Ellen Schwartz

Community milestones … Order of Canada, Indspire, SFU Gerontology, JCC Jewish Book Awards

Rabbi Dr. Yosef Wosk speaks at a Vancouver Public Library event in 2017. (photo by Cynthia Ramsay)

The Order of Canada is one of our country’s highest civilian honours. Its companions, officers and members take to heart the motto of the order: “Desiderantes meliorem patriam” (“They desire a better country”).

Created in 1967, the Order of Canada recognizes outstanding achievement, dedication to the community and service to the nation. Appointments are made by the governor general on the recommendation of the Advisory Council for the Order of Canada. This year, among the 114 new appointees, are Vancouver Jewish community members Dr. Carol Herbert and Rabbi Dr. Yosef Wosk. Each recipient will be invited to accept their insignia at a ceremony to be held at a later date.

photo - Dr. Carol Herbert — Dr. Carol Herbert *(photo from schulich.uwo.ca)*

Herbert was appointed a Member of the Order of Canada for her contributions to the fields of clinical and academic medicine, as a family physician, medical educator, researcher and administrator. She and three colleagues were appointed.

“The appointment of Drs. B. Lynn Beattie, Joseph Connors, Carol Herbert and Roger Wong to the Order of Canada is a demonstration of their incredible commitment to the health and well-being of all Canadians,” said Dr. Dermot Kelleher, dean of the University of British Columbia’s faculty of medicine and vice-president, health, at UBC, said in a press release. “We are very proud of each of their contributions, and deeply moved by their passion for improving the lives of patients and families here in B.C., and across the nation.”

Herbert, an adjunct professor in the School of Population and Public Health, “is internationally known for her leadership in primary care research, and for her work in clinical health promotion, patient-physician decision-making, and participatory action research with Indigenous communities, focused on diabetes and on environmental effects on human health,” notes the UBC release. “She was formerly head of the department of family practice, founding head of the division of behavioural medicine and a founder of the UBC Institute of Health Promotion Research.”

This only touches on Herbert’s extensive experience. She also was dean of medicine and dentistry at Western University in London, Ont., from 1999 to 2010, was a practising family physician from 1970 to 2013, and has been involved in medical education since 1971.

Yosef Wosk, PhD, was appointed Officer of the Order of Canada for his far-reaching contributions to his community as a scholar, educator and writer, and for his generous philanthropy. BC Booklook (bcbooklook.com/2020/11/27/41941) cites the governor general: “Yosef Wosk is a Renaissance man of the 21st century. A rabbi, scholar, businessman and art collector, he is a revered educator and community activist who inspired many to become engaged in global issues and local challenges. Former director of interdisciplinary programs in continuing studies at Simon Fraser University, he founded the Philosophers’ Café and the Canadian Academy of Independent Scholars. A poet, explorer and dedicated philanthropist involved with museums, the arts, social services, publishing, nature and heritage conservation, he has endowed hundreds of libraries worldwide.”

Wosk has established more than 400 libraries, including 20 libraries in remote Himalayan villages and 37 in Jewish communities throughout the world. (See jewishindependent.ca/many-milestones-for-wosk-in-2019.) He has supported a range of local building preservation, public garden and other civic enhancement projects. He has helped fund the production of more than 250 books and videos, and has written numerous works, most recently Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal and the forthcoming GIDAL: The Letters of Tim Gidal and Yosef Wosk (Douglas & McIntyre, 2021). He supports several literature, writing, poetry, art and design initiatives, and is founding benefactor of the Dance Centre.

In addition to other honours, Wosk has received the Queen’s Golden and Diamond Jubilee Medals and a Mayor’s Arts Award, as well as the Order of British Columbia.

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As part of its belief in and commitment to supporting emerging architecture practitioners, the Arthur Erickson Foundation and the Yosef Wosk Family Foundation recently announced a $110,000 donation to Indspire – Canada’s national, award-winning Indigenous registered charity – in support of Indigenous youth in Canada. The donation will fund an awards program focused on increasing Indigenous student success by growing the number of Indigenous architects and landscape architects in Canada.

Central to Arthur Erickson’s work as an architect and theorist was his belief in and commitment to education and research. Having served on the faculties of architecture at the University of Oregon and the University of British Columbia, Erickson understood the need of each generation to contribute to the training of the next. One of the ways the foundation honours Erickson’s belief is by working with donors to develop prizes and scholarships intended to reward and assist students studying architecture and landscape architecture.

“The Arthur Erickson Foundation and Yosef Wosk Family Foundation, along with Indspire, are pleased to announce the establishment of an awards program supporting Indigenous education in architecture and landscape architecture,” said Michael Prokopow, vice-president (East) Arthur Erickson Foundation. “The organizations recognize the profound importance of the shared work of decolonization and reconciliation in Canada for the transformation of society. These awards recognize the deep power of Indigenous thinking and wisdom around the making of habitation and space for well-being across generations and the vitally important stewardship of the natural world.”

Mike DeGagné, president and chief executive officer of Indspire, stated, “This new investment is a significant step in supporting First Nations, Inuit and Métis architecture and landscape architecture students to achieve their potential through education and training. They can in turn enrich their communities and create positive change in Canada. We are grateful for the support of the Arthur Erickson Foundation and the Yosef Wosk Family Foundation for investing in Indigenous achievement and education.”

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photo - Dr. Gloria Gutman — Dr. Gloria Gutman *(photo from sfu.ca)*

Simon Fraser University Gerontology Research Centre (GRC) founder Dr. Gloria Gutman and her team – Avantika Vashisht, Taranjot Kaur, Mojgan Karbakhsh, Ryan Churchill and Amir Moztarzadeh – received the Best Paper Award at the International Conference on Gerontechnology, held Nov. 25-27. SFUGero tweeted the news Dec. 1, noting that the paper was a “[f]easibility study of a digital screen-based calming device for managing BPSD [behavioural and psychological symptoms of dementia] during bathing in a long-term care setting.”

A brief biography for Gutman, PhD, appears on the conference website. She is president of the North American chapter of the International Society for Gerontechnology, vice-president of the International Longevity Centre-Canada, past-president of the Canadian Association on Gerontology and the International Association of Gerontology and Geriatrics. She is co-editor (with Andrew Sixsmith) of Technologies for Active Aging (Springer, 2013) and has published widely on seniors housing, long-term care, health promotion, prevention of elder abuse, and seniors and disasters. She is on the advisory of MindfulGarden Digital Health and is the principal investigator on the first feasibility clinical studies for MindfulGarden, which is a digital treatment of hyperactive dementia in long-term care setting. She established the GRC and department of gerontology at SFU and is recipient of many awards and honours, including the Order of Canada.

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The third edition of the Western Canada Jewish Book Awards, presented by the Cherie Smith JCC Jewish Book Festival in Vancouver, took place Dec. 6. Daniella Givon, chair of the awards committee, opened the evening on Zoom and the five honours were awarded by five different presenters.

Winning the Nancy Richler Memorial Prize for Fiction was Rhea Tregebov for Rue des Rosiers, in which a young Canadian woman’s search for her own identity brings her to Paris in 1982, and face-to-face with the terror of an age-old enemy. Tregebov (Vancouver) is the author of fiction, poetry and children’s picture books. She is associate professor emerita in the University of British Columbia creative writing program.

The Pinsky Givon Family Prize for nonfiction went to Naomi K. Lewis for Tiny Lights for Travellers. When her marriage suddenly ends, and a diary documenting her beloved Opa’s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Lewis decides to retrace his journey to freedom. Lewis (Calgary) is the author of the novel Cricket in a Fist and the short story collection I Know Who You Remind Me Of.

Ellen Schwartz was awarded the Diamond Foundation Prize for children’s and youth literature for The Princess Dolls, a story about friendship between a Jewish girl and a Japanese girl, set against the backdrop of 1942 Vancouver. Schwartz (Burnaby) is the author of 17 children’s books, including Abby’s Birds and Mr. Belinsky’s Bagels.

The Lohn Foundation Prize for poetry was given to Alex Leslie for Vancouver for Beginners. In this collection, the nostalgia of place is dissected through the mapping of a city, where readers are led past surrealist development proposals, post-apocalyptic postcards and childhood landmarks long gone. Leslie (Vancouver) is the author of two short story collections and the winner of the 2015 Dayne Ogilvie Prize for LGBTQ Emerging Writers.

The Kahn Family Foundation Prize for writing about the Holocaust was given to Olga Campbell for A Whisper Across Time, a personal and moving story of her family’s experience of the Holocaust through prose, art and poetry, creating a multi-dimensional snapshot of losses and intergenerational trauma. Campbell is a visual artist whose media include photography, sculpture, mixed media painting and digital photo collage.

The jury for the 2020 Western Canada Jewish Book Awards comprised Shula Banchik, arts and culture manager of the Calgary JCC; Judy Kornfeld, former librarian at Langara College; Els Kushner, author and librarian; Norman Ravvin, writer, critic and Concordia University professor; and Laurie Ricou, professor emeritus of English at UBC.

After short acceptance speeches and readings from the authors, Dana Camil Hewitt, director of the JCC Jewish Book Festival, concluded the evening thanking the sponsors, the judges, the awards committee and the extended virtual audience, and inviting everyone to purchase and enjoy the books.

Saved by Dutch Resistance

Janet Wees at a book signing for her novel When We Were Shadows, which she’ll be bringing to the Cherie Smith JCC Jewish Book Festival on Feb. 10. (photo by Jack Cohen)

Ze’ev Bar was 5 years old in 1937, when his family fled Germany to the Netherlands, where they lived in safety for a few years. But, in 1940, as the Nazis extended their hold on Europe, the family had to go into hiding, managing to survive the Holocaust with the help of members of the Dutch Resistance.

Calgary-based educator and writer Janet Wees tells Bar’s story of survival in the book When We Were Shadows. She will present the novel for younger readers (ages 9-13) on Feb. 10, 10 a.m., at the Jewish Community Centre of Greater Vancouver as part of the Cherie Smith JCC Jewish Book Festival, which runs Feb. 9-14. Wees and five other authors – Leo Burstyn, Miriam Clavir, Arnold Grossman, David Kirkpatrick and Helen Wilkes – will briefly introduce their works at the event A Literary Quickie.

“My reasons for writing this book were twofold,” Wees told the Independent. “One, to help relieve Ze’ev from having to repeat his story over and over to schoolchildren because it was so upsetting for him, yet he felt it needed to be told so they would know what happened during the Second World War in their country. Hopefully, having had the book translated into Dutch in Holland, that might be happening. I have had letters from mothers of children who are reading the book in Dutch for book reports.

“My other reason was to expose North American children to the plight of children during war, to the bravery of the people who helped save lives at risks to their own.”

Among the real-life members of the resistance featured in the novel are Opa Bakker, Tante Cor, and Edouard and Jacoba von Baumhauer, all of whom have been recognized as Righteous Among the Nations by Yad Vashem. Wees said, “I made a promise to von Baumhauer’s son that I would honour the people who risked their lives helping to build the Hidden Village [near Vierhouten] and hide, assist and feed the people who were fleeing the Nazis.”

Wees visited the memorial site of the Hidden Village in 2005, and again in 2007. She interviewed Bar in Amsterdam in 2008.

“We spent three to four days in his dining room, talking, crying, laughing; I taped and wrote,” she said. “Once home, I poured it all out on computer and began to sort and edit and change, and watched it take shape. Of course, life interfered, and sometimes it was so intense, hearing his wavering voice on tape, that I would have to take a break. By 2011, it felt ready for an editor. After that, I submitted it, naively giving myself 12 rejections – apparently J.K. Rowling had 12 rejections before Harry Potter was accepted – before I reconsidered my direction.”

A change in direction did occur. In 2014, Wees was accepted into a mentorship program and, with that guidance, realized that the novel “needed a boy’s voice and an empathetic setting, where children could identify with the protagonist.”

Over some four months, Wees said, “I essentially rewrote the book using a different format and incorporating a boy’s voice. At the end, there was a reading and the book was so enthusiastically received that I knew I was on the right track.

“It felt like I had kind of lost perspective, as I was so close to the story and, even though I would have times of ‘Wow! Did I write that?’ seeing it through others’ eyes really gave me a boost. I began submitting again and, this time, the 11th publisher contacted was the one!”

The book was accepted by Second Story Press in 2017.

“I always wanted Second Story Press to be my publisher because of their Holocaust Remembrance Series for Young Readers. I read other books in that series and felt this was a good fit,” said Wees.

While When We Were Shadows is Wees’ first book, she has published articles in educational journals and in news magazines. In addition to other literary projects, she has written drafts for two children’s books, she said, “based on something I did growing up in Saskatchewan, and one based on my pen pal’s granddaughter’s activity with her Oma in Holland.”

The 60-something Wees first started writing her pen pal when she was 12 years old.

“My pen pal Henk had to find a pen pal in an English-speaking country for his English class in school. He put an ad for a pen pal in the Regina Leader-Post and I saw it and responded,” she explained. “He told me, on my first visit, as we were looking over all my letters he’d saved, that my letter was the funniest so he chose me as his pen pal.

“We wrote constantly but lost contact for a few years during which we both got married and started families. I reconnected, in 1972 or thereabouts, and, knowing how families in Europe usually stay in their family homes, I wrote to the old address. Lo and behold! There they were! After that, it was letters with Henk’s wife because she was better at that point with written English, but we telephoned and, upon the onset of computers, we emailed and then FaceTimed.

“I went to visit them for the first time in 1991, and have been back 10 times since…. On one of the trips where I stayed one month on the island (Terschelling), Hennie (Henk’s nickname) and Loes took me to see the memorial site of the Hidden Village and the urge to learn more about this site was palpable.

“Two years later,” said Wees, “we went again, and I sat for longer in the replica huts and tried to imagine what went on. It smelled like our dirt basement in Togo, Sask., and just thinking about living in that basement for 18 months gave me a bit of an idea of the sense of being confined; the smells, the dark, the cold. And I decided that I had to write a book, if not for my former students who were now in university, for their children. Sadly, Hennie passed away this past April without seeing the published book, but I used his name (with his permission) for one of my characters, so he lives on through the book. If not for him, this book may never have existed.”

In their first discussions about the novel, Wees said she and Bar had “talked about making it an ‘adventure’ of a boy during wartime.” The original title was Boy of the Forest. “But,” she said, “as I was writing, I realized this was not an ‘adventure’ as we perceive adventure, and he concurred, so I changed my title to Whatever It Takes. My publisher chose the final title, When We Were Shadows, and I love it because it personifies the whole concept of living in the shadows – unseen, and unable to see.”

In revising the original manuscript to be from a young boy’s perspective, she said her focus was on “the emotional being of Walter [Ze’ev changed his name as an adult] and how he perceived what was happening, being sheltered and wanting desperately to know and to do something, and about the selflessness of others. I wanted it to be about the people in his world, what was happening inside his head and heart, more than what was happening outside.”

Wees said the character of Walter took over “and his voice flowed through so eloquently and so quickly that there were many days I never budged from my computer for hours, missing lunch and working until dark. I ‘heard’ him in my head. I could ‘see’ what was happening. Until I actually was writing, I always thought that was bunk when I heard other authors say that their characters take them on their own journey. But now I know it happens.

“I also discovered that what I’d taught my students about editing, I had to follow as well, so I did most of my editing by reading the book aloud. I found errors that way in facts, such as tents not having zippers in the 1940s but pegs instead. I was able to find correct weather for dates in the letters by searching online.”

This diligence no doubt contributed to When We Were Shadows being nominated for the Forest of Reading Red Maple non-fiction award of the Ontario Library Association, which describes the award program’s aim as getting young readers (ages 12 to 13) to engage “in conversation around the books and … to use critical thinking while reading.” The awards will be presented in May.

In the writing of When We Were Shadows, Wees said, “I have become friends with von Baumhauer’s grandson and wife. While writing this book, I also found out that my grandmother lost sisters-in-law to the death camps and her brother was killed on the Russian front. Until then, I had no idea how our family was affected by the Holocaust, as I was unaware of family still living overseas. I am now in touch with the great-granddaughter of one of those women.”

For the full book festival schedule and tickets, visit jewishbookfestival.ca.

Friendship interrupted

The Princess Dolls by Ellen Schwartz, with illustrations by Mariko Ando, takes place in Vancouver in 1942. Esther and Michiko are best friends. They dream that one day they will be princesses together; in games, Esther is Princess Elizabeth and Michi is Princess Margaret. When they spy dolls fashioned after the real-life princesses in the toy store window, the girls dare to hope that they’ll each get their favourite for their birthday, something else they shared, both having been born on the same day.

However, when Esther gets her royal doll as a gift, but Michi doesn’t, the girls’ friendship is strained. Before they have a chance to patch it up, Michi and her family – ultimately along with more than 21,000 other Japanese-Canadians – are forced to leave the West Coast, losing their home, business and possessions. Michi ends up in Kaslo, B.C.

A story thread throughout The Princess Dolls is Esther’s family’s worry over family members in Europe, as the Nazis round up Jews and send them to transit camps, about which Esther’s parents and grandmother know little.

The Princess Dolls is kind of a companion novel to Schwartz’s Heart of a Champion, in which 10-year-old Kenny Sakamoto dreams of being as good at baseball as his older brother, who is the Asahi team’s star player. Also set in Vancouver in 1942, the Sakamoto family’s neighbours and good friends, the Bernsteins, are Jewish. As she told the Independent when that book was released, “I wanted to point out that the treatment of Japanese-Canadians, although obviously not nearly as lethal or horrific, was comparable to that of Jews in Europe,” said Schwartz. “In both cases, a minority was being persecuted simply because of their religion or nationality. Giving Kenny a Jewish best friend would make both characters sympathetic about this issue.” (See jewishindependent.ca/uniquely-b-c-baseball-story.)

Schwartz will talk about The Princess Dolls on Feb. 10, 11 a.m., at Richmond Public Library, as well as at Vancouver Talmud Torah later that week as part of the Cherie Smith JCC Jewish Book Festival. For the festival schedule and tickets, visit jewishbookfestival.ca.