environment

Investing in the climate

Martin Thibodeau, RBC’s B.C. region president, will be honoured at the Ben-Gurion University Gala Dinner June 14. (photo from RBC)

On June 9, Ben-Gurion University president Daniel Chamovitz and members of the Canadian Associates of Ben-Gurion University (CABGU) will visit Vancouver to recognize the launch of its new School of Sustainability and Climate Change (SSCC) and the local supporters who have helped make its opening possible. In particular, Royal Bank of Canada and Martin Thibodeau, RBC’s B.C. region president, will be honoured at the event.

SSCC opened last October at BGU’s Be’er Sheva campus, where its growth has been rapid. Seven months old, the school currently offers two undergraduate degrees and four graduate-level environmental science-related degrees. Its two graduate fellowships, which have supported work in renewable energy and smart city design, were funded by RBC.

“The RBC Research Fund at BGU’s School of Sustainability and Climate Change [is] being established in Martin’s honour, [and] will enable undergraduate and graduate students to be trained as, and pursue meaningful careers as, climate change innovators, entrepreneurs and policy experts,” said David Berson, who serves as CABGU’s executive director for the B.C. and Alberta Region. The funding that is raised at the gala will help further SSCC’s research programs.

SSCC’s mandate isn’t just to address environmental concerns at home in Israel, said Chamovitz. It will have a global reach, as well. BGU is currently working to cement research partnerships with universities and countries that have similar interests in addressing climate challenges. Chamovitz said RBC’s investment in its new school will provide a pathway to meeting that global need.

“RBC was one of the early supporters of SSCC, and this support was essential for leveraging subsequent support,” he said. “The Royal Bank of Canada believes in us,” and that support has served as an encouraging model for other companies to invest in BGU’s programs as well, he said.

Lorne Segal, president of Kingswood Properties and director of the Vancouver Board of Trade, who is an honorary co-chair of the June event with his wife, Mélita Segal, said corporate sponsorship is crucial to startup programs like SSCC. He said corporate support is also vital to finding answers to environmental challenges like global warming.

“Sponsorship from leading businesses and industry leaders does provide imaginative solutions to complex issues impacting our people and the planet,” he said. “Without significant and generous sponsorship support, this crucial work, simply put, would not be possible.”

Segal said supporting initiatives that bring about positive change is part of Thibodeau’s nature.

“Martin Thibodeau truly is a lifelong builder of community,” said Segal. “He is deeply praised by Ben-Gurion University for his commitment to the cause of finding solutions to climate change. It is truly remarkable how much he and RBC Royal Bank have done to enhance the capacity of the Ben-Gurion University community programs and agencies, and advance the conversation on Canada’s transition to a net-zero economy.”

Thibodeau’s support of Canadian Jewish communities and of Israel goes back decades. Originally from Quebec, he served as RBC’s regional president in Montreal until he moved to Vancouver. He oversees some of the largest – and smallest – branches and more than 4,000 employees.

In 2015, while working in Montreal, Thibodeau volunteered as a co-chair for Quebec’s largest multi-day walk for women’s cancers, held by Pharmaprix, to raise money for research at the Jewish General Hospital. “I have been involved with the Jewish community for almost my entire RBC career,” he told the Independent.

He is a strong supporter of the Jewish Federation of Greater Vancouver and the Jewish Community Centre of Greater Vancouver and their community initiatives, and he has been to Israel several times. It was in 2014, said Thibodeau, that he and his wife, Caroline, visited Be’er Sheva and learned of BGU’s environmental research. “[I was] so inspired by the research [and] the innovation,” he said, noting that it wasn’t hard to get behind the creation of a school that was working to find solutions to climate concerns.

“It’s right there in front of me every day,” he said. “I am a proud father of three children and I believe we have a responsibility to make sure that our climate can continue to thrive, and well beyond my lifetime. It is my personal belief that we need to do that today more than ever.”

Thibodeau said it’s been an interesting journey since that first visit to BGU in 2014. “It’s become such a tough priority for the world,” he said of climate change. In Canada, among other things, he supported RBC’s Blue Water Project, which helped provide clean water access to Canadian communities.

Still, Thibodeau is a reticent honouree. He admits that he is uncomfortable with the idea that he will be the guest of honour at a gala, even if it is for a cause he loves. “I’m very humbled,” he said. “I don’t like to have that kind of spotlight on me.” But, he said, raising money for research that might one day create a safer and better environment, that is something he will gladly get behind.

photo - Mélita and Lorne Segal, honorary chairs of the BGU Gala Dinner for Sustainability and Climate Change — Mélita and Lorne Segal, honorary chairs of the BGU Gala Dinner for Sustainability and Climate Change. *(photo by The Collective You)*

The gala will also acknowledge Lorne and Mélita Segal, who are well-known for their philanthropy and other work. Both have been recognized by Capilano University with honorary doctor of letters, and Lorne Segal has a doctor of laws (hon.) from the Justice Institute of British Columbia. He was inducted into the Order of British Columbia for his work as founding chair of Free the Children’s WE Day Vancouver and as chair of the Coast Mental Health Courage to Come Back Awards. The Segals regularly open their home to fundraising galas.

“When Lorne and I built our home, we didn’t really do it for ourselves but, rather, to share it with the community,” said Mélita Segal. “Whether it was Dr. Peter AIDS Foundation, Arts Umbrella, Chor Leoni, JNF [Jewish National Fund] or WE Charity … it has been a great joy for us and very fulfilling to give back and share in this way.”

Berson described the Segals as “tireless builders of community, leading by example while creating opportunities for people in the business world to make a difference in the lives of others. Ben-Gurion University, Canada, is genuinely fortunate to have their leadership for this event and for our organization.”

The Ben-Gurion Sustainability and Climate Change Gala on June 9 takes place at Fairmont Pacific Rim. Tickets and tables can be purchased at bengurion.ca/vancouver-gala-2022-tickets or by contacting Berson at [email protected].

Jan Lee is an award-winning editorial writer whose articles and op-eds have been published in B’nai B’rith Magazine, Voices of Conservative and Masorti Judaism and Baltimore Jewish Times, as well as a number of business, environmental and travel publications. Her blog can be found at multiculturaljew.polestarpassages.com.

Orcas inspire creative music

The creation of Songs for a Lost Pod helped singer/songwriter Leah Abramson explore her family’s Holocaust history. (photo by Angela Fama)

The world première of Leah Abramson’s Songs for a Lost Pod was supposed to be part of this year’s PuSh Festival three months ago. Delayed because of COVID restrictions at the time, it now will debut May 28-29, 7:30 p.m., at Studio T, SFU Goldcorp Centre for the Arts.

Songs for a Lost Pod is a “nine-song cycle [that] makes spectacular use of orca vocalizations, transforming them into rhythmic beats in a musical exploration of historical trauma, environmental crisis and communication between species.” The theatrical production is the most recent development in a process that includes an album by the same name, released in 2017.

“It was just an outward spiral, really. The project started with dreams I had about whales, which turned into researching whales for fun, which then turned into a master of fine arts thesis, an album, a comic book, and now a stage show!” said Abramson when the Independent interviewed her in anticipation of the PuSh festival. “When I made the album, I knew there was so much research and information behind the lyrics and music of each song, and I felt like I wanted people to understand that context, so I made the comic book to highlight some of the research and stories. Then, as I was arranging the music to be performed live, I realized that I wanted people to have that context, too, so I’ve turned the research and background into a script. Then we decided that adding visuals would really help immerse the audience in the material. The project has just been expanding from the beginning.”

Abramson, who grew up in Burnaby, said she has been interested in music from a young age. “My grandma sang in her synagogue’s choir and my dad played the piano, so they tell me it runs in the family,” she said. “But I was also told that music was only for fun, and not a real career, unless you were a concert pianist or something like that. So, I tried to do other things, but I was miserable unless I was making music.

“Over the years, I’ve done lots of touring and playing in bands and teaching, but writing and composing has always been what I love the most. I have pretty varied interests – I’m fascinated by marine biology and I love learning about the environment, as well as human history. The great thing about writing songs is that you can research anything and put it into your work. Right now, I’m really excited about writing music for the stage, as well as choral music.”

Along with her MFA in creative writing (with a focus on lyrics) from the University of British Columbia, Abramson studied classical music at Capilano University, and also has studied traditional Appalachian balladry.

In addition to the song-cycle, Songs for a Lost Pod features the narrative script that Abramson mentioned, which “juxtaposes the whale histories with Leah’s own family and their experience surviving the Holocaust and its aftermath,” according to the program description. “Mind of a Snail’s handmade projections create an impressionistic and largely non-representational visual world to support the songs and narration, guiding the audience into a space of contemplation.”

“When I first started looking into whale histories, the parallels presented themselves pretty quickly,” Abramson told the Independent. “It was not my intention to delve into my family’s past, but, while learning about captures and commercial whaling practices, it was hard not to look at the bigger picture of human behaviour throughout history – aspects of cruelty and destruction that manifest in heartbreaking ways. But also, whales are similar to humans – whale intelligence is extremely high, and whale families are extremely tight knit.”

It was difficult for Abramson to explore her family’s Holocaust history – “the loss and pain are pretty overwhelming,” she said, “and it’s not always easy to find a way forward when that intensity is present. Whale families became a mirror for me, a way to understand and experience intergenerational trauma at a greater distance. The project allowed me to deal with my feelings in a more manageable way, through empathy for another species. And it provided a space for my grief, but also helped me find a way through it. Trauma is so common in families of all different backgrounds. Our ancestors may have lived through wars or other calamities and there are so many people living through these things right now. I think learning others’ stories can help people start to process their own family’s pain, even if the details are different. I felt like whale stories did that for me.”

Credit for Songs of a Lost Pod’s music and lyrics go to Abramson in collaboration with Antoine Bédard, J.J. Ipsen, Andrew Lee (Holy Hum), Aidan O’Rourke (Lau), Sandro Perri, Arliss Renwick and Marten Timan. The program notes that credit also could be given to the A5 whale pod, as the musicians “were given selected A5 pod orca vocalizations, along with Abramson’s other field recordings, to turn into beats and tracks, which formed the backbone of Abramson’s songwriting process, and the rhythms behind much of the music.”

Fellow Jewish community member Barbara Adler also has contributed to the project, and is the show’s narrator.

“Barbara and I have known each other for so long that we can’t remember when or how we officially met,” said Abramson. “It’s like that with people in creative community sometimes – you grow up making art alongside each other. We have shared some special experiences and projects over the years, and continue to work together and in parallel. We have some shared Czech-Jewish roots, which makes Barbara a really good fit for this project in particular. She’s working on a lot of interesting projects of her own, and I’m also happy to be one of her composer-collaborators for Mermaid Spring, which is a musical she’s making with Kyla Gardiner (who also happens to be our lighting designer).

“Barbara has been sending me song lyrics over the last few years, which I have been setting to music. I love working with the characters she has created, and it has truly been a joy to work on those songs. I also really admire Barbara’s artistic process. When she writes, she really digs into all the nuances of a situation or character. She welcomes complexity and the messy underside of creation. I think Barbara balances my impulsivity, and helps me step out from the shadows in my shyest moments. She’s also a great performer!”

Co-presented by Music on Main and SFU School for the Contemporary Arts, tickets for Songs for a Lost Pod ($15) can be purchased from musiconmain.ca/event/songs-for-a-lost-pod.

The scarcity of water

The seawater desalination plant in Ashkelon, Israel. (photo from © VID)

The Consulate General of Israel in Toronto and Western Canada marked World Water Day on March 22 with a webinar entitled “Squeezing Water from a Stone.” Dr. Alex Furman of Technion – Israel Institute of Technology in Haifa and Dr. Roy Brouwer of the University of Waterloo focused on Israeli and Canadian perspectives of water conservation and management.

Furman, director of the Stephen and Nancy Grand Water Research Institute at Technion, provided an overview of water management in Israel, describing how a land that is 60% desert – and uses more than 100% of its water – still has water left for use.

“The issue of water scarcity in the future is going to grow as the population grows and we need more water to feed people and for agriculture,” Furman said.

Israel’s population, which has expanded tenfold in the past 75 years, continues to climb. Further, its Western standard of living, including such things as daily showers, presents a further strain on the country’s water supply.

Israel recognized the need for innovation in this area several decades ago. Starting in the 1980s, it began treating wastewater for reuse in agriculture and, in the 2000s, the country started major desalination projects. Desalinated water now constitutes a large amount of the water consumed in Israel, but is not a completely win-win scenario. For example, a detrimental consequence of desalination is that the process also removes essential minerals, such as magnesium.

Another area where Israel is taking the lead is in water-saving technology, such as drip irrigation. Agricultural use of water in Israel has decreased in the past 30 years, a period over which agricultural production increased.

“Instead of irrigating the land, we irrigate the plant. Drip irrigation is providing water for what the plant needs. It’s not the amount of water that is important but the precision in how water is applied,” Furman said.

Concurrently, Furman added, Israelis are doing more to reduce water usage in the home, and the country has developed educational campaigns to inform its citizenry on ways to minimize water consumption.

“We are a very fast-growing country that requires a lot of water and requires the development of new water resources at all times,” Furman said.

Brouwer, an economics professor with an academic interest in water resources, highlighted the broader need for collective international partnership in looking at solutions for water issues through interdisciplinary cooperation, policy expertise and innovation.

“Water disregards boundaries and so must we,” he said, employing the motto of his department at the University of Waterloo.

The working definitions of water security, as put forward by the United Nations, Brouwer explained, are to have stable, peaceful and reliable access to adequate quantities and acceptable quality water. This, in turn, should sustain livelihoods, human well-being, socioeconomic development, protection from pollution and other water disasters, and preservation of ecosystems.

“From an economic point of view,” he said, “we need water to produce all kinds of things.”

As examples, Brouwer showed how much water is needed for basic clothing items: 10,000 litres of water are used to produce a kilogram of cotton, which, therefore, means 2,500 litres are required to make a 250-gram T-shirt and 8,000 litres for an 800-gram pair of blue jeans. For a morning cup of coffee, the equivalent of 1,000 cups of water are needed – from growing the bean, processing it and transporting it to the consumer.

Pressures on the international water supply are further exacerbated as countries such as China, Brazil and India achieve a higher standard of living and demand more goods like Western clothing and coffee.

“We expect that water stress will continue into the future,” Brouwer said, noting that two billion people in the world currently live in areas where water is scarce, including in the Middle East and in Northern Africa.

Global demand for water is, according to Brouwer, expected to grow one percent per year until 2050. By that time, 45% of global output would come from countries experiencing water scarcity. Tel Aviv, along with Sao Paulo, Cape Town and Karachi, is among the cities in the world most at risk of experiencing water shortages.

In a chart, Brouwer showed the skewed distribution of water usage around the world – from the average American, who uses 156 gallons per day to a French person who uses 76, an Indian at 38 and a Malian at three. Canada is the second-largest consumer of water per capita in the world. The average Israeli consumes 40% less water than their Canadian counterpart.

In his final remarks, Brouwer said the widely held view of water abundance in Canada may be a misperception when water quality and access to clean and safe drinking water are taken into consideration.

He concluded that water has value, but that its price is not reflective of its true value. Attention, he said, should be paid to both increasing water supply and policies that reduce water demand, and that water pricing is one way to raise awareness for essential water services.

Technion Canada partnered with the consulate on the World Water Day initiative.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Art Vancouver fair returns

“I Cast to Earth a Seed,” by Lisa Wolfin.

Art Vancouver returns after a two-year COVID-imposed hiatus. Artists and galleries from across Canada and the United States – as well as from countries including Argentina, Cuba, Iran, Kenya, Mexico, Taiwan and Zimbabwe – are scheduled to exhibit at the Vancouver Convention Centre May 5–8. Several of the artists are members of the Jewish community, and they spoke with the Independent about their art and the return of the event.

The international fair, first held in 2015, is the main annual event of the Vancouver Visual Art Foundation, which was formed in 2017. The foundation has not let the pandemic quash its momentum.

“The creation of Art Downtown was introduced as a safe space during COVID, where people could have a place to get out and enjoy arts and culture,” Art Vancouver founder Lisa Wolfin told the Independent.

The summer outdoor festival invites artists to create art in various public spaces in downtown Vancouver. People can come and see the creative process in action and speak with the artists. The artists’ works are exhibited, and available for purchase.

“There is an area where people can sit down, get their hands full of colour and learn how to make art at no cost, as this is sponsored by Opus Art Supplies, giving people an opportunity to try things they may have never done before,” said Wolfin. “Live music is part of the festival. Each week, there are two new musicians, including singers, guitarists, bands, and duets, in all genres.”

During the pandemic, the foundation also offered online art classes. Since the easing of health restrictions, in-studio classes have started.

“People from all over B.C., Canada, the United States, Costa Rica, and as far away as Australia, [have] registered for the classes,” she said. “The instructors are professional local artists, teaching in a variety of different styles – florals, landscapes, abstract, graphite, neurographic, impressionism and figurative are some of the subjects demonstrated, with acrylics, watercolours, oils, markers, palette knives and metallics … [being] some of the materials we use.”

Wolfin herself has taken more than 100 classes over the last two years.

“There are stations all over my art studio with different mediums waiting to be experimented with,” she said. “In every class I took, I received a golden nugget that has added to my repertoire and moved my work in a different direction…. Each instructor had their own style and colours that they preferred, which took me out of my comfort zone and back to kindergarten to start all over again, being open to trying new things.

“Neurographic art is a new direction my work has shifted into,” she continued. “Russian psychologist Pavel Piskarev coined the term neurography, or neurographica, in 2014 – it helps us engage more neurons. By this, he specifies how using the simplest tools to draw, through this technique, is a link between conscious and unconscious. This connection is made by the brain cells called neurons being activated in a way that brings forth awareness and mindfulness…. This is a healing project for people of all ages, no artistic abilities are required, only the interest in creating an artwork that is not only intuitive but greatly beneficial to our emotional and calming states…. Neurographical art is a way to transform the stress, fear and chaos of our world into something more calming and peaceful. Art is always about expression and finding that inner peace.”

While still undecided about exactly which art pieces she’ll be showing at Art Vancouver, Wolfin described a new tree series she has been working on.

“I start out with acrylics using bright colours instead of the neutral and natural colours found in nature, including various mediums and acrylics because they create more depth and richness to my work, which is meant to be more realistic,” she explained. “Life is colourful. I look deeply into the forests and feel the colours, then transfer what I pick up onto the canvas. Next, I add Posca paint pens, dabbing colours all over the canvas for an added dimension. Then I go over the canvas with oil pastels and add another texture to it. The pastels skip over the gaps in the weave, leaving little dots of another medium. Lastly, a layer of resin is poured over the canvas and spread out to create a luscious thick layer of gloss which intensely brings out the layers of the colours, making the colours pop.”

She also has been creating florals with KrinkNY paint markers. “Because the tips are much thicker than a paintbrush, I have had to loosen up and go with the flow of the paint,” she said. “This paint mixes with itself when you go over it and it gets wet again. You can blend as you paint, and it is a challenge to get what you think you want [based on the] traditional way of painting.”

Artist Sky Lilah also has used the pandemic years to branch out. “I am continually striving to do something new,” she said. “Over the past few years, I have started to teach online art classes, for youth and adults. I have done a series of abstracts with the theme being on consciousness. For Art Vancouver 2022, I am doing a new series of mixed media, with the focus on love, thoughtfulness and manifestation. I have also been spending more time creating a unique fashion line and hand-painted clothes.”

The work she’ll be bringing to Art Vancouver is a new style of mixed media, she said, “with the focus being on my family – making unique pieces based on each member, including components from their past, present and future. I am fascinated by time and consciousness and how our minds create our reality.”

In addition to her art, Lilah will be bringing to Art Vancouver a personal development workbook that “includes self-awareness exercises and creative exercises to help one further develop themselves and live their best life,” she said.

photo - One of the works Sky Lilah will be bringing to Art Vancouver — One of the works Sky Lilah will be bringing to Art Vancouver.

“My personal development practice always influences my style of artwork,” she added. “The constant strengthening of my creative muscle, I believe, helps me in all areas of life.”

Lilah is excited by Art Vancouver’s return.

“I love the thrill of prepping for a show, and the impact that the show has on the community is so rewarding. It is always a pleasure to connect with each attendee and hear different perspectives from the art world.”

“When creating the pieces for the Art Vancouver exhibition, I was on Cloud 9,” said Taisha Teal, explaining the title of one of her series of works.

“When I create art, I am in the flow,” she said. “I am in a meditative state where time does not exist. On Cloud 9 has a deeper meaning – of being in another space in time, in the ninth dimension of pure bliss and happiness. When I am in the studio, I am at peace. There is no stress. It is where the magic happens. My name, Taisha, also means number nine in Hebrew; so the title felt pretty perfect.”

During the pandemic, Teal said, “I had the chance to really experiment with new materials and the courage to play around with no judgment.”

photo - “I am fearless,” by Taisha Teal, part of her series called the Naked Line Ladies — “I am fearless,” by Taisha Teal, part of her series called the Naked Line Ladies.

The Naked Line Ladies, also known as her “sparkle ladies,” are women in her life “promoting body positivity and female empowerment,” said Teal. Reminders, she said, “that you’re beautiful no matter what, and your body is the only one you’ve got…. We’re embracing our uniqueness, celebrating who we are.”

About her Spraypainted Hearts series, Teal said, “Infinite hearts, infinite strength. There is enough love to go around.”

And the Abstract Alcohol Ink collection is dedicated to her travels. “During this pandemic, I have felt very stuck,” she said. “I have been reminiscing about the places I’ve been and the colours I’ve felt along the way. This abstract series has really helped my mental health in overcoming the chaos in this pandemic. Not having to create the perfect realistic image, I use colours and gestural marks to create a piece that resembles places I have been.”

Artist Monica Gewurz also has been doing more abstract work over the pandemic, focusing more on the feelings generated by the landscape than its literal appearance.

“During the lockdown,” she said, “I continued to explore new techniques and tools, incorporating heavy textures and thin veils, to capture moments that uplift and refresh. We have all been held back from so many important things in life and, hopefully, these paintings can bring some uplifting and beauty to people’s lives.”

Gewurz is planning on bringing a new collection of more than 30 works to Art Vancouver.

“I paint primarily in acrylic,” she said, “but combine this with a variety of other media such as gesso, mediums, glazes and inks. I also like to use materials that excite me, like gold leaf and unusual acrylic mediums.”

photo - “Exposed,” by Monica Gewurz — “Exposed,” by Monica Gewurz.

During the pandemic, Gewurz said she has taken several online courses and “successfully increased the number of virtual juried exhibitions in B.C. and the U.S.” She also has “participated in numerous art shows conveying the climate change and our large carbon footprint in our planet. I am now being recognized as an eco-artist in the U.S.,” she said.

The environment is a top concern for Gewurz. For example, a piece of hers, “Ebbing,” was chosen for “the label of Safe Haven fortified wine of the 40 Knots winery,” she told the Independent in an April 2020 interview. “A portion of the wine sales goes to support salmon habitat restoration. I donated the artwork.”

Gewurz is one of 11 artists – with her painting “SOS” – in the year-long touring exhibit Diving In: The Art of Cleaning Lakes and Oceans’ Art Tour, an environmental art campaign initiated by the Sea to Sky Arts Council Alliance with Divers for Cleaner Lakes and Oceans, Return-It and local artists. It showcases “stunning pieces of art by selected artists created from a range of objects recovered through clean-up dives at local lakes and ocean sites.”

For a professional artist, said Gewurz, “it is important to exhibit at high-calibre international art exhibition shows. Art Vancouver provides me with a platform to display my works as well as sell them – this will be my fifth time exhibiting there.”

Grateful for the opportunity, she said, “To showcase my work in person was something I truly took for granted. Over these last few years, I have found a new appreciation and gratitude for events like this. To be able to connect, converse and exhibit amongst other creative people in my hometown is such a great opportunity.”

Given the continuing pandemic, safety won’t be lost in the excitement.

“We have a larger room in the Convention Centre West building so we can create a safe, socially distanced exhibition with more space between the aisles,” said Wolfin, acknowledging the work of the women-led organizing team of the event and the many volunteers.

The art exhibit is but one of the weekend’s activities. There will be a talk on non-fungible tokens (NFTs), for instance.

“There will be a whole section with NFTs for people to enjoy and learn about this whole new direction in the arts,” said Wolfin. “Art classes are going to feature non-traditional art mediums so anyone interested can try their hand in art…. Opening night starts off with The Face of Art, our runway show that puts a face to the artwork. Friday night will have an all-new art game feature – teams of three people will compete with each other for one hour to build a sculpture out of Lego…. Saturday night is Art Masters, a one-hour painting competition where the artists are given a theme and one hour to create using non-traditional tools, as there are no paintbrushes included!”

For fair updates, visit artvancouver.net. For tickets, got to artvancouver.eventbrite.ca.

קוביד, ההורים נפטרו, מזג אוויר משוגע ומלחמה באוקראינה

בשנתיים האחרונות חוויתי אירועים קשים שכמעטו ולא היו כדוגמתם לאורך כשנות חיי, בישראלועתה בקנדה. כשאני חושב על מה שעבר עלי מאז חודש מרץ לפני שנתיים בדיוק, זה נראה לי הזוי- ממש מדע בדיוני

קודם כל החלה אז במרץ אלפיים ועשרים מגפת הקורונה לצבור תאוצה בכל העולם. תחילה שמענועל כך בסין ולא חשבנו כי המגפה יכולה להתפשט גם למערב ובעצם לכל העולם. אני זוכר היטב אתהנסיעה שלי לישראל לבקר את הורי בתל אביב, בסוף מרץ לפני שנתיים. מצד אחד הם רצו לראותאותי מצד שני חששו שמה אדביק אותם בקוביד, כיוון שטסתי מונקובר, עצרתי למספר ימים בברליןוהמשכתי משם לתל אביב

מאוד שמחתי שהצלחתי לראות את ההורים וכרגיל לשון אצלם בבית. לא שיערתי אז שזו שתהיהבעצם, הפעם האחרונה שאראה אותם פיזית. אבי כבר דעך מכל הבחינות, התקשה ללכת ואףהזיכרון שלו כבר לא היה טוב. לאחר זמן מה הבנו שהוא לקה בדמנציה

באותו שבוע קצר בתל אביב נפגשתי עם מספר חברים טובים עמם אני שומר על קשר שנים רבות, למרות שאני גר בוונקובר כבר שנים רבות. כן הספקתי באותם ימים בתל אביב אף להצביע בבחירותהכלליות בישראל, תוך תקווה להחליף את ראש הממשלה הנצחי של ישראל, בנימין נתניהו. זה לאקרה אז אלא רק לאחר כשנה

הביקור בישראל ישאר בזכרוני לזמן ארוך כי כאמור זו הפעם האחרונה שבה ראיתי את הורי

אני חזרתי לוונקובר בדיוק שבוע לפני שהשמיים נסגרו והופסקו הטיסות למספר חודשים. המגפההחריפה והחיים שלנו השתנו מקצה אל קצה. מי היה מאמין שתופעה מוזרה ולא מוכרת זו תימשךשנתיים תמימות. כל שגרת החיים השתנתה, הפסקנו לצאת למקומות ולצרוך תרבות, נצמדנולטלוויזיה, רכשנו מסכות, חומרי חיטוי לידיים ועוד מוצרים התקפים לעיתות של מגפות

עסקים רבים נפגעו קשות מהמגפה בהם מקום העבודה שלי – חברה המספקת הלוואות למי שלאיכול להשיג אותן באחד הבנקים המסחריים, בשל קרדיט גרוע. בזמן החופשי שנותר בידי והוא היהבשפע התחלתי לצעוד מדי יום שעות ארוכות ברחבי העיר ונקובר והסביבה. מכוני הכושר היוסגורים ולכן החלטתי שאני חייב להיות פעיל כדי לשמור על כושר סביר, וההליכות עשו את שלהן

בתחילה ראיתי איך ונקובר הפכה לעיר מתה, ולאט לאט לקראת הקיץ היא החלה קצת להתעורר, אם כי לא באופן שאני רגילים לו. למזלנו מחוץ בריטיש קולומביה נפגע פחות מהמגפה לעומתאזורים אחרים בקנדה, כך שהצלחנו לשמור על חיים שפויים פחות או יותר

בגלל המצב הקשה של החברה באני אני עובד נאלצנו לפנות לבית המשפט לקראת סוף שנתאלפיים, ולבקש הגנה מפני נושים. אני נרתמתי לעזור להנהלת החברה ושוחחתי ארוכות עם בעליאגרות החוב שלנו, כדי לעודד אותם לחתום על הסכם חדש, שיאפשר את המשך קיום החברה. אכןזה קרה ויצאנו לדרך חדשה, באישור בית המשפט, חברה רזה יותר, עם הרחבה פחות חובותועובדים, ועתיד שנראה טוב יותר

במקביל לקראת סוף אלפיים ועשרים מצבו הבריאותי של אבי הידרדר מיום ליום וחששנו ממהשעתיד לקרות. הוא נפל כל הזמן, הפסיק לקחת כדורים, זכרונו בגד בו, ומצבו החמיר. במהלךחודש בפרואר אלפיים עשרים ואחד הוא נאלץ להתאשפז בבית החולים איכילוב הסמך לביתו. שדםלצערנו נדבק גם בקוביד וידענו שהסיום מתקרב. הוא החזיק מעמד כשבועיים עד שנכנע למגפההקשה הזו. בגיל תשעים וארבעה חודשים הוא נפטר

אני לא הצלחתי להגיע להלוויה בגלל מגבלות הקוביד וראיתי את האירוע הקשה הזה באמצעות זום. לא היה זה פשוט לראות איך קוברים את אבא שלי כל כך מרחוק, באמצעות מסך המחשב

הורי היו נשואים שבעים ואחת שנים והיה מאוד קשה לאמא להתרגל לכך שאבא כבר לא איתנו. למרות החשש הכבד של אחי ושלי, אמא לאט לאט חזרה לעצמה ופיתחה לעצמה שגרת חייםחדשה ללא אבא. כנראה שהרצון האדיר שלה לחיות הוא שהוביל אותה. אמא למרות שמלאו להתשעים ושתיים המשיכה להיות מאוד פעילה מבחינה ספורטיבית, חברתית ותרבותית. האופיהאופטימי שלה עזר לה רבות, להמשיך ולחיות לבד. היא הצליחה לקבל עובדת זרה פיליפיניתשתעזור לה בעבודות הבית, וכדי שלא תרגיש בודדת בלילות. ניהלתי לא מעט שיחות טלפון עםאמא ושמחתי שהיא חוזרת לעצמה, צוחקת, נפגשת עם החברות שלה ועם בני המשפחה השונים. היא בחרה בחיים והחיים והכל נראה מתנהל כשורה

כאן בוונקובר עברנו אשתקד את הקיץ החם ביותר בתולדות בריטיש קולומביה ובעצם בקנדה. החוםהיה בלתי נסבל ולצערנו מאות קשישים וחולים נפטרו. אני לשמחתי יש לי מזגן בבית כך שיכולתילהמשיך בשגרת החיים הרגילה ולעבוד כרגיל. רק בערבים הייתי מוציא את האף החוצה

במהלך חודש נובמבר אשתקד חטפנו כאן מכה נוספת ממזג האוויר: כמות אדירה של שטפונותשגרמו נזק אדיר למחוז, הנאמד בכארבעה מיליארד דולר. כבישים, גשרים, בתים ותשתיות רבותנעקרו ממקום כמו אבנים של דומינו שנופלות אחת אחרי השנייה

אני נערכתי לנסיעה לישראל לבקר את אמי בסוף חודש נובמבר. בגלל תקנות הקוביד הקשות בכלמדינה, הכנתי מסמכים רבים, הצלחתי לקבל את החיסון השלישי של פייזר לפני הזמן ונרשמתילבצע בדיקות קוביד בוונקובר ובתל אביב. שבוע לפני הנסיעה נדהמתי לדעת שווריאנט חדש שלהקוביד – אומיקרון משתלט על העולם. אמי התקשרה אלי בבהלה והציעה לי לבטל את הנסיעה. ואכן זה מה עשיתי כי ידעתי שאחרת אאלץ לשהות בבידוד בחלק גדול של הנסיעה. זה היה מאודמעציב שאינני יכול לטוס ולבקר את אמא שהתאלמנה כתשעה חודשים קודם לכן

בינתיים החורף הגיע גם הגיע לוונקובר ולשם שינוי גם הוא היה קשה ביותר. לא זכור לי כבר הרבהשנים קור נוראי כזה ושלג ללא הפסקה

ואז נחתה עלי מכה נוראית נוספת: בראשית חודש פברואר אחי התקשר אלי בדחיפות והודיע לי כיאמא אושפזה בבית החולים ומצבה חמור ביותר. היא נחנקה מחתיחת תפוח בסלט שאותו היאאכלה. במשך עשרים דקות שהתהה ללא חמצן, כך שהבנו שנגרם למוחה נזק אדיר שאין לא תקנה

יצאתי בטיסת חירום לישראל והספקתי לראות את אמא מחוברת לכל הצינורות שבעולם באיכילוב. למחרת הגעתי לבית החולים מוקדם בבוקר ונתבשר לי שהיא נפטרה. אני זה שנאלצי לבשר לאחילשאר בני המשפחה על מותה של אמא. היה קשה להשתתף בהלוויה ולאחר מכן לשבת שבעהולקבל ניחומים, מבני משפחה, חברים וידידים רבים

אמא ואבא נקברו באותו יום בדיוק הפרש של שנה. בקיצור: איבדתי את הורי בתוך שנה תמימהאחד

לא הספקתי להתאושש ממותה של אמא ואז נחתה על כולנו מכה קשה חדשה: ולדימיר פוטיןהחליט שהוא רוצה לעצמו את אוקראינה ופתח במלחמה נוראית ומיותרת

אני מקווה שאחרי שנתיים הזויות אלה אוכל קצת לזכות בשקט ובשלווה וללא שום אירועים חריגים. זה כבר הספיק לי

Alarming population decline

Since 1970, the population sizes of mammals, birds, fish, amphibians and reptiles have declined by 68% – or more. (photo from CABGU)

Over the past 24 years, Living Planet Report has been published biannually by the Zoological Society of London and the World Wildlife Fund. It highlights the major declines that some 20,811 vertebrate populations, representing 4,392 species monitored around the world, have experienced globally. The 2020 report (which is the latest one) showed that, on average, the population sizes of mammals, birds, fish, amphibians and reptiles declined by 68% between 1970 and 2016.

As large as that decline is, a paper published in the journal Nature last month by a group of scientists based in Israel – Drs. Gopal Murali and Gabriel Caetano from Ben-Gurion University were lead authors of the paper – shows that it might greatly underestimate the situation.

As part of their research, the authors analyzed the overlap of the monitored populations with protected areas. They then compared these to a random sample of locations and the placement of the global network of protected areas. They found that the populations sampled in Living Planet are much more likely to be found inside protected areas than would be expected to occur by chance.

“This is truly alarming,” said Caetano. “If populations inside protected areas – where we focus a lot of our conservation efforts – are doing so badly, those that reside outside protected areas are probably worse off. The true situation of nature – mostly not monitored or protected – may be much worse.”

The authors highlight the need for proper accounting of the status of nature when making generalizations (as they have done in their paper). However, they also advocate for greater monitoring of populations and species in different locations and stress that many animal populations and natural environments will be lost forever without concentrated and direct action.

The world is experiencing massive transformations that are expected to intensify in the coming decades and have fundamental and dire consequences for the natural world. Prof. Shai Meiri from Tel Aviv University, also a co-author of the Nature article, said, “Rather than discourage us from action, we feel that our work should be viewed as a call to arms. Rapid and comprehensive changes in how we view our relationships with nature are needed – and the onus is on us to make sure they happen before it is too late.”

– Courtesy Canadian Associates of Ben-Gurion University of the Negev, B.C. & Alberta Region

Fostering nature’s care

Richmond Jewish Day School held a week of activities revolving around Tu b’Shevat. (photo from RJDS)

Richmond Jewish Day School held a weeklong event celebrating the holiday of Tu b’Shevat, which fell this year on Jan. 17. Tu b’Shevat has developed into an ecological holiday that reminds us of humanity’s connection to the earth and to our role as caretakers of the environment.

photo - Students assisted in planting several fruit trees in the school garden, sponsored by the Jewish National Fund — Students assisted in planting several fruit trees in the school garden, sponsored by the Jewish National Fund. *(photo from RJDS)*

On the holiday Monday, each classroom performed a model Tu b’Shevat seder, a meal that partly mirrors the Passover seder and involves eating biblical foods native to the Holy Land and drinking four cups of wine or, in the students’ case, grape juice. Additionally, all of the students assisted in planting several fruit trees in the school garden, sponsored by the Jewish National Fund.

On the Tuesday of that week, students potted succulents from the garden to give away to seniors in the Richmond community. And, in the remainder of the week, classes planted parsley and other herbs for Passover, and assisted in a large-scale, school-wide garden clean-up.

When students are able to see the effort and care needed to grow plants, they develop a sense of ownership for these living organisms. Developing this awareness of how precious nature is can help children become better connected to their environment, learning to be strong community ambassadors and advocates in protecting the planet.

Judaism is not alone in advocating for environmental protection. From Buddhism to Christianity to Hinduism to Islam, various faiths acknowledge the need for environmental stewardship and their scriptures urge followers to be caretakers of the planet, looking after the natural earth and the organisms that live in it.

– Courtesy Richmond Jewish Day School

Educating the next leaders

King David High School student and Climate Education Reform British Columbia member Sara Bauman (photo from Sara Bauman)

Weather events like the recent floods across British Columbia and last summer’s record fire season are prompting questions about how to plan long-term for the changing environment. One King David High School senior has come up with part of the answer: create a climate curriculum that prepares tomorrow’s leaders for addressing climate change.

Sara Bauman is a member of Climate Education Reform British Columbia (CERBC), a group of approximately 20 high school students who believe that the world’s pressing environmental challenges deserve a place in the province’s education system. Bauman says lessons about the physical climate system and the science behind phenomena such as greenhouse gases and sea-level rise should be a standard part of what students learn in school.

CERBC is pushing for a new curriculum that includes mandatory courses on climate-related topics and for the subjects to be taught across K-12 grade levels. At the present time, Grade 11 and Grade 12 students have the option to take environmental sciences, which contains a certain number of units relating to climate change. But the elective aspect, Bauman explained, means that not all students are learning about climate science or its implications.

“We want to get students to understand the urgency of the climate crisis and the need to act now,” Bauman told the Independent. “[If] not every student has to take it, different students are going to be receiving different knowledge, some less than others. [We] need the whole generation to be prepared to combat climate change, not just a few.”

A 2019 study conducted by researchers at Lund University, in Sweden, found that Canadian schools as a whole fell short when it came to educating students about climate change. In British Columbia specifically, research indicated that schools often failed to teach three core concepts: that the climate is warming, that there is consensus among experts that climate change exists, and that human-driven solutions are possible. The researchers also noted that there is no consensus among provinces or school districts when it comes to teaching students about climate change.

In October, CERBC met with B.C. Minister of Education Jennifer Whiteside to discuss its proposal. The students outlined six needs that they felt would be essential to a successful K-12 climate curriculum, including enabling students to “understand the urgency of the climate crisis” and to recognize that there are ways to mitigate or slow climate change.

Bauman said the program needs to be interdisciplinary because climate change has social implications as well. “We want students to understand the relationship that climate change has with social justice issues,” she said, noting that environmental advocacy “can’t be separated from other movements, like the Black Lives Matter or Indigenous rights movements, because, at the end of the day, climate change does come down to systems and how we structure our lives. And we also want to inspire students to start to critically engage in politics and see how they can create policy change.”

KDHS head of school Russ Klein said CERBC’s call for a mandatory climate curriculum reflects a wider sentiment among today’s students that the topic needs to addressed. Even though Bauman is the only KDHS student representing CERBC at this time, other students at KDHS are finding their own ways to raise social awareness.

photo - King David High School head of school Russ Klein — King David High School head of school Russ Klein *(photo from KDHS)*

“[In] the last two or three years, especially with Greta Thunberg and the climate protests, we’ve had a whole bunch of students actively engaging with the school, the [administration], climate protests and [other types of] activism,” said Klein.

Students at KDHS have a variety of avenues in which to get involved, including the youth groups Sustainabiliteens and the Green Club, which are aligned with addressing social and environmental issues.

Klein said Bauman brings an important quality to this dialogue. “She lends a Jewish voice of perspective to some of what she’s been doing, which I think is also very relevant for other people,” he said. “We need more diversity in the room.”

Of course, students aren’t the only ones who want to see a curriculum that reflects today’s challenges. Many teachers do as well. The B.C. Teachers’ Federation publishes downloadable “Climate Change Heroes Lesson Plans” to help teachers develop new learning modules.

Still, Klein said, many schools want the province to lead this effort. “There are so many different things and priorities for schools to do, and I think this one has to be very high on the list. And how we do that, of course, is [we] look to government. These things must be mandated,” he said, pointing out that, until the province implemented LEED-compliant building codes requiring contractors to adhere to sustainable practices, “builders weren’t doing anything. Because why would they? But when it’s the law of the land, they have no choice.”

Last week, Whiteside’s office issued a statement acknowledging that it is working with the BCTF and the Climate Change Secretariat to increase climate-related resources for teachers. It noted, “The flexible nature of B.C.’s curriculum provides many opportunities in which topics like climate change can be explored in various levels of detail.”

The ministry maintains that both K-10 and 11-12 curricula contain resources for “possible connections” to climate change that allow teachers to introduce new study topics. The elective nature of 11 and 12 grade courses, it said, “offer[s] interested students an opportunity to delve deeper [and] encourage exploration from a local to a global scale.”

While the ministry did not say whether it will invite the students to participate in writing a new climate curriculum, Bauman said she hopes the ministry will accept CERBC’s input – “Because we are the students. We know what is best for our generation [when it comes to] learning. I think the ministry doesn’t realize what an asset we are to helping this process.

“We want to create a relationship with them,” said Bauman. “We want to partner with them [and] help the process in any way that we can.”

Bauman said it’s important for students to be part of the solution.

“The most important thing, at least for me,” she said, “is to get students to envision a better world and help them feel inspired, empowered and engaged because, a lot of the time, we hear about climate change and it’s a lot of doom and gloom. [Working] with CERBC has allowed me to put my climate anxiety into other things and channel it into meaningful action, and I want other students to have the chance to do the same.”

Jan Lee’s articles, op-eds and blog posts have been published in B’nai B’rith Magazine, Voices of Conservative and Masorti Judaism, Times of Israel and Baltimore Jewish Times, as well as a number of business, environmental and travel publications. Her blog can be found at multiculturaljew.polestarpassages.com.

The climate is in our hands

Everybody talks about the weather, but nobody does anything about it, goes an old saying often attributed to Mark Twain. This was funnier a century ago, when humans were unaware that, in fact, our behaviours are altering the weather and the climate. The ring of truth now is that gatherings like the United Nations Climate Change conference in Scotland this week, despite all the good intentions, may very well end up changing almost nothing.

To confront the dangers we face, not just governments but every organization, business and household on the planet will need to change the way we operate. The volume and type of foods we consume, the methods of transportation we employ, the consumer goods we purchase and discard, the ways we build our homes, the very expectations we have of what defines the “good life” – all these things will need a fundamental reconsideration.

Almost all nations and people acknowledge the problem and our individual and collective roles in it. But the steps needed to effectively combat climate change are often viewed as a step too far.

Look at Greta Thunberg, the Swedish environmental wunderkind. To visit North America, she traveled on a carbon-neutral sailing ship that took 14 days to reach the American shore. By contrast, attendees at the Glasgow huddle almost all arrived by air, some on private jets. Outrage at the hypocrisy is muted because most of us understand the balance of options. The world’s top government officials and scientists cannot afford, say, two weeks on a sailboat to attend a few meetings. On a much smaller scale, each of us makes similar choices based on a range of considerations every day.

The profit motive is, in many ways, how we got into this mess. Since the beginning of the Industrial Revolution, maximizing profits has often come hand-in-hand with destroying the environment – dumping refuse into waterways rather than disposing of it appropriately, exploiting non-renewable resources, encroaching on animal habitats to expand human settlement, manufacturing products with deliberately short lifespans to ensure a perpetual market for the commodities. This is not nearly a comprehensive accounting.

Is it too much to imagine that the human motivation that got us into this mess can get us out? Could capitalism save the planet? Given the litany of optimistic promises made and broken by governments around the world on this issue, trusting in businesses may be no more or less misplaced than relying on the basket of government into which we have put the eggs of our collective future.

Israel, the “Startup Nation,” seems to be an incubator for private sector climate solutions, which often involve partnerships with academia.

In one instance, Aleph Farms is creating synthetic beef that, according to a study, “reduced the carbon footprint by 92%, water footprint by 78% and land footprint by more than 95%, compared with conventional ways of producing meat.” That said, reducing or eliminating any kind of meat in our diets is a better environmental solution.

Another firm, Wiliot, has developed a smart tag – a label, basically – that can be placed on any transportable item, sending signals to a designated recipient to know whether the shipment (fresh produce, say, or pharmaceuticals) is getting to the right place at the right time at the right temperature. In addition to reduced spoilage and the lessons the comparatively simple device can provide on shipping more efficiently, the product makes it easy to measure exactly the carbon footprint of any item transported.

Beewise is a computer-assisted, automated process to ensure that bees are provided with the ideal habitat, nourishment and security needed to thrive, massively reducing the number of bee colonies lost every year due to pesticides, global warming, disease and other threats.

EcoPeace Middle East brings together Jordanians, Palestinians and Israelis to create shared water solutions, recognizing that human-created borders have no meaning in the climate conversation.

These are a tiny sampling of a universe of ecological initiatives taking place in Israel, primarily in the private sector. Closer to home, environmental activism is flourishing, too. There are climate activists like those in Extinction Rebellion, which is a very visible group that does not shun controversy, and there are far more activists working quietly toward climate justice. Individual members of the Jewish community are among the activists and communal agencies that are, to varying degrees, active on the issue.

Interesting, too, is the role of the private sector here. West Coast Reduction Ltd., a multi-generational family business owned by the Diamond family, is combining business with environmental improvement. Serving restaurants, butchers, farms, feedlots and supermarkets, WCRL collects byproducts and food waste, then transforms them into components for animal feed and renewable energy, among other things.

Realizing that what is good for the environment can also be good for the economy may be key to realistic solutions to the climate crisis. “Going green” is not all about sacrifices without immediate benefit. It can create jobs, manufacture new products and technologies and draw a new map for a sustainable economy.

Developing carrots as well as sticks is crucial because, in a democracy, convincing people to give up things we take for granted can be political suicide. For our governments to be successful in this fight, they need to know that voters are prepared to accept the steps. For businesses to be successful in this endeavour, they need to know that we will pay a little (or a lot) more for products that do not destroy our habitat and imperil our future.

This brings the onus back to us. Individually and collectively, it is we who will determine whether government and business will do what is necessary to combat climate change. Each of us makes dozens of choices every day that affect the situation we are in. We vote. We shop. We drive and fly. We walk and cycle. We recycle. We….

Whatever our leaders decide in Glasgow this week, the success or failure will depend on the response of the people who sent them there: us.

Nature-inspired artist

Two of artist Monica Gewurz’s paintings – “Silver Marsh” (above) and “Dawn II” – are featured in the exhibition of the Nature Trust of British Columbia’s Artist of the Year Award. “Silver Marsh” was inspired by a sunset at Addington Point Marsh, one of NTBC’s properties, which aims to conserve waterfowl and fish habitat, and “Dawn II” by a visit to Vaseux Lake in the Okanagan, an NTBC property that protects habitat for bighorn sheep and other threatened species.

Two of artist Monica Gewurz’s paintings have been selected by a jury to be included in the exhibition of the Nature Trust of British Columbia’s Artist of the Year Award. The joint show of the Federation of Canadian Artists and the Nature Trust opens on Oct. 18 at the Federation Gallery on Granville Island.

Before turning her focus to art in the past several years, Gewurz had worked in both the public and private sectors, in areas from commercial real estate to tourism to aboriginal issues. However, art was an integral part of her upbringing in Peru.

photo - Monica Gewurz — Monica Gewurz *(photo from Monica Gewurz)*

“For my parents, art was as important as science,” Gewurz told the Independent. “My mother was also an artist, and she exposed me to art at an early age – not just Judaica and Peruvian art but also art from different cultures. We traveled a lot. I always enjoyed visiting museums and art galleries. And I always had my camera with me, always took pictures. Landscapes and close-ups, textures and patterns always fascinated me.”

Upon graduating high school, however, she chose a different path.

“In the early 1970s, I was studying to become a veterinarian in Peru. At that time, South America went through some economic and political unrest,” she said. “Peru had a military government, and antisemitism was on the rise. My university was hit repeatedly with strikes and class closures. Getting an education was becoming difficult and dangerous. That was when I decided to move to Canada. With my parents’ financial support, I came alone to continue my studies at the University of Guelph. My parents immigrated later, in 1985.”

After university, Gewurz worked for the Canadian government, but she couldn’t abandon her art. “My photography, jewelry and painting all started as hobbies. I needed an outlet to balance my hectic and stressful full-time job…. In 2000, I started making tribal and sculptural jewelry. I was successful enough to showcase my pieces in national craft shows and then commercially in some galleries, here in Vancouver and in the U.S.”

She knew that most professional artists had formal art education, so she enrolled at Emily Carr University of Art + Design in 2011. “I could study there part-time while working,” she said. “It would also allow me the opportunity to meet other artists.”

She finished her studies at Emily Carr in 2016. Coincidentally, she couldn’t continue at her government job for much longer. “Due to a life-threatening autoimmune illness, in 2017, I had to retire,” she explained. “That gave me the opportunity to embark on a new career as a professional artist.”

Gewurz’s paintings are mostly abstracts, reflecting the landscapes of the West Coast. “The force and energy of water and its associated reflective light, the interplay of shadows and colours in a landscape, have always drawn me in as a scientist and an artist,” she said. “The endlessly changing skies and the patinas of precious minerals mesmerize me. I am fascinated with the contrasting nature of life. I paint it all to provide an escape to a dream-like place.”

Fractals in nature and stylized figures frequently populate her paintings. She doesn’t strive for photographic correctness. “Painting in abstract challenges me to represent reality in a veiled, mysterious and intriguing way,” she said. “Abstraction and the use of texture allow me the freedom to change what I see and feel into my own expression. The artistic process is, for me, one of constant discovery and conversation. The painting speaks to me, tells me what it needs, and I respond.”

Although initially she used brushes, she said, “Lately, I transitioned to using mainly a palette knife and other unconventional tools. As a result, my art became more abstracted and complex.”

She bases her paintings on her own photographs and on her memory; she never paints on location. “I paint from the heart and intuitively,” she said. “I don’t paint anything specific in a landscape and that’s what I love about it – the process of being able to use the paint any way I want. I leave out a lot of visual information. That allows the viewers to use their imagination, to see and describe every painting in their own way.”

Gewurz gifts much of her art to charities and friends. “It is exciting for me to witness the connection some of my ethereal-looking paintings elicit in viewers,” she said. “It humbles me, when people I’ve never met immerse themselves in the layers, shades and textures of my paintings and then share with me how they are seduced into a visual, tactile and emotional response. When such a connection is made, I feel that I accomplished my mission. Of course, the cherry on the cake is when somebody buys a painting and becomes a collector and, many times, a friend.”

She shared one such a case. In 2014, an interior designer from Singapore saw one of her mixed media paintings at an exhibit and contacted her for a commission. The painting was two by two feet, said Gewurz, “but she wanted a much larger one, measuring seven by four feet, for her client, a new five-star hotel in Hong Kong. That was a turning point in my career and a huge jump in scale for me. That painting still hangs in their lobby.”

Mixed media seems to be Gewurz’s preferred style. She incorporates in her pieces ancient and modern materials, such as textiles, sand, rust, aluminum foil, copper and silver. She paints in multiple layers to seduce viewers in visual and visceral encounters. But, whatever the materials, her theme remains predominantly nature.

image - “Dawn II” by Monica Gewurz — “Dawn II” by Monica Gewurz

Gewurz’s love of nature led to her involvement with the Nature Trust of British Columbia (NTBC). “I am a donor and volunteer,” she said.

She is also an active member of the Federation of Canadian Artists (FCA).

“One of the main FCA missions is to outreach and raise awareness about conserving the environment and natural spaces,” she said. “Every year, FCA asks their membership to submit a proposal for a show that deals with social and environmental issues. I submitted the idea to have a joint show with NTBC, as they had a common vision, and also to take the opportunity to celebrate their respective anniversaries. Both director boards reviewed and accepted my proposal.”

Of course, she longed to participate in the show as well, since its underlying purpose – the conservation of British Columbia’s endangered habitats – is close to her heart.

“FCA holds several juried shows every year,” said Gewurz. “I regularly submit and often get juried in to showcase in them. This time, I applied as well. I was thrilled and honoured that two of my paintings were admitted. There was a lot of competition.”

Gewurz’s commitment to environmental issues extends beyond her participation in such shows and groups.

“I use upcycled materials in some of my mixed media art,” she explained. “There is beauty in repurposing materials because of their distinctive uniqueness and imperfect textures. Also, the fact of my using them conveys the message to the viewer about the importance of decreasing waste and minimizing our carbon footprint.”

She added, “Art can certainly open people’s eyes to how much our lifestyles imperil the planet. Art could encourage all of us to make positive changes.”

See more on Gewurz’s website, mgdesigns.org.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].