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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: comedy

Laugh for good causes

Laugh for good causes

Helen Schneiderman headlines and David Granirer emcees the Stand Up for Mental Health show at the Jewish Community Centre of Greater Vancouver on June 1. (photos from JCC)

“There are many comedy shows out there, but not many like this one,” Kyle Berger told the Independent. “I keep saying that this will be the ‘feel-good comedy of the year,’ but it really will be. These comics will show us that we can laugh at just about anything and feel inspired at the same time – with all proceeds going to incredible causes. I can’t wait!”

Berger is the sports coordinator at the Jewish Community Centre of Greater Vancouver and the delegation head of JCC Maccabi. He is also a stand-up comic and a producer with Rise of the Comics. It is in all these capacities that he is participating in the Stand Up for Mental Health comedy show at the JCC on June 1, 7:30 p.m.

A joint fundraiser for the Stand Up for Mental Health (SMH) Comedy Society and JCC Maccabi Vancouver, Berger is producing the event, with the support of Stand Up for Mental Health, and will be performing a set himself. “It will be a huge honour for me to share the stage with this crew,” he said.

“This crew” includes SMH founder, counselor and comedian David Granirer.

“Stand Up for Mental Health is my program teaching stand-up comedy to people like myself with mental illnesses as a way of building confidence and fighting public stigma,” Granirer explained. “We have been around since 2004 and have trained approximately 300 comics and done hundreds of shows for government, corporations, the military, correctional facilities, medical schools, etc.”

photo - Kyle Berger
Kyle Berger (photo from JCC)

Berger attended one of those performances last year, in which SMH Comedy Society showcased “their students’ incredible talents, and I absolutely loved it,” he said. “I knew some of the SMH Comedy board members from working together in the comedy scene and made the connection right away. They are always looking for venues and new audiences and I knew I wanted to do something with comedy as a JCC Maccabi Games fundraiser, so inviting them to team up seemed like a no-brainer to me.”

Also performing next week will be Helen Schneiderman, who headlines the show.

Schneiderman’s comic career began in 2018, when she took a comedy course at Langara College that was taught by Granirer. She said she did it, “mainly to get off the couch. I didn’t expect to love it so much, nor to continue doing it after the class. But, once I got my first few laughs, I was hooked. Over the past couple of years, I’ve gotten more comfortable sharing my experiences and perspectives, and I try to remember to always have fun up there.”

Being able to do stand-up comedy has influenced how Schneiderman navigates through life.

“I now see the world through ‘funny glasses,’” she said. “Every interaction and experience has the potential to be a joke – not always a good joke, but a joke nonetheless. My day job is delivering leadership training and so I get to have a captive audience, even at work.”

In addition to her day job and other involvements, Schneiderman has been on the board of SMH Comedy Society for four years, and board president for the past two years.

“I’m involved with the organization because it’s doing really important work to tackle the stigma of mental health,” she said. “It’s a fantastic program, and I am in awe of the comics who share their stories with so much vulnerability and smart humour.”

People can find out more about SMH at smhsociety.org. Post-pandemic, the society is once again holding live classes and shows, as well as continuing to put on Zoom shows. The pandemic, said Granirer, “made me realize that, by being creative on Zoom, we could reach people all over the English-speaking world. It also made me realize how much people need to have in-person contact in order to maintain their mental health.”

One of the reasons SMH is teaming up with JCC Maccabi Vancouver for this show, he said, is “because they’re a great organization and exercise is crucial to maintaining good mental health.”

The decision to partner was easy for Berger.

“As the delegation head for Vancouver’s JCC Maccabi squad, I am always looking for ways to raise money for scholarships so that anyone who wants to participate in the JCC Maccabi Games experience can do so,” he said. “At the same time, producing and performing stand-up is another hobby and passion of mine, so it always makes sense to me to raise money through laughter. I always love the opportunity to work with other causes or charities, and this one was a match made in heaven.”

The June 1 Stand Up for Mental Health show is being presented by JCC Maccabi Vancouver and Life is Still Funny, which Berger described as “a group of local comedians who might be considered, well, not particularly young, but still quite young at heart! Made up of locals like Helen, Ray [Morrison], as well as recent Canada’s Got Talent contestant Syd Bosel. They are all involved with SMH Comedy Society.”

In addition to Schneiderman, Berger and Granirer, Morrison will perform, as will a few SMH students. Tickets are $20 (plus fees) and are available at eventbrite.ca. There will be a cash bar and a raffle draw at the show. Berger said half of the proceeds will go to SMH Comedy Society and half to JCC Maccabi Vancouver.

Format ImagePosted on May 26, 2023May 25, 2023Author Cynthia RamsayCategories LocalTags comedy, David Granirer, fundraising, Helen Schneiderman, JCC, JCC Maccabi, Jewish Community Centre of, Kyle Berger, Stand Up for Mental Health, stand-up
Part of New Wave’s Season 3

Part of New Wave’s Season 3

Laura Leibow is one of the 14 comics featured on The New Wave of Standup, now streaming on CBC Gem. (photo by Emily Cooper)

The whole thing was a highlight really! I still kind of had that post-COVID ‘I can’t believe I get to take the stage again’ sense of wonder in me at that time,” comedian Laura Leibow told the Independent. “Combine that with getting to see comics I respect and love do their thing made the whole experience very cool. Plus, I love staying in hotels.”

Leibow was speaking about the taping of the latest season of The New Wave of Standup, a Just For Laughs Vancouver and CBC original series, which is now streaming on CBC Gem. Leibow and fellow Jewish community member Jacob Balshin are two of the 14 comics featured on the show.

“I try really hard to approach taped sets in the same way I’d approach ones that are not being taped because, ultimately, it’s just about that live experience between you and the crowd and, hopefully, the tape will capture that,” said Leibow. “The only major difference is I mind the subject matter I cover a little more when I’m being filmed, so my mommy and daddy don’t get mad at me!”

Balshin went into the New Wave set having worked out more of what he was going to say than he usually does. “I love writing and try and work every day on my comedy. I do not like repeating the same set over and over again though,” he said. “It can make me depressed. Leading into the taping, I only ran the set a few times. I was just getting back into comedy after the last COVID lockdown in Ontario and did not want to take a break from having fun to repeat the same jokes over and over. I try not to overthink things. Comedy is the easy part of my life. The rest is the struggle.

“After I got off stage that night, I went to another show,” he said. “It was next door to where we were shooting and was actually part of a tour I was on…. I was able to make it in time to do my spot. I bombed trying new stuff. No one in the audience knew I had just filmed for TV 20 minutes earlier. Both sets held the same weight to me – I just want to make people laugh, and get better. I do not think any one set matters that much. And, if it does, I will be prepared because I know I have put in the work.”

It took Balshin time to find his comedic voice. “I did not know my own voice when I started comedy, so I would speak like other people who I was a fan of,” he said. “Now, it is not something I think about. Everything I do is naturally me. And that feels like a really good place to be – and something I always wanted. To me, the goal is to be yourself. Anyone can be funny, but only you can be yourself. So, over the years, it has been more about actually living a life and less about what happens on stage.”

While Leibow seems to have experienced a less drastic evolution, she, too, has reached the point where, she said, “I’m far less concerned now with trying to impress certain people than I am with just talking about what I think is funny.”

Leibow said, “My comedic voice is driven largely by my ADHD [attention-deficit / hyperactivity disorder], friendship, laughter, feminism, silliness, clay, and Jews. No, I don’t know if I can really nail down my comedic voice other than saying that it really is largely driven by my scattered brain and throwing spaghetti at the wall. If something really tickles me, and it seems to be making other people laugh, then that’s great!”

Both Leibow and Balshin have topics they won’t cover in their acts.

“I won’t tell a joke that denigrates or harms a marginalized group and I prefer to stay in my lane when it comes to certain issues,” said Leibow. “I’m not going to boldly speak out of turn on a topic about which I’m not well informed. I also try not to violate the privacy of my family members. Unless I think of a good joke that would require me to do so.”

Balshin only writes material that is about him. “I only have my own story to tell,” he said. “I hope my comedy makes you feel good when you watch it. And I always feel bad when someone has a bad night. If any joke I ever tell hurts someone, I am interested to know why and am willing to listen.”

On stage, Balshin interacts with the audience quite a lot.

“It is a part of my comedy that naturally developed from doing comedy in rooms in Toronto, where the audience … [wants] you to feel present and talk to them,” he said. “I struggle with social anxiety off stage and rarely talk to people. It is pretty fun to have a space where that seems to not exist for me at all. And I love when the audience opens up to me. It feels like the reward I get for being so open with them. And to know they trust me sometimes is really special.”

photo - Jacob Balshin
Jacob Balshin (photo by Emily Cooper)

Balshin tours the country regularly. “I’ve performed in places with populations in the hundreds many times in my career. For many, I am the first Jewish person they have ever met,” he said. “From my own experience, I would say there is a big difference between hate and ignorance. I would say the vast majority of what I have encountered firsthand is ignorance. Most people though do not care that I am Jewish. We are all just people.

“I hope to be funny and genuine enough on stage so that anyone who came in with any misconceptions or hate towards Jewish people can recognize someone who has nothing but love to give. Even though we are different, we can all relate to the weird experience that is living.”

In addition to being part of The New Wave of Standup, Balshin’s debut standup comedy special will be airing on his YouTube channel in the next few months. “It’s called 30 and Breathing Funny,” he said. “It was recorded on my 30th birthday and it would mean a lot if you gave it a watch. It better showcases my style of comedy and includes some material about being Jewish that is not in the CBC taping.”

Balshin moved to Vancouver last year, after a breakup. “When I arrived at the airport, friends Bobby Warrener and Malik Ellassal [also on New Wave this season] picked me up and immediately helped the move feel far less lonely. Getting to do my first TV taping with both them a few months later helped relieve me of that same feeling of loneliness,” he said. “And getting to watch them both kill, knowing how hard they both work and how much they deserve it, was definitely a highlight. Go watch their episodes! They are two of the funniest young comics in Canada.”

Rounding out The New Wave of Standup lineup are Brendan D’Souza, Travis Lindsay, Rachel Schaefer, Courtney Gilmour, Charles Haycock, Seán Devlin, Dino Archie, Heidi Brander, Jackie Pirico and Mike Green. To watch, go to gem.cbc.ca/the-new-wave-of-standup.

Format ImagePosted on April 14, 2023April 12, 2023Author Cynthia RamsayCategories Performing Arts, TV & FilmTags CBC Gem, comedy, Jacob Balshin, Just for Laughs, Laura Leibow, standup, The New Wave of Standup
New season of standup

New season of standup

Jacob Balshin (photo by Emily Cooper)

Just For Laughs Vancouver and CBC have announced that original series The New Wave of Standup is returning for Season 3 beginning March 24 on the free CBC Gem streaming service.

The third season showcases 14 Canadian comedians with diverse backgrounds and unique comedy styles who perform standup sets that explore topics including dating, workplace politics, family dynamics and overall observations about life and finding the humour in it. Among the rising stars are Jewish community members Jacob Balshin and Laura Leibow.

Balshin was the winner of I Heart Jokes Awards Newcomer of the Year in Toronto and was later nominated for Breakout Comic of the Year. He has recorded sets for CBC’s Laugh Out Loud and Sirius XM. He is currently fresh off a month-long run of shows at the Edinburgh Fringe Festival in Scotland. His standup clips on TikTok have amassed millions of likes and a loyal group of fans who enjoy his personal, loose and free style of joke-telling.

In 2022, Leibow was chosen to be a part of New Faces at Just For Laughs at the Montreal and Toronto festivals and also did a taping for CBC Gem’s New Wave of Standup. She has a witty and laid-back comedic style, performing on the club circuit, in alternative rooms and in theatres. She has performed in clubs like the Improv and Micky’s in Los Angeles, and Gotham and Broadway Comedy Club in New York City. She is the editor of the comedy website Unoriginal and hosts two podcasts for the Canadian Jewish News. She can be heard frequently on SiriusXM and on 604 Records’ comedy compilation album The Great Canadian Comedy Rumble.

photo - Laura Leibow is one of 14 comics on the third season of The New Wave of Standup
Laura Leibow is one of 14 comics on the third season of The New Wave of Standup. (photo by Emily Cooper)

The new season also features comedian Brendan D’Souza, a fast-talking non-binary comedian and podcaster. Travis Lindsay – an on-air correspondent and writer for CBC’s This Hour Has 22 Minutes – brings a mix of jokes and storytelling. Rachel Schaefer has been featured on CBC Radio’s Laugh Out Loud, and appears on the JFL Original’s comedy album Stand-Up BC: Yee-Haw Hell Yeah.

Courtney Gilmour has written for and made appearances on CBC’s The Debaters and Humour Resources. Using a rapid-fire joke style and laid-back demeanour, Bobby Warrener has performed standup at multiple festivals, on TV and on tours across Canada. Charles Haycock has performed at many festivals, as well.

Seán Devlin was a 2022 Juno nominee for his comedy album Airports, Animals, and was a consulting producer on Borat: The Subsequent Movie Film, as well as writer and director of the satirical feature film When the Storm Fades. Dino Archie made his network late-night debut on Jimmy Kimmel Live!, while Heidi Brander is a writer for CBC’s Son of a Critch, Baroness Von Sketch Show and Still Standing, who has served for three seasons as head writer of This Hour Has 22 Minutes.

Jackie Pirico has multiple Just For Laughs television tapings under her belt and a feature film (Sundowners); she also has made appearances on Viceland TV and Crave’s new mockumentary series New Eden. Malik Elassal is a stand-up comedian, actor and writer, performing in clubs across Canada and appearing on various TV shows, while Mike Green produces shows Secret Standup Series and Comedy At the Handsome Daughter, which is one of the longest running weekly shows in the country.

To watch the season, visit gem.cbc.ca/the-new-wave-of-standup.

– Courtesy C2C Communications

Format ImagePosted on March 24, 2023March 22, 2023Author C2C CommunicationsCategories TV & FilmTags CBC Gem, comedy, Jacob Balshin, Laura Leibow, standup, television
Just for Laughs returns

Just for Laughs returns

Phil Rosenthal of Somebody Feed Phil takes part in Just for Laughs Vancouver on Feb. 19. (photo from JFL Vancouver)

Just for Laughs Vancouver returns for another year’s festival, presented in association with SiriusXM Feb. 16-25. It welcomes back Best of the West, highlighting local talent, and reintroduces the Creator’s Series, with the first guest confirmed surely to be an entertaining afternoon: Phil Rosenthal. Listed below are some of the Jewish community members participating in the festival.

A Conversation with Phil Rosenthal /  Feb. 19, 5 p.m., at Vogue Theatre

Rosenthal is the award-winning creator, executive producer and host of Netflix’s hit Somebody Feed Phil, as well as a New York Times best-selling author. The Emmy-nominated unscripted documentary series combines Rosenthal’s love of food and travel with his unique brand of humour and he recently won a 2022 Critics Choice Real TV Award for Best Travel/Adventure Show on behalf of the series and garnered a 2022 James Beard Award nomination. He also recently released Somebody Feed Phil: The Book, which instantly landed on the New York Times bestseller list.

Sarah Silverman: Grow Some Lips / Feb. 23, 7 p.m., at Queen Elizabeth Theatre

Silverman is a two-time Emmy Award-winning comedian, actress, writer and producer. She currently hosts her weekly podcast, available on iTunes and wherever podcasts are available. She can next be seen as the host of TBS’s Stupid Pet Tricks, an expansion of the David Letterman late-night segment. She recently wrapped production on Netflix’s Maestro, a biopic on the life of composer Leonard Bernstein, where she will star opposite Bradley Cooper.

Ari Shaffir / Feb. 25, 9:30 p.m., at Vogue Theatre

Shaffir is best known for the storytelling show he created and hosted on Comedy Central called This Is Not Happening. His last Netflix special, Double Negative, won a Grammy for best comedy special before the award committee realized it was too filthy and didn’t represent the high standards that the Grammys has long stood for so the honour was stripped from him. Shaffir has had numerous appearances on the Joe Rogan Experience podcast, as well as WTF with Marc Maron, The Adam Carolla Show and Your Mom’s House. His own podcast, Ari Shaffir’s Skeptic Tank, is a chart topper that comes out every week.

Sarah Sherman / Feb. 16, 9:30 p.m., and Feb. 17, 7 p.m., at Biltmore Cabaret

Sherman aka Sarah Squirm is currently a featured player on Saturday Night Live. Outside of the show, she is known for her unconventional and popular live show, Helltrap Nightmare. She was chosen as one of the 2021 Just for Laughs’ Montreal’s New Faces of Comedy.

Jared Freid / Feb. 22, 9:30 p.m., and Feb. 23, 7 p.m., at Rio Theatre

Freid is a stand-up comedian based out of New York City, with a strong focus on dating and relationships. His comedy is current and reflects the ordinary daily thoughts of everyone you know, especially if you know a lot of millennials who are obsessing over dating apps, trying to be real adults, and worrying about their bodies. He co-hosts the podcast U Up? with Jordana Abraham, where they discuss their takes on modern dating, and recently launched a new show, Dating Makeover, a podcast presented by Spotify.

An Intimate Evening with Adam Pally / Feb. 17, 7 p.m, at Rio Theatre

Songs, stories and jokes come together just like Momma used to make it. Enjoy the stories, sing along to the songs, hopefully think the jokes are in fact jokes and the price of the ticket and commute and being around a bunch of strangers was worth it. I, uh, I mean whoever is writing this, definitely not Adam Pally, is so thankful for the opportunity to entertain you.

Hannah Berner / Feb. 18, 9:30 p.m., at Rio Theatre

Berner was born in Brooklyn, N.Y., and played competitive tennis for the University of Wisconsin. She emerged on the comedy scene by directing, editing and acting in videos on Instagram and writing viral tweets. She has two podcasts, Giggly Squad and Berning In Hell. Berner is an advocate for mental health, animals and napping.

* * *

For the full Just for Laughs Vancouver lineup and show tickets, visit JFLVancouver.com. 

– Courtesy JFL Vancouver

Format ImagePosted on February 10, 2023February 9, 2023Author JFL VancouverCategories Performing ArtsTags comedy, Just for Laughs, Vancouver

One is never too old to learn

I had the privilege of seeing Mark Leiren-Young’s play Bar Mitzvah Boy when it premièred at Pacific Theatre in 2018. It was funny, edgy and insightful, and well-acted by Gina Chiarelli and Richard Newman. It contained a lot of local references, making it even more special.

image - Bar Mitzvah Boy book coverWhat I see from the Playwrights Canada Press edition, which was published in 2020 and arrived at the JI sometime in 2021, is that Leiren-Young’s notes on various aspects of the play allow productions to change certain references and pronunciations to localize the action, thereby making it special no matter where it is performed. For instance, the audience first meets Rabbi Michael Levitz-Sharon, who is in her mid-30s to maybe 45 years old, on a jogging path, “dressed in sweats and a ball cap for a local sports team.”

The next scene: in the rabbi’s office, there sits a man in his mid-60s or older, Joey Brant, “decked out in prayer regalia – including tefillin, which are on incorrectly.” This is our first hint that he, despite initial appearances, is not a rabbi or a religious Jew. When Michael arrives, Joey assumes that the relatively young woman in running gear doesn’t belong at the synagogue – and certainly isn’t the congregation’s spiritual leader. This exchange sets the tone for the essentially two-person play that unfolds. The other cast member is Sheryl, the receptionist, who is never seen, only heard. As described by Leiren-Young, the actor of this role (which was Jalen Saip in 2018 at Pacific Theatre) should have “the accent you want the woman who runs your local deli to at least pretend to have.”

I love having these types of stage direction “made public.” It is a completely different experience to read a play than to attend it in person. It’s almost like listening to the acoustic version of one of your favourite pop musicians – if they are able to sing on key and play their chosen instrument skilfully, they really are excellent at their craft. Similarly, if the words of a play still make you laugh and cringe and move you emotionally in other ways, with no cues from actors or audience members, it is a very well-written play. Bar Mitzvah Boy in book form made me do all those things – I chuckled a lot throughout, and also got teary near the end. Michael and Joey (the bar mitzvah “boy,” btw) are both dealing with some serious, raw issues.

Since I finished the book, I’ve been revisiting some of the many topics it covers. I’ve thought about my own beliefs about Judaism and faith, what happens after we die, what makes a good friend, parent or spouse, how people navigate challenges differently, the ways in which a congregation (or any other group) can be both supportive and trying at the same time.

Leiren-Young dedicates the publication to his mother, Carol Leiren: “I guess it was worth sending me to Talmud Torah.” For viewers or readers of Bar Mitzvah Boy, it certainly was worth it – thank you.

Posted on December 9, 2022December 8, 2022Author Cynthia RamsayCategories BooksTags Bar Mitzvah Boy, comedy, drama, Judaism, Mark Leiren-Young, play
A crush leads to new career

A crush leads to new career

Liz Glazer headlines the Nov. 24 Chutzpah! event Celebrating Queer Jewish Comedy. (photo from Chutzpah!)

Lawyer-turned-comedian Liz Glazer shares the Rothstein Theatre stage Nov. 24 with the Holy Sisters, Israeli drag queens Ziona Patriot and Talula Bonet, in the Chutzpah! Festival event Celebrating Queer Jewish Comedy. The evening is hosted by multidisciplinary artist and performer Yenta, whose alter ego is Stuart B. Meyers.

Based in New Jersey, Glazer is an award-winning comedian. Before taking to the stage as a career – and engaging in other creative endeavours, including acting and writing – she was a tenured law professor.

Of comedy, Glazer said, “I never intended to get into it. I had a crush on a woman who asked if I ever thought of doing comedy (no) and said she would put me on her show (to which I initially also said no, then realized she would probably be at her own show, so I said yes). I loved it so much from that first performance, and I think what I loved about it wasn’t even the laughs or attention or even that this woman I had a crush on was in the audience, though all of those things were nice, but that all I had to be to do it was me.

“I enjoyed teaching law, but there was always something about it where I had to fit what I wanted to say or write about into a framework of legal analysis. I had to have the topic of whatever I was saying or writing be the law, not just my own life, because there would eventually be something like a bar exam. When I did comedy, all I needed to talk about was myself. Though I should note: after all of my shows there are exams, so audience members should be prepared for that.”

Glazer’s first comedy performance was on March 5, 2013. She admitted to having been “a wreck.”

“I wrote stuff to say,” said Glazer, “but had the thankfully correct instinct that it wouldn’t connect with the audience or be funny or good, so I called a friend with experience performing comedy and she told me to just say something vulnerable to the audience at the beginning of my set.”

Thinking she got the message, she hung up before realizing she didn’t know how to be vulnerable.

“They don’t teach you how to do that in law school,” she said. “So, I paced around a bunch trying to think of something vulnerable to say, couldn’t really think of anything, then headed to my front door to leave for the show…. I see a package at my front door, and I hadn’t ordered anything.”

With time to spare before the show, Glazer brought the package inside. As she was about to open it, she said, “I realize[d] a trick to being vulnerable is not knowing the answer to something, and I didn’t know what was in the package, so perhaps the vulnerable thing I could do to start my set would be to open the package on stage. So I did.

“Turns out the package was from my mom, who had visited my apartment a couple weeks before and noticed that my white fluffy cat Mona – who would climb to the top of my closet – was shedding her white fluffy fur on my dark suits I would wear to teach class, making me look like a white fluffy law professor. My mom said I should buy vinyl suit covers … [but] knowing I wouldn’t, she ordered me three packs of six of them and sent them to me without my knowledge. So, my first set ever began with my opening this package on stage and explaining to the audience my relationship with my mother and my cat Mona, and how I’m a law professor who teaches class with white fluff all over my suits. And it worked! I think because, even though I had no idea how to do comedy, I couldn’t not be myself because I was genuinely reacting to what was in that package in the moment I opened it for the first time along with the audience. And/or because, as a rule, vinyl suit covers are very funny.”

Glazer no longer relies mainly on improvisation, but it still is an important part of her act.

“I do write a lot of jokes,” she said, “and much of my shows consist of prepared material but also improvising is everything, to quote the great Joan Rivers (in a very short interview I saw somewhere and am not sure where). Live comedy, whether it’s written down ahead of time or not is, by nature, dependent on interaction and connection with the audience which is, by nature, improvisational. So, to prepare for a show, I make sure I know what I want to say – sometimes a set of things and, more often, one big idea I want to get across – and I annoy my wife for a few hours repeating it aloud while she tries on clothes and asks me if I like them. And I try to meditate before [a show] because the key ingredient for me is clearing my focus so I can be present with the audience in the moment. That’s really the stuff. Connection and clarity.”

Glazer is married to Rabbi Karen Glazer Perolman, a spiritual leader at Congregation B’nai Jeshurun in Short Hills, N.J.

“I was raised going to Orthodox Jewish day school, a Conservative synagogue, and I’m now married to a Reform rabbi, so I think that makes me Chassidic,” Glazer joked. “I do talk about being Jewish in my comedy, and I do comedy for Jewish organizations and synagogues frequently. I talk about being married to a rabbi and, when I do comedy for Jewish audiences, I talk more extensively about my upbringing and how I learned in school all of these rules about what not to do, then lived in a house where we ate pepperoni pizza on trayf silverware on Shabbos.

“At an even deeper level,” she said, “my lineage consists of four out of four grandparents who survived the Holocaust. Not to brag, but it’s true. And I think of them constantly when I do comedy, especially when it’s explicitly about being Jewish and especially now as antisemitism is on the rise, unfortunately. There’s always a fearful part of me that wonders how much to talk about being Jewish in situations where there might be antisemitic people in the audience or if I post a video that may spark antisemitic comments, but I think of my grandparents in those moments, too. I think, if they survived for me to not be loudly Jewish, what was the point?”

Glazer doesn’t shy away from who she is or what challenging circumstances she has faced.

“I’m recording an album soon called Still Born Sorry, about grief and trauma and stillbirth (and it’s funny!) that will be an audio album available wherever you get your music and such, and also part of a documentary film about how I was supposed to record an album and have a baby last year, and neither of those came to fruition when I thought they would. That prior album was supposed to be called Born Sorry, and was postponed due to a stillbirth, so this one (the album and the documentary) will be called Still Born Sorry, which may be the best pun I definitely did not intend.”

In addition to the Nov. 24 performance at Chutzpah!, Glazer will be leading a two-hour workshop on the afternoon of Nov. 25. Participants will explore their “personal experiences, opinions and overbearing family members to find funny material to bring to the stage,” as well as setting up a “punchline joke structure and what it means to find a comedic voice.”

For anyone a little nervous about trying to seek out that voice, Glazer said, “I adore nervous people, so I really encourage especially those who are, to come to the workshop.”

Glazer encouraged readers to check out her website, dearlizglazer.com, and send her “a nice email! I would love to hear from you!”

For tickets to Glazer’s workshop and any Chutzpah! performance, visit chutzpahfestival.com.

Format ImagePosted on November 11, 2022November 9, 2022Author Cynthia RamsayCategories Performing ArtsTags Chutzpah!, comedy, Liz Glazer, standup
Welcome back, TUTS!

Welcome back, TUTS!

Much of the humour in Something Rotten! comes from Nostradamus (Jyla Robinson), right, leading Nick (Kamyar Pazandeh) astray with incorrect visions of the future. (photo by Emily Cooper)

Theatre Under the Stars is a fun, relaxing way to ease yourself back into theatre after the COVID hiatus. Its two productions, Something Rotten! and We Will Rock You, are happy fare that alternate nights through Aug. 27, outdoors at Stanley Park’s Malkin Bowl.

The Independent saw Something Rotten! on opening night, hoping to see Jewish community member Daniel Cardoso, who plays Jewish moneylender Shylock in the TUTS productions. However, it was understudy Simon Abraham who took on the role of the moneylender that night. He and the entire cast put on a great show.

In this comedy, set in 1595, Shakespeare is monopolizing the theatre industry and playwright siblings Nick and Nigel Bottom are trying to write a hit. They face several challenges, including being in debt to Shylock, who is willing to forgive that debt if they permit him to produce their new production. However, they initially refuse because he and they could be put to death, as Jews at the time were permitted few professions, one of which was moneylender.

Something Rotten! takes on – in very light manner – antisemitism, the treatment of the poor and the place of women in Shakespeare’s time. It also takes on these issues as they are depicted in Shakespeare’s plays and poetry.

“Shylock has been a very interesting character to explore and I extremely grateful to our director, Rachel Peake, for giving me the chance to do so,” Cardoso told the Independent in an interview before the show opened. “In researching for this part, I certainly took a cursory look at Merchant of Venice, but only so I could have an idea of who Shakespeare’s Shylock is. Because of how much Something Rotten! subverts the audience’s expectations of these well-known Shakespearean characters, there are only a few similarities between what I’m doing and what we see in Merchant of Venice. I don’t think that antisemitism is a central theme of this show, but we certainly get a view of it through Shylock.

“I also dove into what antisemitism looked like during the time of the Renaissance,” he continued, noting that Jews were “expelled from England in the late 13th century and only officially allowed to return in the mid-17th. However, it does appear that there were indeed Jewish people living in England during Shakespeare’s time and that some even fled to England from Spain and Portugal, due to the Inquisition.”

Cardoso sees parallels between Shakespeare’s time and today’s undocumented immigrants in both Canada and the United States and the refugee crises around the world. “In trying to find a way into the Shylock ofSomething Rotten!,” he said, “I found myself drawing on these modern-day examples, as well as trying to imagine what it must have been like for Jewish people in the time of the Renaissance or various other points in history. I found that, given my own connection to the community, this hit quite close to home for me. At the end of the day, he’s a smart guy who works hard and, despite the obstacles in front of him, he is able to be an equal and a friend to many of the characters in the show.”

Not such a smart guy is Nick Bottom (Kamyar Pazandeh) who, in trying to skip the hard work and best Shakespeare (Daniel Curalli), seeks out a soothsayer, Nostradamus (Jyla Robinson), who tells him that musicals are the popular theatre of the future. Nick sinks the last pennies he and his wife Bea (Katie-Rose Connors) have into a musical production with a reluctant Nigel (Vicente Sandoval), who has Shakespeare’s talent but lives in his brother’s shadow. It is only after Nigel meets Portia (Cassandra Consiglio), the daughter of Puritans, that he becomes to his own self true.

The homage to and satire of both musicals and Shakespeare makes for a lot of laughs and reference guessing – is that line or musical snippet from Annie, Evita, Rent, A Chorus Line, or more than a dozen other shows? Standout songs are “God, I Hate Shakespeare,” with the Bottom brothers’ differing views of their main competitor; “The Black Death,” a cheery ditty about the plague, the Bottoms’ first musical attempt; “Will Power,” Shakespeare enjoying his rockstar status, amid fawning, crying, screaming, fainting fans; and “Make an Omelette,” the title song of the Bottoms’ new musical. Foreseeing Omelette instead of Hamlet as Shakespeare’s best-ever play is only one of the soothsayer’s many slightly incorrect visions.

“It’s been a privilege to get to work on Something Rotten!” said Cardoso, who has been in four other TUTS productions. “It’s an extremely funny show and, if you’re a fan of either musical theatre or Shakespeare, then you’ll have a fun time at this show. And, if you like both, even better!”

For tickets to either of this season’s productions, visit tuts.ca.

Format ImagePosted on July 22, 2022July 20, 2022Author Cynthia RamsayCategories Performing ArtsTags antisemitism, comedy, Daniel Cardoso, history, satire, Shakespeare, Shylock, Theatre Under the Stars, TUTS
Take a comedy break

Take a comedy break

Left to right, Ori Laizerouvich, Israel Atias, Daniel Gad and Omer Perelman Striks co-star in The New Black. (photo from ChaiFlicks)

I have to improve either my Hebrew comprehension or my English speedreading skills before April 12. The second season of The New Black premières that day on ChaiFlicks and it’d be great if I could understand more of what was going on – even with my limited capacity, the first season was an absolute blast.

Also recently premièring on the streaming service ChaiFlicks, which carries all sorts of Israeli films and TV shows, was the second season of Checkout, an Israeli comedy in the tradition of American sitcoms Superstore, The Office and Parks and Recreation. It has some seriously funny moments, though a couple of the characters may grate on folks, as some of the characters on the aforementioned American shows did.

Superstore takes viewers into an Israel that most Jews will recognize, but that will be less familiar to those whose only experience of Israel is via the news. The show is set in a small supermarket, Issachar’s Bounty, in a small town, Yavne. The store’s patrons are regulars, and one in particular, fanny-packed customer Amnon, who has a complaint or gets into a confrontation every time he comes in to shop, is particularly annoying, as often is his main sparring partner, the brash cashier Kochava. But the other characters – notably Shira, the store manager who idolizes and sees herself as an up-and-coming Steve Jobs – offer enough less-in-your-face humour that the show is well worth watching if you like reality-show-type comedies. As in the other shows of this genre, there is a camera crew making a documentary about the store, so the characters not only interact with one another, but express their views in interview snippets with the film crew.

photo - The cast of Checkout, left to right: Amir Shurush, Noa Koler, Keren Mor, Yaniv Swissa, Dov Navon, Daniel Styupin and Aviva Nagosa
The cast of Checkout, left to right: Amir Shurush, Noa Koler, Keren Mor, Yaniv Swissa, Dov Navon, Daniel Styupin and Aviva Nagosa. (photo from ChaiFlicks)

In the guise of humour, many a true observation is made in Superstore, which touches upon social inequality, terrorism, racism, homophobia and many other issues. Viewers can choose to just laugh at the goings-on depicted or they can take more away from the show. The same can be said of The New Black, which has some uncomfortable moments – for example, are we supposed to laugh when one of the yeshivah students is appalled when his matchmaker sets him up with a woman who uses a wheelchair? I don’t think so. I think we’re supposed to be appalled at his behaviour, behaviour that one can easily imagine of many self-absorbed 20-something guys who fancy themselves a prize despite all evidence to the contrary.

That the four yeshivah boys at the centre of The New Black seem like regular college-age men is why the show has broad appeal. That is does, while also being packed with somewhat-high-level (to non-Orthodox Jews) talmudic discussions, is a notable achievement. It is easy to see why the show was nominated for eight Israeli Television Academy Awards. It is smart, engaging, fast-paced and has a fantastic soundtrack. While non-Jews will have to watch it with a semi-knowledgeable Jewish friend and non-Hebrew-speaking Jews will occasionally have to press pause to take in the subtitles fully, The New Black has legs … and Borsalinos aplenty.

For access to these two comedies, and many other programs, visit chaiflicks.com.

Format ImagePosted on April 8, 2022April 7, 2022Author Cynthia RamsayCategories TV & FilmTags ChaiFlicks, Checkout, comedy, Israel, sitcoms, television, The New Black
Diverse and innovative films

Diverse and innovative films

A still from Amanda Kinsey’s documentary Jews of the Wild West, a series of vignettes that shines a light on a noteworthy and usually overlooked history.

The Wild West, Jews in Germany and a surprisingly vivacious Israeli seniors home feature among the diverse films at the Vancouver Jewish Film Festival this year.

Somehow, we tend not to associate Jews with the legends that have built up around the development of the American West, a serious oversight that is in the crosshairs of filmmaker Amanda Kinsey’s documentary Jews of the Wild West.

The mythology of the Wild West is perhaps as much an invention of Hollywood as of history, so it is notable that the 1903 film The Great Train Robbery, which introduced the genre of the cinematic Western, featured Gilbert “Broncho Billy” Anderson – né Max Aronson.

The myth of the West was no less inspiring to Jews than to other Americans and dreamers from around the world. Perhaps one of the most famous names in the lore was Wyatt Earp. The film introduces us to Josephine Marcus, who fled her family in San Francisco to become an actress and ended up being Earp’s wife. Earp himself is buried along with the Marcus family in a Jewish cemetery.

The gold rush drew Jewish peddlers and merchants to the West Coast in the late 19th century including, most famously, Levi Strauss, who left the Lower East Side and, via Panama, arrived in San Francisco. His brothers sent dry goods from New York and Levi sold them up and down the coast. When Jacob Davis, a tailor, was asked by a woman to construct pants that her husband wouldn’t burst out of, he imagined adding rivets. He took the idea to Strauss and the rest is American clothing history. As one historian notes, it was a Jew who invented “the most American of garments.”

The rapid industrialization in the mining sector is where the Guggenheim family got its start and so, while the name is now most associated with Fifth Avenue, the finest address in New York City, their start was in the gritty West of the 19th century.

We meet Ray Frank, the first woman said to have preached from a bimah. Called the “golden girl rabbi,” she was not ordained, but was apparently a phenomenon that drew crowds to her sermons.

Many people will know that Golda (Mabovitch/Meyerson) Meir spent formative years as an immigrant from Russia in Milwaukee and then Denver. This footnote to her history is often considered curious and interesting, but in this film it integrates the Jewish experience of the 20th century and its roots in the American West with the development of the Jewish state – the opening up of another frontier, one might say.

The Hebrew Immigrant Aid Society, seeing the poverty in the Lower East Side, actively encouraged migration to the West. The film introduces families who have worked the land for generations, some of whom have maintained their Jewish identity and at least one of whom was raised Methodist. But, it suggests, the thriving Jewish community of Denver owes much to the failed farmers of the West who made their way to the nearest metropolis to salvage their livelihoods.

The documentary is really a series of vignettes and at times the shift from one story to another is confusing but, as a whole, Jews of the Wild West successfully shines a light on a noteworthy and usually overlooked history.

* * *

The festival features two German films that complement each other in interesting ways.

In Masel Tov Cocktail, a short (about 30 minutes) film, high schooler Dima (Alexander Wertmann) welcomes viewers into his life just as he is suspended for a week as a result of punching a classmate in the face during an altercation in the washroom. The “victim,” Tobi (Mateo Wansing Lorrio), had taunted the Jewish Dima, graphically play-acting a victim in a gas chamber, a performance enhanced by the austere, sterile setting of the restroom’s porcelain-tiled walls. So begins an interplay of victim and perpetrator that is just one of several provocative themes weaving through this powerful short.

Dima’s family, it turns out, heralds from the former Soviet Union, like 90% of Jews in today’s Germany. After the fall of the Soviet Union and the reunification of Germany, the German government actively encouraged migration of Jews to revitalize Jewish life in the country. This fact, like other statistics and tidbits, is flashed across the screen.

Juxtapositions pack a punch, including Dima’s switching between a baseball cap and a kippa, perhaps reflecting his complex identities, as well as the schism in the identities of post-Holocaust Jews more broadly in a society that struggles to assimilate the idea of contemporary, living Jews in the context of the blood-soaked soil of their state. A shift from colour to black-and-white also evokes the stark break between the present and the past.

But the present and the past are themselves in conflict as Dima recounts how other Germans react when they learn he is Jewish. Why does he only meet Germans whose grandparents weren’t Nazis, he wonders. Statistic: a survey indicates that 29% of Germans think their ancestors helped Jews during the Holocaust, while the screen text helpfully informs us the number was more like 0.1%.

Dima’s teacher, who can’t utter the word Jew and struggles to get the word Shoah out of her mouth, wants Dima to share his family’s Holocaust story with the class. The film’s implication is that Dima’s family was largely spared the trauma of the Holocaust, but he decides to play along because, “There’s no business like Shoah business.”

Dima’s grandfather is taken in by the AfD, the neo-fascist Alternative for Germany party, convinced that their pro-Israel and anti-Muslim rhetoric means that they are defenders of the Jewish people. In a moment that confounds the AfD campaigner (and causes the viewer to reflect), Dima drags his grandfather away from the campaigner while yelling: “Don’t let foreigners take away your antisemitism.”

The film is kooky, funny and light, while also serious, dark and thoughtful throughout.

That description applies to the similarly named feature film Love and Mazel Tov, which features Anne, a non-Jewish bookstore owner who has Munich’s largest selection of Jewish titles and who herself is more than a little obsessed with all things Jewish – including potential romantic partners.

“Some are into fat. Some are into thin. Anne is into Jews,” a friend explains. This turns out to be more than a romantic or erotic attraction, perhaps a disordered response to national and family histories.

Thinking she has found not only a Jewish boyfriend but a doctor at that, Anna (Verena Altenberger) courts Daniel (Maxim Mehmet), who in typical cinematic fashion lets her believe what she wants to believe until the inevitable mix-up explodes in a farcical emotional explosion – though not before an excruciating family dinner.

Parts of the film exist on a spectrum between cringey and hilarious. The film features (at least) two fake Jews who don this identity for extremely different reasons, inviting reflections on passing, appropriation and the fine line between veneration and fetishization.

Both of these films use humour to excavate deeply troubling concepts of identity and addressing horrors of the past. They approach these challenging themes in truly innovative and entertaining ways.

* * *

Understated comedy is key to the success of Greener Pastures, an Israeli film in which Dov, a retired postal worker, has lost his home after a “pension fiasco” involving the privatization of the postal service.

He is a curmudgeonly old square when it comes to marijuana, which the government has decided should be available to anyone 75 and over, but he sees a moneymaking opportunity. Dov (Shlomo Bar-Aba) enlists a network of seniors to order medicinal cannabis and mail it to him so he can distribute it to his “connection,” who shops it around to younger consumers. This “kosher kush,” guaranteed “Grade A government-approved stuff” sold in tahini bottles, brings Dov into conflict with a two-bit drug kingpin in a wheelchair and, of course, a snooping police officer.

There is romance and suspense in this madcap caper, but there is also the theme of elder empowerment, along with the laughs.

The Vancouver Jewish Film Festival runs online only March 3-13. For the full festival lineup and tickets, visit vjff.org.

Format ImagePosted on February 25, 2022February 23, 2022Author Pat JohnsonCategories TV & FilmTags antisemitism, comedy, culture, drama, Germany, Gold Rush, Golda Meir, Guggenheim, history, Holocaust, Ray Frank, Vancouver Jewish Film Festival, VJFF, Wild West
Comedy and mental health

Comedy and mental health

David Granirer (photo from David Granirer)

Vancouver counselor and comic David Granirer has been standing up for mental health, literally, for nearly two decades. His brainchild, Stand Up for Mental Health, is a program that has helped hundreds of people on the road towards addressing and recovering from all sorts of psychological disorders by taking to the stage and performing comedy before live audiences.

The concept came to Granirer after observing his students during a stand-up comedy clinic he taught at Langara College in the early 2000s. While the course had nothing to do with mental health, Granirer noticed that some students experienced psychological benefits by the end of the semester.

“So, in 2004, I thought, why not put this in a package for people who wanted to do comedy but also wanted that life-changing experience? And, since I work in mental health and have a mental illness, this was the natural place to start,” said Granirer, who, in addition to advocating for destigmatizing mental illness, speaks openly about his own experience with depression.

“I’ve had students overcome long-standing depressions and phobias, not to mention increasing their confidence and self-esteem. There’s something incredibly empowering about telling a roomful of people exactly who you are and having them laugh and cheer,” he added.

The idea, which was seeded in Vancouver’s Oakridge neighbourhood, has blossomed to a program that Granirer has run in 50 cities throughout Canada, the United States and Australia – in partnership with mental health organizations in each area.

Granirer has trained nearly 700 comics since Stand Up for Mental Health’s inception. In that time, there have been more than 500 shows for a range of audiences, including mental health organizations, government departments, corporations, universities, correctional facilities and the military. He even created a show for the United States Secret Service in Washington, D.C., in May 2021.

In Vancouver, the Stand Up for Mental Health course is six months long. Classes start by teaching participants how to write stand-up routines; then they spend the next part of the classes working on their acts. Each week, participants write some jokes and bring them in to try in front of the class. Most of the acts are about their mental health experiences.

Classmates do a lot brainstorming together to hone the routines. At the halfway point, each student does a five-minute set. Afterwards, the prospective comics develop a completely new set for their graduation show at the end of the program.

In terms of therapeutic benefits, Granirer said doing comedy builds a comic’s confidence and self-esteem, enabling many to tackle other challenges in their lives successfully. It also helps get rid of the shame many feel about having a mental illness.

“People transform their past trauma into great comedy material,” he said. “In therapy we call that a cognitive shift. All the bad things they’ve been through now make a great act. Instead of feeling ashamed, they now feel proud of what they’ve been able to survive.”

Granirer emphasized that, while much can be explored in the process, the humour has to be clean, and there are taboo elements, such as homophobia, racism and antisemitism, which are off limits.

When the pandemic started last year, Granirer shifted to online classes and shows on Zoom. In 2021, Stand Up for Mental Health has done about 25 virtual shows for organizations across North America. Recently, live classes have resumed.

“The pandemic has also got in the way of my traveling to other cities where I’ve trained groups,” Granirer said. “I just finished training a group in Culpeper, Va., and had to emcee the show virtually instead of in person.”

Granirer has been the recipient of numerous accolades over the years. Among the honours decorating his mantel are an Award of Excellence from the National Council for Behavioural Health, a Life Unlimited Award presented by the Depression Bipolar Support Alliance, a Rotary Shine On Award in Australia for special achievement in mental health, and a Meritorious Service Medal from the Governor General of Canada.

His work for Stand Up for Mental Health has been featured in media throughout the world, including, of course, the Jewish Independent, and also in The Passionate Eye documentary Cracking Up. Granirer is the author of the book The Happy Neurotic: How Fear and Angst Can Lead to Happiness and Success.

The new year promises a busy start for Stand Up for Mental Health. On Jan. 12, Granirer and his team of comics are organizing “an evening of stigma busting comedy” called Speaking of Normal. The Zoom event will be hosted by TSN personality Michael Landsberg. To attend, visit wellnessinstitute.org/speakingofnormal.

The next Stand Up for Mental Health Vancouver class starts on Jan. 25 and is currently recruiting students. Classes are Tuesdays from 10:45 a.m. to 1:45 p.m. More information can be found at standupformentalhealth.com or by emailing Granirer at [email protected].

As far as being able to participate, Granirer stressed, “there are no prerequisites, no auditions, and no one needs to have any comedy experience. All they need is a desire to do stand-up comedy.”

He strongly encouraged his fellow Jewish community members to take part.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on December 17, 2021December 16, 2021Author Sam MargolisCategories Performing ArtsTags comedy, David Granirer, education, mental health, Stand Up for Mental Health, standup

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