books

Partners in the telling of stories

Robert “Lucky” Budd, left, and Roy Henry Vickers have co-authored close to 20 books together, with more to be released in 2026. (photo from “Lucky” Budd)

As oral historian Robert “Lucky” Budd tells it, his collaboration with First Nations artist Roy Henry Vickers, which has produced several award-winning and bestselling books, was accurately summed up during a car ride with Vickers’ sister, Patricia, as a unique version of a father-son bond.

“Roy’s the same age as both of my parents, and I am the same age as one of his sons. So, we do have this relationship that’s very, very close, and there definitely is a bit of a father-son element to it,” said Budd, who is a member of the Victoria Jewish community.

“I consider him one of my closest friends, and I love learning with and from him, and we learn a lot together, and he teaches me something all the time. I’m so deeply interested in the stories he has to share.”

For the past 14 years, the pair has teamed up on a variety of projects, but the path that led them to one another, according to Budd, goes back decades, to when Vickers was in high school in Victoria.

His art teacher, realizing that there was little to teach his student, tasked the young Vickers with delving into the art of the Tsimshian and the Haida. Missing his home on the Skeena River, in Hazelton, Vickers started his research, but his efforts yielded no results until he met cultural anthropologist Wilson Duff.

Through Duff, Vickers was able to locate books and recordings, such as those produced by CBC journalist Imbert Orchard, who, from 1959 to 1966, recorded interviews with BC pioneers and those from First Nations. On the cassettes, Vickers listened to stories of the people of the Tsimshian and was moved.

“Over the years, he ended up losing those tapes, but it stuck with him. And so, around 2009, 2010, he went on a mission to try to find those recordings,” Budd said.

Vickers got in touch with the BC Archives, but nobody there knew what he was talking about, until he spoke to someone who said, “Oh, I think the person you’re supposed to be talking to is Lucky Budd.”

Vickers called Budd, asking for help in retrieving the recordings, and their work together began.

Budd holds a master’s in history from the University of Victoria; he is also a rock musician with a penchant for recording everything. At the time of Vickers’ call, he was digitizing audio recordings owned by the CBC and the BC Archives.

“The crown jewel was the Orchard Collection,” said Budd. “And it hit me very early on that I was supposed to turn that material into a book because I was getting an education on the history of the province that no one had ever heard before.”

Budd’s first book, Voices of British Columbia, was based on those recordings, and many of the ones that interested Vickers were in the book.

Budd returned Vickers’ call, telling him, “I know exactly who you are, I know exactly what you’re looking for, I can help you find those stories. It’d be my pleasure to do so.”

By this time, Budd had started a business, Memories to Memoirs, where he interviews and records people to help them tell their stories. He asked Vickers if he had thought of sharing his.

“He said, ‘Oh no, no, no, I’m way too young to do a thing like that,’” Budd recalled. “I was joking with him, and I took a little risk, and I said, ‘Hey man, didn’t you just release a print called “65 Years”? Doesn’t that mean that you get an old-age pension?’ And I started laughing, and he said, ‘OK.’”

After deciding that he had found the right person to work on his story, Vickers invited Budd to visit him in Tofino on Nov. 11, 2011.

“We hit it off like old friends. Roy, in that moment, was, like, if this isn’t the voice of the Creator saying that we ought to be working together, I don’t know what it is,” Budd recalled.

“Lucky has been an inspiration for me since the day we met,” Vickers told the Independent. “His enthusiasm and positivity is uplifting. Lucky has impressed upon me the importance of writing my stories.”

In the 14 years since their first meeting, the duo has co-authored close to 20 books, with more to be released in 2026. Their published titles, such as Raven Brings the Light (2013), Cloudwalker (2014), Orca Chief (2015) and Peace Dancer (2016), have sold well and brought home awards.

The two have also put together board books for children featuring Vickers’ artwork: Hello Humpback! (2017), One Eagle Soaring (2018) and Sockeye Silver, Saltchuck Blue (2019). In 2026, Harbour Publishing will be releasing Summer Brings Berries, a board book using rhyming text and colourful imagery to explore and celebrate traditional foods of the West Coast.

Additionally, Budd and Vickers have two other books coming out next year: a children’s colouring book and an art book celebrating Vickers’ 80th birthday.

“I am an oral historian,” said Budd. “I work in the medium of storytelling, and he’s one of the best storytellers I can imagine. We get on the phone and we start talking and, the next thing I know, 45 minutes or an hour has gone by, and he’s told me a ton of different stories.”

Besides his books, Vickers is recognized as a printmaker, painter, carver, designer, author and keynote speaker. Among his numerous accolades is a nomination for a Grammy Award in 2019 for his artwork on a box set of Grateful Dead recordings.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

An activist by necessity

Dr. Ted Rosenberg speaks with an audience member at the Medical Outcomes of Emerging Antisemitism event held at Beth Israel Sept. 4. (photo by Pat Johnson)

Dr. Ted Rosenberg never imagined he’d become an activist but, after the anti-Zionism and antisemitism he witnessed at the University of British Columbia faculty of medicine after Oct. 7, 2023, he couldn’t keep silent.

The 30-year practitioner, who resides in Victoria, addressed a group at Congregation Beth Israel on Sept. 4.

Rosenberg resigned from his post as clinical assistant professor at UBC’s faculty of medicine in January 2024, after repeated attempts to get the school to address antisemitism were essentially ignored. Since Oct. 7, he has written blogs, testified about the antisemitism before the House of Commons and, most recently, self-published the book Ayekha, Where Are You?

After Oct. 7, Rosenberg said he noticed that Jewish doctors weren’t regarded the same way they had been. Before that day, he’d experienced the odd antisemitic comment from patients. After it, he knew that a torrent of hatred towards Jews was coming, and that he needed the language to deal with it.

His activism began after 225 UBC medical students signed the petition “A Call for Action on Gaza,” which called for a ceasefire, condemned Israel as “a settler-colonial state,”

accused Israel of “collective punishment through indiscriminate bombing of civilians” and claimed that “Palestinian people have been continually abused, traumatized and killed by the settler state of Israel and its Western allies for over 75 years.”

In response, Rosenberg wrote to UBC president Benoit-Antoine Bacon, dean of the faculty of medicine Dermot Kelleher and other university officials.

“I assumed they didn’t understand these complex issues,” he said. “I explained to them that antisemitism leads to dehumanization, and I suggested we work together to meet with the students, talk about the petition and about antisemitism.”

Rosenberg described the dean’s response as a “boilerplate letter.”

“He said I could file a complaint through the university’s DEI [diversity, equity and inclusion] program – which has nothing about Jews or antisemitism,” Rosenberg noted.

Demoralization set in as further incidents in the faculty failed to garner any action from the university.

Some 284 physicians wrote to the dean, describing the dangerous environment at UBC for Jewish students, faculty and patients. They received no response. Then, a professor Rosenberg worked with posted a picture of Jesus in the rubble of Gaza on social media. Rosenberg made the decision to resign.

“I’d been begging these leaders to stand up and speak about this, to model respectful dialogue, and no one was saying anything,” he said. “I realized the faculty of medicine had adopted hardwired ideological positions, and I felt I had to opt out and make a public statement about it.”

After his resignation, Rosenberg received a call from a retired dean, who admitted, in tears, how badly he’d felt about his colleague’s treatment. “He said the senior administration at UBC had silenced him and others, tying their hands. He spoke of how people were intimidated to speak out even when they shared my views, because they feared they’d be marginalized. He was looking for absolution.”

In May 2025, Rosenberg received a call from Member of Parliament Anthony Housefather, requesting he testify in Parliament the following week about the antisemitism he’d experienced. Rosenberg felt an enormous responsibility to get his testimony right. “In my work as a physician, I look after old people. I’m not a genocidal maniac,” he said. “But that’s what my students are thinking about me.”

While antisemitism has not subsided, Rosenberg is optimistic that truth and sanity will ultimately prevail. In his work with Doctors Against Racism and Antisemitism, he’s been writing letters to different medical departments, but, for the most part, those letters have been dismissed.

“I think there’s a systemic bias in the Western world against Israel and Zionism and a lingering bias against Judaism,” he said. “The title of my book, Ayekha, is a question to the world: where the hell are you? People need to wake up and look at the truth.”

Rosenberg noted that one requirement of entrance into medical school at UBC right now is a demonstration of your social justice activism.

“The epitome of evil in the social justice narrative is settler-colonialism, and the worst settler-colonialism is Zionism,” he noted of the school’s view.

“This means Jews are not going to get into medical school. I’ve had Jewish medical students email me to say they changed their names to non-Jewish names, just to get in. This is real, and BDS [boycott, divestment and sanctions] is happening. We need to speak out against it and be aware that DEI does not include us as Jews.”

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Ruta’s Closet reissued

Lady Esther Gilbert speaking at Vancouver City Hall April 8, when Vancouver Mayor Ken Sim proclaimed Ruth Kron Sigal Day in the city. (photo by Keith Morgan)

Ruta’s Closet, the Holocaust narrative of the late Vancouverite Ruth Kron Sigal, is being reissued for a new generation of audiences – and the book’s author is ensuring the survivor’s inspiring story of survival and resilience reaches the widest possible global audience.

Vancouver journalist Keith Morgan, who completed the book shortly before Kron Sigal’s passing, at age 72 in 2008, has updated the publication – and created an extensive range of multimedia projects to expand the impact of the written volume.

First issued as a fundraising initiative for the Vancouver Holocaust Education Centre, Ruta’s Closet was later published in the United Kingdom, with distribution there reaching new audiences.

The book recounts the harrowing survival story of the Kron family, imprisoned in the tiny Shavl (Šiauliai) ghetto in Lithuania, through the eyes of the youngest daughter, Ruta (later Ruth). Their survival against Nazi persecution hinged on the courage and resourcefulness of her parents, Meyer and Gita Kron, as well as the bravery of non-Jewish rescuers. Depicted with novel-like narrative power but rooted in rigorous research and eyewitness testimony, the memoir vividly portrays atrocities such as mass murder, a Nazi ban on Jewish births and the deportation of children to Auschwitz, while also shining a light on courage, compassion and human resilience amid the evil.

Kron Sigal didn’t live to see the book in print but she saw the final draft.

“She said to me shortly before she died, ‘You are going to carry on telling my story, Keith, aren’t you?’ And I said, of course I am,” Morgan told the Independent. “So, I took that on as a mission.”

Surveys indicating widespread ignorance of Holocaust history, combined with skyrocketing antisemitism, motivated Morgan to launch a series of Ruta’s Closet-related projects.

“We updated the book and decided it was time to go basically worldwide with this,” he said.

In addition to the re-release of the hard-copy, Morgan and his small team of colleagues recorded an audiobook and released an ebook. They revamped the existing Ruta’s Closet website and made it more interactive.

Working with Bill Barnes, a local radio producer, Morgan developed a 25-segment podcast.

“We are doing Zoom interviews with people around the world who are a part of a driving force behind an imaginative, creative initiative in spreading Holocaust awareness and education,” he explained. “I’ve got Ruth’s kids – Michael, Marilee and Elana – each week doing an introduction for book clubs.”

The VHEC has produced a downloadable guide for book clubs, as well as a teacher’s guide to the book, which makes it additionally relevant as British Columbia’s education curriculum mandates Holocaust education this year for the first time as part of the Social Studies 10 coursework.

“The beauty of it, for British Columbia, is it’s technically a local story,” Morgan said. “It’s about Ruth. It’s about somebody who came here and did a lot for her adopted society.”

photo - Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience — Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience. *(photo from Keith Morgan)*

Morgan, who spent many years as the crime reporter at the Province newspaper, met Kron Sigal when his editor asked him to take on a more uplifting assignment and begin a series about people doing good works at home and abroad.

“Somebody said, ‘Oh, you should talk to Ruth Sigal,’” who was sharing her Holocaust story with students. “I went to meet her. I was very impressed. She told her story and it had an amazing impact on me. I just knew this was an important story to tell.”

He found immediate support from Dr. Robert Krell, the founding president of the Vancouver Holocaust Education Centre.

“Robert Krell kind of took me under his wing – he was a close friend of Ruth – and he said, ‘I’ve got just the guy to introduce to you, who will be really helpful to you for pulling the story together.’”

The person was renowned historian Sir Martin Gilbert.

“The British schoolboy in me thought, ‘How do I curtsy?’” Morgan joked.

Morgan met Sir Martin in London and got a one-on-one master course in writing about the subject.

“He looked me right in the eye and said, ‘You have to tell the story as though you were writing it for your newspaper and make it accessible to all people,’” Morgan recalled. “Sadly, Martin died [in 2015], but Lady Esther Gilbert took up his mantle and, since then, she’s been an ally and was very important in this edition in terms of going through it, adding bits here and there.”

She spoke at a ceremony at Vancouver City Hall on April 8 this year, when the mayor proclaimed Ruth Kron Sigal Day in the city.

Kron Sigal’s story resonates profoundly with people, according to Morgan.

“We can all relate to what happened to Ruth and her sister Tamara,” he said. “It also tells us compelling stories about how, through their own devices, they basically survived and helped others along the way. We also see what other members of the family did to help the broader community.… We get this family story, which, in itself, is very dramatic, but we also get this wider picture of how a community in the ghetto work with each other, help each other.”

Morgan sees Kron Sigal’s narrative as an inspiration not only because of her survival against the Nazis but in all she did after becoming a Canadian.

“Ruth came here, an adopted country, and spent 25 years at the Women’s Resource Centre and the VHEC Child Survivors Group,” said Morgan. “That’s an example to everybody: come into a new society, an adopted country, and just roll up the sleeves and get working. Isn’t that an example to anybody that comes in?”

No less a triumph, Morgan said, is the family Ruth and her husband, Dr. Cecil Sigal, created.

“You look at that family and you think, ‘Victory!” he said. “Because they beat Hitler.”

Enduring horrors together

On International Holocaust Remembrance Day, Richard Lowy shared his father Leo’s story at Congregation Schara Tzedeck. (photo © Silvester Law)

On International Holocaust Remembrance Day, Richard Lowy stood in the spot where his late father, Leopold Lowy, davened and kibitzed for decades after arriving in Vancouver as a young man who had survived some of the most grotesque inhumanity history has known. Leo Lowy was a “Mengele twin” and a survivor of Auschwitz.

“This is where my father sat in synagogue,” Lowy said Jan. 27 to a packed audience at Schara Tzedeck Synagogue, beginning a unique and emotional commemoration that doubled as the launch of Kalman and Leopold, Lowy’s book about his father’s survival.

Leo Lowy was just one of many survivors who joined Schara Tzedeck after their arrival on the West Coast in the late 1940s and 1950s. They didn’t burden others with their stories of survival, the son told the audience.

Wearing his father’s tallit and carrying his siddur, Richard Lowy shared a little of his father’s story. The complete narrative of Leopold’s survival in Auschwitz – and the relationship the 16-year-old developed with a 14-year-old boy named Kalman Braun – is detailed in the book, which took Richard Lowy years of work to complete.

As twins, Leopold and his sister Miriam, as well as Kalman and his sister Judith, were of special interest to physician Josef Mengele, known to his victims and to history as Dr. Death.

“My father was a boy when he arrived in Auschwitz,” said Lowy. “He and his twin sister Miriam were sent to the twin barracks, torn apart from the rest of their family.” Leo and Miriam’s parents, grandparents, eldest sister and the sister’s baby were murdered on arrival. His three other sisters were taken to a forced labour camp.

Leopold and Kalman were recruited as servants in the guard barracks.

“In that unimaginable darkness, they became brothers, bound by a hope to survive,” Lowy recounted. “In Auschwitz, my father became Kalman’s protector, not because he wanted to, but because he had no choice. Kalman was a naïve, religious boy. He was dangerously unaware of the brutal reality they faced. His innocence threatened to draw the attention of the SS guards. Leopold knew that even the smallest misstep could lead to a beating or worse. Leo, my father, wanted to be invisible. When there was a roll call, he would go to the back of the line. He didn’t want to draw attention. He refused to make friends. He was unwilling to endure the anguish of getting to know someone and then they would end up on the pile. He buried his emotions deep, forcing himself to see the heap of bodies as nothing more than lumber. Yet, despite his efforts to remain detached, he was now compelled to guide Kalman, shielding him as a means of survival. What began as a necessity slowly evolved into a bond of friendship. Together, they endured the horrors of the SS guards and Mengele’s experiments.”

When the camp was liberated, the survivors parted with little fanfare. Kalman and Leopold assumed they would never see each other again.

In 2000, Richard Lowy produced a documentary film, Leo’s Journey, about Leopold’s survival. A year later, it aired on Israeli television.

Reading from his book, Lowy described the moment that Kalman Bar On (né Braun), by now an elderly Israeli, was stunned to see a photo of the young Leo on his TV. There was not a doubt in Bar On’s mind that this was the boy whose protection and friendship had saved his life.

A few months later, Richard reunited the two.

“Their reunion was a moment beyond words,” he recalled. “Two men, now in their 70s, embraced as if no time had passed at all, as if the decades of separation had simply melted away. In that instant, they were no longer old men. They were boys again, transported back in time to when their survival depended on each other.

“For the first time in over 50 years, they stood face-to-face with someone who truly understood the horrors that each of them went through and endured. In each other, they found more than the shared memories,” said Lowy. “They rediscovered the unshakable bond of two souls who had witnessed, experienced and survived the unimaginable together.”

Leo Lowy was a collector of cantorial recordings, which Richard Lowy entrusted to Vancouver Cantor Yaacov Orzech, who chanted El Moleh Rachamim at the book launch. Also at the event, Lowy presented to Rabbi Andrew Rosenblatt a 78 RPM recording of the rabbi’s great-grandfather, the renowned Cantor Yossele Rosenblatt.

Speaking to the audience, Rosenblatt reflected on the amount of desensitization that has to happen to get to the pinnacle of evil that Leo Lowy experienced.

“Our presence here tonight is our attempt to ensure that our culture does not approach even the distant horizon of the periphery of such atrocities,” he said.

Peter Meiszner, Vancouver city councilor and acting mayor, brought greetings from the city.

“May we work together to ensure that the tragedies of the past are never repeated and that the principles of justice and equity guide our way forward together,” he said.

Selina Robinson, former BC cabinet minister and author of the recently published book Truth Be Told, introduced Lowy.

“Richard’s work is a call to action,” Robinson said. “It challenges each and every one of us to remember, to teach and to prevent hatred and antisemitism from taking root. That’s incumbent on all of us as we bear witness. It reminds Jews of our ability to overcome these hatreds. In sharing Kalman and Leopold’s journey, their memory lives on, guiding us to build a more compassionate and tolerant world.”

The book is available at kalmanandleopold.com, where the video of Leo’s Journey can also be viewed.

Revisiting magic in Victoria

Linda Dayan Frimer signs books at the Indigo in Victoria’s Mayfair Mall. (photo by David J. Litvak)

Victoria has always been a magical place for BC artist and author Linda Dayan Frimer. She has exhibited her art at the Empress Hotel and participated in a concert with the Victoria Symphony Orchestra. It was an agent from Victoria who helped kickstart her career and, more recently, she connected with the Victoria editor who worked on her latest book, Luminous. On a trip this fall to Victoria to promote that book, Frimer rekindled her special relationship with British Columbia’s capital.

“Victoria is a place of very special memories and wondrous new happenings for me and my art,” said Frimer.

Recalling her early days, she said, “My large watercolour paintings depicting the landscape of British Columbia, placed in the window of Northern Passage Gallery by the owner and my Victoria-based art agent Valerie Pusey, seemed to fly out the door in swift succession.”

Pusey “was astonishing in helping my art champion many causes,” said Frimer. Those causes included Margaret Laurence House for women leaving an abusive partnership, breast cancer research, and arts and science benefits. With Pusey’s help, Frimer was chosen as the first artist to represent the Trans Canada Trail, with her painting “The Golden Journey, 5000 Miles of Freedom.” That long-ago concert with the Victoria symphony was a fundraiser, with Frimer being invited to paint on stage just behind the orchestra.

“Hearing the symphony inside my heart while painting in harmony with them was an exquisite experience,” Frimer shared.

Frimer’s memoir, Luminous: An Artist’s Story as a Guide to Radical Creativity, follows the history of her ancestors from Romania, Lithuania and Russia, as they experienced cultural turmoil and fled to North America, and delves into the stories of renowned artists and the artworks they produced in response to social injustice and war. The book includes exercises designed to help readers connect with these artists, and to inspire readers to get in touch with their own inner artist and the art of their own story. (See jewishindependent.ca/how-to-be-radically-creative.)

photo - A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art — A painting by Linda Dayan Frimer from her “Wonder” series, which is in Luminous. At a recent signing, a young girl was entranced by this series and Frimer’s art. *(image from Linda Dayan Frimer)*

While Frimer has traveled across North America promoting Luminous, this recent trip was her first event in Victoria promoting it. As people passed by the table where Luminous was displayed at Indigo in the Mayfair Mall, they couldn’t help but notice it. One young fan could not take her eyes off it.

“My book was blessed by the appearance of a little 7-year-old girl who appeared at my signing table,” said Frimer. “She began to turn each page of the book intently. After a few minutes, her mother asked her if she would like to go to the toy department. No, she responded, I want to stay right here. She seemed mesmerized by each colour-filled page and, as she pointed out her favourite painting, entitled ‘Wonder,’ I felt a rush of awe. When her mother returned after some time shopping, I gifted the little girl my book and when she received the book, she hugged it tightly. Her mother was in tears and said to us that this was a seminal moment in her daughter’s life that would guide her future.”

Frimer was moved by the encounter.

“This was the best gift my life and art could receive – for I know that each of us is the artist of our own story and, when we are inspired to reach the foundational core of ourselves, we discover true meaning and purpose,” she said. “That afternoon, I realized that, if I had only written my book to bring wonder to this little girl, it had served its purpose.”

In addition to the event at Indigo, Frimer got together with Ellen Godfrey, the editor of Luminous, and Pusey while she was in Victoria.

“I vividly recall my first glimpse of Linda Dayan Frimer’s artwork and my feeling of awe at the interplay of emotion and passion, intelligently expressed through paint on paper,” said Pusey. “That glimpse confirmed all that critics had previously observed: her distinct ability to cultivate colour, light and motion within the watercolour medium. Linda Frimer’s artwork is so fundamentally powerful that it transcends esthetic beauty to express a depth of spiritual awareness and sensitivity. Her message is one of reverence for all of creation.”

During the rest of Frimer’s time in Victoria, seeds were planted for a future event at Congregation Emanu-El and possibly an artist residency at one of the local hotels. For more information about Frimer and her work, visit lindafrimer.ca.

David J. Litvak is a prairie refugee from the North End of Winnipeg who is a freelance writer, former Voice of Peace and Co-op Radio broadcaster, “accidental publicist,” and “accidental mashgiach” at Louis Brier Home and Hospital. His articles have been published in the Forward, Globe and Mail and Seattle Post-Intelligencer. His website is cascadiapublicity.com.

Israel’s war is unique

French writer, filmmaker and human rights activist Bernard-Henri Lévy was in Vancouver at Schara Tzedeck Synagogue Nov. 6, in conversation with the National Post’s Tristin Hopper. (photo by Pat Johnson)

Bernard-Henri Lévy, a public intellectual so well-known in France that he is generally referred to simply as BHL, has thrown his energies into an “emergency” effort to defend Israel in a moment of history when the world has turned against the Jewish state.

Lévy was in Vancouver at Schara Tzedeck Synagogue Nov. 6, in conversation with Tristin Hopper, a writer for the National Post.

Throughout his career as a reporter, commentator, filmmaker and activist, Lévy has written and spoken extensively about humanitarian crises in Bangladesh, Darfur, Rwanda, Bosnia and many other flashpoints. Now, he said, “I am pleading with all my energy for Israel and for the defence of Israel.”

His latest book – his 47th or 48th, he thinks – is Israel Alone.

Israel’s war is unique, he said, because it involves enemies who are not driven by ideas but by the nihilistic aim of destroying a nation and a people. The differentiation between antisemitism and anti-Zionism is irrelevant to Hamas and Hezbollah, said Lévy, noting that many of those killed on Oct. 7 were among Israel’s leading peace activists.

“Those crimes have nothing to do with seeking a political solution to the suffering of Palestinians,” he said. “They don’t care about peace. They don’t care about a two-state solution. They don’t care about the fate of the old people. They only care about killing Jews. [The victims] could have been right-wing Jews. It happens that they were left-wing Jews, but they just don’t care. For Hamas, there is not left-wing or right-wing Jews. There is just Jews who deserve to be hated, tortured and, if possible, killed.”

Lévy urges the world not to be misled into thinking that Hamas and Hezbollah are national liberation movements. “They are the proxies, the puppets, of a very powerful country, which is Iran,” he said.

Lévy is optimistic because Israel is winning the war.

“What makes me a little less optimistic, and even pessimistic, what sometimes discourages me, is the reaction of the world,” he said. “Instead of saying bravo to Israel, instead of saying thank you to Israel, instead of standing at the side of Israel, who is waging an existential war for [itself] but also a useful war for the rest of the world – instead of that, the rest of the world, sometimes the allies of Israel, mumble, object, groan, accuse and ask, demand, beg, require from Israel ceasefire, compromise, negotiation.

“When you think about it, I don’t see any precedent of a just war, a fair war, which is treated by the allies of the country that is waging it, with such strange behaviour,” said Lévy. “It is unique.”

The West is responding like cowards to the threat of Iranian-backed Islamist terror, he argued, which has formed an alliance with Vladimir Putin’s Russian regime. Part of this refusal to stand with the victims is an ingrained tendency in Western civilization, he said.

“There are a lot of people in the West who love Jews when they are victims, who love to support them and to shed tears on their face when they are beaten, wounded and sometimes killed,” he said, “but who don’t like to see them proud and strong and behaving with heads up.”

On the positive side, Lévy believes, most people in Europe and North America are not irreversibly antisemitic or anti-Israel but are influenced by biased commentary. His new book is a tool for these people and those who engage with them, he said. “Those [people] can be addressed with reasonable arguments, with historical facts, and … can be not only addressed but convinced, I’m sure of that. That is the aim of this book.”

Canada has been a safe haven for generations of Jews, he said. But now, Canadian Jews hear fellow citizens calling for their destruction.

“What is the future of the Jewish communities in France and in Canada?” he asked. “I will tell you one thing. I know very few Jews who do not have, somewhere in the back of their mind, the precise or vague or very vague idea that they could go one day to Israel. This is the state of Jewry since 1948. To be a Jew means to be a good Canadian citizen, a good French citizen, but to have somewhere, even remotely, in the mind, the idea that Israel could be an option.”

The global condemnation of Israel is a reincarnation of a long-familiar trend, Lévy said. “The new argument of antisemitism, the new form, the new phase, the new name of the virus is anti-Zionism,” he said.

The best and “only efficient way to be antisemitic today” is to be anti-Zionist, he argued. Blaming Jews for deicide or some of the other historical justifications for antisemitism is no longer effective, he said. “If you say that today, honestly, you will not meet with great success. If one wants to hate with efficiency the Jews, there is only one way left.”

Israel has few supporters among non-Jews, he said, even among ostensible allies, whose support he described as often coming with conditions.

Lévy called the former and future president of the United States, Donald Trump, “a true ally of Israel, for sure, no doubt on that.” But he also reminded the audience of an incident in the election campaign, during which Trump warned a Jewish audience that he would blame them for his loss if he were defeated.

“And if you are responsible for my defeat, within two years, Israel will disappear,” Lévy paraphrased Trump. “It was a slip of the tongue probably. [But it meant that, in Trump’s mind], the Jews deserve to be protected, but conditionally, if they supported [Trump], if they were good guys and good ladies, if they gave him victory.”

Schara Tzedeck’s Rabbi Andrew Rosenblatt welcomed the audience and acknowledged members of the Ukrainian, French and other communities in attendance. He also credited Robert Krell and Alain Guez for Lévy’s visit to Vancouver.

Focus during distracted times

As a freelancer, I often find interesting work opportunities that don’t pan out. I spent time in December applying for an editor gig that involved editing summaries of literature to provide students with educational support. I used to think these supports were “cheating,” using these kinds of guides, but now I know differently. Students with special needs deserve access to these stories. I recognize that every student has the right to learn, read great pieces of literature and access education, even if they struggle along the way. So, I dutifully filled out the form, sent off my CV and submitted an application. One application question irked me. “What’s your favourite piece of literature and why?”

Two things bothered me. One is that this response had a word limit on the form, so nobody could wax eloquent about whatever they chose. The second thing is that, as someone in mid-life who reads voraciously, I thought it was ridiculous to ask what someone’s all-time favourite was. I couldn’t possibly name only one, but I thought about it. I’ve been reading Talmud daily for about four years. I must like it. Further, it has helped me gain a lot of insight into the ancient world, and reflects further on ancient cultures, law systems and storytelling.

I tried to fit this into the form, but I had reservations. The organization had a big “We do not discriminate” statement on its page but, after Oct. 7, I wondered if I was risking something to say that the Babylonian Talmud was my current favourite. My concerns might have been warranted. On Dec. 25, in the morning, I received a vague form email telling me my application hadn’t been successful. My household laughed about the timing of the form letter. What were they indicating? That Jews should work as usual on Christmas, a North American statutory holiday? Or that my choice of literature was so egregious they couldn’t wait for a business day to reply? Perhaps something else about my qualifications didn’t meet their needs. It’s best not to work for a place that isn’t a good fit. Although this part-time gig had great potential, I wasn’t a contender. That’s OK.

This experience made me reflect on my lifelong relationship with reading. I’ve always loved to read. One of my undergraduate majors was in comparative literature. A favourite moment during my graduate work in English education came when the professor put different things on a table and asked us to list which things were “literature.” The professor included newspaper articles, fiction and nonfiction, plays and song lyrics, advertisements, and more. Her point was that we often couldn’t predict what piece of writing would stand the test of time. Further, all of us would have different answers to this question about how to define literature and its meaning. She was right.

Since Oct. 7, I’ve had a hard time focusing. For a long time, I couldn’t read a book. Don’t get me wrong – I’ve been glued to the news and social media, reading many articles and much political analysis. I listened to completely “fluffy” fiction audio books as I cooked but, eventually, I had to stop renewing a book I’d checked out from the public library. It was nonfiction, a book about the US Great Migration called The Warmth of Other Suns, by Isabel Wilkerson. It was well-written and engaging. I felt like apologizing to the author. I couldn’t focus enough to remember the various narrative threads or finish it.

Later, on Dec. 25, I managed to complete reading On the Way Home, the short diary of Laura Ingalls Wilder, which recounted her trip from South Dakota to her new home in Mansfield, Mo., in 1894. This brief chronicle transported me, giving me a window into travel during a period of US history that I could only imagine. Was it literature? Perhaps, because it worked the way literature should. I spent time in my imagination in a different place and time. It offered a brief respite. Perhaps it’s the start of being able to focus on reading again? I can only hope.

I wondered why I’d made it through this (admittedly short) volume I’d found at a neighbourhood Little Free Library. It made me reflect on what aspects of literature are valuable and what allows us to focus on it. Perhaps it’s about escape or the imagination. Maybe it helps us learn about relationships, history and culture.

Four years ago, I resolved to start Daf Yomi, reading a page of Talmud a day, on Jan. 5. It was my birthday and close enough to the start of the secular new year to be a “resolution” that truly stuck. After four years of reading a page a day, I am still immersed in this experience. Even though I read mostly in English, and barely skim the surface of each page, I’d argue this is a good read. I’ve learned a lot, but it has taken work and research to make meaning. Sometimes, I have to struggle with finding connections with the rabbis who lived 2,000 years ago. Even as the rabbis struggled with practical issues, I sometimes have to read commentaries and make a leap to figure out how the issues applied then as compared to today.

Great literature is about history and context, as well as mystery, and it’s all there, wrapped up for us like a big gift in Jewish literature. Religious texts like Torah and Talmud, as well as all the other Jewish stories that came afterwards, add meaning and depth to our lives. Surprisingly, I haven’t had trouble focusing on these narratives.

Here, too, is another lesson that literature is teaching me – we Jews are a small people but have incredibly rich literary and spiritual resources. As Israel struggles physically with war, these texts remind me what we’re fighting to maintain. Doing the work to understand these texts offers us so much history, context and tradition, I’m grateful to have the opportunity. It’s the least I can do when so much is at stake.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Creating a family heirloom

Book designer Barbi Braude and filmmaker Cory Bretz, both experienced in family history preservation, have launched FamilyMovieStoryBooks.com, to help “do-it-yourself family historians in crafting and publishing compelling family storybooks and producing cherished family movies.” (photo from Barbi Braude)

Irene Jacobson put the months of isolation during the COVID-19 pandemic to good use, researching and publishing the history of her Jewish family’s long settlement in South Africa.

With that ambitious project completed, the retired schoolteacher thought it was time she put together her own story, which began in South Africa and carried on in the United States, where she raised three children and continued her career, after immigrating in 1977.

But, like many people, Jacobson did not feel she could write an autobiography on her own – all that ordering of memories, distinguishing between fact and anecdote, and selecting from photos and documents amassed over the years seemed overwhelming. The technological tools now available to make that task easier and the finished product more professional-looking are not widely known or may seem intimidating to the amateur.

So, Jacobson, who lives in the Chicago area, turned to a new online platform created for people like her by book designer Barbi Braude and filmmaker Cory Bretz of Vancouver, both experienced in family history preservation.

The website FamilyMovieStoryBooks.com, which they launched after a year’s development, is intended to enable anyone to craft an heirloom that they can feel proud to hand down to future generations, say Braude and Bretz.

They believe that telling stories in an appealing and lasting format, whether book, film or both, provides a sense of fulfillment to the author and can inspire their descendants.

photo - A few examples of books about Vancouverites – Ben Dayson, the Nemetz family and Lou Segal – with which FamilyMovieStoryBooks has helped — A few examples of books about Vancouverites – Ben Dayson, the Nemetz family and Lou Segal – with which FamilyMovieStoryBooks has helped. *(photo from Barbi Braude)*

The platform can serve as a step-by-step guide for those who want to work independently, or Braude and Bretz can arrange to have clients accompanied as much or as little as they want throughout the process.

If someone already has written a draft or taken home videos, they can be polished into a finished product, or the pair will take on the project from the very beginning, doing interviews online and going through possible imagery, shaping the material for the client.

“This innovative website aids do-it-yourself family historians in crafting and publishing compelling family storybooks and producing cherished family movies,” said Bretz. “The platform offers an array of valuable resources, including unwavering support, educational courses, interactive workshops led by experts, and professional design services.” Prospective users can take a free trial, and initial consultation is available without charge.

Jacobson had worked with Braude on her first book. “It’s fabulous. It is about my great-grandparents who went to South Africa with their four adult children, of whom one was my grandmother. We could not go further back than the great-grandparents, so we went forward and did a history book of the four siblings, their lives and descendants.”

The book about the Mierowsky family on her mother’s side, who were from Lithuania, is more than 400 pages long, with numerous photos. A copy was deposited with the Jewish Museum and Archives of British Columbia.

“The book I’m doing now through FamilyMovieStoryBooks is much less complicated and much smaller,” said Jacobson. “It is basically my biography, which I had written over a few years. As I’m older I felt I needed to get it done soon and in a simpler fashion. It’s my memories in chronological order.”

Jacobson (née Albert) was born in Port Elizabeth, a fifth-generation South African on her paternal side. She was a high school teacher there.

She and her husband came to the United States in 1977, where her children were born. Jacobson taught middle-school math and science at Jewish day schools.

“As my mother’s family is in my first book, I am going to have a small chapter, as an addendum, on my father’s family in my biography,” Jacobson said. After her autobiography is finished, she hopes to do a more comprehensive story of her Albert ancestors.

“I’m doing this book for me and my children and grandchildren. I will give copies to two friends I grew up with, as their children might find it interesting,” Jacobson said. “My first book is about how my parents’ generation grew up in South Africa. Mine is about how I grew up in South Africa and then my life in the US. I think everyone should do something for their family, especially if they have an interesting story to tell. Stories should be told, not lost.”

Jacobson chose FamilyMovieStoryBooks because it’s easy and affordable. “Barbi brainstormed a theme, so that helped me organize my thoughts. She also told me how to organize my photos to help me make choosing them easier,” said Jacobson.

“I am not particularly computer literate, but getting everything online has been easy to do. I could not find another place that did the same quality work. I wanted photos and more design. My brother-in-law worked on his memoirs with a ghost writer and it’s very dull with no design or photos. I’m looking forward to seeing the finished product, which is still a few months away, as I do what I can between traveling.

Braude said all communications with Jacobson are done remotely using Zoom for conversations and Google Drive for sharing chapters and images.

“At first I had to tutor Irene on how to use Google Drive. We are always happy to meet clients where their skill sets are computer-wise. We have the patience to empower our clients to use the internet.”

Working on the design remotely is fairly straightforward, said Braude, who employs the user-friendly Adobe Cloud for proofing feedback. FamilyMovieStoryBooks aims to serve people worldwide.

photo - A peek inside the book about Ben Dayson shows what FamilyMovieStoryBooks can do — A peek inside the book about Ben Dayson shows what FamilyMovieStoryBooks can do. *(photo from Barbi Braude)*

Clients receive a high-quality hardcover book with glossy pages that reproduce photos and documents like birth certificates, immigration papers and letters in the best definition.

The movies directed by Bretz have the advantage of preserving the living presence and voice of the storyteller, he said. “It’s surprising how little people at shivas know about their deceased relative.”

Distance has not precluded close collaboration, both Jacobson and Braude attest. “A wonderful relationship does form between FamilyMovieStoryBooks and our clients,” said Braude, who is also currently designing a book for a Vancouver family. “The story is a collaboration between a 90-year-old Holocaust survivor and her daughter. The daughter said to me the other day, ‘What am I going to do when we complete this project? I have so enjoyed working with you as much as seeing my mom’s story come to life.’”

Asked if the platform can be especially valuable to Jewish families in general, Braude replied, “Absolutely! I’m reminded of a quote by Sue Monk Kidd from her book The Secret Life of Bees. It goes like this: ‘Stories have to be told or they die, and when they die, we can’t remember who we are or why we’re here.’

“Jews have lived in challenging times. We are the sum of our family legacy and life’s experiences. What better gift to give to future generations than the stories that made their families who they are,” said Braude.

Bretz commented that such a meaningful experience is “a testament to the power of bridging generations through the art of storytelling.” The FamilyMovieStoryBooks platform shares publishing and cinematic know-how with the general public that can transform what might be soon-forgotten family lore into a cherished artifact, he said. Along the way, family members wherever they are can bond and share a laugh or tear while exploring their common heritage, made possible through an innovative digital environment.

Janice Arnold is a freelance writer living in Summerland, BC.

Meet a total mensch

Nathan Niigan Noodin Adler at the JQT Vancouver artisan market last fall at Or Shalom for Sukkot. (photo by Carmel Tanaka)

When you enter Massy Books in Chinatown, one of the main Indigenous authors featured in the centre book aisle is Nathan Niigan Noodin Adler. I smile every time I pop in because I see signed copies of his award-winning young-adult horror fiction for sale – Wrist and Ghost Lake, both published by Kegedonce Press. Of course, Nathan would take the time to sign each book! He’s a total mensch, and we met in the best of ways.

I was having brunch with my dear friend Evelyn Tauben of Fentster Gallery at Toronto’s Pow Wow Café, owned and operated by Nathan’s brother, Shawn, an Indigenous Jewish chef. We bonded over being “Jewish&” and he mentioned that he had a sibling out west and that we should connect. So, I reached out over Facebook and we met up at the Fountainhead Pub in Davie Street Village, Vancouver’s “gaybourhood,” a few months later. Since then, Nathan has become a good friend, and you’ll also see him around JQT events, sometimes tabling as a JQT artist or just showing up to enjoy the festivities and the food.

I caught up with Nathan when he was guest curating Centring Indigenous Joy: A Celebration of Literature, Arts and Creativity with Word Vancouver for Indigenous Peoples’ Day last month. The Jewish Independent asked me to attend the event and interview Nathan for the paper.

CT: In your opening remarks, you state that you are Jewish, Anishinaabe, Two-Spirit and a member of Lac des Mille Lacs First Nation. You go on to say that your father is a Holocaust survivor and that your mother is a residential school survivor. What has the journey been like for you? How has the way you introduce yourself evolved over time?

NA: Part of my idea behind the Centring Indigenous Joy event was related to the number of emotional film programs I’ve attended that are about processing historical trauma – really important work, but also kind of a downer. Sometimes a late-night shorts program full of zombies and gore is more cathartic somehow? I wanted people to come away feeling uplifted and happy rather than heavier, you know? Especially since it was an event for Indigenous Peoples’ Day, I wanted it to be celebratory. We’re more than our trauma.

Me and two of my siblings recently traveled to Europe to work on a documentary about our great-uncle who didn’t survive the Holocaust and, after visiting so many museums, memorials, internment camps and historical sites, all I wanted to do was … party!? I insisted my brother quit his delivery job so we could spend an extra two weeks outside our work on the documentary to just have fun, do touristy stuff, go to clubs and the beach. I think balance is needed.

I don’t usually include stuff about my parents being survivors in my introductions, but I felt it was part of my thought process behind the theme for the event (Indigenous joy), and I wanted people to know it wasn’t some kind of toxic positivity in the face of harsh realities, but something that I’d deeply considered. It was more about a shift in focus.

CT: How did your parents meet? And what was their families’ reaction to their union?

NA: They met in French class at the University of Guelph in 1967. My mom missed a class and asked my dad what she missed. That’s how they started talking to each other. My mom mentioned the ballet was in town (“a leading question,” she says) and he asked her out. There were very few Native people in university at that time, so it’s pretty unlikely they [would even meet], but that’s how it happened.

My Jewish grandparents were not happy about the fact he was dating a non-Jew, at least until the babies started coming – then all was forgiven!

All my mom’s family said about it was: “Oh, he’s too old for you” [a five-year age difference], but she also probably looked much younger than him at 19 years old.

CT: Where do Jewish and Indigenous cultures meet?

NT: Food and community and tradition, though the types of foods and traditions are different. Also, the inheritance of historical trauma, and overcoming oppression. You know, just a few minor things.

CT: When did you realize that you were Jewish and Indigenous? Was there a moment?

NA: I don’t remember a specific moment. I think I always just knew? We spent most weekends either going to visit our Ojibwe grandmother or our Jewish grandparents. We did the Jewish High Holidays, Passover, Hanukkah, Purim, etc., and we went to Sunday school for awhile, and in the summer our mom took us up to the reserve or out on the powwow trail and to Native community events in Guelph, where our aunt lives; there were always feasts and ceremonies. So, we always had that grounding in our cultures, where we come from. It wasn’t always a full picture though, it was also marked by absence of knowledge, language and people – relatives who didn’t survive, the knowledge that didn’t get passed down, a lot of unknowns and absences that also becomes part of who we are. Those gaps also become markers of identity.

CT: What has been your experience of being Indigenous and Two-Spirit in the Jewish community (here in Vancouver and elsewhere)? And vice versa?

NA: Well, I think it’s been pretty great here in Vancouver, thanks to the work of JQT, which really helps build community and creates space. When I lived in Peterborough, Ont., there was also a pretty cool alternative Jewish and queer scene. I went to a memorable queer Passover there once, which is one of the few gay and Jewish events I’ve been to; a gay-Jewish-boy networking I stumbled on in Toronto once; and then the JQT events I’ve attended or participated here in Vancouver, like the arts markets and the Shabbos Queen event. And I’ve been to many Two-Spirit-specific events – my twin brother helps organize the 2-Spirit Ball in Ottawa as part of the Asinabka Festival – and, recently, I went to the 2-Spirit Powwow at Downsview Park in Toronto. It’s actually pretty great being part of these communities. Queers are everywhere, so are Jews and NDNs – add in the arts scene and social networks, and it makes it easier to find community in a new place.

CT: Your jam is horror fiction and documentary filmmaking. What draws you to these genres?

NA: I love all things horror and urban fantasy. I went through a Goth phase, and I’m still a Goth at heart. So, when it comes to making my own work, it just makes sense to work in those genres. I also picked up a lot of film and video post-production skills when I attended OCAD [Ontario College of Art & Design] University in the 2000s. But I feel like fiction isn’t for everyone. A lot of people are turned off by anything that isn’t steeped in the conventions of the here and now. They see anything with an element of fantasy, and it’s too far removed from reality – though I think the opposite is true, the fantastic can make a great metaphor for exploring the realities of this world. But some stories feel like they need to be told as they are, they don’t need any dramatization or embellishment. So, it just depends on the story. The story should dictate how it gets told.

CT: You teach post-secondary creative writing, and your work is showcased in numerous art and film festivals. What are you currently working on? What is coming up next? What’s your dream project?

NA: I’m working on a short story for a horror anthology that Kegedonce Press is planning on putting out – though the story isn’t very scary so far, so I may need to write something else. I’m curating a few panels for Word Vancouver in September as part of their Literary Arts Festival, and I’ll be pretty busy with teaching again in September, which takes up a lot of time.

There is the documentary I mentioned about our Uncle Emanuel that we need to sit down and edit (many, many hours of footage to sift through to put the story together). I also have a graphic novel project that’s been on the back burner that needs to be done asap.

I’d love to write those Y/A [young adult] novels I’ve had in the back of my head for awhile, plus the next novel that’s in an unfinished state. Too many unfinished projects! Dream project: finish these ones first before I tackle anything new.

CT: Have you or your family come up with any fusion Indigenous Jewish recipes?

NA: That might be a question for my brother Shawn – he’s the chef! Though, a lot of my knowledge of Jewish cooking comes from my mom, who learned how to do a lot of cooking from her mother-in-law. I think that’s a type of fusion. Learning how to cook Jewish food by way of my Anishinaabekwe mom – even my Jewish food is Indigenous.

Follow Nathan on Instagram @rivvenrivven or on Twitter @nathan_adler.

Carmel Tanaka is the founder and executive director of JQT Vancouver, and curator of the B.C. Jewish Queer & Trans Oral History Project (jqtvancouver.ca/jqt-oral-history-bc) and the Jewpanese Oral History Project (Instagram: @JewpaneseProject).

Artificial just got real

Jews have been called “the people of the book.” It was the power of and devotion to the received and unfolding written word that ensured the Jewish people’s unity (and diversity) across almost 2,000 years of exile. But who reads books anymore?

If you are perusing these pages, you probably belong to what has become a somewhat exclusive club – readers. Beginning with the advent of radio, picking up speed with the development of television, then supercharging connectivity while reducing attention spans with the advent of internet and social media, books have, for many people, ceased to be the primary go-to source for entertainment, pastime, learning or self-improvement.

When social media took off, in the early 2000s, most people, experts and us ordinary folks, didn’t really fathom the impact it would have on our society or on our physiology. Now, a few short years later, science is demonstrating that the speed with which images and ideas flash into our senses may be literally changing how our brains work.

It may be safe to say that giant leaps in artificial intelligence just in the last few months will have at least the same breadth of impact on societies and individuals.

Skeptics among us, who have dabbled a little in public interfaces like ChatGPT, have come away gobsmacked by the capabilities we have discovered – which are clearly just the tip of the iceberg. Perhaps the most wondrous (and scary) thing about artificial intelligence is that it may represent the beginning of an exponential, self-sustaining explosion. The Industrial Revolution began less than 300 years ago. Every modern convenience – practically everything we have outside of turnips and animal-skin garments – is a result of that explosive growth in human capability. For better and worse. For all the incredible advancements we have made, the price we are paying appears to be the future of our planet itself. All this in a mere three centuries. Artificial intelligence, even if we do not understand it now, will likely speed up change in ways that make today’s offerings look like the cotton gin.

The written word is just a small part of what artificial intelligence can do. Because it is one of the easier things to access for most laypeople, this component of ChatGPT is the one that most of us have probably played around with. Professors, employers and others are suddenly confronted with uncharted moral territory in dealing with brilliantly written submissions from students, employees and other correspondents, any of which may or may not have been written by human hands and minds. As one professor commented in media recently, what tipped him off to the problem was how dazzling some of the essays he received were.

And the time-saving! Artificial intelligence can write a letter to a recalcitrant employee, a grandparent, an old friend or a government official in a tiny fraction of the time it would take the ordinary person to draft a letter of far lower quality.

But who is going to read all these words?

Already, plenty of people have largely abandoned books. Even Jews, the people of the book, find much to do beyond reading. Just a little microcosm in our own community tells us this. Look at the corners of the Vancouver JCC that are the busiest at any given time. History and stereotypes should suggest that the Isaac Waldman Jewish Public Library would be packed with people from morning to night. It’s got a devoted and steady clientele, do not misunderstand, but, judging by foot traffic, you might think 21st-century Jews would be better known as the “people of the gym,” “the people of the pool” or “the people who gab endlessly in the boardroom.”

The bigger issue is, at some point with the advent of technology that just keeps producing more words, we will reach a tipping point at which there are more “writers” (human or otherwise) than there are readers. If a tree falls in the forest and there is nobody to hear it fall, it has been asked, does it make a sound? If words are put to paper (or screen) and never read, might it be as well if they had never been written at all?

Again: we use words as an example here because that is the field we know best. AI is set to upend almost every facet of our society. It feels like we are at a moment much more significant than that time 20 years ago when we first encountered social media, or 30 years ago, when most of us first ventured onto the World Wide Web. We can only barely fathom the good and bad (and indifferent) changes imminent.