books

Settling in at Waldman Library

Maiya Letourneau has been head librarian of the Isaac Waldman Jewish Public Library since last November. (photo from Maiya Letourneau)

Maiya Letourneau, head librarian of the Isaac Waldman Jewish Public Library in the Jewish Community Centre of Greater Vancouver, has always wanted to work with books. “I grew up in Winnipeg,” she said. “My mom worked in a bookstore, and I always liked books.”

Letourneau received a bachelor’s degree in education before completing the two-year library program at the University of British Columbia last summer. Since November 2021, she has been head librarian at the Waldman.

“When I learned about the job at the JCC library, I was excited,” she told the Independent. “I often went to the JCC in Winnipeg as a child, and to work at the JCC in Vancouver felt like a great opportunity to reconnect. And to work with books was all I wanted.”

Before she started this job, Letourneau worked as a student librarian at UBC and as a teacher-librarian at the Vancouver School Board. “A teacher-librarian is a great job,” she said. “You teach the children how to use a library, both its paper and its digital resources. I worked with the elementary school children. We had story times often, and I taught them how to ask questions about the stories we read.”

Letourneau considers reading one of the highest needs and pleasures of any human being. “Not every school has a library,” she said, “but I think all schools should have one. It helps with students’ literacy rates. Reading helps kids down the road in their lives.”

Books have certainly defined her life. She reads a wide variety of genres and on a broad array of topics. She talks about books with shining eyes, like a person with a sweet tooth enjoying a selection of treats in a cake shop. “I’m reading a lot of the books from the Waldman Library. It is an amazing collection. I might not have a deep knowledge of Jewish literature yet, but I have a deep appreciation of it. It’s been great fun for me to read our books, to learn our collection.”

Her latest read was Gary Shteyngart’s Our Country Friends. “It was a bit humourous and very relatable,” she said. “The story was about COVID and the isolation we all experienced recently because of the pandemic. A wonderful novel.”

Passionate about her job, she not only wants to offer patrons the best books and movies but also to find great new material for the collection. “I often go to GoodReads to get a feel of what people are reading, but my main resource is the Jewish Book Council,” she said. “I regularly log into their website. Another resource is when people come in and ask about a book they want to read. Listening to our readers is paramount.”

Letourneau gives a lot of thought to improving everyone’s reading-related experience. “One of our programs involves authors visiting the library. Another is a monthly Jewish Book Club, led by the former head librarian, Helen Pinsky. We also have a grant for an iPad learning program – people could borrow an iPad from the library for several months, and our volunteers would teach them how to use those iPads to access the Waldman’s digital resources. We have over 600 digital books in our collection, and not all of them are duplicated in the paper format.”

Letourneau’s concern over library accessibility is profound. “During the pandemic, we were closed for several months,” she said. “Now, we are open, and more people are feeling comfortable coming to the library in-person again, but I want to do more, to bring books to the people, like bookmobiles. COVID taught us to look for ways to bring the books outside the library.”

One of the new ways to connect readers to books will be a cart the library ordered recently. “We are on the second floor of the JCC,” explained Letourneau. “Nobody is passing the library on the way to their meetings or the gym or the swimming pool. The library is not often a destination by itself, but our research suggests that people would be glad if the books came to them. We are going to have the library mobile book cart roaming around the JCC, in the atrium on the first floor or near the café. I’m sure it will increase our book circulation.”

She also initiated a major change at the Waldman: it is now free to access books, and not only for JCC members but for the general public as well.

“We have something they don’t,” she said, referring to most other libraries. “We offer Jewish authors and Jewish content the city public library might not have. It is especially important for newcomers to Canada. We have many Hebrew books and, when people just arrive from Israel, they want to read the language they know. Their children want the familiar language, as well, before they learn English. That’s why our Hebrew collection is so important.”

Letourneau is not alone in her dedicated work. She has the library’s volunteers to help her.

“The volunteers are the backbone of this library,” she stressed. “The credit goes to the previous librarians. They built such a great group of volunteers. Some of them, about 70%, are over 55, seniors who want to help for various reasons.

“Others are young students who want to learn how a library works. The Waldman is the best place for them. We are a small library and, here, they can learn every aspect and every task in a library, not just one activity, like shelving or front desk, which they might learn from a larger library.”

While many older and longtime users consider the library an access point to information, a quiet refuge and a serious place, she wants to add some new features to attract younger readers.

“I’d like to add a sense of playfulness for the kids,” she said. “Maybe some games, like Dungeons & Dragons. I’m thinking of ways to make the genre of fiction more visible on the shelves, too. There are some wonderful genres of books – fantasy and science fiction – by Jewish authors. Teenagers like those books.”

In general, Letourneau regards it as her duty to promote reading as much as possible and is willing to consider many possibilities of what a library can offer and be. “Whatever gets people reading,” she said with a smile.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

The Chiribim-Chiribom feud

Many years ago, in the village of Chelm, there were two families, the Chiribim and the Chiribom. They were enemies. They fought over everything. They fought over land, they fought over water, they fought over cows and horses and chickens. They fought over air.

The Chiribim and Chiribom didn’t talk to each other. They were stubborn. They didn’t look at each other.

In the synagogue and village hall, they would sit on opposite sides of the room and glare or shout or scream. Or spit. It was disgusting.

The feud had been going on for years, decades, perhaps centuries. No one knew where it began or how it had originated. What insult had provoked the first Chiribim to scorn the first Chiribom? It was long ago and long forgotten.

Sometimes the anger came to blows, but, fortunately, so far no one had been seriously injured or killed.

Rabbi Kibbitz, the oldest and wisest of leaders, was sick of it. He was tired of the malice, tired of the hatred, tired of the tension. He was tired of mopping spit off the floor of the synagogue.

So he decided to solve the problem. The Chiribim and Chiribom needed to come together to work out their differences. They were farmers, they worked the land. They were neighbours, living so close to each other but so far away.

The problem was that he couldn’t get them all in the same room without someone blowing up.

It had been pouring rain for most of the week of Passover, and everyone was cranky.

In those days, after a long rain, everyone in the village would go out into the woods to pick mushrooms. Mothers, fathers, grandmothers, grandfathers, aunts, uncles, cousins, brothers and sisters would all pack up their lunches, bring along empty baskets, and hunt for wild treasure. The youngsters would find dozens of kinds of fungi, and the elders would teach them which ones were tasty, which were revolting, and which might kill you.

During the rainstorm, Rabbi Kibbitz sent a note to the Chiribim, asking them to join him in the forest for lunch. He also sent a note to the Chiribom, asking them to join him for lunch in the same place, at the same time.

Early the next morning, the rabbi pulled on his boots, put a basket over his arm and plodded into the Black Forest. First, he would find the Chiribim and then the Chiribom. And then they would work it all out.

Unfortunately, he forgot his glasses, so he was having a hard time seeing where he was going.

Soon, he came upon a group of people.

“Chiribim?” he asked them.

They shook their heads. “Chiribom,” they answered.

Sighing, the rabbi continued his search.

He realized he should change his tactics. He would meet with the Chiribom first, and then the Chiribim.

Soon, he came upon another group of people. “Chiribom?” he asked them.

They shrugged, “Chiribim.”

“Hmm.” The rabbi wandered off, muttering, “Chiribim bom bim bom bim bom.”

Another group of people were asked, “Chiribom?” and they answered, “Chiribim.”

The next group were queried, “Chiribim?” and they replied “Chiribom.”

The rabbi was getting frustrated. “Ai Chiribiri biri bim bom bom! Ai Chiri biri biri bim bom bom!”

Back and forth the rabbi went racing through the forest. If he asked, “Chiribim?” they told him, “Chiribom.” If he asked “Chiribom?” they told him, “Chiribim.”

“Ai Chiri biri biri bim bom bom. Ai Chiri biri biri bom!”

image - “Chassidic Dance” by Zalman Kleinman, 1964 — Until Rabbi Kibbitz decided to put an end to their feud, one could never have imagined the Chiribim and the Chiribom speaking, let alone dancing together. (“Chassidic Dance” by Zalman Kleinman, 1964)

The Chiribim and Chiribom were stubborn. They loved an argument, and neither group liked to be pinned down or admit to anything. Perhaps they were playing tricks on the rabbi. Perhaps they were just being obstinate.

“Bim!” the rabbi shouted.

“Bom!” they answered.

“Bom?” the rabbi yelped.

“Bim!” came a chorus.

“AAAGH! Bim bom bim bom bim bom!”

He began to twirl about.

He asked another group, “Bom?”

They answered, “Bim!”

The next had to be … “Bom?”

“Nu. Bim!”

“Impossible! Bim bom bim bom bim bom!”

The rabbi was running and twirling, almost dancing. “Ai Chiribiri biri bim bom bom.”

His hair was everywhere. His coat was open. “Ai Chiri biri biri bim bom bom. Ai Chiri biri biri bim bom bom. Ai Chiri biri biri bom.”

Well, the Chiribim and the Chiribom started laughing. They couldn’t help themselves. Their rabbi, this wise old man, was acting like a chicken with his head cut off, like a frog trying to escape a pack of curious boys, like a school teacher with a cube of ice dropped down his back. All the time he was muttering to himself like a crazy man, “Chiribimbombimbombimbom.”

They laughed and they grinned and they smiled, and then they looked up.

Across the forest they saw something that they had never seen before.

They saw each other smiling and laughing and grinning.

They looked and they realized that they all wore the same kind of clothes. They had the same kinds of shoes and hats and hair. They all held baskets full of mushrooms.

So the Chiribim and the Chiribom came together in the middle of the forest and shook hands, and they kissed cheeks, and they hugged.

And, of course, they had a Passover lunch.

Such a feast! Chopped liver on matzah with fresh-picked mushrooms. Beet salad. Brisket. And Mrs. Chaipul’s light-as-a-feather lemon meringue pie. So delicious!

When they were done eating and finished cleaning up, they lifted the poor rabbi up on their shoulders, because he was still too dizzy to walk, and all together they carried him back to the village of Chelm, singing: “Ai Chiri biri biri bim bom bom….”

From that day on, they were no longer known as the Chiribim or the Chiribom, but as the Chiribimbombimbombimbom…. Bim…. Bom.

“Ai Chiri biri biri bim bom bom.

“Ai Chiri biri biri bom….”

Izzy Abrahmson is a pen name for author and storyteller Mark Binder, who lives in Providence, R.I., and tours the world – virtually and in-person. Abrahmson’s Winter Blessings: Warm Stories from the Village was a National Jewish Book Awards finalist. This story about Chiribim and Chiribom is from his latest book in the Village Life Series, The Village Feasts: Ten Tasty Passover Stories, which is available on Amazon and at books2read.com. To listen to the audio version of this story, narrated by Binder, visit izzyabe.com.

Legacy of the “Ghetto girls”

The Vancouver Holocaust Education Centre’s Dr. Abby Wener Herlin, left, interviews author and historian Dr. Judy Batalion at this year’s Kristallnacht commemorative event on Nov. 4. (screenshot)

Jewish girls and young women in Poland were uniquely positioned to play major roles in the resistance to Nazism – and the stories of countless young heroines have been too long overlooked.

This was a key message at the Kristallnacht commemorative event Nov. 4. Held virtually for the second year in a row, it featured Canadian historian Judy Batalion. Dr. Abby Wener Herlin, program and development manager of the Vancouver Holocaust Education Centre, introduced the author and posed questions.

Jewish girls and women were not subject to the irrefutable proof of Jewishness that Jewish men were, said Batalion.

“Women were not circumcised, so they didn’t risk being found out in a pants-drop test,” she said. “If a man on the outside [of the ghettos] was suspected of being Jewish, he would be told at gunpoint to drop his pants, and women didn’t have that physical marker of their Jewishness on their body.”

A secondary reason women could play such an important role in the resistance was that, at that time in Poland, education was mandatory to Grade 8. Many Jewish families sent their sons to Jewish schools or yeshivot. “But, to save on tuition, they sent girls to Polish public schools,” Batalion explained. “In these public schools, girls became more acculturated and … more assimilated women. They were girls and teenagers who had Catholic friends. They were aware of Christian rituals, habits, nuances, behaviour.”

Resistance fighters and underground operatives might have dyed their hair blonde or otherwise altered their outward appearance to pass as Christians. But there was more to it, the author said.

“Gesticulation was very Jewish,” she said. “So one woman had to wear a muff when she went undercover, to control her hands.”

Batalion’s book The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos is the culmination of 12 years of research, which had its beginnings in another project.

Batalion was in the British Library doing research for a performance piece she was working on about Hannah Senesh, a young female hero of the resistance whose story is perhaps among the more well known. Senesh was born in Hungary and had made aliyah to Mandate Palestine in the 1930s, but she returned from that comparatively safe haven to join the fight against the Nazis.

“She joined the Allied forces, became a paratrooper and volunteered to return to Nazi-occupied Europe,” Batalion said of Senesh, who the author first learned about in Grade 5 in Montreal. “She was caught quite early on but legend has it she looked her executioners in the eye when they shot her.

“I grew up with Hannah Senesh as a symbol of Jewish courage,” she said. There were not many books on Senesh at the renowned London library, however. “So, I simply ordered whatever they had. I picked up my stack of books and noticed that one of them was a bit unusual. It was an old book with yellowing pages bound in a worn blue fabric with gold letters and it was in Yiddish.”

Batalion speaks Yiddish, in addition to English, French and Hebrew.

“I flipped through these 200 pages looking for Hannah Senesh, but she was only in the last 10. In front of her [were] dozens of other young Jewish women who defied the Nazis, mainly from the ghettos in Poland.”

The stories featured guns, grenades, espionage. “This was a Yiddish thriller,” she said.

As Batalion soon discovered, it was young Jewish women who were disproportionately represented in some of the most daring acts of resistance of the time.

“These ghetto girls hid revolvers in teddy bears, built elaborate underground bunkers, flirted with Nazis, bought them off with wine and whiskey and shot them,” she said. “They planned uprisings, carried out intelligence missions and were bearers of the truth about what was happening to the Jews. They helped the sick and taught the children, they organized soup kitchens, underground schools and printing presses. They flung Molotov cocktails in ghetto uprisings and blew up Nazi supply trains.

“I had never read anything like this,” said Batalion. “I was astonished and equally baffled. Who were these women? What made them act as they did? Aside from the Warsaw Ghetto Uprising, which I’d heard of, what was the story of Jewish resistance in the Holocaust?… And why had I, who grew up in a survivor family and community, who was so involved in Jewish arts and culture – I even have a PhD in women’s history – how had I never heard this story?”

Thus began a dozen years of research in Poland, Israel, England and across North America, in archives and living rooms, memorial monuments and the streets of former ghettos, she said. “I trod through testimonies, letters, photographs, obscure documentaries and the towns where these heroines were born and raised,” she said.

“Reading through all this material, I was astonished to learn of the scope of the underground,” she said. “Over 90 European ghettos had armed Jewish resistance units … 30,000 Jews enlisted in the partisans. Rescue networks supported 12,000 Jews in hiding in Warsaw alone. Uprisings occurred in ghettos, in labour camps and death camps, all this alongside daily acts of resilience – smuggling food, making art, hiding, hugging a barrack-mate to keep her warm, even telling jokes during transports to relieve fear. Women were at the helm of so many of these personal and organized efforts, women aged 16 to 25. Hundreds of them, possibly even thousands of them.”

The ability to do such things, under unimaginably dangerous conditions, was aided by a social phenomenon that predated the Nazi occupation.

The early 20th century in Poland was a time of extraordinary Jewish intellectual ferment. Making up about 10% of the country’s population, Jews had a profound social infrastructure, including 180 Yiddish newspapers in Warsaw alone. Jewish political movements proliferated – left, right, religious, secular, Zionist and non-Zionist – creating a vibrant discourse and networks of interrelated groups across the country. By the 1930s, almost all Polish Jews were wondering if this was a country where they could continue to thrive, whether they belonged to the country where their ancestors had lived for 1,000 years.

“As part of this identity struggle, 100,000 young Jews were members of Jewish youth movements – that’s a huge proportion,” said Batalion. “These were values-driven groups that were affiliated with these varying political parties and stances.”

For example, when war broke out, Frumka Plotnicka was 24 years old. Her youth movement urged their members to flee east – “That’s also how my grandparents survived,” noted Batalion – but fleeing a crisis did not suit Plotnicka.

“Stunning her comrades in her movement, she was the first to smuggle herself back into Nazi-occupied Poland,” she said. “She went to Warsaw and became a leader in the Warsaw Ghetto. She ran soup kitchens for hundreds of Jews, she organized classes, discussions and performances. She negotiated with German, Polish and Jewish councils, she helped extract Jews from forced labour.

“She covered her Jewish features with a kerchief and makeup and left the ghetto, traveling across Poland, keeping communities connected. She brought with her information, inspiration and books,” Batalion said. “They had a secret printing press. She ran seminars across Nazi-occupied Poland.

“In late 1941, the youth movements acknowledged the truth of the Nazis’ genocidal plans and they transformed from education hubs into these underground militias. Frumka still traveled to disseminate information. Now, it was about mass executions. She was one of the first to smuggle weapons into the Warsaw Ghetto. She had two guns in a sack of potatoes.”

She was killed while firing at Nazis from a bunker in 1943.

While disguised as non-Jews, some of the woman warriors were able to exploit the prejudices of their tormentors.

“Nazi culture was classically sexist,” said Batalion. “They never suspected that a sweet-looking girl had a pocket full of ammunition. Jewish women played to this underestimation. One courier … was once carrying a valise full of contraband material and she was getting on a train and noticed they were checking bags. She was very beautiful and bashed her eyelashes and went up to the Gestapo man and said, ‘My bag is so heavy, can you carry it for me?’ He was being chivalrous, ‘Of course, I’ll carry it for you,’ and he took it on the train for her and, of course, they didn’t check the bag.”

These young Jewish fighters had lost everything and still soldiered on, the author said.

“They knew they wouldn’t topple the German army, yet risked their lives time and time again to fight for justice and liberty,” she said. “Small victories are achievable and necessary for great change. It is through these young women that I learned that not only is trauma passed through generations of Jewish women but so is courage and daring, strength and resilience, passion and compassion.”

Batalion’s book won the 2021 Canadian Jewish Literary Award in the Holocaust category and has been optioned for a Steven Spielberg film, for which Batalion is working on the screenplay.

The annual Kristallnacht commemorative lecture is presented by the Vancouver Holocaust Education Centre in partnership with Congregation Beth Israel, with support from the Robert and Marilyn Krell Endowment of the VHEC, and funded through the Jewish Federation of Greater Vancouver annual campaign.

Prior to the keynote address, Holocaust survivors lit candles in their homes. Kennedy Stewart, mayor of Vancouver, offered reflections and Nina Krieger, executive director of the VHEC, read a proclamation from the city. Beth Israel’s Rabbi Jonathan Infeld thanked the speaker.

Ethical responsibilities in business

Writer and filmmaker Joel Bakan takes part in an online Canadian Hadassah-WIZO fundraising event May 30. (photo from Penguin Random House Canada)

The Canadian Hadassah-WIZO (CHW) Vancouver Book Club invites all CHW supporters, family and friends to an exclusive opportunity to be part of a conversation with Vancouver’s own Joel Bakan, an internationally recognized and award-winning author, producer, professor and legal scholar. Brunch with Bakan, which is a national CHW fundraising event, will take place May 30, at 11 a.m. PST.

Journalist and author Adam Elliott Segal will ask his own, as well as your questions, about Bakan’s hard-hitting book, The New Corporation: How “Good” Corporations are Bad for Democracy, which won the silver medal at the 2021 Axiom Business Book Awards in Business Ethics and is shortlisted for the B.C. and Yukon Book Prize for 2021. Segal’s roots are in Vancouver, though he now lives in Toronto, where he writes for the Globe and Mail, Toronto Star, Reader’s Digest and a host of other newspapers and magazines.

The New Corporation traces the consequences of a world close to losing its foundation of democracy. Bakan says the onus is on us to make the necessary connections and to actively be part of meaningful solutions if we want to leave our children and grandchildren a positive future. The Q&A with Segal will have a special focus on Jewish values, and ethical responsibility in business and corporate governance.

There are various ticket tiers for the Brunch with Bakan event, from $18 for the Zoom talk only to $118 for the talk, access to stream the film, a copy of the book (minimum two-week turnaround time for delivery) and name recognition. All ticket tiers include a tax receipt for the maximum allowable amount and the film, called The New Corporation: The Unfortunately Necessary Sequel, will be available May 25-28 for ticketholders to stream.

Over the last century, CHW has been involved in all aspects of Israeli life, supporting programs and services for children, women and healthcare in Israel and Canada. To tickets to the Brunch with Bakan fundraising event, visit chw.ca/thenewcorporation.

– Courtesy CHW Vancouver

Jewish Poland in 1932

This photo, called “Generations,” was taken by Tim Gidal in Tel Aviv in 1935. (courtesy Zack Gallery)

The current show at the Sidney and Gertrude Zack Gallery, Invisible Curtain: The 1932 Polish Photographs of Nachum Tim Gidal, was organized in partnership with the Cherie Smith JCC Jewish Book Festival, which runs Feb. 20-25. Gidal (better known as Tim Gidal or Tim N. Gidal) was a renown photojournalist of the last century and the exhibit’s images come from the new book Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal. (For a review, click here.)

The driving force behind the book’s publication was Yosef Wosk, who wrote its preface. Wosk approached Zack Gallery director Hope Forstenzer and Jewish Book Festival director Dana Camil Hewitt about a year ago, Forstenzer told the Independent. “He suggested we have a Tim Gidal show at the gallery to coincide with the festival and his newly published book,” she said.

Both Wosk and Forstenzer curated the exhibit. “Together, we chose about 50 images for the show, as many as the gallery could fit. It couldn’t include all the images in the book, of course,” said Forstenzer.

photo - A self-portrait by photographer Tim Gidal, taken in 1974 — A self-portrait by photographer Tim Gidal, taken in 1974. *(courtesy Zack Gallery)*

The history of the photographs is best described by the photographer himself in the book’s introduction. In 1932, Gidal, then 23, traveled with two friends to Poland from his hometown of Munich, Germany. It was his first trip abroad. “My knowledge of the political, economic and social conditions of the Jews in Poland didn’t seem to square with my feelings about their spiritual life,” he wrote. “So I decided to go and see for myself.”

Gidal, who passed away in 1996, took numerous photographs of people and places, as he went from shtetl to shtetl on his three-week “little odyssey.” He wrote: “I encountered spiritual and material heights and depths: material well-being and abject poverty, rejuvenation and dissolution. Some were rich, but many more were very poor. It was a hopeless poverty, endured with an incredible humility. I met men of faith and hypocrites … atheists, socialists and communists, Zionists and Bundists, Orthodox and assimilationists. We also experienced the all-pervading Jewish humor.”

photo - Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932 — Tim Gidal’s cousin Gershon in the doorway of the family’s rope shop, in Lowicz, Poland. The photo was taken by Gidal in 1932. *(courtesy Zack Gallery)*

Everything the young photographer experienced was reflected in his images, including those now on display at the Zack. We see children laughing and women looking far older than their real years. We see ancient eyes and tired, worn hands. We see educated men reading in front of a synagogue, and broken windows and peeling walls the next street over. And we know something Gidal didn’t know at the time, which makes this book and the show all the more poignant: not many years later, most of these people would be murdered in the Holocaust, and they and their entire way of life would be lost. But, in Gidal’s photos, his subjects remain alive. According to Wosk, “Each photograph is a monument, a letter in light.”

Gidal’s 1932 Polish photo essay comprises only a small portion of the master’s body of work. His photography journey spanned almost seven decades and encompassed most major players and momentous events of the 20th century.

One of the pioneers in the field of modern photography, Gidal made his debut in 1929 with his first published photo report. He was a proponent of the style of the “picture story” and he captured most of his subjects unaware, instead of staging elaborate scenes. Very few of his subjects posed for his photos, and every image tells a story.

Four years after his trip to Poland, Gidal moved to Palestine. During the Second World War, he served as a staff reporter for a British army magazine. A wanderer and a chronicler of life, he traveled a lot and lived in the United States for awhile. He taught and illustrated books. He exhibited widely.

photo - Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25 — Tim Gidal took this photograph of Buchenwald survivors arriving in Palestine in 1945. It is one of the images featured in the exhibit Invisible Curtain, on display until Feb. 25. *(courtesy Zack Gallery)*

A portion of the Zack exhibition is dedicated to Gidal’s artistic photography after 1932. The pictures demonstrate his technical progress, as well as his breadth of interests and subjects. There is a lyrical photo, “Generations,” taken in Tel Aviv in 1935 and another – a dramatic portrait of the youngest survivors of Buchenwald, taken in 1945 upon their arrival in Palestine. There is a photo of Mahatma Gandhi at the All-India Congress in Bombay in 1940 and the fascinating picture called “Handshake,” taken in Florence in 1934, which shows two men shaking hands in front of a wall covered with multiple posters of Mussolini.

Half a century before Photoshop was invented, Gidal experimented with his images, compiling them in different combinations and creating something unique, like his triptych of Winston Churchill of 1948 or the Rhomboid photomontage of 1975.

As a photo reporter, Gidal used his camera to record the 20th century in all its glorious and painful contradictions, and his early 1932 Polish photographs serve as a symbol of his multifaceted canon.

Invisible Curtain opened on Jan. 5 and the exhibit will continue until Feb. 25. To see the show’s digital equivalent, visit online.flippingbook.com/view/891736. To book an appointment to see it at the gallery, email Forstenzer at [email protected]. To attend the virtual book launch on Feb. 11, 7 p.m., and to see the full book festival lineup, visit jccgv.com/jewish-book-festival.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Rediscovering Judaism

Sarah Hurwitz will help launch Jewish Federation of Greater Vancouver’s annual campaign on Sept. 8. (photo from Jewish Federation)

Sarah Hurwitz, who for seven years served as head speechwriter for former first lady Michelle Obama, will be a featured speaker at the Jewish Federation of Greater Vancouver’s annual campaign opening on Sept. 8, which will be held virtually.

Hurwitz spoke to the Independent about her new book, Here All Along: Finding Meaning, Spirituality, and a Deeper Connection to Life – in Judaism (After Finally Choosing to Look There), and her upcoming Vancouver talk, which, before the pandemic, she had planned to deliver in person.

Here All Along traces Hurwitz’s personal journey back to her Jewish roots, a journey that began after an introduction to Judaism class in 2014. Before that time, she said, her main points of contact with the faith had been at “dull, incomprehensible” High Holiday events and a “lifeless” seder.

Her book delves into such areas as the Jewish traditions of questioning, debating and interpreting religious texts, “freeing God from his human-shaped cage,” and marking holidays and lifecycle events.

“What most surprised me (after taking the class) was the depth of spiritual and ethical wisdom Judaism had to offer,” she said. “I had always been proud to be Jewish and considered myself a ‘cultural Jew,’ but I knew almost nothing about Judaism. Once I started learning, I discovered thousands of years of profound wisdom about what it means to be human – how to live a worthy life, how to be a good person, how to find spiritual connection, and so much more.”

When asked how this discovery has affected her life, she explained: “My Judaism informs how I live every day of my life. It informs the ethical decisions I make each day about how to treat others, especially when it comes to the words I speak to and about them. It’s helped me develop an adult spirituality – beyond simplistic notions of the divine as a man in the sky who controls everything and punishes us when we’re naughty – which allows me to feel greater awe, wonder and gratitude each day. And it’s brought me into an amazing community of people, not just in the U.S., but across the globe – spiritual leaders, scholars and Jewish professionals who’ve become my dearest friends, mentors and teachers.”

Study, Hurwitz said, is a big part of her Jewish practice these days, though she would not label it an “intellectual pursuit.”

“Law school was an intellectual endeavour. Jewish study is deeply spiritual and emotional for me. I don’t study Jewish texts to gain information or facts, or to hone my analytical skills. I study them to glean the deepest wisdom of my ancestors about how to live my life,” she explained.

Currently, she is studying Psalms in chavruta (partnership) with a friend. Every week, they connect on Zoom and discuss the language and themes of the Psalmists. She also had a recent series of one-on-one study sessions with a rabbi that focused on Chassidic texts.

Selected last December by the Forward as one of the 50 most influential Jewish Americans, Hurwitz helped the former first lady put together many well-received speeches – including her 2016 Democratic National Convention address – and traveled with Obama around the world. She also worked on policy issues, as a senior advisor to the White House Council on Women and Girls.

Before working at the White House, Hurwitz was chief speechwriter for Hillary Clinton during Clinton’s 2008 presidential primary campaign. She then joined the Obama campaign, serving as a senior speechwriter for then-Senator Barack Obama and helping Michelle Obama draft her 2008 Democratic National Convention speech.

Prior to the Clinton and Obama campaigns, Hurwitz served as deputy chief speechwriter for Senator John Kerry’s 2004 presidential run and also worked as a deputy chief speechwriter for General Wesley Clark’s primary bid, as well as for Senator Tom Harkin. Earlier in her career, she was a lawyer at the Washington, D.C., office of WilmerHale. Presently, she is working on a proposal for another book and, while she does not write speeches at the moment, she does “help people out with remarks they’re giving, or offer edits.”

Hurwitz’s Vancouver talk will explore a wide range of subjects, such as working for Michelle Obama in the White House, spiritual and ethical insights in Judaism that have most transformed her life, and some thoughts on the future of Judaism. She will be joined at the virtual launch by fellow keynote speaker Nigel Savage, president and chief executive officer of Hazon (jewishindependent.ca/the-world-needs-us-to-change). To register for the Sept. 8 campaign opening, visit jewishvancouver.com/faco2020.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Goosefeather book set to launch

Storyteller Naomi Eliana Pommier Steinberg’s years-long Goosefeather journey has taken her around the world. This photo was taken in Paris in 2015. (photo © lineka)

A travelogue of observations and experiences from the unique to the mundane, the personal to the universal, a mix of prose and poetry, Goosefeather: Once Upon a Cartographic Adventure has arrived. Its journey, which started in 2011 when storyteller Naomi Eliana Pommier Steinberg interviewed her grandfather in Paris, will culminate in a book launch in Vancouver on June 9 that will stream live on Facebook and YouTube.

Vancouver-based artist Steinberg asked her maternal grandfather, who was not Jewish, more than 100 questions. In particular, she told the Jewish Independent in a 2018 interview, “I wanted to know how he had helped my Jewish grandmother survive the Second World War and why he was a collector of maps, weights and scales. Given his work with the metric system, I also thought it would be interesting for us to talk about measurements in general.” (See jewishindependent.ca/around-the-world-in-382-days.)

More than a year of research followed and, while she was able to show her grandfather pieces of what would become the performance work Goosefeather, he passed away before the work was completed. The JI saw the 2014 Vancouver Fringe Festival show, in which, the article notes, “Steinberg intersperses what she knows and learns about her grandfather with observations about the concept of measurement, of time and space. What do we measure? Our waists, our burdens? What are our favourite measuring tools? A yardstick, the position of the sun?” (See jewishindependent.ca/jewish-flare-at-fringe-festival.)

The idea that there is no such thing as an exact measurement is accented in the book Goosefeather, as an opportunity for readers to consider what they don’t know, to accept and embrace the unknown, and the fact that there will always be a margin of error, not just in our measurements, but in our perspectives and approaches to life.

“What I arrive at in the book is that: ‘Practising right-relation is predicated on allowing space for not knowing, space for humility, space for listening.’ It is a term borrowed from Buddhism,” Steinberg told the Independent in an interview last week.

“In Judaism,” she said, “there is kavanah, the stilling of self to prepare for entering the mystery. The setting of intention. Before ritual gestures, we centre ourselves, humble in the light of all there is, intending to practise peace. For some, the experience is made desirable and the longing for union acute through visualization. Then, I believe that tzedakah is one of the ways we can practise right-relation. With my own liberal interpretation and limited understanding, I could say that Judaism wrote laws to ensure the circulation of wealth, including, for example, tithing and taxation systems. Tzedakah, charity, is a mitzvah – a very important good deed. Finally, slichot [forgiveness prayers], the ability to recognize what is important … what needs to be let go, instead of focusing on negatives.”

The ability to adapt, to make quick decisions and to remain positive serve Steinberg well as a storyteller, no doubt. These attributes also helped on her travels, where things didn’t always go as planned, or were even left unplanned until the last minute. Her 382-day journey – by almost every mode of transportation except airplane – covered just under 56,000 kilometres and took her to many countries, including Canada and the United States, as well as Australia, China, Japan, Russia, Norway, England, Scotland, France, Switzerland and Belgium. She performed Goosefeather, as well as did other storytelling, along the way – 37 productions in all, according to the press material.

From countless experiences, Steinberg has created a concise account that is informational, philosophical, lyrical and thought-provoking. Some days, she records the details of her travels; other days, she ponders larger questions; yet other days, she simply notes how something smelled or sounded.

“An itinerant artist is a human on the road,” she explained. “There are ups and downs on life’s road. Parts of the 382 days on the road were uncomfortable or stretched out, long and slow. Well, we know it’s not all just fun and games in life. I wanted to keep it real. Much of what I was trying to do by sharing those moments was enter the banality of the day-to-day; to bring readers’ bodies there, evoking images, awakening senses, remembering experiences. That’s what storytellers do!”

Steinberg not only performed during her travels, but gave workshops, in which she offers her experience in crafting a story to communications professionals and other groups, stressing the importance of play and movement.

“The diaphragm is a great muscle that holds a lot of tension,” she explained. “It works super-hard every day, as does the heart, to maintain a flow of oxygen to all parts of the body. That’s amazing. We can practise gratitude towards our bodies every day! Sometimes, the tension in the diaphragm can be released through conscious breathing, laughter, certainly through yawning, and, probably, hopefully, through crying. These are four good ways to release the diaphragm. When we play, the diaphragm gets shaken up a bit and we can relax. Try it!

“Play is fun, charming, disarming. Play is guileless. Otherwise, you may as well call it manipulation and dress it up in propaganda’s clothes. Play can be surprising, logic threatening, synaptic gap leaping. These transformations in perspective can be subtle yet profound.”

Such thoughts come full circle back to the concept of margins of error and how our recognition of their existence could make us less quick to judge and more open to others’ ideas and perspectives.

Steinberg cited American writer and translator X.J. Kennedy, who, she noted, “says: ‘To leap over the wall of self, to look through another’s eyes – this is valuable experience, which literature offers.’

“Lateral movement is good for the body,” said Steinberg. “In theatresports, there is a game called space-jump – you literally leap in and out of scenarios, putting your whole self in an imaginary situation. Playing this feeds agility, spontaneity and willingness.”

photo - Goosefeather cover — *(photo from goosefeather.ca)*

Books, she said, are essential for many people, including, or perhaps especially during difficult periods, such as the COVID-19 pandemic we are currently experiencing. “Escaping into other experiences, or trying to understand what’s happening through the lens of historical accounts, can be a kind of lifesaver,” she said. “Books provide solace in challenging times. The act of writing can record, reflect and frame.”

Describing Goosefeather as “a memoir and travelogue with literary aspirations,” Steinberg said, “I have tried to bring my strength as an oral storyteller from the stage to the page. I hope the readers of Goosefeather feel included in a process of emergence and discovery. That a lightness and delight is found in the journey and that there is emotional resonance with humanity and with the planet. In some ways, I want to position the book as an antidote to the propagation of fear and the dangers of isolation.

“We are living a tremendous story of transformation,” she said. “The most gripping stories I’ve listened to or read, the ones that were somehow useful to my psyche, were the ones that gave insight into how a character might navigate difficulty, or might share their love and appreciation for what makes life wonderful. Listening, generosity, caring … these are manifest around the globe in a thousand small gestures and are giving shape to our emergent global culture. My hope is that Goosefeather’s story, her journey around the planet, contributes to this.”

And is that journey now complete?

“I like the idea that the performance is over, and need that for my own closure,” said Steinberg. “It ensures celebration of achievement. I can say, ‘Done’ – journey around planet as singular gesture towards time-space, ‘check!’

“Then there is the show, which I suppose could be performed again, but I’d have to relearn the text fresh and new. I’ve toyed with the idea of Goosefeather’s character doing a different stage performance, but, truth be told, I don’t actually know what comes next after this book! Maybe someone will pick it up and help with soft cover distribution? For now, I have 500 hardcover, first-edition, silver-gilded books for sale, and the desire to produce an interesting and entertaining live-stream launch event.”

To learn more, visit goosefeather.ca.

Feeding the body and mind

National Hebrew Book Week has taken place every year in June. Its fate for this year, in light of the COVID-19 pandemic, is unclear. (photo from gojerusalem.com)

In Israel, you know Shavuot is approaching when you see the grocery stores setting up displays of pasta and spaghetti sauce. The pandemic shouldn’t change that.

Israelis are obsessed with the thought of eating non-meat meals on Shavuot. I suspect that at the heart of this obsession is the feeling that, even today, many people still consider eating a non-meat meal equivalent to eating less than a full meal. Hence, the worry that there really will be a satisfying meal to appropriately celebrate the holiday.

While there are many lovely explanations about why we eat dairy on Shavuot, they seem to be secondary to some practical considerations. As Rabbi Prof. David Golinkin points out, in the late spring, young calves, lambs and kids are weaned. Thus, historically at this time in Europe, there was an abundance of milk. Bear in mind that refrigeration is a fairly new process and that, prior to refrigeration, farmers needed to move fast with perishable milk. They made cheese and butter, which, likewise, needed to be consumed relatively fast. This dairy excess may have motivated some Jews to eat dairy on Shavuot. (See the article “Why do Jews Eat Milk and Dairy Products on Shavuot?” on the Schechter Institutes’ website, schechter.edu.)

But, eating a non-meat meal on Shavuot is not restricted to the customs of European Jewry. As Jewish food expert Claudia Roden notes in The Book of Jewish Food: An Odyssey from Samarkand to New York, Sephardi Jews in Syria made cheese pies called sambousak bi jibn, Tunisian Jews had a special dairy couscous recipe and, in places like Turkey and the Balkans, Jews prepared a milk pudding called sutlage for Shavuot. (If you don’t want to eat animal-based foods, you don’t need to feel left out. The United Kingdom’s Jewish Vegetarian Society helps you enjoy a variety of traditional, but vegan, cheesecake recipes.)

So from where did all this dairy focus originate? One appealing explanation reminds us of what was supposed to have happened on Shavuot, namely that the Jewish people received the Torah. In Gematria, the Hebrew word for milk (chalav) adds up to 40, the number of days on which Moses stayed on Mount Sinai in order to receive the Torah.

Significantly, studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora. The big Israeli cities offer any number of options for participating in a tikkun leil Shavuot. These free learning sessions welcome the participation of all of Israeli society, from the religious to the secular, and everyone in between. Those living in smaller towns and on kibbutzim and moshavim likewise hold study sessions on the night of the holiday.

The idea of all-night studying originates with the kabbalists. The earliest members of this group apparently studied with Rabbi Shimon bar Yochai, the author of the Zohar, who lived in the second-century CE. It was this scholar (also known by his initials, as Rashbi) who stated: “G-d forbid that the Torah shall ever be forgotten!” (See the Babylonian Talmud Tractate Shabbat 138b.) By the Middle Ages, the kabbalistic all-night Shavuot study had really picked up steam in places such as Safed.

photo - Studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora — Studying the Torah and other Jewish texts on Shavuot eve has become a major trend in Israel, as well as in the Diaspora. *(photo from pexels.com)*

Some claim the reason for studying during the night is found in the midrash stating that it was a way to correct for the Children of Israel’s mistake of oversleeping on the morning they were meant to receive the Torah. Others claim, however, that the Hebrew word tikkun should not be translated as correction, but rather as adorning or decorating the bride. The bride in this instance is the people of Israel and the groom is either G-d and/or the Torah.

According to a late 17th-century Libyan tradition, Shavuot symbolizes the wedding day between the people of Israel and the Torah. According to this tradition, the Torah is the bride, which explains the title of the Libyan Shavuot text entitled Tikkun Kallah. Accordingly, those who read this tikkun are likened to bridal attendants.

The importance of studying on Shavuot is bolstered by the fact that Israel’s Hebrew Book Week (or, in some places, Book Month) begins right after Shavuot. I do not believe this occurrence is coincidental, but rather links us to the idea that we are still the People of the Book and a people of books.

The Israeli book fair has been running for many years. This year, 2020, would mark the 59th annual celebration of Hebrew Book Week and the fair’s age is all the more impressive when you recall how shaky was the Israeli state’s start as an independent entity. Recent years’ events have included Israeli authors appearing in coffee houses, story hours and plays for children, guided walks in Israel’s National Library, the more traditional book signings and, of course, the possibility of thumbing through thousands of Hebrew books.

In brief, our spring holiday offers opportunities for both spiritual and physical nourishment.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.

Community milestones … Lubavitch seders, JCC Jewish Book Award nominees

Ezra Shanken, executive director of Jewish Federation of Greater Vancouver, and Rabbi Chalom Loeub, chaplain of Chabad Jewish Student Centre, Vancouver, help with the delivery of seder meals. (photo from Lubavitch BC)

Lubavitch BC had its largest communal seder ever, with more than 1,000 participants. Families in Vancouver, Richmond, Surrey, Langley, Coquitlam, Burnaby, the North Shore and other areas of the province, enjoyed a complete seder with all the trimmings. And now is the time to say thank you to everyone who made this happen.

Firstly, Rabbi Yitzchak and Henia Wineberg, Rabbi Schneur and Shainy Wineberg, Rabbi Dovid and Chaya Rosenfeld thank Chabad of Richmond and the Community Kollel for partnering with Lubavitch BC to ensure that this project reached the largest number of people; Maple Grill, FortyOne Catering, Miriam Sklar and Lizzy Vaknin for their help with the organization and logistics; Sklar and Meir Jerbi for their help with packing and distribution; David and Diana Benjamin, Ezra Shanken, Glenn Berlow and numerous others for their help with the deliveries; and Rabbi Falik and Rebbetzin Simie Schtroks for coordinating the Langley and Surrey pickups and deliveries.

This project was not easy to accomplish in a short time. Extra amounts of matzah, wine, Haggadot, seder plates and Kiddush cups had to be sourced; ingredients and merchandise had to be purchased; and 1,000 meals had to be cooked and packed under the strict protocols of health and safety during COVID-19. Dozens of heartfelt notes of appreciation were received from members of the community, who shared how the project allowed them to have a wonderful Pesach under these difficult circumstances.

* * *

A program of the JCC Jewish Book Festival, the Western Canada Jewish Book Awards celebrate excellence in writing on Jewish themes and the achievements of authors from Western Canada. The shortlist for the 2020 honours was recently released. The winners were to be announced at a ceremony April 23, but that celebration has been postponed till later in the fall. The nominees are as follows.

The Nancy Richler Memorial Prize for Fiction: Daniel Goodwin (The Art of Being Lewis), Alex Leslie (We All Need to Eat) and Rhea Tregebov (Rue des Rosiers).
The Pinsky Givon Family Prize for Non-Fiction: Allan Levine (Seeking the Fabled City), Naomi K. Lewis (Tiny Lights for Travellers) and Heidi J.S. Tworek (News from Germany).
The Diamond Foundation Prize for Children/Youth: Jackie Mills (Little Synagogue on the Prairie), Ellen Schwartz (The Princess Dolls) and Harriet Zaidman (City on Strike).
The Lohn Foundation Prize for Poetry: Alex Leslie (Vancouver for Beginners), Dave Margoshes (Calendar of Reckoning) and Tom Wayman (Helpless Angels).
The Kahn Family Foundation Prize for writing on the Holocaust: Olga Campbell (A Whisper Across Time), Susan Garfield (Too Many Goodbyes) and Martha Salcudean (In Search of Light).

Words of praise for libraries

We have a lot of interesting Jewish educational opportunities in Winnipeg, where I live. If you made a big effort, you could be busy learning, attending lectures, events and classes much of the time. It might be possible to find something to do nearly every day of the week, but most of us don’t or can’t.

Maybe you can’t get out due to health issues or because you’re the caretaker for others. Perhaps it’s just too dark and cold right now, and you aren’t all that keen about going out after dinner. (I hear you!) There are many reasons to say no, we can’t manage something.

The last few weeks, I’ve found myself in this situation. Someone in my household got sick, or I did. The weather was just too cold. I wanted to hibernate. I wasn’t sure the car would start or the event cost too much or … you get the picture.

However, I found a solution that has really enriched this season. There were some books on Jewish topics that friends suggested online, and even a book written by someone I knew. I couldn’t afford to buy them all, nor did I know yet that I wanted to own them. This is where the public library is an amazing resource. I had all the books delivered to one library, where they sat on the holds shelf with my last name on them.

When I checked them out, I worried that I would not be able to finish them in time. Maybe I was being overambitious. Not to worry, it turns out. Most of the books were finished long before they were due – they were that good.

What were they? Well, now that I’ve read these books, I’m happy to make a couple recommendations! The first was Sacred Treasure – The Cairo Genizah: The Amazing Discoveries of Forgotten Jewish History in an Egyptian Synagogue Attic. Genizahs are where some Jewish communities stored their old (both holy and mundane) documents for many centuries. Written by Rabbi Mark Glickman, who I studied with at summer camp as a teenager, this book was the Jewish equivalent to an Indiana Jones story. I love reading about Jewish social history and, to be honest, it made Shabbat and several sick days absolutely a joy. I told all my friends I was geeking out on the genizah book!

The second book I loved was The Unorthodox Match by Naomi Ragen. Ragen is a beloved American-Israeli novelist, and this book didn’t let me down. It was both a love story and a realistic account of how some Chassidic and ultra-Orthodox communities operate. There’s a great divide. These groups both encourage ba’alei teshuvah (those who “return” to more traditional Judaism), but they also ostracize them, as not being the same as those who were raised from birth in these communities. The novel emphasizes the differences between what Judaism teaches about accepting converts and strangers and how communities actually act, sometimes alienating those who seek to be included.

After reading these books, I was struck by how I was able to enrich my Jewish learning simply by using the library and the couch when it was so cold out. Yet, if cities like mine cannot figure out their finances, it’s possible that some of our public libraries (along with wading pools, swimming pools, arenas, etc.) will soon be closed due to budget cuts.

We can choose to read at home and learn more about Jewish topics this way, but only if the public libraries remain open and they can afford to buy these books. We may complain about our taxes, but we are given a great gift when we can access these literary “riches” for free.

Canadian winters are long. I count myself lucky that, when I couldn’t go out, I was able to sit by the fire and read and learn this winter. If we want that learning option to be available, we all have to commit to doing our share to keep libraries (and all the other benefits of a tax-paying society) open and thriving.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.