Israel – Jewish Independent

קנדה תמשיך לתמוך בפתרון שתי המדינות

מעלה אדומים, ישראל (David Mosberg)

“עמדתה של קנדה נותרה ללא שינוי ואנו נמשיך לתמוך בפתרון של שתי המדינות במזרח התיכון”. כך אמר בפרלמנט, ראש ממשלת קנדה, ג’סטין טרודו. דבריו נאמרו על רקע תוצאות הבחירות בישראל, שעל פי הן שוב נבחר לרשות הממשלה, בנימין נתניהו. ראש ממשלת ישראל החדש-ישן הודיע ערב הבחירות, כדי לרכוש לעצמו עוד קולות מהימין, כי ממשלתו החדשה תכריז של סיפוח שטחים באזורי יהודה ושומרון. נתניהו אמר: “אנו דנים בהחלת הריבונות על מעלה אדומים וגם בדברים אחרים. לאחר ההכרה האמריקנית בריבונות ישראל ברמת הגולן, קיימים גם דיונים על סיפוח אזורים ביהודה ושומרון. אני הולך להכיל ריבונות אבל אני לא מבדיל בין גושי ההתיישבות לנקודות היישוב הבודדות. כל נקודת ישוב כזאת היא ישראלית ויש לנו אחריות כממשלת ישראל. כל אחד מבין שהקדנציה הבאה שלנו תהיה גורלית לשני הכיוונים – האם נוכל להבטיח את הביטחון שלנו ועל השטח החיוני של יהודה ושומרון שהוא פי עשרים גדול מעזה”.

לאור תוצאות הבחירות בישראל שאל חבר הפרלמנט הקנדי מטעם המפלגה הדמוקרטית החדשה, גיא קארון, את ראש הממשלה טרודו: “בינימין נתניהו ימשיך בתפקידו כראש הממשלה. בהבטחה של הרגע האחרון הוא הודיע כי יספח התנחלויות בגדה המערבית. אם ממשלת ישראל תעמוד בהבטחתה זו, עשויות להיות לכך משמעויות חמורות על היציבות באזור. עמדתה של קנדה עד היום היתה ברורה שאין ההתנחלויות חוקיות. ומועצת הביטחון של האומות המאוחדות מסכימה עם כך. האם ראש הממשלה יאשר כי קנדה תתייחס לסיפוחם של שטחים אלה כבלתי חוקיים ותפעל בהתאם בנושא?”

טרודו אמר בתגובה לשאלתו של קראון: “עמדתנו נותרה ללא שינוי. אנו תומכים בפתרון שתי המדינות ישראל לצד פלסטין במזרח התיכון. הפתרון הזה אמור להיות מושג באמצעות משא ומתן בין שני הצדדים. פעולות חד צדדיות כגון התנחלויות, אינן לגטימיות ואינן מסייעות בפתרון המצב במזרח התיכון”.

פרופסור קורן שהסתבך בקנדה קיבל תפקיד בכיר בקופת מכבי

פרופסורר גידי קורן, שניהל מעבדה לגילוי שימוש בסמים ובאלכוהול בבית החולים “סיק קידס” בטורונטו והסתבך, מונה לתפקיד מדען בכיר במכון המחקר של קופת החולים “מכבי”. יש שלא מבינים מדוע.

פרופסור קורן נחשב למומחה בעל שם עולמי בפרמקולוגיה, אך הוא הסתבך בפרשייה שהסעירה את קנדה, והובילה לבחינה מחודשת של כמה ממחקריו. וכן לוויתור על רישיון הרפואה שלו במחוז אונטריו. קורן החליט להסביר ראשונה את גרסתו למקרים החמורים ששמו נקשר בהם.

הפרופסור הפך לאחד החוקרים הבולטים בתחום בדיקת שיער לגילוי שימוש בסמים או באלכוהול. הוא הקים את מעבדת “מאת’ריסק” בבית החולים, שהייתה היחידה שהשתמשה בטכניקה הזו. שׁירותי הרווחה הקנדיים נעזרו בבדיקות שלה במשך כמעט שלושה עשורים. שנים עברו עד שוועדות חקירה קבעו כי ערכות הבדיקה שבהן השתמשו במעבדה היו לא תקינות. באותה עת בתי המשפט הסתמכו על הבדיקות שאמורות היו לספק מידע ראשוני – כקביעה חד-משמעית, על מנת להפריד ילדים ממשפחותיהם.

קורן טוען להגנתו: “הבדיקות שעשינו במעבדה לא גרמו לאף ילד לעזוב את ביתו. התפקיד שלי היה לבדוק שהילדים האלה נמצאים באזור בטוח. זאת הייתה מטרת העבודה. יש טעויות בכל מערכת והטיעון שילדים הורחקו מבתיהם זו עלילת דם. בישראל התחילו אותה קבוצה מאוד שמאלנית של רופאים לזכויות אזרח. ובעקבות כך הגשתי קובלנה פלילית. בית המשפט שעסק בסוגיה מצא בין השאר שבשום מקרה לא קרה שילד ניזוק מבדיקה זו או אחרת”.

Israeli music icon sings here

Yoni Rechter will be in Vancouver to perform for Yom Hazikaron and Yom Ha’atzmaut. (photo from Jewish Federation of Greater Vancouver)

“I love to know the world through music, and music has brought me to many places …. When I come and play and then I also make connection with the place, I prefer it to being the usual tourist. So, I’m glad I have the opportunity to come back to Canada after so many years … especially to Vancouver, that I heard so much about it,” Yoni Rechter told the Jewish Independent in a phone interview.

Rechter headlines the community Yom Ha’atzmaut celebration May 8 at the Chan Centre for the Performing Arts. While he has toured around the world, he hasn’t ever performed outside of Israel on Israel’s Independence Day. So, why now?

“There are two artists,” he said, “who were previously in this concert – Nurit Galron [2013] and Shlomi Shaban [2018] – they are both friends of mine, I work with them. Each one of them told me how nice it was to be there at the Yom Ha’atzmaut event, so I got good recommendations.”

Since he wrote his first song more than 50 years ago, Rechter has become a virtual icon of Israeli music. The composer, pianist, singer and arranger has created music for solo performances, bands, theatre, film, symphony, dance and opera. He has more than a dozen albums and has collaborated with a large portion of the who’s who of the Israeli cultural arts scene. Yet, he remains humble.

“I worked with the right people. I mean, people that I had the opportunity to learn from them, from the beginning of my musical career,” he said of his success. “I was first in the group Kaveret – you know, Poogy? By the way, we performed in Canada in ’76. We were in Montreal and Toronto and Winnipeg, and I still remember the temperature in Winnipeg. I think it was in winter; it really was the lowest temperature I ever felt. Anyway, then I worked with Arik Einstein, then I worked with Yossi Banai … and then I had the opportunity to work with very important theatre directors, like Hanoch Levin, Nissim Aloni and Miki Gurevich, and, also in movies. Because this is a small country, if you are willing to work, you can do various musical activities…. I had a lot of people to learn from, and really great, great artists.”

He said Israel is different than the United States or Canada with regard to the concept of celebrity. In Israel, he said, “We grew up very simply, and I go every day to swim. It’s not that I live in a protected house and I have bodyguards. It’s not this type of culture in Israel, first of all, but still there are people in Israel who might use their publicity for power or this kind of thing, but my character, I feel that I’m a musician, it’s the music and not me…. I feel that I have what to say in my music, but I never speak about myself; nobody knows about my wife, about my children, my private life. I’m really not into doing something with it, and it’s many years like this, but, I must confess, that I’m also not required by people or by journalists to speak about my personal life. Really, people accept me as I am.”

Rechter almost didn’t become a musician. When he was about to go into the army, at age 18, his father had what was probably the biggest architecture firm in Israel at the time. Even though his parents separated when Rechter was very young and he didn’t live with his father, he said it was a big decision as to whether to follow in his father’s footsteps. But, also, he said, music came easily to him.

“You know, I was just sitting at the piano and I composed, everything flowed, so I thought maybe life should be more difficult, and I should go to places that are more requiring of effort,” he said. “And this feeling I had, I was sure I was going to be an architect, but, in the army, I played in a military group of the artillery … and, when I finished the army, I thought to go to study architecture but then I got a telephone call from the members of what was going to be Kaveret group (Poogy group), and they called me for an audition. I heard the music and I fell in love. In the end, it came out to be [that I became] pianist of this group and a member of this group that changed … my career…. I have a brother who continues my father’s legacy.”

As to music and the projects he takes on, Rechter said there are a couple of factors he considers, notably the seriousness of the request and whether he has something to contribute musically. He gave the example of the Israeli Opera, who asked him to create a work for them, which will play again next year. He based the opera, Schitz, on the play by Levin.

“To write an opera,” he said, “it’s a year of 12-hours-a-day work; it’s really very [intensive]. It was an 80-minute opera, symphonic – I made all the arrangements and orchestration and I worked with the singers; it’s a huge work. It takes one year to do it, so, the first condition is that I know the project is serious.

“I have to find the right text,” he added, “because I really connect it to lyrics, to text, and I feel I have something to say in this. It’s a process. So, I start to improvise on this and I see if I have something to say musically. And, when I feel it’s all connected, I start to work on it. For example, the other [opera] … it was by David Grossman. Itamar Pogesh Arnav, it’s called, Itamar Meets a Rabbit. It’s a for-children opera, we made it with the Israeli Philharmonic. Of course, David Grossman, I knew he’s a very interesting man and I can find a way to connect with him, to communicate.”

Rechter said it is hard to define “Israeli music.” From the state’s inception through the 1970s, he said, “before the great internet and … we became one global ‘forum’ … [Israel] developed its own voice, which was, I would say, influenced by Russian music, from the immigrants that came, and also by music from the east, from Sinai, from Jordan, from all our neighbours. I think I grew up with influences of this spirit – sometimes I liked it, sometimes I didn’t like it. It depends on the people; for example, there was Sasha Argov, who was a very famous composer, and I really liked his music, which was very rich harmonically. Today, I think, after this explosion of communication, I don’t think it’s different from other places.”

That said, Rechter singled out some Israeli jazz performers, like Avishai Cohen, who is now based in New York, and others. “So, there is something here,” he said. “I think that living under pressure all the time [has something to do with it] … your life, all the time, is in danger because you don’t know when the next missile will fall in Tel Aviv. In my life, it has happened already two or three times…. Last week, there was one missile or two that fell near Tel Aviv. So, our life is, all the time, not protected, in a way. I believe it influences in a positive way our art, because we make art – all the Israeli artists – like you must survive. It gives us some very different energy than Europe, that used to be very calm.” He said, “The good artists that are serious become very known in the world [outside of] Israel.”

Music is important, said Rechter, “because it, especially in this time, I think that music should be a messenger. It has a task, and the task is to bring people back to real feeling, to themselves, to touch their souls, their energy, their spirit. Music is a force of nature, something that comes out of real creativity, at its best. Sometimes, I go to a concert and I cry from the music, it touches me so deeply. And that’s what I want to make. I don’t want to be somebody who’s going there to make lots of money; it doesn’t interest me. I want to touch people and, when it happens, for me, it’s the best prize.”

Rechter is coming to Vancouver with a band, “all of them Israeli, who live in New York” – singer Tammy Scheffer, saxophonist and player of multiple woodwinds Eitan Goffman, guitarist Shahar Mintz, bassist Uri Kleinman and drummer Shay Wetzler. “I sent them all the notes and the recordings of what I plan to play in Vancouver,” he said. “They’ll practise and we’ll meet at the beginning of May for two rehearsals n Manhattan.”

The audience at the Chan Centre can expect some of their favourites, said Rechter.

“I started to write songs when I was like 14, because of the Beatles,” he said. “I fell in love with the Beatles…. The first songs [of mine] were written in this age. I think the most famous song was – there is a song called ‘Dma’ot Shel Mal’achim,’ ‘Angels’ Tears.’ It became a song of memorial, and I wrote it in high school … with my friend who was sitting near me, his name is Danny Minster, he wrote the lyrics and I wrote the music. I tell this to you because I will sing it in Vancouver at the Yom Hazikaron memorial.”

Rechter will perform just the one song at the memorial May 7, 7:30 p.m., at the Jewish Community Centre of Greater Vancouver. On Yom Ha’atzmaut, May 8, 7:30 p.m., at the Chan Centre, he will perform more than 20.

Presented by Jewish Federation of Greater Vancouver, Yom Ha’atzmaut is supported by 46 community partners, with the Jewish Independent as the media sponsor and Georgian Court Hotel as the hotel sponsor. For the first time, there will be a party after the concert, though there is limited space available and only guests who attend the Yom Ha’atzmaut celebration may purchase tickets to the party. Visit jewishvancouver.com/yh2019.

Tapestry up for raffle

Barbara Heller (photo by Olga Livshin)

Temple Sholom’s Dreamers and Builders gala is not only a time to celebrate, but to raise funds for the synagogue. In addition to honouring Jack Lutsky and Susan Mendelson, this year’s sold-out event on May 5 will include a silent art auction at the dinner and a raffle, the bidding for which has already started.

“We have art donations for the silent auction from members of the synagogue, Ian Penn and Ivan Gasoi, as well as from Dina Goldstein and Gordon Smith, and a tapestry by Barbara Heller for the raffle,” said Karen Gelmon, gala co-chair, in an interview with the Independent. “Barbara is a member of Temple Sholom and an internationally known tapestry artist. Her works are very valuable, unique and truly remarkable.”

Gelmon noted that the synagogue has several tapestries by Heller on its walls. “There are two magnificent pieces that are on either side of the ark at the front of the sanctuary,” she said. “They are wonderful and loved by the congregation. She has donated two other works that are in another room and are also very appreciated. All these pieces have been there for more than 20 years and are fixtures at the synagogue.”

The raffle features the tapestry “Stones 22 – Stonefall,” the 22nd in Heller’s Stonefall series.

“I have been weaving these tapestries of stone walls and stones on the ground every few years for decades, between more difficult pieces,” Heller told the Independent. “I love these stone walls, built by man without mortar or cutting the stones to fit. If these walls fell down, the stones would return to the earth and no one would be the wiser. Yet, I see the spirits of the people who built the walls. Their energy remains in the stones.”

Heller also likes that the tapestries are abstract. “I get to immerse myself in the act of weaving as I transform them from stone into wool,” she explained. “I play with the handspun and hand-dyed yarns, the textures and the colours, without worrying about the underlying message.”

photo - Fabric artist Barbara Heller has donated her work “Stones 22 – Stonefall” to Temple Sholom’s Dreamers and Builders fundraiser — Fabric artist Barbara Heller has donated her work “Stones 22 – Stonefall” to Temple Sholom’s Dreamers and Builders fundraiser.

“Stones 22” was woven in 2013. “It was based on the photos I took in Caesarea on the Mediterranean in Israel,” said Heller. “The site has been home to invader after invader for millennia. It has been an archeological dig since a farmer plowing the meagre soil first uncovered a large stone block and called the scientists. Here, there are definitely ghosts of the people who came before.”

About why she chose to offer one of her artworks for the raffle, she said, “When I was asked to donate a tapestry by Susan [Mendelson] and the organizing committee for Dreamers and Builders, I was happy to say yes. Susan and Jack have supported my art and own a few tapestries. Temple Sholom is my synagogue and has also supported me. It has several of my tapestries, some as donations and two on loan. The bimah is flanked by two of my tapestries that were commissioned at the time of my son’s bar mitzvah, and the library has a tapestry that my mother willed to the Temple on her death. Now, it was my turn to support them.”

The decision of which tapestry to donate was a practical one. “I felt it had to be mid-size, large enough to have a presence but not so large that it would not find a new home in a modern condo,” she said. “And the reference to Israel was also important to me.”

As an artist who makes a living by her art, Heller has given much thought over the years to the concept of donating work.

“It has been awhile since I donated artwork,” she shared. “There was a time a few years ago when art auctions were all the rage for fundraising, to the detriment of the artists. The fundraisers always stressed that the auctions would be good publicity for the artists, but I don’t think so. People always wanted a bargain when they bid at auctions, and I don’t think that the fundraisers were aware of the lost income for the artists.”

An artist must look at a donation as just that, said Heller, as a donation to raise funds for a charity they believe in. “I now do it only on occasion. I am reminded of what my friend, a pianist, does. When approached to play for free, she says, ‘You pay me what my normal fee would be, and then I will decide how much to give back to you as my donation.’ This makes the fundraisers aware of what they are actually asking.”

Gelmon and the organizing committee were well aware of what they were asking. “I think different artists may have different motivations to donate their art,” said Gelmon. “For Barbara, I think she saw this as a worthy cause. It is raising money for her synagogue, where she and her family have been members for years, and it probably gives her great pleasure to contribute.”

To take part in the raffle, visit templesholom.ca/dreamers-builders-2019-raffle.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Strongmen bromance

Binyamin Netanyahu appears comfortably ensconced in the Israeli prime minister’s office after last week’s elections. While his Likud bloc effectively tied for seats with the upstart Blue and White party, the smattering of smaller parties are mostly of the nationalist, religious and right-wing bent, meaning Netanyahu will have a fifth term as leader. If he hangs on until July, he will surpass David Ben-Gurion as Israel’s longest-serving prime minister.

The likelihood that he will reach that mark seems good. He faces probable criminal charges but that does not necessarily mean the end of his career. Rumours are rife that he is considering a legal escape hatch that would permit him to remain in office even if indicted or, more likely, make it illegal to indict a sitting prime minister. In most democracies, at most times in recent history, such a move would be seen as intolerably corrupt. Times change.

The leaders of democracies today are blazing new trails. The words and actions of the U.S. president confound our capacity for incredulity. Jaw-dropping statements of contempt, bigotry, juvenile pique and lies emanate from his mouth (and Twitter fingers) faster than the outrage can follow. Across Europe, far-right extremist parties are rising, as they did in elections in Finland on the weekend. In Britain, which is convulsing from self-induced Brexit trauma, the leftist Labour party is engulfed in an antisemitism crisis. Positions and statements that would have been unthinkable in the civil discourse of recent decades are suddenly at the centre of public discourse in democracies everywhere.

Israel is no exception. During the recent election campaign, candidates expressed erstwhile unspeakable ideas, including a scheme to ethnically cleanse the West Bank of Arabs and annex the land to Israel. The advocate of that idea was soundly defeated – the Knesset democratically cleansed of his ideology when the party failed to reach the 3.25% minimum vote to enter parliament.

But Netanyahu himself floated some astonishing trial balloons during the campaign. He mooted annexing West Bank settlement blocs into Israel – a concept that is not ludicrously beyond the pale since, if a negotiated settlement ever emerges, it will likely include such a move in exchange for traded land. But he also suggested annexing settlements that are not adjacent to or contiguous with Israel’s recognized boundaries. Such an idea would create a patchwork in the West Bank along the lines that would make an independent Palestine unworkable. The fact that the incumbent prime minister opened this political Pandora’s box is evidence of a new willingness to play with potential fire.

That foot play with extremists is not limited to domestic affairs. If an Israeli Rip Van Winkle fell asleep a couple of decades ago and woke up to Israel’s current diplomatic situation, he would be confused and possibly delighted. If that Van Winkle shared our worldview – an apparently old-fashioned belief in pluralistic, inclusive, universal humanitarian values – he would quickly conclude that the prima facie bonanza of goodwill has a rotting core.

As former Israeli ambassador to the United Nations Ron Prosor said Sunday night (see cover story), Israel has open lines of communication with countries that for decades steadfastly rejected its very existence. Likewise, Israel has excellent relations with some of the most populous and powerful countries in the world – India, China, Russia, Brazil and, in different but important ways, a refreshed, familial relationship with the current U.S. administration.

Israel has superb relations with these countries, and with the Philippines, as well as with Hungary and other eastern European states that have traditionally been problematic for the Jewish state. That seemingly good news is tempered by the fact that these good relations are not based on conventional diplomatic alliances. To a large extent – especially in the cases of Hungary, the Philippines, Brazil, Russia and the reinvigorated bonhomie between the leaders of Israel and the United States – these close relations are based on a shared strain of politics that fill us with more nervousness than naches.

These relationships are less between Israel and Brazil or the Philippines or Hungary or Russia than a bromance between Netanyahu and Jair Bolsonaro, Rodrigo Duterte, Viktor Orban and Vladimir Putin, to say nothing of the continuing lovefest between Bibi and Donald Trump. Each of these figures is a strongman who is, to varying degrees, pushing the limits of their democracies to see how far they can stretch rule of law and diminish respect for human rights. With this in mind, the diplomatic warmth seems less about traditional bilateral relations than about a fraternity of nationalist, populist and authoritarian men leading the world down a path unimagined a decade ago.

With that background, Israel’s unprecedentedly improved relations with so many countries seems less positive a development. Our proverbial sleeper might pull the covers back over his head and hope for better in the decades to come.

Spring cleaning

Crews from the office of the Rabbi of the Western Wall remove tens of thousands of written prayers from the Western Wall. (photo by Gil Zohar)

On April 10, equipped with long sticks, crews from the office of the Rabbi of the Western Wall removed tens of thousands of written prayers, which worshippers had wedged into crevices at the holy site over the previous half year. The painstaking work is done twice annually, in advance of Passover in April and Rosh Hashanah in September, to ensure space for new prayers. The notes that are removed are buried in Mount of Olives Cemetery.

The origin of the practice of placing small folded sheets of paper between the cracks of the 2,000-year-old ashlars is unclear. According to tradition, God’s female presence (Shechinah), has never left the holy site.

A retaining wall of the Temple Mount, built by King Solomon circa 960 BCE and destroyed by the Romans in 70 CE, the Kotel Maaravi (Western Wall) stands today beneath a religious plaza known in Arabic to Muslims as al-Haram ash-Sharif (the Noble Sanctuary). Jews believe the holy hill marks the navel of the world from where God began his creation 5779 years ago; the site also marks where Abraham brought his son Isaac to offer him up as a sacrifice. Muslims consider the Western Wall to be where Muhammad tethered his winged steed al-Burak when he ascended to the Seventh Heaven. And Christians believe Jesus was one of the millions of Jewish pilgrims in antiquity who came here during the festivals of Passover, Tabernacles and Pentecost.

From 1948 until 1967, when East Jerusalem was under the control of Jordan, Israelis were prohibited from visiting the site.

Gil Zohar is a journalist based in Jerusalem.

נשיאה של ישראל ביקור בקנדה

נשיא המדינה, ראובן ריבלין, קיים לאחרונה ביקור רשמי בקנדה, שכלל פגישת עבודה עם ראש הממשלה, ג‘סטין טרודו. (Mark Neiman GPO)

נשיא המדינה, ראובן ריבלין, קיים לאחרונה ביקור רשמי בקנדה, שכלל פגישת עבודה עם ראש הממשלה, ג’סטין טרודו. טרודו אמר לריבלין בפגישה ביניהם: “אנו מציינים שבעים שנה לכינון היחסים הדיפלומטיים בין שתי המדינות. יש לנו הרבה על מה לדבר כמו חידוש הסכם הסחר שלנו, ולדבר על פלורליזם ועל סובלנות ומאבק נגד שנאה וחוסר סובלנות. אני יודע שאתה מחזיק בדעות חזקות בנושא הזה. תענוג גדול לשבת איתך בזמן שבו ישראל וקנדה חברות נהדרות”. ריבלין הישיב לטרודו: “תענוג להיות איתך ולהכיר חבר כל כך טוב. אנחנו חולקים ערכים ואידיאלים. יהודים באו לקנדה כבר לפני מאה וחמישים שנה. אני גאה מאד להיות כאן ולהחליף ידע ורעיונות איתך. אנחנו חווים ימים קשים במרחב, ואתם עושים המון עבורנו במטרה לשמור על המרחב העדין ועל הקיום שלנו. אתם עושים זאת בסוריה, בלבנון ובסיני”. הנשיא הודה לטרודו על תמיכתה של קנדה בישראל בזירה הבינלאומית ועל התמיכה נגד הפעילות האנטישמית של תנועת הבי.די.אס. ריבלין מקווה שקנדה תביע עמדה נגד מהלכים חד-צדדיים של הפלסטינים נגד ישראל. וכנגד היחס המפלה כלפי המדינה במוסדות הבינלאומיים.

השניים דנו בסוגיה האיראנית והנשיא ציין לטובה את החלטת הפרלמנט הקנדי על הקפאת היחסים עם איראן, ואת ההכרזה כי משמרות המהפכה האיראניים הם ארגון טרור. בנושא זה אמר ריבלין: “איראן מובילה את התבססות הציר השיעי בעיראק, סוריה, לבנון ותימן. ובפעולותיה היא מחריפה את המתח הסוני-שיעי, העלול להביא להסלמה אזורית ולאיים על העולם כולו”. הנשיא הדגיש כי: “אסור לעולם לאפשר התבססות איראנית. בלימת ההתבססות האיראנית תושג רק באמצעות לחץ בינלאומי מתואם ופעולות צבאיות נקודתיות בכל עת שנדרשת”.

לפני הפגישה עם טרודו, נפגש הנשיא עם המושלת הכללית של קנדה, ז’ולי פאייט. השניים קיימו פגישת עבודה מדינית. הנשיא העניק למושלת (שהייתה בעבר אסטרונאוטית והיו לה שתי משימות בחלל), דגם מוקטן של החללית “בראשית”. החללית הישראלית הראשונה עתידה הייתה לנחות על הירח וכידוע התרסקה וגרמה לעוגמת נפש גדולה בישראל. פאייט אמרה דברים מרגשים לזכרו של האסטרונאוט הישראלי, אילן רמון ז”ל, שעימו הייתה ביחסי ידידות. ריבלין מצידו הזכיר את מותה של אשתו, רונה רמון, ופאייט אמרה שהדבר מאוד העציב אותה.

טרודו וראש עיריית טורונטו, ג’ון טורי, השתתפו באירוע מיוחד: שבעים שנה לידידות בין קנדה וישראל. האירוע נערך בטורונטו בהשתתפות כאלפיים איש. הוא אורגן על ידי מגבית היהודית קנדה והבונדס, בשיתוף פעולה עם ארגון הגג של הפדרציות היהודיות בקנדה.

טרודו נשא באירוע נאום פרו-ישראלי יהודי יוצא דופן, גינה את האנטישמיות ואמר כי בניגוד אליה, הערכים היהודיים של נתינה וקהילה הם ערכים קנדיים. טרודו: “האנטישמיות בעולם מרימה ראש. התקפות אנטישמיות מתרחשות נגד ילדים שהלכו עם כיפות בקנדה, ההתקפה נגד בית הכנסת בפיטסבורג, ההתקפות בפריז, בירושלים ובכל העולם. אנטישמיות נמצאת במגמת בעלייה והיא מפיצה שנאה”. טרודו הוסיף עוד כי האנטישמיות החדשה כוללת גם את הדמוניזציה של ישראל. לדבריו אין מקום לתנועת האפרטהייד נגד ישראל בקנדה. ראש ממשלת קנדה הדגיש: “אני יכול להבטיח לכם שקנדה תמיד תגנה כל שנאה נגד כל קהילה, ותזכיר את המסר שוב ושוב כי אנטישמיות היא התקפה על קנדה. ישראל היא לא רק בת ברית, אלא שותפה אמינה שאפשר לסמוך עליה והיא יכולה לסמוך עלינו”.

טרודו אפוא מנסה להתקרב לישראל ואל היהודים בקנדה לקראת הבחירות הכלליות שיערכו כאן בחודש אוקטובר.

Politicians speak at AIPAC

Clockwise, from top left: U.S. Vice-President Mike Pence, Joe Lieberman, Senator Marco Rubio and Senator Cory Booker address attendees of last month’s AIPAC Policy Conference. (photos by Dave Gordon)

U.S. Vice-President Mike Pence, in addition to other ranking American politicians, spoke of their unwavering support for the Jewish state to 18,000 people at the American Israel Public Affairs Committee (AIPAC) Policy Conference, in Washington, D.C., March 24-26.

Speech themes revolved around recent rocket attacks against Israeli civilians, the Golan Heights being recognized as Israeli sovereign territory by the United States, and sanctions against Iran. Every official who mentioned BDS, the boycott, divestment and sanctions movement against Israel, condemned it.

Much was said about the Democratic congresswoman from Minnesota, Ilhan Abdullahi Omar. Her statements – including “Israel has hypnotized the world” and that AIPAC has influenced U.S. policy through money – have been interpreted as antisemitic by some Jewish leaders.

Pence said, “History has already proven [Donald Trump] to be the greatest friend of the Jewish people and the state of Israel ever to sit in the Oval Office of the White House.”

Among the pro-Israel bona fides of Trump, Pence said the United States shut down the Washington branch of the Palestinian Authority as a consequence for funding terror; ended tax dollar funding for United Nations-funded Palestinian schools; moved the U.S. embassy to Jerusalem; and recognized the Golan Heights as Israeli territory.

“We stand with Israel because her cause is our cause, her values are our values,” he said.

In addition, Pence talked about the end of the “disastrous nuclear deal with Iran” that has been replaced with “a maximum-pressure campaign” of sanctions, thereby causing Iran’s economy to dip.

“There’ll be no more pallets of cash to the mullahs in Iran,” he said.

In a swipe across the political aisle, Pence said, “It’s astonishing to think that the party of Harry Truman, which did so much to help create the state of Israel, has been co-opted by people who promote rank antisemitic rhetoric and work to undermine the broad American consensus of support for Israel.”

Without mentioning her name, he referred to Omar as “a freshman Democrat in Congress” who “trafficked in repeated antisemitic tropes.”

Former U.S. ambassador to the UN Nikki Haley’s first comments were about what she believes is the UN’s hypocrisy.

“You know, what’s interesting is, at the UN, I can guarantee you this morning it is radio silent,” she said, in reference to the rocket attacks from Gaza into Israel. “They are not saying anything about Hamas, they’re not saying anything about the lives lost, they’re not saying anything. But, if it was any [other] countr[y], they’d be calling an emergency Security Council meeting.”

David Friedman, U.S. ambassador to Israel, claimed that Trump is “Israel’s greatest ally ever to reside in the White House” and, to those who think otherwise, “please, take a deep breath and think about it some more.”

How America is now sanctioning Iran was one example of an Israel-friendly policy. Friedman criticized the previous administration for paying the Islamic Republic $100 billion in the hopes that country would “self-correct.”

“What did Iran do with all its newly found treasure?” he asked. “Did it build up its civilian institutions? Did it improve the quality of life of its citizens?” Instead, he said, it “doubled down on terrorist activity in Yemen, in Iraq and in Lebanon. It increased its stock of ballistic missiles and it invested in military bases in Syria, on Israel’s northern border.”

photo - Protesters at this year’s AIPAC Policy Conference, in Washington, D.C., last month — Protesters at this year’s AIPAC Policy Conference, in Washington, D.C., last month. *(photo by Dave Gordon)*

Israeli Prime Minister Binyamin Netanyahu delivered an address via satellite, initially planning to take the podium in person, but returning to Israel to deal with the rocket attacks.

“The Golan Heights is indispensable for our defence,” he said of the recognition by the United States of the northern land seized by Israel in the Six Day War, in 1967. “It’s part of our history. When you put a shovel in the ground there, what you discover are the ruins of ancient synagogues. Jews lived there for thousands of years and the people of Israel have come back to the Golan.”

Netanyahu said he thought comments like Omar’s are antisemitic.

“Again, the Jews are cast as a force for evil,” he said. “Again, the Jews are charged with disloyalty. Again, the Jews are said to have too much influence, too much power, too much money. Take it from this Benjamin, it’s not about the Benjamins.”

In the session Canada’s Relationship with Israel, the panel included Liberal member of Parliament Anthony Housefather, Conservative MP Erin O’Toole and former Conservative foreign minister John Baird.

Housefather said he believes Israelis do not think there’s a negotiating partner for peace, but they share some blame in the conflict: “The more they create settlements, the less likely there will be peace … they should think carefully before expanding settlements.”

A questioner asked him when the Canadian prime minister would do something “real” for Israel and Housefather noted that, in recent weeks, Prime Minister Justin Trudeau forcefully condemned the BDS movement in a town hall meeting.

Another audience member asked why the Trudeau government continues to fund the United Nations Relief and Works Agency. While acknowledging that UNRWA has “curricula problems” that involve “anti-Jewish, anti-Israel comments, misogynistic comments and anti-gay comments,” he said that the $50 million in funding was just.

Housefather said he had spoken with the head of UNRWA and voiced his “concerns at the slow pace they are making changes in the curricula,” but added that their schools make children “a lot less likely to become terrorists against Israel.”

“Yes to helping them with UN aid programs; no to funding their schools,” said O’Toole. And Baird agreed.

On the topic of a peace plan, O’Toole said he “kept hearing from Palestinians their want for a ‘one-state solution,’” while their government “exerts violence, and does not take care of the needs of their people.”

“I think you’ll see from Israeli leaders that they’re prepared to experience real pain [in concessions],” Baird said, but “Palestinians have to stop the incitement” and the “hate-mongering.”

While several candidates for the Democratic party’s 2020 presidential nomination skipped the conference, leading Democratic figures were prominent at AIPAC, including House Speaker Nancy Pelosi, who insisted no one will be permitted to make Israel a partisan wedge issue.

Dave Gordon is a Toronto-based freelance writer whose work has appeared in more than 100 publications around the world.

Educating rabbinical students

T’ruah students help plant trees in the Hebron Hills. (photo from T’ruah)

U.S.-based T’ruah: The Rabbinic Call for Human Rights works in Jewish social justice circles in Israel and North America.

“We work with human rights of both Israelis and Palestinians…. We’ve also worked on introducing rabbis and rabbinical students, and also congregations, to what’s happening in West Bank and more,” executive director Rabbi Jill Jacobs told the Independent.

T’ruah, which supports a two-state solution, offers the Year-in-Israel program for rabbinical students.

“Students study in Jerusalem at various institutions,” said Jacobs, “but they don’t necessarily get to see human rights issues up close. We take them once a month to see a human rights issue on the ground, either in the West Bank with Palestinians, in Bedouin Israeli communities in the Negev, asylum seekers, etc.”

At these sessions, students meet with Israeli human rights and other leaders on the ground. The program is held during students’ free time, separate from their regular studies.

“The goal of the program is to help them develop a rabbinic moral voice,” said Jacobs. “As rabbis, they’re going to be called on to speak about Israel. The question is, how do they talk about Israel as a rabbi? Rabbis talk out of their values, and also are generally dealing with politically diverse communities…. So, the question is, how can a rabbi speak in a way that will push people to listen to perspectives they might not otherwise listen to, [based on] Jewish texts and Jewish values?”

Jacobs recognizes that the information they provide is not comprehensive. Their focus is to give students the opportunity to interact with human beings – to meet Palestinians, Bedouins and others and learn from them what their life experience is like.

“It’s also crucial to us that they are meeting with Israeli human rights leaders,” said Jacobs. “Very often, there’s a dichotomy that suggests that being pro-Israel means supporting the right-wing government of [Binyamin] Netanyahu and that being pro-Palestinian means being against Israel. We’re pro-human rights and we want them to meet Israelis working every single day to push for human rights in their own country because they love their country. We want them to see that there are actually people who are changing the situation.

photo - T’ruah students planting trees — T’ruah students planting trees. *(photo from T’ruah)*

“We hear a lot from the students that our program gives them hope. Sometimes, they are so hopeless about what is happening in Israel and then they meet people, both Jewish and Palestinian communities, who are trying to change their situation.”

One T’ruah graduate is Rabbi Philip Gibbs, spiritual leader of Congregation Har El in West Vancouver.

“During my year in Israel, during my second year of rabbinical school, I had the opportunity to then be a fellow with T’ruah for their rabbinical student program,” Gibbs told the Independent. “I really appreciated the opportunity, both because, at least the year I was doing it, there was clearly a huge focus on the Israeli-Palestinian conflict. But, also because the way, in terms of educating about social justice issues in Israel, they were able to show some of the other issues happening – whether it was meeting with Bedouins, talking to some asylum seekers from Africa … really seeing what their home-grown needs are and seeing how it developed into a strong sense of the how they were fighting for many of those needs through the legal systems in Israel.”

Gibbs met with Palestinians who had been displaced from the Jerusalem area after the 1967 war. “We had the chance to hear their narrative,” he said, “highlighting how their status as refugees during that conflict had really come into question because of both the policies of Jordan, as they were occupying the area, as well as some of the motivations of different settler organizations in their attempt to create a much stronger Jewish presence behind the Green Line… I felt like that was more educating us in understanding the way that the nature of a lot of these neighbourhoods had been going back and forth.

“For the Israeli settlers, they felt they were reclaiming a neighbourhood that was Jewish. For the Palestinians that had been living there, their legal status was caught up in layers of legal confusion of having that area under control of many different authorities over the past 150 years.”

Gibbs has not yet had an opportunity to bring this part of his rabbinical education to his congregation directly, but it has definitely played a role in how he shares his perspective regarding, for example, the upcoming Israeli election.

“I’m making sure there’s a deeper sense of having the recognition that a lot of these questions that are coming up, some of these issues are on the minds of most Israelis … but that, no matter what, a lot of the work that human rights organizations are doing, a lot of that is going through the overt legal system of Israeli government.”

Regarding the many Israelis he has met who work for human rights organizations, Gibbs said he appreciated the way their main motivation was a deep sense of trying to make their country the best it can be, noting that every government needs to be transparent in their treatment of their citizens, allowing for a certain amount of criticism.

“That’s something coming from a place of love and it’s the most ideal way to get things done in a constructive way,” said Gibbs. “People can debate about how much people living outside of Israel are supposed to be making any sort of direct intervention, which happens on both sides of the political spectrum, but, I think, there’s absolutely nothing that we should hide in terms of understanding the full array of political work happening in Israel.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

The runway to healing

The writer at the bone marrow transplant ward at Ichilov Hospital in Israel. (photo from Ariella Stein)

Fashion is one of my many passions, as regular readers of the Jewish Independent will know by now. So, when I turned 50 this year, a milestone birthday, I decided to pursue a longtime dream – to create a fashion tract for bone marrow transplant survivors.

When I was 17 years old, I was diagnosed with Hodgkin’s lymphoma. At the time, I was in Grade 12, studying in Israel. My parents’ first reaction was for me to return to Vancouver, where they felt I should start my treatments. There was no time to waste, as it was at an aggressive stage. However, after much persuasion, I convinced my parents that I should stay in Israel. As part of the deal I made with them, I was to head back to Vancouver upon graduation and resume the next cycle of treatments.

I started chemotherapy. I had the most loving care from the staff at Tel Hashomer Hospital. I was on the road to recovery when I returned home.

After a few more bouts with chemo and some courses in radiation, however, we were given the devastating news that I had to undergo an autologous bone marrow transplant. The procedure had to start immediately. I lost the little hair I had left in just one day, couldn’t hold down any food or drink, and was separated from any ounce of humanity because I had no immunity. But I was getting better, thanks to the staff and doctors at the British Columbia Cancer Agency.

During the horrifying three-month stay in my isolated hospital room I was, paradoxically, injected with the poisonous chemo cocktail expected to cure me and the benevolent rays of light and love of my family. The support made me stronger and gave me courage. I had so much to look forward to. My two older sisters had countless discussions on having children for me if I couldn’t conceive, my father tried to grant me not just one star but the whole galaxy, my mother never left my side and my then-boyfriend-now-husband showered me with tenderness. The love in my room spread throughout the ward. Through the tears, we remembered to laugh and dream.

photo - The writer, at 18 years old, two months after being released from the hospital for treatment of Hodgkin’s lymphoma — The writer, at 18 years old, two months after being released from the hospital for treatment of Hodgkin’s lymphoma. *(photo from Ariella Stein)*

When it was time to go home, I was nervous about leaving my protected environment but full of excitement to start my new life. All I wanted was to feel and look healthy again. I bade farewell to my dull uniform of pajamas and welcomed my new outfit, especially chosen for me. On the door, it was waiting for me, as if knowing how I was craving to look like a girl again. I fondly remember stepping out in my blue leather mini skirt, black cashmere sweater and black knee-high boots, handpicked with care by my mom, a true fashionista. I looked fabulous and felt euphoric on the 10-minute ride home, the only place I was headed for the time being.

Fast forward some 30 years, and I am the mother of two miraculous children, Daniel and Natalie, who bring me the greatest happiness and naches, spoken like a true Yiddishe Mame. I am grateful every day for my blessed life. There have been bumps along my journey, of course. I have often wondered if other women had the transformational experience I did leaving the ward. I knew the day would come for me to help other survivors in my own way. Splitting my time between Israel and Canada, I chose to initiate a fashion project in Israel.

I reached out to the head of the bone marrow transplant unit in Ichilov Hospital (Tel Aviv Sourasky Medical Centre) and, to my astonishment, within minutes was told they were on board. My dream was becoming a reality.

My mission is to offer patients, upon their release, an outfit of their wishes to raise their spirit, as my mother’s fashion choices had raised mine. I wrote letters to as many clothing stores as I could, looking to find sponsors, hoping they would donate new outfits to recipients. I received a few replies saying nice idea, good luck; some never replied. But some did reply with open hearts, willing to contribute to the project.

Getting started has been challenging, one step forward and a few back. Frustrating as it is, I understand that it will take time but, among the obstacles, I will not give up. As the writer Paulo Coelho said, “When you want something, all the universe conspires in helping you achieve it.” I have named my project Lalas Wings. Lala is a nickname, dubbed by my niece and nephew 35 years ago.

I was taught to dream big by my mentor, my father, Karl Stein. Hopefully, by sharing my dream, I can make a significant contribution to many bone marrow transplant patients, starting in Israel and eventually reaching hospitals in more and more places. My experience leads me to believe that the seemingly externally focused gift of clothing is part of a perfect beginning to the complex healing process.

If anyone has any questions about Lalas Wings, I can be reached by email at [email protected].

Ariella Stein is a mother, wife and fashion maven. A Vancouverite, she has lived in both Turkey and Israel for the past 25 years.

Miriam’s legacy of drumming

Female hand drummers from the Iron Age II (eighth to seventh century BCE), found at the site of what was Achzib, on the Mediterranean coast of northern Israel. From the Israel Museum collection. (photo by Deborah Rubin Fields)

In February, an Israeli ultra-Orthodox bride got lots of media attention for playing drums before a mixed (male and female) crowd of wedding guests. Putting aside issues of religious modesty and political clout, does Jewish law restrict females from playing drums?

Significantly, there is a biblical precedent for female drum playing. It dates back to Miriam the Prophetess. Having just crossed a miraculously dry channel in the Red Sea, Miriam felt compelled to celebrate. She and the other Israelite women who had just experienced the Exodus play drums, referred to in Hebrew as tof miryam. (See Exodus 15:20.)

In a 2009 article in Jewish Women: A Comprehensive Historical Encyclopedia, Prof. Carol Meyers notes, “The Bible mentions … only one percussion instrument … the tof, or hand drum, even though other kinds of drums were known elsewhere in the biblical world. Whenever this word is found, it is quite likely that the presence of female instrumentalists is implied.”

Meyers explains that this hand drum consisted of an animal skin stretched over a hollow body of any shape or size. Moreover, although tof miryam is sometimes rendered in English as a tambourine, it is not, given that it has no rattle or bells. Meyers further reports that the tambourine was not authenticated before the 13th century CE.

Additionally, Meyers points out that female figures predominate in unearthed Iron Age terracotta statutes, holding what appear to be hand drums. These women are plainly dressed, hence they appear to be ordinary people, rather than gods or members of the elite.

Few terracotta statues have been discovered in Palestine or Israel. Yet, from the biblical references of Exodus, Judges 11:34, I Samuel 18:6 and Jeremiah 31:4, we are left to understand that there was a tradition of female hand drum players.

Moreover, citing I Samuel 18:6-7, S.D. Goitein states in a 1988 article in Prooftexts, that a woman’s duty was to welcome the returning fighters and to praise them.

Of what importance were these female drums? Meyers elaborates that female public performance would (1) assume a level of competence based upon practice, (2) indicate that, in ancient Israel, there were groups of women performers and (3) imply that leaders and other members of the community acknowledged and appreciated the expertise of these women performers.

Not only that, but, in the book Miriam’s Tambourine: Jewish Folktales from Around the World (1988), edited by Prof. Howard Schwartz, Miriam’s drum had magical abilities. Relying on a 19th-century Eastern European folktale, Schwartz writes that the music from Miriam’s drum drove off serpents and kept Miriam herself in eternal life.

According to Rabbi Allen Maller’s interpretation of the Mechilta and Pirkei d’Rabbi Eliezer, while in Egypt, Miriam taught all the Israelite women how to play the drum. Moreover, he writes on blogs.timesofisrael.com, once the plagues started, Miriam repeatedly reminded the women of all that she had taught them and that, as a sign of their faith in G-d, they should all take at least one drum per family with them when it was time to leave.

Still it is not clear from whom Miriam learned to play. Did Miriam’s mother, Yocheved, teach her to play the hand drum? Or did Miriam learn from Egyptian women?

Broadcaster and writer Eva Dadrian states in her 2010 article “Let there be music!” that ancient Egyptian musicians realized percussion was basic to their orchestras. Thus, they played drums of different sizes. Drums were particularly associated with sacred ceremonial events, but they were also used during battles to rally the troops or to spread panic among the enemy forces.

Dadrian adds that, in spite of the richness of the documentation, our knowledge of pharaonic music remains limited: without theoretical treaty or musical score, it is particularly difficult to do an archeology of music. The two main membranophones used by ancient Egyptians were the single membrane drum mounted on a frame and the barrel-shaped drum with two membranes.

In the University of California, Los Angeles Encyclopedia of Egyptology, Music and Musicians (2013), Egyptologist Sibylle Emerit claims the single membrane drum is documented in Egypt’s Old Kingdom (2575 BCE to 2150 BCE) in a scene carved in the solar temple of Niuserra in Abu Ghurab. She relates that the non-epigraphic material from the East Cemetery of Deir el-Medina, dating to the 18th dynasty, indicates that the owners of the musical instruments buried in this tomb belonged to a modest social class attached to the service of local noblemen. Thus, Emerit confirms Meyers’ assertion about the plain appearance of female Iron Age II drummer statues.

Music researcher, lecturer and performer Veronica Doubleday notes in a 1999 Ethnomusicology article that plentiful evidence shows women played the frame drum in the Egyptian New Kingdom (1570-947 BCE) dynasties. There were musical troupes in temple rituals, as well as solo drum players.

Over the centuries, Islam, Christianity and Judaism marginalized woman’s public drum playing. In a PhD dissertation (2006), Mauricio Molina writes that early leaders of the Christian religion, for example, condemned the frame drums because of their connection with the fertility cults, which the Church was struggling to banish.

Aside from Miriam, Jewish (and non-Jewish) females might have been told that it is not lady-like to play drums, as drummers need to sit with their legs spread apart and drummers sometimes “let loose” to play.

Nonetheless, today, the number of female drummers – including Jewish female drummers – is growing. As the recent bride story reveals, the numbers are increasing even within the Orthodox and ultra-Orthodox community. In Jerusalem, for example, the school Mayever LaMusica (Beyond Music) offers separate drum lessons for girls and women.

Among those who grew up Orthodox are Temim Fruchter, former drummer in the Shondes, and Dalia Shusterman, who drummed in an all-female Chassidic alternative rock group. Elaine Hoffman-Watts, who died two-and-a-half years ago at the age of 85, was a klezmer drummer – many klezmer bands refused her talents because she was a woman; it wasn’t until her father (also a klezmer musician) intervened that she got work as a drummer.

Other notable Jewish female drummers with Israeli backgrounds are Meytal Cohen, Mindy Abovitz (who is also founder and editor-in-chief of the drum magazine Tom Tom), Iris Portugali and Yael Cohen.

So, the beat goes on and, after a long respite, women are again helping to produce it.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.