JDAIM

Artists rise to challenge

“Sometimes Being Human … Can Be Hard” by August Bramhoff.

The Jewish Community Centre of Greater Vancouver’s inclusion services’ third annual art exhibit at the Zack Gallery is on display this month. And people can meet the artists at a March 23 virtual reception.

“For the last two years, the JCC has celebrated Jewish Disability Awareness and Inclusion Month through an art exhibit that interrogated and explored themes of community longing and belonging,” Leamore Cohen, inclusion services coordinator, told the Independent. “We asked artists of mixed ability: How do we make meaning of the concept of community, the real and the imagined spaces we inhabit? What does community longing look like and what are the possibilities for belonging in an ever-changing world?”

This past year, the world has changed almost beyond recognition. “In Vancouver, we are nearing a year since the COVID pandemic shut down our city and transformed all aspects of our social world,” acknowledged Cohen. “However, while we were isolated, we also saw our creativity flourish.”

In the two previous exhibits, artists responded enthusiastically to inclusion services’ challenge, unfolding a fascinating slice of society through their art, and both shows were successful, well-attended cultural events. Unfortunately, the pandemic has moved most of our interactions online, and so it is with this new show, though it is also available to view in-person by appointment.

The participating artists are of differing abilities and artistic levels, so the artforms vary. There are paintings and multimedia collages, figurative and abstract imagery, landscapes and still life. Some pictures are disturbing in their naked emotional pain. Others are quietly sad, or funny, or absurd. One thing is universal: the artists’ willingness to express their feelings, both in their art and in words, as each piece is accompanied by its creator’s short writeup.

It is impossible to mention all 57 pieces on display, but here are a select few to represent this multifaceted show.

August Bramhoff’s painting “Sometimes Being Human … Can Be Hard” depicts a woman sitting, alone. She is sewing or knitting. The painting’s muted colours permit no joy. There is obviously no one there with her, even beyond the edges of the painting. The woman’s isolation and loneliness are palpable despite the spare simplicity of the image.

The artist wrote about his painting: “My main practice is analogue photography, with a focus on street photography…. This is the first painting I’ve created in over 10 years. The inspiration for this work is from a feature film. It captures the sense of longing and displacement we all seem to be juggling during the COVID shutdown.”

In contrast, Tracy-Lynn Chernaske’s “Whispers” is a dreamy landscape. The moon shines over the night forest and a trail of shiny fog weaves its way between earth and sky. Maybe it is just the weather. Or maybe the fog illustrates our mutual desire to connect with one another. Maybe it is a whisper of our souls.

The artist explained: “Community is … a place and a way to tell stories and journeys so they can be witnessed, heard and held. They are a way of bonding together … and the need to push away and seek out new and more fitting spaces.” According to Chernaske, we all nourish “the invisible threads of relationships that cross borders, land, sea and time.”

In Evelyn Finchman’s “Roots” – an abstract composition in the earthy colours of brown and beige – interconnected spirals, lines and shapes allow the viewer’s imagination to stir. Is it food? Is it a surreal terrain? A carpenter’s schematics?

“Belonging to a community is much more than interacting with our societies and being accepted by our peers,” mused Finchman. “This year, I realized how important it is to coexist within the nature that surrounds us…. There is no human life if we don’t respect all living beings on our planet and understand that we are part of the whole environment.”

image - “Roots” by Evelyn Finchmann — “Roots” by Evelyn Finchmann.

Another artist who touched on the theme of nature and its connection with humanity is Peggy Logan. Her painting “Flowers Adrift” shows single blooms, all different – a tulip, an orchid, a daffodil, a daisy – but all similarly pale and faded, bobbing on the blue background. The image seems dejected and symbolic.

“The piece of work I have created,” said Logan, “is about that sense of disconnection that exists now with friends and family with restrictions on travel, social distancing, and isolating inside. This image is about the lack of roots the flowers have as they float over the water via the internet.”

Symbolism is also the main approach of Theresa Moleski in her painting “Life In and Beyond our Bubble.” The painting is dark, almost black and white. A tree is imprisoned inside a sharply delineated bubble, striving to get free. But there is something vaguely optimistic outside the bubble, too. And the artist expressed herself in no uncertain terms in her writeup: “COVID or not, I will continue my journey as an artist!”

While most of the images in this show are serious in tone, a few offer a humorous slant on our very human follies. Danielle Haslip’s painting “First Date Red Flags” is a tongue-in-cheek exploration of dating. Its style – childlike and undeniably funny – includes a figure with lots of teeth. You see it and you know: something is gonna bite.

“Reflecting on my own personal growth, as I wait for conditions to be safer for meeting people, I thought I’d be cheeky and depict an exaggerated vision of dating, in which we can either fall prey to manipulative people, who mean us harm, or attempt to force a connection with someone who is not a good fit for us,” wrote Haslip.

Another smile-inspiring work is Paul Leighton’s “Not Over the Moon Yet.” On the painting, a sad cow is floating on a cloud. Or is it an island? The style is two-dimensional, but the meaning is much deeper. Is the poor cow attempting to fly away from stupid humans? The artist thinks so: “My approach to the theme of longing and belonging is to use oblique humour to ponder unfathomable human global problems through the lens of the preposterous…. An individual, no matter how earnest, can’t solve all the interrelated problems of the Anthropocene or rescue a cow fleeing into the clouds,” said Leighton. “However, social pressure and citizens’ assembly can help.”

image - “Not Over the Moon Yet” by Paul Leighton — “Not Over the Moon Yet” by Paul Leighton.

And then there are paintings like Gail Rudin’s “Home is Where the Heart Is.” Folk art in style, it is heart-warming in its essence. It reminds all of us of the importance of home.

The show is on display at the gallery until April 2. To view the exhibit anytime or attend the March 23, 5 p.m., reception, visit jccgv.com/community-longing-and-belonging.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Inclusion matters – always

I was talking to my mother on the phone when she told me about one of her committee projects. At her congregation in Virginia, there’s an outdoor space, in the woods. It’s used as a learning environment and sanctuary, with play space, too.

While it may be a charming and rustic foray into nature, it’s also something else. It’s inaccessible to those with disabilities. My mom described how a group home brought some of its residents to an outdoor service, only to discover that, in fact, the residents couldn’t attend, because they use wheelchairs. The trails, filled with rocks and tree roots, are too difficult for those wheelchairs to navigate.

My mom is on the “inclusion committee” at her synagogue. In part, she joined because she cares about everybody at her congregation. She wants to practise “audacious hospitality” and “radical inclusion.” The other part is more personal. My nephew uses a wheelchair. Of course, she wants to help him have a full and meaningful Jewish experience.

These bumpy trails are a physical barrier to inclusion. Our Jewish communities are full of physical barriers. These can be things like having only one staircase as an access point into a building – and no ramp. It can mean having no accessible bathroom, or no place for a mom to breastfeed. It could be lacking a way to invite a person in a wheelchair onto the pulpit, because there’s no ramp, or even no handrail for those who might not be stable on their feet.

Physical barriers aren’t just stairs, of course. What about large-print prayer books or documents that work with text-to-speech software for those who have visual impairments? What about an amplification system, sign-language interpreter or closed captioning for those with an audio disability?

Even beyond this, there are those whose differing abilities aren’t visible. Is there a quiet room available and unlocked for those who have sensory challenges? Many might need a break from loud music at a bar mitzvah or during a raucous Simchat Torah celebration. Is there a way that those who have mental health challenges or intellectual disabilities can be offered support if they need it while at a synagogue event?

February is Jewish Disability Awareness and Inclusion Month, or JDAIM. If this were a committee meeting, this is when, inevitably, someone would speak out. “Whoa,” this person might say. “We’re just a small congregation with limited funds. We simply can’t do all this. We can’t be all things for all people.”

This is the second barrier to break down. It’s an attitudinal barrier. When someone’s attitude gets in the way of helping practise radical inclusion, it stops us from meeting every Jewish person’s needs in the community. This attitude adjustment is necessary when, for example:

a baby starts to fuss and a parent works to quiet the baby and feed him,
a nonverbal person makes noises during services,
a person needs to stand or sit during services because of pain or disability when everyone else is doing the opposite,
a person who cannot hear turns to her spouse to ask, “What page are we on?” in that loud voice.

The list could be a mile long. I’ve seen somebody cast a fish-eye at every one of these people. Given how many of us struggle with disabilities, well, let’s just say it’s high time for a change in attitude.

To the person who says, “We’re a small congregation, we can’t do all this,” be ready to stand up and say, “Did you ever wonder why it’s such a small shul? This is why. This attitude. This inability to try and include everybody and to work to meet their needs.”

It doesn’t cost a lot to build a portable ramp for the bima (pulpit). Sometimes, funds can be raised in creative ways to fix physical barriers. What’s harder? Working to change our conscious and unconscious attitudes about disability and inclusion.

Disability will affect all of us or our loved ones at some point in our lives. Please, don’t wait until you break your leg to acknowledge this. It’s really important to bring JDAIM up, but it shouldn’t be a once-a-year discussion.

In the portion Yitro, which we read in synagogues at the beginning of February this year, G-d speaks to Moses and to all the people at once. They all hear the Ten Commandments together in Exodus 20:1-14. Rabbi Ana Bonnheim’s commentary on this portion uses the phrase “radical inclusion.” Moses prepares the people to hear from the Almighty, and they all receive this revelation together – each in his or her own way. Rabbi Bonnheim reminds us that inclusivity, this frequent repetition of “ha-am”, “the people,” is essential to Jewish tradition.

On Shavuot, when we gather again to hear the Ten Commandments, everyone is supposed to be there. If we want a Jewish gathering where everyone physically can be there, it’s time to start an inclusion committee, if your community doesn’t have one. If you already have that committee, remember the public relations campaign that must accompany any initiatives, so that attitudinal barriers change as well as physical ones. The truth is that, even if everyone can physically be present, if your community projects a bad attitude, those with disabilities won’t want to be there.

As for me, I received a “save the date” card for my nephew’s bar mitzvah recently. I cannot wait to see him, using his assistive speaking device, leading the service. Of course, there’s a closed border and a pandemic in the way, too, but their congregation works so hard to include everyone that I know that, in the worst-case scenario, I’ll be there virtually, through livestreaming. Jewish celebrations, like every other kind of Jewish gathering, are for all of us. That’s why inclusion matters.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Arts enhance inclusion

Matthew Tom-Wing, right, dressed as Elvis, was one of the participants in the 2019 Chutzpah! Festival finale. His mother, Elizabeth Tom-Wing, recalled it as a “standout moment for our community and for our son!” (photo from JCC)

February is Jewish Disability Awareness and Inclusion Month (JDAIM). It offers a wonderful time to look back at some of our community achievements in fostering inclusion at the Jewish Community Centre of Greater Vancouver; in particular, the 2019 Chutzpah! Festival’s Inclusion Project.

Mary-Louise Albert was artistic and managing director of Chutzpah! and the Rothstein Theatre for 15 years. Before she retired, she and I had many spirited conversations about the importance of creating access for local community members in all areas of Jewish communal life and at the JCC, which is the home of the festival and the theatre, and where I am the coordinator of inclusion services.

We believed that the arts are an important avenue for personal growth and skills development, and that they also bolster visibility and foster true belonging. We hoped that the JCC’s inclusion services and Chutzpah! could collaborate in some way and, through our conversations and Mary-Louise’s vision and expertise, the Chutzpah Inclusion Project crystalized.

After months of planning, in November 2019, members of the local community took to the Rothstein stage to participate in a first-ever Inclusion Project performance – an evening of dance and comedy with international inclusion advocate Pamela Schuller and professional dancers Troy Ogilvie and Rebecca Margolick. The event was the finale of the 2019 Chutzpah! Festival and a highlight of Albert’s final year with Chutzpah!

In preparation to take to the stage, participants had a yearlong introduction to theatre, including low-barrier and free classes with a specialist through the JCC’s Theatre Lab program. Participants attended many local productions through the JCC’s social club, and spent hours rehearsing and co-creating with Ogilvie, Margolick and Schuller over a series of workshops that would not have been possible without community partners and friends.

The 2019 performance received a standing ovation from the audience. The feeling of solidarity and acceptance between the audience and the performers was palpable. What was most amazing, Elizabeth Tom-Wing recalled, is that her son had the opportunity to “train and perform on stage with the professional dancers, along with his friends, and close off the three-week-long 2019 Chutzpah! Festival.” She recalled it as a “standout moment for our community and for our son!”

This project demonstrated that artists of mixed ability and skill can create a powerful and moving performance. Moreover, it reminds us that it is only through equity and action that belonging can be fostered. As diversity, equity and inclusion strategist Arthur Chan explains: “Diversity is a fact. Equity is a choice. Inclusion is an action. Belonging is the outcome.”

Leamore Cohen is inclusion services coordinator at the Jewish Community Centre of Greater Vancouver.

Events around town this month – Sisterhood Choir, community artists & Netta

photo - Temple Sholom Sisterhood Choir under the direction of Joyce Cherry with pianist Kathy Bjorseth — *(photo from Gordon Cherry)*

Temple Sholom Sisterhood Choir under the direction of Joyce Cherry with pianist Kathy Bjorseth performed an afternoon concert of Jewish music at the Weinberg Residence on Jan. 13. Featured were three works by Joan Beckow, a resident of the Louis Brier Hospital and a Temple Sholom member. Beckow was an active composer and music director in Los Angeles and, for a time, was Carol Burnett’s music director. The 23-voice Sisterhood Choir has sung for the annual Sisterhood Service for a number of years, but the recent concert at the Weinberg was a first for them outside of Temple Sholom.

photo - Some of the artists on opening night of the group show Community Longing and Belonging, Jan. 15 at the Zack Gallery — *(photo by Jocelyne Hallé)*

Some of the artists on opening night of the group show Community Longing and Belonging, Jan. 15 at the Zack Gallery. The exhibit marked Jewish Disability Awareness and Inclusion Month and ran until Jan. 27.

photo - Eurovision 2018 winner Netta Barzilai, right, with Carmel Tanaka, emcee of the night with IQ 2000 Trivia — *(photo by Corin Neuman)*

Eurovision 2018 winner Netta Barzilai, right, performed at the Jewish Community Centre of Greater Vancouver on Jan. 26 to help celebrate the 18th anniversary of Birthright Israel. Here, she is pictured with Carmel Tanaka, emcee of the night with IQ 2000 Trivia. The dance party was presented by the Jewish Federation of Greater Vancouver in partnership with Axis Vancouver, Hillel BC and the JCCGV.

Community show at Zack

“Open Doors” by Marcie Levitt-Cooper. (photo by Daniel Wajsman)

The group show Community Longing and Belonging, which opened Jan. 15 at the Zack Gallery, marks Jewish Disability Awareness and Inclusion Month (JDAIM).

“I heard about community art shows in celebration of JDAIM in other communities,” said Leamore Cohen, inclusion services coordinator at the Jewish Community Centre of Greater Vancouver, who was the driving force behind the local exhibit.

“I thought an unjuried exhibit would be a fabulous way to honour our community-wide commitment to remove barriers, to celebrate our community members’ creative capacities,” she said.

The main idea was to open up participation to everyone – professional artists and amateurs, people of different skill levels, abilities, perspectives, faiths and socioeconomic status.

“To make participation truly inclusive,” said Cohen, “we provided each artist with a 12-by-16 wood panel. We have also been taking direction from Kickstart Disability Arts and Culture and its artistic director, Yuri Arajs, as we wanted to ensure that this event is fully accessible.”

The JDAIM inclusion initiative and month of advocacy began throughout North America in 2009, explained Cohen. The idea for the art exhibit started to take form last spring, when Cohen approached Zack Gallery director Linda Lando.

“Linda was really receptive to the idea of the show.… Once I had the green light from her, the support and use of the gallery,” said Cohen, “I began to focus more on the theme.”

The theme of community and inclusion prompted her next steps. She reached out to many different organizations and communities and invited artists from all over the Lower Mainland to participate. The call for submissions went out in late September, and the response was remarkable. Fifty-two artists are included in the show.

“We have artists from Vancouver, Burnaby, Richmond, North Vancouver, and even as far out as Cloverdale,” said Cohen. “I’ve had the good fortune to meet all these new and amazingly creative people, welcome them to our community centre, and make new friends along the way. It’s been a joy. It broke my heart that I had to turn many away because of the limited space in the gallery. I have artists who want to sign up for the next year. There is so much excitement and so much more to say on this issue.”

photo - “Embrace” by Evelyn Fichmann — “Embrace” by Evelyn Fichmann. *(photo by Daniel Wajsman)*

To frame this exhibit, Cohen posed two questions, which are being used in its promotional materials: “How do we make meaning of the concept of community, the real and the imagined spaces we inhabit? What does community longing look like and what are the possibilities for belonging in an ever-changing world?”

“This show was a challenge and an invitation to look at social problems creatively and critically,” Cohen told the Independent. “It was also an opportunity for artists living with diverse needs to exhibit their work in a professional venue and to receive exposure.

“I don’t think we are going to resolve the problems of longing and belonging, or longing for belonging, any time soon. I think we’ll always have people who are better situated and people whose social networks are more tenuous. We should just keep having the conversations and build up those connections. We create new platforms and new access points, new opportunities for people to engage and tell their stories, whatever they look like and from whatever lens, whether it be through mental health, sexual identity, ability or socioeconomic status. We all have a story to tell.”

Cohen shared one example of how the show’s theme relates to her own life.

“The ‘longing’ part of the theme resonates with a lot of people,” she said. “It resonates with me as well. It emerges from my own story of disconnection from the Jewish community during my youth and young adulthood. Fortunately, so, too, does the ‘belonging’ part of this show. The JCC is a wonderful place, a place for belonging.”

photo - “Veselye u Selu” by Daniel Malenica — “Veselye u Selu” by Daniel Malenica. (photo by Daniel Wajsman)

The theme allowed for a number of different approaches, and the skill of the various participating artists varies widely, but the utter diversity becomes its main attraction. Although the size and shape of the canvases – the wooden boards provided by the organizers – are universal, the content is anything but, and so is the media. Some pieces are oils, others acrylic; still others, mixed media. There are abstracts and figurative compositions. Some have narratives. Others evoke emotions. Some have Jewish connotations. Others don’t. Some artists participated solo, while others enrolled as a family group.

Marcie Levitt-Cooper represents one such family. Her painting “Open Doors” depicts a colony of colourful birdhouses. Every door of every birdhouse is open, creating a welcoming avian village, a festive metaphor that makes you smile. No birds appear in the image, but you can almost hear them sing. The artist’s three daughters – Rebecca Wosk, Teddie Wosk and Margaux Wosk – also exhibit in the show.

Another family of artists is mother Elizabeth Snigurowicz and son Matthew Tom Wing. “They regularly come to the Jewish Community Centre inclusion services Art Hive drop-in program, a low-barrier, free art program,” said Cohen.

Daniel Malenica doesn’t have a family in the show, but her charming, pastel-toned piece is a jubilation of the artist’s Croatian roots and her LGBTQ+ community. Two girls embrace each other in the painting, both wear Slavic costumes. The title, “Veselye u Selu,” is the English phonetic spelling of a phrase in the artist’s mother tongue, meaning “Celebration at the Village.”

In Evelyn Fichmann’s painting “Embrace,” the artist, a recent immigrant from Brazil, has incorporated words in English and Hebrew. “Encourage,” “include,” “educate,” “respect,” “engage” and “support” surround the image, all fitting descriptors of what we should strive to do in our communities.

Community Longing and Belonging runs until Jan 27.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].