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Does Vitaly Beckman fool Penn & Teller a second time?

image - A graphic novel co-created by artist Miriam Libicki and Holocaust survivor David Schaffer for the Narrative Art & Visual Storytelling in Holocaust & Human Rights Education project

A graphic novel co-created by artist Miriam Libicki and Holocaust survivor David Schaffer for the Narrative Art & Visual Storytelling in Holocaust & Human Rights Education project. Made possible by the Social Sciences and Humanities Research Council (SSHRC).

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Tag: Jewish Community Centre

Artists rise to challenge

Artists rise to challenge

“Sometimes Being Human … Can Be Hard” by August Bramhoff.

The Jewish Community Centre of Greater Vancouver’s inclusion services’ third annual art exhibit at the Zack Gallery is on display this month. And people can meet the artists at a March 23 virtual reception.

“For the last two years, the JCC has celebrated Jewish Disability Awareness and Inclusion Month through an art exhibit that interrogated and explored themes of community longing and belonging,” Leamore Cohen, inclusion services coordinator, told the Independent. “We asked artists of mixed ability: How do we make meaning of the concept of community, the real and the imagined spaces we inhabit? What does community longing look like and what are the possibilities for belonging in an ever-changing world?”

This past year, the world has changed almost beyond recognition. “In Vancouver, we are nearing a year since the COVID pandemic shut down our city and transformed all aspects of our social world,” acknowledged Cohen. “However, while we were isolated, we also saw our creativity flourish.”

In the two previous exhibits, artists responded enthusiastically to inclusion services’ challenge, unfolding a fascinating slice of society through their art, and both shows were successful, well-attended cultural events. Unfortunately, the pandemic has moved most of our interactions online, and so it is with this new show, though it is also available to view in-person by appointment.

The participating artists are of differing abilities and artistic levels, so the artforms vary. There are paintings and multimedia collages, figurative and abstract imagery, landscapes and still life. Some pictures are disturbing in their naked emotional pain. Others are quietly sad, or funny, or absurd. One thing is universal: the artists’ willingness to express their feelings, both in their art and in words, as each piece is accompanied by its creator’s short writeup.

It is impossible to mention all 57 pieces on display, but here are a select few to represent this multifaceted show.

August Bramhoff’s painting “Sometimes Being Human … Can Be Hard” depicts a woman sitting, alone. She is sewing or knitting. The painting’s muted colours permit no joy. There is obviously no one there with her, even beyond the edges of the painting. The woman’s isolation and loneliness are palpable despite the spare simplicity of the image.

The artist wrote about his painting: “My main practice is analogue photography, with a focus on street photography…. This is the first painting I’ve created in over 10 years. The inspiration for this work is from a feature film. It captures the sense of longing and displacement we all seem to be juggling during the COVID shutdown.”

In contrast, Tracy-Lynn Chernaske’s “Whispers” is a dreamy landscape. The moon shines over the night forest and a trail of shiny fog weaves its way between earth and sky. Maybe it is just the weather. Or maybe the fog illustrates our mutual desire to connect with one another. Maybe it is a whisper of our souls.

The artist explained: “Community is … a place and a way to tell stories and journeys so they can be witnessed, heard and held. They are a way of bonding together … and the need to push away and seek out new and more fitting spaces.” According to Chernaske, we all nourish “the invisible threads of relationships that cross borders, land, sea and time.”

In Evelyn Finchman’s “Roots” – an abstract composition in the earthy colours of brown and beige – interconnected spirals, lines and shapes allow the viewer’s imagination to stir. Is it food? Is it a surreal terrain? A carpenter’s schematics?

“Belonging to a community is much more than interacting with our societies and being accepted by our peers,” mused Finchman. “This year, I realized how important it is to coexist within the nature that surrounds us…. There is no human life if we don’t respect all living beings on our planet and understand that we are part of the whole environment.”

image - “Roots” by Evelyn Finchmann
“Roots” by Evelyn Finchmann.

Another artist who touched on the theme of nature and its connection with humanity is Peggy Logan. Her painting “Flowers Adrift” shows single blooms, all different – a tulip, an orchid, a daffodil, a daisy – but all similarly pale and faded, bobbing on the blue background. The image seems dejected and symbolic.

“The piece of work I have created,” said Logan, “is about that sense of disconnection that exists now with friends and family with restrictions on travel, social distancing, and isolating inside. This image is about the lack of roots the flowers have as they float over the water via the internet.”

Symbolism is also the main approach of Theresa Moleski in her painting “Life In and Beyond our Bubble.” The painting is dark, almost black and white. A tree is imprisoned inside a sharply delineated bubble, striving to get free. But there is something vaguely optimistic outside the bubble, too. And the artist expressed herself in no uncertain terms in her writeup: “COVID or not, I will continue my journey as an artist!”

While most of the images in this show are serious in tone, a few offer a humorous slant on our very human follies. Danielle Haslip’s painting “First Date Red Flags” is a tongue-in-cheek exploration of dating. Its style – childlike and undeniably funny – includes a figure with lots of teeth. You see it and you know: something is gonna bite.

“Reflecting on my own personal growth, as I wait for conditions to be safer for meeting people, I thought I’d be cheeky and depict an exaggerated vision of dating, in which we can either fall prey to manipulative people, who mean us harm, or attempt to force a connection with someone who is not a good fit for us,” wrote Haslip.

Another smile-inspiring work is Paul Leighton’s “Not Over the Moon Yet.” On the painting, a sad cow is floating on a cloud. Or is it an island? The style is two-dimensional, but the meaning is much deeper. Is the poor cow attempting to fly away from stupid humans? The artist thinks so: “My approach to the theme of longing and belonging is to use oblique humour to ponder unfathomable human global problems through the lens of the preposterous…. An individual, no matter how earnest, can’t solve all the interrelated problems of the Anthropocene or rescue a cow fleeing into the clouds,” said Leighton. “However, social pressure and citizens’ assembly can help.”

image - “Not Over the Moon Yet” by Paul Leighton
“Not Over the Moon Yet” by Paul Leighton.

And then there are paintings like Gail Rudin’s “Home is Where the Heart Is.” Folk art in style, it is heart-warming in its essence. It reminds all of us of the importance of home.

The show is on display at the gallery until April 2. To view the exhibit anytime or attend the March 23, 5 p.m., reception, visit jccgv.com/community-longing-and-belonging.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on March 19, 2021March 18, 2021Author Olga LivshinCategories Visual ArtsTags art, disability awareness, inclusion, JCC, JDAIM, Jewish Community Centre, Leamore Cohen, painting, Zack Gallery
Community milestones … Lubavitch seders, JCC Jewish Book Award nominees

Community milestones … Lubavitch seders, JCC Jewish Book Award nominees

Ezra Shanken, executive director of Jewish Federation of Greater Vancouver, and Rabbi Chalom Loeub, chaplain of Chabad Jewish Student Centre, Vancouver, help with the delivery of seder meals. (photo from Lubavitch BC)

Lubavitch BC had its largest communal seder ever, with more than 1,000 participants. Families in Vancouver, Richmond, Surrey, Langley, Coquitlam, Burnaby, the North Shore and other areas of the province, enjoyed a complete seder with all the trimmings. And now is the time to say thank you to everyone who made this happen.

Firstly, Rabbi Yitzchak and Henia Wineberg, Rabbi Schneur and Shainy Wineberg, Rabbi Dovid and Chaya Rosenfeld thank Chabad of Richmond and the Community Kollel for partnering with Lubavitch BC to ensure that this project reached the largest number of people; Maple Grill, FortyOne Catering, Miriam Sklar and Lizzy Vaknin for their help with the organization and logistics; Sklar and Meir Jerbi for their help with packing and distribution; David and Diana Benjamin, Ezra Shanken, Glenn Berlow and numerous others for their help with the deliveries; and Rabbi Falik and Rebbetzin Simie Schtroks for coordinating the Langley and Surrey pickups and deliveries.

This project was not easy to accomplish in a short time. Extra amounts of matzah, wine, Haggadot, seder plates and Kiddush cups had to be sourced; ingredients and merchandise had to be purchased; and 1,000 meals had to be cooked and packed under the strict protocols of health and safety during COVID-19. Dozens of heartfelt notes of appreciation were received from members of the community, who shared how the project allowed them to have a wonderful Pesach under these difficult circumstances.

* * *

A program of the JCC Jewish Book Festival, the Western Canada Jewish Book Awards celebrate excellence in writing on Jewish themes and the achievements of authors from Western Canada. The shortlist for the 2020 honours was recently released. The winners were to be announced at a ceremony April 23, but that celebration has been postponed till later in the fall. The nominees are as follows.

  • The Nancy Richler Memorial Prize for Fiction: Daniel Goodwin (The Art of Being Lewis), Alex Leslie (We All Need to Eat) and Rhea Tregebov (Rue des Rosiers).
  • The Pinsky Givon Family Prize for Non-Fiction: Allan Levine (Seeking the Fabled City), Naomi K. Lewis (Tiny Lights for Travellers) and Heidi J.S. Tworek (News from Germany).
  • The Diamond Foundation Prize for Children/Youth: Jackie Mills (Little Synagogue on the Prairie), Ellen Schwartz (The Princess Dolls) and Harriet Zaidman (City on Strike).
  • The Lohn Foundation Prize for Poetry: Alex Leslie (Vancouver for Beginners), Dave Margoshes (Calendar of Reckoning) and Tom Wayman (Helpless Angels).
  • The Kahn Family Foundation Prize for writing on the Holocaust: Olga Campbell (A Whisper Across Time), Susan Garfield (Too Many Goodbyes) and Martha Salcudean (In Search of Light).
Format ImagePosted on April 24, 2020April 24, 2020Author Community members/organizationsCategories LocalTags books, JCC Jewish Book Festival, Jewish Community Centre, Lubavitch BC, Passover, tikkun olam, Western Canada Jewish Book Awards
Israeli pucksters visit

Israeli pucksters visit

Members of the Hockey Academy of Israel. (photo from Kyle Berger)

The Jewish Community Centre of Greater Vancouver, along with the Jewish Federation of Greater Vancouver, played host earlier this month to 27 young hockey players from Israel’s Northern District who were in town for an eight-day visit.

The stops for the athletes, ages 10 to 14, on their March 5-13 Vancouver trip included a fundraising exhibition game against the JCC league (which had some former NHL players in attendance), the JCC Purim party March 9, which had a hockey workshop for kids in the gym, and a Canucks game on March 10, where Vancouver took on the New York Islanders. The Israeli junior players also had a practice skating session with Barb Aidelbaum, one of Canada’s top power-skating coaches, and ate meals at the Israeli-owned Chickpea and the Palestinian-run Aleph restaurants.

The co-ed group, comprised of youth from a variety of backgrounds – Jewish, Muslim, Christian and Druze – is part of the Hockey Academy of Israel (HIA). Situated in Metula, Israel’s northernmost town – along the border with Lebanon – the HIA (formerly the Canada-Israel Hockey School) was started in 2010 thanks to the drive and ambition of a local Israeli apple farmer and hockey aficionado, Levav Weinberg, and the initial financial support of Canadian media mogul Sidney Greenberg. Presently funded by donors from around the world, the HIA sees as its goal to make hockey fun and affordable for kids who otherwise would not get the opportunity to play.

Since its inception a decade ago, the HIA has witnessed a growing passion for the game in Israel and now boasts more than 400 young players in its academy, all of whom play at the Canada Centre in Metula, home to the only full-sized hockey rink in Israel. This is the second time a group from the HIA has visited Vancouver, a trip that was organized by the JCC and financially supported by the Jewish Federation. Members of the HIA also have visited other NHL towns, such as Ottawa, Pittsburgh and Winnipeg.

The existence of a camp in an area that has frequently made headlines for regional animosities has shown that much good can arise from sport. Many lasting friendships between players of different ethnicities have been formed at the academy.

“There are few things in the world that bring people together the way sports can,” said Kyle Berger, sports coordinator at the JCC and local delegation head for the Maccabi Games. “Sports bonds teammates together, it bonds countries together and, in some rare cases, sports can even bring peace and unity when such things seems almost impossible. This is the magic of the Hockey Academy of Israel, which brings both Jewish and Arab youth and their families together in the name of hockey.”

The HIA says it has found that, as passion for hockey grows in a region surrounded by political conflict, so too grow the bonds and respect these teammates from different cultural and political backgrounds have for one another.

Berger, along with other members of the Metro Vancouver Jewish community, has visited the hockey academy on several occasions, starting in 2012. He told the Independent that he “was blown away” by what he saw when he first arrived. “I had no idea as to the extent of the passion and the intensity the hockey academy has created for the game in Israel, and how much it has done to unite people of different cultures,” he said.

Hockey in Metula, which was featured in the 2013 TSN documentary Neutral Zone, has had a short, yet storied, history. Before the HIA was created, Canadian coaching legend Roger Neilson taught a camp in Metula in the late 1990s and played an integral role in establishing a fervour for the game in Israel.

The HIA is presently coached by Torontonian Mike Mazeika, who believes “the main goal of the academy is to integrate Jewish and Arab kids together, playing hockey, so that they can understand each other and make a difference for the future. Is that going to get us peace in the Middle East? No, probably not. But, if you don’t start small and take small steps, you’ll never be able to take a big step.”

The JCC and Jewish Federation were helped in various ways to support the HIA’s visit, including by host families, sponsors or venue/activity donors. For more information, contact Berger at [email protected] or 604-638-7286.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on March 13, 2020March 12, 2020Author Sam MargolisCategories LocalTags HIA, Hockey, Hockey Academy of Israel, JCCGV, Jewish Community Centre, Jewish Federation, Kyle Berger, sports, youth
Gotta Sing! Gotta Dance! deadline April 1

Gotta Sing! Gotta Dance! deadline April 1

(photo from Gotta Sing! Gotta Dance!)

The deadline to apply for Gotta Sing! Gotta Dance! at the Jewish Community Centre of Greater Vancouver July 7-30 and Aug. 4-27 is April 1. With participants ages 9 to 19 from various parts of Canada and elsewhere in the world, director and creator of the program Perry Ehrlich will be joined this year by faculty including musical directors Wendy Bross Stuart and Diane Speirs; director Chris McGregor; choreographers Jason Franco, Keri Minty and Meghan Anderssen; acting coach Amanda Testini; and Mariana Munoz, set construction and costume co-ordination. The final production of each session will be Wild Wild West Side Story, featuring an original script and a repertoire from Broadway and movie musicals. Also being offered is the finishing school, for serious musical theatre students attending Gotta Sing! Gotta Dance!, and a boot camp dance program. Scholarships are available.

Format ImagePosted on March 13, 2020March 12, 2020Author Gotta Sing! Gotta Dance!Categories Performing ArtsTags education, JCC, Jewish Community Centre, musical theatre, Perry Ehrlich, youth
Artistic visions on belonging

Artistic visions on belonging

“We are Family” by Cat L’Hirondelle is now on exhibit at the Zack Gallery, as part of he group show Community Longing and Belonging, which runs to March 29.

The new group show at the Zack Gallery, Community Longing and Belonging, is the second annual exhibit in celebration of Jewish Disability Awareness, Acceptance and Inclusion Month. Organized by Jewish Community Centre of Greater Vancouver’s inclusion services and its coordinator, Leamore Cohen, the show is a silent auction. Half of the proceeds will go to the artists, and the other half will be divided between inclusion services and the gallery.

The show consists of 50 paintings by different artists. The size and shape of all the paintings are the same – small rectangles – but the contents and media used are vastly different, indicative of the artists’ various styles and training levels. Some are highly professional. Some are figurative; others abstract. But all reflect their creators’ need to belong, to be part of a community. Each painting tells a story.

One of the prevalent themes of the show is flight. Wings appear on several paintings, emphasizing the yearning for the freedom flight entails, but also for the brotherhood of other fliers. The white ornamental wings on Mikaela Zitron’s multimedia piece are bigger than the background board. They take the artist into the sky, into a joyful aerial dance, while Jamie Drie’s feathers, drifting in a sad emptiness, invoke the feeling of disconnection.

The murder of crows in Cat L’Hirondelle’s painting relates yet a different story. “I am a feminist,” said L’Hirondelle. “I was thinking about the importance of being part of a community of like-minded women. My group of longtime women friends is my family, my tribe and, like the crows, I know that they will always be there for me. Since I became disabled, I have felt more and more disassociated with the able-bodied-centric society in general. Just look at the history of people with disabilities in different societies – genocide, forced sterilizations, segregation, isolation, etc. I would love to feel that people with disabilities belong in the world. My piece is trying to impart that sense of longing to be included in general community and how crow communities seem to include everyone: the old, the disabled, the young. I have lived in the crow flight path for many years and have been watching crows’ behaviour; sometimes, I wished people were more like crows.”

image - “Leaving for Awhile” by Daniel Malenica
“Leaving for Awhile” by Daniel Malenica

The second recurring motif in the show is loneliness, the sense of separation. Daniel Malenica’s image is distinctive among such pictures. The woman in the painting stands behind closed garden gates. She gazes at us from the painting, and the naked longing in her eyes is painful to behold. She desperately wants to open that gate and step through, to join us, but she lacks the courage. What if the people inside reject her? So, she just lingers outside, desolate and alone, waiting for an invitation.

Another outstanding piece on the same theme is Estelle Liebenberg’s black and white painting “Solitude Standing.” She told the Independent, “I work primarily as a potter and a metalsmith, but I accepted the challenge to paint something for the exhibition because I’ve had wonderful times working as a substitute art instructor at the JCC. I chose the monochromatic colour palette because, at the moment, I am quite fascinated by shadows, specifically how they change the shape of objects but still remain recognizable.”

image - Estelle Liebenberg’s “Solitude Standing”
Estelle Liebenberg’s “Solitude Standing.”

Her focus for the piece was the idea of a community in general. “I’ve spent my life dealing with different communities and, I guess, for me, the lines have softened over time,” she said. “We spend so much time in our lives working on belonging, or longing to belong somewhere, to someone or something. It’s an integral part of the beauty, the joy, the frustration and the heartbreak of life. For me, this was longing and belonging as an immigrant, as an introvert, as a mother of grown children, as a single person living in a city.”

She explained the title of her painting: “It is a hat tip to a song by Suzanne Vega. For me, her words truly encapsulate the feeling of longing to belong somewhere: ‘Solitude stands in the doorway / And I’m struck once again by her black silhouette / By her long cool stare and her silence / I suddenly remember each time we’ve met.’”

Different artists explore different aspects of community and belonging, and not all the communities are small or local. For Marcie Levitt-Cooper, the community in her painting is the universe, the earth and stars encompassed by love. Esther Tennenhouse, on the other hand, contemplates the darker side of belonging.

“My piece is a photocopy from a pre-World War Two Jewish encyclopedia, Allgemeine Ensiklopedya,” Tennenhouse explained. “It was labeled in Yiddish and issued in New York in 1940, the year Germany occupied France. On first seeing this old map, I found it very poignant. The map had to fit the 16-by-16 canvas given to all participants. The format left space, and I filled it with the music of two nigguns and lyrics of six Yiddish songs.”

That colourful map with Hebrew lettering, published just before the Nazis unleashed the full horrors of the Holocaust on European Jews, made for a tragic, frightening image, despite its bright and cheery appearance.

While the exhibit includes other figurative paintings, the majority of the pictures are abstract, either simple swirls of paint or complex geometric patterns, like Daniel Wajsman’s piece – two irregular overlapping rectangles.

“I wanted to emphasize that we should bring everyone in, not leave anyone out,” he said.

Community Longing and Belonging runs to March 29.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on March 6, 2020March 4, 2020Author Olga LivshinCategories Visual ArtsTags art, Cat L’Hirondelle, Daniel Wajsman, disability awareness, Estelle Liebenberg, Esther Tennenhouse, inclusion, JCC, Jewish Community Centre, Leamore Cohen, painting
Not just in summer

Not just in summer

(photo from Camp Shalom)

A couple of years ago, the Jewish Community Centre of Greater Vancouver’s Camp Shalom made a new commitment to families: “When they need us, we will be there!”

Camp staff decided on this motto when they noticed that their current families needed an increased amount of care. As a result, in addition to the existing summer and mid-year school-break camps, Camp Shalom started offering care for children from Vancouver Talmud Torah, Vancouver School Board, Vancouver Hebrew Academy and Richmond Jewish Day School on professional development days. Camp Shalom offers programs for children ages 3 to 15 for an average of 40 weeks out of the year, and is accessible to children who might have mental or physical disabilities.

“We want camp to be an inclusive environment for everyone. We want all campers to feel like they can participate in any of the activities,” said Marina Cindrich, Camp Shalom assistant director.

Supporting families and treating all campers as individuals has always been important to the Camp Shalom team. They recognize that they are a steppingstone into the Jewish camping world for many children in the city.

Director Ben Horev has committed the camp to providing a personalized experience for each family – whether it’s their first time at camp or their 10th, they will receive personal attention. This includes family meetings, scholarships and any other support a family might need for their child to attend camp. In the past, Camp Shalom has partnered with families from the Tri-Cities to bring them camp. This past summer, they introduced Kaitana Shalom, an ulpan-like day camp with Hebrew-speaking counselors and all activities in Hebrew, to help Israeli families integrate into Canada.

Camp Shalom will be kicking off 2020 summer camp registration with a Family Day concert and camp event (in partnership with PJ Library), which will feature Music with Marnie, as well as activities for the whole family. The event will take place on Feb. 17, 10 a.m.-2 p.m.

New this year, Camp Shalom is introducing a major change to their enrolment. They will be retiring the two-week sessions and replacing them with week-to-week registration instead. This will allow families to design a better fitting schedule for their needs.

For more information about Camp Shalom, contact Horev at 604-638-7282 or [email protected].

Format ImagePosted on January 24, 2020January 22, 2020Author Camp ShalomCategories LocalTags Ben Horev, camp, Camp Shalom, education, JCCGV, Jewish Community Centre, Kaitana Shalom, kids, Marina Cindrich, parenting
Classes on being a DJ

Classes on being a DJ

Michael Fraser teaches group electronic music and DJ classes at the Jewish Community Centre of Greater Vancouver. (photo from Michael Fraser)

As a violinist, music producer and DJ, Michael Fraser’s musical talents traverse many realms. Yet, despite the proficiency and versatility he has to create his art, Fraser believes that “personal connection to music transcends skill.”

It is that personal musical connection that the 30-year-old, born-and-raised Vancouverite hopes to instil in the next generations – be they performers or devotees – in the group electronic music and DJ classes he is teaching at the Jewish Community Centre of Greater Vancouver through spring 2020.

The early stages of Fraser’s musical trajectory began in grade school as a Suzuki violin player, though numerous other styles – from classical to hip-hop – seeped into his sphere of artistic influences through various musical mentors. Among them was Vancouver-based saxophonist and flautist Tom Keenlyside, who had a tremendous impact and helped Fraser “connect with music in an abstract, rather than a theoretical, way.”

Marrying and starting a family with his partner Camille, though, has brought about a shift in Fraser’s musical focus in recent years. The sense of wonder possessed by children, and the simple way it is often expressed, led him to view things from a different perspective and to feel a sense of responsibility to teach.

Fraser began playing music for his son before his son was even born. When Isaac turned three, Fraser observed him connecting to the process of making music himself.

“After Isaac was born, I started to see that my purpose as a musician is to help young artists develop their innate creativity and coach artists to deeper levels of emotional intelligence,” said Fraser. “When my son asks to hear my music, I want to help him cultivate a relationship to music and life that goes beyond what words can express.”

Fraser’s professional musical career began in 2007, while in his late teens. Since then, he has collaborated with numerous recording artists, including the Ault Sisters, a Toronto-based vocal jazz trio; performed at the Shambhala Music Festival and the Montreal Jazz Festival, among many other venues; and opened for internationally known acts, such as Michael Bublé, Caravan Palace and Arrested Development.

His success as a live performer led him to working with Ben Affleck on the original score for Ben Affleck on the Meaning of Life, an animated short film about the actor and director’s Eastern Congo Initiative, which premièred at the 2012 Toronto International Film Festival. Fraser also appeared as a violin player in a scene of The Revenant, an Academy Award nominee for best picture in 2016 and for which Leonardo DiCaprio won the prize for best actor.

Currently, Fraser is devoting his expertise to artist development (on both the career and creative sides), as well as working with Black Octopus Sound, a company that produces samples and musical production tools.

Fraser said he has always felt “a visceral connection to Jewish music that can only be explained as being deeply embedded in my DNA. It is the main access point for a depth of emotion that can only be expressed through tones and rhythms.”

On Oct. 29, he began facilitating his first DJ course at the JCCGV for youth aged 10-16, showing them the basics of how music is composed electronically, and the ins and outs of being a DJ. This session ran until Dec. 17.

He could feel how the group connected with the music, and foresaw many new up-and-coming DJs in the Vancouver Jewish community.

“When I am in the class with students, we are focused on how the beat feels. Are there styles of music that feel good? Knowing your tastes is going to differentiate yourself from other DJs,” Fraser explained. “I will sit with a class and play various drums and figure out which one speaks to a particular student. Having that distinction brings us closer to the music – which chords carry tension and which carry release in chord progression? What does that connection to music feel like? How is it one can play the same series of notes in different order and have a different outcome feeling?”

His students take what was done in class and make musical experiments when they get home. Fraser finds that, when they open up GarageBand or Caustic, two of the more popular DJing apps, they don’t feel as though they are doing homework.

Often, he noted, students have used DJing apps before. He also pointed out that, unlike kids from earlier times, kids today don’t differentiate between DJs and music creators. Those barriers are completely gone, he said.

The courses – $180 for JCCGV members and $225 for non-members – comprise 10 lessons, run Tuesday evenings and are open to kids 10-16. Students should bring a pen and paper, a mobile device (laptop, tablet, cellphone) and headphones. For more information, visit jccgv.com/performing-arts/school-of-music.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on December 20, 2019December 18, 2019Author Sam MargolisCategories MusicTags DJing, education, electronic music, JCCGV, Jewish Community Centre, Michael Fraser, youth
Historic JCC-Fed agreement

Historic JCC-Fed agreement

A rendering of the development that is planned to replace the current Jewish Community Centre of Greater Vancouver. (image from JCCGV)

A recently signed agreement is a significant next step in the largest infrastructure project in the history of British Columbia’s Jewish community. The deal is expected to create a new Jewish community centre, as well as at least 300 rental housing units and larger, renewed facilities for many communal institutions, replacing the existing, almost 60-year-old community centre.

A memorandum of understanding between the Jewish Community Centre of Greater Vancouver (JCC) and the Jewish Federation of Greater Vancouver was signed last month. The agreement will likely see the land owned by the JCC transferred to a new community-wide agency. According to a joint statement by the two organizations, the proposed new 200,000-square-foot “recreational, cultural and community centre [will include] new childcare spaces, more services for seniors, an expanded space for the Vancouver Holocaust Education Centre, a new theatre and more.” At least 15 not-for-profit community organizations are anticipated to be housed there, as well as updated and enlarged facilities for arts and culture, aquatics, and fitness programs. Mixed-use rental housing units included in the plan are expected to be offered at or below market value and be open to everyone.

The project will advance based on a collaborative fundraising initiative. A campaign goal has not been announced.

“This agreement is an important initial step toward acting upon the community’s vision for a revitalized JCC that would become a legacy for the Jewish community and the city,” Salomon Casseres, president of the JCC board, said in the statement. “Our board is excited to partner with Jewish Federation. We believe that this collaboration puts the project on a strong foundation for success, from a community, financial and governance perspective.”

“An opportunity like this comes along perhaps once in a generation, so we are very proud to be working closely with the JCC on this historic project,” Alex Cristall, Jewish Federation’s board chair, said in the statement. “Jewish Federation takes a broad, long-term view of the sustainability, growth and evolution of the local Jewish community, and we believe that this project will create a strong core that will ultimately allow us to increase our reach and our impact.”

Ezra Shanken, chief executive officer of the Jewish Federation, told the Independent that the collaboration is a “big win” for the community.

“Federation has always been a proponent for the concept of working together on projects that have an impact that’s beyond the reach of one agency and we are thrilled that the JCC agrees with us that this is one of those projects,” he said. “It absolutely should be common in all cities.… For me, it’s best practice.”

The new JCC will strengthen the entire community, he said, adding that the impacts will reach far beyond the Oakridge neighbourhood.

“We are not just creating a strong future for that 41st and Oak corridor, the Vancouver Jewish community, but I believe we’re creating a strong future for the community across the Lower Mainland as a whole,” Shanken said, expressing his gratitude to the JCC and its leadership.

“I think the JCC has shown immense foresight and courage in coming together with us, to have the openness to work through the challenges and opportunities that exist in partnership, and I believe that this partnership will glean really great results for the Jewish community as a whole,” he said.

Eldad Goldfarb, executive director of the JCC, said working together hand in hand is the best way forward and the partnership is a natural one. The collaboration between the JCC and Federation is the largest partnership, but is part of a broader engagement process, he added.

“The master planning process of this legacy community project has involved an extensive engagement effort by the JCC, reaching out and having conversations with more than 30 Jewish community organizations, many stakeholders, donors and community members,” said Goldfarb. “The JCC, as we know it today, is home to 15 different Jewish community organizations and the new redevelopment might increase these collaborations opportunities.”

Discussions about the partnership between the two organizations have always been very collaborative, open and in good faith, Goldfarb said.

“This project is about creating a JCC for the future of the community, with more and better childcare, seniors, wellness, arts, culture and education state-of-the-art spaces, but is not limited to only that,” he said. “Our vision is to create an innovative community site which will include a brand new J, as well as a welcoming and collaborative home for many other community organizations and, of course, the much-needed large rental affordable housing towers.”

Vancouver City Council unanimously approved the JCC site redevelopment plan in September 2018. Several major steps remain in the design and planning process, as well as the raising of the millions of dollars required to complete it.

Format ImagePosted on November 8, 2019November 6, 2019Author Pat JohnsonCategories LocalTags Alex Cristall, development, Eldad Goldfarb, Ezra Shanken, JCC, Jewish Community Centre, Jewish Federation, JFGV, real estate, Salomon Casseres
Mystery photos … Oct. 25/19

Mystery photos … Oct. 25/19

Dancing at a Jewish Community Centre party, 1984. (photo from JWB fonds, JMABC L.11733)

If you know someone in these photos, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

photo - Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968
Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968. (photo from JWB fonds, JMABC L.12174)
Format ImagePosted on October 25, 2019October 23, 2019Author JI and JMABCCategories Mystery PhotoTags Alec Jackson, Dave Jackson, history, JCC, Jewish Community Centre, Jewish museum, JMABC, Tom Campbell

Election views diverge

The Independent spoke with people in the Jewish community to gauge attitudes as the federal election approaches. What we found was a diversity of views and a lack of consensus.

An informal focus group of residents at the Weinberg Residence raised issues of out-of-pocket expenses for medical treatments and a lack of available doctors.

“You lose your doctor, you can’t get another one,” said one senior voter.

There was not great enthusiasm for any of the party leaders. One participant said she had lost respect for Liberal leader Justin Trudeau long before the recent brownface and blackface issue emerged.

“I was disappointed in him way back when he went to India and there was this whole thing of dressing up in Indian costumes. I felt it wasn’t very statesmanlike.”

“I feel that he’s had his chance and I don’t want to vote for him because he showed us what he can do. I don’t think he’s got what it takes,” said another voter.

“I expected nothing from Trudeau and I got it,” said another.

But there was no groundswell of support for Conservative leader Andrew Scheer.

“I’m disappointed,” said one. “I haven’t heard anything that’s promising.”

Some voters said NDP leader Jagmeet Singh comes across as sincere, but one said he has a lot of repair work to do with the Jewish community after his party’s positions against Israel in the past.

Elizabeth May, the Green leader, was viewed positively, but not seen as prime minister material.

“She’s very good at her subject, but I can’t envisage her really understanding what’s going on in the economy, in foreign affairs,” one resident said.

Among more than a dozen participants, the vast majority had a positive view of their incumbent MP, Jody Wilson-Raybould.

“I think she deserves better than she’s had,” said one person, while a Conservative supporter said she wishes Wilson-Raybould was running for her party, because she’d like to vote for her.

A show of hands indicated well more than half are undecided about who to vote for.

“Everybody’s confused,” said one, to laughter all around.

* * *

Alice Sundberg, director of operations and housing development for Tikva Housing Society, would like to see the federal government get back into funding nonprofit housing.

“We think that there is a really significant role for the federal government in making rental housing more affordable,” she said. Rather than subsidies to renters, which go into the pockets of landlords and don’t create new housing, she would like to see either capital grants to reduce mortgages for nonprofit or co-op housing, thus reducing the rental costs, or ongoing operating subsidies to organizations like hers that develop new housing.

“We don’t have enough supply,” said Sundberg. “Back in the ’90s, when the federal government withdrew from funding new affordable housing, it was really the beginning of our homelessness crisis.”

Housing is also a topic for Eldad Goldfarb, executive director of the Jewish Community Centre of Greater Vancouver. The centre’s redevelopment will include at least 300 units of affordable rental housing. His team has spoken to many federal officials, including MPs, but, so far, he said, “No commitments, no confirmations, lots of good feedback and great understanding of the project, support for it, but nothing has translated into actual commitments, funding, promises, nothing of that sort.”

Support for the housing component might include financing from the Canada Mortgage and Housing Corporation, rather than grants, though he hopes for federal cash for the new JCC building. He credited the federal government for stepping up with funding for security infrastructure for communities at risk, but added there is always need for more.

* * *

The rise of hate-motivated rhetoric and violence leads some community leaders to call for more federal action and leadership.

“With the rise of antisemitism, racism and far-right extremism, particularly in the online space, the Vancouver Holocaust Education Centre would welcome a comprehensive strategy to tackle hate in all its forms,” said Nina Krieger, executive director of the VHEC.

Russ Klein, principal of King David High School, would like to hear party leaders and candidates address how they are demonstrating moral and ethical leadership that creates trust and inspires Canadians, especially young people.

“How will they work to ease a society which seems quick to feel fear and seems overly stressed and anxious?” asked Klein. “I want to know how they will support a kinder, more inclusive society that offers hope and opportunity for all but especially to young people and to the most vulnerable in our society. How will they work to maintain affordable housing, livable wages and allow people to manage a balanced lifestyle in cities like Vancouver, where young families cannot afford to live in their current community? We live in extremely concerning times globally and I want Canada to lead in decreasing world tensions – how will they do that?”

* * *

Similar broad topics arose among a handful of University of British Columbia students who met at Hillel House to discuss issues that are important to them. All agreed that there has not been enough discussion of foreign affairs and there is a lack of substantive difference between the parties on issues like immigration.

“I don’t see any candidate that has a clear foreign policy vision, even though I think Chrystia Freeland is, personally, a great minister of foreign affairs,” said Adam Yosef Dobrer, a third-year political science student who is volunteering on Zach Segal’s Conservative campaign in Vancouver Granville.

Dobrer also wants Canada to return to the Conservative policy of defunding the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), which he called the greatest obstacle to peace between Israelis and Palestinians.

“In the last four years, I found it very difficult to understand where Canada as a nation lies in foreign affairs,” said Nika Perel, a fourth-year psychology student from Ontario who plans to vote Conservative. She credited the previous Conservative government with more clarity on Israel and Palestine and on Russia and Ukraine. “Stephen Harper made it very clear that he took a position supporting Ukraine.”

Jake Reznik, a nursing student with an undergraduate degree in kinesiology who remains an undecided voter, said Canada is not adequately standing up to China over its treatment of the Muslim-minority Uygher population or its other human rights violations. He added: “There is a lot of influence that the Chinese government does have in Canada that goes under-recognized.”

Matt Perzow, an NDP supporter who plans to vote strategically for Joyce Murray, the Liberal candidate in Vancouver Quadra, to prevent a Conservative government, emphasized health care, including mental health services. Defending Canadian values like multiculturalism and care for the most vulnerable are also things he wants to see party leaders prioritize.

All the students agreed that supporting Israel is an important consideration in their vote, but also said it will not be the deciding factor.

“I wouldn’t vote for any party that I thought would jeopardize the future of the Jewish people, whether it’s in Canada, in Israel or in another place,” said Perzow. “I’m not voting for somebody because of that issue, but, if I thought that something compromised the well-being of the Jewish people, I wouldn’t support them.”

Dobrer, whose family migrated to Canada from Israel when he was an infant because of the Second Intifada, said he has a “very resonant emotional connection” to Israel “but I am a Canadian first.” He is concerned about some election candidates, including Green party MP Paul Manly, who Dobrer says has a “long and sordid history of antisemitism and 9/11 ‘trutherism’ and delving into conspiracy theories.” (After being elected in a by-election this year, Manly denied he supports 9/11 conspiracies after the CBC reported on statements he had made in 2007 and 2011.)

The students all agreed that the environment and climate change are top issues for them and their peers, but expressed nearly universal hopelessness that anything substantive would change.

“I have no doubt that it will not be addressed,” said Reznik. “I know personally I’m not going to be willing to sacrifice my own standard of living and, at the same time, I think it is tremendously insulting on my part to tell someone else that they can’t attain my standard of living that we have here.”

“A lot of people are standing up and screaming about things, but they’re not going to do anything about it,” said Perel.

A hint of hope came from Dobrer: “From the government, I’m very skeptical. But from young intellectual minds, from the not-for-profit sector, from the private sector, every day there is more and more innovation, technological advances and more intellectual capital devoted to dealing with climate change.”

Posted on October 11, 2019October 10, 2019Author Pat JohnsonCategories LocalTags Adam Yosef Dobrer, Alice Sundberg, Canada, Eldad Goldfarb, federal election, Hillel House, Jake Reznik, JCCGV, Jewish Community Centre, KDHS, King David High School, Matt Perzow, Nika Perel, Nina Krieger, politics, Russ Klein, Tikva Housing, UBC, Vancouver Holocaust Education Centre, VHEC, Weinberg Residence

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