environment – Jewish Independent

History and future combine

Ilana Zackon and Ariel Martz-Oberlander played current-day partisans in the immersive theatre piece Time Machine. (photo from Radix Theatre)

Two Jewish theatre artist-creators, Ariel Martz-Oberlander and Ilana Zackon, teamed up this summer to create an immersive piece based on the Jewish partisan movement, as part of Radix Theatre’s futuristic play Time Machine, set on a boat, the Pride of Vancouver.

The show took place on the yacht over a five-hour journey up Indian Arm (traditionally known as səl̓ilw̓ət) and featured both local emerging and established artists presenting new work of various genres, such as theatre, spoken word poetry, sound installation and more. The artists were asked to create a piece inspired by what Vancouver will look like in the year 2050. Some darker, others playful, the works were all grounded in a strong sense of the artists’ identities.

Martz-Oberlander and Zackon wanted to bring their ancestral roots into their piece. The pair created an immersive show in which they played two rebels helping smuggle climate refugees to safety. The 10-minute piece, which ran on a loop for an hour-and-a-half of the boat ride, took place in the boat’s basement bathroom, which acted as a safehouse. Five to seven audience members at a time were summoned by Zackon, dressed as a soldier, down into the dimly lit bathroom, where they were greeted by a similarly dressed Martz-Oberlander; “Zog Nit Keynmol” (“The Partisan Song”) played in the background.

The invited audience soon discovers they are now refugees who have just escaped fires in California. The soldiers, members of a new wave of partisans called PAP, explain that the refugees are being brought to another safehouse and prepared to enter the new world. The soldiers explain that their resistance cohort has based their movement on the survival lessons of their ancestors, partisan fighters in the forests of occupied Europe. The audience members are given new names, briefed on the types of skills, such as hunting moose, that they will need to survive in their new lives and, eventually, led into a discussion on identity.

“What’s better: start over or remember where you’re coming from?” Martz-Oberlander’s character asks. The two soldiers bicker over their differing views and invite the audience to contribute. After the group has spoken, the soldiers receive word that it is safe to move the refugees. Before leaving, audience members are given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note. The notes lined the stairwell and, as the loop continued, more and more words were added, creating a tapestry of human identity. The notes lined the bathroom walls for the remainder of the boat ride, and included such items as “curiosity and kindness,” “time to think,” “my favourite berry picking spot,” “my knowledge of languages” and “the giggles of my daughter,” among many others.

photo - Audience members were given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note — Audience members were given the option of writing down “one thing about their identity they don’t want to lose in the new world” on a sticky note. *(photo by Didier Brûlé-Champagne/DBC Photographie)*

A number of the boat passengers who attended the piece were Jewish and shared how they connected with their ancestors through remembering their stories. Many non-Jews had never heard of the partisan movement and the two artists felt the work they did helped educate people on an important part of history.

Zackon and Martz-Oberlander also received, from the Jewish Museum and Archives of British Columbia, transcripts of interviews with Jewish refugees coming to Canada during the 1930s and 1940s. These testimonials were hidden around the safehouse and incorporated into the performance. The two artists hope to receive the opportunity to continue developing and expanding this work and to incorporate more of their own personal family stories about immigration to Canada.

Trees bring Zack to life

Michael Seelig is donating the proceeds from his exhibit Trees to the Zack Gallery. (photo by Olga Livshin)

Trees, Michael Seelig’s new solo photography exhibit at the Zack Gallery, opened last week. It is a fundraiser for the gallery, which is located in the Jewish Community Centre of Greater Vancouver.

Such philanthropic initiatives “are of ultimate importance to the gallery and the community, as everybody wins when the gallery is well-supported,” said Zack director Linda Lando. “We have approximately three benefits a year, and they come in different ways. Sometimes, they’re initiated by the artist, sometimes by myself or another staff member of the JCC.”

Seelig’s decision to donate all the proceeds came from the heart, and it’s not the first time. His previous show at the Zack, which was held five years ago, was also a benefit. “This is my way of contributing to the JCC,” he said in an interview with the Independent. “We have a longstanding connection to the centre. My wife was president of the JCC some time ago, and we’ve given several donations to the community over the years.”

Unlike his previous show, which focused on architectural images – Seelig was an architect before he retired – this show is all about trees. A cornucopia of greens dominates the gallery walls.

“When Linda asked me to do a show this year, I didn’t have much in mind,” he said. “I started going through my photographs, selected the best 20, and then realized that eight of them were photos of trees. Looking back, I’ve always photographed trees. Maybe I have an affinity for trees. So, I thought I’d make it the theme of this entire show.”

photo - “Garden Kyoto” by Michael Seelig — “Garden Kyoto” by Michael Seelig.

Seelig has been drawn to trees and their unique charm for a long time. “I think my love of trees comes from my childhood, when I was growing up in Israel,” he said. “Jewish people are the only ones I know who have a holiday dedicated to trees: Tu b’Shevat. During that holiday, we cherish trees, plant them, take care of them, so they can take care of us. That tradition probably influenced me from a young age to love trees and photograph them. I take photos of trees wherever I travel.”

In the Zack exhibition, there are pictures of trees from Israel and Scotland, Canada and Japan.

“There is a book I read recently,” Seelig said, “called The Hidden Life of Trees, by Peter Wohlleben. He is a German forester and writer and he knows trees. He says trees form communities. They communicate with each other and with us. It was a fascinating book, and I agree with the author; his book inspired me. Have you noticed that old stumps sprout new growth sometimes? That is because there are other trees around. Trees are life-givers; they create the air we breathe. Without trees, there would be no life on earth.… In Canada, and particularly in British Columbia, we often take trees for granted. Most of us do not pause to look at them and admire their beauty, solidity and permanence. We forget that, without trees, our planet cannot survive. This show pays homage to trees in many parts of the world.”

Seelig’s trees are all different; each one has its own shape and personality. Some are gnarled and twisted, while others stretch up in straight lines.

“I like it that they don’t talk to me,” he joked. “Trees are my models, but they’re more obedient than people when it comes to posing for a photo. I can take my time snapping pictures of trees. They are perfect photography objects. A tree just stands there. You can walk around it, see it from 360 degrees or from underneath. And every view is different. You can’t do this with a person.”

In addition to Seelig’s photographs of trees, the show includes several watercolours, most of which he painted specifically for this exhibit. Only two small works are exceptions. “When I was looking through my archives in preparation for this show, I found a small painting, created by my father in 1940. He painted a street in Haifa, and there is a tree in the image. The second painting is mine; I painted it in 2010, also in Haifa. Seventy years passed between these two paintings, but their colour schemes are surprisingly similar. And there are trees in both paintings.”

The sizes of the images on display vary greatly. While Seelig’s father’s painting would fit in a school notebook, and most of the photographs are the perfect size for a family home, a huge triptych on canvas of one of his Kyoto garden photos would enliven a hotel foyer or a corporate conference room. “I invited some designers to the show,” Seelig said. “Maybe one of them would like it.”

Seelig’s approach to photography is consistently organic. He doesn’t edit his photos with Photoshop, doesn’t even crop them.

“My pictures are exactly what I see,” he said. “And now you see them, too. There are other photographers who manipulate their photos with editing software, many of them wonderful artists, but I don’t do that. I don’t call myself an artist either, even though I use my creativity for many things in my life. I used artistic judgment for my work as an architect, before I retired. Now, I make greeting cards and wedding invitations with my photographs and my paintings. I illustrated a couple of children’s books, written by my daughter and her husband. Even making dinner for our friends is a form of art for me.”

The Trees exhibit runs until Oct. 20.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

About the cover art – Rosh Hashanah 2019

This year’s Jewish Independent Rosh Hashanah cover photo features a bumble bee on a heartleaf oxeye daisy flower – it was taken in Saanich, B.C., by David Fraser. Many native bumble bees are in decline, a concerning trend given the role they play in pollination of plants, including many food crops. Pesticides, habitat loss and introduced bee parasites and diseases are thought to play a role in this decline.

Apples are one of the main symbolic foods we eat on Rosh Hashanah, as we wish for a sweet year, with the help of some honey. Apples are the fruit of choice for this wish perhaps because Rosh Hashanah coincides with the sixth day of creation, when humans – Adam and Eve – were created and they ate the fruit (apple) of the Tree of Knowledge in the Garden of Eden. It could also be that apples symbolize the relationship between God and the Jewish people, as poeticized in the Song of Songs, or that the Zohar (kabbalah) describes paradise as a holy apple orchard.

Regardless of the reason for the fruit selection, apple production is dependent on bees and other pollinators. It would be fitting then for us to wish for more than a sweet, fruitful year, when we are dipping our apple slices into honey. We might consider our role in the decline of not only the bumble bee populations but of the environment at large, and what we can do to reverse it.

Need earth-friendly policies

We are now well into the Hebrew month of Elul, which provides an incentive for heightened introspection, a chance to practise teshuvah, changes in our lives, before the Days of Awe, the Days of Judgment, the High Holidays of Rosh Hashanah and Yom Kippur. The shofar is blown every morning (except on Shabbat) in synagogues during the month of Elul to awaken us from slumber, to remind us to consider where we are in our lives and to urge us to consider positive changes.

How should we respond to Elul today? How should we respond when we hear reports almost daily of severe, often record-breaking, heat waves, droughts, wildfires, floods and storms; when July 2019 was the hottest year since temperature records were kept in 1880; when 18 years in this century are among the 19 hottest years and 2014, 2015 and 2016 successively broke temperature records; when polar ice caps and glaciers are melting far faster than projections of climate experts; when climate scientists are warning that we could be close to an irreversible tipping point when climate change could spiral out of control with disastrous consequences, unless major changes are soon made; when we appear to also be on the brink of major food, water and energy scarcities; and when, despite all of the above, so many people are in denial, and almost all of us seem to be, in effect, rearranging the deck chairs on the Titanic as we approach a giant iceberg?

Israel is especially threatened by climate change since, among other dangers, a rising Mediterranean Sea could inundate the coastal plain, which contains much of Israel’s population and infrastructure; and the hotter, drier Middle East projected by climate experts makes terrorism and war more likely, according to military experts.

It is well known that one is not to shout fire in a crowded theatre – except if there actually is a fire. The many examples of severe climate change indicate that the world is on fire today. Therefore, we should make it a priority to do all that we can to awaken the world to the dangers and the urgency of doing everything possible to shift our imperiled planet onto a sustainable path.

We should urge that tikkun olam (the repair of the world) be a central focus in all aspects of Jewish life today. We should contact rabbis, Jewish educators and other Jewish leaders and ask that they increase awareness of the threats and how Jewish teachings can be applied to avert impending disasters. We should write letters to editors, call talk shows, question politicians and, in every other way possible, stress that we can’t continue the policies that have been so disastrous.

As president emeritus of Jewish Veg, formerly Jewish Vegetarians of North America, I want to stress that shifting toward a vegan diet is something that everyone can do right away. It would significantly reduce greenhouse gas emissions and it would be consistent with Jewish teachings on preserving human health, treating animals with compassion, protecting the environment, conserving natural resources, and helping hungry people.

The afternoon service for Yom Kippur includes the book of Jonah, who was sent by God to Nineveh to urge the people to repent and change their evil ways to avoid their destruction. Today, the whole world is Nineveh, in danger of annihilation and in need of repentance and redemption, and each one of us must be a Jonah, with a mission to warn the world that it must turn from greed, injustice and idolatry, so that we can avoid a global catastrophe.

Richard H. Schwartz, PhD, is professor emeritus, College of Staten Island, president emeritus of Jewish Veg and president of Society of Ethical and Religious Vegetarians. He is the author of several books, including Judaism and Vegetarianism and Who Stole My Religion? Revitalizing Judaism and Applying Jewish Values to Help Heal Our Imperiled Planet, and more than 250 articles at jewishveg.org/schwartz. He was associate producer of the documentary A Sacred Duty: Applying Jewish Values to Help Heal the World.

Still loyal if vote Democrat

The Aug. 29 Jerusalem Post had an article, “Pipko to Post: Jewish Democrats are walking away,” which argued that “The Democrats have changed and so should [Jewish] support for them.” It is part of an effort carried out by Republicans before every presidential election to make Israel a wedge issue, to convince Jews to switch to supporting Republicans.

Polls have found that most Israelis also believe that U.S. Jews should support President Donald Trump and other Republicans, largely because of what they perceive as their strong support for Israel. In his efforts to get U.S. Jews to change their political allegiance, Trump has stated about Jews that, “In my opinion, you vote for a Democrat, you’re being very disloyal to Jewish people, and you’re being very disloyal to Israel.”

Despite these opinions and statements, in the same Aug. 29 issue of the Post was the article “Trump vs. Gallup: Report shows Jews will vote Dem,” which indicated that a very strong majority of U.S. Jews (roughly 75%) are very likely to continue to vote for Democrats.

As an American who made aliyah about three years ago, after living in the United States for 82 years, I would like to discuss why U.S. Jews generally vote for Democrats and, in doing so, are, I believe, loyal to Jews, Israel and Jewish values.

A major reason is that Trump, along with virtually all U.S. Republican politicians, denies climate change, an existential threat to Israel, the United States and, indeed, the world. Trump and virtually all Republicans are doing everything possible to support the fossil fuel industry and weaken efforts to reduce greenhouse gas emissions. Research from Columbia Law School, Harvard Law School and other sources revealed more than 80 environmental rules and regulations on the way out under Trump.

Another important reason that most Jews vote for Democrats is that many of Trump’s policies are contrary to basic Jewish values of kindness, compassion and concern for the disadvantaged, the stranger and the poor. Rather than improving Obamacare, which provided health insurance to tens of millions of Americans, Trump supported legislation that would result in as many as 32 million Americans losing their health insurance and making others pay higher premiums.

Also, instead of rebuilding America’s crumbling infrastructure, rated a D+ by the American Society of Civil Engineers, Trump and Republican legislators pushed through a tax bill that overwhelmingly benefits the wealthiest Americans and highly profitable corporations. This will greatly increase the U.S. national debt, giving the Republicans an excuse to try to carry out their longtime desires to cut programs Americans depend on, including Social Security, Medicare and Medicaid.

Most Jews also disagree with the views and policies of Trump and other Republicans on many issues, including immigration, civil rights, gun control, church-state separation, judicial appointments, diplomacy and the Iran nuclear agreement.

While a significant majority of Israelis approve of the United States getting out of the Iran nuclear deal, the results of that action remain to be seen. A strong majority of military, nuclear and strategic experts believe that the pact is the best approach to curbing Iran’s nuclear weapons ambitions. Among the negatives of Trump’s decision is that European and other nations have been alienated, America’s credibility in keeping agreements has been reduced and the potential for war and terrorism may have increased.

Then there is the issue of Trump’s character. As the New York Times’ conservative columnist Bret Stephens, a former chief editor of the Jerusalem Post, wrote in a recent article, Trump’s character involves “lying, narcissism, bullying, bigotry, crassness, name-calling, ignorance, paranoia, incompetence and pettiness.” Do we really want to honour such a person and make him a role model for our children and grandchildren?

Jews who vote Democrat generally support Israel, but they believe that, while it will be difficult to obtain, largely due to Palestinian positions and actions, Israel needs a resolution to its conflict with the Palestinians in order to avert continued and possibly increased violence, effectively respond to its economic, environmental and other domestic problems, and remain both a Jewish and a democratic state. They view Trump’s statements and actions with regard to Israel in terms of that belief.

American Jewish Democratic party supporters recognize that Trump’s recognition of Jerusalem as Israel’s capital, his movement of the U.S. embassy there and his other supportive policies and actions with regard to Israel are good for Israel’s morale, but they do not believe it makes peace more likely or terrorism less likely.

Of course, Jerusalem is the capital of Israel, always has been and always will be. But, almost all of the nations of the world will only acknowledge this if it is part of a comprehensive, sustainable resolution of the Israeli-Palestinian conflict. Trump’s shift of the U.S. embassy to Jerusalem has totally alienated the leadership of the Palestinian Authority, which now rejects a U.S. role in forging peace with Israel. Trump’s decision would have made sense as the capstone of a final peace agreement with the Palestinians, but its timing seems counterproductive, alienating many nations, adding impetus toward anti-Israel violence and reducing prospects for a negotiated resolution of the Israeli-Palestinian conflict.

The price that Israel will have to pay for Trump’s support should also be considered. Most analysts believe that it was pressure from Trump that convinced Israeli Prime Minister Binyamin Netanyahu to cancel the visit by the two U.S. congresswomen, a decision that received widespread criticism, even from strong supporters of Israel, including AIPAC.

It is very significant that, of the 36 Jewish Congress members, 34 are Democrats.

Israel may also suffer significantly by Trump and other Republicans making Israel a wedge issue, harming the important bipartisan support of Israel, in efforts to convince Jews to vote Republican.

Another factor is the major increase in antisemitic acts since Trump became president, which many people believe is due to his failure to sufficiently condemn white nationalists and other bigots.

In light of all these considerations, I believe that U.S. Jews are correct in supporting Democratic politicians and, in doing so, are being loyal to Jews, Jewish values and Israel.

Photos inspire a dream

“Curiosity,” photo by Liron Gertsman.

One of the most important issues we should be grappling with nowadays is the preservation of our habitat. At the forefront of the nature preservation movement are photographers and one of them is Liron Gertsman, a young, award-winning local nature photographer whose solo show, Essence of Earth, is at the Zack Gallery until Sept. 22.

The show is sponsored by Esther Chetner.

“Eldad Goldfarb, executive director of the Jewish Community Centre of Greater Vancouver, approached me about this upcoming sponsorship opportunity, aware of my own concern about climate change and my passion for photography,” Chetner told the Independent. “Though I’ve traipsed parts of the globe enjoying the wonders that photo details can deliver, I’m not at all technically trained nor technologically nimble…. I recognize the remarkable quality of Liron’s images, and see value in making his work accessible to others.”

Calling Gertsman a “rising star,” Chetner said, “Encouraging this type of exquisite work is another way to help people appreciate our natural world more deeply and then, hopefully, to work toward preserving such essential global health and diversity. The more we see and appreciate about our natural environment, the more we will all be inclined to proactively protect it.

“Jewish values are quite aligned with environmental stewardship, and so having Liron’s work displayed at the JCC seems like an appropriate fit.”

Part of the proceeds of the exhibit will benefit the gallery, and another part will go to the Nature Trust of British Columbia.

“There are several charities concerned with nature preservation in B.C.,” Gertsman said, “but I like the Nature Trust because they purchase land specifically to build and maintain a treasury of wild areas.”

The 19-year-old photographer is passionate about preservation. (See jewishindependent.ca/tikkun-olam-through-photos.)

photo - Liron Gertsman has loved nature and photography all his life — Liron Gertsman has loved nature and photography all his life. *(photo by Ian Harland)*

“I’ve loved nature and taking photographs all my life,” he told the Independent. “Recently, I started moving toward doing it professionally, like giving photography workshops or guiding people on their bird-watching expeditions.”

His photographs are like a guided tour. “I want people to witness nature,” he said. “I want to share with them what I see, even if they can’t travel themselves.”

To cover some of his costs, he has, at times, formed partnerships with companies and organizations.

“I choose companies focused on nature conservation,” he explained. “They would subsidize some aspects of my trip, or sometimes an entire trip, in exchange for photo use and social media marketing, usually through my Instagram account, which has close to 50,000 followers.”

For instance, in May and August of this year, Gertsman partnered with Ocean Outfitters, an ecotourism company based in Tofino.

“They are Tofino’s first carbon-neutral ecotourism company, and they have committed to donating $200,000 a year for multiple years towards restoration of the Tranquil Watershed,” he said.

Gertsman’s photos at the Zack Gallery are full of life and colour. His birds seem to soar through the gallery space. His landscapes are like windows, looking out into the British Columbia wilderness. Stars twinkle in the night sky. Pink crags reflect in the still surface of the lake. Waterfall gurgles across the boulders. Owls hide in the grass, and gulls skim over the rippling wavelets. But the beauty and serenity of his images filled me with apprehension. Could we lose all of this gorgeousness? The night after I visited his show, I had a dream, and Gertsman’s imagery figured heavily in my dreamscape.

* * *

“What is it, Grandpa?” a girl asked.

“A picture archive,” the old man replied.

“But it’s not a memory crystal.”

“No, it’s from the 21st century, an antique. Two hundred years old,” he said, inserting an outmoded device into a slot of his com-link and opening the files. Hundreds of pictures appeared on his screen. Nature, when it flourished.

“Oh,” his granddaughter said with interest. “What are those?”

“Birds,” he whispered reverently. In the image, hundreds of small dark bodies hurtle across the peachy sky, their wings pumping so rapidly, the image blurred.

“Like a hologram in a museum?”

“Yes. Only they were alive. Flying.”

“But why is the wall pink? Why would they paint it pink?”

photo - “Sandpiper Sunset,” by Liron Gertsman — “Sandpiper Sunset,” photo by Liron Gertsman.

The old man glanced at the wall of the cave that housed the archives. Nobody lived on the surface of the earth anymore. Nobody could survive the toxic environment. People inhabited underground caverns such as this one and, mostly, they didn’t bother painting the walls. There were few resources anymore.

“It’s not a wall, it’s the sky,” he said. He had been very young when the last of humanity had moved underground, but he still remembered the sky. Scientists said that, in a few more generations, they could live outside again, but he wasn’t sure his granddaughter would last that long. He certainly wouldn’t.

“Our teacher said the sky should be blue,” the girl insisted.

“The sky could be any colour. This is probably sunset.”

“What is sunset?” She had never seen the sun.

He sighed, but, before he could explain, her gaze had skipped to another image.

“It looks like a fountain,” she marveled, “but what are these green blobs?”

The old man winced. “Trees. Bushes. It’s not a fountain. It’s a waterfall.”

Her finger zeroed in on another image. “I know,” she said triumphantly. “These are dogs. Strange dogs, though.”

“These are not dogs. These are bears. The mother bear is….” He contemplated the animals on the screen, trying to remember his own textbooks. He had never seen a living bear either. “I think she is as big as I am,” he said at last. “Maybe bigger. And the little bears are probably your size.”

“So huge?” She eyed him with doubt. “They lived outside, too?”

He nodded.

“I don’t think I’d like it outside,” she said. “Everything is different. I like it better here.” She climbed off her chair and started to leave. “We have everything here.” She went out into the corridor. “I think it’s all fairy tales anyway,” she called back.

The old man remained still, staring at the closed door with sadness.

* * *

Essence of Earth opened at the Zack Gallery. To see more of Gertsman’s work, visit lirongertsman.com or instagram.com/liron_gertsman_photography.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected]

Parrot invaders

(photos from Ashernet)

A few years ago, the sight of a parrot in the Israeli sky was a rare event but invasive species have arrived, causing agricultural and other damage and threatening native biodiversity. Brought to the Middle East and Europe as pets, escaped or released parrots have established numerous wild populations across the area. ParrotNet – a European and Middle East network of scientists, practitioners and policymakers dedicated to research on invasive parrots, their impacts and the challenges they present – has concluded that measures to prevent parrots from invading new areas are paramount for limiting future harm. According to lead researcher Dr. Assaf Shwartz of the Technion in Haifa, “Today in Israel there are more than 200 populations of parrot species originating in South America and India…. These populations are growing every year and, today, there are more than 10,000 ring-necked parakeets and monk parakeets in Israel.”

Erice Dee joins Vines festival

Erica Dee curated the show Weaving Voices, which takes place Aug. 9 at CRAB Park at Portside. (photo from Vines Art Festival)

Weaving Voices features Jewish community member Erica Dee, Tonye, Miss Christie Lee, Janelle Reid and Sara Cadeau, with instrumentalists Sean Mitchell and Jonny Tobin. The performance at this year’s Vines Art Festival on Aug. 9 is based on Dee’s singing workshop, Sing for the Soul.

Dee has been offering the group singing classes over the past two years. “This has been one of my favourite projects I have ever created and it has inspired me to write a whole new album and live performance,” Dee told the Independent. “Sometime in 2020, I will release this new project with a new name and it is very different from anything I have performed. It will be a live, multi-sensory experience that is meant for listening rooms and theatres, or parks. And I will activate the spaces with my singing workshop prior to the show and then include the participants in my live performance. I won’t share the name yet, but it does include my family’s name in it.”

Dee’s cultural heritage includes Jewish and Italian roots, and jazz on both sides of the family. Her paternal grandparents are Evelyn Stieglitz (z’l) and Murray Landsberg, who she described as “the sweetest Jewish couple, who met in the Bronx in the 1930s. They were 13 and 15 and they were together until my grandmother past away a couple years ago. My father, Paul Landsberg, is a prolific jazz guitarist, who started his career teaching at Berklee College of Music in Boston, Mass. My mother, Rita Marie, was born to Rita Shirley Dallesandro and Jim Smith. Rita Shirley’s brothers, Frankie and Arthur, started a jazz big band in the ’50s called the Dellasandro’s, where they played saxophone and clarinet.”

Born Erica Dee Landsberg in Boston, Mass., Dee goes by only her first and middles names. She grew up “in the mountains of the Sinixt Territory (Nelson, B.C.). My mother, father, sister and I moved to the Kootenays in 1989 because my father helped start Selkirk College’s music program.”

Expressing her gratitude at being a Canadian citizen, Dee said she first moved to Vancouver in 2005, a couple months after graduating high school. “I followed my passion,” she said, “as I had already been performing and writing and I was ready to move to the big city to expand my artistry. I also followed my heart here, after falling deeply in love with a female DJ and producer who was running Vancouver’s only lesbian bar at the time.”

Dee is a vocalist, DJ, writer and producer. She released her first recording, Golden Mixtape, a combination of remixes and original work, in 2011. Her debut album, New Skies, came out in 2016.

“I am firstly a singer,” she said, “which means I get to connect to my instrument (aka my body) in such a deep and intimate way. I usually have some burst of inspiration come to me, whether it’s a hook, or a bass line, or a drum beat. Then I spend time developing the tone, feeling and resonance. Words usually come after, as I find when I add words to my art, it brings it into the mind and I like to stay in the body for as long as possible.

“As far as production goes, I have been producing music for over 10 years and have yet to release something that is completely self-produced. I use production as another way to get my ideas out, using drum pads, keys and programs like Logic and Ableton, and then eventually collaborate with other musicians and producers to complete the creation.

“Recently,” she added, “I have been creating on a loop pedal, which has taken my artistry to a completely new level. I started DJing when I was 20, when I realized that I could be my own band mate, and started touring a performance where I would sing and MC over top of my DJ sets, fusing together the music that I love and moves me with my originals and remixes.”

Dee collaborates a lot, both in performances and in the creation of new work. Her bio notes that she has “supported and toured with artists such as Lil’ Kim, Mos Def, Quest Love, A Tribe Called Red and Bad Bad Not Good.” Past guest artists have included Snotty Nose Rez Kids and Desiree Dawson.

“I love the magic that happens when artists share space together,” she explained. “Each person is unique, with their own experience, tone, voice, stories and inspirations. It activates every part of my soul to witness artists coming together in this way, harmonizing, improvising, and the dynamics of different voices coming in and out of the music. I always say, sometimes just having another person in the room is enough, without a word shared. I can feel every piece of music they have absorbed since their creation lighting up the space. It is truly is my favourite part about being an artist.”

For the Vines Art Festival show, Dee said, “I have brought together a group of such powerful artists…. Each of these artists shares their stories and truth in such a real and accessible way.”

Dee said she is honoured to be part of the festival, as she really connects to its core values. Part of the festival’s mission is to offer “platforms for local artists and performers to create with and on the land, steering their creative impulses toward work that focuses on the environment – whether a deep love of nature, sustainability, or climate justice.”

“Growing up, I spent a lot of time outside and I find a lot of my inspiration in nature,” said Dee. “I attended Waldorf School as a kid, where I learned how to use my hands to connect and create with the natural world in a sustainable way.

“Since then, I have always had a very strong connection and appreciation for the land I occupy. Wherever I travel, I always take the time to educate myself on whose land I am on and acknowledge that within my show. I use my platform to share information about the social and environmental issues that I feel are important – I actually got fired from a festival in Calgary for speaking about the pipeline and how much harm it will cause to indigenous communities.”

For the performance at Vines, Dee shared that there is going to be “an extra special element.”

Of that element, she said, “I have never done this before and I am so excited. During the first time I sat down with Heather [Lamoureux, the festival’s artistic director], I had a vision and I am really looking forward to bringing it to life!”

Weaving Voices on Aug. 9 takes place at CRAB Park at Portside, at 7 p.m. Other Jewish performers in the festival include mia susan amir, Ariel Martz-Oberlander and Rabbit Richards, and it features more than 80 artists overall, performing at parks throughout the city. Every event is free admission and more information can be found at vinesartfestival.com.

שינויים ניכרים באזורים הארטקטיים

(Mario Hoppmann/NASA)

חוקרים בכירים ארה”ב: הקרח באזורים הארקטיים של קנדה החל להפשיר שבעים שנה לפני התחזיות

משלחת מאוניברסיטת אלסקה (בפיירבנקס) מצאה שינויים ניכרים בתוואי הקרקע הקפואה באזורים הארטקטיים של קנדה, במהלך שלוש עשרה שנים: בין אלפים ושלוש לאלפיים ושש עשרה. לפי הממצאים בנוסף לנסיגת שכבת הקרח נוצרו גם גבעות נמוכות, שחסמו את הרוח ואפשרו לצמחייה להכות שורש

שכבת האדמה הקפואה באזורים הארקטיים בקנדה החלה להפשיר שבעים שנה שנה לפני הזמן הצפוי. על כך מצביעים הממצאים של משלחת חוקרים בכירה שהגיע לאזור. לדבריהם התופעה מעידה על כך שכדור הארץ מתחמם בקצב הרבה יותר מהיר מכפי שצפו בתחזיות השונות. חברי המשלחת מאוניברסיטת אלסקה שבארצות הברית, אמרו כי הופתעו מאוד מהמהירות שבה גרמו עונות הקיץ החמות במיוחד לערעור השכבות העליונות של גושי הקרח התת־קרקעיים.

זה היה מדהים אמר לסוכנות החדשות הבינלאומית רויטרס, ולדימיר רומנובסקי, גיאו־פיזיקאי חבר במשלחת של האוניברסיטה. זה סימן לכך שהאקלים כיום חם הרבה יותר מאשר היה אי פעם – במהלך חמשת אלפים השנים האחרונות. החוקרים פרסמו את ממצאיהם המעניינים והיוצאי דופן בכתב העת המדעי גיאופיזיקל רייסרץ’ לטרס.

לפני מספר שבועות פורסמו הממצאים האלה ברבים- לקראת פסגת משבר האקלים שהתקיימה בבון שבגרמניה. האירוע הבינלאומי אורגן על ידי האו”ם וגורמים נוספים. זאת במטרה להגביר את המאמצים המשותפים למצוא פתרונות בנושא הכל כך מסובך. כידוע כל מדינות המערב תומכות ברעיון כי כדור הארץ מתחמם לפי ממצאים של המדענים השונים. ורק נשיא ארה”ב הנוכחי, דונלד טראמפ, מתכחש לממצאים אלה.

המאמר התבסס על ניתוח נתונים שהחוקרים אספו בביקורם האחרון באזור לפני כשלוש שנים. ובמקביל הוא מתבסס גם על סקירות אקלימיות מאז שנת אלפיים ושלוש ועוד היום. הצוות השתמש במטוס ששודרג במיוחד כדי לבקר בנקודות מרוחקות ביותר, בהן תחנת מכ”ם מתקופת המלחמה הקרה, שנמצאת במרחק של יותר משלוש מאות ק”מ מכל יישוב אנושי. כצפוי החוקרים לקחו על עצמם סיכונים גבוהים בביקור באזורים מרוחקים אלה. לדברי החוקרים ממש בנחיתה לקרקע נגלה לעיניהם נוף שונה לחלוטין על פני הקרקע הארקטית, שאותה ראו בביקורים קודמים לפני כעשור שנים.

הנוף הפך לים גלי של גבעות, שקעים צרים ובריכות. הצמחייה שבעבר היתה מעטה החלה לצמוח בכמות גדולה בחסות המקלט שסיפק הנוף מהרוחות הבלתי פוסקות. החוקרים הרגישו מצד אחד סיפוק מקצועי על כל מה מצאו, ומצד שני הרגישו תחושה שהאסון ממשמש ובא. הם ציינו כי המראה הזכיר להם אדמה חרוכה אחרי הפצצה.

זו תופעה המזכירה לי מכרה הפחם, אמרה אחת החוקרות הבכירות במשלחת. סביר למדי שתופעה זו משפיעה על אזורים נרחבים יותר ממה שאנו מעריכים. ואת זאת החוקרים יבדקו בהמשך. החוקרים חוששים ליציבות שכבת האדמה הקפואה בשל הסכנה שהפשרה מהירה תשחרר כמות נרחבת של גזים, שיביאו להאצה משמעותית של ההתחממות הגלובלית

לפי הערכות של האו”ם גם אם המחויבויות הקיימות בהסכם פריז משנת אלפיים וחמש עשרה, להפחתת פליטות גזי החממה, ייושמו במלואן העולם עדיין רחוק מאוד ממניעת הסכנה – שתהליכים דומים של היזון חוזר יביאו להאצת ההתחממות של כדור הארץ.

נוכח אזהרות המדענים כי טמפרטורות גבוהות יותר יגרמו להרס רב בחצי הכדור הדרומי, ויהוו איום על יכולת הקיום של העולם המתועש בחצי הכדור הצפוני, ארגוני סביבה נתלים במאמר שפרסמו החוקרים כהמחשת הצורך בהפחתת פליטות גזי החממה. הפשרת האדמה הקפואה היא אחת מהנקודות המצביעות על משבר האקלים, אמרה ג’ניפר מורגן מארגון גרינפיס אינטרנשיונל.

Aiming for carbon neutrality

Jeff Golfman’s Raw Office helps “businesses save money and be more eco-friendly in their supplies.” (photo from Raw Office)

Jeff Golfman has been working on ways to preserve nature since he was a boy. “I can trace it back to my time going to camps in the summertime and just really connecting with nature and with the human impact we have on the planet,” said Golfman, who went to B’nai Brith Camp in Kenora, Ont., and also spent one summer at Camp BB in Pine Lake, Alta., in addition to spending time at family cottages.

“Initially, it was just seeing people leaving garbage at campsites and leaving garbage in the wilderness. That really bothered me as a kid. It really stuck with me. That’s where it started, really. For me, wanting to be concerned about the legacy and what we leave behind, in terms of … how we show up on the planet and what we leave when we’re gone.”

Born in Vancouver, Golfman grew up in Winnipeg and is now living in Toronto. He started Winnipeg’s blue box recycling program in 1990 and then began researching how to make paper without trees, eventually getting patents to make tree-free paper, which is now available in big box stores like Staples, Office Depot and Office Max. About five years ago, he turned his attention to developing and sourcing product for his recently launched online office supply store, the Raw Office (rawoffice.ca).

“We help businesses save money and be more eco-friendly in their supplies,” he told the Independent. “It just made sense to do business with purpose…. It wasn’t so much that my passion was to save the world. It was more like I asked myself, ‘What is logical?’ And, to me, it’s logical that we’d want to do good while making commerce at the same time.”

While Raw Office’s current client base is 80% American, the company does business all across Canada, including in Vancouver, Calgary, Winnipeg, Toronto and Montreal.

“We’re using artificial intelligence and data to come into businesses and make recommendations for them on how they can make better informed decisions,” said Golfman. “Most people, when they go shopping, basically just browse and shop, and add to their cart and check out. It’s a lot of manual work to do that. What we do is put together a custom-made, curated program for each and every business that we come into. So, we’re really a one-of-a-kind program for each and every client we work with.”

Golfman’s company helps clients increase their use of recycled material for starters. Leading by example, Raw Office is currently the only office supply company that is 100% carbon neutral.

“What we practise and help businesses to do is to make an improvement from where they are today,” said Golfman. “It’s not about 100% or nothing. It’s about making an improvement. On average, the companies that have chosen to work with us are saving 30% financially and are getting 200% eco-improvement.

“I can’t speak to the tax benefit just yet, because everything is so new and is a moving target. We’re doing this outside of the political system, to help business be carbon neutral at no extra cost, which I think is the ideal scenario.”

While many companies are working toward going carbon neutral, no other large international player has cracked the office supply sphere. “There are other companies doing eco-friendly office supplies, but the ones we’ve found are not national and international in scope like we are,” said Golfman. “They are usually regional players and niche players.”

Raw Office has teamed up with the Bonneville Environmental Foundation and are buying carbon offsets to support landfill-to-gas projects, with 83,000 products on their website that show their individual environmental footprint.

“They are basically going into the landfill and pulling methane out of the landfill, and repurposing that for power and energy, and helping us reduce our emissions,” explained Golfman. “So, in a nutshell, we’re buying offsets and not charging our customers … banking that into the cost of working with us.”

By eliminating the bricks-and-mortar storefront of a conventional business, Raw Office is able to pass on the savings and offer carbon-offset products that cost 20-30% less.

“We are a technology-based company,” said Golfman. “We don’t hold inventory. We do drop shipping. It’s very similar to other tech companies that have been able to disrupt industries and reduce costs.”

Anyone can buy from Raw Office, but the bigger the company, the bigger the savings and planet impact. “We add a whole bunch of value to larger businesses that have multiple locations,” said Golfman. “A lot of the companies we work with are larger, with dozens or hundreds of locations. Most of our customers are like that, but we add value to all companies.

“One thing we do that is really uniquely for larger companies is the curated program and, also, we have these really great approval processes that allow managers and owners to approve of items and orders. And, we have these really cool features that allow the bookkeepers to integrate into their accounting software more easily.”

Meanwhile, Golfman is also working to create enhanced environmental and financial reports for his customers.

With products made all over the world, Raw Office offers complete transparency, with each product showing the country of manufacture and an eco-score.

“The eco-scoring system we created takes into account the country of manufacturing, eco-certifications and things like that,” said Golfman. “So, you’ll know, with transparency, if you’re buying something that’s made in Canada or overseas…. We make that really clear. If you had a preference for local manufacturing, you can do that on our website using filters … or, if you had a preference for some other country, we can do that, too. It’s all part of the search functionality.”

In his free time, Golfman volunteers with the nonprofit Green Kids, which he founded and of which he is board president.

“It’s an environmental theatre,” he said. “We do live theatre for children. We tour schools across Canada, all the way from Victoria, B.C., throughout Vancouver, Manitoba and Ontario. To date, 1,400,000 Canadian children have seen the Green Kids show.”

Golfman also runs a health blog, called, “The Cool Vegetarian,” where he interviews people about healthy eating and lifestyles.

Rebeca Kuropatwa is a Winnipeg freelance writer.