comedy – Page 7

Experience range of emotion

Tzahi Grad, left, and Ala Dakka are great together in The Cousin. (photo from Shaxaf Haber/Venice Film Festival)

The 30th annual Vancouver Jewish Film Festival, which runs Nov. 7-Dec. 2, has an impressive lineup. Not only is there a wide range of quality films from which to choose, but the reach of the festival has widened, with screenings this year also taking place in West Vancouver and Port Moody. Here are just some of the great films you’ll be able to see.

Peace possible?

After Naftali, a successful Israeli actor-director, proudly shows his newly hired Palestinian worker, Fahed, the trailer for his latest creation – an internet series called One by One, which will bring Israelis and Palestinians together to talk and, eventually, Naftali believes, help bring about peace – Fahed’s response is, “Yes, it’s nice. It’s a little, um, a little naïve, isn’t it?” Begrudgingly, Naftali admits, “Totally, but not impossible.”

Maybe not impossible, but certainly beyond the scope of a web series, as Naftali soon finds out in The Cousin. When a ninth-grade girl is attacked in the neighbourhood, suspicion immediately falls on Fahed, who is arrested, then let out on bail – bail paid for by Naftali, who is pretty sure that Fahed is innocent. As the film progresses, Naftali’s beliefs are seriously challenged, both by his neighbours, who are champing at the bit to mete out their own justice on the not-proven-guilty Fahed, and by his wife, who wasn’t comfortable having a Palestinian worker in the first place. The pressure forces Naftali to confront his own latent racism, which arises rather quickly.

The acting in this film is excellent. Writer, director and star Tzahi Grad is convincing as the somewhat pompous but well-meaning Naftali and Ala Dakka is wonderful as Fahed, a compassionate, laidback, not-so-handy handyman who shows some promise as a rap musician. The supporting characters fulfil their roles believably. The oddball neighbours, who at first just seem to have been added for comic relief, become truly menacing, and Osnat Fishman as Naftali’s wife aptly portrays her transformation from merely nervous and annoyed to scared and angry.

The writing in the film is mainly good. The serious dialogue and action are compelling and there are humourous interjections that work to both lighten the material and shed light on it. However, there are other attempts at humour that are inconsistent with the overall mood and message. And the last three minutes of the film are completely bizarre, and really should have ended up on the cutting-room floor. But this should not stop you from seeing what otherwise is an entertaining, gripping and thought-provoking movie because, if nothing else, it’s such a bad ending that it’s almost good; at the least, it’s memorable, in a shake-your-head-in-wonder way.

The Cousin has three screenings: Nov. 10, 6:45 p.m., at Fifth Avenue Cinemas; Nov. 25, 2 p.m., at Kay Meek Studio Theatre (West Vancouver); and Nov. 26, 6:45 p.m., at Inlet Theatre (Port Moody).

– CR

A tragic thriller

photo - In Act of Defiance, Antoinette Louw, imbues Molly Fischer with backbone, wit and warmth to match her husband, Bram, played with verve and intelligence by Peter Paul Muller — In *Act of Defiance*, Antoinette Louw, imbues Molly Fischer with backbone, wit and warmth to match her husband, Bram, played with verve and intelligence by Peter Paul Muller. *(still from* Act of Defiance)

Bram Fischer is one of the great Jewish heroes of the 20th century, yet he is not widely remembered outside his native South Africa. The crackling moral thriller An Act of Defiance, which recreates the attorney’s gutsy exploits during the Rivonia Trial in the early 1960s, brilliantly revives his legacy.

From the outset, the film defines Fischer (played with verve and intelligence by Peter Paul Muller) less by his considerable legal skills and reputation than by the company he keeps: he is a strategist and ally of Nelson Mandela and the other leaders (several of them Jewish) covertly plotting against the apartheid regime. In fact, Fischer is supposed to be at the meeting where the police bust in and arrest the activists.

Free and available to represent the accused against charges of sabotage, Fischer is more than their defender and advocate: he’s an active member of the resistance whose actions – epitomized by a tense, protracted sequence in which he smuggles key documents out of a government building, inadvertently placing his family in danger – express his commitment and courage even more than his legal challenges and parries.

Fischer’s extracurricular activities have the effect of pushing An Act of Defiance out of the realm of courtroom drama and into a full-bore thriller. That said, the film never loses sight of the plight of the Rivonia defendants, who face death sentences if convicted.

Dutch director Jean van de Velde fills the cast with South African actors such as Antoinette Louw, who imbues Molly Fischer with backbone, wit and warmth to match her husband. Along with its other attributes, An Act of Defiance is a moving love story.

An Act of Defiance screens Nov. 11, 3:30 p.m., at Fifth Avenue.

– MF

Faith and family

photo - Emily Granin and Moshe Folkenflik share one of several touching moments in Redemption — Emily Granin and Moshe Folkenflik share one of several touching moments in *Redemption*. *(still from* Redemption)

Redemption, which is called Geula in Hebrew, after the main character’s daughter, is a powerful film, the emotional impact of which builds up imperceptibly, such that you may only find yourself teary-eyed awhile after it has ended, when all the feelings it evokes finally reach the surface.

Co-directors and co-writers Joseph Madmony and Boaz Yehonatan Yacov grab viewers’ attention right away, with a lyrically and musically edgy song accompanying us as we follow Menachem through the streets to the drugstore, where he gets his photo taken – even though his attempts at smiling fail – then pausing to have a smoke before returning to his apartment to relieve the babysitter. Within the first five minutes, we know he is an awkward, sad, kind and generous Orthodox Jew, as well as an attentive, caring and loving father.

Other aspects of his life come into focus as he reconnects with his former friends and band mates, including his reason for reuniting them. Menachem’s 6-year-old daughter, Geula, needs expensive cancer treatments if there’s a chance for her to survive the cancer that killed her mother. Menachem, who works at a supermarket, needs the money that the band could make from playing at weddings.

The renewal of the friendships involves the reopening of some old wounds, and the men’s paths to healing are stories well told, though the film is mainly about Menachem, who, we find out, broke with the group when he became religious 15 years earlier. Moshe Folkenflik plays the widower with nuance, humility and depth, and Emily Granin as his daughter, Geula, captures the strong will, intelligence, bravery and fear of this young girl, playing with subtlety what could have been a maudlin role.

Redemption will be screened twice: Nov. 12, 8:45 p.m., at Fifth Avenue and Nov. 29, 8:45 p.m., at Inlet Theatre. [It will also screen as part of the Victoria International Jewish Film Festival on nov. 4, 1:30 p.m., at the Vic Theatre. For tickets and information to the Victoria festival, visit vijff.ca.]

– CR

Smiles and belly laughs

photo - Nate Kroll, left, and Elliot Gould provide many laughs in Humor Me — Nate Kroll, left, and Elliot Gould provide many laughs in *Humor Me. (still from* Humor Me)

Sam Hoffman’s resoundingly funny debut feature, Humor Me, imagines a well-appointed New Jersey retirement community as the setting for mid-life rejuvenation and resurrection. Neatly avoiding or flipping every cliché about seniors (cute, crotchety or flirtatious), the adult son-aging father dynamic and the theatre, Humor Me is a warm-hearted, flawlessly executed fable.

When his wife takes their young son and leaves him for a billionaire, talented-but-blocked playwright Nate Kroll (New Zealand actor Jemaine Clement) has to move out of their Manhattan brownstone and into the guest bedroom at his dad’s town house at Cranberry Bog. Bob (a note-perfect turn by Elliot Gould) is an inveterate joke teller, but his repertoire doesn’t work on a 40-year-old failed artist.

“Life’s going to happen, son, whether you smile or not,” he declares, a philosophy that the audience can embrace more easily than Nate can. If it contains a bit of Jewish fatalism, well, that’s Gould’s voice. So Bob’s jokes, which are consistently risqué and constructed with an ironic twist, have a faint air of the Borscht Belt about them. (It’s not a coincidence that Hoffman produced and directed the web series Old Jews Telling Jokes.)

There’s not a single stupid character in Humor Me, including Nate’s bland, successful brother (Erich Bergen), and this generosity of spirit means we’re always laughing with Nate’s foils, not at them. It helps immeasurably that Hoffman (best known for producing the TV show Madame Secretary) assembled a veteran cast – Annie Potts as Bob’s girlfriend, Le Clanché du Rand as a flirtatious senior and Bebe Neuwirth as a theatre heavyweight – that nails every last punch line and reaction shot.

Humor Me plays out the way we hope and expect it will, which is to say it delivers on its implicit promises. En route, it provides lots of smiles and several belly laughs. Even Nate, who’s well aware that he’s earned every joke that he’s the butt of, gets his share of one-liners. There’s plenty to go around, you see.

Humor Me is at Fifth Avenue on Nov. 14, 1 p.m.

– MF

For the full Vancouver Jewish Film Festival schedule and tickets, visit vjff.org.

Michael Fox is a writer and film critic living in San Francisco.

Love your uniqueness

Pamela Schuller will share her story at FEDtalks Sept. 16. (photo from JFGV)

On Sept .16 at Vancouver Playhouse, as part of FEDtalks, Pamela Schuller, an internationally known disability and mental health advocate and professional stand-up comedian, will share her story. Her aim? To inspire attendees to remember and cherish what makes them unique.

Schuller divides her time between being running a Jewish teen mental health initiative in New York City and traveling the world, using her own experiences to discuss inclusion and the importance of embracing differences and disabilities.

“I tell my story of growing up with a severe case of Tourette syndrome (TS) and obsessive compulsive disorder (OCD) … and how, over time, I learned how to be more than OK with those things,” said Schuller. “I learned to love them and embrace them, and found that they add positive, incredible things to my life when I allow them to.”

According to the website tourette.ca, TS is “a neurodevelopmental or brain-based condition that causes people who have it to make involuntary sounds and movements called tics.” And, according to the Canadian Mental Health Association (cmha.ca), OCD is “a mental illness … made up of two parts – obsessions and compulsions. People may experience obsessions, compulsions or both, and they cause a lot of distress.”

Growing up in America’s Midwest, Schuller felt she stood out as the oddball kid with TS. Her mom had a hard time raising her. And, as her mom struggled, so did Schuller – dealing with having TS, as well as with numerous trips to the hospital for broken bones and depression. It took a boarding school environment for Schuller to be able to come out of her shell.

“I’d always felt like I was something my community had to work through, that I was a nuisance,” Schuller told the Independent. “But, at this boarding school … well, I’m not going to tell the whole story … I’ll save that for when I’m in Vancouver. But, I can tell you that the school knew that, if I was going to pull myself out of this space of feeling worthless, I’d need to have something about myself that I loved. So, their goal was to help me find one thing about myself that I loved. And we used that to catapult me into realizing that the one thing I love about myself translates into other areas of my life. And that, maybe, I don’t love this thing despite TS, but maybe, in actuality, TS adds to this thing that I love.”

Schuller speaks openly about being depressed before experiencing this mental shift, and of not having wanted to be a part of this world.

“To be honest, I think it’s a journey that doesn’t stop,” she said. “I still have days where it feels like having TS is bad, embarrassing or painful. And I have to remind myself that it’s OK and that there are still things I love about myself … and that, a lot of them, I learned because of TS.

“The first thing I learned that I love about myself was my sense of humour. But, it took some time to channel that sense of humour from snarky and sarcastic … to a more channeled sense of humour.

“Then, over time, I started talking seriously, not using humour, about what it means to love differences, to love the most challenging thing about yourself, the thing you struggle with the most.

“A few years ago, I realized that stand-up and talking about disabilities don’t have to be separate. So, I combined them into a talk, with humour and storytelling.”

A few years ago, Schuller earned a master’s degree in child advocacy and policy, with an emphasis on creating inclusive communities.

She believes that much of celebrating differences is about believing it is possible – that, whatever you bring to a community, you can be a part of that community.

Stand-up comedy serves as a sort of therapy for Schuller. “When I’m on stage, it’s not that my TS calms down … but, even on a tough day, I’m reminded that I love my brain,” she said. “And my brain allows me to do stand-up and have TS.

“That reminder allows me to see other things about me that I love. I think I’ve always seen the world from a different point of view, in part, because of TS. Comedy allows me to point those things out and, in a way, speak without being judged.”

Schuller encourages people to find the one thing that makes them incredible and unique.

As far as what people can expect to get out of her talk, Schuller said, “It doesn’t matter if you have a disability or not, the message is pretty universal. So, you can expect to laugh, to think about things and, maybe, sometimes, to cry, because feelings come up.

“Some of these conversations are tough. We’re all afraid of what we don’t know or maybe we don’t feel so great about ourselves or what we bring into this world. I think, by pairing humour with some of these messages and storytelling, it makes people think – about themselves and how they treat others, how they treat people in their community and what their community is doing.

“I walk into teen communities and I have everyone laughing and thinking,” she said. “And, when I finish, the teens line up to talk to me, share with me or ask questions. So, I think that my goal is to not be preachy, but to be a conversation starter.

“Typically, when communities bring me, they’ll have me perform for everyone. Then, I’ll do workshops, classes and programs. I’ve been working with communities around being inclusive for years, professionally, sharing ideas and talking about the tension points in your community around inclusion and how can we come up with some ideas that might help that.”

Schuller and her family have realized that, sometimes, the things they struggle with the most can also be their greatest strengths.

“It doesn’t mean I don’t still end up in the hospital from broken bones, from TS, but, even in those tough moments, as a family, we’re able to find humour … and to find those moments where, we’re like, ‘OK, this is so amazing … how cool that we’re learning this, doing this or experiencing this.’”

For tickets to FEDtalks ($36), visit jewishvancouver.com.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Success in comedy biz

Mark Breslin (photo from Temple Sholom)

Yuk Yuk’s co-founder Mark Breslin is excited to be entertaining Jewish Vancouverites at Temple Sholom’s annual spring fundraiser May 6.

“I can’t get enough Jews in my life,” he told the Independent. “I’m married to a Catholic woman but I’m a Jew through and through. Any time I can talk about Jews and Jewishness, and my unique views on that, I jump at the opportunity because comedy is the jazz of our people. That’s how I express my Jewishness in the biggest way, not by keeping kosher or going to Israel each year, but through comedy.”

Breslin opened his first Yuk Yuk’s location in 1976. Today, he has 15 Yuk Yuk’s franchises across the country, has published four books, produced programs for television and radio, and appeared in theatrical productions. He’s a sought-after public speaker and, in December 2017, he was awarded the Order of Canada.

“Comedy is not usually something people respect, so it’s gratifying that some bureaucrats in Ottawa see what I’ve done with my life and think it has value,” he said. “But all the people I’d like to lord this over are dead now.”

Those people include a high school principal who informed Breslin he was a menace to society, as well as his aunts and uncles, who refused to attend his shows “because they thought I was wasting my life.”

Back when he started Yuk Yuk’s, Breslin said he received no support or encouragement from the people closest to him. “My mother was a child actress in the Yiddish stage in 1920, so you’d think she would be thrilled about what I was trying to build in comedy, but instead she was appalled by it right to the grave. My father was more ambivalent. He respected Yuk Yuk’s as a business and was proud of me, though he didn’t find the comedy funny. Even my friends thought I was nuts.”

When he began the first Yuk Yuk’s location, in Toronto, Breslin said his main goal was to avoid law school. “I thought I’d do comedy for a couple of years and find something else to do when it ran out of steam,” he admitted. “I never thought it would become my life!”

Initially, the Toronto Yuk Yuk’s was known as “that Jewish club,” because the names of the performing comedians were all Jewish. “When standup started, it was a very Jewish thing to do,” explained Breslin. “A lot of the comedians at that time were my friends from high school or university, and they gravitated to Yuk Yuk’s because they knew me.”

Today, standup is a mainstream phenomenon and Yuk Yuk’s is no longer known as a Jewish club. One thing that’s remained unchanged from the get-go, however, is Breslin’s insistence that his clubs be uncensored. “I’ve never censored an act in the 42 years I’ve been in business,” he said. “Being uncensored is important because the clubs are small enough that no one can control them. We have an obligation to be the official opposition and, these days, it’s more important than ever.” While he conceded that most comics exercise their right of free speech to talk about sex, not politics, he said, “Still, the opportunity is there.”

Yuk Yuk’s has two locations in British Columbia: Abbotsford and Vancouver. The Vancouver club opened in 1988 and is located on Cambie Street, near City Hall. It’s always been a success, said Breslin. “I measure success by some level of profitability, but also by how impactful our product is on the wider community and on comedy in general,” he said.

Among the comedians who got their start at Yuk Yuk’s are Russell Peters, Jim Carrey, Howie Mandel, Mike Bullard and Gerry Dee.

Breslin said that, on May 6, at the Temple Sholom event, he plans to talk about how each Jew has their own unique form of Jewishness and how we treat our culture as a Chinese buffet, picking what we want from it.

“I’m going to talk about the golden age of Judaism, 1950 to 1975, when it was cool and sexy to be a Jew,” he said. “I’ll try to figure out what happened between then and now, and why we’re a people in need of a good PR person. I’ll also reveal a lot of fun stuff about my life, my family and things I’ve done, relating that to comedy in general and what it means as a Jewish art form.”

For event details, visit templesholom.ca/inspired. The evening at Performance Works on Granville Island is titled Inspired to Act and includes comedy, music by Adrienne Robles and Liel Amdour, and the 2018 Tikkun Olam Youth Awards.

Lauren Kramer, an award-winning writer and editor, lives in Richmond. To read her work online, visit laurenkramer.net.

The magic of laughter

Magician Stephen Kaplan entertains at last month’s Empowerment session. (photo from Jewish Seniors Alliance)

On March 21, the Jewish Seniors Alliance, in partnership with Temple Sholom Seniors, once again brought the community a magical program of laughter.

In the program, which was the second in the 2017/18 JSA Snider Foundation Empowerment

Series with the theme Laughter and Music: Feeding the Soul, magician Stephen Kaplan delighted the audience of more than 100 people with his energy, sense of humour and enthusiasm.

Kaplan introduced himself as “the Maestro of Magic” and, as such, he said he conducts the magic that is within us all. Combining interactive entertainment with jokes and surprises is what he loves to do – and he does it so well.

The audience was shrieking with laughter and wonder. How did he guess that Heather’s first boyfriend’s name was Peter? How did he guess that Lila was thinking of the city Winnipeg? And how did he guess that the card that Bonny picked was a seven of diamonds? Did he really guess all that? It doesn’t matter. As a finale, he took a section of the Vancouver Sun, tore it into pieces and, within seconds, put it back together.

Gyda Chud, his preschool teacher, introduced him beautifully. Was she the one who instilled the charm and magic in him? Kaplan made sure that every one of the attendees left the program with a big smile.

The afternoon began with greetings from Bill Gruenthal, Arthur Gutman told some jokes and led the audience in Passover songs, and Ken Levitt, JSA president, encouraged people to join the JSA, if they hadn’t already.

Two more Empowerment sessions on the theme Laughter and Music are coming up: Perla’s Music Workshop on April 17 with Congregation Beth Israel, in conjunction with the Jewish Family Services’ Seniors Lunch program; and Music for Our Hearts and Songs We Love on June 25, with the Kehila Society in Richmond. For more information, visit jsalliance.org or call 604-732-1555.

Tamara Frankel is a board member of Jewish Seniors Alliance.

Be a builder, dreamer

Temple Sholom is hosting Inspired to Act. The event will feature the comedy of Yuk Yuk’s co-founder Mark Breslin, plus the music of young local artists Liel Amdour and Adrienne Robles, and will honour the winners of the 2018 Tikkun Olam Youth Awards.

This annual spring fundraising event will take place the evening of May 6 at Performance Works on Granville Island. It will be an uplifting night of entertainment and inspiration, and the recognition of Vancouver’s Jewish youth’s efforts to repair the world, or tikkun olam.

Yuk Yuk’s is the largest chain of comedy clubs in Canada, and Breslin will keep the audience in stitches. He will also share his view that comedy is a way of life. “You don’t just perform comedy; you live it,” he said. “It’s something you do onstage and off; whether you’re in the business or not.”

After Breslin’s performance, the 2018 Tikkun Olam Youth Awards will be presented to two teenage members of the Metro Vancouver Jewish community. These young community leaders will be honoured for their vision to heal and their passion to make the world a better place. The winner of the Dreamer category will have envisioned an action plan to address an issue in need of repair, while the winner of the Builder category will have volunteered at the grassroots level to cause change.

Community members have until April 9 to nominate a candidate, who is a member of the Jewish community between 13 and 19 years of age. The Dreamers Award is $1,800, while the Builders Award is $270, and the awards are funded by the generosity of the Neil and Michelle Pollock Family Foundation. For more information and the online application, visit templesholom.ca/youth-award.

The entire community is invited to Inspired to Act. For more information, tickets or to make a donation, visit templesholom.ca/inspired.

Filler doing it her way

Deb Filler performs at the Chutzpah! Festival on March 4. (photo from Chutzpah!)

“I’ve performed all over the world, baked challah bread onstage, done shows everywhere, and this is the first time in all these years I am performing in Vancouver live. Delighted to be coming back to do a show! I hope there’ll be more,” Deb Filler told the Independent.

Filler, who will perform at the Chutzpah! Festival on March 4, lived in Vancouver for six months, starting in late 1979.

“I was tempted to stay but never did,” said the comedian, actor, musician, teacher and writer originally from New Zealand. “My career in North America started there. I had an agent and things were going well but New York called, Stella Adler and Uta Hagen, the great acting teachers I studied with. So, I drove across country and the rest as they say….”

While Filler left Vancouver for New York, she has lived in Toronto since 1995.

“I came for a film that was being made of my work, Punch Me in the Stomach, and I stayed and I fell in love,” she said. “Toronto is a terrific city for fun, culture. And it’s close to Europe and New York. I was in New York before that for 15 years, so I guess I’m a bit of a rightie not a leftie – coastie. Not politically, that’s for sure!”

Filler will be bringing her show I Did It My Way in Yiddish (in English) to the Rothstein Theatre for one performance only – March 4, 1 p.m. Described as a journey around the world, “jam-packed” with music (Filler on her guitar) “and a raft of loveable characters she creates,” the initial work was commissioned by the Jewish Community Centre London, called the JW3, as it is located on Finchley Road, NW3. The centre’s tagline is “The postal code for Jewish life.”

“It’s a fantastic modern facility in North London with cafés, art studios, a theatre, meeting places, gallery, classrooms, a school, a film space, a real cultural hub,” said Filler, who had worked with them before the commission. “I’d gotten a great response several times in the past and they were keen for me to come back for their U.K. Jewish Comedy Festival so asked me to perform a new show. I knew – because the stories I tell about meeting and befriending Leonard Bernstein, Leonard Cohen and another Jewish musician called Lenny – that London audiences would respond like audiences have all over the world. So, when they asked, I was delighted to agree, and now the show has been in New York, L.A., Sydney, Toronto, and is coming to Vancouver and D.C.”

Since the commission, the show has changed a bit.

“We made a short dramatic film of one of the stories, which is sometimes screened during the show as a multimedia segment, which Chutzpah! requested. Also, the name has changed to describe the show better than The Three Lennys.”

A March 2017 article on broadwayworld.com describes a bit of the show: “As Deb drives for a car service in New York City, she takes us on a truly incredible ride with Leonard Cohen, reducing the venerable Canadian folksinger to tears of laughter. Her story of meeting Leonard Bernstein as a teen, bringing him fresh challah bread from her father, a survivor of the Holocaust who heard Bernstein play Gershwin’s Rhapsody in Blue in a displaced persons camp after the war, is extraordinary. What happens next is truly unbelievable.”

One of the things that will happen next for Filler is a trip to Europe. “I’m being invited to Landsberg in Germany as guest of the reunion there of my father’s displaced persons camp, where Leonard Bernstein played and my dad saw him in 1948…. I’m also working on My German Roots Are Showing, which I read in London with actor Miriam Margolyes as my mother. She is fantastic!”

In a conversation a few years ago on Auckland’s Newsbeat (newsbeat.kiwi) with journalist Keren Cook, Filler spoke about Jewish humour and how her family provided a rich environment and offered many resources for her creative expression.

When the Independent asked her about how she takes into account her relatives’ feelings, Filler said, “There are red lines, nothing too personal, but my family are wonderful and amongst my biggest fans, so it’s been a pleasure to perform for them. One relative loved my show Punch Me in the Stomach, but somebody put a worm in her ear and she got defensive so I’ve taken her out of future shows to safeguard any feelings she may have about being exposed. It’s all done with love and admiration, and a bit of comedy of course. So, sometimes one must exaggerate for the laugh. But it’s all good.”

Filler taught at Brown University for 14 years in Providence, R.I., and she teaches at Humber College in Toronto and at Toi Whakaari (New Zealand Drama School), in addition to having private students. “I’ve recently started directing,” she said, “and just had a wonderful show open in Auckland for Pride Festival, called Random Shagger. It’s doing really well.”

She advises aspiring comics about to pick up the mic for the first time, “Be strong! Be brave! Have confidence in your persona. And do it for yourself, not for drunken college students who tend to populate comedy club audiences.”

For tickets to I Did It My Way in Yiddish (in English) and the full Chutzpah! Festival lineup, visit chutzpahfestival.com.

A history of Jewish humour

Matthew Gindin takes a pause in his talk, The History of Jewish Humour. (photo from Jewish Seniors Alliance)

On Nov. 24, the first session of the 2017-18 Empowerment Series started with a bang. Almost 80 people came out to launch the series’ season, which has the theme of Laughter and Music: Feeding the Soul. This first meeting was co-sponsored by Jewish Seniors Alliance and Sholem Aleichem Seniors of the Peretz Centre for Secular Jewish Culture, and it took place at the centre.

Featured speaker Matthew Gindin spoke on the topic The History of Jewish Humour. Gindin is a journalist, lecturer and teacher, and a regular writer for the Jewish Independent.

Gyda Chud, coordinator of Sholem Aleichem Seniors and vice-president of JSA, began the session by introducing JSA president Ken Levitt, who spoke briefly about JSA, and urged those who hadn’t yet joined, to become supporters and members.

Gindin began his talk by posing the questions, Why speak of Jewish humour; why do these words go so well together? He then proceeded to answer the question.

Jews have been over-represented in the comedy scene. At one time, they comprised 75% of the comics in America, while they were less than three percent of the population, he said.

Humour has a long tradition in Judaism dating back to biblical times. The name Yitzchak, Isaac, means “he will laugh,” explained Gindin. The prophet Elijah said that two jesters in the marketplace already had a place in the World to Come because they made people laugh. Reb Nachman of Bratzlav, the founder of the Chassidic movement, preached about the importance of happiness. Sigmund Freud also spoke of happiness and humour in his book Jokes and Their Relation to the Unconscious.

Jews are known for making fun of themselves, said Gindin. They have used humour as a means of preparing for things that could go wrong. It was a method of coping with the many negative experiences in their lives. He pointed out that this type of humour was mainly a product of Ashkenazi culture.

Gindin described several different types of humour. For example, jokes about assimilated Jews trying to fit into non-Jewish society, Chassidim telling jokes about themselves, Jewish folk humour, jokes told under Nazism and communism in order to relieve tension, and jokes about Israeli life. An example of folk humour can be found in Sholem Aleichem’s glossary of his stepmother’s curses. For example: “May you grow so rich that your wife’s second husband never has to work for a living.”

In the United States, Jewish humour became popular in theatres and comedy routines starting in the Borsht Belt, said Gindin. Much of this humour was self-deprecating. The comedians focused on such themes as Jewish-gentile differences, Jewish family dynamics, the stereotype of the Jewish mother, Jewish professions, the diminished role of the rabbi. An example is a joke about waiting for Moshiach (Messiah) – “at least it’s steady work.”

Gindin told many stories and had the audience in stitches. He then asked if there were questions or comments and if anyone had any good stories. The audience responded with many amusing jokes of their own.

Chud thanked Gindin and commented on how well he wove the theme of humour into its time and places and how well he explained how the words Jewish and humour went together. She then invited everyone for coffee and dessert.

The second session in this season’s Empowerment Series will take place on Jan. 24, in cooperation with Jewish Community Centre Seniors and will feature the film Broadway Musicals, A Jewish Legacy. This documentary, by Michael Kantor, narrated by Joel Grey, explores the unique role of Jewish composers and lyricists in the creation of the modern American musical.

There will be three more sessions on the Laughter and Music theme: March 21, with Temple Sholom seniors; April 17 with Beth Israel seniors, in conjunction with Jewish Family Services’ lunch program; and June 25, with Kehila Society in Richmond. For more information, visit jsalliance.org.

Shanie Levin, MSW, worked for many years in the field of child welfare. During that time, she was active in the union. As well, she participated in amateur dramatics. She has served on the board of the Jewish Federation of Greater Vancouver and is presently on the executive of Jewish Seniors Alliance and a member of the editorial committee.

An Israeli internet hit

Renny Grinshpan’s videos have gained quite an audience. (photo from Renny Grinshpan)

Born and raised in Toronto, Renny Grinshpan is the daughter of an Israeli-born dad and a Toronto-born mom. Her sister, Eden, works as a host on the food scene in Canada and the United States and recently hosted Top Chef Canada. For her part, Grinshpan is a bit of a celebrity herself – in Israel.

After finishing high school in Toronto, Grinshpan moved to New York City, where she studied history at New York University before heading to Columbia University to pursue her master’s in journalism. After six years in New York, she moved to Tel Aviv to be with her Israeli partner, Hadar Amar, and they still live there. This past June, the couple was married.

“Hadar and I met through a mutual friend at a bar in Tel Aviv,” she said. “We now live together in Tel Aviv. He works in strategic consulting.”

Grinshpan has been in Tel Aviv for about three years. “When I came here,” she said, “I worked as a content writer for Tross Creative House for a year. My boss there, Yaniv Tross, encouraged me to quit and start on-camera work, so I did. He cast me in my first video – a crowdfunding video for a start-up product that works against period cramps (Livia). Since then, I’ve been working as a freelance host, content creator and actor.”

Grinshpan became known in Israel’s comedy scene for her role on HaIsraeliot (the Israeli Girls), a Facebook page with female Israeli comedians, including Leah Lev and Meital Avni.

“I don’t do live shows,” said Grinshpan. “I tried stand-up comedy and realized it’s the scariest thing ever … and I am no adrenaline junkie!”

In her Facebook videos, Grinshpan delves into different aspects of Israeli culture from a Canadian perspective. As a relatively new olah (immigrant), these observations come naturally for her.

“I think my main audience is Israeli women,” she said. “It makes sense to me that Israelis are my biggest audience, because I think everyone enjoys hearing about themselves the most, especially from an outsider’s perspective.”

Grinshpan gained experience in video during her journalism studies at Columbia, where she focused on video journalism and learned how to film, edit and build a narrative visually.

“I made several short documentary-style videos that year and the year following,” she said. “When I worked at Tross, I got experience writing creatively for the first time – writing scripts for product and crowdfunding videos for start-ups.

“When I started freelancing after Tross, I worked not only as an actor and host, but also continued working as a content writer and videographer behind the scenes. I also worked as a model and voiceover actor – anything to earn a living in the creative video realm!”

Grinshpan has spent some time as a visitor in Vancouver and had much good to say about the experience. “I love Vancouver!” she said. “Thank you for giving me some of the best times!

“Being a tourist in Vancouver made me feel like I’m really athletic, which could not be farther from the truth! I found that, in touring the city, I was biking through Stanley Park (it’s a forest!), hiking up a waterfall in North Van, trying out long-boarding for the first time and canoeing again (like in my childhood). I was so active just by being there, which, again, is not reflective of my standard state.”

Looking ahead, Grinshpan said she dreams of co-hosting a food and travel talk show across Israel or Canada with her big sister one day.

To follow or see more of Grinshpan, visit facebook.com/heyitsrenny or check out youtube.com/watch?v=d9pPtsFplaI and youtube.com/watch?v=nYKvpVlOVmU.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Bittergirl is seriously funny

In Bittergirl, Cailin Stadnyk, Katrina Reynolds and Lauren Bowler play women who have just been dumped by their boyfriends – maybe they can get back their men if they lose some weight? (photo by Emily Cooper)

Have you ever taken part in an aerobics class and wondered how many of the women in it were trying to lose weight to get a boyfriend back? The sad truth is, there are probably many, eagerly trying anything to return to the way things were, even if the way things were wasn’t all that great.

Bittergirl: The Musical takes aim at countless breakup truisms from the perspectives of three different women, reminiscent of the sharp wit in Mom’s the Word and the relationship charades of Sex in the City. Their varied responses to being dumped are hilariously insightful.

The progress of the play loosely follows the five stages of death: denial, anger, bargaining, depression and acceptance. The stages of the breakups are denial (he made a mistake), second-guessing (I could have done something differently), manipulation (I’m going to make him love me), reflection (I should have seen the warning signs) and acceptance (I’m over him, I’ve moved on).

The three women – played by Lauren Bowler, Katrina Reynolds and Cailin Stadnyk – are known only as A, B and C, as though these trials and tribulations are those that belong to every woman, not a specific person. Jewish community member Josh Epstein plays D, all three of the dumpers – the husband who wants to join the RCMP, the live-in partner who just “has to go” and the boyfriend who’s lost his “magic.”

Epstein delivers the stereotypical reasons why he needs to get out of each relationship: “I feel trapped,” “I can’t give you what you want” and the ridiculous “We’ve got to be birds flying higher.”

The lame rationales elicit howls of laughter at the familiarity, especially when one of the women initially thinks that the “talk” her boyfriend wants to have will lead to a proposal.

Not surprisingly, the women stand there, stunned into silence, not demanding further explanation, but meekly mumbling things like, “I understand,” even though they don’t – another conventional reaction it is sadly not surprising to see depicted.

After their men leave, the women think about what they might have done differently to save their relationships – “Maybe if I wore plum eyeshadow,” “Maybe if I didn’t talk to my mother so much” and “Maybe if I worked out more.” This last statement segues into an hysterical scene of the three women working out with various gizmos and in different types of classes in a desperate bid to get in shape and win back their men.

photo - Katrina Reynolds and Josh Epstein in Bittergirl, at the Arts Club Granville Island Stage until July 29 — Katrina Reynolds and Josh Epstein in Bittergirl, at the Arts Club Granville Island Stage until July 29. *(photo by Emily Cooper)*

The women also reflect on the warnings signs they missed. He wears socks with sandals. He cries at Celine Dion songs. He growls during sex.

Especially comical is a scene where the women run into friends and they are forced to admit they were dumped. The standard, “You’re better off without him” or “If you guys couldn’t make it work, what chance do the rest of us have?” hit the mark on how insensitive people can be, much to the enjoyment of the audience. The rapid-fire delivery of the lines, the women playing off each other brilliantly, is a sight to see and hear.

As the musical progresses, classic girl-group songs of the 1960s and ’70s complement the dialogue. Thinking about their first dates leads into “And Then He Kissed Me.” The initial breakups prompt a rendition of “Mama Said There’d Be Days Like This.” When the women hope they’ll have a chance to renew the relationship, they sing “When Will I See You Again?” And who hasn’t felt the difficulty of moving on because there’s “Always Something There to Remind Me”?

The strength of the play is in how the writing spotlights those moments we all know so well and that sound so absurd when depicted one after the other. Being reminded of one’s own failed relationships, watching the play is like watching a good comedian – often funny and, despite being cringeworthy at times, you want to stay to the finale.

As with the different stages of death, the women finally accept their situations and move on with their lives, singing such lyrics as “you don’t really love me; you just keep me hanging on,” there are “too many fish in the sea” and “I will survive.”

Bittergirl is actually an autobiographical play written by three Toronto actresses who had, indeed, just gotten dumped by a husband, live-in boyfriend and short-term partner. The positive reaction to the play led to the 2005 book Bittergirl: Getting Over Getting Dumped. After that, the writers added the songs, accompanied by an all-female band onstage, and the musical was born.

Besides the sharp, insightful writing, these women (and Epstein) can all belt out a tune, making the performance a hit from the beginning to the (not so) bitter end.

Bittergirl runs at the Arts Club Granville Island Stage until July 29. For tickets and more information, visit artsclub.com.

Baila Lazarus is Vancouver-based writer and principal media strategist at phase2coaching.com.

Celebrate 150 with laughter

Canadian-born, U.K.-based Tanyalee Davis will make a special appearance in Comedy on Wheels, which features many contributors. (photo from Comedy on Wheels)

Realwheels celebrates Canada’s 150th birthday with laughter. Their new show, Comedy on Wheels, will play for only three days but, hopefully, the levity will stay with audiences much longer. The show will present members of the Vancouver disability community in performances that capitalize on people’s greatest common asset: the ability to use humour to cope with life’s trials and tribulations.

“What better way to celebrate Canada’s 150th than with laughter?” said Jewish community member Rena Cohen, the director of the show, in a press release. “A shared laugh strengthens our bonds and dissolves barriers. Whether you self-identify as able-bodied or as having a disability, come giggle and be entertained. And be prepared for a challenge to any and all preconceptions.”

Cohen joined Realwheels as managing artistic director in 2009. Before her, the company, which was founded in the late 1990s, had produced one show, Skydive, in 2007. Featuring Realwheels founder James Sanders, a professionally trained actor with quadriplegia, the play was regarded as an important and innovative contribution to changing perceptions of disability.

“I joined Realwheels after meeting its brilliant founder, James Sanders,” Cohen told the Independent. “I transitioned into arts management six years earlier and, when James invited me to discuss the company’s next steps, I was curious to learn about the lived experience of disability. I was also well aware of the company’s enormous success with their Skydive project. I saw an opportunity to bridge Realwheels’ early success into a more stable future. The mandate of the company – to create and produce performances that deepen people’s understanding of disability – quickly internalized and became a passion of mine.”

Since Cohen became part of the company, Realwheels has been producing new shows steadily every year, sometimes more than once a year. “We produced Creeps this past winter at the Cultch and we’re currently creating Comedy on Wheels. That’s two productions this season, plus another show in development, and two side projects that are centred on increasing people with disabilities’ inclusion in the arts…. In total, we’ve mounted five professional productions and six community shows to date,” she said. (For more on Creeps and Realwheels, see jewishindependent.ca/creeps-is-a-canadian-classic.)

Realwheels’ ultimate goal is to fully integrate creative people with disabilities into the performing arts.

“A trained actor with a disability can play many roles,” said Cohen. “Absolutely, an actor with a disability can perform in classical plays. Why not?… Every actor brings their own range of experience; every actor accesses their emotional life a little differently.”

About directing, she said, “Our professional shows are typically integrated, a combination of professional actors with and without disabilities. I’m always trying to bring out the truth, looking to the script for what’s called for in the role. Working with different casts and talents is one of the joys of this work.”

In addition to professional shows, Realwheels also produces community shows. “For our community shows,” said Cohen, “we invite anyone who self-identifies as having a disability to participate. We offer training, coaching, a meaningful and considerable theatre experience.”

Comedy on Wheels falls into the community show category.

“We have great stand-up acts, and these are augmented with scenes, live music and projections, making it far more theatrical than an average nightclub or comedy club,” said Cohen. “We touch on the theme of Canada’s 150th birthday, but, more than anything, that’s an excuse to get together, talk about what we think is hilarious, learn about the structure of comedy and celebrate the amazing talents of the people who live with disabilities.”

According to Cohen, the idea for this show – like the ideas for many Realwheels shows – came out of an ongoing dialogue with the community.

“Last season, we explored sexuality from a disability perspective in a large burlesque show. That was in response to the demand to break down the stigmas surrounding sexuality and disability in playful and dazzlingly unexpected ways,” she said. “There was tremendous humour in that show and there appeared to be a growing desire to further explore comedy. One of our regular community cast members is an emerging comic star. I threw the idea over to him, and we came up with Comedy on Wheels.”

To make the show punchier, Cohen invited Canadian-born comic star Tanyalee Davis, who is now based in the United Kingdom, to appear.

“Tanyalee will be integrating her comedy with our show and emceeing it. Very exciting!” said Cohen.

As is customary for stand-up comedy, the cast members have written their own jokes. “Our only ground rule was nothing sexist, racist or homophobic,” Cohen explained. “The only filter being applied is whether it’s funny or not. Of course, comedy is subjective, but we have a pretty good idea when something works or not.”

Another person has been instrumental in bringing Comedy on Wheels to life – fellow Jewish community member David Granirer.

Granirer is a counselor, stand-up comic, writer and speaker on mental-health issues. He teaches comedy classes at Langara College and founded Stand Up for Mental Health, which, according to his website, is “a program that teaches stand-up comedy to people with mental illness or mental-health issues, as a way of building confidence and fighting public stigma.”

“The cast members have created this work with the support and guidance of David Granirer,” said Cohen. “David has an elegant system for creating comedy, the system he’s honed over the years. He breaks the process into very clear and workable steps.”

“Rena Cohen brought me in – she’d heard about me from one of the participants who had taken my Langara Stand-Up Comedy Clinic course,” said Granirer.

For him, it was a small step from his students to the actors. “All of the performers in Comedy on Wheels are disabled in some way,” he said. “Their ages range from 20 to 60. Some have theatrical training and others don’t, but my job was similar. It’s about helping everyone find their comic voices. Most, but not all, of their jokes concern disability. Some of the jokes are also about Canada, but all of the jokes stand on their own (pardon the pun) as good comedy. Everyone will appreciate them.”

Comedy on Wheels is at Performance Works May 18-20. Audio description is provided by VocalEye and all performances are also accessible through American Sign Language. For more information, visit realwheels.ca. For tickets, go to comedy-on-wheels.bpt.me.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].