JCC – Jewish Independent

Gotta Sing! Gotta Dance! deadline April 1

(photo from Gotta Sing! Gotta Dance!)

The deadline to apply for Gotta Sing! Gotta Dance! at the Jewish Community Centre of Greater Vancouver July 7-30 and Aug. 4-27 is April 1. With participants ages 9 to 19 from various parts of Canada and elsewhere in the world, director and creator of the program Perry Ehrlich will be joined this year by faculty including musical directors Wendy Bross Stuart and Diane Speirs; director Chris McGregor; choreographers Jason Franco, Keri Minty and Meghan Anderssen; acting coach Amanda Testini; and Mariana Munoz, set construction and costume co-ordination. The final production of each session will be Wild Wild West Side Story, featuring an original script and a repertoire from Broadway and movie musicals. Also being offered is the finishing school, for serious musical theatre students attending Gotta Sing! Gotta Dance!, and a boot camp dance program. Scholarships are available.

Artistic visions on belonging

“We are Family” by Cat L’Hirondelle is now on exhibit at the Zack Gallery, as part of he group show Community Longing and Belonging, which runs to March 29.

The new group show at the Zack Gallery, Community Longing and Belonging, is the second annual exhibit in celebration of Jewish Disability Awareness, Acceptance and Inclusion Month. Organized by Jewish Community Centre of Greater Vancouver’s inclusion services and its coordinator, Leamore Cohen, the show is a silent auction. Half of the proceeds will go to the artists, and the other half will be divided between inclusion services and the gallery.

The show consists of 50 paintings by different artists. The size and shape of all the paintings are the same – small rectangles – but the contents and media used are vastly different, indicative of the artists’ various styles and training levels. Some are highly professional. Some are figurative; others abstract. But all reflect their creators’ need to belong, to be part of a community. Each painting tells a story.

One of the prevalent themes of the show is flight. Wings appear on several paintings, emphasizing the yearning for the freedom flight entails, but also for the brotherhood of other fliers. The white ornamental wings on Mikaela Zitron’s multimedia piece are bigger than the background board. They take the artist into the sky, into a joyful aerial dance, while Jamie Drie’s feathers, drifting in a sad emptiness, invoke the feeling of disconnection.

The murder of crows in Cat L’Hirondelle’s painting relates yet a different story. “I am a feminist,” said L’Hirondelle. “I was thinking about the importance of being part of a community of like-minded women. My group of longtime women friends is my family, my tribe and, like the crows, I know that they will always be there for me. Since I became disabled, I have felt more and more disassociated with the able-bodied-centric society in general. Just look at the history of people with disabilities in different societies – genocide, forced sterilizations, segregation, isolation, etc. I would love to feel that people with disabilities belong in the world. My piece is trying to impart that sense of longing to be included in general community and how crow communities seem to include everyone: the old, the disabled, the young. I have lived in the crow flight path for many years and have been watching crows’ behaviour; sometimes, I wished people were more like crows.”

image - “Leaving for Awhile” by Daniel Malenica — “Leaving for Awhile” by Daniel Malenica

The second recurring motif in the show is loneliness, the sense of separation. Daniel Malenica’s image is distinctive among such pictures. The woman in the painting stands behind closed garden gates. She gazes at us from the painting, and the naked longing in her eyes is painful to behold. She desperately wants to open that gate and step through, to join us, but she lacks the courage. What if the people inside reject her? So, she just lingers outside, desolate and alone, waiting for an invitation.

Another outstanding piece on the same theme is Estelle Liebenberg’s black and white painting “Solitude Standing.” She told the Independent, “I work primarily as a potter and a metalsmith, but I accepted the challenge to paint something for the exhibition because I’ve had wonderful times working as a substitute art instructor at the JCC. I chose the monochromatic colour palette because, at the moment, I am quite fascinated by shadows, specifically how they change the shape of objects but still remain recognizable.”

image - Estelle Liebenberg’s “Solitude Standing” — Estelle Liebenberg’s “Solitude Standing.”

Her focus for the piece was the idea of a community in general. “I’ve spent my life dealing with different communities and, I guess, for me, the lines have softened over time,” she said. “We spend so much time in our lives working on belonging, or longing to belong somewhere, to someone or something. It’s an integral part of the beauty, the joy, the frustration and the heartbreak of life. For me, this was longing and belonging as an immigrant, as an introvert, as a mother of grown children, as a single person living in a city.”

She explained the title of her painting: “It is a hat tip to a song by Suzanne Vega. For me, her words truly encapsulate the feeling of longing to belong somewhere: ‘Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met.’”

Different artists explore different aspects of community and belonging, and not all the communities are small or local. For Marcie Levitt-Cooper, the community in her painting is the universe, the earth and stars encompassed by love. Esther Tennenhouse, on the other hand, contemplates the darker side of belonging.

“My piece is a photocopy from a pre-World War Two Jewish encyclopedia, Allgemeine Ensiklopedya,” Tennenhouse explained. “It was labeled in Yiddish and issued in New York in 1940, the year Germany occupied France. On first seeing this old map, I found it very poignant. The map had to fit the 16-by-16 canvas given to all participants. The format left space, and I filled it with the music of two nigguns and lyrics of six Yiddish songs.”

That colourful map with Hebrew lettering, published just before the Nazis unleashed the full horrors of the Holocaust on European Jews, made for a tragic, frightening image, despite its bright and cheery appearance.

While the exhibit includes other figurative paintings, the majority of the pictures are abstract, either simple swirls of paint or complex geometric patterns, like Daniel Wajsman’s piece – two irregular overlapping rectangles.

“I wanted to emphasize that we should bring everyone in, not leave anyone out,” he said.

Community Longing and Belonging runs to March 29.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

The comics rise again on Feb. 20

Kyle Berger, left, and Scotty Aceman, co-producers of Rise of the Comics. (photo from Rise of the Comics)

The outer limits of the laugh-o-meter will be tested on Feb. 20 at the Jewish Community Centre of Greater Vancouver’s Rothstein Theatre, when a group of Canada’s top funny people step on stage for A Night of Shticks & Giggles, presented by local comedy producer Rise of the Comics. This will be the third Shticks and Giggles show to raise money for the JCC Maccabi Games.

Headlining the event is Julie Kim, a two-time Canadian Comedy Award nominee for stand-up, who has performed at comedy festivals around the continent and appeared on CBC’s The Debaters and Laugh Out Loud. Her YouTube videos have amassed millions of views and, in 2018, she released her debut comedy album, Outside Voice.

Among other topics, Kim’s routine delves into modern parenting and various cultural issues, sometimes involving life seen from an Asian perspective. Yuk Yuk’s comedy club co-founder Mark Breslin called her “smart, funny, with enough self-awareness to deconstruct her life in a very sophisticated way.”

Other acts in the show, which Rise of the Comics describes as its “best line-up to date,” include Robert Peng, who bills himself as “an unemployed engineer who turned to stand-up comedy out of desperation”; New Zealander Sophia Johnson, “the one who keyed your car but probably shouldn’t have told you that”; Sean McDonnell, who Canadian comedy star Norm MacDonald has praised as “a fantastic talent”; and Brett Nikolic, a maven on Mountain Dew-flavoured weed.

Rise of the Comics is the brainchild of Vancouver stand-up comedian Scotty Aceman, who will also be on stage at Shticks & Giggles. Starting off as a weekly 30-minute program on Shaw Cable with the same name in 2015, the show has highlighted the work of many stand-up comedians who got their start on the local scene, such as Dino Archie and Ivan Decker, who has appeared on Late Night with Conan O’Brien.

Aceman, a University of British Columbia and B.C. Institute of Technology graduate, switched to comedy five years ago, after a 20-year stint in a sales job with Rogers in the corporate wireless phone department.

“Leaving the cellphone business after 20 years was a tough call,” he said. “But you have to chase your dreams. People would ask me, ‘What about my dignity and respect?’ I’d say dignity and respect went out the window the minute I had a Thursday morning bar mitzvah!”

In 2019, Aceman brought in Kyle Berger as co-producer of Rise of the Comics. Berger, sports coordinator at the JCCGV, will be the master of ceremonies for the Feb. 20 Shticks & Giggles.

Before joining the crew, Berger, in his role as JCC Maccabi Games delegation head, had hired Rise of the Comics for a fundraiser. He credits Aceman for allowing him to get his stand-up feet wet, with a debut performance at the Charqui Grill in Kitsilano in 2018.

“Stand-up was one of those things on my bucket list to do by the time I turned 40,” Berger told the Independent. “Scotty (and my then-girlfriend, now fiancée) were both big helpers in getting me up there on stage for a five-minute routine. My fiancée had had enough of me saying I was going to do it.”

Berger said, “Scotty’s reputation within the local comic community is a great asset. Nowadays, Rise of the Comics does all sorts of things, including parties in people’s living rooms. And, last year, we were hired by the Chutzpah! Festival to put on a show.”

Rise of the Comics currently works with a roster of more than 50 stand-up performers of all styles and experiences, and tailors its shows to any situation. They have created performances at such diverse venues as Hy’s Steak House, the Jericho Arts Centre and Ronald McDonald House, among others. Their gigs can cover everything from clean to dirty, social commentary to observational, but always, they say, with an emphasis on the funny.

Berger promises that he and fellow Shticks & Giggles comedians are likely to make mention, in one way or another, that their show is backed by the foundation created by Dr. Neil Pollock, a leading Vancouver male sexual health and circumcision expert, and his wife Michelle.

The show starts at 7:30 p.m. Tickets are $20 and can be purchased at m.bpt.me/event/4499277. For more information about Rise of the Comics, visit riseofthecomics.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Magnifying emotions

Gila Green will talk about her two latest books at the Jewish Book Festival on Feb. 9. (photo from JCC Jewish Book Festival)

From the first page, White Zion reads like a memoir. Through 16 short stories, we get to know Miriam and her family, from her great-grandparents to her own children, as well as the places they are from, including Yemen, Israel at various points in its history and Canada. It is easy to wonder how much of Miriam is her creator, Israeli-based writer Gila Green, who will be at the Cherie Smith JCC Jewish Book Festival Feb. 9.

“The stories in White Zion are all about emotional truths,” Green told the Jewish Independent. “So, if that’s what’s coming across, that is some measure of success. I did not say this but Alice Munro did – I recall reading an interview with her in which she said: ‘If your audience thinks all you did was wake up and write down everything that happened to you yesterday, then you’ve succeeded.’ I would love to hear about how readers relate to these emotional truths, how they connect.”

Green will also bring her young adult novel No Entry to the festival, for which she will talk at both the Jewish Community Centre of Greater Vancouver (12:30 p.m.) and the White Rock/South Surrey Jewish Community Centre (4 p.m.) that Sunday.

The heroine of No Entry is Yael Amar, a teenager from Ottawa, which was where Green was born and has lived. Yael has traveled to South Africa to intern for a spell at a private bush camp near Kruger National Park. (Green’s husband is South African, and Green has lived in the country.) There with the intent of helping protect elephants from poachers, Yael ends up in danger herself.

Despite the connections her books may, or may not, have with her own family, Green prefers to write fiction. She described nonfiction as “limiting” for her.

“As soon as someone tells me to write a true story, I’m suffocating,” she said. “I have to start questioning what is fact, what is memory, what lacks context, what is something I’ve just convinced myself is true and on and on. I spent four years at Carleton [University in Ottawa] studying for a journalism degree, so all of that kicks in. In the end, the short story is a wrung-out sock, more like a dozen tangled wrung-out socks. No one wants to read a sock. There is no connecting with it.”

Fiction allows for the expression of emotional truths that would be impossible to express otherwise, she said.

“Writing fiction allows me to hone in on a feeling – something I want my audience to feel, which is how I start every story I write. I ask myself, ‘How do I want this story to make the reader feel?’ and I start from there – and I can hold that emotion under a magnifying glass. I can distort it, blow it sky high, cut interference to ant height or delete. I can take one characteristic of one person on a single day about a single event and I can magnify it, so that the rest of the human being is rendered invisible. These were some of my goals with White Zion. The characters are all gross distortions of one human trait or another.”

But that doesn’t mean that facts don’t enter her work.

“I tried to be as faithful as possible to the historical period,” she said, referring to the stories in White Zion, “and I spent months researching everything, from what vegetables they could have been selling in the Jerusalem market post-1948 to how they could possibly have been heating their homes. I also used the same biographical details for two of the characters, Miriam and her father. It was important for me that Jewish fiction expand to include Yemenite voices, religious voices, gay voices, the more voices the better.”

Green also did much research for No Entry and, in addition to crafting an entertaining, at-times tense, thriller-like novel, she educates readers on the nature of elephants and the very real threat of their extinction.

“Yael is a Jewish eco-heroine,” said Green, who noted that the character’s boyfriend, David, is also Jewish. “She’s not religious but both of her parents are Jewish – she mentions in No Entry how the South African traditional dish she tastes for the first time reminds her of her mother’s chulnt on the Sabbath and, in No Fly Zone, she has an Israeli-themed dinner with her parents. None of the other characters are Jewish…. I do like exploring different kinds of Jews though. If readers want a more obvious Jewish heroine in the sequel[s], please write to me.”

Green has finished writing No Fly Zone, the next book in what might become a series. In it, she said, “Yael Amar is back with her best friend Nadine Kelly, this time protecting Kruger National Park from the skies. But she is about to learn a big lesson when it comes to moral relativity and friendship.”

Green added, “I set out to thread the senseless loss of human life with the equally nonsensical destruction of animals in No Entry and I continue this in the sequel. I did this not because I’m trying to make a point about the connection or status between humans and animals – that’s the wrong way to understand my motivation. Rather, I’m trying to weave together the criminals who commit these inhuman acts: they’re connected.

“Often,” she said, “the same people willing to sell illegal blood ivory are involved in terrorism, human slavery and other acts that bring nothing but grief to the planet. I wish to emphasize this linkage, to shout it from the rooftops. But, in real life, I figured an exciting, adventurous, teen novel was a more effective way to go.

“I purposely made the terrorist event [in No Entry] happen in Canada because I want to get the message across that fatal betrayal doesn’t just happen in Africa or the Middle East. That attitude might allow some of us to feel off the hook. It happens everywhere and we all have to make sure we are part of the solution or there won’t be one and that thought is too devastating to imagine. I refuse to go there and No Entry ends on a victorious note for a reason.”

Though the sequel has been written, its publication date will depend on what happens in Australia and the bushfires that continue to destroy the country. Green shared, “I am very sad to say that my publisher Stormbird Press was on Kangaroo Island and has burned to the ground. The staff was evacuated on Dec. 20th. We are all praying for their safety and that they fully recover but, for now, everything is at a standstill and there is terrible devastation.”

Green is already working on her next novel. In A Prayer Apart, her main character, for the first time, is male, she said. “He’s an Israeli-Jewish teenager living through the 2014 war with Hamas, knowing he’s next in line for the front line. By the same token, he’s had it with his parents and school and his rebellious behaviour lands him in lockdown, one step away from juvenile jail.”

She said she will let readers know on her website, gilagreenwrites.com, when the publication details are finalized.

An avid reader since childhood and now a prolific writer, with four books published since 2013 and two more on the way, Green said, “Mankind cannot live without stories. Period. We are our stories. When people are down, what they are really saying very often is they don’t feel connected. Stories connect us.”

For the Jewish Book Festival lineup and schedule, visit jewishbookfestival.ca.

Historic JCC-Fed agreement

A rendering of the development that is planned to replace the current Jewish Community Centre of Greater Vancouver. (image from JCCGV)

A recently signed agreement is a significant next step in the largest infrastructure project in the history of British Columbia’s Jewish community. The deal is expected to create a new Jewish community centre, as well as at least 300 rental housing units and larger, renewed facilities for many communal institutions, replacing the existing, almost 60-year-old community centre.

A memorandum of understanding between the Jewish Community Centre of Greater Vancouver (JCC) and the Jewish Federation of Greater Vancouver was signed last month. The agreement will likely see the land owned by the JCC transferred to a new community-wide agency. According to a joint statement by the two organizations, the proposed new 200,000-square-foot “recreational, cultural and community centre [will include] new childcare spaces, more services for seniors, an expanded space for the Vancouver Holocaust Education Centre, a new theatre and more.” At least 15 not-for-profit community organizations are anticipated to be housed there, as well as updated and enlarged facilities for arts and culture, aquatics, and fitness programs. Mixed-use rental housing units included in the plan are expected to be offered at or below market value and be open to everyone.

The project will advance based on a collaborative fundraising initiative. A campaign goal has not been announced.

“This agreement is an important initial step toward acting upon the community’s vision for a revitalized JCC that would become a legacy for the Jewish community and the city,” Salomon Casseres, president of the JCC board, said in the statement. “Our board is excited to partner with Jewish Federation. We believe that this collaboration puts the project on a strong foundation for success, from a community, financial and governance perspective.”

“An opportunity like this comes along perhaps once in a generation, so we are very proud to be working closely with the JCC on this historic project,” Alex Cristall, Jewish Federation’s board chair, said in the statement. “Jewish Federation takes a broad, long-term view of the sustainability, growth and evolution of the local Jewish community, and we believe that this project will create a strong core that will ultimately allow us to increase our reach and our impact.”

Ezra Shanken, chief executive officer of the Jewish Federation, told the Independent that the collaboration is a “big win” for the community.

“Federation has always been a proponent for the concept of working together on projects that have an impact that’s beyond the reach of one agency and we are thrilled that the JCC agrees with us that this is one of those projects,” he said. “It absolutely should be common in all cities.… For me, it’s best practice.”

The new JCC will strengthen the entire community, he said, adding that the impacts will reach far beyond the Oakridge neighbourhood.

“We are not just creating a strong future for that 41st and Oak corridor, the Vancouver Jewish community, but I believe we’re creating a strong future for the community across the Lower Mainland as a whole,” Shanken said, expressing his gratitude to the JCC and its leadership.

“I think the JCC has shown immense foresight and courage in coming together with us, to have the openness to work through the challenges and opportunities that exist in partnership, and I believe that this partnership will glean really great results for the Jewish community as a whole,” he said.

Eldad Goldfarb, executive director of the JCC, said working together hand in hand is the best way forward and the partnership is a natural one. The collaboration between the JCC and Federation is the largest partnership, but is part of a broader engagement process, he added.

“The master planning process of this legacy community project has involved an extensive engagement effort by the JCC, reaching out and having conversations with more than 30 Jewish community organizations, many stakeholders, donors and community members,” said Goldfarb. “The JCC, as we know it today, is home to 15 different Jewish community organizations and the new redevelopment might increase these collaborations opportunities.”

Discussions about the partnership between the two organizations have always been very collaborative, open and in good faith, Goldfarb said.

“This project is about creating a JCC for the future of the community, with more and better childcare, seniors, wellness, arts, culture and education state-of-the-art spaces, but is not limited to only that,” he said. “Our vision is to create an innovative community site which will include a brand new J, as well as a welcoming and collaborative home for many other community organizations and, of course, the much-needed large rental affordable housing towers.”

Vancouver City Council unanimously approved the JCC site redevelopment plan in September 2018. Several major steps remain in the design and planning process, as well as the raising of the millions of dollars required to complete it.

Choosing love not hate

On Sunday, vigils were held in many cities to commemorate the 11 worshippers killed at Tree of Life Synagogue in Pittsburgh on Oct. 27, 2018. The shooting was the deadliest attack on Jews in American history.

As we have mourned and taken greater measures toward protecting ourselves, we have, mainly, not let fear paralyze us or isolate us from our neighbours and the larger world. We have continued to live Jewishly, whatever that means to each one of us; whether it’s helping those less fortunate, lobbying for sound government policies, going to synagogue or simply being kind to the people we encounter in our day.

In Vancouver, community members and others could join two collective moments of remembrance on Sunday: the Jewish Federations of North America’s Pause with Pittsburgh, which included the livestreaming of a public memorial service, and a service at Congregation Beth Israel, organized by the Rabbinical Association of Vancouver with the Centre for Israel and Jewish Affairs, the Jewish Community Centre of Greater Vancouver, Hillel BC and the Jewish Federation of Greater Vancouver.

Over the weekend, Jews were also encouraged – as they were in the wake of the tragedy last year – to #ShowUpForShabbat, an initiative of the American Jewish Committee, calling for us “to honour the victims and raise our collective voice for a world free of antisemitism, hate and bigotry.”

Beth Israel’s Rabbi Jonathan Infeld, who grew up in Pittsburgh, told News 1130, “There are still many people who are frightened and worried about what took place a year ago…. There are people who are concerned about coming to synagogue and people who are concerned about antisemitism. Especially on holidays, one of the messages I deliver is that, unfortunately, antisemitism is on the rise in the world. But we have to remain strong, to have the courage to come to synagogue, and to not allow attacks like this to prevent us from being who we are and to deprive us of the benefits that come from being in a sacred space.”

Infeld also noted, “One of the aftermaths of the attack is that people in Pittsburgh didn’t feel this was an attack just on a synagogue, they felt it was an attack on Pittsburgh…. We have to understand an attack on any sacred space is an attack on an entire community, so we need to stand together as one community with the message that love is stronger than hate.”

While the situation is not as bad as elsewhere in the world, the number of hate crimes and the incidences of antisemitism in Canada, including in British Columbia, have increased worrisomely. Love has a long row to hoe. Not only to give us the courage to speak up in the face of prejudice, but also to confront and temper our own. Not only to make us self-assured enough to make space for those with whom we agree and for whom we care, but also for those with whom we disagree and whom we dislike. Not only to inspire us to dream of a better world, but to give us the imagination and resourcefulness to bring those aspirations into being.

Love can only be stronger than hate if we choose to make it so.

Mystery photos … Oct. 25/19

Dancing at a Jewish Community Centre party, 1984. (photo from JWB fonds, JMABC L.11733)

If you know someone in these photos, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

photo - Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968 — Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968. *(photo from JWB fonds, JMABC L.12174)*

JCC celebrates Israeli culture

The outdoor fair features live entertainment. (photo by Galit Lewinski)

The Jewish Community Centre of Greater Vancouver invites the entire community to its annual JCC Festival Ha’Rikud. The theme this year is “Seasons of Israel,” with a variety of programs to inspire, inform and entertain visitors. The highlight of the month-long celebration, which runs May 9-26, will be the outdoor community fair.

Beginning at noon on Sunday, May 12, the JCC parking lot will be transformed into an Israeli street fair with food trucks offering shwarma, falafel, vegan Middle Eastern choices and other popular treats; a marketplace (shuk); live music performances; family activities; dancing and more. Admission is free and everyone is welcome.

photo - Israeli culinary journalist Gil Hovav will give a presentation — Israeli culinary journalist Gil Hovav will give a presentation. *(photo from JCC)*

For Israeli dance lovers, there will be two shows in the Rothstein Theatre, at 1 and 3 p.m., featuring Orr Vancouver dancers and visiting performers from Mexico and Miami. For foodies, there will be a presentation at 5 p.m. by Gil Hovav, a leading Israeli culinary journalist, author, TV personality and speaker.

Other festival events include a group art exhibition in the Zack Gallery, which opens May 9; Israeli recreational dance workshops May 10-12, hosted by the Vancouver Israeli Folk Dance Society; an evening of poetry inspired by the artwork in the gallery, on May 16; and an Israeli song sing-along on May 26. Visit israelifestival.com for the complete schedule.

Intern a student and teacher

Xianzhi (Paul) Chen, in the Lakers T-shirt, not only led programming at the Jewish Community Centre of Greater Vancouver, but participated in it. (photo from JCC)

Xianzhi (Paul) Chen came to Canada from China in 2011 with his family. He loves outdoor sports, especially basketball, and has always been community-oriented, including providing care for Chinese seniors at a nursing home. But how did he find his way to the Jewish Community Centre of Greater Vancouver?

Paul is pursuing a recreation and leadership diploma at Langara College. Last year, he approached six organizations for an internship, to apply the training and skills of this program to a real-world environment, but was turned away by all the organizations he approached. When he initially interviewed for a position at the JCC with Lisa Cohen Quay, Adult 55+ program coordinator, she also said no. However, the issue was not whether he could do the work required, but rather that the requirements and expectations of the Langara internship were too much for her department to oversee.

Paul is blind in one eye and has limited vision in the other. He requires accommodations. But accommodations were not the issue either. Lisa’s mom lives with extremely low vision. She knew that, with slight adjustments to the work environment and access to a CCTV machine and specialized software like ZoomText, Paul would be able to meet and even exceed expectations. His disability, as so often is the case, was not the barrier.

Fortunately for the JCC, Paul would not take no for an answer. Without an internship, he would have had to delay the completion of his education. So, he wrote Lisa after that first meeting and asked her for a chance to show his skills. Paul – bright, friendly and tenacious – left a powerful impression. Lisa could not stop thinking about his abilities and the challenges he had faced. Determined to provide him with a meaningful and useful internship, she reached out to me, the coordinator of the JCC’s inclusion department, to see if we could create one between our two departments.

We did just that, agreeing to co-supervise Paul’s internship. We decided to provide him with program planning experience and program support experience, while also allowing him to actively participate in some of the JCC’s inclusion programming. Lisa then reached out to the Langara internship coordinator to negotiate a modified internship for Paul. The school agreed to Paul interning between the two departments at a reduced load over a longer, five-month period.

Paul was very nervous at first. He did not know how to set up for events like mah jongg, poker or bridge, how to manage a budget or how to plan programs. But, he took instruction well, was eager to learn and did his best. He demonstrated care in all his interactions with community members and poured his heart into every project in which he participated.

“I oversaw Dumpling Night at the Community Kitchen to share the Chinese New Year with community members,” said Paul by way of an example of how he incorporated his previous experience into his internship at the JCC, and learned more about leading programming.

“I oversaw all aspects of a balcony beautification project, including [doing] the budget by myself,” he added. “I learned how to use my hands to make art during the Art Hive program.”

photo - Xianzhi (Paul) Chen — Paul Chen *(photo from JCC)*

Paul tried many new activities during his internship and, as a result, made a lot of friends. He learned quickly that friendships are forged through recreation.

Paul said the highlights of his internship were “making three excellent art pieces,” the beautification project and the “terrific relationships with people that I met in this community.”

“Paul has demonstrated a passion for community development through his internship at the JCC, with a focus on diversity and inclusion,” said Erin Wilkins, department chair, recreation studies, at Langara College. “He has also demonstrated how to provide engaging recreation experiences that support diverse community members and build resilience through empowerment.”

She said the department is “so proud of Paul’s accomplishments at the JCC, and thankful for the support he received throughout his internship, which is the final semester of the recreation leadership diploma.”

The JCC is proud to have been part of Paul’s training and professional development. We are happy to have provided him with a meaningful and diverse introduction to recreational programming, to community building and to leadership development. We are equally grateful for what he has given back to our community and us as professionals, and hope that he will continue to participate in our community and lead programming in the future.

Access to opportunity, we are reminded, requires adjustments and flexibility and is always worth the effort.

Leamore Cohen is inclusion services coordinator at the Jewish Community Centre of Greater Vancouver.

Drugs and teens

When we hear the word addiction, it often conjures up negative images or stereotypes. We might think someone has made poor choices, is down and out, or weak-willed; we might think that it’s a problem confined to the Downtown Eastside. Rarely do we think of the word disease or think of addiction as a mental health issue.

Jewish Addiction Community Services (JACS) is committed to providing opportunities for the community to learn together and, on April 4, JACS and the Jewish Community Centre of Greater Vancouver youth department are presenting a community forum called The Fentanyl Crisis: How It Affects Our Teens. This free event, geared to parents, teens and youth workers, is designed to help build awareness of illicit drugs, specifically fentanyl, and to teach how these drugs affect the teenage brain, and how to talk to teens about drugs.

According to a B.C. Coroners Services report, which was published last month, 86% of fatal illicit drug overdoses in 2018 occurred inside (i.e. not on the street) – 58% in private residences. The majority of these deaths were men between the ages of 19 and 59.

While the problem of addiction in British Columbia is well known, what is less well known or acknowledged is how our Jewish community is affected. In fact, denial that the problem exists is more the reality. Rabbi Shais Taub, a specialist in addiction and spirituality, who visited Metro Vancouver in 2012, said one in 10 people are touched by addiction – whether directly or through a close family member. It makes sense that those statistics are similar in our community.

Compare the reaction of when you hear about a friend who has recently been diagnosed with cancer, or another debilitating disease. While we may not know how to help, when a loved one is affected with a life-altering illness, we are usually motivated to offer assistance, whether it is making meals, visiting or giving money to a cause. In sharp contrast, addiction tends to push us away and we tend to blame the person who has a substance use disorder, instead of wanting to rally around and help them.

Why does a family feel shame and the need to shield others from knowing their loved one is affected by the disease of addiction? Why does the person themselves feel the need to hide? Clearly, the answers are complex. In a recent visit to an emergency department, a patient pleaded with a nurse that “no one in my community must know I am here.” That person was a member of our Jewish community. Not only are people struggling with an illness, but they often can’t reach out for help or don’t know where to turn.

We must and can work to reduce the stigma of addiction so that both families and people with addiction are supported. It begins with awareness of resources and education, with fostering a culture of being less judgmental, of being curious and open, and being willing to talk about how someone may have found themselves suffering from addiction. We also need to remind ourselves of the Jewish values of teshuvah (repentance), tikkun olam (repair of the world), community and chesed (loving kindness). People knowing that there are resources available, when they are ready, is key to recovery.

The April 4 community forum includes panelists Dr. Alana Hirsh, a physician working in the Downtown Eastside; Lee Gangbar, a registered nurse who works both at St. Paul’s Hospital’s emergency department and as an outreach healthcare nurse; and Anne Andrew, a parenting coach and author. To attend the forum, RSVP at eventbrite.ca (Fentanyl Crisis). For more information on the program or JACS, email [email protected].

Shelley Karrel is the manager of counseling and community education with JACS. She has her master’s in clinical counseling, is a registered clinical counselor and also has a private counseling practice. She can be reached at [email protected].