Second World War

Hannah Senesh – a unique hero

Douglas Century signs copies of his book Crash of the Heavens at the JCC Jewish Book Festival earlier this year. (photo by Tova Kornfeld)

Douglas Century’s Crash of the Heavens: The Remarkable Story of Hannah Senesh and the Only Military Mission to Rescue Europe’s Jews During World War II is a meticulously researched and spell-binding narrative of Senesh’s life, and pre- and postwar Europe and Palestine.

Senesh, born in 1921, grew up in a middle-class family in Budapest until the Nazis came to power in the 1930s. The rise of antisemitism drove her to join a Zionist youth group and she became obsessed with emigrating to British Palestine. In 1938, she made aliyah to a northern kibbutz, and part of her metamorphosis was to Hebraize her identity, changing her name from Aniko Szenes.

As word of the atrocities perpetrated by the Nazis started to leak out, Jews in Palestine (numbering about 600,000) sought ways to rescue their European brethren. British Intelligence MI9, tasked with assisting the escape of thousands of Allied POWs, needed people with local language skills and area knowledge. In 1943, Senesh was recruited, one of three Jewish women in a cohort of 37, to be trained as a paratrooper and radio operator. She made her first jump – into Yugoslavia – in March 1944, where she liaised with Partisan groups to carry out sabotage missions. Her hope was to cross into Hungary to save her family and others, but she was captured by Hungarian gendarmes, imprisoned, tortured, tried for treason and executed by firing squad on Nov. 7, 1944.

Sharing details from her diary, which Senesh kept from the age of 13, Century takes readers into her pains, her joys. Her poetry is part of her legacy: “A Walk to Caesarea” is almost a second national anthem in Israel, where many streets, parks and schools bear her name. Ironically, Hungarians know little about her.

The Independent interviewed Century by email.

JI: How did you first become interested in Senesh?

DC: I first learned about Hannah when I was about 8 years old at the I.L. Peretz Shul in Calgary. Our principal was a Holocaust survivor – he’d lived through the Shoah as a boy in Poland. He told us the story of Hannah’s courage, her refusal to give up her secret British radio codes despite months of horrific physical and psychological torture at the hands of the Gestapo.

At that age, I’m sure it was just the broad strokes of the story: she wouldn’t betray her people, she was sentenced to execution by firing squad when she was 23 years old.

Who could understand the concept of martyrdom at the age of 8? Certainly not me. But I did understand that this was a brave young woman who went to her death and wouldn’t beg for mercy “from hangmen and murderers” – those were her exact words.

She refused to wear a blindfold as she faced the firing squad, daring the Hungarian soldiers with rifles to look her in the eyes as shot.

To hear that story age 8 – well, it was amazing. It was also terrifying. Clearly, it’s haunted me since childhood.

JI: This is the first time you are writing about a woman. Was that decision purposeful?

DC: I never thought about it that way. I’ve tended to write books with male protagonists. Technically, though, the first book I ever published – when I was in my mid-20s – was a young adult biography of the Nobel-laureate novelist Toni Morrison.

I conceptualized this book as a military rescue mission – most of the action takes place between late 1943 and late 1944, with a “ticking-clock” thriller pacing – and, yes, in the book proposal, I consciously chose to focus on the three women Palmach commandos and parachutists: Hannah Senesh, Haviva Reik and Surika Braverman.

As I was writing … it became clear that the central storyline needed to be Hannah’s. To a lesser extent, I write about the other parachutists’ missions in Slovakia, Romania and Yugoslavia.

JI: What research did you do for the book?

DC: There are so many primary source documents available. All of Hannah’s poetry, diaries, letters and photographs are in the National Library of Israel archive. There are also many memoirs – most of them out of print – by the various parachutists. There are invaluable oral histories in the U.S. Holocaust Museum and at Yad Vashem. For four years, I felt like I was basically living in archives and military libraries, but I knew that I’d never do this story justice solely on previously published research.

I flew to Tel Aviv in the summer of 2023 to do what we used to call “shoe-leather reporting.” I spent weeks in Israel, retracing the footsteps of Hannah Senesh and the other parachutists. That summer of 2023, I met David Senesh – Hannah’s nephew – a renowned psychotherapist specializing in treating trauma. David was himself a POW and tortured by the Egyptians in the 1973 Yom Kippur War.

I’ve become close friends with David and his wife…. They really gave me some valuable personal insights into the family dynamic – and I learned things that have never been in other books.

JI: Was there a particular demographic you were trying to capture?

DC: I set out to write this book for one reader – my daughter, Lena. She’s studying English and wants to be an author. My daughter was 22 when I finished the book; Hannah was 22 when she embarked on her paratrooper mission in March of 1944. My daughter said, “Thank God you’re not writing about another complex, sociopathic antihero! Hannah is a courageous and talented woman who the reader can actually admire.”

JI: How did you arrive at the book’s title?

DC: When I was pitching the idea to my literary agent, I was already writing about Hannah, but it was about to be the centenary of her birth in July 2021 and 150 IDF paratroopers were recreating her jump in a mission called Operation Crash of the Heavens. The title comes from Hannah’s most famous poem, “A Walk to Caesarea,” better known by its musical adaptation, “Eli, Eli.” It’s a very short poem, and Hannah’s next-to-last line in Hebrew is “barak hashamayim.” The literal translation is “the lightning in the sky,” but, to me, the most artful translation is, “the crash of the heavens.”

JI: What has the reception to the book been like?

DC: It’s been wonderful, warm and very appreciative. Even people who know about Hannah Senesh – especially people from Israel – tell me that I introduced stories and things they never knew before.

I’ve spoken at a few schools: the Hannah Senesh Community Day School in Brooklyn, King David High School in Vancouver, Yeshiva University in New York. When I’m talking to teenagers, I try to contextualize the story by stressing how assimilated the Jews of Hungary were, especially in Budapest. They felt fully Hungarian. But then the series of so-called “Jewish Bills” came into effect, limiting the number of Jews in the professions, setting quotas for university – Hannah had wanted to study education and become a schoolteacher but that became impossible. Ultimately, Jews couldn’t own property, couldn’t have a telephone. They were stripped of all civil rights – by the Kingdom of Hungary, of course, not by Nazi Germany.

I ask high school kids and university students: Do you guys feel Canadian? You’re proud of Canada? Cheer for Canada in the Olympics? What if, overnight, the government said: “You’re not Canadian. Turn in your passport. You can’t go to university. You need to move out of your house – you can only live on certain streets in houses marked with a yellow star. You can’t be out in public past noon.” Why? Because Parliament passed a new law that says you’re no longer a Canadian – you’re a Jew. That means you’re an alien living among Canadians without the rights or privileges of a citizen. How would you feel? What would you do?

JI: You started this book before Oct. 7, 2023. Did that tragic event and its aftermath affect the way you wrote the narrative?

DC: Absolutely. I was deep into the writing process before Oct. 7, 2023. I knew that words like Zionism, Israel and Palestine were hot buttons when I started writing the book, but after Oct. 7, they became third rails.

I tried not to let it affect the way I was writing the book. Of course, seeing all the anti-Israel protests exploding on campuses and in city streets the past couple of years, hearing all the outright distortion of history, it affects a writer’s psyche. As we were designing maps for the book, for example, I insisted that they said, “British Mandate for Palestine” as well as “Eretz Israel.”… While writing the first draft, I had non-Jewish friends asking me, “Doug, what is Zionism?” and I realized that, in the post-Oct. 7 world, it was a critical question. I felt I should let Hannah define what Zionism meant to her. On Oct. 27, 1938, she writes in her diary: “I don’t know if I’ve already mentioned that I’ve become a Zionist. This word stands for a tremendous number of things. To me, it means, in short, that I now consciously and strongly feel I am a Jew, and am proud of it.” Full stop.

JI: If you would have been able to interview Senesh, what would you have asked?

DC: I have so many questions. I don’t want to give any plot spoilers, but there’s one story which hasn’t been told before in previous books. In the summer of 1944, Hannah helped a young Slovakian-Jewish woman named Matilda Glattstein to escape from the Gestapo prison in Budapest. Hannah learned that Matilda was pregnant and devised a complicated escape plan, which means she knew exactly how to break out of the prison and yet she herself didn’t. She saved another woman’s life – but not her own. I’d ask Hannah this question: “If you could rescue Matilda Glattstein, a pregnant woman with no military training, why didn’t you rescue yourself?” I’ve got my own theories, but I would love to ask Hannah.

JI: Why should people read your book?

DC: On the most basic level, I hope they want to read a compelling, exciting and emotional story of heroism during the darkest days of World War II. In hindsight, I didn’t write the book just for my daughter, or just for young Jewish women, or for anyone who aspires to do what Hannah did – become a poet or author and leave her mark on the world. Within the story, I’m asking some more universal questions: What do we mean by courage? Where does moral conviction come from?

We’re living in a crazy era, and it’s worth remembering that there are some causes for which it might be necessary to make the ultimate sacrifice….

JI: Tell me about your collaboration with Kosha Dillz?

DC: Kosha Dillz is someone I’ve known for years and years. His real name is Rami Even-Esh. [He’s] an Israeli-American rapper, filmmaker, social media personality and influencer. I sent him an ARC [advance reading copy] of Crash of the Heavens last October and we just started bouncing around ideas.

We agreed that, with this terrifying rise in antisemitism, it’s the perfect time to make the name Hannah Senesh – poet, paratrooper, Palmach commando – known to all the millions of people in their teens, 20s and 30s who are too busy “doom scrolling” to read the book. I figured, what better way to reach them than to have a gifted modern-day poet like Kosha Dillz breathe fresh energy and inspiration into her story? He wrote some amazing lyrics based on my book and we shot a video on the streets of New York for his song called “Hannah Senesh.”… You can find it on all the streaming platforms like Spotify and Apple Music.

JI: Are there any plans to use your book as the basis for a film or play?

DC: Yes, people have been talking about an adaptation, but the world of TV and film adaptations is so mercurial. Right now, we’re working on an adaptation of my previous book, The Last Boss of Brighton, about the life and times of a Soviet-born Jewish mobster – the aforementioned “complex, sociopathic antihero.”… At the same time, one of my earlier books – also about the Mafia in New York City – is being developed for a series…. But we’ll see what happens. Stay tuned.

Tova Kornfeld is a Vancouver freelance writer and lawyer.

Anne Frank exhibit on now

Created in 1995, the traveling exhibit Anne Frank: A History for Today is on display roughly 300 times a year. Mainly for school groups, people can visit the exhibit at Seaforth Armoury Nov. 11. (photo from Anne Frank House)

The traveling exhibit Anne Frank: A History for Today, hosted by the Consulate General of the Netherlands, is at Seaforth Armoury until Nov. 21. An opportunity for school groups to learn about Anne’s story and the legacy of her diary, the exhibit tours have already sold out, but the public is welcome to visit on Remembrance Day, Nov. 11.

While this is not the first time the exhibit has been in Vancouver, its presence at the armoury and museum is poignant. Started in 1920 by Scottish Canadians, infantry from the Seaforth Highlanders were on the ground in Amsterdam on May 8, 1945. They entered the city as part of the Allies’ liberating force.

Following months of battles and Germany’s surrender, the Seaforth Highlanders offered humanitarian aid to the city’s population. The close ties between the regiment and the people of the Netherlands are commemorated every year.

The school tours at Seaforth Armoury are led by volunteers trained by Phyllis Lewis, a staff member of Anne Frank House, said the house’s director of Canadian activities, John Kastner.

Arriving on Nov. 5, the exhibit required about six people half a day to set up, then there was peer training. The response to the call for volunteers was excellent, said Kastner, as has been the level of interest from local schools.

“I think the premise is from Anne Frank House in Amsterdam – there’s real value for people to become ambassadors of the message. People that are close to the same age as Anne are particularly effective when it comes to relaying the message of the diary,” he said.

Not all the exhibit’s stops are in metropolitan areas. Kastner described its journey to Anne Frank Public School in Vaughan, part of the Greater Toronto Area, then it went to Marathon, a mining community on the shore of Lake Superior, then to All Saints High School in Toronto, before being displayed at Ottawa’s Beechwood Cemetery (Canada’s national military cemetery) and the Dutch consulate in Vancouver, which sponsored it.

And the exhibition will keep moving, said Kastner. “It’s been very busy in 2025 – demand has been very steady and it has hardly been in storage at all.”

Created in 1995, the Canadian exhibitions are just some of the many around the world, in languages including Albanian, Arabic, Bengali, Bosnian, Korean, Macedonian and two forms of Portuguese. In total, the exhibit is on display roughly 300 times a year.

Paired with a 30-minute film, Who was Anne Frank?, the tour takes about 90 minutes. It comprises 11 panels of information that are the same worldwide and the 12th panel is curated specifically for the region. The version that arrived in Vancouver this week references the liberation of Amsterdam and all the panels are in both English and French, which is the case for all the Canadian showings, though the exhibit for northern Ontario is also in Inuktitut.

The docents bear a responsibility as ambassadors for Anne’s legacy and message, said Kastner. “You want people who are in classrooms, at dinner tables, in peer groups at schools, who are aware of the story, that become advocates of fairness, opponents of racism, opponents of prejudice, and we really see it in real life – that those docents become docents of the message of Anne Frank House.

“Every generation that comes through, you create a new generation that becomes familiar with the story and the messaging of Anne Frank – not only what she went through, but her optimism in a world surrounded by hate, prejudice and violence…. As people go through the exhibit, they become aware of what an important story it is,” said Kastner. “They come to realize that it is, by definition, a history for today – that it has relevance in today’s society.”

photo - Anne Frank, in 1941. The traveling exhibit Anne Frank: A History for Today is at Seaforth Armoury until Nov. 21 — Anne Frank, in 1941. The traveling exhibit Anne Frank: A History for Today is at Seaforth Armoury until Nov. 21. *(photo from Anne Frank House)*

Kastner spoke about his personal connection to Anne’s remarkable outlook and values, referencing her often-quoted diary entry of July 15, 1944: “In spite of everything, I still believe that people are really good at heart.”

“I wish we could all be as optimistic as Anne was,” he said. “It was remarkable.

“There have been many periods since the Second World War when we’ve had many reasons to be pessimistic, and that’s why it’s a history for today. It’s a recurring message that continues. After 75 years, it still has relevance.”

Kastner praised the design of the exhibit, calling it “fantastic.”

“There’s a timeline ribbon that goes down the centre … the date and the year. Above the ribbon is what is happening in the world politically at the time. Below the ribbon is how it’s impacting people – Anne, her family and everybody else,” he explained. “The idea is that [some people think] what you see on the news doesn’t really matter…. This says, it should matter, it does make a difference. And that creates an awareness of current events, of being involved … of speaking out. Even in minor cases of prejudice, it’s problematic and [can lead] to a greater problem.”

When talking about this idea in Marathon, Kastner gave the example of name-calling. “Calling someone a name, a slur, we can see it as problematic but not the end of the world,” he said. Or, “graffiti on a kid’s locker, that’s not very nice, but it’s not the end of the world – but it leads to a huge problem when [such actions] become the norm.”

Kastner spoke highly of the 3D model of the house, which is “one of the great learning tools that goes with the exhibit.” There is power in asking teenagers, “Who can tell us where Anne slept?”

“When I went to Anne Frank House to work there, where my workspace was, I’d be looking at the courtyard and at the Annex, looking at the tree, and it’s absolutely surreal,” he said. “Being in the presence of that kind of history. There’s no replacement for that.”

It’s the same tree Anne would have seen.

“I’d be in her father’s office at the warehouse and there are all sorts of people traipsing through the house,” he said, and he’d think about “how you [would have] had to be deathly quiet, completely stationary, because people were using that office.”

Certain questions come up time and again. Students want to know how the Holocaust started, for example.

“The Holocaust didn’t start with people getting loaded on trains,” Kastner explains to the kids. “The Holocaust started with all sorts of things that Anne talks about – her bike being taken away, not being allowed to swim in the public pool, not being allowed to take public transit, then extended to larger things. Her dad not being allowed to have a job or own property.… It starts by slow increments.”

At Anne Frank Public School in Vaughan, the kids asked Kastner how Anne’s diary got published. He described the return of Anne’s father, Otto Frank, to the Annex, which had not changed since the day their hiding place was discovered. He told the students that Miep Gies, who had helped hide Anne and her family, “had taken the diary after the Nazis had left and kept it, gave it to Otto and he read through it and then said, I should publish this.”

Kastner said the kids marvel at the serendipity, the turn of events that led to “one of the most important books written by somebody under the age of 16.” He added, “The kids say that it’s amazing that [Otto] survived, that he got the book, that somebody wanted to publish it and then the idea that it’s become standard reading for millions of kids 70 years later.”

During the exhibition’s stop at Beechwood Cemetery, Kastner recalled two students asking him, “What is it about Jewish people? Why do they pick on Jewish people?” And, “Why didn’t somebody do something?

Kastner explained the scapegoat theory to these students. “It’s in Shakespearian plays, it’s throughout history: the idea of a common enemy often solidifies a group,” he said.

Each exhibition site brings different opportunities for learning, said Kastner. Getting it to remote locations can be tough but it’s worthwhile. Shipping the panels to Marathon, for example, was challenging, but Kastner applauded the motivation of the school there as “very noble and progressive.”

“Every place it goes, it has a different impact and it’s going there for a different reason,” said Kastner of the exhibition.

“The message,” he said, “is in Anne’s experience, Anne’s death – that has relevance in today’s society.”

Shula Klinger is an author and journalist living in North Vancouver.

From the JI archives … BC

It is sometimes hard to look back over the pages of the Jewish Independent and its predecessor, the Jewish Western Bulletin, knowing what has happened since the articles were published. From the 1933 optimism that there was hope for German Jewry, to the enthusiastic welcome of a seemingly short-lived El Al office in Vancouver, to colleagues who have passed away.

Past echoes in present

Child survivor Lillian Boraks-Nemetz speaks at the community’s Yom Hashoah Commemoration May 5. (Rhonda Dent Photography)

The pogrom of Oct. 7 and the hurricane of antisemitism that has swirled since then added resonance to commemorations of Yom Hashoah this week.

Around the world, Jewish communities united in different ways to mark the annual Holocaust remembrance day. Sunday night, May 5, the local commemoration at the Jewish Community Centre of Greater Vancouver featured child survivor Lillian Boraks-Nemetz, who reflected on the unmistakable parallels across time, of “Broken families, broken bodies and minds and the poor frightened children and much more.”

Recently, said Boraks-Nemetz, she heard the words of Israel’s ambassador to the United Nations, Gilan Erdan, who reflected on how a sunny Shabbat morning in Israel turned, in a matter of seconds, into hell.

“On just such a sunny morning, in Warsaw, I lost my childhood,” said Boraks-Nemetz, who was introduced Sunday night in a touching tribute by her son, Stephen. “The day Nazis invaded Poland, I remember German bombers flying low over my head against an innocent blue sky and as World War Two began on Sept. 1, 1939, I had to become an adult at the age of 6.”

In the war that began that day, she said, 1.5 million Jewish children were murdered. She suffers guilt and questions around her survival when so many, including her little sister, did not live.

“Some of us were younger than others. Some older,” she said. “Nevertheless, we were all traumatized – as our brothers and sisters are today, in Israel, and in a world that won’t learn history and its lessons. We don’t feel safe anymore around our world. Thousands protest against us as they have always done, just looking for a reason to express their hate for Jews.”

Boraks-Nemetz shared parts of her Holocaust history, from the earliest time, when her mother took her to a favourite café only to find a sign declaring Jews were forbidden from entering – signs that then proliferated in parks, recreation areas, theatres, streetcars and elsewhere.

“We were beginning to lose our humanity,” she recalled. “Thousands protested against us with words such as ‘Death to Jews,’ ‘Final Solution’ and more.”

Today, she said, similar words are directed at Jews.

“This is being allowed to flourish unpunished, using our freedom of speech for their purposes,” she said. “But surely there are red lines where free speech ends and hate speech begins that must be punishable by law.”

She recalled seeing the wall around the Warsaw Ghetto being constructed, higher and higher, as she watched.

“I asked my father what this wall means,” said Boraks-Nemetz. “I asked many questions. I was almost 7 years old. This wall, he replied, will eventually enclose a part of Warsaw where we will be forced to live.”

That day came when, through a window, she saw a long car with officers and a bullhorn ordering Jews to enter the ghetto or suffer severe consequences.

“From the day I and my family entered our one room within these close, shabby quarters, I felt as if I had stepped out of sunlight into darkness,” she said. “I felt as if I was being stifled and the feeling of being stifled stayed with me as a memory and a trigger all of my life. The wall meant confinement, exclusion, isolation, fear, hunger and quarantine of a disease called typhus.”

Boraks-Nemetz shared the story of how she was to be smuggled out of the ghetto by her father, who had bribed a non-Jew but, when the day came, she was ill and instead her sister was sent out, never to be seen again.

“The streets were treacherous, with children dying of hunger and disease, poor and starved people peddling what little they had for a few potatoes and stealing what they couldn’t buy,” she said.

While smuggling a child out of the ghetto was a life-threatening act for all involved, so was remaining in the ghetto, she said. Eventually, thanks to an enormous bribe, young Lillian was passed through the gate of the ghetto, where she survived on the outside in the care of her grandmother, who had secured a false identity.

“That day, I felt as if I had lost my family, my home and any degree of safety I had felt,” she recounted. “I became numb and frozen. As a child, I didn’t understand why was I being sent away, alone, into a hostile world. I felt I wasn’t wanted by family or society. That day, I lost my identity as a Jew and a human being, a daughter.”

A forged piece of paper gave her a new, false name, false parents, a false age.

With a small blue suitcase in hand, she walked the short distance from her father, past the bribed guards, who looked the other way, into the care of a waiting stranger who would whisk her to a new, still very hazardous, life outside the ghetto.

“Although it was a very short distance, today I think of it as the longest walk, from impending death to the possibility of life,” she said.

Eventually, she started a new life in Canada, married at 19 and took on the role of a typical Canadian housewife, she said. At 40, she had a crisis, during which she was forced to confront the realities of what she had experienced, a struggle she has addressed ever since, through poetry, sharing her story with students and other means. For her, and for so many others, she said, Oct. 7 brought back from the mists of time the collective consciousness and memory of the past.

“We are still persecuted, blamed, hated,” she said.

Rabbi Carey Brown, associate rabbi at Temple Sholom, spoke earlier in the evening, expressing the need to be careful in drawing parallels between historical events, but acknowledging that the traumas of the past inform reactions to the present.

“It is difficult to distinguish between remembering the past and living in the present,” she said. “It feels inseparable.”

The current generation, said Brown, owes it to the memory of those who perished in the Shoah, as well as to the generations yet to come, “to take seriously and be steadfast in our commitment to ‘Never again.’”

photo - Singers Erin Aberle-Palm, left, and Cantor Shani Cohen and cellist Eric Wilson were part of the music program produced by Wendy Bross Stuart — Singers Erin Aberle-Palm, left, and Cantor Shani Cohen and cellist Eric Wilson were part of the music program produced by Wendy Bross Stuart. (Rhonda Dent Photography)

The solemn ceremony began with Holocaust survivors in a procession escorted by King David High School students who are descendants of survivors.

Shoshana Krell-Lewis, a member of the board of directors of the Vancouver Holocaust Education Centre and a daughter of the centre’s founding president, Dr. Robert Krell, welcomed the audience and acknowledged elected officials and survivors. In recognition of survivors from the former Soviet Union, Irena Gurevich translated into Russian.

Sarah Kirby-Yung, deputy mayor of Vancouver, represented the city.

Cantor Yaacov Orzech recited El Moleh Rachamim.

A moving musical program by artistic producer Wendy Bross Stuart featured Eric Wilson on cello and singers Erin Aberle-Palm, Cantor Shani Cohen, Lisa Osipov Milton, Matthew Mintsis, Kat Palmer and Lorenzo Tesler-Mabe.

The program was presented by the Vancouver Holocaust Education Centre, funded through the Jewish Federation annual campaign and by the Province of British Columbia, and supported by the Gail Feldman-Heller & Sarah Rozenberg-Warm Memorial Endowment Fund, Temple Sholom Synagogue and the Jewish Community Centre of Greater Vancouver.

Systemic change possible?

Eleanor Boyle’s Mobilize Food! Wartime Inspiration for Environmental Victory Today offers concrete ideas for how food systems can be transformed. (Julie Doro Photography)

I plan to make the Honourable Woolton Pie. Just for fun, not necessarily because I think it’ll taste wonderful, though it might. Named after Lord Woolton (Frederick Marquis), who was appointed minister of food in 1940 Britain, it represents several of the British government’s goals during the war years: it was “meatless, thrifty, filling, and made use of domestically produced in-season foods.” The recipe is in Eleanor Boyle’s latest book, Mobilize Food! Wartime Inspiration for Environmental Victory Today (FriesenPress, 2022). The book is the only reason I know who Woolton is. More importantly, the book offers many reasons to feel less naïve for mostly believing that humankind can save ourselves and the planet before we kill ourselves and the planet.

Mobilize Food! is an optimistic examination of Second World War rationing and other wartime policies in England and how the lessons from that period could help us counter the climate crisis by changing our food systems, to start. Lest one think that Boyle is a pie-eyed dreamer, she has solid credentials – a bachelor’s in psychology, a master’s in food policy and a doctorate in neuroscience. The Vancouverite also has been a journalist and she taught for many years. She wrote the book High Steaks: Why and How to Eat Less Meat (New Society, 2012).

Despite all of Boyle’s education and experience, she still believes that radical change is possible. This is heartening in and of itself. But it’s the 42-page bibliography that I found more assuring. The recommendations Boyle makes in Mobilize Food! are based on extensive research. And they consider what individuals, governments and businesses are already doing, as well as what they could be doing more of (which is a lot). She is not arguing for a socialist utopia, or a utopia of any sort, though she does imagine more engaged, civic-minded communities than I think currently exist anywhere in the world. That said, she gives an example of a city that apparently has ended hunger – Belo Horizonte, Brazil, “which in 1993 declared access to food as every citizen’s right. It then implemented food price subsidies, supply and market regulation, supports for urban agriculture, education on food preparation and nutrition, and job creation in the food sector.”

How does this relate to Second World War Britain? As did Britain during the 1940s, Belo Horizonte set up state-subsidized restaurants that are open to everyone (to avoid stigmatizing people on lower incomes), it feeds kids in the public education system every day, it partners with private grocery stores so that they can sell cheaper fruits and vegetables, and it supports family farms, among other actions “that help democratize food.”

Boyle provides copious data and examples of how the food industry, as it stands, is contributing to climate change “by contributing at least a quarter of human-caused GHGs [greenhouse gases].” It does this through its use of fossil fuels, the cultivation of monocultures (“vast, unnatural acreages of single-species crops”) and destroying ecosystems by removing or burning vegetation, among other activities. One of the eye-opening stats is: “Some analysts calculate the contribution of livestock to overall anthropogenic GHGs as at least 30% and as high as 51%.”

Boyle argues persuasively that how we produce and consume food can be transformed. The first half of Mobilize Food! runs through all that Britain did to make significant changes, “from national agricultural policy to the family dinner plate. They didn’t wait for dire food shortages or society-wide agreement of exactly how to proceed. Even before war was declared, government set up a high-powered food committee to craft plans for making food systems crisis-ready.” They used multiple strategies and strived for general engagement using PR campaigns and other tools. “The programs were simple but transformational,” writes Boyle, “based on shifts toward domestically produced, plant-rich and minimally processed foods. Together those programs adequately fed the population – and, in many ways, better than prewar, by providing broader and more equitable access to food and enhanced health [reducing diabetes and heart disease, for example].”

The wartime measures also show that people can change how they eat and act, she notes. But leadership is key – Lord Woolton was very charismatic, it seems, and, on the larger scale, Boyle writes, “Only governments have the mandate for the public good, the oversight for national strategy and the legislative levers. Only public officials can do the necessary system-wide planning, coordinate sectors, forge agreements across regions, and make the tough decisions.” Lastly, such massive change relies on everyone participating: “We’ll need to think systems-wide and involve every segment of society, every community, every food-related business and civic organization, and every one of us.”

Boyle admits this all “sounds like fantasy. But, as the story of World War II Britain shows, such a transformation has occurred.” Am I personally convinced we have what it takes to mobilize so drastically? The larger whole is still too much for me to contemplate, but I can eat even less meat and fewer processed foods, buy more from local growers, invest in businesses that improve the environment and/or social outcomes, support politicians who are working toward a healthier and more inclusive society. No doubt, there is much more that I could be doing, but it’s a start.

I’m glad that I read Mobilize Food! Full of images (including awesome wartime PR posters), data and stories from people who lived through the war effort, it is engaging on many levels. It reminded me that what seems impossible may not actually be so. And the importance of hope – combined with action – cannot be overstated.

For more information, visit eleanorboyle.com.

Lives shaped by war

Heroism and survival took on new meaning for me after reading George Halpern’s From School to Sky: Joseph’s Tale of War and Gina Roitman’s Don’t Ask. The first is a biography of a certain time in Halpern’s father’s life, the latter is a fictional work that centres around a daughter’s search for her mother’s history during that same time period, the Second World War. Both books are featured at this year’s Cherie Smith JCC Jewish Book Festival.

Halpern takes part in the Feb. 12, 10 a.m., by-donation event A Literary Quickie, in which he and seven other authors each have five minutes to pitch their books. Roitman appears with Lynda Cohen Loigman (The Matchmaker’s Gift: A Novel) in A Day to Celebrate Human Closeness, which takes place at 2 p.m., on Feb. 14 ($18).

Halpern’s pitch to me included only some of the actions that make his father, Joseph Halpern, a hero. In reading the book, which is based on months’ worth of interviews George did with his dad, who died in 2011, I discovered several more reasons. Joseph was a fighter pilot for the Russian Air Force (Joseph’s town, Vladimir Volynsky, was in the part of Poland annexed by the Soviet Union weeks after the war started). He was a Soviet prisoner for a spell, then trained as a special forces commando. He was captured by Nazis on a mission, but escaped. Following the war, he defected (to the Americans in Berlin), taking his Russian plane with him, but then returned to Russia to fulfil a promise he made to someone who had saved his life. He founded an orphanage, helped create the Israeli Air Force, etc., etc.

The most compelling part to me of Joseph Halpern’s story, however, is his honest appraisal of himself, his humility and his humanity, even though he wasn’t always humane. He admits his “fearless attitude would be combined with special training – including brainwashing – and I would truly believe that I was invincible.” He is open about wanting to have killed more Nazis than he did, and that he personally killed someone in an act of revenge. His complexities include the life he had to build after immigrating to Canada, caring for his kids through his wife’s struggle with mental illness, obtaining two doctorates, working with NASA, finding love again and more.

Similarly, though in a fictional setting, Roitman’s novel deals with multi-layered human beings, some of whom survive because they committed acts of which they are not proud – and they carry the guilt for the rest of their lives. As Joseph’s trauma travels beyond his own self and is passed on in some degree to his children, so does the character Rokhl’s carry over to her daughter Hannah.

Rokhl doesn’t talk much, and certainly not about her experiences during the Holocaust, in contrast to her husband, who has already passed away when the novel begins – what little Hannah knows of her heritage has come from her father. Hannah only receives her mother’s wisdom through notes that Rokhl leaves her, the last of which Hannah finds in her mom’s purse after Rokhl dies, apparently by suicide: “I am not her,” it says.

Don’t Ask traces Hannah’s attempt to figure out the mystery of that note and deal with the grief of her mother’s death, while also brokering a real estate deal between a German buyer and a Holocaust survivor who lives in Quebec and owns a tract of land in the Laurentians. Hannah’s parents immigrated to Montreal after the war; Hannah, their only child, was born in a DP camp in Germany, which they had called home. Since the Holocaust, “Her father could not say the word ‘German’ without spitting” and, in her last encounter with her mother, in which Hannah shared the news that she was traveling to Germany, her mother had threatened, “If you go, it will be over my dead body, do you hear me?”

In the guise of a budding romance between Hannah and Max, her counterpart in Germany, Roitman addresses many challenging questions about the intergenerational nature of culpability and forgiveness, of duty to one’s parents and the responsibility for building one’s own life, of nursing hatred or risking love. She does so in a fashion that sometimes pushes belief – for example, Hannah and Max are not young, yet they lack much understanding of what attraction is, and Hannah, despite her professed curiosity about her mother’s past doesn’t explore until the end of the book four boxes of her mother’s notes, which have sat in her closet for an undisclosed amount of time prior to her mother’s death. Yet, Roitman also writes in a way that makes you care about the characters and what happens to them. The story of Rokhl’s Holocaust experiences and that of Hannah’s budding relationship (and the weight of history that it and the real estate deal unearth) are enthralling and Don’t Ask is a hard book to put down until you finish it.

Podcasts a vital part of CJN

Ellin Bessner in the field reporting, October 2021, for her podcast, called The CJN Daily. (photo from Ellin Bessner)

Ellin Bessner is the host of The CJN Daily, one of several new podcasts featured on thecjn.ca, the Canadian Jewish News’ recently revamped website.

A veteran journalist, Bessner caught the reporting bug early in life.

“I have been a journalist since I was 10 years old – even though I didn’t know I was at the time. I was like the fictional character Harriet the Spy, writing notes about my parents’ friends,” she said of her first recollections as an aspiring member of the press.

These days, she hunts around for and discovers stories throughout the country that others might miss – all with the objective of depicting “what Jewish Canada ‘sounds’ like.”

“I read a lot, I scour the internet. There are literally stories everywhere. I don’t have enough time or enough podcasts to do [them all],” Bessner said, as The CJN Daily nears its first anniversary.

Bessner has broadcast stories on people as diverse as Rabbi Yehuda Sarna, the Montreal-born chief rabbi of the United Arab Emirates; Ashley Waxman Bakshi, a Canadian Israeli social media influencer; and Rabbi Arnold Noteh Glogauer, the first Canadian Jewish chaplain to set sail with the Royal Canadian Navy.

She also attempts to present all sides of contentious issues. During the February blockades in Ottawa, for example, she interviewed Jews who were involved in counter-protests against the truckers and two Jews (both vaccinated) who supported the convoy.

The CJN Daily has done several British Columbia stories, as well. To date, the show has aired a discussion with Aaron Levy, an Abbotsford disc jockey broadcasting about the November floods; a dispatch from a Jewish woman in Kamloops on her experience this summer in the path of British Columbia’s largest wildfire; an interview with Bernard Pinsky on security at the Jewish Community Centre of Greater Vancouver; a talk with environmental activist Seth Klein after COP26, the climate change conference in Glasgow; reflections on high school graduation from King David High School’s Class of 2021; a look at the number of people converting to Judaism in Kelowna; and a report about Jews in Kamloops and their reaction to the discovery of hundreds of Indigenous child graves in their community.

“British Columbia really had a terrible year,” said Bessner. “You had drought, forest fires, smoke, Indigenous issues … security issues and hunger. There is room for a B.C. story every single day. I really try to do as many as I can.”

CJN reinvents itself

In April 2020, a month into the pandemic, the CJN closed for the second time. The first time, in 2013, it returned after several months. This latest closure ended in December 2020, with a new CJN that is mainly a digital periodical.

“They chose to close after the Pesach issue in 2020. There was no revenue coming in and they decided to shut down,” explained Bessner. “A few months later, everyone thought that was CJN’s demise. Other websites came in to fill the gap. Meanwhile, those associated with CJN had decided to pivot to digital.

“It was a good opportunity to do that while everyone was at home and Zooming,” she said. “They re-launched digitally on Facebook only and got rid of the old website. Eventually, more money came in. The CJN doesn’t have the same look as before. We are doing it in a more modern way. These are the times and we have to be with the times.”

That said, for those who want to have a more traditional copy of the paper, the CJN still offers a printable weekly digest of stories every Friday (available on its website) and The CJ Magazine, a quarterly that will have its first issue later this year.

As for The CJN Daily, its start last spring did not go off according to script, Bessner recalled. “The podcast was launched on May 3, right when the Mount Meron tragedy occurred on Lag b’Omer,” she said. “All our planned interviews on Jewish Heritage Month were rescheduled. And then Israel had a war.”

The CJN Daily provides Monday to Thursday updates on the Canadian Jewish scene, from coast to coast to coast. The show can be heard on Spotify, Apple and other podcast platforms, as well as on the CJN website. There are also extended versions of Bessner’s interviews on the CJN’s YouTube channel.

Other podcasts on the CJN roster include Bonjour Chai, a weekly current affairs show; Yehupetzville, a look at Jewish life across Canada; Rivush, interviews with Jews of Colour hosted by Rivka Campbell; Menschwarmers, “the world’s most popular Jewish sports podcast”; and A Few of My Favourite Jews, with comedian Laura Leibow.

Bessner has worked for the Canadian Press, CTV News, CBC News and JazzFM. As a correspondent, she has reported from across Canada, Europe and Africa. As a professor, she has taught journalism at Ryerson University, Seneca College and, most recently, at Centennial College.

She is the author of Double Threat: Canadian Jews, the Military and World War II (2018) and a contributor to Northern Lights: A Canadian Jewish History (2020). In 2019, thanks to her efforts, Veterans Affairs Canada created a section on its website recognizing the contributions of Jewish men and women who served in the Canadian military during the Second World War.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Book festival is shaping up

The 37th annual Cherie Smith JCC Jewish Book Festival takes place Feb. 6-10 at both the Jewish Community Centre of Greater Vancouver and online, with authors joining from across Canada, the United States, Israel, Australia and Great Britain.

“We look forward to welcoming our live audiences to the joyful experience of a shared literary event,” said festival director Dana Camil Hewitt. “The Jewish Book Festival strives to reflect and showcase recent literature that revels in the lively and pivotal ideas stemming from the modern world and, in the process, expose our city and community to meaningful and captivating conversations about the written word in every shape and form.

“And, while the nucleus of our festival is Jewish-themed, our speakers, events and audience happily represent a diversity of experiences and cultures that defy narrow categorization. We are attuned to timely and universal themes and we thrive on the interdisciplinary, always inviting visual arts and performance art into our events.”

Opening the festival are American novelist and journalist Dara Horn, with her book People Love Dead Jews: Reports from a Haunted Present, and British comedian and writer David Baddiel, with his book Jews Don’t Count. On the closing night, Daniel Sokatch, an expert who understands both sides of the Israeli-Palestianian conflict, will present his book Can We Talk About Israel? A Guide for the Curious, Confused and Conflicted.

Winner of the Canadian Jewish Literary Award for fiction Gary Barwin joins the festival with Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy, together with U.S. author Jai Chakrabarti, who brings A Play for the End of the World.

Short stories will be celebrated in an event with Vancouver’s Rachel Rose and her collection The Octopus Has Three Hearts, long-listed for the Scotiabank Giller Prize, together with Montreal’s Ami Sands Brodoff presenting her intricately linked stories in The Sleep of Apples. From Toronto, novelist and cultural critic Hal Niedzviecki discusses his latest novel, The Lost Expert.

Stories of artists in the Second World War era are presented by two U.S. writers: Meg Waite Clayton (The Postmistress of Paris) and painter/writer Michaela Carter (Leonora in the Morning Light). History also has an important place in the work of Leah Garrett, who presents X-Troop: The Secret Jewish Commandos of World War II (who were the inspiration for Quentin Tarantino’s Inglourious Basterds), and Menachem Kaiser, whose Plunder: A Memoir of Family Property and Nazi Treasure won the Canadian Jewish Literary Award for non-fiction.

The annual Book Clubs event features Australian author Heather Morris, with her novel Three Sisters, the last in the Tattooist of Auschwitz trilogy.

Among the B.C. authors represented are Isa Milman, with her memoir Afterlight: In Search of Poetry, History and Home, and Rachel Mines, with her translation of Jonah Rosenfeld’s The Rivals and Other Stories. An epilogue event (i.e. after the festival run) moderated by Yosef Wosk features Robert Krell and his memoir Sounds from Silence and Alan Twigg’s Out Of Hiding: Holocaust Literature of British Columbia.

Regular updates can be found at jccgv.com/jewish-book-festival, where the digital program guide will be available after Dec. 28.

– Courtesy JCC Jewish Book Festival

Honouring women’s courage

Anne Petrie (photo from Maurice Yacowar)

The University of Calgary has organized a virtual exhibition to honour the efforts of Jewish women in the Canadian Armed Forces during the Second World War. Called She Also Served, it comprises a series of nine banners by various artists.

Originally scheduled to be displayed at the Military Museums in Calgary during Jewish Heritage Month in May, it has been made available online throughout 2021 and will be physically hung in May 2022. Of the 17,000 Jews who served in the Canadian armed services, more than 275 were women.

Among those selected to display their work is Anne Petrie of Victoria. For her banner, a digital print called “In the Tradition of Service,” Petrie chose to list all the known names of the Jewish Canadian servicewomen. She used a font that is reminiscent of the typewriters of the 1940s. Another layer of the banner has the names of 12 biblical heroines, confirming the tradition of Jewish women’s courage and dedication to serving their communities.

“I was immediately struck by knowing that, although they would not have had to hide their Jewish identity, it was still in those days not something that you would be comfortable being completely open about,” Petrie told the Independent. “Even if it was, at best, very casual antisemitism, it was a reality when they would have signed up. So, there you are fighting (even if it’s only at a desk) for something – a religion, a people, a culture – that you can’t really be openly passionate about.”

image - Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online — Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online.

For Petrie, She Also Served is an opportunity to reveal and contextualize the “Jewishness” of that other “them, the unsung and – worse – unidentified Jewish-Canadian women soldiers.” She said she is honouring them by naming them in “their doubly suppressed identities, as women and Jews.”

Petrie’s intention was to present the full names and rank (where available) of all the Jewish women known to have served. The collection of names fills the background layer of the 75-by-165-centimetre banner. Each name is in the colour of their respective services: olive green for army, dark navy for the navy and a lighter “air force blue” for the Women’s Army Corps. Emerging from the background in a larger, translucent Hebrew script, and in a camouflage pattern, are the names of Judaism’s biblical heroines, “themselves often subordinated by patriarchal tradition to the male heroes,” said Petrie.

“In making the banner itself, I was struck by how powerful it was to actually write out all the 279 names of the Jewish servicewomen that have so far been identified. I knew none of them personally, of course, but I felt that typing each name was a kind of acknowledgement and, strange as it sounds, I did feel a kind spirit or presence as I typed each of the names. I only wish we did know more about them, but I understand that research is continuing and, hopefully, there will eventually be stories attached to each of these women’s names,” she said.

Petrie thanked Janice Shulman and Rabbi Lynn Greenhough for their assistance with the project.

Prior to beginning her work as an artist, Petrie’s career spanned more than 30 years in radio and television, where she worked as a researcher, producer, documentary-maker, columnist and commentator in news and current affairs. She is also the author of several non-fiction books: Ethnic Vancouver, Vancouver Secrets and Gone to an Aunt’s: Remembering Canada’s Homes for Unwed Mothers.

After retiring from the CBC, she returned to school and obtained a bachelor of fine arts from the Alberta College of Art and Design in 2008. Since then, she has had a number of exhibitions. Her next exhibit, said/unsaid, is a two-person show with Jane Coomb – it opens at the errant artSpace gallery in Victoria (975 Alston St.) on July 9.

The other artists whose work is featured in She Also Served are Razieh Alba, Sophia Borowska, Alysa-Beth Engel, Lily Rosenberg, Talie Shalmon, Jules Schacter, Bev Tosh and Susan Turner. The representations exploring the servicewomen’s experiences range from naturalistic to abstract. Some works use archival photographs, while others use media include oil painting and paper-cutting.

The stories of 41 Jewish servicewomen are also featured on the website. These accounts were an impetus for the call for submissions for the exhibition, which was curated by the University of Calgary’s Prof. Jennifer Eiserman and librarian emerita Saundra Lipton. They ask for help in “completing the story” from anyone who has more information about the featured servicewomen and any of those identified in the list of names collected.

To view the exhibition, visit live-ucalgary.ucalgary.ca/she-also-serves/exhibition.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Looking for Sklut family

In looking through the Jewish Independent’s archives, after reading this article, this photo of Pte. Paul Sklut was found.

A Belgian tour guide and historian, Niko Van Kerckhoven, wrote to me recently. Van Kerckhoven, 50, and his teenaged son, regularly visit the graves of the Canadian soldiers who were killed liberating his town, called Wommelgem, during the Battle of the Scheldt, which was the Canadian campaign in the area surrounding the crucial port of Antwerp in fall 1944. It cost more than 6,000 Canadian casualties to take it, including that of Jewish volunteer Pte. Paul Sklut.

Van Kerckhoven has found photos of nearly all of the Canadian “boys” whose graves he visits, but not Sklut’s. As he wrote to me, “I’m quite desperate. You are pretty much my last chance for a picture!”

Sklut was the son of Russian-Jewish parents, and the family lived on Ferndale Avenue in Vancouver. It was a short walk to Britannia High School, where he was in the cadet corps, before he graduated.

Sklut’s name was often mentioned in the Vancouver newspapers, for he played competitive tennis, and also gave piano recitals at a venue on Granville Street.

Sklut was studying at the University of British Columbia when he was called up. He had just turned 19 on April 15, 1943. His two brothers, Harry and Donald, were already in uniform, with the army and the Royal Canadian Air Force, respectively. Sklut qualified as an infantry signaller in Kingston, Ont., then shipped out for England in July 1944. He was sent to France on Sept. 11, 1944, attached to the Calgary Highlanders. He was sent into action on Sept. 26. Twelve days later, he was dead.

“Many of them were just arriving here in Europe when they were thrown in this terrible battle of the Scheldt. I know the area well,” Van Kerckhoven wrote. “Many of the replacements died due to lack of training and experience. They really were used to plug the gaps in the infantry, although they were specialists by trade.”

Sklut was wounded on Oct. 8, 1944, and brought to a Canadian medical station that the Royal Canadian Army Medical Corps had set up inside one of the 19th-century forts near Antwerp, known as Fort 2, in Wommelgem. Military records confirm this happened.

Canadian medical personnel with the 18th Canadian Field Ambulance received Sklut at 13:00 hours. He was in really bad shape: he’d already lost his right leg at the knee, and his left leg and knee were fractured. He also had shell wounds in his chest and abdomen.

By 14:00 hours, Sklut was evacuated to the 21st Canadian Field Dressing Station and, then, still in shock, they took him to the Ninth Canadian Field Dressing Station, where he died at 16:30 hours. He was 20 years old.

Locals buried Sklut with other foreign soldiers, about 40 of them, mostly Canadians, in the civilian area of the Candoncklaer Hospital Cemetery in Wommelgen. Later, their bodies were reinterred at the Commonwealth War Graves cemetery in Bergen-op-Zoom, across the border in Holland.

photo - Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland — Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland. *(photo from Niko Van Kerchkoven)*

That’s where my Belgian correspondent visits Skult’s grave. Van Kerckhoven is a member of his local historical society in Wommelgen, known as De Kaeck. He would like to find the Sklut family to tell them their relative has not been forgotten; he is also looking for a photo of Sklut.

Contact me through my website, ellinbessner.com, if you are able to help this man as he continues to carry out a mitzvah, although I am not sure he is aware of what that word means. (I will explain it.)

Ellin Bessner is a Canadian journalist based in Toronto. She is the author of a new book about Canada’s Jewish servicemen and women who fought in the Second World War, called Double Threat: Canadian Jews, the Military and World War II, which was published by University of Toronto Press (2019). She also contributed a chapter to Northern Lights, published by the Lola Stein Institute (2020); it is the story of the contribution of Canada’s Jewish community to the country’s military record from 1750 to today.