Cynthia Ramsay

Or Shalom reopens its doors

On May 28, Or Shalom Synagogue reopened its doors after a year of renovations. (photo by Wendy D)

On the evening of May 28, Or Shalom Synagogue reopened its doors after a year of renovations, welcoming celebrants for the Chanukat HaBayit, or homecoming. Co-chairs Sally Thorne and Dalia Margalit-Faircloth emceed the event.

“It is our pleasure to welcome you back to our expanded and renewed bayit, our spiritual home, and the first carbon-neutral shul in North America,” said Margalit-Faircloth, thanking Harriet Frost for opening the gathering with song and the shul’s Rabbi Arik Labowitz for receiving everyone into the space.

“Thank you all for joining us here today to celebrate this incredible milestone, the completion of our More Or renovation and expansion project,” she said. “It’s such a pleasure to see this sanctuary full once again and to share this joyful occasion with so many members of the community, supporters and friends.”

After thanking the elected officials and community leaders in attendance, Margalit-Faircloth read a message from Premier David Eby, which the congregation has framed. The premier congratulates Or Shalom on its reopening.

“Or Shalom began as a havurah in 1982, meeting in members’ living rooms. Today, it has grown into a vibrant community of almost 200 households,” he writes, noting that the present location – at 10th and Fraser – was purchased in 1993. “Or Shalom’s success is a testament to the perseverance and contributions of its congregation as well as the vital role it plays in the community.”

Margalit-Faircloth stressed the vital role congregant John Fuerst played in being “the driving force behind the More Or project.”

Fuerst shared with those gathered the story of how the renovation began eight years ago with a question he asked Rabbi Hannah Dresner, who led the congregation at the time: “How are things going?”

Her response was, “We’re growing out of our clothes. We just don’t have the space we need. We need classrooms – we don’t have those classrooms. We need accessibility – our accessibility for people who need it is so awkward, so difficult. We have water damage in our outside walls – we need those fixed.

photo - Rabbi Hannah Dresner addresses those gathered on May 28 for Or Shalom’s Chanukat HaBayit, or homecoming — Rabbi Hannah Dresner addresses those gathered on May 28 for Or Shalom’s Chanukat HaBayit, or homecoming. *(photo by Wendy D)*

“Well,” said Fuerst, “it’s eight years later and here we are. Actually, not quite so simple. We’re only here today because of the many people who have helped to put this together and it’s my honour to be able to thank them.

“First and foremost, our thanks to the Ronald S. Roadburg Foundation. You often hear at events like this, ‘without your donation, this project, this program, wouldn’t have happened.’ Well, without hyperbole, I can say, without [the foundation’s] contribution, this project would not have happened.”

Fuerst also thanked the Jewish Community Foundation of Greater Vancouver for the “elevator that will be working on Monday”; the Lutsky family Foundation, whose donation allowed Or Shalom to “expand and completely renovate our kitchen”; the Phyliss and Irving Snider Foundation, whose contribution towards the new classrooms was “made in honour of our teacher and our mentor Gloria Levi”; and both the Jewish Federation of BC and the Government of British Columbia, who gave the congregation grants for its security systems.

“My thanks to the Adamah Climate Action Fund, who gave us an interest-free loan, which enabled us to put together our decarbonation system, our heat pump system,” said Fuerst, who thanked RBC Dominion for the shul’s mortgage and architect Erika Gerson, who recently retired. “She heard what we needed and she designed it,” he said, expressing appreciation to Chris Boni and Anthony Boni of Boni Maddison Architects; to the general contractors, Novacom Building Partners; and to Jon Hardybala of PCA Pacific Construction, who was the site superintendent. Instrumental in the decarbonization aspect was Chris Higgins of BC Hydro, said Fuerst. And, offering the congregation a home for the months that the renovations took was Cityview Church, whose spiritual leader, Pastor Trevor Josh, joined the celebration, along with the church’s Pastor Jeff Groulx.

photo - John Fuerst, the driving force behind the renovation project, speaks with attendees after the ceremony — John Fuerst, the driving force behind the renovation project, speaks with attendees after the ceremony. *(photo by Wendy D)*

Fuerst thanked rabbis Dresner and Labowitz, and the synagogue’s Efrat Gal-Or – “Coordinating a construction project needs the skills of a surgeon, the vision of an eagle, the patience of a kindergarten teacher. You’ve shown all three and you’ve helped bring this project to where it is.” He voiced appreciation for Or Shalom staff Tracey Fagg and Katy Ormiston.

Or Shalom members contributed $1.8 million toward the project and there were many volunteers on various committees and on other tasks, Fuerst said. “What a wonderful contribution for our little East Side shul.”

He added, “I do want to mention one member in particular, Jackie Levitan, of blessed memory. Jackie served on the housing task force. She’s actually responsible for much of the redesign of the office space. And, a month before Jackie’s passing … she called me up and said, ‘I want to make a donation.’ Jackie donated the largest single donation towards this project.”

David Bogdanov, a director of the Ronald S. Roadburg Foundation, said, “Or Shalom offers a unique and important pathway to Jewish life in Vancouver,” and noted how thrilled he was that it is the first carbon-neutral shul in North America, as decarbonization is a priority of the foundation.

Mira Oreck, who is a board member of the synagogue, spoke as a parent.

“What is a shul without classrooms for learning, playing, sneaking away from services, and forming Jewish identity and friendships?” she asked. “Our new classrooms will enable our kids, so many of whom do not attend Jewish day school, to be together to learn songs and prayers, holidays and text; a place to study for their simchat mitzvah; and a place to grapple with and hopefully connect to our traditions.

“More than that,” said Oreck, “I want to acknowledge the founders and stewards of Or Shalom for creating a Jewish spiritual community fit for Jewish life and Jewish families today…. The first net-zero synagogue in Canada. A shul with access for people with disabilities. A place where you can come as you are…. A place of songs without words, niggunim, creating more open access to Jewish families of all backgrounds. A Jewish home that incorporates nature, culture, place and community. There is nothing like us in Vancouver.”

photo - Guests check out the synagogue’s new classroom — Guests check out the synagogue’s new classroom. (photo by Wendy D)

When Labowitz returned the bimah, he said, “This moment was built through thousands of visible and invisible acts of devotion, through generosity and patience, through courage, through people saying yes again and again, even when the road was long.” He thanked not only major donors but “those whose gifts may never appear on a plaque but are written into the soul of this place.”

“Judaism understands that there is a holy relationship between the vessel and the light that it carries,” he said. “The vessel alone is not enough, but light without a vessel can scatter and disappear. This renewed bayit is a vessel for the light of Or Shalom. And it is preparing the way for more or [light]: more song, more questioning, more justice, more tenderness, more learning and more becoming, more or.

“This building will continue to hold so much life,” said the rabbi. “These walls will hear children playing, elders teaching, mourners grieving and community growing. They will hold disagreement and reconciliation, search and discovery. They will shelter people who feel at home in Judaism and people still searching for their spiritual home.

“My hope is that everyone who walks through these doors will feel there is room for their whole self here,” said Labowitz, because “that is what sacred community is and can be at its best…. So, we return not simply to a renovated space but to a renewed sense of possibility.”

In calling Dresner up to speak, Labowitz praised her “wisdom, vision, determination and relentless devotion helped bring this dream into a reality.”

“I’m thrilled to be here to mark this milestone in the unfolding of Or Shalom’s history,” said Dresner. “I did put the renovation bug into John Fuerst’s eager ear and, later, I was privileged to write the story of Or Shalom for our seminal Ronald S. Roadburg Foundation grant. Now, I shep nachas, meaning ‘at rest,’ as in resting on my laurels. And I derive profound satisfaction in your achievement bringing this project to near-enough completion. The blessing we celebrate today is not just of a refurbished bayit and what it can hold. We also celebrate the courageous innovations of our leaders who keep Or Shalom on the cutting edge of inclusion and on the cutting edge of social justice work, of dialogue and of spiritual expression in the Jewish world.

“For our elders who created this outreach organization to answer their own unmet needs, this is a celebration of an era and its threshold of paying it forward, as they have given way to renewed policies and modalities that centre you who will carry Or Shalom into its next era,” she continued. “They decided not to wind the experiment of Or Shalom down with their eldering, but instead to outfit her for the next generation, midor l’dor, to bless the next generation with a well-run organization, comfortable in its finances, strong in its professional and lay leadership…. In response and in gratitude, the youngers, you must care for our current role models, taking over their delivery of gemilut chesed, institutional loving kindness, taking over their heroic volunteerism more and more so that they too have a chance to shep nachas, rest in the stewardship of Or Shalom’s younger members, delight in the gorgeous kindness and creativity of the next wave.”

Dresner offered the congregation a benediction framed around the week’s Torah portion, Naso, in which Moshe finishes setting up the tabernacle and sanctifies it. After, Labowitz introduced the mezuzah hanging.

“So, we started this process with a shovel and we’re going to end with a hammer,” he said. “And we have a very special mezuzah that has been gifted to us by our members Harriet Lemur and Ron Einblau.”

photo - Rabbi Arik Labowitz, left, and Jewish Federation of BC’s Ezra Shanken participate in the mezuzah hanging — Rabbi Arik Labowitz, left, and Jewish Federation of BC’s Ezra Shanken participate in the mezuzah hanging. *(photo by Wendy D)*

The mezuzah contains shards from the glass that was broken at the renovation’s groundbreaking ceremony last year. Before it was affixed to the door coming into the sanctuary, Josh presented to Labowitz and Or Shalom the gift of a painting. The pastor said he would miss having the congregation as Cityview’s guests.

“I’m going to miss the oneness of spirit,” said Josh. “I’m going to miss the love, the deep love, the gracious love that we show to one another. And I’m going to miss the friendship, the deep, deep friendships that we’ve made. And can I tell you that we would not have known any of those things if we had stayed closeted in our buildings and not reached out.”

Josh was the first person to help Labowitz hang the mezuzah, followed by Jewish Federation of BC chief executive officer Ezra Shanken, Hardybala, Dresner and Fuerst.

“Thank you all for being here,” said Labowitz. “Thank you for being a part of this moment.”

Skills to live together

On May 26, Rabbi Dr. Laura Duhan Kaplan gave the public lecture From Conflict to Connection: Spiritual Community in Stressful Times at the annual conference of Vancouver School of Theology’s Inter-Religious Studies Program. (screenshot)

The Walking Together: Sharing the Work and Ideas That Call to Us conference, hosted by Vancouver School of Theology’s Inter-Religious Studies Program last month, included, as it always does, a public lecture. This year’s address was given on May 26 by Rabbi Dr. Laura Duhan Kaplan, dean of the ALEPH Ordination Program, the Jewish Renewal seminary; former director of inter-religious studies at VST; and rabbi emerita of Or Shalom Synagogue. Her topic was From Conflict to Connection: Spiritual Community in Stressful Times.

Duhan Kaplan began and ended her talk with Linda Hirschhorn’s “Circle Chant,” a song about peace, human rights, environmental and intergenerational stewardship.

“If we are talking about the world, or the community, or the variety of communities as a circle,” she said, “let’s get real – it’s not a perfect circle. We are many different people doing many different things, overlapping, intersecting, sometimes clashing. That’s the kind of circle that we have, that we are working with when we try to make things whole.”

She shared a well-known quote from Rabbi Tarfon that is found in the Pirkei Avot, which she translated as Basic Aphorisms, rather than the more common Ethics of the Fathers. She read Tarfon’s adage about the day being short and the work plentiful and, while it is not up to us to finish the work, we’re not free to avoid it.

“What is the work?” the rabbi asked. “Here are some of the kinds of work that people at this conference are going to be talking about: work in climate, food security, interfaith, multicultural community, decolonization, indigenous learning, spiritual care, nonviolence, protest, arts, ritual, refugee support, theology.”

Based on the book Liquid Times: Living in an Age of Uncertainty by Zygmunt Bauman, Duhan Kaplan said we’re living in a globalized world that has not delivered on its promises of integration and freedom.

“In fact, globalization has become primarily the work of a small group of highly wealthy, highly influential people, and what it has brought almost everyone else is increasing income inequality, more displaced people, more incarcerated people, more environmental devastation, more elite criminality, more precarity (that is, precarious life), more anxiety,” said Duhan Kaplan, summarizing Bauman’s ideas.

She spoke about the politics of fear and polarization, which are enforced through segregation: neighbourhoods are increasingly monoethnic and an increased police presence keeps people out of certain places, she contended. “At the national level, in many countries, we have a closing of borders.”

Cities, spiritual communities and social service agencies are left to deal with these global problems, she said, giving an example from her work.

“Let’s say we have a conflict in a class between students and teacher. The students say there’s so much in our religious tradition that is racist. And it’s true…. But, when the students speak to the teacher about it, the teacher says, young adults today don’t respect their teachers the way they used to. And that’s true too,” she said.

Direct dialogue between the parties would be ideal, but “because of habits of polarization, people are saying, no, we don’t even want to talk about it.” Rather than encouraging communication, people have suggested excluding individuals who hold opposing viewpoints, she said. “But why would we do that? We’re a microcosm of the world. We want to be that crazy, misshapen circle, and we want to live together. Isn’t that an essential pastoral skill?”

Duhan Kaplan gave another example.

“Two students in the program are tasked with leading a prayer service together and they want to pray for peace, but one of them identifies themself as an antizionist and the other one identifies themself as a Zionist, and they don’t know how to pray together for the worldwide community of Jews. They’re just paralyzed. And so, they appeal to us, the administration, and they say, tell them they’re wrong. And we say, well, we don’t do that. How about we sit in a room with both of you?… But the students are reticent to do that because, in our larger environment, what is modeled is cutting people off rather than building a community of difference.”

Duhan Kaplan talked more of Bauman, who realized that living together in a multi-class, multi-ethnic place requires skill.

One necessary skill is “the ability to work through miscomprehension – when you say something and you mean something, and somebody else who sees the situation in an entirely different way thinks you meant the opposite,” the rabbi explained.

“We need the ability to persevere, to keep talking in order to work through these issues,” she said, but the current social environment shuts down these skills, and so we end up in a cycle that Bauman calls myxophobia.

“We start off with a fear of the unknown … and it takes skill to deal with that: inner strength, communal support, faith in the future,” she explained. “When we don’t have those things, our fear of the unknown searches for a target. Oh, if only that unknown thing were known or, worse, if only that unknown thing were removed.”

Limiting immigration might make people safer for a period, for example. But, when there are fewer new people in a person’s life, anyone new will seem even more scary, she said, and a person’s epistemic courage, courage to learn, diminishes.

To stop the cycle, we must question propaganda, and become skilled in hearing what is uncomfortable, she said, pointing to a couple of tendencies that make this hard, including “the hasty generalization fallacy.” This is when we make broad conclusions from a small piece of information, like judging every Iranian based on how you feel about your uncle from Iran, who you don’t like.

Generalizations help us protect ourselves, Duhan Kaplan acknowledged, “but we also have to realistically ask: Is this a situation in which I need to protect myself? What is at stake here? If we are not talking our immediate protection, then we can think critically.”

Another hurdle, she said, is the “false dichotomy, false bifurcation, the either-or fallacy … claiming that there are only two options when in fact there are many more. Like the students trying to figure out how to pray. Should we pray for the well-being of Israelis? Or should we pray for the well-being of Palestinians? We can’t do both because that’s too complicated. How will we work out the words? Of course, if you’re training to be a clergy person, it is your job to work out the words, and those skills will come, even if they haven’t come right now.”

Duhan Kaplan also discussed the “bandwagon effect,” which she described as “the 53 million people can’t be wrong fallacy. Oh, yes, they can.”

She has adopted a principle: “If everyone agrees on something, I say, wait a minute, isn’t there also another way to look at this? And there’s a mythical teaching in our tradition about the Sanhedrin, ancient Jewish court, when a death penalty case came before this jury of 70 judges. If there is a unanimous guilty verdict, the person is freed, because there couldn’t possibly have been a unanimous verdict without groupthink. And, when people’s lives are at stake, we don’t want groupthink. We want something nuanced, something we can work together on.”

The rabbi talked about how to listen: “What is the inner work that we do? We quiet the mind. And, to quiet the mind, that takes courage, because you have to say to yourself, I trust that I’m going to be able to understand what I’m hearing…. I trust I’m going to be able to respond.”

Listening, feeling what another person is feeling, hearing what’s important to them, might engender strong reactions, she warned. “Conflict resolution work, courageous work, meeting difference, solving problems, doesn’t always feel good … you might not be happy with what you learn about other people, you might not be happy with what you learn about yourself…. And, of all the points that I made tonight, that’s the one I want people to most take to heart: there’s nothing wrong with you if the work is hard.”

One of Duhan Kaplan’s strategies in this time of heightened anxiety is to recite the 13 Attributes of Compassion.

“Where these come from is in the Bible, when Moses is at Mount Sinai, and he says to God, show me your face, and God says, you can’t see my face, but you can see my after-effects…. What is my true essence? This is what is revealed: God, the ineffable one, compassion, tenderness, patience, forbearance, kindness, awareness. I’m carrying love for thousands of years; lifting guilt, letting go of mistakes; allowing freedom and a fresh start.

“Not immediately,” she said. “Takes time. In fact, the Bible says it might take four generations for all these processes to work through, but, the point is, when I find myself angry and constricted, I will pause and I will recite this mantra.”

Another thing Duhan Kaplan does, when she needs it, is “the Examen, the examination of consciousness,” as taught by St. Ignatius of Loyola (1491-1556), founder of the Jesuit order.

“You find as quiet a space as you can find,” she said. “You allow yourself to become aware of divine presence, whatever that means to you…. And then you review the day with gratitude … you pay attention to your emotions … just notice. And then choose one thing that’s on your heart and mind and pray in the way that you pray…. And then, at the end, you look toward tomorrow and you say whatever it is has come out of your reflection.”

In the Jewish tradition, she said, Aaron “is the consummate peacemaker” and one of his lessons for us is that, if we do the work of peacemaking, “some kinds of peace will come.”

She circled back to Rabbi Tarfon: “we don’t have that much time, there’s so much to do.… It’s not up to you to finish the work … but you have to do something.”

Deceit, desire & the divine

In Seattle, hours after the terrorist attacks of 9/11, two FBI agents knock on Monty’s door, asking questions about his Afghan partner, who has seemingly disappeared. How much does Monty really know about Jamal? What does he know about himself?

Vancouver writer Gareth Sirotnik’s Endless Blind Passions (Capsicum Press, 2025) jumps right into the chaos and uncertainty that 9/11 sparked in the United States, and beyond. The novel centres on the character of Monty, a Jewish, gay man in his mid-50s, who thought he had finally settled into himself and his life, yet is forced to reevaluate that thought when the FBI arrive.

Alternating between the repeated visits of the FBI agents and the memories their inquiries trigger for Monty, we witness the fragility of Monty’s contentment and the tumultuous paths that he has chosen. He has lived fully, most would say, experimenting sexually, spiritually, politically and morally. He is a seeker and his soul-searching is a work in progress, despite his initial belief that he had found himself – and peace – once he’d met Jamal.

Endless Blind Passions is a thriller-meets-coming-of-age story, unusual perhaps in its seriousness, which sometimes gets in the way (as does dialogue that doesn’t always sound natural), but it’s entertaining. Most of us don’t really “find” ourselves as teenagers – Monty certainly didn’t – but are continually discovering aspects of ourselves. In our lives, we do things that make us proud, and things that carry shame or regret. Hopefully, we learn from our experiences and become a better person, but who is even to say what that means.

Sirotnik’s personal journey inspires Monty’s, that’s for sure. Sirotnik grew up in Los Angeles, graduated from college in Portland, moved to Canada in 1971 (Monty’s brother lives in Canada) and, most notably, is gay, Jewish and a longtime practitioner of Zen Buddhism.

As the novel’s title implies, Zen is a vital component of the story. Monty’s spiritual awakening occurs alongside drug-fueled encounters and unconventional relationships. He works (both consciously and subconsciously) to strip away social personas and confront his “true self.” He lives intensely, even hedonistically, but not necessarily deeply in the introspective sense, or even in knowing his various romantic partners. His ego prevents him from seeing the reality of situations, including the impact of his own actions on others throughout his life.

That’s all on a personal level. Paralleling Monty’s understanding of his “blind passions” is the realization that American society is not what it was, let’s say, sold as being. Sept. 11, 2001, marked a significant increase in racism, xenophobia, paranoia, government surveillance – it did not create them. In the novel, Jamal represents “the other” that became society’s “blind passion” after the attacks that day on the United States, but Monty’s past – though only going back 50ish years – highlights that the concept of “the other” has existed as long as humanity.

Ultimately, the novel posits that true spiritual awakening only happens when we acknowledge our “endless blind passions,” drop our masks and face reality as our true selves. It does this in an engaging way, with readers learning a lot along the way, while rooting for love to win out.

Reclaiming sacredness

“Everything changes when we are rooted in our sacredness,” writes Jeff Golden in his self-published, award-winning book Reclaiming the Sacred: Healing Our Relationships with Ourselves and the World (2022).

“When we can feel that we are an essential part of the universe, that we are the breath of the divine,” Golden believes that we can transform what he describes as our “morally, spiritually, ecologically, and, soon enough, economically” bankrupt system into “an entirely different way of living and being, rooted in the wonder, reverence, and connection that have long nourished our ancestors, yet unique to our times and needs and opportunities.”

Reclaiming the Sacred is a densely packed book, almost overflowing with facts and ideas (there are 38 pages of endnotes). Golden includes narratives, data, poems, blessings and philosophy from countless thinkers and doers. He repeats key themes – a necessary action given the amount of information he imparts. He has some punchy and creative, if long, chapter headings (“More Sleep, Less Cow: Physical Health and Happiness” and “Retail Therapy: Taking Our Insecurities and Fears to the Mall,” for example) and writes conversationally.

His thesis is that materialism not only can’t make us happy but prevents us from realizing our own inherent wealth, and that of the world, which we are destroying, along with many of its inhabitants. “Between 40 and 80% of all species may not survive to see the next century,” he writes. “We are one of those species.”

Golden argues against the idea that we come into the world alone and die alone; in fact, he contends that we are never alone, so intertwined we are with the world, its elements, its creatures, its plants, its particles. He sees “religion as the experience of profound belonging,” rather than as “a set of doctrines that must be believed and obeyed.” He hopes the book will support readers on their journey to reclaim themselves and the world as sacred.

Proceeds from the sale of Reclaiming the Sacred go to nonprofits doing work related to its themes. For more information about that and about the courses and workshops Golden teaches, go to reclaimingthesacred.net.

Creative project ideas

Considering the extra challenges Jews have faced these last few years, there are many of us who have reacted by delving more into our Judaism and our Jewish identities. Perhaps that’s why a book the Independent received a handful of years ago seems even more relevant now – both as a way to explore one’s identity, but also one’s creativity. With summer approaching and school soon letting out, who couldn’t use some ideas on how to fill the coming increase in a young person’s unstructured hours?

DIJ – Do It Jewish: Use Your Jewish Creativity! by Barbara Bietz, with colourful and playful illustrations by Daria Grinevich, is targeted to children 8 to 12 years old, but, honestly, any older person who has been contemplating their creative side would glean something, many things, from it. Published by Intergalactic Afikoman in December 2020, in the heart of the pandemic, it fell by the JI’s wayside, unfortunately, but not out of mind. So, while not hot off the press, it is hot off the JI bookshelf, and well worth adding to your household as a guide for worthwhile projects that could be used simply to pass the time in a fun, imaginative way, or it could spark a career or hobby path.

The book has chapters on filmmaking, cartooning and graphic novels, cooking, songwriting, painting and art, midrash, and Judaica. Each chapter comprises a main interview with a practitioner of the artform being presented, with the interview divided into four main sections: Doing It Jewish, Keeping It Going, Making It As Good As It Can Be, and Taking It Further. Then, there is a secondary artist spotlight.

Each chapter concludes with a how-to summary of sorts, featuring ideas of what to do and what questions you might ask yourself as you work through an idea. And, each chapter includes a list of necessary tools for the project, as well as a glossary of terms comprised mainly of Jewish words, like Talmud, kreplach, Shavuot or dreidel, but also script, graphic design, choreography and beatnik.

DIJ – Do It Jewish features almost 20 artists sharing some of their inspirations, processes and advice, as well as concrete steps for aspiring artists to embrace their Jewishness and express it creatively.

Stories of trauma, resilience

Love runs through every word in Voices of Resilience: An Anthology of Stories Written by Children of Holocaust Survivors, edited by Deborah (Devora) Ross-Grayman with Wendy Bancroft and the writers.

This compelling, hopeful and inspiring collection of stories will be launched on May 25, 7 p.m., in the Floral Hall at VanDusen Botanical Garden in an event supported by the Vancouver Holocaust Education Centre (VHEC). Some of the authors will share parts of their stories, and signed books will be available for purchase.

The 12 contributors of stories and poems are children of Holocaust survivors and members of the Vancouver Second-Generation (2G) Group, which Ross-Grayman joined in 1993 and of which she is now a facilitator. Bancroft, a former journalist and researcher, is a trained instructor of guided autobiography.

“After an extensive investigation to better understand the impact of the Shoah’s legacy, Wendy adapted and crafted themes for our group,” writes Ross-Grayman in the book’s preface.

“What began as a six-week course for six of us grew to a two-year writing project for 12 participants,” she explains. “Through laughter and tears, we marveled at the similarity in our felt experiences despite the varied external circumstances. At times it was challenging to face and hold our parents’ pain and loss; at times we were sleepless and anxious, but we supported each other, developed deep bonds, and persevered. Through listening and reﬂecting on each of the stories, our understanding of ourselves and each other grew as we shared what some of us had never shared and, with understanding, came to a deeper compassion for ourselves and our parents.

“Our narratives so impressed Wendy that she recommended organizing an anthology. We included accounts of our parents’ survival to honour their lives and illustrate examples of post-traumatic growth – the positive psychological changes that can unintentionally arise from a life crisis or traumatic event, even while acknowledging the profound distress such experiences entail.”

The simultaneous holding of grief and contentment, even joy, is remarkable, as is the strength to continue, to grow, to heal – as much as healing is possible. The authors (in order of entries) – Gabriella Klein, Ross-Grayman, Henry Ross-Grayman, Jane Heyman, Marg Van Wielingen, Fran Alexander, Agi Rejto, Marianne Rev, Esther Chase, Barbara Gard, Olga Campbell and Sidi Schaffer – are open, sharing personal, vulnerable experiences on the page. The intergenerational impacts of trauma are clear from their diverse experiences, but so is the capacity for finding peace, for building community, for embracing one’s cultural roots while forging your own individual identity. While specific to the Holocaust, these stories, these remembrances, speak to a universal experience of living through and with historical trauma.

The anthology, put out by Amsterdam Publishers as part of the series Holocaust Survivor True Stories, is dedicated to the writers’ families; “to those who risked everything to save lives; to those who survived; to the millions who perished in the Holocaust; and to all people affected by war, displacement and genocide.” It is published in memory of Rev, who passed away in January.

Dr. Robert Krell, a psychiatrist, author, child survivor and founding president of the VHEC, wrote the book’s foreword, in which he shares some of his own story – he is both a Holocaust survivor and a 2G child – and offers emotional context. Dr. Chris Friedrichs, professor emeritus at the University of British Columbia, provides historical context.

Krell explains that, in general, “the second-generation consists of those born after the war, thousands in the displaced persons (DP) camps, which, for several years, recorded the highest birth rate in the world!” He talks about some of the experiences that 2G have in common, such as the need to sometimes parent their parents, how it feels to live “with the ghosts of the missing.”

“There are moments one cannot forget, must not forget, and these memories linger and reverberate throughout life, reviving the inner rage about the outrage committed against our parents and us,” writes Krell.

“It should therefore be no surprise that this collection of recollections reveals evidence of a surviving rage, problems with trust, confrontations with the meaning of death, and remarkable attempts to reinvigorate a life with meaning, including a meaningful spiritual engagement, whether within the Jewish traditions or not.”

“Mass murders were nothing new in history, but the Holocaust revealed that a once civilized society could orchestrate a program of extermination of human lives on a scale and in a manner that had never been imagined before,” writes Friedrichs. “It was so extensive and so unspeakably brutal that it gave rise to the very concept of genocide.”

Friedrichs writes concisely of the origins of the Holocaust, what happened and about how there are any survivors, as well as about some of the challenges survivors faced after the war.

“This volume reveals not only the enormous variety of what survivors went through but also the tremendous range of emotions and experiences that shaped the lives of their children,” he writes. “Though the Shoah ended 80 years ago, it is a living presence for all members of the Jewish people, and for none more so than those Jews whose own parents had survived this event without comparison in the modern history of humanity.”

In Voices of Resilience, each 2G writer’s chapter includes a brief biography, their parents’ survival stories and a few of their own stories or poems. Maps near the anthology’s beginning shows where all the authors were born and all the survivor parents’ birthplaces. The geography spans continents: Asia, Europe, the Middle East and North America.

Despite vastly different experiences, there are recurring topics: dealing with antisemitism; taking care of their survivor parent; feelings of insufficiency, fear and sadness; being conflicted about religion and feeling like an outsider even inside the Jewish community.

The writers have worked to make their lives and the larger world better, as did their parents. The word “love” is prominent in these stories, as is its expression in the enduring strength of the family relationships, the caring for others, as well as oneself, the compassion shown, the emotional connections forged.

“We offer our stories as a source of hope and the possibility of resilience in the aftermath of trauma,” writes Deborah Ross-Grayman in the afterword.

No one contribution is more quotable than another. The collection does indeed offer hope, as well as thought-provoking explorations of memory, displacement and the generational impacts of genocide.

To attend the launch, RSVP at vhec.org. The anthology is available on Amazon for those who can’t make it on the 25th.

A responsibility to help

Dr. Jonathon Leipsic will be honoured by Schara Tzedeck at MOSAIC on June 16. (photo from Schara Tzedeck)

At its annual MOSAIC event on June 16, Congregation Schara Tzedeck will honour Dr. Jonathon Leipsic.

“It would be hard to find someone more worthy,” Rabbi Andrew Rosenblatt told the Independent. “In addition to the countless hours that Jonathon gives toward advancing the synagogue goals, one cannot miss the fact that Jonathon loves Schara Tzedeck with his full heart. He attends, classes, services, programs regularly – which he is clearly fitting in between clinical, research and family responsibilities. Jonathon provides leadership in practice and in personal example and his commitment to personal growth, learning, community and helping others is almost without peer.”

Leipsic is professor and chair of radiology and professor of cardiology at the University of British Columbia, as well as a Canada Research Chair in Advanced Cardiopulmonary Imaging. He has more than 800 published peer-reviewed manuscripts and more than 300 scientific abstracts – he has been one of the top 1% most impactful scientists globally for multiple years, according to the Web of Science citation database.

In addition to his professional roles, Leipsic has been significantly involved in the Jewish community, notably with Schara Tzedeck, King David High School, Vancouver Talmud Torah and the Jewish Federation of Greater Vancouver.

Schara Tzedeck executive director Shelley Rivkin, who is also an active community leader, recently becoming board chair of Jewish Family Services and having worked with the Jewish Federation for 17 years, called Leipsic “a pillar of our community.”

“His impact extends far beyond the boardroom or the walls of our shul,” she said. “His leadership is defined not by title, but by character. As immediate past president of Schara Tzedeck, Jonathon led the board with steadiness, compassion and a deep sense of responsibility to klal Yisrael.

“During the heartbreak of Oct. 7 and the resilience required in its aftermath, his voice as a tireless advocate for our shul and wider community – and his clarity of heart – were the anchor that held us together over challenging times. Jonathon is a man of many talents and accomplishments: community engagement, Torah study and medicine. We are celebrating all of these facets at the gala.”

The evening will feature Shulem, one of Leipsic’s favourite performers, said Rivkin. There will be tributes, followed by dinner and another performance by Shulem, who blends traditional cantorial melodies with classical crossover.

“I am honoured to even be a part of the Schara Tzedeck community,” said Leipsic about his being

recognized by the congregation. “The shul has played a foundational role in my spiritual growth and in infusing ahavat Torah and ahavat Yisroel in my family and amongst so many. I am humbled to have served the shul as a board member and as president.”

Schara Tzedeck has been the spiritual home of Leipsic and his wife, Karly Bogner, since they met. Bogner’s grandparents were members of the synagogue, said Leipsic. “I feel privileged to daven, to celebrate simchas and to join for moments of reflection and learning at Schara Tzedeck,” he said.

“I try to live my life in accordance with the talmudic principle of ‘Klal Yisroel arevim zeh lah zeh’ [‘All of Israel is responsible for one another’]. Karly and I feel deeply grateful to be part of klal Yisroel and to have the privilege to enjoy all that Jewish Vancouver has to offer – a community and institutions that we did not build but that we feel deeply responsible to help strengthen and build,” said Leipsic.

“As we enter our 119th year, longevity is finding the right balance between the responsibilities that the halachah demands and flexibility to meet our congregants’ needs on a contemporary basis,” said Rosenblatt. “We must have that backbone of daily service attendance and regular Torah study, reliable kashrut and Shabbat observance. At the same time, we have to be relevant to the contemporary generation, we have to provide opportunities for them to give back and to leverage Jewish wisdom in their own growth and in answering the questions and challenges they face today.”

This year, MOSAIC’s fundraising focus is the Clergy Sustainability Fund.

“Vancouver is a great distance from the large Orthodox centres, where we primarily recruit our clergy,” said Rivkin. “To attract additional clergy, we need to be able to support the real conditions that make long-term leadership possible: housing, family connection during the holidays, and professional growth. This fund

will enable us to address these concerns and help ensure that Schara Tzedeck can continue to attract outstanding young rabbis to our community and give them the foundation to stay and lead.”

To attend MOSAIC, visit scharatzedeck.com.

Film festival starts next week

Jackie Tohn, left, and Sarah Podemski play longtime best friends Nomi and Mara in The Floaters. (still from film)

The Vancouver Jewish Film Festival opens on April 30 with the award-winning The Ring (Israel/Hungary) and closes on May 10 with the multiple-award-winning Once Upon My Mother (France/ Canada). In between, there are more than two dozen films from several other countries, most of which have been recognized with honours.

Among the offerings at this year’s festival are two locally produced documentaries that the Jewish Independent has reviewed previously: Becky Wosk’s One Thread (jewishindependent.ca/different-but-connected) and Kai Balin’s Son of a Seeker (jewishindependent.ca/sharing-a-personal-journey). Each young filmmaker engagingly investigates, in different ways, what it means to be Jewish. Both docs screen on May 3.

Also screening on May 3 is the American film The Floaters. Leading the cast are Jackie Tohn (Nobody Wants This) and Sarah Podemski (Reservation Dogs) as longtime best friends Nomi, a struggling musician, and Mara, a struggling Jewish summer camp director. When Mara finds herself a counselor short at the last minute, she asks Nomi, who just got fired from her own band, to step in. Reluctantly, Nomi agrees and Mara puts her in charge of a group of teens who don’t fit in at camp for various reasons and who didn’t sign up for any activities – hence, they are “floaters.”

Directionless in life herself, Nomi proves an apt mentor to these lost kids. She learns from them, they learn from her. Nomi and Mara’s friendship is put to the test, the kids are put to a test. It’s a charming movie, with plenty of laughs, that, thankfully, doesn’t resort to crude gags, though a malfunctioning septic tank does add a lightly gross element.

The Floaters is a coming-of-age film about friendship and second chances, firmly rooted in Jewish traditions, from Orthodox to secular, featuring characters who are Jews by birth and Jews by choice. It has a John Hughes-esque feel and a few actors who were popular in the 1980s/1990s have supporting roles. But director Rachel Israel makes the film her own, and Nomi, Mara and the young misfits are at the movie’s heart.

image - Ruth (Niv Sultan) organizes an unorthodox picnic date for her and Baruch (Maor Schwitzer) in Matchmaking 2 — Ruth (Niv Sultan) organizes an unorthodox picnic date for her and Baruch (Maor Schwitzer) in Matchmaking 2. *(still from film)*

Matchmaking 2 (Israel), which screens on May 5, also has a misfit at its heart. Many of the actors from the first movie reprise their roles, including Maor Schwitzer as Baruch Auerbach, a former rising star scholar in his ultra-Orthodox community, now in his late 20s and yet to find a wife. There is no need to have seen the first movie to fully enjoy its sequel. The characters are likeable and, even when Baruch acts like an idiot, you still cheer for him and hope that he’ll find his match.

While Matchmaking 2 gives viewers a glimpse into the cultural differences between Ashkenazi and Sephardic Jews, and into the ultra-Orthodox shidduch (matchmaking) system, it is mainly a rom-com. As The Floaters does, the movie celebrates Judaism and Jewish life with humour, tenderness and respect.

As entertaining, in a completely different way, is the documentary The Stamp Thief (United States/ Poland/Germany), which screens May 7.

The Stamp Thief, produced/directed by Dan Sturman, is fascinating on many fronts. The filmmakers make a potentially convoluted detective story into an easy-to-follow “page-turner” and there are a few moments where you’ll find yourself holding your breath. There are also many moments – well after the film – where you’ll be thinking about humanity’s capacity for doing good and evil, intergenerational trauma, generational responsibility, and many other issues.

photo - Dan Sturman, left, Dylan Nelson and Gary Gilbert in front of the building in Poland, where the stolen stamps were buried in 1945 — Dan Sturman, left, Dylan Nelson and Gary Gilbert in front of the building in Poland, where the stolen stamps were buried in 1945. *(photo from Boxhead Films)*

In The Stamp Thief, it’s refreshing how open the filmmakers are about the morality of what they’re trying to do – steal back for the Jewish community some rare stamps that were stolen by a Nazi officer whose task was to catalogue and appraise the possessions being stolen from Jews entering Auschwitz. The conversations between producer/writer Gary Gilbert and his family are uplifting, even as his family questions his motives and actions, because that’s what loved ones should do – be supportive but not uncritically so.

The story behind the filmmakers’ quest came from screenwriter David Weisberg’s father, who was a psychiatrist. His dad had a patient in the 1970s who was married to the daughter of a former Nazi. The patient revealed that his father-in-law had buried a case of stolen stamps in the basement of his home in Legnica, which was part of Germany until 1945, but is now in Poland.

Weisberg had no desire to return to Poland, but his friend Gilbert was game, and Gilbert had a plan – one based on an elaborate “fake movie” scheme that Weisberg’s father had

drawn up in the ’70s. Sturman would direct a fake film, giving him, Gilbert, producer Dylan Nelson and their handpicked team a non-controversial reason to explore the former Nazi’s apartment building. The help they receive from Polish film professional Sylwia Szczechowicz-Warszewska is moving, and the resulting documentary is compelling.

The Vancouver Jewish Film Festival runs April 30-May 8 at Fifth Avenue Cinemas, which is a 19+ venue, and concludes on May 10 at the Rothstein Theatre with a few films. For the full lineup and tickets, go to vjff.org.

Keeper of VTT’s history

David Bogoch, second from the left in the second row, is one of three generations of his family to attend Vancouver Talmud Torah. (photo from David Bogoch)

“David has been so dedicated to VTT,” Vancouver Talmud Torah head of school Emily Greenberg told the JI about why the school is honouring David Bogoch at their May 14 gala.

“From his dedication to our archives and to his preserving our traditions and our history, to being really forward-focused and really understanding what the school needs to be successful,” she said.

“He’s also been very dedicated to our alumni and, as an elementary school, having an engaged alumni is a bit more challenging than a high school, just inherently, but he’s really been an advocate,” she added, noting that Bogoch has been a mentor to her.

“I came here seven years ago, and he was one of my very first meetings that I had,” she recalled. “He and I meet semi-regularly and he’s somebody I can pick up the phone and call at any time and say I need your advice on this…. And what I know is that he has no other agenda than VTT must be a successful place, and we must make sure we’re doing well to serve the community and to serve Vancouver’s Jewish future.”

Bogoch also connected VTT with Stable Harvest Farm. Syd Belzberg has a named space at the school, so was already a big supporter, but, in recent years, he has focused his philanthropic efforts on the nonprofit community farm. VTT’s partnership with Stable Harvest has been central to the school’s plant-based learning program and most of the students are out there at least once or twice a year, said Greenberg.

“We now have curriculum across all grades where our kids are integrating and learning through plants … not just the growing cycle but environmental technology, environmentalism, how to care for the land, the agrotechnology that’s coming out of Israel – drip irrigation, for example, it’s in our garden and it’s something that Syd uses…. The partnership with the farm and then our Jewish Community Garden … has been just an amazing marriage.”

Plant-based learning is one of the school’s hallmark programs, what differentiates VTT from other schools, said Greenberg. Funds raised from the gala will go towards it, as well as the school’s hallmark athletics, arts and other programs.

“Then, of course, there’s always tuition assistance – that’s a piece that we want to continue to support so that all families who want a Jewish education are able to attain it,” she said.

“This coming year, we’re introducing a universal lunch program, so all of our kids are going to be on a meal plan,” Greenberg said, which means the kitchen will need outfitting and the dining hall updating so that the school can “feed about 600 people a day a kosher, healthy lunch that will be tied into some of our plant-based learning…. That’s definitely a high undertaking of the school that we’re hoping to fund.”

For his part, Bogoch said, “I would love to see record amounts of money being raised – and I’d like to see record amounts of attendance and satisfaction.”

Bogoch’s father, Dr. Abraham (Al) Bogoch, was “Mr. Talmud Torah,” spearheading multiple building campaigns on behalf of the school, among many other things. And David Bogoch has followed in those footsteps. He’s been the keeper of VTT’s archive for more than 20 years and is responsible for the alumni portfolio.

“Why? Because it’s a good puzzle,” he told the Independent. “Trying to find every person that went to TT since 1918, trying to identify them, whether they’re living or dead, what’s their current email address and phone number, their mailing address.”

He noted that, every decade or two, the names one sees on various boards and in other community activities and volunteer positions change. For example, when more Israelis started coming, there were more Israeli names. “Same thing happened in the ’50s, when all the Hungarian kids showed up, so they had different names. When Soviet Jewry ended up leaving Russia and coming over…. When Yugoslavia broke up, there was an influx in kids at Talmud Torah with unusual last names.”

photo - David Bogoch, curator of Vancouver Talmud Torah’s archive, will be honoured at the school’s May 14 gala — David Bogoch, curator of Vancouver Talmud Torah’s archive, will be honoured at the school’s May 14 gala. *(photo by Jennifer Shecter)*

It is from exploring the school’s archives that Bogoch sees such trends.

“Every time somebody adds something to the archives, whether it’s photos or documents, it’s always adding to the inventory, so now we’re well over 50,000 documents, photos, in the archives,” he said. “And it’s growing like crazy because we haven’t included [yet] a lot of the digital stuff that Jenn [Shecter] or the other people at the school are taking. And, each year, there are new alumni.”

The archives has benefited from past presidents keeping material from their time on the school’s board, said Bogoch. He also has gone through every Jewish Western Bulletin/Jewish Independent from 1925 to about 2010, copying every mention of Vancouver Talmud Torah.

“We got so much of the information about the history of the school through the Jewish Independent, through the Jewish Western Bulletin,” he said, listing off some of the many types of fundraisers the school has had over the years. “The most weird one,” he said, “was a Gentleman’s Smoke, where they got together, they drank some whiskey and they smoked, either cigarettes, cigars or pipes.”

Seeing how the community has evolved and how the city has changed are two of Bogoch’s favourite aspects of working with the archives, “finding out the early stories of Strathcona,” and stories from when most of the Jewish community moved “to False Creek, and then to Oakridge, and spreading all over the Lower Mainland.”

In preparation for the gala, he’s been going through material with his son, Adam, who knows the school’s history as well as his dad and grandfather, having not only attended VTT but also having written and directed the one-hour documentary Vancouver Talmud Torah Onward: The 100-Year History, which was released in 2017, as part of the school’s centenary celebrations.

While the most visible Bogoch link to VTT is via the paternal side, from father to son to grandson, David Bogoch’s mom, Margaret, was also involved – in the PTA and in fundraising – as well as with other Jewish organizations, such as Hadassah.

The gala event honouring Bogoch is aptly called The Roots We Share.

“There are families that have four generations who have gone to TT. That’s pretty amazing,” he said.

“Right now, the school is so strong, I could not see it failing. You never know what happens in the future, but I can almost guarantee that, if you have people in the background who are willing to step up and make sure it doesn’t fail, it’ll stay. That’s the way I look at my role – behind the scenes. I don’t like to be up front, that’s why this is so unusual, to be up front,” he said about being honoured.

He hopes that people will be inspired by what fellow community members have done to keep Jewish communal life going. He wants people to feel as excited about the school as he is.

At the May 14 event, guests will enter through a passageway of photos from throughout VTT’s history. Adam Bogoch also will create a video tribute to his dad, as well as a video for the night’s formal fundraising ask. He has been tasked with creating other event exhibits that highlight his dad’s archival work.

“Time capsules, in a sense,” said the younger Bogoch. “Guests will be transported into different decades of the school’s history, seeing themselves as children, their parents/grandparents and their old teachers/colleagues, visually experiencing where the school has been, where it is today, and hopefully how it will continue.

“The event is called The Roots We Share and, whether those are old roots or ones just taking shape, what will hopefully be realized is a continuum of values, experiences and purpose.”

“When we understand that we’re part of that history,” said Greenberg, “we understand the purpose of what we’re doing – and no one understands that more than David – that we are linked to our history, we’re linked arm and arm with it, and that’s what will help propel us into the future. We have to have that proper respect and honour for the past, and also the shoulders we stand on, and he really understands that…. He’s such a bridge in so many ways for the school.

“He’s a bridge between the past and the future, he was a bridge to Stable Harvest Farm, he’s been a personal bridge for me to this community and I’m just so grateful for his ongoing engagement in the school,” she said. “He obviously gets great joy from it and I always tell him, he’s not allowed to go anywhere.”

For tickets to the gala, go to talmudtorah.com.

Different but connected

Jews are not a homogeneous group in ritual, beliefs, thought or experience. We are diverse, coming from many different places, speaking countless languages, putting our unique spins on food, music and other cultural aspects. We are both a religion and a nation. Yet, despite the differences, we are connected to one another in myriad ways, linked by shared ancestry and core values, as well as by external forces that, all too often, are hostile.

“The documentary you are about to watch highlights the resilience and unity of the Jewish people, surviving thousands of years of persecution, violence and dispersion while staying connected, hopeful and shining light in the darkest times,” narrates Becky Wosk at the beginning of her film One Thread, which screens May 3, 1 p.m., at Fifth Avenue Cinemas, as part of the Vancouver Jewish Film Festival.

screenshot - Becky Wosk’s documentary One Thread, which highlights the BC Jewish community, screens May 3 as part of this year’s Vancouver Jewish Film Festival, which runs April 30-May 10 — Becky Wosk’s documentary *One Thread*, which highlights the BC Jewish community, screens May 3 as part of this year’s Vancouver Jewish Film Festival, which runs April 30-May 10. *(screenshot from Instagram)*

The documentary is a reminder that, while there are so many reasons to be proud of being Canadian, many (most?) immigrants to Canada, Jews included, have come here from somewhere else not so much by choice, but because of adverse conditions in their home country. We must also remember that Canada has not always been a welcoming place for newcomers or, of course, for the peoples who were here before any Europeans arrived. Sometimes, Canada has completely closed its doors, as in the case of Jews fleeing the Holocaust on the MS St. Louis in 1939.

In One Thread, Wosk interviews 15 members of the BC Jewish community. They share brief overviews of their family histories, how they ended up in British Columbia. Most of their ancestors were fleeing persecution or arrived as a survivor of it. Their families sometimes traveled via other countries or provinces before settling here.

Wosk asks interviewees what being Jewish means to them, what they wish non-Jews knew about Jews and Judaism, their favourite parts about being Jewish, and other questions. The answers are both similar and different. They offer a glimpse into the challenges and joys of being Jewish.

Wosk has done a masterful job at editing some nine hours of interview recordings into a 42-minute documentary that includes some wonderful archival footage and photographs. She lets viewers know that Jews are roughly 0.9% of the Canadian population (2021 data) and 0.2% of the global population (2023). She bookends the film with two quotes that reinforce her themes of resilience, unity and hope, and she highlights Canada’s message to Jews wanting to come here after the Holocaust: “None is too many.” But, mostly, she lets her interviewees tell the story.

“I was a student in the Langara film arts program (directing stream) and the head of the program, Jonas Quastel, sent me the application for the Earl Parker Award for Jewish Film via the Edmonton Jewish Film Festival,” Wosk told the Independent about the film’s origins. “I applied with the idea to document some of the history of the Vancouver Jewish community, as well as the commonalities of Jews in the diaspora. As someone who is a documentary lover, and a genuinely curious human, I really wanted to share local community members and their stories.”

She found those community members by putting a call out through local organizations and social media groups. She wanted people from a range of ages and genders. While everyone she spoke with lives in British Columbia, some of them are from other places originally, including Argentina, the United States and other provinces.

photo - Becky Wosk, director of One Thread, which screens May 3 at Fifth Avenue Cinemas — Becky Wosk, director of *One Thread*, which screens May 3 at Fifth Avenue Cinemas. *(photo by Kristine Cofsky)*

Her own family history illustrates the different places from which community members have come and the impacts they have had here.

“My paternal great-grandparents came to Canada from Ukraine in the early 1900s,” said Wosk. “That side of the family was actually documented in the book by Shirley Barnett, Don’t Break the Chain: The Nemetz Family Journey from Svatatroiske to Vancouver. My paternal great-grandfather, Abrasha Wosk, was a pioneer of the Vancouver Jewish community. He secured the building and funding for the original Schara Tzedeck and helped start the Hebrew Free Loan Association.”

Her paternal great-grandmother, Abrasha’s wife, Chava (Nemetz), was a community builder in her own right.

“My maternal great-grandmother, Rose Cohen (Beckerman), came from North Dakota; her family came over from Eastern Europe. My maternal great-grandfather, Maurice Cohen, was from Lithuania, the rest of his siblings went to South Africa. He came to Prince Rupert and opened a dry goods store called Director, Cohen & Co.”

Wosk’s grandparents were all born in Canada, she said, except for her paternal grandmother, who was from Manchester.

“It reinforced the feeling of being part of something bigger than oneself, something very deeply rooted in ancient spirituality,” said Wosk about making the film. “I loved being able to chat with the interviewees about our favourite foods and holidays. I just love witnessing the common thread in our existence, the ties to our ancestors, and the genuine desire to learn.”

As winner of the 2024 Earl Parker Award for Jewish Film, One Thread screened at the Edmonton Jewish Film Festival in 2025.

“It’s one thing to create something, but to get it in front of an audience is a whole other matter, so having these opportunities is invaluable,” Wosk told the Jewish Federation of Edmonton’s HaKol at the time.

She is very excited to have the film now screen at the Vancouver Jewish Film Festival. “I want our community to know that we are stronger together, and we need to lift each other up – especially in the face of adversity,” she told the Independent.

“As a people, we face a lot of hate, especially online” she said. “It’s easy to open up Instagram and just be bombarded by antisemitic individuals and just awful comments. I try to find peace and strength in the fact that we do have this incredible community of resilient, strong and compassionate people. We are part of an ancient quilt, and we can always tap into that communal comfort whenever we need to.”

Currently working as a freelance director and videographer, Wosk said she will soon be starting a feature screenplay that relates to her family history and, separate from that, she is hoping to start a new documentary film in the next year or two. Her band, Hollow Twin, will be releasing some new music later this year.

The Vancouver Jewish Film Festival runs April 30-May 8 at Fifth Avenue Cinemas, which is a 19+ venue, and May 10 at the Rothstein Theatre. For the full lineup of films and tickets, go to vjff.org.