The following is the executive summary of the study The Canadian Museum for Human Rights and Its Nakba Exhibit: Bias and Animus in Process and Outcome and the Nature and Impact of the New Antisemitism in Canada, written by Dr. Bryan Schwartz, a professor of law at the University of Manitoba, and Rhonda Spivak, LLB, editor of the Winnipeg Jewish Review. It is reprinted with permission, edited for JI style and length. The exhibit is set to open in June. For a link to the full study, go to winnipegjewishreview.com.
The proposed Nakba exhibit at the Canadian Museum for Human Rights (CMHR), titled Palestine Uprooted: Nakba Past and Present, is not a balanced exploration of displacement. It is a partisan exercise in the demonization and delegitimization of Israel – driven from its inception by a process whose composition predetermined its outcome.
A publicly funded national museum exhibiting biased content that vilifies one national/ethnic group’s homeland constitutes a discriminatory denial of equitable human rights education.
The process and work product – to the extent it is already available – are not consistent with the CMHR’s statutory mandate under the Museums Act, the Canadian Human Rights Act (CHRA), the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism adopted by both Canada and Manitoba, and the ethical codes of the Canadian Museums Association (CMA) and International Council of Museums (ICOM).
The bias is structural and traceable. The CMHR assembled a Palestinian Content Advisory Network whose membership was kept opaque – referenced once in the 2022/23 annual report and then deleted. Investigation reveals that its members hold views that are hostile to Israel and not sustainable on a fair-minded analysis of history and current realities.
Ramsey Zeid, president of the Canadian Palestinian Association of Manitoba and member of the advisory network, has publicly called Zionism a “disease that must be destroyed,” accused Israel of genocide, rationalized the Oct. 7 massacre as Palestinians “biting back,” and condoned violent intifada with language such as “intifada revolution … scorch the earth.” Other advisory network members have framed Israel as an apartheid settler-colonial state, endorsed the boycott, divestment and sanctions (BDS) movement, advocated one-state solutions that would deny the right of the Jewish people to their own state, have accused Israel of genocide at its founding and in Gaza, and compared Israel to the Nazis. The CMHR cannot credibly claim that work product shaped by this group is free of bias and animus rather than driven by it. By including persons with such views in an official advisory committee, it has extended official recognition and an aura of respectability to them.
The process excluded and marginalized the mainstream Jewish community at every stage. There was no public consultation of the kind that accompanied the Holocaust gallery. The Jewish Heritage Centre of Western Canada withdrew its partnership with the CMHR over the exhibit. The Centre for Israel and Jewish Affairs (CIJA) warned that the exhibit would deliver an incomplete and unbalanced narrative that would omit Jewish refugee experiences. The Abraham Global Peace Initiative (AGPI) wrote to the CMHR, the minister of Canadian Heritage and the prime minister requesting suspension.
Jewish organizations who supported the exhibit are fringe anti-Zionist groups, such as Independent Jewish Voices (constituting at maximum 0.2% of Canadian Jews, this report places them around 0.0025% of Canadian Jews), the United Jewish People’s Order (expelled by the Canadian Jewish Congress in 1951, and whose membership has never surpassed their 1950s numbers, placing it well below half a percent of Canadian Jews; it seems that their largest attended event in recent years was around 350 people total) and the Jewish Faculty Network (less than 0.05% of Canadian Jews). IJV and UJPO were involved with the organization that organized a Nov. 2, 2025, panel at which the exhibit’s director discussed her involvement in the exhibit.
The exhibit’s content is equally one-sided. The CMHR’s potted history, as per its website, attributes Palestinian displacement primarily to Jewish and Israeli armed forces while omitting critical context: Jewish acceptance of the 1947 UN Partition Plan, repeated Arab rejection of two-state solutions, the invasion by five Arab armies to destroy the nascent Jewish state, over a century of lethal anti-Jewish violence in Mandatory and Ottoman Palestine (documented from at least 1834), the ethnic cleansing of approximately 850,000 to 900,000 Jews from Arab countries after 1948, and the documented pattern of rejectionist violence against moderate Palestinians who favoured coexistence.
The very term “Nakba” – originally coined to describe the catastrophe of Arab armies’ failure to destroy Israel – has been recast to frame Israel’s founding as an illegitimate catastrophe, implicitly justifying campaigns to eliminate it. The CMHR exhibit instead insists that “Nakba” refers only to the displacement of Palestinians and avoids acknowledgement of Arab rejection of the two-state solution, of the right of Israel to exist as the Jewish homeland, and the armed invasion of Israel by the armies of five Arab states aimed at Israel’s destruction.
The museum’s diversity policies require representation of multiple perspectives, especially on contested histories, which in this case requires presenting sources that nonviolent Palestinian villages were allowed to stay, multiple Arab sources showing calls by Palestinian leadership and Arab states for evacuation of villages to further the Arab war effort, or leave rather than give the nascent state of Israel legitimacy…. Since Israel is an open society, multiple lines of scholarship diverge. That is not the case in Arab states, which have not opened their archives. Nor is it the case in the Palestinian Authority, where President [Mahmoud] Abbas made “Nakba denial” a crime subject to jail terms.
The exhibit, as Zeid’s own statements make plain, rests on a double game. The exhibit is presented as a collection of individual personal narratives – merely “telling stories” about the effects of displacement, yet it simultaneously advances “the story” that is supposedly the single overall historical truth. The audience is expected to accept these personal narratives as historical fact, even in the context of an advisory network whose documented members variously call Zionism a “disease” or a virus that must “be destroyed” and adopt other epithets that demonize and delegitimize the Jewish state.
It is known that oral histories can contain varying degrees of fact and can be coloured by “collective memory” – political perspectives on past events that are widely shared but may not reflect fairly or fully the actual events of individual lives in earlier generations. Judging from the composition of the Palestinian Content Advisory Network, we can expect these stories to be infused with negativity towards Israel and a lack of any historical context.
In practice, we can expect that many or all narratives in this exhibit may be an occasion to vilify Israel, from its foundation until the present. For example, it may speak of checkpoints without mentioning the suicide bombings that necessitated them, of displacement without mentioning Jewish acceptance of partition and Arab rejection of it, of suffering without acknowledging that it was Arab rejectionism and aggression that created the refugee crisis in the first place.
The “personal story” framing is a shield against accountability: it permits the museum to disseminate a partisan political narrative while disclaiming responsibility for its historical claims. This exhibit will contribute directly to the rising tide of antisemitism that has made Canada an increasingly dangerous place for its Jewish citizens, as documented in … this report.
This selective framing constitutes the “Three Ds” of antisemitism identified by Natan Sharansky and popularized in Canada by former justice minister Irwin Cotler: demonization, delegitimization and double standards applied to Israel. It occurs at a time when Jews face the highest per capita hate-crime targeting of any group in Canada (Statistics Canada). Many Jewish Canadians feel unsafe in their own country, even though both Prime Minister Justin Trudeau and Prime Minister Mark Carney publicly affirmed Zionism and Israel’s right to exist and prosper. Those are the rights that the advisory network has dismissed for this exhibit.
The CMHR, in the aftermath of the genocidal attack on Israel in 2023 and the ongoing brutalization of hostages, allowed an unauthorized pro-Palestinian “die-in” inside the museum. This “die-in” was allowed while refusing a request from supporters of Israel for a counter-demonstration, a disparity that exemplifies the institutional bias at work. [CMHR vice-president of exhibitions] Matthew Cutler’s public statements at the time made it unmistakable that the museum had already promised off the books, without public consultation from the Jewish community, to include an exhibit that focuses on the contested oppression of Palestinians by Israel.
Officials of the CMHR have, on the public record, favoured anti-Israel fringe groups while showing disrespect for the groups that represent the overwhelming majority of Jewish Canadians. The museum has not been transparent with the general public or the mainstream Jewish community. This invites the question of how transparent museum bureaucrats have been with the museum’s own board of trustees, who are responsible for fulfilling the museum’s mandate and maintaining its reputation.
The exhibit in its current form must be halted. The CMHR must commission an independent historical review by balanced, credentialed experts. It must require transparent public consultation, including meaningful engagement with mainstream Jewish Canadian organizations; ensure the exhibit includes parallel refugee stories, Arab rejectionism, the full context of the conflict; and conduct a governance audit of curatorial processes to prevent future partisan capture.
Proceeding instead risks CHRA complaints, further reputational damage and continued erosion of public trust in a taxpayer-funded national institution whose mandate is to promote universal human rights, not to serve as a vehicle for the delegitimization of the Jewish state.