Second World War

Honouring women’s courage

Anne Petrie (photo from Maurice Yacowar)

The University of Calgary has organized a virtual exhibition to honour the efforts of Jewish women in the Canadian Armed Forces during the Second World War. Called She Also Served, it comprises a series of nine banners by various artists.

Originally scheduled to be displayed at the Military Museums in Calgary during Jewish Heritage Month in May, it has been made available online throughout 2021 and will be physically hung in May 2022. Of the 17,000 Jews who served in the Canadian armed services, more than 275 were women.

Among those selected to display their work is Anne Petrie of Victoria. For her banner, a digital print called “In the Tradition of Service,” Petrie chose to list all the known names of the Jewish Canadian servicewomen. She used a font that is reminiscent of the typewriters of the 1940s. Another layer of the banner has the names of 12 biblical heroines, confirming the tradition of Jewish women’s courage and dedication to serving their communities.

“I was immediately struck by knowing that, although they would not have had to hide their Jewish identity, it was still in those days not something that you would be comfortable being completely open about,” Petrie told the Independent. “Even if it was, at best, very casual antisemitism, it was a reality when they would have signed up. So, there you are fighting (even if it’s only at a desk) for something – a religion, a people, a culture – that you can’t really be openly passionate about.”

image - Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online — Anne Petrie’s “In the Tradition of Service,” 2021. Part of the She Also Served exhibit, now online.

For Petrie, She Also Served is an opportunity to reveal and contextualize the “Jewishness” of that other “them, the unsung and – worse – unidentified Jewish-Canadian women soldiers.” She said she is honouring them by naming them in “their doubly suppressed identities, as women and Jews.”

Petrie’s intention was to present the full names and rank (where available) of all the Jewish women known to have served. The collection of names fills the background layer of the 75-by-165-centimetre banner. Each name is in the colour of their respective services: olive green for army, dark navy for the navy and a lighter “air force blue” for the Women’s Army Corps. Emerging from the background in a larger, translucent Hebrew script, and in a camouflage pattern, are the names of Judaism’s biblical heroines, “themselves often subordinated by patriarchal tradition to the male heroes,” said Petrie.

“In making the banner itself, I was struck by how powerful it was to actually write out all the 279 names of the Jewish servicewomen that have so far been identified. I knew none of them personally, of course, but I felt that typing each name was a kind of acknowledgement and, strange as it sounds, I did feel a kind spirit or presence as I typed each of the names. I only wish we did know more about them, but I understand that research is continuing and, hopefully, there will eventually be stories attached to each of these women’s names,” she said.

Petrie thanked Janice Shulman and Rabbi Lynn Greenhough for their assistance with the project.

Prior to beginning her work as an artist, Petrie’s career spanned more than 30 years in radio and television, where she worked as a researcher, producer, documentary-maker, columnist and commentator in news and current affairs. She is also the author of several non-fiction books: Ethnic Vancouver, Vancouver Secrets and Gone to an Aunt’s: Remembering Canada’s Homes for Unwed Mothers.

After retiring from the CBC, she returned to school and obtained a bachelor of fine arts from the Alberta College of Art and Design in 2008. Since then, she has had a number of exhibitions. Her next exhibit, said/unsaid, is a two-person show with Jane Coomb – it opens at the errant artSpace gallery in Victoria (975 Alston St.) on July 9.

The other artists whose work is featured in She Also Served are Razieh Alba, Sophia Borowska, Alysa-Beth Engel, Lily Rosenberg, Talie Shalmon, Jules Schacter, Bev Tosh and Susan Turner. The representations exploring the servicewomen’s experiences range from naturalistic to abstract. Some works use archival photographs, while others use media include oil painting and paper-cutting.

The stories of 41 Jewish servicewomen are also featured on the website. These accounts were an impetus for the call for submissions for the exhibition, which was curated by the University of Calgary’s Prof. Jennifer Eiserman and librarian emerita Saundra Lipton. They ask for help in “completing the story” from anyone who has more information about the featured servicewomen and any of those identified in the list of names collected.

To view the exhibition, visit live-ucalgary.ucalgary.ca/she-also-serves/exhibition.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Looking for Sklut family

In looking through the Jewish Independent’s archives, after reading this article, this photo of Pte. Paul Sklut was found.

A Belgian tour guide and historian, Niko Van Kerckhoven, wrote to me recently. Van Kerckhoven, 50, and his teenaged son, regularly visit the graves of the Canadian soldiers who were killed liberating his town, called Wommelgem, during the Battle of the Scheldt, which was the Canadian campaign in the area surrounding the crucial port of Antwerp in fall 1944. It cost more than 6,000 Canadian casualties to take it, including that of Jewish volunteer Pte. Paul Sklut.

Van Kerckhoven has found photos of nearly all of the Canadian “boys” whose graves he visits, but not Sklut’s. As he wrote to me, “I’m quite desperate. You are pretty much my last chance for a picture!”

Sklut was the son of Russian-Jewish parents, and the family lived on Ferndale Avenue in Vancouver. It was a short walk to Britannia High School, where he was in the cadet corps, before he graduated.

Sklut’s name was often mentioned in the Vancouver newspapers, for he played competitive tennis, and also gave piano recitals at a venue on Granville Street.

Sklut was studying at the University of British Columbia when he was called up. He had just turned 19 on April 15, 1943. His two brothers, Harry and Donald, were already in uniform, with the army and the Royal Canadian Air Force, respectively. Sklut qualified as an infantry signaller in Kingston, Ont., then shipped out for England in July 1944. He was sent to France on Sept. 11, 1944, attached to the Calgary Highlanders. He was sent into action on Sept. 26. Twelve days later, he was dead.

“Many of them were just arriving here in Europe when they were thrown in this terrible battle of the Scheldt. I know the area well,” Van Kerckhoven wrote. “Many of the replacements died due to lack of training and experience. They really were used to plug the gaps in the infantry, although they were specialists by trade.”

Sklut was wounded on Oct. 8, 1944, and brought to a Canadian medical station that the Royal Canadian Army Medical Corps had set up inside one of the 19th-century forts near Antwerp, known as Fort 2, in Wommelgem. Military records confirm this happened.

Canadian medical personnel with the 18th Canadian Field Ambulance received Sklut at 13:00 hours. He was in really bad shape: he’d already lost his right leg at the knee, and his left leg and knee were fractured. He also had shell wounds in his chest and abdomen.

By 14:00 hours, Sklut was evacuated to the 21st Canadian Field Dressing Station and, then, still in shock, they took him to the Ninth Canadian Field Dressing Station, where he died at 16:30 hours. He was 20 years old.

Locals buried Sklut with other foreign soldiers, about 40 of them, mostly Canadians, in the civilian area of the Candoncklaer Hospital Cemetery in Wommelgen. Later, their bodies were reinterred at the Commonwealth War Graves cemetery in Bergen-op-Zoom, across the border in Holland.

photo - Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland — Grave of Pte. Paul Sklut in the Bergen-op-Zoom war cemetery, in Holland. *(photo from Niko Van Kerchkoven)*

That’s where my Belgian correspondent visits Skult’s grave. Van Kerckhoven is a member of his local historical society in Wommelgen, known as De Kaeck. He would like to find the Sklut family to tell them their relative has not been forgotten; he is also looking for a photo of Sklut.

Contact me through my website, ellinbessner.com, if you are able to help this man as he continues to carry out a mitzvah, although I am not sure he is aware of what that word means. (I will explain it.)

Ellin Bessner is a Canadian journalist based in Toronto. She is the author of a new book about Canada’s Jewish servicemen and women who fought in the Second World War, called Double Threat: Canadian Jews, the Military and World War II, which was published by University of Toronto Press (2019). She also contributed a chapter to Northern Lights, published by the Lola Stein Institute (2020); it is the story of the contribution of Canada’s Jewish community to the country’s military record from 1750 to today.

Klein speaks on climate crisis

Seth Klein brings his book A Good War: Mobilizing Canada for the Climate Emergency to the Jewish Book Festival on Feb. 22. (photo by Erica Johnson)

At this year’s virtual Cherie Smith JCC Jewish Book Festival, which runs Feb. 20-25, Seth Klein is among the many writers featured. He will talk about his new book, A Good War: Mobilizing Canada for the Climate Emergency, which came out last September.

Klein was the founding director of the B.C. office of the Canadian Centre for Policy Alternatives (CCPA), a position he held from 1996 to 2018, and was also a founder of the B.C. Poverty Reduction Coalition. He is a board member with the nonprofit Dogwood and an advisory board member for the Columbia Institute’s Centre for Civic Governance. He is a founder, advisor and instructor for Next Up, a leadership program for young people committed to social and environmental justice, as well. He spoke with the Independent in advance of his Feb. 22 book festival presentation.

JI: How did you come to write this book?

SK: When you spend 22 years at the CCPA, you’re forever in this place of what you think should happen versus what our governments are prepared to consider, but never more so than in the case of the climate emergency, where we all live in this harrowing space. I wanted to write a book that would tackle that, that would convince particularly our political leaders, specifically those who say they get it, to be more daring than they have been to date in tackling the emergency.

Originally, the book was to have a single chapter on the Second World War, as an example of rapid economic transformation, but the more I delved into that story, the more I saw parallels between the war and the current crisis – not just on the economic front, but well beyond that. I saw parallels in terms of the role of civil society, the mobilization of the populace, the role of Indigenous people and the need to take care of those who make sacrifices; for example, those working in the fossil fuel industry, who need a just transition, modeled after the care for returning soldiers. I also saw cautionary tales around the squashing of civil rights, the things we don’t want to repeat. To speak to a parallel to which the Jewish community has the most connection: the response to refugees.

JI: Can you say a little more about that last point?

SK: Despite Canada rallying to fight the good fight in Europe, we slammed the door on Jewish refugees before, during and after the war. Years ago, I heard Cindy Blackstock, the amazing Indigenous child welfare advocate, give a very simple definition of reconciliation: reconciliation means not having to say “sorry” twice – you learn from what you did. Canada’s behaviour towards the Jewish community during the Second World War was shameful. I believe that the issue of global climate refugees is going to be one of the defining issues of the next 50 to 100 years. We’re going to have to decide who we want to be this time.

JI: You write that the Mackenzie King government resisted entering the Second World War until the last moment and, even after joining, was slow to ramp up efforts to what was needed. You note that the first nine months of the war are called by historians “the phony war,” and write that we seem to be in the “phony war” stage in our fight against the climate crisis. Can you elaborate on that?

SK: The comparison is really strong. The “phony war” is the period between when they declared war and when things got real. At the beginning of the war, the threat was not clear and present to most Canadians. The fall of France was the moment that the popular zeitgeist shifted. Today, we have the Trudeau government passing a bill acknowledging the climate emergency one day, in the summer of 2019, and then, the next day, re-approving the Trans Mountain pipeline expansion. That is what I call “the new climate denialism.” It manifests in all these governments who say they get it but don’t act like they actually do. In our province, it manifests most clearly in having the most robust climate plan in the country, which we do, and, at the same time, doubling down on fracking and LNG – and you can’t make the math work. That’s the phony war.

JI: What are the assumptions that block government progress on climate action?

SK: The measures that have been adopted so far are largely grounded in what are called “neoliberal” assumptions, which state that society should self-organize according to individual economic interests – the “free hand of the market,” as opposed to the idea that government should function to ensure what is in the best interests of all, so change is left to be voluntary. That’s not working now, and it wouldn’t have worked during the war. When something is an emergency, you don’t make it voluntary.

JI: There is an incredible parallel to COVID-19.

SK: Yes! How do you know when a government knows it’s in emergency mode? These are the four markers: 1) You spend what it takes to win; 2) You create new economic institutions to get the job done, like C.D. Howe, the Liberal cabinet minister [in King’s government] who created 28 new crown corporations to get the job done; 3) You move from voluntary, incentive-based measures to mandatory ones as needed; 4) You tell the truth about the nature and the extent of the crisis and what you have to do.

We did all four of those things in the war. In COVID, we can quibble about the extent that our government has done all four of those things, but I would argue that they have. We’re spending – though it still doesn’t hold a candle to what we did in the war, by the way, but we’re spending. We shifted to mandatory – we locked down the whole economy for some time. We’ve created audacious new programs like CERB that, 10 months ago, none of us would have imagined. Is it too slow sometimes? Yes, but they’ve shifted the mindset. And we have briefings every day, which tell us the truth about the severity of what’s happening. Yet, when it comes to the climate emergency, none of our provincial or federal governments hits any of those markers.

JI: You also describe some cautionary lessons from our wartime experience. Can you elaborate on those?

SK: Aside from the response to refugees, there were all kinds of shameful things, such as War Measures Act stuff, like interning political activists and making political parties illegal, and, most shamefully, the wholesale internment of Japanese-Canadians. There was also the poisoning of Indigenous lands by the very crown corporations whose formation I was so impressed by. These are all examples of state over-reach. The point in recalling these things is to go eyes wide open into the next emergency. To some extent, we have, in fact, already learned as a society – [Brian] Mulroney replaced the War Measures Act with the Emergencies Act, which has safeguards against those types of things. We need the leaders of today to be as bold and innovative as the leaders we had then – and we also need them to be different.

JI: What was the scale of the economic transformation during the war, and how did they pull that off? What are a couple of highest priority steps in your “battle plan”?

SK: The same four steps I’ve already outlined: spend what you have to spend to win, create new economic institutions, move from voluntary to mandatory as required, and rally the public by telling the truth. During the war, they increased government spending tenfold. When C.D. Howe was pressed about the amount of money being spent, he simply said, “If we lose the war, nothing matters.” He carefully controlled all of the supply chains to prioritize the war, including recruiting private businessman, big names like H.R. Macmillan, J.W. Woodward, who abandoned their private interests and served for years as “dollar-a-year men” to serve as controllers and head up these crown corporations because, in an emergency, you don’t leave the allocation of scarce resources to the market – you prioritize what has to be done.

Remember, from 1942 to 1945, the sale of private automobiles in the U.S. of A., the heart of car culture, was illegal. That didn’t happen due to the goodwill of the automakers. They were told. They were busy making stuff for the war effort, making money, but they didn’t decide what to make. We need to approach the climate emergency like C.D. Howe approached the war. We need to conduct an inventory. How many electric buses do we need, how many heat pumps, how many solar arrays, how many wind farms? And, if there is a gap – and there is – we need to decide how we’re going to fill it. Through contracts with the private sector? OK. And, if that’s not enough, we create a new generation of crown corporations to expedite what needs to happen.

JI: Do you think we can rise to the climate emergency in time?

SK: I am trying, in the book, to walk a line. I think, too often, for years, climate communication has been polarized between Pollyannas and pessimists. The leaders we most remember from the Second World War walked a careful line between telling the truth about the severity of the crisis and still imparting hope. Can we do this in time? We don’t know. The reminder I offer to readers is that Canada had a population of 11 million people in the Second World War and over one million Canadians enlisted. You know what they didn’t know? Whether they could win. We know how the story ended, but they didn’t [when they volunteered]. They did what they had to do anyway, and that’s what we have to do.

Matthew Gindin is a freelance journalist, writer and lecturer. He has been published in Philosophy Now, Tricycle, the Forward and elsewhere. He blogs on Medium and is master teacher at Or Shalom Synagogue in Vancouver.

A long life working, helping others

At 109, Richmond resident Reuben (Rube) Sinclair might be Canada’s oldest Second World War veteran. (photo from Reuben Sinclair)

A Richmond resident is almost certainly Canada’s oldest Second World War veteran. Reuben (Rube) Sinclair received a special recognition on Remembrance Day, though, because of confidentiality issues, Veterans Affairs Canada can’t confirm he’s the oldest service member. But, at the age of 109, basic statistics suggests that, if Sinclair isn’t the oldest, he’s got to be close.

The centenarian spoke with the Independent virtually via Zoom about his life and what advice he might have for aspiring super-seniors like himself.

Sinclair was born in 1911 on the family farm near Lipton, Sask. Lipton was one of many “colonies” created by Baron Maurice de Hirsch in Canada, Argentina and Palestine to resettle oppressed Jews from Europe. Sinclair’s father, Yitzok Sinclair (born Sandler), traveled from Ukraine, via Liverpool and arrived at Ellis Island Jan. 4, 1905, on the SS Ivernia. He made his way to Saskatchewan, where he was given land by de Hirsch’s Jewish Colonization Association. However, the land was poor and so the newcomer worked for the Canadian National Railway long enough to save up and buy a better plot and build a house. When he was settled, he sent for his wife, Fraida (born Dubrovinsky), and their two young sons.

Reunited in Lipton, the family grew to include not only Samuel and Sol, who were born in the old country, but the only sister, Clara, then Rube and the youngest, Joe.

The last survivor of his birth family, Sinclair has fond memories of the farm life. He and the other two youngest did chores while the older two headed to university. Samuel became a medical doctor and Sol was a professor of agriculture at the University of Manitoba.

“There was a whole colony of Jewish families,” Sinclair said. “My parents had one of the largest farms – 16 quarter-sections [more than 2,500 acres]. I remember we had 42 horses. We had milk cows. I had my jobs. My job was to go collect the eggs from the chicken house and, when I was 12, I was already driving our car.… Always things to do on a farm.”

Yitzok donated a few acres to the community and helped construct a school, which doubled as a synagogue. On Shabbats and Jewish holidays in winter, the boys would sleep in the hayloft so the local men could stay in the house and not walk home in the freezing Saskatchewan weather.

“My father was a leader in the community,” he said.

photo - Reuben Sinclair holds a birthday message from Veterans Affairs Canada — Reuben Sinclair holds a birthday message from Veterans Affairs Canada. *(photo from Reuben Sinclair)*

Sinclair joined the Royal Canadian Air Force during the Second World War and was stationed in North Battleford, Sask. In the days before radar was commonplace, he taught Allied pilots how to take off and land in the dark using a “standard beam approach,” which involved a navigation receiver that allowed the pilot to line the aircraft up with the runway when preparing to land.

“In the air force barracks, I was on the top bunk,” he said. “I always got the top bunk because the younger generation would come home drunk and I wouldn’t sleep in the bottom bunk.”

One day, he encountered a barrack-mate in tears. Sinclair recalls the conversation: “They’re sending me to Vancouver, he said, and my family is all here around Brandon, Manitoba. So I said, that’s no problem. When they want a person to go to Vancouver, they don’t care who the person is. Vancouver wants one person. So, I said, don’t cry. We’ll go see the commanding officer. I told him that my wife has got family in Vancouver and I’d be glad to go instead. He said they don’t care, all they want is one person. So, I was the person who went to Vancouver at that time and I’m still here,” he recalled with a laugh.

Joe, the youngest of the five siblings, had served in the army and after the war joined Rube in British Columbia. They started Sinclair Bros. Garage and Auto Wrecking, in Richmond, just across the two old Fraser Street bridges from Vancouver.

“My job was to go out and find old cars and we had a tow truck,” Sinclair said. “I’d bring them in and my younger brother would wreck them. We opened a wrecking company.” They also bought surplus army vehicles to fix up and sell.

The business soon became a sort of family compound. A small house adjacent went up for sale and the Sinclairs bought it, bringing parents Yitzok and Fraida to the coast. Then sister Clara and her husband Morris Slobasky bought a general store that was next door.

Because of his wartime experience, Sinclair developed migraine headaches and was told to go to a drier climate. He thought Arizona sounded good, but his wife, Ida, had siblings in the Los Angeles area and a brother-in-law offered him a job in a furniture store in Anaheim.

In 1964, Rube and Ida packed up the three kids – Nadine (now Lipetz), Karen and Len – and moved to Southern California.

“He put me in charge of the furniture store,” Sinclair said of his brother-in-law. “I knew nothing about furniture, but I learned pretty quick.”

Soon he was in business for himself again.

“Then my boss that I worked for in Anaheim, his wife wasn’t very well and she spent a lot of time in Palm Springs,” Sinclair recalled. “So, he said, instead of me going back and forth, I’ll move to Palm Springs and you can have the store, just pay me for the inventory.”

In 1994, Ida had a stroke and the couple moved back to British Columbia. She passed in 1996. Rube still lives in their Richmond condo.

Rube and Ida were active in their communities. In Los Angeles, they raised more than a million dollars for City of Hope, a cancer hospital and research facility. Both were active members of Schara Tzedeck Synagogue here, he especially in the Men’s Club, and he is proud of his lifetime honorary membership in the shul. In addition to their three adult children – Nadine is in Vancouver; Karen and Len in California – he has six grandchildren, 16 great-grandchildren and one great-great-grandchild.

Asked if he has any advice for others, Sinclair didn’t hesitate.

“That’s easy. I always say, if you have a problem, don’t worry; you’ll lose your hair. Fix it. If you have a problem, fix it. Don’t sit back and worry. Worry is not going to help.”

Any bad habits?

“I don’t think so,” he said after a thought. “I spent most of my life working and, in my spare time, working for people less fortunate. That was my enjoyment in my spare time.”

Two years ago, the City of Richmond named Sinclair an “honoured veteran.”

Recalled daughter Nadine: “He was part of the Remembrance Day service in Richmond and they made a big deal about it. They sent a limo and he sat with the mayor and the Silver Cross Mother. They gave him a wreath and then they walked him around. He was up on the dais with the mayor and the head of the RCMP as the soldiers all walked by. It was a very big deal for him.” Last Remembrance Day, he received a certificate from Veterans Affairs.

If, by some chance, Sinclair is not

Canada’s oldest veteran of the Second World War, he seems determined to attain that title.

“I’m not going anywhere,” he said. “I still have some unfinished business.”

Call for digital art

(photo by Alex Dworkin/Canadian Jewish Archives)

During the Second World War, 17,000 Jews were enlisted in the Canadian Armed Forces, serving their country despite Canada’s “none is too many” Jewish immigration policy. Of these 17,000, at least 279 were women. To highlight the contributions of these Jewish servicewomen and to combat the lack of public awareness of their participation in the war, original artworks are being sought.

Canadian artists who self-identify as Jewish and as women are invited to submit proposals for 2D digital artwork, inspired by the stories of the 36 Jewish service women featured on the website She Also Serves, live-ucalgary.ucalgary.ca/she-also-serves.

Submissions should include a maximum 500-word idea for an original 2D digital artwork (created, for example, using Photoshop, digital photography, digital collages, etc.) for a vertical banner measuring 75 by 165 centimetres. A link to your website, or a pdf including 10 examples of previous work and a curriculum vitae, must accompany the submission. Digital copies of drawings, paintings or other non-digitally generated works will not be considered.

In the end, 10 artists will be invited to create works based on the proposals submitted. Criteria for evaluation include clarity of theme, quality of research supporting the proposal, creativity, visual presentation, and quality of supporting documents. The jurors are Dr. Jennifer Eiserman, associate professor, department of art, University of Calgary; Saundra Lipton, adjunct librarian, U of C; Dick Averns, Canadian Forces artist; and David Bercuson, U of C department of history.

Selected artists will receive a contract indicating that each artist retains copyright and will be paid a CARFAC group exhibition fee of $395. These works will be printed on banners that will be hung throughout the existing exhibitions and galleries at the Military Museums in Calgary during Jewish Heritage Month, May 2021. In addition to the physical exhibition, artworks will be virtually circulated on the project website.

Submissions are due by Dec. 31, 2020 and artists will be notified by Jan. 22, 2021, regarding the jury’s decision. Artists invited to participate will be asked to send TIFF files of completed pieces by April 1, 2021. Send submissions and any questions to Eiserman at [email protected].

Reckoning with family’s past

Writer and illustrator Nora Krug spoke with the Globe and Mail’s Marsha Lederman at a virtual event Oct. 27. (photo by DW Deutsche Welle)

The first time Nora Krug heard the word “Jew” was in elementary school during religion class, which was taught by the local priest. He told students that Jews killed Jesus.

Born in the German city of Karlsruhe, Krug is now associate professor of illustration at the Parsons School of Design in New York City, and author of the book Belonging: A German Reckons with History and Home. She spoke with Marsha Lederman at a virtual event Oct. 27 presented by the German Consulate General in Vancouver, the Vancouver Holocaust Education Centre, the University of British Columbia and the University of Victoria. Lederman is the Western arts correspondent for the Globe and Mail and her own book, Kiss the Red Stairs: Intergenerational Trauma, the Holocaust, and Me, is to be published in 2022.

“I came home from school that day and confronted my mother about it,” Krug recalled. “I said, ‘Are Jews evil?’ She got really angry because [it was] so obvious to her that this was something that nobody in Germany should ever think or say.”

A few years later, in her early teens, when she began learning about the Holocaust, she made a yellow star and intended to wear it as an act of solidarity with the Jewish people. Her mother, again, set her on a more appropriate path.

Krug explores her own struggles with her family’s past, as well as that of her country, in the book, a visual memoir that incorporates prose, graphics and photography. (See jewishindependent.ca/creative-engaging-memoir.)

The book was challenging on many fronts, Krug said, including her intention to tell one family’s story about the war era without downplaying German atrocities or doing anything that would appear to paint Germans as victims. While Germans did suffer during the war, it was ultimately a result of their own government’s actions.

“I’m not saying that Germans did not suffer during the war. I think they did,” she said. “But it was a self-imposed suffering.”

Like many aspects of researching a family’s or a country’s past, some things are unknowable and, at times, evidence can raise more questions than it answers. For instance, Krug had been told that her grandfather was a lifelong social democrat. But, when she dug through archives and found the military questionnaire that Germans in the American sector of occupied Germany were required to fill out to explain their war-era activities, he had acknowledged being a Nazi party member. Holding the document in her hands – not a facsimile, but the very document on which her grandfather had responded to more than 300 questions – was chilling, she said. The knowledge of her grandfather’s relationship with the Nazi party could only lead to speculation when she pieced two other facts together.

Krug had always known the location where her grandfather’s office had been in Karlsruhe. But only when she was researching the book did she discover that the Jewish centre and a synagogue were right across the street. Where was her grandfather when the synagogue was attacked on Kristallnacht and Jews were beaten in the streets? In the book, she posits four possibilities, from watching out his office window to laying home in bed sick to the most alarming possibility: that maybe he was among the mobs perpetrating the attacks.

Having lived for the past two decades in the United States – and being married to a Jewish man and having a 5-year-old daughter who is beginning to ask questions about history – all impacted her decision to write the book.

“I don’t think I would have done that had I not left Germany because I think, when I lived in Germany, I felt like I learned everything there is to learn about the war, what else is there to investigate?” she said. “That was my thinking. But, since I’ve been living in New York, I’m an individual and I am a German representing my country.”

Being away from her homeland also made her consider history more from an individual perspective.

“I think when you live as a German among Germans you accept the collective understanding of how we grew up learning about the war,” she said, crediting Germany with doing a good job addressing the topic as a nation. “But I think where we have to really still catch up is to do it on an individual basis, to really go back into our families, into the archives, into the cities where we grew up, what happened in our streets, in our houses, and investigate more deeply on an individual level.”

These are complex challenges and Krug sees a problem with the way Germans struggle with their national identity because of the terrible history of the 20th century.

“I think Germans really need to learn to love their culture,” she said. “I have a problem with it, too. I’m not saying I know how to do that. But I do think it’s a dangerous thing to only highlight our guilt. I think we need to learn, as Germans, to replace the word guilt or shame with the term responsibility.”

By struggling to express national pride, she said, Germans tend to abandon that to a fringe element.

“The problem is a lot of Germans who are willing and open to looking back at the past from a critical angle cannot express this love for their culture,” she said. “I think Germans should try to learn to do that because, otherwise, we leave it to the extreme right to do it for us and that’s a big problem.”

After Krug’s conversation with Lederman, a high school teacher submitted a question noting that some Canadian students are expressing fatigue at learning about Canada’s history of residential schools and asked whether German kids are getting tired of learning about the Holocaust. Krug acknowledged this might be the case and suggested ways of teaching that make the lessons more directly relevant for the present.

“If we had learned in Germany, for instance, more about the German resistance movement, we could have applied that knowledge to the present as well and asked ourselves, how can I help minorities that are harassed today or how can I make sure that we defend our democracy?” she said. “I think the more important question to ask is not what would I have done back then but what am I doing today on a daily basis to reflect on the issues that we have in our countries, no matter what country that is.”

From baseball player to spy

Moe Berg as a catcher during his time in Major League Baseball. (photo from Irwin Berg)

Near the end of John Ford’s essential 1962 western, The Man Who Shot Liberty Valance, a newspaper editor coins the credo, “When the legend becomes fact, print the legend.”

The fact, as we all know, is that Americans are all-star myth-makers and myth-lovers. Many American Jewish boys caught the bug via the improbable immigrant saga of Moe Berg, a paradoxically brilliant professional athlete who led a secret second life as a spy for the U.S. government. How much of Berg’s story is true, though, and how much was legend passed among kvelling kids in the schoolyard?

Aviva Kempner, who hit a home run with her 1998 documentary about another Jewish ballplayer, The Life and Times of Hank Greenberg, was the obvious, natural and best-equipped filmmaker to take on the mid-20th-century mysteries at the heart of Berg’s minor celebrity.

The Spy Behind Home Plate, which screens at the Vancouver Jewish Film Festival March 8 at the Rothstein Theatre, is a testament to Kempner’s determination and persistence. Chock full of dozens of contemporary and archival interviews, and packed with rare photos and even rarer film footage, The Spy Behind Home Plate is a definitive record of Berg’s achievements.

Although it’s an effective way to impart information, the dogged, dog-eared marriage of talking heads, vintage visuals and period music can’t fully evoke the shadowy stealth and deadly risks of Berg’s wartime activities. Hamstrung by her budget, Kempner wasn’t able to stage reenactments or employ other strategies to illustrate the unfilmed and unrecorded liaisons and conversations that Berg had in Europe in 1944 and 1945. The Spy Behind Home Plate, therefore, is like the steady everyday player who notches the occasional three-hit game but never achieves the transcendent grace and power of a superstar.

Morris (Moe) Berg, international man of mystery, was born in New York in 1902. His father had fled a Ukrainian shtetl for the Lower East Side, where he started a laundry before buying a drugstore in Newark.

The family moved to New Jersey when Moe was a boy, and he grew into an excellent student and a terrific baseball player. After a year at New York University, he transferred to Princeton, where he was a star shortstop (back when the Ivy League was the top, if not the only, sports conference) and graduated Phi Beta Kappa.

While his older brother Sam fulfilled Dad’s wishes and went to medical school, Moe signed a contract to play pro ball. He acceded to his father’s demands up to a point by attending Columbia Law School in the off-seasons, earning his degree and passing the New York bar in 1929.

It was a false bargain: Moe despised the idea of being a lawyer, while Bernard Berg never accepted a baseball career as a legitimate pursuit. In fact, the old man refused to go to the park and see his son play.

From an athletics standpoint, his dad wasn’t missing much. A knee injury early in Moe’s career, compounded by primitive diagnosis and treatment, severely slowed him. Over 15 years as a backup catcher, Berg notched exactly 441 hits in 663 games.

What set Moe apart was his charm, charisma and erudition. He studied Sanskrit at the Sorbonne one off-season, and read multiple newspapers every day. When he went to Japan on a barnstorming tour with Babe Ruth and other Major League stars, he learned Japanese.

Berg carried a camera everywhere on that trip, and made a point of checking out the roof of a tall Tokyo hotel in order to shoot a 360-degree panorama of the city. It’s not altogether clear if he was already working officially (albeit surreptitiously) for the U.S. government, but his film was of significant help when the United States went to war with Japan after Pearl Harbor.

In fact, in early 1942, Berg recorded a radio segment in Japanese that was broadcast in Japan and drew on the goodwill he’d accumulated over two prewar visits.

photo - Moe Berg in a military jeep in California with his brother Sam during the war, July 1942 — Moe Berg in a military jeep in California with his brother Sam during the war, July 1942. *(photo from Irwin Berg)*

Berg had been sent on research missions to South America, but that was too far from the real action. It appears he found a home in 1943 in the newly created Office of Strategic Services (OSS), the intelligence branch that evolved into the Central Intelligence Agency after the war.

His primary and crucial assignment was to ascertain how close the Germans were to having a nuclear weapon, and to sway Italian scientists from the Axis to the Allies. To successfully carry off his cover story, Berg was briefed on the science and strategy of the Manhattan Project.

One biographer recounts, “The OSS had given the Manhattan Project its own spy, in effect, its own field agent to pursue questions of interest wherever he could in Europe. And that was Moe Berg.”

Kempner accords a great deal of screen time to this episode in Berg’s clandestine career as a professional spook. It’s a great story, in which the solidly built former catcher is assigned to attend a conference in Switzerland and determine – from the keynote speech by a visiting German scientist, Werner Heisenberg – if the Nazis are within reach of perfecting the bomb.

Berg carries a pistol to the symposium, with orders to use it on Heisenberg if he deems it necessary. It would be churlish of me to recount the outcome of Berg’s suicide mission except to say that the catcher-turned-spy who spoke seven languages lived unhappily ever after the war.

Kempner leaves us wanting to know more about Berg’s later years. By the weirdest of coincidences, Sam Berg headed a group of doctors sent to Nagasaki to study the effects of radiation poisoning. Incredibly, Moe and Sam never knew about each other’s exploits. This lone fact reveals that there’s still more to know about Moe Berg’s story.

The Vancouver Jewish Film Festival runs until March 8. For tickets and the movie schedule, visit vjff.org.

Michael Fox is a writer and film critic living in San Francisco.

Jewish war brides talk

At the University of British Columbia on Nov. 21, Prof. Robin Judd will speak on What’s Love Got to Do With It? Jewish War Brides and North American Soldier Husbands after the Second World War. (photo from Robin Judd)

Prof. Robin Judd noticed that a significant number of the earliest Holocaust memoirs written by women were penned by “war brides” who had married American, Canadian or British soldiers.

In the course of teaching about the Holocaust at Ohio State University, the coincidence struck her and, as happens in research, led her onto a new topic. She is nearing completion on a book about the experiences of Jewish women – and a few men – in Europe and North Africa who married Allied service personnel and moved to Canada, the United States or Britain. She will give a guest lecture on the subject at the University of British Columbia next week and the public is welcome to attend.

The lecture is titled What’s Love Got to Do With It? Jewish War Brides and North American Soldier Husbands after the Second World War, and Judd told the Independent that love certainly played a key role, but some of the other factors at play also interest her.

“What prompts individuals from radically different cultures, who may not necessarily speak the same language, what prompts them to create relationships with one another and long-lasting relationships, relationships that are going to result in marriage and then bring the civilians to Canada, Britain or the United States?” she asked.

Most of the soldiers that Judd is studying were Jewish themselves, though there are exceptions to the rule.

In some cases, the wives would arrive in the new country before or otherwise apart from their new husbands or fiancés. An entire infrastructure was in place to accommodate and integrate them.

“The war brides, particularly if you come to the United States or to Canada as a war bride, first you live with other war brides at least temporarily in a kind of war bride home or war bride camp and you travel on a war bride ship and there are particular Red Cross workers who teach English and show films and cooking classes,” she said.

If the fiancés or husbands were not yet decommissioned or were traveling with their units, the brides may have found themselves in the position of living with their new in-laws.

“These were not the spouses they were planning for their sons,” Judd comments. “And all of a sudden here you have this woman show up. You are processing stories that you are hearing about the war and all of a sudden here comes this person and you might not be able to communicate, you might not have a shared language, you might not know how to even ask questions about what this person had experienced.”

Feeling isolated and foreign, some of these women used the opportunity to express their experiences privately, to themselves, in writing.

“Some of the women that I’ve spoken to have told me that they used that time to write out their story, to put it to paper, because they needed to kind of get it out and there was no one with whom they could talk, literally,” she said. “But then, as they began to create networks, make new connections, maybe by that point their now-husbands have returned to Canada, Britain or the U.S., a number of them tell me that they then destroyed them.”

By an apparent coincidence, though, Judd concluded that it was disproportionately the women who had married soldiers who were among the first to publish English-language Holocaust memoir narratives for general readers in the 1970s and ’80s. She has a theory about this, but admits she could be wrong: these may have been some of the first women who were asked to speak about their early life and Holocaust experiences to Jewish women’s groups, federations and other community audiences, acclimating them to become among the first to put them on paper for general readers.

“But, again, I could be completely wrong,” she said.

Judd’s lecture is supported by a Holocaust education fund in UBC’s department of history to support undergraduate education on the Holocaust. The fund supports a biannual lecture, alternating years with the Rudolf Vrba Memorial Lecture, and is incorporated into an undergraduate course, History of the Holocaust, taught by Prof. Richard Menkis, who is also chair of the committee that manages the fund. The public is welcome to attend on Thursday, Nov. 21, 5-6:15 p.m., at Buchanan D217 at UBC.

View of the past

This diary note from Molly Dexall, recalling events from Sept. 2, 1939, was found by her son, Fred Dexall, and Alex Krasniak, community support worker at Yaffa House, in one of Dexall’s old binders. It was written by his mother, who was 19 at the time; she died in 1977. It is reprinted here with permission, marking 80 years since the outbreak of the Second World War on Sept. 1, 1939.

September 2, 1939

In Prince Albert, we got the news that there would be a young Judaean Convention in Saskatoon. I wanted to go very badly and my parents agreed to it.

It was to be held in the Bessborough Hotel and to be opened by a formal dinner and dance. As I had no formal gown, I worked some Saturdays for Mr. Barsky at the Blue Chain Stores to earn enough money to buy one. The gown I bought there was pale pink taffeta and cost six dollars.

I stayed with the Sugarmans in Saskatoon and a blind date was arranged for me for the big dinner and dance. His name was Macey Milner and I thought him very handsome and charming.

In the ballroom, shortly before we were requested to find our tables, someone came up and asked me to make the toast to Junior Hadassah. Macey asked if I wanted help in deciding what to say but I told him it was simple and I had it figured out already.

When we were seated and I was asked to do my part, I stood up majestically in my six dollar pink taffeta gown, held up my glass of water and in a loud, triumphant voice I hollered “Here’s to Junior Hadassah” took a long drink of water and sat down. Simple it was – probably the simplest toast that Junior Hadassah has ever received.

After the dinner and dance we went car riding with Lloyd Mallin and his date and a little innocent kissing ensued with a car radio playing gentle tender music when suddenly a harsh, hoarse voice broke in

“War has just been declared”

We sat stunned and there seemed nothing more to do but go home.

I had some sleep and about noon Macey phoned to ask if I’d care to walk in the park with him and some other people. That scene remains imprinted on my memory like a movie still. That little group of five teenage young Judaeans seems almost to have gravitated together on that day like a point in time.

We strolled solemnly and almost silently under the warm sun, over the green grass and through the trees, Macey and I, Maishel Teitlebaum, now one of Canada’s leading artists, Neil Chotem, one of Canada’s leading musicians and Macey’s sister, now Simma Holt, author, journalist and MLA for Vancouver-Kingsway. We knew that something beautiful had ended and something terrible had begun, September 2, 1939.

– Molly Dexall –

Not long ago, not far away

This child’s shoe and sock were found in January 1945 among thousands of others at Auschwitz-Birkenau, abandoned by the Nazis as the Red Army approached. (photo from Collection of the Auschwitz-Birkenau State Museum, Oswiecim, Poland. ©Musealia)

On display now at the Museum of Jewish Heritage in New York City, the exhibit Auschwitz: Not Long Ago. Not Far Away is the most comprehensive Holocaust exhibition ever mounted in North America about Auschwitz. Dedicated to the victims of the death camp, the goal of this exhibit is to make sure no one ever forgets.

A study conducted by the Conference on Jewish Material Claims Against Germany reported that 41% of Americans and 66% of millennials say they don’t know about the Auschwitz death camp, where more than a million Jews and others, including Poles, Sinti and Roma, Soviet prisoners of war, homosexuals, Jehovah’s Witnesses and others, were executed. And 22% of millennials say they haven’t even heard of the Holocaust.

image - Artist Alfred Kantor’s depiction of arrival in Auschwitz: “Throw away your baggage and run to the trucks” — Artist Alfred Kantor’s depiction of arrival in Auschwitz: “Throw away your baggage and run to the trucks.” *(photo from Gift of Alfred Kantor, Museum of Jewish Heritage, N.Y.)*

“Seventy-three years ago, after the world saw the haunting pictures from Auschwitz, no one in their right mind wanted to be associated with the Nazis,” Ron Lauder, founder and chair of the Auschwitz-Birkenau Foundation Committee and president of World Jewish Congress, said. “This exhibit reminds them, in the starkest ways, where antisemitism can ultimately lead and the world should never go there again. The title of this exhibit is so appropriate because this was not so long ago, and not so far away.”

The exhibition consists of 20 galleries spanning three floors, and features more than 700 original objects and 400 photographs. They are on loan from more than 20 institutions and private collections around the world, as well as the Auschwitz-Birkenau State Museum in Poland.

An audio guide given to each visitor upon entry details the items on display. Visitors will see hundreds of personal possessions, such as suitcases, eyeglasses, photos, shoes, socks and clothes that belonged to survivors and those murdered at the concentration camp. In one glass case, a child’s shoe is on display with a sock neatly tucked inside. We are left to wonder, who put that sock in the shoe and were they expecting the child to shower and then retrieve it?

photo - Determined to survive, and to have a head of hair again one day, Ruth Grunberger made this comb for herself in Auschwitz, using stolen scrap metal and wire — Determined to survive, and to have a head of hair again one day, Ruth Grunberger made this comb for herself in Auschwitz, using stolen scrap metal and wire. *(photo from Collection of the Museum of Jewish Heritage. Gift of Ruth Mermelstein, Yaffa Eliach Collection donated by the Centre for Holocaust Studies.)*

Auschwitz was located 31 miles west of Krakow in the small southern Polish town Oswiecim, which dates back to the Middle Ages. Jews were a part of its society for centuries. Auschwitz-Birkenau was conceived and initially constructed to house 100,000 Soviet prisoners of war and slave labour, before it became a factory of death. The architect who designed the camp was Fritz Ertl, a native of Austria. Ultimately, some 1.1 million Jews and thousands of others were killed there. Many who arrived at Auschwitz were sent directly from the overcrowded, sealed, windowless boxcars to the gas chambers and crematoriums.

There are videos throughout the exhibit, including one of Hitler and a large adoring crowd. There’s a concrete post that was a part of the fence at the Auschwitz camp, and a part of the original barrack for prisoners at the killing centre.

photo - Margit (Manci) Rubenstein made this Star of David necklace from material taken from the lining of her shoes and shoelaces while imprisoned in Auschwitz (1944) — Margit (Manci) Rubenstein made this Star of David necklace from material taken from the lining of her shoes and shoelaces while imprisoned in Auschwitz (1944). *(photo from Collection of the Museum of Jewish Heritage. Gift of Sugar siblings in memory of Rosenfeld and Schwartz families.)*

A German-made Model-2 boxcar, like those used to transport people to Auschwitz, sits outside the museum. In a video, survivors talk of the horrible conditions and stench inside those boxcars.

Viewers can see the operating table, test tubes and instruments used in medical experiments. There’s a gas mask used by the SS and a model of a gas chamber door used in crematoria 2, 3, 4 and 5 – and testimonies from survivors of the camp. To show the striking contrast between the victims and the perpetrators, there are photos of Rudolf Hess at his nearby residence with his family enjoying the outdoors.

Nazi ideology and the roots of antisemitism are traced from the beginning, to understand what happened before the gas chambers were created. Discrimination and bigotry against Jews existed long before Hitler came into power, of course. In one room, there’s an anti-Jewish proclamation issued in 1551 by Ferdinand I that was given to Hermann Göring for his birthday by German security chief Reinhard Heydrich. The proclamation required Jews to identify themselves with a yellow ring on their clothes. Heydrich noted that, 400 years later, the Nazis were completing Ferdinand’s work.

In a video seen near the end of the exhibition, Holocaust survivors urge people to refrain from hate and to work for peace.

This exhibition was in Madrid before coming to New York. This important and moving must-see exhibition is both a reminder and a warning.

Alice Burdick Schweiger is a New York City-based freelance writer who has written for many national magazines, including Good Housekeeping, Family Circle, Woman’s Day and The Grand Magazine. She specializes in writing about Broadway, entertainment, travel and health, and covers Broadway for the Jewish News. She is co-author of the 2004 book Secrets of the Sexually Satisfied Woman, with Jennifer Berman and Laura Berman.

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Located in the Museum of Jewish Heritage, at 36 Battery Place, entry to the exhibit Auschwitz: Not Long Ago is by timed tickets available at mjhnyc.org. An audio guide is included with admission, and tickets range from $10 to $25. Hours are Sunday to Thursday, 10 a.m.-9 p.m. (last entry at 7 p.m.), and Friday, 10 a.m.-5 p.m. (last entry at 3 p.m.). The exhibit will be in New York until January 2020.