books

Jewish Poland in 1932

This photo, called “Generations,” was taken by Tim Gidal in Tel Aviv in 1935. (courtesy Zack Gallery)

The current show at the Sidney and Gertrude Zack Gallery, Invisible Curtain: The 1932 Polish Photographs of Nachum Tim Gidal, was organized in partnership with the Cherie Smith JCC Jewish Book Festival, which runs Feb. 20-25. Gidal (better known as Tim Gidal or Tim N. Gidal) was a renown photojournalist of the last century and the exhibit’s images come from the new book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal. (For a review, click here.)

The driving force behind the book’s publication was Yosef Wosk, who wrote its preface. Wosk approached Zack Gallery director Hope Forstenzer and Jewish Book Festival director Dana Camil Hewitt about a year ago, Forstenzer told the Independent. “He suggested we have a Tim Gidal show at the gallery to coincide with the festival and his newly published book,” she said.

Both Wosk and Forstenzer curated the exhibit. “Together, we chose about 50 images for the show, as many as the gallery could fit. It couldn’t include all the images in the book, of course,” said Forstenzer.

photo - A self-portrait by photographer Tim Gidal, taken in 1974 — A self-portrait by photographer Tim Gidal, taken in 1974. *(courtesy Zack Gallery)*

The history of the photographs is best described by the photographer himself in the book’s introduction. In 1932, Gidal, then 23, traveled with two friends to Poland from his hometown of Munich, Germany. It was his first trip abroad. “My knowledge of the political, economic and social conditions of the Jews in Poland didn’t seem to square with my feelings about their spiritual life,” he wrote. “So I decided to go and see for myself.”

Gidal, who passed away in 1996, took numerous photographs of people and places, as he went from shtetl to shtetl on his three-week “little odyssey.” He wrote: “I encountered spiritual and material heights and depths: material well-being and abject poverty, rejuvenation and dissolution. Some were rich, but many more were very poor. It was a hopeless poverty, endured with an incredible humility. I met men of faith and hypocrites … atheists, socialists and communists, Zionists and Bundists, Orthodox and assimilationists. We also experienced the all-pervading Jewish humor.”

photo - Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932 — Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932. *(courtesy Zack Gallery)*

Everything the young photographer experienced was reflected in his images, including those now on display at the Zack. We see children laughing and women looking far older than their real years. We see ancient eyes and tired, worn hands. We see educated men reading in front of a synagogue, and broken windows and peeling walls the next street over. And we know something Gidal didn’t know at the time, which makes this book and the show all the more poignant: not many years later, most of these people would be murdered in the Holocaust, and they and their entire way of life would be lost. But, in Gidal’s photos, his subjects remain alive. According to Wosk, “Each photograph is a monument, a letter in light.”

Gidal’s 1932 Polish photo essay comprises only a small portion of the master’s body of work. His photography journey spanned almost seven decades and encompassed most major players and momentous events of the 20th century.

One of the pioneers in the field of modern photography, Gidal made his debut in 1929 with his first published photo report. He was a proponent of the style of the “picture story” and he captured most of his subjects unaware, instead of staging elaborate scenes. Very few of his subjects posed for his photos, and every image tells a story.

Four years after his trip to Poland, Gidal moved to Palestine. During the Second World War, he served as a staff reporter for a British army magazine. A wanderer and a chronicler of life, he traveled a lot and lived in the United States for awhile. He taught and illustrated books. He exhibited widely.

photo - Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25 — Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25. *(courtesy Zack Gallery)*

A portion of the Zack exhibition is dedicated to Gidal’s artistic photography after 1932. The pictures demonstrate his technical progress, as well as his breadth of interests and subjects. There is a lyrical photo, “Generations,” taken in Tel Aviv in 1935 and another – a dramatic portrait of the youngest survivors of Buchenwald, taken in 1945 upon their arrival in Palestine. There is a photo of Mahatma Gandhi at the All-India Congress in Bombay in 1940 and the fascinating picture called “Handshake,” taken in Florence in 1934, which shows two men shaking hands in front of a wall covered with multiple posters of Mussolini.

Half a century before Photoshop was invented, Gidal experimented with his images, compiling them in different combinations and creating something unique, like his triptych of Winston Churchill of 1948 or the Rhomboid photomontage of 1975.

As a photo reporter, Gidal used his camera to record the 20th century in all its glorious and painful contradictions, and his early 1932 Polish photographs serve as a symbol of his multifaceted canon.

Invisible Curtain opened on Jan. 5 and the exhibit will continue until Feb. 25. To see the show’s digital equivalent, visit online.flippingbook.com/view/891736. To book an appointment to see it at the gallery, email Forstenzer at [email protected]. To attend the virtual book launch on Feb. 11, 7 p.m., and to see the full book festival lineup, visit jccgv.com/jewish-book-festival.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Rediscovering Judaism

Sarah Hurwitz will help launch Jewish Federation of Greater Vancouver’s annual campaign on Sept. 8. (photo from Jewish Federation)

Sarah Hurwitz, who for seven years served as head speechwriter for former first lady Michelle Obama, will be a featured speaker at the Jewish Federation of Greater Vancouver’s annual campaign opening on Sept. 8, which will be held virtually.

Hurwitz spoke to the Independent about her new book, Here All Along: Finding Meaning, Spirituality, and a Deeper Connection to Life – in Judaism (After Finally Choosing to Look There), and her upcoming Vancouver talk, which, before the pandemic, she had planned to deliver in person.

Here All Along traces Hurwitz’s personal journey back to her Jewish roots, a journey that began after an introduction to Judaism class in 2014. Before that time, she said, her main points of contact with the faith had been at “dull, incomprehensible” High Holiday events and a “lifeless” seder.

Her book delves into such areas as the Jewish traditions of questioning, debating and interpreting religious texts, “freeing God from his human-shaped cage,” and marking holidays and lifecycle events.

“What most surprised me (after taking the class) was the depth of spiritual and ethical wisdom Judaism had to offer,” she said. “I had always been proud to be Jewish and considered myself a ‘cultural Jew,’ but I knew almost nothing about Judaism. Once I started learning, I discovered thousands of years of profound wisdom about what it means to be human – how to live a worthy life, how to be a good person, how to find spiritual connection, and so much more.”

When asked how this discovery has affected her life, she explained: “My Judaism informs how I live every day of my life. It informs the ethical decisions I make each day about how to treat others, especially when it comes to the words I speak to and about them. It’s helped me develop an adult spirituality – beyond simplistic notions of the divine as a man in the sky who controls everything and punishes us when we’re naughty – which allows me to feel greater awe, wonder and gratitude each day. And it’s brought me into an amazing community of people, not just in the U.S., but across the globe – spiritual leaders, scholars and Jewish professionals who’ve become my dearest friends, mentors and teachers.”

Study, Hurwitz said, is a big part of her Jewish practice these days, though she would not label it an “intellectual pursuit.”

“Law school was an intellectual endeavour. Jewish study is deeply spiritual and emotional for me. I don’t study Jewish texts to gain information or facts, or to hone my analytical skills. I study them to glean the deepest wisdom of my ancestors about how to live my life,” she explained.

Currently, she is studying Psalms in chavruta (partnership) with a friend. Every week, they connect on Zoom and discuss the language and themes of the Psalmists. She also had a recent series of one-on-one study sessions with a rabbi that focused on Chassidic texts.

Selected last December by the Forward as one of the 50 most influential Jewish Americans, Hurwitz helped the former first lady put together many well-received speeches – including her 2016 Democratic National Convention address – and traveled with Obama around the world. She also worked on policy issues, as a senior advisor to the White House Council on Women and Girls.

Before working at the White House, Hurwitz was chief speechwriter for Hillary Clinton during Clinton’s 2008 presidential primary campaign. She then joined the Obama campaign, serving as a senior speechwriter for then-Senator Barack Obama and helping Michelle Obama draft her 2008 Democratic National Convention speech.

Prior to the Clinton and Obama campaigns, Hurwitz served as deputy chief speechwriter for Senator John Kerry’s 2004 presidential run and also worked as a deputy chief speechwriter for General Wesley Clark’s primary bid, as well as for Senator Tom Harkin. Earlier in her career, she was a lawyer at the Washington, D.C., office of WilmerHale. Presently, she is working on a proposal for another book and, while she does not write speeches at the moment, she does “help people out with remarks they’re giving, or offer edits.”

Hurwitz’s Vancouver talk will explore a wide range of subjects, such as working for Michelle Obama in the White House, spiritual and ethical insights in Judaism that have most transformed her life, and some thoughts on the future of Judaism. She will be joined at the virtual launch by fellow keynote speaker Nigel Savage, president and chief executive officer of Hazon (jewishindependent.ca/the-world-needs-us-to-change). To register for the Sept. 8 campaign opening, visit jewishvancouver.com/faco2020.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Goosefeather book set to launch

Storyteller Naomi Eliana Pommier Steinberg’s years-long Goosefeather journey has taken her around the world. This photo was taken in Paris in 2015. (photo © lineka)

A travelogue of observations and experiences from the unique to the mundane, the personal to the universal, a mix of prose and poetry, Goosefeather: Once Upon a Cartographic Adventure has arrived. Its journey, which started in 2011 when storyteller Naomi Eliana Pommier Steinberg interviewed her grandfather in Paris, will culminate in a book launch in Vancouver on June 9 that will stream live on Facebook and YouTube.

Vancouver-based artist Steinberg asked her maternal grandfather, who was not Jewish, more than 100 questions. In particular, she told the Jewish Independent in a 2018 interview, “I wanted to know how he had helped my Jewish grandmother survive the Second World War and why he was a collector of maps, weights and scales. Given his work with the metric system, I also thought it would be interesting for us to talk about measurements in general.” (See jewishindependent.ca/around-the-world-in-382-days.)

More than a year of research followed and, while she was able to show her grandfather pieces of what would become the performance work Goosefeather, he passed away before the work was completed. The JI saw the 2014 Vancouver Fringe Festival show, in which, the article notes, “Steinberg intersperses what she knows and learns about her grandfather with observations about the concept of measurement, of time and space. What do we measure? Our waists, our burdens? What are our favourite measuring tools? A yardstick, the position of the sun?” (See jewishindependent.ca/jewish-flare-at-fringe-festival.)

The idea that there is no such thing as an exact measurement is accented in the book Goosefeather, as an opportunity for readers to consider what they don’t know, to accept and embrace the unknown, and the fact that there will always be a margin of error, not just in our measurements, but in our perspectives and approaches to life.

“What I arrive at in the book is that: ‘Practising right-relation is predicated on allowing space for not knowing, space for humility, space for listening.’ It is a term borrowed from Buddhism,” Steinberg told the Independent in an interview last week.

“In Judaism,” she said, “there is kavanah, the stilling of self to prepare for entering the mystery. The setting of intention. Before ritual gestures, we centre ourselves, humble in the light of all there is, intending to practise peace. For some, the experience is made desirable and the longing for union acute through visualization. Then, I believe that tzedakah is one of the ways we can practise right-relation. With my own liberal interpretation and limited understanding, I could say that Judaism wrote laws to ensure the circulation of wealth, including, for example, tithing and taxation systems. Tzedakah, charity, is a mitzvah – a very important good deed. Finally, slichot [forgiveness prayers], the ability to recognize what is important … what needs to be let go, instead of focusing on negatives.”

The ability to adapt, to make quick decisions and to remain positive serve Steinberg well as a storyteller, no doubt. These attributes also helped on her travels, where things didn’t always go as planned, or were even left unplanned until the last minute. Her 382-day journey – by almost every mode of transportation except airplane – covered just under 56,000 kilometres and took her to many countries, including Canada and the United States, as well as Australia, China, Japan, Russia, Norway, England, Scotland, France, Switzerland and Belgium. She performed Goosefeather, as well as did other storytelling, along the way – 37 productions in all, according to the press material.

From countless experiences, Steinberg has created a concise account that is informational, philosophical, lyrical and thought-provoking. Some days, she records the details of her travels; other days, she ponders larger questions; yet other days, she simply notes how something smelled or sounded.

“An itinerant artist is a human on the road,” she explained. “There are ups and downs on life’s road. Parts of the 382 days on the road were uncomfortable or stretched out, long and slow. Well, we know it’s not all just fun and games in life. I wanted to keep it real. Much of what I was trying to do by sharing those moments was enter the banality of the day-to-day; to bring readers’ bodies there, evoking images, awakening senses, remembering experiences. That’s what storytellers do!”

Steinberg not only performed during her travels, but gave workshops, in which she offers her experience in crafting a story to communications professionals and other groups, stressing the importance of play and movement.

“The diaphragm is a great muscle that holds a lot of tension,” she explained. “It works super-hard every day, as does the heart, to maintain a flow of oxygen to all parts of the body. That’s amazing. We can practise gratitude towards our bodies every day! Sometimes, the tension in the diaphragm can be released through conscious breathing, laughter, certainly through yawning, and, probably, hopefully, through crying. These are four good ways to release the diaphragm. When we play, the diaphragm gets shaken up a bit and we can relax. Try it!

“Play is fun, charming, disarming. Play is guileless. Otherwise, you may as well call it manipulation and dress it up in propaganda’s clothes. Play can be surprising, logic threatening, synaptic gap leaping. These transformations in perspective can be subtle yet profound.”

Such thoughts come full circle back to the concept of margins of error and how our recognition of their existence could make us less quick to judge and more open to others’ ideas and perspectives.

Steinberg cited American writer and translator X.J. Kennedy, who, she noted, “says: ‘To leap over the wall of self, to look through another’s eyes – this is valuable experience, which literature offers.’

“Lateral movement is good for the body,” said Steinberg. “In theatresports, there is a game called space-jump – you literally leap in and out of scenarios, putting your whole self in an imaginary situation. Playing this feeds agility, spontaneity and willingness.”

photo - Goosefeather cover — *(photo from goosefeather.ca)*

Books, she said, are essential for many people, including, or perhaps especially during difficult periods, such as the COVID-19 pandemic we are currently experiencing. “Escaping into other experiences, or trying to understand what’s happening through the lens of historical accounts, can be a kind of lifesaver,” she said. “Books provide solace in challenging times. The act of writing can record, reflect and frame.”

Describing Goosefeather as “a memoir and travelogue with literary aspirations,” Steinberg said, “I have tried to bring my strength as an oral storyteller from the stage to the page. I hope the readers of Goosefeather feel included in a process of emergence and discovery. That a lightness and delight is found in the journey and that there is emotional resonance with humanity and with the planet. In some ways, I want to position the book as an antidote to the propagation of fear and the dangers of isolation.

“We are living a tremendous story of transformation,” she said. “The most gripping stories I’ve listened to or read, the ones that were somehow useful to my psyche, were the ones that gave insight into how a character might navigate difficulty, or might share their love and appreciation for what makes life wonderful. Listening, generosity, caring … these are manifest around the globe in a thousand small gestures and are giving shape to our emergent global culture. My hope is that Goosefeather’s story, her journey around the planet, contributes to this.”

And is that journey now complete?

“I like the idea that the performance is over, and need that for my own closure,” said Steinberg. “It ensures celebration of achievement. I can say, ‘Done’ – journey around planet as singular gesture towards time-space, ‘check!’

“Then there is the show, which I suppose could be performed again, but I’d have to relearn the text fresh and new. I’ve toyed with the idea of Goosefeather’s character doing a different stage performance, but, truth be told, I don’t actually know what comes next after this book! Maybe someone will pick it up and help with soft cover distribution? For now, I have 500 hardcover, first-edition, silver-gilded books for sale, and the desire to produce an interesting and entertaining live-stream launch event.”

To learn more, visit goosefeather.ca.

Feeding the body and mind

National Hebrew Book Week has taken place every year in June. Its fate for this year, in light of the COVID-19 pandemic, is unclear. (photo from gojerusalem.com)

In Israel, you know Shavuot is approaching when you see the grocery stores setting up displays of pasta and spaghetti sauce. The pandemic shouldn’t change that.

Israelis are obsessed with the thought of eating non-meat meals on Shavuot. I suspect that at the heart of this obsession is the feeling that, even today, many people still consider eating a non-meat meal equivalent to eating less than a full meal. Hence, the worry that there really will be a satisfying meal to appropriately celebrate the holiday.

While there are many lovely explanations about why we eat dairy on Shavuot, they seem to be secondary to some practical considerations. As Rabbi Prof. David Golinkin points out, in the late spring, young calves, lambs and kids are weaned. Thus, historically at this time in Europe, there was an abundance of milk. Bear in mind that refrigeration is a fairly new process and that, prior to refrigeration, farmers needed to move fast with perishable milk. They made cheese and butter, which, likewise, needed to be consumed relatively fast. This dairy excess may have motivated some Jews to eat dairy on Shavuot. (See the article “Why do Jews Eat Milk and Dairy Products on Shavuot?” on the Schechter Institutes’ website, schechter.edu.)

But, eating a non-meat meal on Shavuot is not restricted to the customs of European Jewry. As Jewish food expert Claudia Roden notes in The Book of Jewish Food: An Odyssey from Samarkand to New York, Sephardi Jews in Syria made cheese pies called sambousak bi jibn, Tunisian Jews had a special dairy couscous recipe and, in places like Turkey and the Balkans, Jews prepared a milk pudding called sutlage for Shavuot. (If you don’t want to eat animal-based foods, you don’t need to feel left out. The United Kingdom’s Jewish Vegetarian Society helps you enjoy a variety of traditional, but vegan, cheesecake recipes.)

So from where did all this dairy focus originate? One appealing explanation reminds us of what was supposed to have happened on Shavuot, namely that the Jewish people received the Torah. In Gematria, the Hebrew word for milk (chalav) adds up to 40, the number of days on which Moses stayed on Mount Sinai in order to receive the Torah.

Significantly, studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora. The big Israeli cities offer any number of options for participating in a tikkun leil Shavuot. These free learning sessions welcome the participation of all of Israeli society, from the religious to the secular, and everyone in between. Those living in smaller towns and on kibbutzim and moshavim likewise hold study sessions on the night of the holiday.

The idea of all-night studying originates with the kabbalists. The earliest members of this group apparently studied with Rabbi Shimon bar Yochai, the author of the Zohar, who lived in the second-century CE. It was this scholar (also known by his initials, as Rashbi) who stated: “G-d forbid that the Torah shall ever be forgotten!” (See the Babylonian Talmud Tractate Shabbat 138b.) By the Middle Ages, the kabbalistic all-night Shavuot study had really picked up steam in places such as Safed.

photo - Studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora — Studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora. *(photo from pexels.com)*

Some claim the reason for studying during the night is found in the midrash stating that it was a way to correct for the Children of Israel’s mistake of oversleeping on the morning they were meant to receive the Torah. Others claim, however, that the Hebrew word tikkun should not be translated as correction, but rather as adorning or decorating the bride. The bride in this instance is the people of Israel and the groom is either G-d and/or the Torah.

According to a late 17th-century Libyan tradition, Shavuot symbolizes the wedding day between the people of Israel and the Torah. According to this tradition, the Torah is the bride, which explains the title of the Libyan Shavuot text entitled Tikkun Kallah. Accordingly, those who read this tikkun are likened to bridal attendants.

The importance of studying on Shavuot is bolstered by the fact that Israel’s Hebrew Book Week (or, in some places, Book Month) begins right after Shavuot. I do not believe this occurrence is coincidental, but rather links us to the idea that we are still the People of the Book and a people of books.

The Israeli book fair has been running for many years. This year, 2020, would mark the 59th annual celebration of Hebrew Book Week and the fair’s age is all the more impressive when you recall how shaky was the Israeli state’s start as an independent entity. Recent years’ events have included Israeli authors appearing in coffee houses, story hours and plays for children, guided walks in Israel’s National Library, the more traditional book signings and, of course, the possibility of thumbing through thousands of Hebrew books.

In brief, our spring holiday offers opportunities for both spiritual and physical nourishment.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.

Community milestones … Lubavitch seders, JCC Jewish Book Award nominees

Ezra Shanken, executive director of Jewish Federation of Greater Vancouver, and Rabbi Chalom Loeub, chaplain of Chabad Jewish Student Centre, Vancouver, help with the delivery of seder meals. (photo from Lubavitch BC)

Lubavitch BC had its largest communal seder ever, with more than 1,000 participants. Families in Vancouver, Richmond, Surrey, Langley, Coquitlam, Burnaby, the North Shore and other areas of the province, enjoyed a complete seder with all the trimmings. And now is the time to say thank you to everyone who made this happen.

Firstly, Rabbi Yitzchak and Henia Wineberg, Rabbi Schneur and Shainy Wineberg, Rabbi Dovid and Chaya Rosenfeld thank Chabad of Richmond and the Community Kollel for partnering with Lubavitch BC to ensure that this project reached the largest number of people; Maple Grill, FortyOne Catering, Miriam Sklar and Lizzy Vaknin for their help with the organization and logistics; Sklar and Meir Jerbi for their help with packing and distribution; David and Diana Benjamin, Ezra Shanken, Glenn Berlow and numerous others for their help with the deliveries; and Rabbi Falik and Rebbetzin Simie Schtroks for coordinating the Langley and Surrey pickups and deliveries.

This project was not easy to accomplish in a short time. Extra amounts of matzah, wine, Haggadot, seder plates and Kiddush cups had to be sourced; ingredients and merchandise had to be purchased; and 1,000 meals had to be cooked and packed under the strict protocols of health and safety during COVID-19. Dozens of heartfelt notes of appreciation were received from members of the community, who shared how the project allowed them to have a wonderful Pesach under these difficult circumstances.

* * *

A program of the JCC Jewish Book Festival, the Western Canada Jewish Book Awards celebrate excellence in writing on Jewish themes and the achievements of authors from Western Canada. The shortlist for the 2020 honours was recently released. The winners were to be announced at a ceremony April 23, but that celebration has been postponed till later in the fall. The nominees are as follows.

The Nancy Richler Memorial Prize for Fiction: Daniel Goodwin (The Art of Being Lewis), Alex Leslie (We All Need to Eat) and Rhea Tregebov (Rue des Rosiers).
The Pinsky Givon Family Prize for Non-Fiction: Allan Levine (Seeking the Fabled City), Naomi K. Lewis (Tiny Lights for Travellers) and Heidi J.S. Tworek (News from Germany).
The Diamond Foundation Prize for Children/Youth: Jackie Mills (Little Synagogue on the Prairie), Ellen Schwartz (The Princess Dolls) and Harriet Zaidman (City on Strike).
The Lohn Foundation Prize for Poetry: Alex Leslie (Vancouver for Beginners), Dave Margoshes (Calendar of Reckoning) and Tom Wayman (Helpless Angels).
The Kahn Family Foundation Prize for writing on the Holocaust: Olga Campbell (A Whisper Across Time), Susan Garfield (Too Many Goodbyes) and Martha Salcudean (In Search of Light).

Words of praise for libraries

We have a lot of interesting Jewish educational opportunities in Winnipeg, where I live. If you made a big effort, you could be busy learning, attending lectures, events and classes much of the time. It might be possible to find something to do nearly every day of the week, but most of us don’t or can’t.

Maybe you can’t get out due to health issues or because you’re the caretaker for others. Perhaps it’s just too dark and cold right now, and you aren’t all that keen about going out after dinner. (I hear you!) There are many reasons to say no, we can’t manage something.

The last few weeks, I’ve found myself in this situation. Someone in my household got sick, or I did. The weather was just too cold. I wanted to hibernate. I wasn’t sure the car would start or the event cost too much or … you get the picture.

However, I found a solution that has really enriched this season. There were some books on Jewish topics that friends suggested online, and even a book written by someone I knew. I couldn’t afford to buy them all, nor did I know yet that I wanted to own them. This is where the public library is an amazing resource. I had all the books delivered to one library, where they sat on the holds shelf with my last name on them.

When I checked them out, I worried that I would not be able to finish them in time. Maybe I was being overambitious. Not to worry, it turns out. Most of the books were finished long before they were due – they were that good.

What were they? Well, now that I’ve read these books, I’m happy to make a couple recommendations! The first was Sacred Treasure – The Cairo Genizah: The Amazing Discoveries of Forgotten Jewish History in an Egyptian Synagogue Attic. Genizahs are where some Jewish communities stored their old (both holy and mundane) documents for many centuries. Written by Rabbi Mark Glickman, who I studied with at summer camp as a teenager, this book was the Jewish equivalent to an Indiana Jones story. I love reading about Jewish social history and, to be honest, it made Shabbat and several sick days absolutely a joy. I told all my friends I was geeking out on the genizah book!

The second book I loved was The Unorthodox Match by Naomi Ragen. Ragen is a beloved American-Israeli novelist, and this book didn’t let me down. It was both a love story and a realistic account of how some Chassidic and ultra-Orthodox communities operate. There’s a great divide. These groups both encourage ba’alei teshuvah (those who “return” to more traditional Judaism), but they also ostracize them, as not being the same as those who were raised from birth in these communities. The novel emphasizes the differences between what Judaism teaches about accepting converts and strangers and how communities actually act, sometimes alienating those who seek to be included.

After reading these books, I was struck by how I was able to enrich my Jewish learning simply by using the library and the couch when it was so cold out. Yet, if cities like mine cannot figure out their finances, it’s possible that some of our public libraries (along with wading pools, swimming pools, arenas, etc.) will soon be closed due to budget cuts.

We can choose to read at home and learn more about Jewish topics this way, but only if the public libraries remain open and they can afford to buy these books. We may complain about our taxes, but we are given a great gift when we can access these literary “riches” for free.

Canadian winters are long. I count myself lucky that, when I couldn’t go out, I was able to sit by the fire and read and learn this winter. If we want that learning option to be available, we all have to commit to doing our share to keep libraries (and all the other benefits of a tax-paying society) open and thriving.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Compassion over hate

Tony McAleer, who helped found the organization Life After Hate, spoke at Congregation Beth Tikvah last month, along with fellow Life After Hate member Brad Galloway. (photo by Pat Johnson)

A former leader in Canada’s far-right white nationalist movements says targets of white supremacist extremism should not be expected to “hug a Nazi.” But, as difficult as it may be, seeing the humanity in everyone and finding compassion for people who lack compassion may be key to reducing the problem of racist extremism.

Tony McAleer was a member of the so-called White Aryan Resistance and his early embrace of technology and the internet helped propel that movement into the digital age. He later helped found the organization Life After Hate and now works with others who want to leave the neo-Nazi movement. He shared his personal history at Beth Tikvah synagogue, in Richmond, on Sept. 8. He has also spoken at other synagogues and venues in recent weeks.

“While we condemn the activities, while we condemn the ideology, we don’t condemn the human being,” McAleer said of his organization’s strategy. “It’s coming from that place of compassion.… The hardest thing to do in the world is to have compassion for people who don’t have compassion. We do that as harm reduction – hurt people hurt people, and we can bring them back from that place of hurt so they don’t do it anymore.”

McAleer grew up in a stable, comfortable Dunbar home, which contradicts some stereotypes, he said. He attended private Catholic school but lost respect for authority figures when he caught his father with a woman who was not McAleer’s mother.

“Can anyone remember the day when God fell off the pedestal?” he asked. His grades fell, his behaviour deteriorated and he was regularly sent to the principal’s office for canings.

“When I look back on it, I don’t think that I’ve ever felt more powerless than I did in that office time after time after time after time,” he said. “It didn’t make my grades go up. I continued to tune out.… I went from listening to Elton John and Queen to the Clash and the Sex Pistols. I was angry and the music I listened to was angry. It eventually led me down the road into the punk scene and later into the skinhead scene. And, in the skinhead scene, I found an outlet for my anger.”

Ideology is secondary, at best, as an attractant to racist groups, he said.

“What we find in the young men and women who are drawn to these movements is there’s an underlying rage, underlying vulnerability that makes the ideology so seductive,” he said. “I want to be very clear here. I’m not for a minute blaming anything I did on my childhood. Everything I did I chose to do and I take accountability for that and I always will. I work for Life After Hate, do things like this to pay back for that.”

He shares the story of his early life as an explanation, not as a justification, he said.

“What I found in the movement, what I found from being a skinhead – I found a sense of power, a sense of purpose, a sense of meaning,” McAleer said. “I got power when I felt powerless. I got attention when I felt invisible and I got brotherhood, camaraderie and acceptance when I felt unlovable.… Those are the vulnerabilities that make the ideologies so seductive. If you have those in a healthy way, the ideology doesn’t make sense to you. But, for somebody craving those things, the ideology becomes something powerful, a false seduction.”

When he was 21 years old, McAleer’s girlfriend gave birth to a baby girl.

“For the first time, I connected to another human being. Up until that point, I was completely cut off from my heart, I was completely dehumanized,” he said. “I believe that the level to which we dehumanize other human beings is a mirror reflection of how internally disconnected and dehumanized that we are.”

That began the transformation. He had a son months later and was soon a single father being assisted by his mother who, he said, “never gave up on me.”

“It’s safe to love a child,” he said. “They see the magnificence in us when we can’t see it ourselves when we look in the mirror…. The more I can connect to my humanity, the more I can connect to the rest of humanity. I couldn’t connect to the rest of humanity because I couldn’t connect to myself.”

Though he was heavily involved in antisemitism, it wasn’t about Jews, he said.

“I was projecting my crap and I had a vehicle to project it onto – the Jewish people – and that’s what I did.”

The compassion Life After Hate promotes must be accompanied by healthy boundaries and consequences, he said.

“It doesn’t mean we let people off the hook. It doesn’t mean we don’t hold people accountable,” he said. “We do hold them accountable. It’s like tough love. But we need to see the humanity, even in someone whose heart is filled with hate. I don’t think we can afford to dehumanize anybody regardless of how inhuman their behaviour. I believe that nobody is irredeemable. It’s tough work.”

Brad Galloway, who is also a member of Life After Hate, joined McAleer at the event. Also a former white supremacist, Galloway is now completing a degree in the school of criminology and criminal justice at the University of the Fraser Valley. He researches extremism and participates in interventions with members of hate groups to help them leave the movements.

Galloway too came from a middle- to upper-class home. After a fairly typical adolescence and a period of struggling to find his identity, he ran into a childhood friend who was involved in the white power movement.

“I was looking for an identity,” said Galloway. “I was looking for something to belong to, something that I can call my own. He gave me the chance. We’ll give you brotherhood, we’ll back you up, we’ll be there for you … some sort of pseudo-support network which never, never came to fruition. They never provided any of those things for me.”

photo - Brad Galloway — Brad Galloway *(photo by Pat Johnson)*

Like McAleer, it was fatherhood that made Galloway realize his extremism was putting his family at risk.

He also reflects on compassion he received from police and others during his time in the far-right.

“Why do these people care about me?” he wondered, adding that he began to recognize that individuals who were kindest to him were often members of the very cultural groups he demonized. After a gang brawl where Galloway was nearly killed, he saw compassion in action.

“I ended up in a hospital and I’m lying on the table and a doctor walks in and he’s an Orthodox Jew. I’m lying there with a swastika shirt on, blood all over me, thinking this guy should not help me. I do not deserve to be helped at all right now…. I felt like I was a terrible person and I didn’t feel I deserved this person’s time,” said Galloway. “He did not mention anything about me. He just did his job as a doctor and provided me exactly what I needed. That moment made me start to think about all these different times when minority communities had been good to me.”

Since the racist rally in Charlottesville, Va., in 2017, Life After Hate has been inundated with requests for help. About 300 new cases have opened, about half of which are people trying to leave the movement, the other half family seeking help to extricate their loved ones.

Cpl. Anthony Statham, one of two members of the RCMP’s B.C. Hate Crimes Unit also spoke, outlining the legal strategies employed to fight extremism.

McAleer’s book, The Cure for Hate: A Former White Supremacist’s Journey from Violent Extremism to Radical Compassion has just been released by Arsenal Pulp Press.

Awards all round

Each year, the Eric Hoffer Award presents the da Vinci Eye (named after Leonardo da Vinci) to books with superior cover artwork. Cover art is judged on both content and style and, among this year’s winners is Olga Campbell’s Whisper Across Time: My Family’s Story of the Holocaust Told Through Art and Poetry (Jujabi Press). The book is still being considered for category, press and grand prizes.

Whisper Across Time also won the Ippy Award for independent self-published authors. Campbell’s book was selected as one of the 2019 Independent Publisher Book Awards’ Outstanding Books of the Year under the freedom fighter category. Campbell planned on attending the May 28 gala event in New York.

(For a review of the book, see jewishindependent.ca/a-story-told-in-art-and-poetry.)

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Julia Ivanova’s National Film Board documentary Limit is the Sky saw its Toronto première on May 2 in the retrospective of the largest documentary film festival in North America, Hot Docs. Ivanova is one of only three directors from British Columbia who have received a Focus On retrospective at Hot Docs since 2002 – the others are John Zaritsky and Nettie Wild.

photo - Julia Ivanova — Julia Ivanova *(photo from NFB)*

Ivanova, the director, cinematographer and editor of Limit is the Sky is a Russian-Canadian filmmaker. She came to Canada at the age of 30, became a filmmaker in Vancouver and captured Canada from within but with the ability to look at the country from a distance. She has made documentaries for the NFB, CBC, Knowledge Network, played Sundance and won many awards for her films.

The screening of Limit is the Sky, the NFB film about the Fort McMurray boom-bust-fire circle and the winner of the Colin Low Best Canadian Feature Award at DOXA 2017, commemorates the third anniversary since the worst wildfire and the worst natural disaster in Canada’s history devastated the capital of the oil sands. (See jewishindependent.ca/diverse-doxa-festival-offerings.)

The Hot Docs Focus On retrospective of her work includes the world première of her new film, My Dads, My Moms and Me, a film about the joy and turmoil of parenting in the modern family, including same-sex partners, surrogates, adoption and combinations that break the old conventions. The film follows three families, filmed twice, 12 years apart – in 2007 and in 2019.

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More than 250,000 children participated in the Ontario Library Association’s annual Forest of Reading program and have helped choose the best Canadian authors and illustrators. On May 14 and 15, thousands gathered at the annual Festival of Trees, an annual rock concert of reading, hosted at the Harbourfront Centre, where winners of the 2019 Forest of Reading program were announced. Among the books awarded honours was When We Were Shadows by Janet Wees, published by Second Story Press. (For more on Wees and the book, visit jewishindependent.ca/saved-by-dutch-resistance.)

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By Chance Alone: A Remarkable True Story of Courage and Survival at Auschwitz by Max Eisen (HarperCollins) won Canada Reads 2019. The book was championed by TV host and science broadcaster and author Ziya Tong, and was chosen by the five panelists as the book for Canadians to read in 2019. This year’s title fight asked the question: What is the one book to move you?

After four days of debate in front of live audiences, Tong and By Chance Alone survived the final vote to be crowned this year’s winner. The runner-up was Homes by Abu Bakr al Rabeeah and Winnie Yeung (Freehand Books), which was defended by Simple Plan drummer Chuck Comeau. Audiences can catch up on all of the debates on demand on CBC Gem or by downloading the Canada Reads podcast from CBC or iTunes.

“Before 2016, I don’t remember seeing swastikas, but these days I see them often – in the news and on social media. But here’s something even more shocking: one in five Canadian young people have not even heard of the Holocaust. They don’t know what it is, ” said Tong.

This year’s debates took place March 25-28 and were hosted by actor, stand-up comedian and host of CBC Radio’s Laugh Out Loud, Ali Hassan.

The great matzah ball debate

What food eaten during Pesach causes the most debates? If you guessed matzah balls, you’re right. Should they be hard or light? Big or small? What secret ingredient should be added to them?

From where did matzah balls, or kneidlach, originate? German Jews had a dumpling that they put into their soup called knodel. From this came the Yiddish term kneydl, singular, or kneydlach, in the plural. In Czech, it is known as knedliky. Dumplings have been in Central European cookery since the Middle Ages and then they came to Germany and Eastern Europe later.

So, just how many ways are there to make matzah balls?

Joan Nathan, a friend of mine, who has written a number of cookbooks and is considered a maven of American Jewish cooking, proposes adding chicken fat or vegetable oil plus seltzer, club soda or chicken broth, to make them light and airy. In Jewish Cooking in America, she also relates that some matzah balls, originating in Lithuania, use chicken fat or vegetable shortening and contain a filling made of onion, oil or chicken fat, matzah meal, egg yolk, salt, pepper and cinnamon. The filling is then placed in the middle of the matzah ball before they are cooked in salt water. After cooking in salt water, they are baked 30 minutes then placed in the soup for serving. Joan also has a recipe for matzah balls made in the southern United States, using pecans. In my research, I discovered that some Louisiana Jews add green onions and cayenne pepper.

In her cookbook Quiches, Kugels and Couscous: My Search for Jewish Cooking in France, Joan explains that, in France, matzah balls are called boulettes de paque, krepfle or kneipflich. They are the size of walnuts and not fluffy. They are made from stale bread or matzah soaked in water and dried, and they contain rendered goose fat, vegetable oil or beef marrow, eggs, water or chicken broth, matzah meal, salt, pepper, ginger and nutmeg.

In The New York Times Passover Cookbook, edited by Linda Amster, among the recipes for matzah balls is one by Mimi Sheraton, Times food critic at the time, who used chicken fat and cold water. Another is from Joan’s cookbook Jewish Holiday Kitchen, and she uses ginger and nutmeg. The winning recipe for the first Matzah Bowl contest in New York at the time the Times cookbook was published used vodka and club soda. A low-fat, low-salt version is made with egg whites and vegetable oil. Another style, which is airy, is made with beef marrow, instead of chicken fat, plus nutmeg.

Refrigeration and the temperature of the liquid seem to be key common denominators in many recipes.

Nina Rousso, an Israeli, in her book The Passover Gourmet, uses beaten egg yolks, lukewarm water, melted margarine, salt, parsley, matzah meal and stiffly beaten egg whites folded in. The mixture is refrigerated two hours before making.

In Passover Lite, Gail Ashkenazi-Hankin, an American, combines egg yolks, onion powder, salt, pepper, matzah meal, water and beaten egg whites and chills the mixture 30 minutes.

Zell Schulman, the American author of Let My People Eat, says the key to making light, melt-in-your-mouth, floating matzah balls is to beat egg whites until stiff then fold into the yolks with salt, pepper, cinnamon, matzah meal and optional parsley and refrigerate 15 minutes. A second version combines matzah meal with only the beaten egg whites until they hold peaks, plus parsley, cinnamon, grated carrot and oil, but no egg yolks.

Susan Friedland, the American author of The Passover Table, combines whole eggs with seltzer, salt, pepper, matzah meal and schmaltz, which she refrigerates for one hour. The schmaltz adds the flavour.

Marlene Sorosky, American author of Fast and Festive Meals for the Jewish Holidays, provides a recipe using ground almonds, ginger and chopped parsley. She chills the matzah balls for one hour.

Edda Servi Machlin, whose family has 2,000-year-old roots in Italy, says her family serves a mix between Italian Passover soup and Ashkenazi chicken soup. Her matzah balls are made of chopped chicken, egg, broth, olive oil, salt, pepper, nutmeg and matzah meal. The batter is refrigerated one hour before making.

Other Italian Jews, who call the matzah balls gnocchi di azzaima, add onions or mashed potatoes to the dough or grated lemon rind.

An aside: In 2001, Ariel Toaff, a professor at Bar-Ilan University, who is the son of Rome’s chief rabbi, came out with a book called Mangiare alla Giudia (Eating the Jewish Way). He devotes a chapter to Passover traditions, and writes that matzah was so popular that the Catholic authorities banned Jews from selling matzah to non-Jews and banned Christians from eating it.

Italian bakers also baked different kinds of matzah: plain for intermediate days, shmurah matzah for the sederim, and matzah made with white wine, eggs, sugar, anise and goose fat for those with more rich tastes.

Jews of Italy even developed sfoglietti or foglietti, a kosher-for-Passover pasta made with flour and eggs, which was then quickly dried and baked in a hot oven and served in soup or with a sauce.

Joyce Goldstein, an American fascinated by Italian Jewish cuisine, describes, in Cucina Ebraica, a combination of ground chicken, egg, matzah meal, salt, pepper and cinnamon, which she refrigerates before cooking in soup, but she does not say for how long.

Sonia Levy, a native of Zimbabwe, wrote a cookbook of her community, called Traditions. She describes luft kneidlach, light matzah balls, made with matzah meal, water, salt, nutmeg, cinnamon or ginger, eggs and oil. These must be refrigerated at least half a day. She adds that you can also make a pit with a finger and insert chopped meat that has been mixed with fried onions and spices. Another Zimbabwe version uses egg, cold water, chicken fat, salt, pepper, ginger and matzah meal.

Ruth Sirkis, an Israeli, in A Taste of Tradition, says “air” matzah balls have eggs, matzah meal, salt, chicken soup and chicken fat and are refrigerated two hours.

Another version, by Anya von Bemzen and John Welchman in Please to the Table: A Russian Cookbook, has walnut balls for soup, which are made by the Georgian Jews using ground walnuts, onion, egg, matzah meal, oregano, salt, pepper and a froth egg white.

A couple of last pieces of matzah ball trivia. In 2008, a New York kosher delicatessen held its annual matzah ball-eating competition to raise money for a shelter for the homeless. The winner ate 78 matzah balls in eight minutes. Although not in the Guinness Book of World Records, a few years ago, the largest matzah ball was measured at 17.75 inches across and weighed more than 33 pounds.

And, lastly, among some ultra-Orthodox Jews, matzah balls are not eaten because they expand when they cook, and they consider this reaction a form of leavening.

Regardless of the style of matzah balls you prefer, just make plenty for your guests!

Sybil Kaplan is a journalist, lecturer, book reviewer and food writer in Jerusalem. She created and leads the weekly English-language Shuk Walks in Machane Yehuda, she has compiled and edited nine kosher cookbooks, and is the author of Witness to History: Ten Years as a Woman Journalist in Israel.

Story of love and second chances

Judy McLellan as Lady Russell and Roger Monk as Sir Walter Elliot in Metro Theatre’s production of Persuasion. (photo by Tracy-Lynn Chernaske)

Who hasn’t wished for at least one do-over, a second chance? Who hasn’t made the mistake of following bad advice, even if it was well-intended?

In Jane Austen’s Persuasion, Anne Elliot falls in love with naval officer Captain Frederick Wentworth and they become engaged, but, based on the counsel of a family friend, Anne breaks off the engagement. Jewish community member Judy McLellan plays Lady Russell – the purveyor of that counsel – in Metro Theatre’s upcoming production of Persuasion, which runs until April 20.

“Lady Russell was a very close friend of Anne’s mother, who died, and she had taken the role of surrogate mother to Anne since that time,” explained McLellan. “She is very protective of Anne and felt that Anne was too young to get married, especially to a man who, at that time, had no money and no real position in society. This is why she now sees Mr. Elliot [Anne’s cousin] as a much more desirable match for Anne.”

Persuasion was adapted for the theatre by British playwright Timothy Luscombe. The Metro Theatre production is directed by Joan Bryans. McLellan, who was part of the cast of Metro’s Calendar Girls, which the Jewish Independent quite enjoyed (jewishindependent.ca/calendar-girls-now-at-metro), auditioned specifically for the role of Lady Russell. “Got a call back and then Joan offered me the role, which I was very excited to accept,” said McLellan.

Pride and Prejudice was McLellan’s “first venture into Jane Austen.”

“Loved it,” she said. “Went on to read the rest!”

About Persuasion, she said, “It’s a wonderful period piece of mid-19th century. The characters are diverse and interesting, and very reflective of society at that time. But, above all, it’s a love story, which, after all the trials and tribulations, comes to a delightful happy ending. Who wouldn’t enjoy that?!”

For tickets to Persuasion, visit metrotheatre.com.

To raise funds for building up-keep, Metro Theatre is holding a silent auction during the run of Persuasion for a painting by Tracy-Lynn Chernaske. “By tying together appropriate colours and soft textures, the painting reflects suggestions of [Jane] Austen’s historical multi-location story line, full of ships, seaside beaches, grand old manors and tidy cottages.” The opening bid is set at $300 and the winner will be announced on closing night. Bidding ballots, the artist’s bio and more information can be found at metrotheatre.com/show-persuasion-2019.