rohingya, Bosnia, Syria, Afghanistan, Sudan, Iraq, Cambodia.” Campbell notes in the book that, “by the end of 2016, there were 65.6 million refugees, asylum seekers and internally displaced people in the world.” She pleads, “eighty years ago, the world looked away / we must not look away now.” (Read more at jewishindependent.ca/a-story-told-in-art-and-poetry and jewishindependent.ca/whisper-across-time.)

Campbell will be giving away five signed copies of her book. Everyone who wins or buys a book before the end of March will also receive a signed miniature print – images from the book.

Winners of the book giveaway will be announced on March 21, which is the International Day for the Elimination of Racial Discrimination.

To buy the book ($32), visit olgacampbell.com/new-book-whisper-across-time.

Mufti house to be shul

Hajj Amin al-Husseini’s mansion turned into the Shepherd Hotel for a period of time. (photo from Daniel Luria)

Hajj Amin al-Husseini, the mufti of Jerusalem in the 1920s and 1930s, who spent much of the Second World War in Berlin as a Nazi collaborator and war criminal, must be spinning in his grave in Beirut. The landmark mansion he built 88 years ago in affluent Sheikh Jarrah, between the Old City and Mount Scopus, is slated to become a synagogue in a future 56-apartment Jewish neighbourhood in east Jerusalem.

The 500-square-metre manor house, called Qasr al-Mufti (the Mufti’s Palace) in Arabic, today stands derelict at the centre of a largely completed 28-apartment complex which itself lacks an occupancy permit. The reason the new neighbourhood is not being finished – and indeed has not been marketed in the 10 years since demolition and construction began – is that the developers have applied to rezone the 5.2-dunam site to double the number of units to 56, according to Daniel Luria, a spokesman for Ateret Cohanim, which backs the housing project.

Luria was unclear when the rezoning application would be approved. The historic house at the core of the site will be preserved and repurposed for communal needs, including a synagogue and perhaps a daycare centre, he said.

“There is a beautiful poetic justice when you see the house of Hajj Amin al-Husseini crumbling down,” said Luria.

Though al-Husseini built the mansion, he never lived in it. Following the outbreak in 1936 of the Arab Revolt against the British Mandate government, the mufti became a fugitive, hiding in the Old City’s Haram ash-Sharif. When the British attempted to arrest him in 1937, he fled Palestine and the British made do with confiscating his property. The al-Husseini clan owned numerous properties in Jerusalem, among them the Palace Hotel (today the Waldorf Astoria), the Orient House and the villa subsequently turned into the Shepherd Hotel in Sheikh Jarrah on a plot of land known as Karam al-Mufti (the Mufti’s Vineyard), named for al-Husseini.

Among those who did occupy the mansion was his secretary George Antonius (1891-1942), who wrote The Arab Awakening while living there, in 1938. Antonius’s widow, Katy, continued living in the building, which functioned as a salon where wealthy Palestinian Arabs and British officials socialized. (The city’s British sports club had a “No Natives” policy.)

At one of her elegant soirées in 1946, she met Sir Evelyn Barker. The much-decorated general was commanding officer of the British forces in Palestine and Trans-Jordan from 1946 to 1947. The two carried on an affair and exchanged Judeophobic love letters. In April 1947, he wrote her about Jews: “Yes, I loathe the lot – whether they be Zionists or not. Why should we be afraid of saying we hate them. It’s time this damned race knew what we think of them – loathsome people.”

photo - Hajj Amin al-Husseini’s mansion in the Sheikh Jarrah neighbourhood circa 1938 — Hajj Amin al-Husseini’s mansion in the Sheikh Jarrah neighbourhood circa 1938. *(photo from Daniel Luria)*

On April 13, 1948, both Scottish Highlanders garrisoned at the mansion and other British troops stationed at the nearby Police Academy failed to intervene for eight hours when a convoy of doctors and nurses headed to Hadassah Hospital came under fire from Arab guerillas. Seventy-eight Jews, many doctors and nurses, died in the massacre.

Following the War of Independence, the al-Husseini mansion became the Shepherd Hotel in the now-divided and impoverished city. It was eclipsed by the Hotel Jerusalem Intercontinental, today called the Seven Arches, which opened on the Mount of Olives in 1964. After the Six Day War in 1967, when Israel conquered and annexed east Jerusalem, the hotel was taken over by the custodian of absentee property.

In 1985, it was sold to C and M Properties Ltd., owned by Florida bingo hall billionaire Irving Moskowitz (1928-2016), the benefactor of right-wing Israeli settler groups intent on housing Jews in the eastern side of the now united city. Following the zoning of Plan 2591, a request was made on Nov. 6, 2008, to permit the company to build two new residential blocks, including 28 apartments on top of an underground parking lot. In January 2011, the four-storey Shepherd Hotel annex – added on to the mufti’s original mansion – was demolished to make way for the future housing.

Rather than attempt to rezone the site – which adjoins the British consulate – for a higher density at the beginning of the redevelopment process, it was decided to build what was legally permitted and later apply to amend the zoning, Luria explained.

“Ateret Cohanim is not involved in the building project but we have an interest in strengthening Jewish roots in and around the Old City,” he said.

Gil Zohar is a writer and tour guide in Jerusalem.

Court verdict on Grabowski

Jan Grabowski (photo from facebook.com/TheCJN)

A Polish court’s ruling that a Canadian Holocaust scholar must apologize for tarnishing the memory of a wartime mayor in Poland continues to reverberate around the world.

The case is being condemned by Jewish organizations and historians as an attack on free academic inquiry. Scholars warn the ruling could further chill an already touchy area of research: the role played by Poles in the murder of Jews in Nazi-occupied Poland.

In a long-awaited ruling on Feb. 9, a civil court in Warsaw ordered two prominent Holocaust scholars to apologize to an elderly woman who claimed they had defamed her late uncle over his wartime actions.

Prof. Jan Grabowski, an historian at the University of Ottawa, and Prof. Barbara Engelking, a sociologist and founder of the Polish Centre for Holocaust Research, were accused of defaming Edward Malinowski, the wartime mayor of Malinowo, a village in northeast Poland, by suggesting in a book that he delivered several dozen Jews to Nazi occupiers.

The professors were ordered to apologize for a passage in Night Without End: The Fate of Jews in Selected Counties of Occupied Poland, a two-volume work they co-edited, which the court said “violated Malinowski’s honour” by “providing inaccurate information.”

The court declined a demand for monetary damages of 100,000 Polish zlotys (about $34,000 Cdn) but ordered the scholars to apologize to Malinowski’s niece, 81-year-old Filomena Leszczynska, who brought the case; publish a statement on the website of the Centre for Holocaust Research; and correct the passage in any future edition.

Leszczynska had argued that her uncle had actually aided Jews and was acquitted of collaboration in 1950.

Grabowski, whose father survived the Holocaust, called the outcome “a sad day for the history of the Holocaust in Poland and beyond Poland. I have no idea what will be the consequences as well as the implications of this trial. But I can say for certain this thing will be studied for a long time by historians,” he told the Globe and Mail.

Prior to the verdict, he warned that, if the lawsuit were successful, “then basically it will mean the end to the independent writing of the history of the Holocaust in Poland.”

The professors were sued under a Polish law allowing for civil action against anyone claiming that the Polish nation or state was responsible for Nazi atrocities. The law was amended in 2018 to drop plans to criminalize the offence.

In her ruling, the judge said the decision “must not have a cooling effect on academic research,” but that is how it is being perceived.

As a senior tenured professor, the verdict, Grabowski conceded in a Postmedia interview from Poland, is “unpleasant. But, imagine you are a 25-year-old graduate student of history. Do you think you’re going to embark upon discovery of difficult history? I don’t think so.”

Grabowski and Engelking said they will appeal the ruling.

Mina Cohn, director of the Centre for Holocaust Education and Scholarship at Carleton University in Ottawa, called the campaign against Grabowski and Engelking “ugly.”

“The Polish government’s attempt to discredit them, and to silence and distort the historical facts of the Holocaust in Poland is appalling,” Cohn told The CJN. “It endangers the basic right of the future freedom of historical research of the Holocaust in that country.”

She said that, as daughter and granddaughter of Holocaust survivors with roots in Poland, “I find this blatant attempt by the Polish government to reject the reality of inherent antisemitism within Polish society before and during the Holocaust, and to discredit survivors’ testimonies, very offensive.”

For Prof. Piotr Wrobel, a specialist in Polish history at the University of Toronto’s Munk School of Global Affairs, the case is an example of the current Polish government’s attempt to control the historical record.

“They try to shape the ‘official’ version and persecute people who do not share [it],” he told The CJN. “This is very sad.”

It was “very clearly” the intention of those behind the lawsuit “to freeze scholarly research into the Holocaust. This was supposed to be a warning. Young people should remember this. If your opinions [and] historical interpretations are different than the official ones, then do not touch the Holocaust,” Wrobel said. “There is a choice between comfort and truth.”

In a statement on Feb. 10, the University of Ottawa offered its “unwavering support” to Grabowski and his “widely respected” Holocaust research. The university called the verdict “unjust.”

“Prof. Grabowski’s critical examination of the fate of Polish Jews during World War II shows how knowledge of the past remains vitally relevant today,” said university president Jacques Frémont. “The impact his work has had in Poland, and the censorious reaction it has generated, demonstrates this truth.”

The university “emphatically supports” Grabowski’s “right to pursue historical inquiry unencumbered by state pressure, free from legal sanction and without fear of extrajudicial attack.”

In Israel, the Yad Vashem Holocaust memorial and museum decried the ruling as “an attack on the effort to achieve a full and balanced picture of the history of the Holocaust.”

Even before the verdict, David Silberklang, a senior Holocaust historian in Israel, said the libel case intended for the two scholars to be “sued into submission.”

The decision “damages an open and honest coming to terms with the past,” said Gideon Taylor, president of the Conference on Jewish Material Claims Against Germany, which sponsors historical research on the Holocaust.

Taylor said Poland “must encourage open inquiry into its history, both the positive and the negative aspects.”

Canadian historian Frank Bialystok, who has written extensively about the Holocaust, sees the verdict against Grabowski and Engelking as a flipping of political extremes in Poland.

The murder of Jews in Poland, even after the war, was documented at the time. “This research was acceptable during the communist era as a weapon against nationalism,” said Bialystok. Now, the two professors are being “vilified” by the nationalist camp.

Friends of Simon Wiesenthal Centre said the ruling could have “a devastating impact on Holocaust research and education.” The organization said it is reaching out to senior government leaders, urging them to speak out against “Holocaust distortion in Poland.”

The American Historical Association went so far as to write Polish President Andrzej Duda, saying “a legal procedure is not the place to mediate historical debates” and urged Polish leaders to “uphold the rights of historians to investigate the past without legal harassment and with no fear of reprisals for making public their historical- and evidence-based findings.”

In 2018, Grabowski announced he was suing the government-funded group that backed Leszczynska’s libel case for allegedly libeling him. He claimed that the ultranationalist Polish League Against Defamation had itself defamed him by questioning his findings about the complicity of Poles in the wartime murder of Jews.

This article originally was published on facebook.com/TheCJN. For more on Prof. Jan Grabowski, see jewishindependent.ca/revealing-truth-elicits-threats.

A childhood spent in hiding

Alex Buckman, a child survivor of the Holocaust, shared the story of his harrowing childhood years during a moving online event Jan. 27. The program, marking International Holocaust Remembrance Day, was the second annual such event organized by the Bayit in Richmond.

Buckman is the president of the Vancouver Child Survivors Group and has shared his experiences with thousands of students as a Vancouver Holocaust Education Centre (VHEC) survivor speaker.

“I was born on Oct. 31, 1939, in Brussels, Belgium,” he told more than 100 people who attended virtually. “My family was Jewish. I was 7 months old when Nazi Germany invaded Belgium on May 10, 1940. Everything changed for Jewish people in Belgium.”

He recalled how, at the age of 4, he was escorted by a strange woman, as they traveled through the night, sleeping in forests and foraging for food. After days of walking, they arrived at an orphanage. He would only discover years later that his parents were sent to Auschwitz.

At the orphanage, he met up with his cousin Annie but was told that they were to refer to each other as siblings.

When Nazis would come for inspections, Jewish boys were hastily sent into a cellar. “They told us again to be very quiet, then they shut the two wooden doors, replaced the carpet and furniture,” he said. “In the cellar, we were very cold and scared and we peed our pants. We saw large things running around us. They told us later that they were rats. The first time this happened I was 4 years old…. It seemed like we were in that cellar for a very long time. Soon, we heard every footstep over our heads. We heard men screaming loudly in a language that we did not understand. We were scared. We did not know what was going on. They told us that we should not cry but we were scared children so we cried.

“Suddenly, we heard the pushing of the furniture and they opened two wooden doors and we saw the light,” he continued. “They asked us to come out but we did not want to go out. We told them that we had peed our pants [so] they promised that they would give us a warm bath. This happened too many times from the age of 4 to 6-and-a-half.”

Annie’s mother, Alex’s Aunt Becky, was sent to the women’s concentration camp Ravensbrück. When each new train of prisoners would arrive, Becky would run through the crowds of arriving women calling the name of her sister, Devora.

“A young girl came close to Becky and said, I knew Devora but she is dead,” Buckman recounted. “Becky asked her: how did you know Devora? The young girl replied, I am from Belgium and I used to babysit her son, Alex. Becky thanked her and cried. Becky looked at the sky and prayed. She said, if I survive this, one day, and find Alex, I will raise him as my son.”

When liberation finally did come, it took time for the surviving family to find one another. Alex and Annie waited in the orphanage as one child after another was claimed by family. Alex tried to reassure his cousin, whom he believed to be his sister.

“I would tell her that our parents would come soon,” he said, “but, like Annie, I did not know what happened to our parents and why they were not coming for us. The orphanage kept all the children for another six months, hoping that our parents would come and pick us up. But no one came for us.”

The remaining children were transferred to a Red Cross facility in Brussels. Eventually, they were reunited with Annie’s parents, who Alex assumed were also his own. It was another cousin who, in an act of revenge for a childhood spat, blurted out the truth to Alex that his parents were dead.

Buckman went on to share his experience in April 2010 as a survivor-participant in the March of the Living, a program that brings Jewish youth to Poland and then on to Israel to explore firsthand the history of the Holocaust and its survivors who helped build Israel.

“It is almost impossible to describe the feeling I felt entering that camp, Auschwitz,” Buckman said. “On both sides of the camp there were shoes. As I passed the shoes, I caressed the little pair of shoes. The students were crying, but we had to continue.… We saw a mountain of glasses all tangled together.

“We finally walked in a shower room and I closed my eyes,” he said. “I was thinking of my mother and her sister.… We were told that the women panicked when they did not see the water come down from the showers. They ran toward the walls and scratched them with their fingernails. When I heard this, I turned and caressed the wall, feeling the scratches made by Jewish women prisoners. I wondered, were those scratches made by my mother? I would never know.

“In that room, I finally said, au revoir, Maman.”

At the commemoration, Richmond Mayor Malcolm Brodie, accompanied by four city councilors, spoke and read a proclamation.

All four Richmond MLAs were present, with Kelley Greene, MLA for Richmond-Steveston, reading a proclamation from the premier. Finance Minister Selina Robinson also addressed the event, as did Steveston-Richmond East Member of Parliament Kenny Chiu, who spoke of his own visit to Auschwitz.

The Bayit’s Rabbi Levi Varnai noted that this year’s event, which represents the 76th anniversary of the liberation of Auschwitz-Birkenau, also fell on erev Tu b’Shevat, the new year of the trees.

“The marriage of these two days is chilling,” said the rabbi. “Man is compared to the trees of the field, our tradition tells us. The six million souls murdered in the Holocaust were like individual human trees, each had the potential to grow, to flourish, and to bear fruit of the generations. They were obliterated, but one thing remained that can never be destroyed: their roots.

“The roots of the Jews who perished in the Holocaust goes back 3,300 years to Mount Sinai. What gives Holocaust survivors the sustenance to keep going? What motivates future generations of Jews to double down on life? It’s not just the memory of those who passed away, it’s also the memories of hundreds of generations who came before them, the generations who struggled and prevailed against all odds…. As we remember today the six million souls who left us, we can also remember the millions of souls who came before them and the millions who will come after.

“Today, we mourn. Tomorrow, we plant and renew,” said Varnai.

The Bayit’s International Holocaust Remembrance Day program was co-presented with partners including the Centre for Israel and Jewish Affairs, the VHEC, the Kehila Society of Richmond and the Jewish Federation of Greater Vancouver. The program was emceed by Bayit president Keith Liedtke.

Earlier in the day, a national virtual commemoration took place, organized by the Friends of the Simon Wiesenthal Centre in partnership with the VHEC and other groups across Canada. Survivors, including Vancouver’s Serge Haber, lit memorial candles. Heather Dune Macadam, author of the book 999: The Extraordinary Young Women of the First Official Jewish Transport to Auschwitz, spoke with Michael Berenbaum, a writer and professor and director of the Sigi Ziering Institute: Exploring the Ethical and Religious Implications of the Holocaust.

Protecting children’s rights

Dr. Jennifer Charlesworth, British Columbia’s representative for children and youth, presented the Dean’s Distinguished Lecture and the Janusz Korczak Medal for Children’s Rights Advocacy on Jan. 27. (photo from the Office of the Representative for Children and Youth)

The University of British Columbia’s faculty of education presented the Dean’s Distinguished Lecture and the Janusz Korczak Medal for Children’s Rights Advocacy on Jan. 27, International Holocaust Remembrance Day. Dr. Jennifer Charlesworth, British Columbia’s special representative for children and youth, gave the talk and the medal was awarded to Dr. Kimberly Schonert-Reichl, an applied development psychologist at the University of Illinois, Chicago.

Born Henryk Goldszmidt, Janusz Korczak (1878-1942) was a Polish-Jewish pediatrician, journalist and educator. His advocacy for children is still recognized today through his writings, which served as a basis of the United Nations Convention on the Rights of the Child.

Prior to the Second World War, Korczak was the director of an orphanage in Warsaw. Although he was offered freedom during the Holocaust, he chose to stay with his orphans when they were forced to board a train to the Treblinka extermination camp in 1942. He, members of his staff and more than 200 children were murdered.

Korczak considered children as partners, equal to adults, insisting that there are no human rights without children’s rights. His pioneering work and enduring legacy were felt throughout the recent event. In the words of B.C. Lt.-Gov. Janet Austen, who introduced the main speaker, “Korczak was an extraordinary man who reimagined the relationship between children and adults. A man of great personal courage and a revolutionary thinker, he understood, whoever saves one child, saves the whole world.”

Charlesworth began her talk on Korczak’s connection to the contemporary era by encouraging the Zoom audience to “think of how far ahead of his times Korczak was in suggesting that each child must be respected. He was rejecting the ideas of his time. His commitment to children is awe-inspiring.”

According to Charlesworth, the first indisputable right of a child is to articulate their own thoughts. Those working with children need to nurture the capacity to listen and understand, to be curious and receptive. Further, practitioners have “to place child’s rights at the centre of their practice, to have both ears open to a child’s voice.” Too often, she said, the individual voices of children can be lost in operational systems.

Charlesworth spoke about advocacy and highlighted the fact that those who work with children will have a significant impact on their lives. Korczak’s advocacy for children, she said, “set the bar very high.”

Adults should want to help children realize their potential, and the relationship between adults and children should never result in the appearance of a struggle for rights. Charlesworth emphasized that, without prioritizing youth voices, there would be no Greta Thunberg, the Swedish environmental activist, or Katherine McParland, co-founder of the B.C. Coalition to End Youth Homelessness.

“We are living in a time of great change and uncertainty. Children and youth sense this, too, and we stand to learn a lot from them as well,” Charlesworth said.

Writer and child survivor Lillian Boraks-Nemetz, a board member of the Janusz Korczak Association of Canada (JKAC), which partnered on the event, drew further on the prescience of Korczak’s work and its continued importance. “Today’s children do not have the same sense of normalcy and routine as before COVID-19,” she said. “At times like these, my thoughts turn to Korczak and a child’s right to education, respect and love.”

Afterwards, JKAC president Jerry Nussbaum and Charlesworth presented this year’s award to Schonert-Reichl, an expert on social and emotional learning, whose nearly four-decade career has been dedicated to children’s rights and well-being. Formerly an educator in British Columbia, she was at the forefront of the province’s revitalized education curriculum, which is often heralded internationally for its advancements in social and emotional learning.

“I am so honoured,” she said upon receiving the award. “And to be in a group where so many are advocating for children’s rights.”

The evening also saw the giving of the Janusz Korczak Graduate Scholarship in Children’s Rights and Indigenous Education to Cayley Burton, a third-year master of arts student in early childhood education at UBC and an instructor in the Indigenous Early Childhood Education Program at Native Education College. Her thesis delves into gender-inclusive teaching practices for preschool children through LGBTQ+ picture books.

“It’s an inspiring, overwhelming honour to have Dr. Korczak’s name associated with the advocacy work that I do alongside and on behalf of young children who are marginalized in Canada,” Burton said.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Jewish Poland in 1932

This photo, called “Generations,” was taken by Tim Gidal in Tel Aviv in 1935. (courtesy Zack Gallery)

The current show at the Sidney and Gertrude Zack Gallery, Invisible Curtain: The 1932 Polish Photographs of Nachum Tim Gidal, was organized in partnership with the Cherie Smith JCC Jewish Book Festival, which runs Feb. 20-25. Gidal (better known as Tim Gidal or Tim N. Gidal) was a renown photojournalist of the last century and the exhibit’s images come from the new book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal. (For a review, click here.)

The driving force behind the book’s publication was Yosef Wosk, who wrote its preface. Wosk approached Zack Gallery director Hope Forstenzer and Jewish Book Festival director Dana Camil Hewitt about a year ago, Forstenzer told the Independent. “He suggested we have a Tim Gidal show at the gallery to coincide with the festival and his newly published book,” she said.

Both Wosk and Forstenzer curated the exhibit. “Together, we chose about 50 images for the show, as many as the gallery could fit. It couldn’t include all the images in the book, of course,” said Forstenzer.

photo - A self-portrait by photographer Tim Gidal, taken in 1974 — A self-portrait by photographer Tim Gidal, taken in 1974. *(courtesy Zack Gallery)*

The history of the photographs is best described by the photographer himself in the book’s introduction. In 1932, Gidal, then 23, traveled with two friends to Poland from his hometown of Munich, Germany. It was his first trip abroad. “My knowledge of the political, economic and social conditions of the Jews in Poland didn’t seem to square with my feelings about their spiritual life,” he wrote. “So I decided to go and see for myself.”

Gidal, who passed away in 1996, took numerous photographs of people and places, as he went from shtetl to shtetl on his three-week “little odyssey.” He wrote: “I encountered spiritual and material heights and depths: material well-being and abject poverty, rejuvenation and dissolution. Some were rich, but many more were very poor. It was a hopeless poverty, endured with an incredible humility. I met men of faith and hypocrites … atheists, socialists and communists, Zionists and Bundists, Orthodox and assimilationists. We also experienced the all-pervading Jewish humor.”

photo - Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932 — Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932. *(courtesy Zack Gallery)*

Everything the young photographer experienced was reflected in his images, including those now on display at the Zack. We see children laughing and women looking far older than their real years. We see ancient eyes and tired, worn hands. We see educated men reading in front of a synagogue, and broken windows and peeling walls the next street over. And we know something Gidal didn’t know at the time, which makes this book and the show all the more poignant: not many years later, most of these people would be murdered in the Holocaust, and they and their entire way of life would be lost. But, in Gidal’s photos, his subjects remain alive. According to Wosk, “Each photograph is a monument, a letter in light.”

Gidal’s 1932 Polish photo essay comprises only a small portion of the master’s body of work. His photography journey spanned almost seven decades and encompassed most major players and momentous events of the 20th century.

One of the pioneers in the field of modern photography, Gidal made his debut in 1929 with his first published photo report. He was a proponent of the style of the “picture story” and he captured most of his subjects unaware, instead of staging elaborate scenes. Very few of his subjects posed for his photos, and every image tells a story.

Four years after his trip to Poland, Gidal moved to Palestine. During the Second World War, he served as a staff reporter for a British army magazine. A wanderer and a chronicler of life, he traveled a lot and lived in the United States for awhile. He taught and illustrated books. He exhibited widely.

photo - Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25 — Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25. *(courtesy Zack Gallery)*

A portion of the Zack exhibition is dedicated to Gidal’s artistic photography after 1932. The pictures demonstrate his technical progress, as well as his breadth of interests and subjects. There is a lyrical photo, “Generations,” taken in Tel Aviv in 1935 and another – a dramatic portrait of the youngest survivors of Buchenwald, taken in 1945 upon their arrival in Palestine. There is a photo of Mahatma Gandhi at the All-India Congress in Bombay in 1940 and the fascinating picture called “Handshake,” taken in Florence in 1934, which shows two men shaking hands in front of a wall covered with multiple posters of Mussolini.

Half a century before Photoshop was invented, Gidal experimented with his images, compiling them in different combinations and creating something unique, like his triptych of Winston Churchill of 1948 or the Rhomboid photomontage of 1975.

As a photo reporter, Gidal used his camera to record the 20th century in all its glorious and painful contradictions, and his early 1932 Polish photographs serve as a symbol of his multifaceted canon.

Invisible Curtain opened on Jan. 5 and the exhibit will continue until Feb. 25. To see the show’s digital equivalent, visit online.flippingbook.com/view/891736. To book an appointment to see it at the gallery, email Forstenzer at [email protected]. To attend the virtual book launch on Feb. 11, 7 p.m., and to see the full book festival lineup, visit jccgv.com/jewish-book-festival.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Gidal’s photos speak volumes

The book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal lets the photos do most of the talking. And they speak strongly and with passion of a lively, bustling and diverse community, the vast majority of whom were killed in the Holocaust.

“Of the 3.3 million Jewish residents of Poland before World War II, only 380,000 were still alive by 1945,” notes the book’s curator, local scholar, writer and philanthropist Yosef Wosk, in the preface. Wosk will help launch the release of Memories of Jewish Poland on Feb. 11, in a “prologue” event of the Cherie Smith JCC Jewish Book Festival, which opens Feb. 20. He also helped organize Invisible Curtain, the current exhibit of Gidal’s work that is being co-presented by the festival with the Zack Gallery.

photo - Yosef Wosk will launch the book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal on Feb. 11 at a virtual Jewish Book Festival event — Yosef Wosk will launch the book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal on Feb. 11 at a virtual Jewish Book Festival event. *(photo by Joshua Berson)*

Wosk was friends with Gidal, who he met in Jerusalem, where Gidal lived. Born in Munich in 1909, Gidal had made aliyah in 1936, but then lived in various places before returning to Jerusalem in 1970; he passed away in 1996. It was not only Gidal’s dying wish that the 1932 Polish photos be published in book form, but that they be allowed to “speak for themselves.” And that request has been honoured. In addition to Wosk’s brief preface, the book opens with some notes written by Gidal for a 1984 exhibit and includes an introduction to Gidal’s work by photography historian, researcher, author and curator Nissan N. Perez, founder of the Israel Museum’s photography department. At the end, there is a list of the plates included in the book and a brief biography of Gidal. A map of Poland, indicating the locations in which the photos were taken, bookends the commentary and photographs.

“This book illustrates the largest number of photographs from Gidal’s Polish photo essay ever assembled. It is not, however, a catalogue raisonné: more than 20 images are not included,” writes Wosk. The reproductions included in the volume are taken from prints in Wosk’s collection and that of the Israel Museum. Wosk thanks Diane Evans, “master teacher, photographer, bookseller and friend in photography,” for serving “as a patient, experienced and disciplined midwife in giving birth to this book.”

Gidal – born Ignaz Nachum Gidalawitsch – was motivated to travel to Poland “by his desire to know more about his family’s background,” writes Perez. The photographs Gidal took were “actually a rather small chapter of his oeuvre at the beginning of his outstanding career, an exercise in perfecting his vision.”

“He gains the interest of the viewer not by staging elaborate scenes, but by capturing expressions and gestures that can only be described as both intimate and straightforward,” explains Perez. “As he said in one of the many meetings conducted toward the exhibition in 1995, ‘My photographs, I like to think, are variations on the everlasting tragicomedy of human life.’”

The images in Memories of Jewish Poland are prime examples of Gidal’s ability to capture images of life as it is happening, in all its unromantic but beautiful distinction.

“In the heterogenous assembly of the Polish galut (diaspora), I myself became immersed in the flow of Jewish life from the past to the future,” wrote Gidal for the 1984 exhibit. “When we left Poland after three weeks, I had passed through an invisible curtain, which had separated East and West. Now the curtain had opened, and I was made to feel the unifying presence of Jewry.”

A selection of Gidal’s 1932 Polish photos is currently on display at the Zack Gallery (for the full story, click here). The Memories of Jewish Poland book will be launched at a virtual Cherie Smith JCC Jewish Book Festival prologue event Feb. 11, 7 p.m. For tickets to the prologue and other Jewish Book Festival events, visit jccgv.com/jewish-book-festival.