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Tag: CMHR

Our rights in the age of AI

Our rights in the age of AI

Dr. Rumman Chowdhury, chief executive officer and founder of Parity, gave the keynote address at the Simces & Rabkin Family Dialogue on Human Rights. (photo from rummanchowdhury.com)

Data and social scientist Dr. Rumman Chowdhury provided a wide-ranging analysis on the state of artificial intelligence and the implications it has on human rights in a Nov. 19 talk. The virtual event was organized by the Canadian Museum for Human Rights in Winnipeg and Vancouver’s Zena Simces and Dr. Simon Rabkin for the second annual Simces & Rabkin Family Dialogue on Human Rights.

“We still need human beings thinking even if AI systems – no matter how sophisticated they are – are telling us things and giving us input,” said Chowdhury, who is the chief executive officer and founder of Parity, a company that strives to help businesses maintain high ethical standards in their use of AI.

A common misperception of AI is that it looks like futuristic humanoids or robots, like, for example, the ones in Björk’s 1999 video for her song “All is Full of Love.” But, said Chowdhury, artificial intelligence is instead computer code, algorithms or programming language – and it has limitations.

“Cars do not drive us. We drive cars. We should not look at AI as though we are not part of the discussion,” she said.

screenshot - In her presentation Nov. 19 at the Simces & Rabkin Family Dialogue on Human Rights, Dr. Rumman Chowdhury highlighted the 2006 Montreal Declaration of Human Rights.
In her presentation Nov. 19 at the Simces & Rabkin Family Dialogue on Human Rights, Dr. Rumman Chowdhury highlighted the 2006 Montreal Declaration of Human Rights.

The 2006 Montreal Declaration of Human Rights has served as an important framework in the age of artificial intelligence. The central tenets of that declaration include well-being, respect for autonomy and democratic participation. Around those concepts, Chowdhury addressed human rights in the realms of health, education and privacy.

Pre-existing biases have permeated healthcare AI, she said, citing the example of a complicated algorithm from care provider Optum that prioritized less sick white patients over more sick African-American patients.

“Historically, doctors have ignored or downplayed symptoms in Black patients and given preferential treatment to white patients – this is literally in the data,” explained Chowdhury. “Taking that data and putting it into an algorithm simply trains it to repeat the same actions that are baked into the historical record.”

Other reports have shown that an algorithm used in one region kept Black patients from getting kidney transplants, leading to patient deaths, and that COVID-19 relief allocations based on AI were disproportionately underfunding minority communities.

“All algorithms have bias because there is no perfect way to predict the future. The problem occurs when the biases become systematic, when there is a pattern to them,” she said.

Chowdhury suggested that citizens have the right to know when algorithms are being used, so that the programs can be examined critically and beneficial outcomes to all people can be ensured, with potential harms being identified and corrected responsibly.

With respect to the increased use of technology in education, she asked, “Has AI ‘disrupted’ education or has it simply created a police state?” Here, too, she offered ample evidence of how technology has sometimes gone off course. For instance, she shared a news report from this spring from the United Kingdom, where an algorithm was used by the exam regulator Ofqual to determine the grades of students. For no apparent reason, the AI system downgraded the results of 40% of the students, mostly those in vulnerable economic situations.

Closer to home, a University of British Columbia professor, Ian Linkletter, was sued this year by the tech firm Proctorio for a series of tweets critical of its remote testing software, which the university was using. Linkletter shared his concerns that this kind of technology does not, in his mind, foster a love of learning in the way it monitors students and he called attention to the fact that a private company is collecting and storing data on individuals.

To combat the pernicious aspects of ed tech from bringing damaging consequences to schooling, Chowdhury thinks some fundamental questions should be asked. Namely, what is the purpose of educational technology in terms of the well-being of the student? How are students’ rights protected? How can the need to prevent the possibility that some students may cheat on exams be balanced with the rights of the majority of students?

“We are choosing technology that punishes rather than that which enables and nurtures,” she said.

Next came the issue of privacy, which, Chowdhury asserted, “is fascinating because we are seeing this happen in real-time. Increasingly, we have a blurred line between public and private.”

She distinguished between choices that a member of the public may have as a consumer in submitting personal data to a company like Amazon versus a government organization. While a person can decide not to purchase from a particular company, they cannot necessarily opt out of public services, which also gather personal information and use technology – and this is a “critical distinction.”

Chowdhury showed the audience a series of disturbing news stories from over the past couple of years. In 2018, the New Orleans Police Department, after years of denial, admitted to using AI that sifted through data from social media and criminal history to predict when a person would commit a crime. Another report came from the King’s Cross district of London, which has one of the highest concentrations of facial-recognition cameras of any region in the world outside of China, according to Chowdhury. The preponderance of surveillance technology in our daily lives, she warned, can bring about what has been deemed a “chilling effect,” or a reluctance to engage in legitimate protest or free speech, due to the fear of potential legal repercussions.

Then there are the types of surveillance used in workplaces. “More and more companies are introducing monitoring tech in order to ensure that their employees are not ‘cheating’ on the job,” she said. These technologies can intrude by secretly taking screenshots of a person’s computer while they are at work, and mapping the efficiency of employees through algorithms to determine who might need to be laid off.

“All this is happening at a time of a pandemic, when things are not normal. Instead of being treated as a useful contributor, these technologies make employees seem like they are the enemy,” said Chowdhury.

How do we enable the rights of both white- and blue-collar workers? she asked. How can we protect our right to peaceful and legitimate protest? How can AI be used in the future in a way that allows humans to reach their full potential?

In her closing remarks, Chowdhury asked, “What should AI learn from human rights?” She introduced the term “human centric” – “How can designers, developers and programmers appreciate the role of the human rights narrative in developing AI systems equitably?”

She concluded, “Human rights frameworks are the only ones that place humans first.”

Award-winning technology journalist and author Amber Mac moderated the lecture, which was opened by Angeliki Bogiatji, the interpretive program developer for the museum. Isha Khan, the museum’s new chief executive officer, welcomed viewers, while Simces gave opening remarks and Rabkin closed the broadcast.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

***

Note: This article has been corrected to reflect that it was technology journalist and author Amber Mac who moderated the lecture.

Format ImagePosted on December 4, 2020December 7, 2020Author Sam MargolisCategories LocalTags AI, Canadian Museum for Human Rights, CMHR, dialogue, education, health, human rights, privacy, Rumman Chowdhury, Simon Rabkin, technology, Zena Simces
Museum tries to instil hope

Museum tries to instil hope

Canadian Museum for Human Rights researcher and curator Dr. Jeremy Maron discussed some of the issues the museum faced in deciding what to exhibit. (photo by Rebeca Kuropatwa)

The Canadian Museum for Human Rights (CMHR) in Winnipeg is one of the newest museums on the block. Dr. Jeremy Maron, a CMHR researcher and curator, discussed some of the issues the museum faced in deciding what to exhibit. The March 4 brown-bag lunch meeting at the University of Manitoba was open to students and the general community.

Maron’s main work at the museum is on the fourth floor, an area dedicated to the Holocaust. Displays on three perimeter walls take a case study approach, emphasizing themes closely related to the Holocaust as well as universal human rights.

“The first theme we look at is the abuse of state power,” he said. “This wall explores how Nazis used and deployed instruments of state power, such as the police, judiciary, laws and regulations, and even education to undermine human rights … and acquiring total dictatorial control of German society, promoting their racist and antisemitic ideology, targeting Jews and other specific groups for social exclusion and persecution, ultimately culminating in genocide.”

photo - Dr. Jeremy Maron makes a point at a March 4 meeting in Winnipeg
Dr. Jeremy Maron makes a point at a March 4 meeting in Winnipeg. (photo by Rebeca Kuropatwa)

Maron said the modern nation state, in its ideal sense, is supposed to be the guarantor of human rights. But, in reality, the centralized power of the modern state very often sets the stage for it to be the worst violator of human rights.

“The case of Nazi Germany is a good example of the centralized power and the capacity for it to be mobilized toward the violation of human rights, rather than protection,” he said. “There are many other stories in the museum in which state power is also being utilized in such a manner.

“The second thematic wall in this gallery … moves on to look at persecution and targeting of specific groups in Nazi Germany. This wall explores the increasing intensity of systematic oppression under the Nazis.”

According to Maron, the Allies did not fight the Second World War specifically because they were trying to save the Jews in Europe. However, their winning of the war ended the Nazi massacre of Jews, which continued nearly up until the day of the Germans’ surrender.

“Another exhibit, from which we try to draw human rights connections, is a large digital study table in our Breaking the Silence gallery, also on level four,” said Maron. “This gallery looks at breaking the silence specifically as a human rights act.”

Human rights violations are always accompanied by silence, distortion, justification, minimization and denial, he said. Perpetrators want to hide their crimes; victims who survive may feel scared for themselves or their families, or feel ashamed; witnesses and bystanders often look the other way, so the cycle continues.

The goal of the CMHR is to encourage people to speak out about these violations, to drag the violations out into the light of day and pursue justice, recovery and reconciliation, he said.

“This particular exhibit, Breaking the Silence … looks at a wide scale of human rights violations, putting an emphasis on how people have responded to them in order to break silence,” said Maron. “We tried to place the emphasis of the human rights response in this particular case. It’s a question of focus that tries to adopt a forward-looking perspective, rather than one that is trying to wholly examine the past in and of itself.”

While some visitors feel that the message and exhibit is too watered down, Maron said this was necessary to a certain degree, as the museum’s main focus is to educate and not to horrify or shock.

“It’s not just a sense of sensitivity we think about, it’s also a question of a fact,” said Maron. “Sometimes, when confronted with material that is explicitly horrific, even for someone like myself who has worked on this material extensively, it almost can shock you into silence as it overwhelms you. I think back to when I was doing my master’s in 2005. I went on a Holocaust commemoration tour [and] we toured Auschwitz. After you go through the gas chambers and you see the walls and the showerheads, you get back on that bus and you are just beaten down. You are sitting there and the guides are trying to debrief and talk, but no one wants to talk because they are beaten down.”

While the CMHR does not back away from the truth or gloss over troubling aspects, they choose to visualize these histories differently, he said. One of the concepts the museum is designed to highlight is that everyone’s actions are the result of choices, and that the consequences of these choices are not inevitable.

“That’s not to say that there are not constraints on choices,” said Maron. “If you’re in the midst of a particular human rights catastrophe and you do something like hide a potential victim in your attic, it’s very possible that you might be targeted as well. So, there are constraints on choices in certain historical circumstances. But, it’s still important to consider that these are choices and actions, and what happens isn’t inevitable. Some objects in the museum speak to some of the less obviously consequential choices that individuals might have made that allowed the Holocaust to be perpetrated on that scale.”

While Maron understands that it’s impossible to know for sure what a single individual could have done, with his display, he hopes to create a deep and meaningful reflection for CMHR visitors and, especially, students.

How to convey a history of conflicts accurately without reigniting tensions is another challenge the museum has taken into consideration, by using careful word choices and avoiding blanket statements. But, maybe the most important aspect and aspiration for the CMHR is ensuring that visitors leave with a sense of hope.

“This hope is not a naive hope that everything is going to be OK, but that … hope is possible as long as we promote the human rights of everyone, and the idea that hope is possible if people are willing to make hard choices and take action,” said Maron. “So, again, we hope our visitors leave with the idea that change is possible if people are willing to do something, while silence and acquiescence is the ally of rights violations.

“Until atrocities are recognized and acknowledged, until people believe action is possible, cycles of violations will continue. Such cycles, we hope, our museum, in some small part, can help improve by inspiring a lot of hard work and devotion by our visitors, who may become dedicated human rights advocates and defenders.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on June 3, 2016June 1, 2016Author Rebeca KuropatwaCategories NationalTags Canadian Museum for Human Rights, CMHR, Holocaust, human rights, Maron, Nazi, Winnipeg
Museum of Human Rights hopes to inspire

Museum of Human Rights hopes to inspire

Winnipeg’s Canadian Museum of Human Rights is now open for visitors. (photo from CMHR-MCDP) 

The Sept. 19 opening ceremonies for the Canadian Museum for Human Rights (CMHR) were broadcast live on several networks, and live streamed on the CMHR website (humanrights.ca). The opening celebrations lasted through the weekend, with more than 40 performances at the Forks market and downtown Winnipeg, including free public tours of the museum and a concert on Saturday night, featuring Buffy Sainte-Marie, A Tribe Called Red, Shad, Marie-Pierre Arthur, Ashley MacIsaac and others.

The excitement among museum staff was palpable ahead of the opening weekend, said Matthew McRae, a museum representative. “Everyone here, whether they started two years ago or two months ago, has put in so much work to make this project happen. It’s truly amazing to watch all the little bits I’ve worked on coming together to make a whole. What’s more, this is really a once-in-a-lifetime opportunity.”

McRae has been with the museum for two years, researching gallery content and gathering background on different feature stories for the museum’s core exhibits. When asked to pick his favorite story from the museum, he said, “There are lots of amazing stories I’ve had a chance to research during my time here, so it’s hard to pick just one. However, the story Wilcox County High School’s first integrated prom, held in 2013, is something I’m very happy it made its way into the museum. The school, located in southwest Georgia, in the U.S.A., had never had an integrated prom.

“In 2013, Mareshia Rucker and her friends decided they wanted to be able to go to prom together, regardless of their skin color or background, and so they fundraised and organized their own integrated prom, despite opposition from some members of the community. Their story got picked up by the international media and, in the end, the school announced it would hold an official prom for all its students in 2014.”

McRae conducted an oral history with Rucker and the young woman’s prom dress will now be featured at the museum. “A prom dress is not something you would normally associate with human rights, but that’s perhaps what’s so neat about it,” said McRae. “It tells people that human rights struggles can come in all sorts of forms, and it tells people they are still going on today, all around us.”

Ensuring people from around the world can access and use the museum’s content and knowledge base has been a major focus. While the museum does not have specific projections for online attendance, McRae said, “We are expecting people to log on from all across Canada and the world. There will be lots of chances for people to feel connected to Canada’s new national museum.”

The museum will continue working with various community groups, human rights organizations, academics and stakeholders. There are plans to organize and participate in many events, including lectures, panel discussions and art projects.

“This will involve anything we can think of to build awareness and education about human rights and to encourage public discussion from multiple perspectives,” said McRae. “We will pilot a national student program in 2015 and hope to eventually bring students from across Canada here for an immersive educational experience in human rights.”

The museum has also developed programs for school groups and the public, so all ages can make the most of having a human rights education hub in Winnipeg.

“Above all else, the museum will be a place of inspiration where people can learn about the many different ways people as groups and individuals have worked to promote human rights, resist violation and overcome adversity,” said McRae. “This is the only museum in the world solely devoted to human rights awareness and education, and we explore human rights concepts with an international scope, but through a uniquely Canadian lens.

“As the first national museum established outside the National Capital Region, the CMHR will be a source of Canadian pride – not to mention an iconic piece of architecture already being noticed around the world.”

“Gail Asper fought to have her father’s dream become a reality,” said Stephanie Lockhart, who attended the opening ceremonies with her husband. “She brought this incredible dream to life. What a tremendous gift for our children, our children’s children, and for many generations to come. To be able to visit this place and have the opportunity to learn all about our human rights – the history, for good and bad – their view of human rights will be transformed and actualized because of what they will have learned in this spectacular place.

“For me, the museum truly represents one of the most significant accomplishments articulating the dignities of humankind. All human beings are born free and equal with dignity and rights.”

MLA Andrew Swan, minister of justice and attorney general, said, “I was truly inspired by the opening ceremonies…. As a lifelong Winnipegger and Manitoban, I am fiercely proud that the CMHR is located here, the first national museum outside of Ottawa/Hull.

“My favorite moment was watching [singer] Maria Aragon – a young woman from a local school and daughter of an immigrant family – perform at the opening.”

Winnipeg City Councilor Jenny Gerbasi was also in attendance. “There was a significant inclusion and a feeling of deep respect for Aboriginal, Inuit and Métis communities throughout the event,” said Gerbasi. “I was very moved by the words of Dr. Wilton Littlechild, when he talked about ‘a new spirit and a hope for positive change … a call to action and honoring the human rights of all people.’

“The umbrellas had to come out as rain started prior to and throughout the ceremony … but it did not dampen the spirits or the sense of excitement of the audience.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on October 3, 2014October 1, 2014Author Rebeca KuropatwaCategories NationalTags Andrew Swan, Canadian Museum for Human Rights, CMHR, Gail Asper, Matthew McRae
Asper vision spurred action

Asper vision spurred action

(photo by Rebeca Kuropatwa)

Miracle at the Forks: The Museum that Dares Make a Difference, which chronicles the 14-year journey to plan, build and open the Canadian Museum of Human Rights (CMHR), was launched on Sept. 22 at the museum with Gail Asper, Moe Levi, Stuart Murray, and co-authors Peter C. Newman and Allan Levine. The 200-page book, released by Figure 1 Publishing, officially hit the bookstands on Sept. 23.

In her remarks at the launch, Asper said that she was pleased with the volume’s title. “I love it because it is miraculous … being inside this museum we’ve talked about for 14 years … this is a really great time for Winnipeg, Manitoba and the world.”

She continued, “We started on this journey to find a way to educate our youth about our human rights violations that occurred in our history and to inspire people to take action. This has been a long, often challenging, and many times miraculous journey from dream to reality. That’s why we’re thrilled that non-fiction writers Peter C. Newman and Allan Levine are here and have written a compelling book, recounting the story from the day Dad – Israel (Izzy) Asper – dreamed of a centre for human rights and gave Moe Levi the mandate to make it happen, to the completion of the building this year.

“During the dark days after my dad’s passing, it was Moe’s support, his ridiculous optimism and resolve, that kept us going…. And, of course, thank you to the federal government under the leadership of Stephen Harper, this maverick person whose courageous decision to make this a national museum ensured our going forward. Also, thanks to our 8,200 donors who’ve made this day possible.”

Newman described the book’s overarching purpose. “Canada was built on dreams as well as appetites. This country was founded by waves of immigrants with big ideas and big dreams. The [Canadian] Museum of Human Rights will dramatically alter Winnipeg’s skyline. But its name is a misnomer; museum is too limiting a description. That’s a venue people visit to remind one another of past lives … memories that can light up a rainy Sunday afternoon.

“This museum is to make a difference. This book is about how this idea, which seemed far too risky to be Canadian, actually came about. Its purpose is more significant than its contents…. If you consider this notion, it really defines what this is all about. Its existence will turn focus on its mission. The key to this great achievement is the image you get of a long time ago.”

Co-author Levine said, “I was fortunate to spend a lot of time with Izzy Asper and listen to him talk…. He told me often, one of the secrets of success came down to perseverance. He just never gave up on anything he did.

“The CMHR project gave new meanings to that. As Peter and I were researching and writing the book, I was struck by the amazing perseverance of Gail and Moe, and other members of the Asper family and foundation. They refused to quit, and are standing in the museum today.”

Levine read aloud excerpts from the book’s section “A Magnificent Conception,” about the delay in getting the museum off the ground.

“You see, Asper was not a journey-to-the-destination type of person. He was a just-get-to-the-destination kind of guy. So, if you’d told him in 2003, prior to his death, that more than a decade later the Museum for Human Rights would not be open, he would have been appalled.

“Back in 2000, once the initial idea of the Museum of Tolerance, as it was first referred to, began to germinate, and after Asper had found a spot at the Forks where he wanted to build it, plans advanced methodically and purposefully.

“Asper’s vision, although not clearly articulated initially, was to establish a museum that would teach the lessons of the Holocaust as well as examine human rights in a Canadian context against the backdrop of the Charter of Rights and Freedoms. There was a part of Canada’s history that had never been told, and he spoke really with as much passion about the Holocaust as he did about the Japanese, Chinese and Aboriginal societies, in particular.

“The project Asper envisioned was unique for several other reasons, factors that would prove a stumbling block difficult to hurdle, the grandeur of the museum Asper had in mind was akin to the Guggenheim Museum in Spain.

“One misconception that stands out is how people believe that he intended this to be a private museum … the opposite is true. Right from the beginning, he stated that he only wanted to spearhead this project, not run it or control the agenda.

“In the early years, Asper had underestimated the opposition he was to face from just about every corner – skeptical politicians who questioned the need for such a mammoth and expensive museum, academics and journalists who did not believe the museum of human rights could be done properly, or whether it was even necessary.

“Ottawa bureaucrats protested loudly about placing a national rights museum anywhere but in Ottawa, and a collection of naysayers who questioned the use of the Asper Foundation’s use of tax-payer money as part of an alleged scheme to advance so-called Jewish interests.

“Yet, even if he had known of the obstacles that stood in his path, Izzy would never have quit. Always he had persevered. As Gail recalls about her father, there’s a great quote that comes ‘Do it: do or do not. There is no try. Let’s just get the job done.’

“At the same time, there had been times when he had tried and tried and tried, and he failed. But the bottom line is, if you keep trying, the perseverance will pay off somewhere.”

When finished reading the first book excerpt, Levine shared, “Izzy, by the way, dictated things. Gail was instructed by her father that she was to dedicate half her day, every day, to the museum.

“So this, I quote, from Izzy’s letter to his daughter: ‘You must get up and end every day and ask yourself, what did I achieve in finding 60 million needed from the private sector for the museum? You are not to take any calls, answer any letters, or have any meetings with people who are seeking donations from the Asper Foundation. That is Moe’s job, and not to be duplicated.

‘I’m spelling all of this out because this is your opportunity to prove that you can act like a senior executive, and not to be distracted by everything that happens to go by. I hope you can exercise for us and discipline the outlined above.

‘This is the way I’ve operated all my life and, in my opinion, the only way you can accomplish things that everyone thinks can’t be done.’” Levine added, “And Gail obviously followed that [instruction].”

“Working with Allan and Peter has been one of the joys of putting this whole project together,” Levi added in his remarks. “It made me reminisce with Gail, and many times we laughed and cried thinking back [on] this incredible journey. I think it’s a great book. The key thing here is all the proceeds of this book go to the Friends [of the CMHR]. Anytime you buy it, you’re helping a child come to visit the museum in Winnipeg.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on October 3, 2014October 1, 2014Author Rebeca KuropatwaCategories BooksTags Allan Levine, Canadian Museum of Human Rights, CMHR, Gail Asper, Izzy Asper, Miracle at the Forks, Moe Levi, Peter C. Newman, Stuart Murray
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