SFU – Jewish Independent

Pandemic rouses memories

Simon Fraser University’s Prof. Lauren Faulkner Rossi, left, interviews child survivor Marie Doduck in a Zoom presentation Nov. 5. (screenshot)

For some survivors of the Holocaust, the COVID pandemic has brought back the traumas of the past. Marie Doduck spoke recently at a virtual event, recounting her survival story and her life in Canada, including her response to the initial lockdown in the spring. It is a response, she said, that is paralleled by many others in Vancouver’s group of child survivors of the Shoah.

Born in Brussels, the youngest of 11 children, Doduck spent most of her childhood hiding in orphanages, convents and strangers’ homes. In 2020, she found herself opening her front and back doors, reminding herself that she was free to go for a walk, yet haunted by the long-ago memory of hiding.

“It brought back a terrible time for us at the beginning of COVID,” she said during an interview that was webcast as part of Witnesses to History, a series presented by the Simon Fraser University department of history in partnership with the Vancouver Holocaust Education Centre. “I know the other survivors feel the same way. I would say that was the hardest of all.”

When the war began, Doduck (then Mariette Rozen) was 4 years old. Her father died when she was a toddler and some of her older siblings were already married and had their own families. After the occupation of Belgium, those who remained at home set out on foot headed for Paris, where a sister lived, unaware that Paris, too, was under occupation. She remembers riding on the shoulders of her brother Henri and seeing what she thought was a magnificent sight.

“I saw this beautiful silver bird in the sky and I thought that was so beautiful,” Doduck recalled. It was surrounded by stars. “The next thing I know, I was flying into the ditch on the side of the road. Of course, the bird and those stars were planes diving and, even now, I can hear the whistle of the diving and the shooting. They were killing people on the road. That was my first contact with death and blood. It was all over the place.”

Soon, the family dispersed and Mariette began a years-long succession of shuttling between hiding places in various countries of northwestern Europe. A facility for languages began then and Doduck is now working on learning Mandarin, her 10th tongue.

In some homes where she was hidden, she would sit under the table while the family’s children did their homework. Then, after others had gone to bed, she scoured the homework to educate herself.

She also has something of a photographic memory and she realizes now that she served as a messenger, repeating what she had been told when asked by siblings who had joined the resistance and who could make occasional contact while she was in hiding.

As is the case with many survivors, Doduck has stories of almost-miraculous near-misses.

As is the case with many survivors, Doduck has stories of almost-miraculous near-misses.

While being hidden in a convent, she was exposed. The mother superior of the convent knew that Mariette was Jewish, but presumably most of the nuns did not. When one sister discovered her secret, she denounced the child to the Gestapo.

“Being a good nun, she went to the mother superior and told the mother superior what she had done,” Doduck recounted. “The mother superior had woken me up and taken me to the centre of the convent to the sewers and dumped me in the sewer. They came to the convent to search for me and they didn’t find me.”

In the sewer, filled with fetid water and rats, Mariette held her breath as she heard the boots of the Gestapo officers above her.

“I killed some rats to make a mountain so I didn’t have to stand in the cold water,” she said. “The mother superior saved me and that night I left and went to another place.”

Even more frighteningly, Mariette was rescued from a train almost certainly headed to catastrophe in the east.

“I was caught and I was put on a train,” she said. “I was the last one put on a cattle car and I was lucky because the cattle car had slats so I was able to breathe because they pushed us like sardines.… I remember the gate shouting and the clang, clang, clang, I can hear it now, and the lock.… Then the train stopped. I have no knowledge of places.”

The gate opened and Mariette saw a Gestapo officer.

“Black uniform, black hat, swastikas on his lapel, black boots, a leather strap with a revolver, a leather strap attached to a baton,” she recalled. “And, in German, he said, ‘What is my sister doing on this train?’ I looked left and I looked right. There was no other child but me.… This Gestapo that had probably killed hundreds of people, children as well probably, took me off the train, put me on his motorcycle and took me [away]. Years later, I found out that this Gestapo went to school with my brother Jean and used to come to my house on Friday to have dinner with us and he recognized me, that I was Jean’s sister.”

In the course of research for her memoir, Doduck recently discovered that her mother and one brother, Albert, were arrested and sent first to a transit camp and then on to Auschwitz. Her brother Jean, who was in the French resistance, was arrested elsewhere but was on the same train. Another brother, Simon, survived the war but died at Auschwitz in the weeks after liberation. Like thousands of others, he succumbed after well-intentioned Allied officials provided food to the starving inmates, whose stomachs could not assimilate it.

Including Doduck, eight siblings survived and somehow found one another after the war. One brother, Jule, chose to remain in Brussels with his family. Charles, who was also married before the war, moved to Brazil. Sister Sara went to the United States. Brother Bernard went to Palestine with Hashomer Hatzair, the socialist-Zionist youth movement.

Doduck, aged 12 at the time, and the three other siblings – Esther, Henri and Jack – were four of 1,123 Jewish child survivors of the Holocaust sponsored to come to Canada under the auspices of Canadian Jewish Congress in 1947.

Her recollections of arrival in her new homeland are not warm.

As the children disembarked the ship in Halifax, they found themselves in a compound surrounded by barbed wire, as though they would try to escape. From there, they were moved to a room with bars on the windows.

“I wasn’t called by my name,” she said. Each refugee had a number pinned to their chest. Hers was 73, she thinks, or possibly 74.

“Nobody talked to us,” she said. “Nobody really welcomed [us]. We were just a bunch of probably wild children. I can only describe that I had an adult’s mind in a child’s body. We survivors saw too much dirt, too much killing, too much that a child should ever see.

“We were treated like we were nothing at all,” she recalled.

She wanted to go to Vancouver. She had seen a map and knew that there were beaches there.

“I remember as a child we used to go to la plage, the beach, with the family,” she said. “That was happy times.

“And just like Brussels, it rains a lot too,” she added, laughing.

The four siblings were fostered by four different families in Vancouver. While not all the 1,123 children who were sponsored found loving homes, Doduck believes that she and her brother Jack were among the luckiest.

Doduck was taken in by a couple, Joseph and Minnie Satanov, who had no children and, weeks after Mariette arrived, celebrated their 30th wedding anniversary. The couple would become surrogate grandparents to Doduck’s three daughters and Doduck would care for them in their old age.

Still, the early months were difficult. The Satanovs spoke Yiddish, but it was a “highbrow” variation, Doduck said. Hers was “street Yiddish” and the initial communication was largely pointing and miming.

While her foster family was wonderful, Doduck, like some other survivor refugees, said their treatment by the broader Jewish community was inhospitable. Asked if the community welcomed her and her peers, she replied: “I hate to say it, they didn’t.”

As a child, she didn’t understand it. As an adult, especially now, as she plumbs her experiences in the process of writing her history, she thinks she understands and empathizes.

“The community did not accept us,” she said. “They were fearful. I understand this now. They were fearful of what we knew, of what we saw. As a child, I didn’t understand that. As an adult, I understand it today.”

Her process of assimilation is akin to a split personality, she explained. She encompasses both the child Mariette and the adult Marie.

“Survivors – this is a secret but I’ll tell the world today – survivors are two people. Mariette is the child who is still in me and is trying to come out, and Marie [is] the person I created to become a Canadian and to fit into our society here in Vancouver.”

“Mariette is a child from Europe. Marie is the name I took in Canada to hide who Mariette was,” said Doduck. “Survivors – this is a secret but I’ll tell the world today – survivors are two people. Mariette is the child who is still in me and is trying to come out, and Marie [is] the person I created to become a Canadian and to fit into our society here in Vancouver.”

That internal dichotomy is most evident when she speaks with school groups and others about her war-era experiences.

“When I do outreach speaking, I speak as Mariette,” she said. “When I leave the school, Mariette is put on a shelf and Marie takes over and becomes a Canadian. Marie cannot survive with the memories if I don’t put Mariette on the shelf…. I can’t live the memories. It takes a lot out of me to relive.”

The stories she has to share can be harrowing and there are still details that she is only now learning as she works on writing her memoirs. Lauren Faulkner Rossi, an assistant professor at SFU’s department of history interviewed her for the Nov. 5 event and is collaborating on the memoir.

While the pandemic may have jogged loose deep-seated memories, Doduck sees other alarming parallels in the world today that hearken to the dark past.

“We are again being persecuted, we are again being hated, we are again being hit, we are again being abused constantly,” she said of rising authoritarianism and antisemitism in parts of the world. “I see what I saw as a 4-year-old, 5-year-old. I’m seeing it around the world and nobody seems to see it, that the hate is coming again.”

School year has begun

Head of school Russ Klein welcomes back King David High School students. (photo from facebook.com/kdhsvancouver)

Metro Vancouver’s five Jewish day schools are officially in session – student orientation began the week of Sept. 8. But, while the schools are working hard to create a “normalized” and consistent atmosphere for learning, the new procedures set in place by the Ministry of Education’s Back to School program will likely take a bit to get used to.

In July, the Ministry of Education announced new guidelines for class sizes and safe attendance as it prepared to return students to the classroom. Elementary and middle school cohorts are limited to 60 persons each, while high school learning groups are capped at 120 students. The province requires masks to be used at middle and high schools whenever social distancing cannot be maintained.

King David High School’s head of school, Russ Klein, acknowledged that having to wear a mask at school may be awkward for many. As well, the two-metre social distancing requirements will, at times, be difficult, forcing students to study on their own, rather than buddying-up for group assignments. That means, said Klein, “you are also then reducing opportunities for group work. You’re not facing the kids together, you are not sitting them in bunches,” methods that have often proven to be effective approaches in large classrooms. Teachers, he added, “really like to help their kids and needing to stay six feet away from them at all times changes how you help somebody and how you interact with them.”

Many schools began implementing changes to classrooms, common rooms and lesson plans last school year when it became evident that social distancing would affect how classes were taught. Rabbi Don Pacht, who oversees the Vancouver Hebrew Academy daily operations, said the move to a brand-new building last spring helped with that transition.

The larger building, he said, “gives us a very desirable ratio of space per student. Keeping distance between learning groups and allowing for distance between desks will be easily achieved.”

Like other schools in the area, VHA has also implemented see-through “sneeze guards” and other preventive measures to reduce chances of transmission. “We have also invested in Plexiglass screens and additional hand sanitizing stations throughout the school,” said the rabbi.

Vancouver Talmud Torah began making changes to the curriculum last school year as well. Jennifer Schecter, who serves as the communications and admissions director for VTT, said the speed with which the school began implementing changes to address the coronavirus threat appears to have paid off.

“Our retention was at an all-time high this past year because I believe parents value our product and the sense of community we provide more now than ever. This is a testament to our faculty’s superb skill in pivoting and offering a robust remote learning program last spring,” Schecter said.

Technology plays an oversized role in teaching modules this year. All of the schools the Jewish Independent spoke with said they are prepared for a return to remote learning, should it occur.

“Every single faculty member has a VTT-issued MacBook Air to use at school and at home and each classroom is equipped with screencasting technologies,” said Schecter. “Our IT department is incredibly responsive, knowledgeable and stays ahead of the curve with respect to tools that can facilitate instruction, especially if VTT needs to go remote again.

“Last year, we put a solid infrastructure in place that allowed us to pivot quickly to remote learning,” she said. “We will be able to lean on this structure this year. Teachers are planning in anticipation of a potential shift to remote and will be acquainting their students with many of the same tools they did last year, such as Google Classroom.”

Meira Federgrun, who runs Shalhevet Girls High School, said students are outfitted to work either in-class or at home, when necessary. “All our students have personal laptops … and, in case students are self-quarantining/isolating, they have that as a resource to Zoom into classes on their regular schedule.”

KDHS’s Klein said teachers and administration are also preparing for increased absenteeism. “Because, when people are not feeling well, they are supposed to not come to school. And that could be the student or the teacher,” he said.

According to the B.C. Centre for Disease Control, children in this province have a lower rate of infection than adults. Still, preparing for the chance that some students may have to study from home while they are quarantining has required some out-of-the box thinking when it comes to lesson planning.

“Managing to keep the educational program uninterrupted and keep students that are absent in the educational flow, I think that’s going to be the challenge,” Klein said.

Pacht said parents will be expected to keep the school informed about students’ health status on a regular basis. “We know that there is stress on the parents as well,” said Pacht. “There will be questionnaires, waivers and health checks. If a child has as much as a sniffle, they will not be allowed to attend school until seen by a healthcare professional.”

Provincial COVID-19 health and safety guidelines require schools to maintain daily health checks for all students, staff, administrators and visitors, and parents’ participation with that process helps reduce the chance of an accidental infection at school.

Pacht added that the students’ sense of safety is important, too, as they adjust to this new environment. “This will be stressful for students, too, and we will focus on social and emotional support for students,” he said. “They will have to adapt to a new way of experiencing school (again!), and we want to ease that transition.

“I know that if we work together we can provide an exceptional experience for our children.”

image - Dr. Lara Aknin says kids may need extra support this year to prepare them for new learning experiences — Dr. Lara Aknin says kids may need extra support this year to prepare them for new learning experiences. *(photo from sfu.ca/vpresearch/Research50/abundance.html)*

Dr. Lara Aknin, a social psychologist at Simon Fraser University, said kids may need extra support this year to prepare them for new learning experiences.

“Helping kids feel safe and secure during the pandemic is important as we return to school this fall,” she said, offering the following research-proven ways to help young students gain confidence in today’s “new normal” classroom.

Encourage gratitude. “The pandemic has exacted a large toll on many,” said Aknin. “When possible, try reflecting on what you are grateful for.” Help students “focus on what’s good, rather than what’s lost.”
Be kind and help others. Research has shown that we feel good when we help others. It can be as simple as donating tzedakah to a special charity or comforting another student, she said, “but finding ways to help others can make you feel grateful and boost your mood.”
Maintain a daily routine that kids can follow. Doing so provides predictability and structure during challenging times.
Keep up that exercise regimen. It’s a known fact that exercise helps boost serotonin and elevate mood. Aknin pointed out that exercise doesn’t have to be a workout. It can be a dance party, a family stroll after dinner or a favourite game.
And don’t forget to socialize. “Distant socializing,” even when it’s virtually or two metres apart, reinforces kids’ social connections with their friends, extended family, schoolmates and new acquaintances,” said Aknin. “[Ensuring] physical distance from others doesn’t mean we should cut off all contact with others. Find creative ways to stay connected and have meaningful contact with friends and family with Zoom, FaceTime, or distanced visits outside.”

Jan Lee’s articles and blog posts have been published in B’nai B’rith Magazine, Voices of Conservative and Masorti Judaism, Times of Israel, as well as a number of business, environmental and travel publications. Her blog can be found at multiculturaljew.polestarpassages.com.

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New Hebrew school opens

B.C. Regional Hebrew Schools, run by Lubavitch BC, has launched a new Hebrew school for elementary students in the East Vancouver area. The Mount Pleasant location will be Lubavitch BC’s third school in the Lower Mainland.

“This program has been created uniquely for children who attend public school or non-Jewish private schools, and aims to present a comprehensive curriculum, including Hebrew language, reading and writing; Jewish pride and sense of community; Jewish holidays and customs,” said a press release announcing the opening. Rabbi Dovid and Chaya Rosenfeld serve as the directors for the three schools in the Lower Mainland. Riki Oirechman will be the new school’s principal.

Classes will take place Wednesdays, 3:45 to 5:30 p.m., at Mount Pleasant Neighbourhood House, accompanied by a complimentary kosher meal.

The organization said it is abiding by all COVID-19 protocols and, as such, asks that parents understand they will not be able to accompany their children inside during classes or drop-offs. Parents can inquire about classes by calling 778-878-2025 or emailing [email protected]. The class schedule can be found at ganisraelbc.com.

– JL

Many milestones for Wosk in 2019

Dr. Yosef Wosk, right, with Max Wyman, 2017. (photo by Fred Cawsey)

The Yosef Wosk Poetry Initiative at the Jewish Community Centre of Greater Vancouver, which began in 2009, marked its 10th year with a celebratory gathering of artists and poets and with the publication of a commemorative book earlier this year. In addition, the Yosef Wosk Poets’ Corner, along with the adjacent Poet Laureates Garden, was inaugurated on the newly renovated top floor of the downtown central Vancouver Public Library – it was named in recognition of Dr. Yosef Wosk’s decades-long support of the VPL.

Wosk was an early major donor to the redevelopment of the eighth and ninth floors and the roof of the central branch of VPL and was asked to serve as honourary chair of the VPL campaign in 2018/19. The architect for the renovations, as for the library itself, was Moshe Safdie, while Cornelia Hahn Oberlander designed an extensive garden to complement her roof garden that crowns the award-winning structure.

In the library world, Wosk – who has established more than 400 libraries on all seven continents over the past 20 years – was able to fund more than 50 new initiatives in 2018/19, including 20 libraries in remote Himalayan villages and 37 in Jewish communities throughout the world.

As a writer and publisher, Wosk’s work has appeared in a number of publications. Most recently, these include having curated and written the preface for Memories of Jewish Poland: The 1932 Photographs of Nachum Tim Gidal, featuring photographs by Gidal from Wosk’s and the Israel Museum’s collections (Gefen Publishing, Jerusalem and New York, 2019). He also initiated and funded a biography, written by Christopher Best, of Faye Leung, the effervescent pioneer in the Chinese and real estate communities, affectionately known as the Hat Lady (Warfleet Press, 2020).

Wosk’s essay “On the Wings of Forever” was published in the online Ormsby Review this year in collaboration with the Canadian Academy of Independent Scholars. The editor’s preface notes that: “With prose as profound and learned as it is clear and accessible, here Wosk examines and appreciates the role of museums and museum workers in the digitizing modern world. It’s not gloom ’n’ doom. Instead, he outlines what he calls ‘a stirring vision, one of innovative technology on a human scale, heart-centred and soul-sized.’”

In collaboration with the Canadian Museums Association, Wosk helped transform the President’s Award into the President’s Medal; he also commissioned the medal and wrote the introduction in the booklet that accompanies the honorific, which was first awarded in 2019.

The province-wide Max Wyman Award for Critical Writing in the Arts, which was inaugurated by Wosk in 2017, formed an alliance this year with the VIVA Awards (the Shadbolt Foundation), which will begin in 2020.

In academia, Wosk was reappointed this year as an adjunct professor in humanities at Simon Fraser University and completed four years as a Shadbolt Fellow at SFU, where he was recently named a Simons Fellow.

During the year, Wosk served on 11 boards in the Jewish and general communities in areas such as education, medical research, museums, libraries, literature, business and the arts. These boards have included the Vancouver Holocaust Education Centre, Schara Tzedeck Cemetery Board, CHILD Foundation, Museums Foundation of Canada and Pacific Torah Institute. He was also an ambassador for the Vancouver Sculpture Biennale and is completing a second term with the B.C. Arts Council.

Information and chaos

Wells Hill has its world première Nov. 24-26 at DanceHouse. (photo by David Cooper)

“What does it mean to imagine a world where we are not connected all the time?” This is just one of the many questions choreographer (and Jewish community member) Vanessa Goodman is exploring in Wells Hill, which has its world première Nov. 24-26 at DanceHouse.

Goodman is artistic director of the dance company Action at a Distance. Wells Hill was commissioned by Simon Fraser University’s Woodward’s Cultural Programs (SFUW) and is co-presented by DanceHouse and SFU’s School for the Contemporary Arts. It is a Celebrate Canada 150+ event, but its genesis goes back a few years.

“In early 2014, SFU’s Michael Boucher and I were out for coffee discussing my work,” Goodman told the Independent. “At the time, I was planning what I was going to present at the Chutzpah! Festival in 2015. In our conversation, I shared the anecdote that I grew up in philosopher Marshall McLuhan’s former family home [on Wells Hill Road] in Toronto and that Glenn Gould would sometimes visit. As two towering figures in 20th-century Canada, the idea of being a fly on the wall during their conversations was fun to imagine. Michael helped me recognize the seeds for a piece in this story, and has since supported its creation and production through SFUW.”

In creating Wells Hill, Action at a Distance collaborated with a team including composers Loscil (Scott Morgan) and Gabriel Saloman, lighting designer James Proudfoot and projection artists Ben Didier and Milton Lim. The promotional material notes that, in the work, seven dancers “splice together themes of technology and communication.”

“In Understanding Media, McLuhan stated that different media invite different degrees of participation on the part of the person who consumes it,” explained Goodman. “For me, this draws parallels to consuming dance and is one of the themes I explore in the piece. McLuhan divided media consumption into two categories: hot and cool. Hot media consumption requires the viewer to intensify the use of one single sense and is called ‘high definition.’

“McLuhan contrasted this with cool media consumption, which he claimed requires more effort on the part of the viewer to determine meaning due to the minimal presentation of detail. In these cases, a high degree of effort is necessary to fill in the blanks in areas where the information is obscured. It demands much more conscious participation by the person to extract value and meaning. This type of consumption is referred to as ‘low definition.’ When applied to dance, the audience would be required to be more active here, which includes their perceptions of abstract patterning and simultaneous comprehension of all the working parts.

“In this work,” she said, “I apply hot and cool media consumption to crafting the material and finding authenticity within the embodiment of the performers. While I still believe that the audience needs an entry point into the work to become invested, I am interested in defining the hot and cool medium consumption in my staging, demanding the viewer work through their high and low definition comprehension. I am interested in the interplay between hot and cool as a continuum: where they are measured on a scale and also on dichotomous terms.”

Wells Hill isn’t about raising or answering any specific questions, she said, “as much as it is about observing and interpreting some of McLuhan and Gould’s fascinating ideas. In making this work, I kept coming back to the Douglas Coupland quote, ‘I miss my pre-internet brain.’ What does it mean to imagine a world where we are not connected all the time? In some ways, it’s comforting to be plugged into this collective human mass. On the other hand, there is an anxiety linked to this relationship and violence associated with this ceaseless bombardment of data. As McLuhan predicted, technology has become an extension of our nervous system. This is why I feel dance is such an incredible medium to explore these ideas: at its core, human movement is neuromuscular connectivity. I have developed movements with my collaborators that are derived from tasks from our physical reactions to technology: from our Pavlovian responses to messages and social media notifications to the deeper impact on our attention spans while we’re connected. I want to capitalize on both the order that we receive information in and the chaos it can create.”

In response to a question about what McLuhan and Gould each offer by way of the content or structure of Wells Hill, Goodman said that the sound score “is heavily influenced by the history of the house.”

She said, “Eric McLuhan, Marshall’s eldest son, told me that Gould would often come to the home for visits, where he would discuss media, performance and art with his father. Gabriel Saloman and Scott Morgan, both incredible composers that I have been collaborating with over the past few years, have each composed pieces of the music for Wells Hill. They have incorporated audio samples of both McLuhan and Gould speaking about their theories. This adds an interesting entry point to the ideas that inspired Wells Hill. The house has a rich past that has been documented through the written form but has never been explored performatively. I am drawing from this story for the staging of this work, which creates an environment and historical context for the non-linear story arc.”

Wells Hill is at Fei and Milton Wong Experimental Theatre, SFU Goldcorp Centre for the Arts, on Nov. 24-25, 8 p.m., and Nov. 26, 2 p.m. In conjunction with the show, there are a few community events. Speaking of Dance Conversations on Nov. 21, 7 p.m., at SFU Goldcorp Centre for the Arts (free), is a community roundtable conversation around McLuhan and the Global Village, led by moderator Richard Cavell, founder of UBC’s Bachelor in Media Studies program and author of McLuhan in Space: A Cultural Geography, and guest speakers. There are also pre-show chats Nov. 24-25, at 7:15 p.m., at the centre, and a post-show social on Nov. 24. Tickets and more information can be found at dancehouse.ca or by calling 604-801-6225.

Housing, high-tech, musicals and more – this week in the community

Tikva welcomes residents: The Storeys Complex in Richmond. (photo from facebook.com/tikvahousing)

We are taught from an early age that giving, repairing the world and being kind are the tenets of living a Jewish life. In our community we don’t have to look very far to find people who fit this description. One of the latest projects that has come to fruition is the Diamond Residences in the Storeys complex in Richmond. Thanks to the generosity of the Diamond Foundation, Tikva Housing Society now owns 18 (chai!) units that are being rented at below-market rates to people in the community for whom stable, safe housing was unpredictable and unaffordable, at best.

Tikva Housing partnered with four nonprofit societies and the City of Richmond to build these and other apartments. Tikva worked hand in hand with community agencies such as the Jewish Family Service Agency to place tenants in need in these units, as well as with the Jewish Federation of Greater Vancouver and B.C. Housing. Most of the tenants will have moved into their units by the end of this month.

The Diamond Residences will house six singles and, of those, five are seniors. Also, 12 families and a total of 22 children will be living there. One 83-year-old woman cried when she was told she would be moving into a studio unit, as she has not had a place to live for years and was sleeping on someone’s couch. A single Israeli mother with two children is moving into a three-bedroom unit; her kids have never had their own rooms. Another single mother with three children has been sharing a two-bedroom place and has not had her own room in two years. One family has moved to Greater Vancouver from out of town and can now attend Shabbat services, be close to their family and the Jewish community. There are many more such stories.

– Courtesy of Tikva Housing Society

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Simon Fraser University recognized four distinguished alumni on Sept. 13 at Four Seasons Hotel. Among them was Gary Cristall, co-creator of the Vancouver Folk Festival.

The annual awards, presented by SFU and the Alumni Association, recognize those whose accomplishments and contributions reflect the university’s mandate of engaging the world. An advocate for the arts and human rights, Cristall has been a cultural groundbreaker, having co-founded the Vancouver Folk Music Festival in 1978. In an industry plagued with an unscrupulous reputation, Cristall has been instrumental in fighting for the rights of artists to be treated professionally and with respect while also defending their rights to fair performance fees and copyright ownership.

Cristall served as acting head of the music section of the Canada Council for the Arts and was the founding president of the Public Service Alliance of Canada, the first union at the Canada Council. Today, Cristall continues to serve as a prominent mentor and educator, assisting artists in building their careers and guiding communities in enhancing dynamic cultural interactions that enrich and benefit a healthy, democratic society.

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After a grueling 33 hours of programming, DragonFruit – Benjamin Segall, Jacy Mark, Viniel Kumar and Pritpal Chauhan – completed StoryTree and demonstrated it live to a panel of judges at Hack the North, an international student hackathon held at the University of Waterloo in Ontario, which this year took place Sept. 15-17.

Canada’s biggest hackathon, Hack the North was founded and is organized by Techyon, a student-run nonprofit organization, in partnership with Waterloo Engineering. The event brings together 1,000 students from top universities across 22 countries in the world. Students collaborate and create impactful new hardware projects or mobile and web applications of their own design for a weekend at the University of Waterloo, all expenses paid.

DragonFruit’s StoryTree was one of the 14 projects chosen out of the more than 250 demonstrated at Hack the North. StoryTree is an online workspace for aspiring authors to collaborate on books together. All you have to do is write a paragraph or a chapter, or even just a sentence, and, as more and more people add or branch off from a story, that story you’ve always wanted to write becomes a reality.

DragonFruit will be continuing the project and are looking for alpha testers for January 2018. If anyone is interested in being a part of this project or for more information on it, contact them via facebook.com/dragonfruitcode or dragonfruitcode.com.

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photo - Swinging Sylvia rehearsals: Advah Soudack and Sky Kao create a whirlwind of action in rehearsal of the second one-act play that comprises Two Views from the Sylvia — Swinging Sylvia rehearsals: Advah Soudack and Sky Kao create a whirlwind of action in rehearsal of the second one-act play that comprises Two Views from the Sylvia. (photo by Sue Cohene)

Rehearsals have started for Two Views from the Sylvia, a new musical theatre production by Kol Halev Performance Society. This original production – which will be at Waterfront Theatre Nov. 8-12 – tells the story of the iconic Sylvia Hotel and its historic connection to the local Jewish community and the city of Vancouver.

Two Views from the Sylvia comprises two one-act plays.

The first play, Sylvia’s Hotel, is set in Vancouver in 1912. It brings to life the origin of the Sylvia Hotel, named for Sylvia Goldstein (Ablowitz) and the story of the Goldstein family who built it. Young Sylvia Goldstein and the legendary Joe Fortes, the beloved English Bay lifeguard, develop a bond that helps Sylvia realize her dreams.

In the second play, The Hotel Sylvia, the story continues as we meet the characters whose lives and loves became interwoven with the story of the Sylvia over her 100-year history. It includes vignettes revealed to the production’s researchers by Huguette, the front desk clerk who worked at the Sylvia for 35 years.

Jewish community members play key roles in both plays. In the lead roles are Advah Soudack (as Sylvia) and Adam Abrams (as Abraham Goldstein); Anna-Mae Wiesenthal and Joyce Gordon are cast in important supporting roles. Behind the scenes are Sue Cohene (producer) and Heather Martin (associate producer), as well as Gordon (assistant producer) and Abrams (graphic designer and webmaster) and Gwen Epstein (production team). Marcy Babins and Michael Schwartz collaborate in their roles at the Jewish Museum and Archives of British Columbia, which has created an historical photo display to accompany the production.

Two Views from the Sylvia is a project of Kol Halev in partnership with the B.C. Arts Council, Government of British Columbia, City of Vancouver, Granville Island Cultural Society, CMHC Granville Island and the JMABC. For information and tickets ($28), visit sylviamusical.com.

– Courtesy of Kol Halev

* * *

Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success. All seven performances at Bema’s Black Box Theatre at Congregation Emanu-El were sold out and the production company’s work was once again as one of the best dramas in the Victoria Fringe.

photo - Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success — Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success. *(photo from Bema)*

Mrs. Washington is hired to nurse Sam Horowitz, who’s been mugged and had a stroke. She’s a determined tyrant and he’s a bigoted Jewish widower. The two must find a mutually beneficial relationship when his daughter tries to make him leave his home. The play by Henry Denker reflects the attitudes of the 1970s and illuminates the power to be found in ordinary lives.

“The electric performance of the actors enabled the audience to visit uninhibitedly the issues of racism, stroke recovery and aging in place,” reads the review “Bravo Bema!” on Emanu-El’s website.

“For the most part,” said the review, “the actors were provided with a very humorous script that relied on stereotyping but went beyond it for its punchlines. The audience was asked to stretch their imaginations – who would have considered invoking Michelangelo to explain why the naming of a grandson ‘Douglas’ instead of ‘David’ was inappropriate? There were a few moments when the pace flagged but very few.”

While the play “revealed little about the face of contemporary racism,” the “potential disempowering of aging adults by their loving offspring is an issue of contemporary concern.”

The Bema production was directed by Zelda Dean and Angela Henry and was performed by David Macpherson, Rosemary Jeffery, Christine Upright, Alf Small, Cole Deo and Graham Croft.

– Courtesy of Bema Productions

* * *

photo - Miki Mochkin teaches a class on baking challah — Miki Mochkin teaches a class on baking challah. *(photo by Shula Klinger)*

Chabad North Shore hosted a challah bake at Mia Claman’s store in West Vancouver on the night of Sept. 6. Miki Mochkin taught a class on baking challah to local women. While the bread was rising, she explained the significance of each ingredient for Jewish women. From the sweetness of the honey to the harshness of the salt, every element serves to remind the baker of its symbolic role in our lives as women and mothers.

– Courtesy of Shula Klinger

* * *

photo - Panelists at Congregation Beth Israel discuss the topic Our Leaders: Are They Above the Law? — Panelists at Congregation Beth Israel discuss the topic Our Leaders: Are They Above the Law? *(photo by Cynthia Ramsay)*

In the photo, left to right, are Congregation Beth Israel Rabbi Jonathan Infeld, King David High School head of school Russ Klein, Vancouver Catholic Diocese Archbishop Michael Miller, Vancouver Police Chief Constable Adam Palmer, B.C. Court of Appeal Justice Sunni Stromberg-Stein and MLA Andrew Wilkinson. On Saturday night, Sept. 16, at the synagogue, this panel of speakers took on the topic Our Leaders: Are They Above the Law? Infeld framed the contemporary discussion around a talmudic discussion regarding an important rabbi in a community, rumours surrounding his conduct and whether the rabbi should be excommunicated. The panelists took this starting point to talk about their own professions, present-day accountability standards and various other issues.

– Courtesy of Cynthia Ramsay

BDS loses in SFU vote

SFU’s Teaching Support Staff Union voted 186 for and 227 against including a BDS campaign in the union’s bylaws and policies. (photo from RestfulC401 (WinterforceMedia) via commons.wikimedia.org)

The Vancouver Jewish community had another victory over the boycott, divestment and sanctions movement last week, this time at Simon Fraser University.

The university’s Teaching Support Staff Union (TSSU), a union for teaching assistants, seasonal instructors and non-full-time staff, held a referendum May 15-19 on whether to include a BDS campaign against Israel in its bylaws and policies. The motion was defeated, with 186 TSSU members voting for BDS and 227 voting against it.

When Rabbi Philip Bregman, executive director of Hillel BC, first heard about the referendum, he and his team at Hillel BC were in the midst of fighting BDS at the University of British Columbia. “It was like whack-a-mole,” he said. “We were fighting two battles at the same time and, when we weren’t dealing with UBC, we were dealing with SFU!”

Bregman estimates TSSU has around 600 members and a key part of Hillel BC’s strategy was reaching those members. That was a challenge, given the fact that TSSU would not give Hillel BC access to its membership list. Instead, Hillel BC had to research each SFU faculty individually to find out who its teaching assistants were, and then communicated with them via email. “It was like we were fighting ghosts – we had to try figure out who the part- time professors and TAs were in order to reach their members,” he said.

Bregman and his team also sent a letter to SFU faculty members, explaining how dangerous it was for an academic institute to be boycotting other academic institutions. “We were trying to show members of the TSSU that this was not a smart thing for them to do,” he said.

The week of the referendum, Bregman and his team were on the SFU campus with a sign requesting that TSSU members approach them and have a conversation – and many of them did. TSSU tried to counter Hillel BC’s arguments, but their counter-arguments were weak, Bregman said.

Still, Bregman was certain the BDS campaign would be voted into policy. “The TSSU held all the cards. They wouldn’t let us know who their membership was and most of the information they sent out was pro-BDS,” he said.

On its website, however, amid the wording of the resolution and other background information, TSSU included four documents that laid out reasons why members should vote no to the BDS motion.

While the administration at SFU did not issue any statements about its position on the BDS referendum, it did reach out to Bregman. “They called me to ask what was happening on their campus,” he said. “I told the university administration that SFU would get a black eye if this thing passes. It really would have been catastrophic for the university.”

Lauren Kramer, an award-winning writer and editor, lives in Richmond. To read her work online, visit laurenkramer.net.

Karasick gives to SFU library

Adeena Karasick has donated her archive to the Collection of Contemporary Literature at Simon Fraser University’s Bennett Library. (photo from Adeena Karasick)

Critically acclaimed poet and Vancouver native Adeena Karasick was in her hometown last month to celebrate the donation of her archive to Simon Fraser University.

The Collection of Contemporary Literature at SFU’s Bennett Library contains one of the biggest selections of avant-garde poetry in North America. “The collection has been building since 1965,” said Tony Power, the librarian-curator who oversaw the addition of Karasick’s works. “The collection features many of the poets whose tradition Karasick is associated with, such as Michael McClure and Robin Blaser. Karasick was influenced by her teacher, Warren Tallman, who also influenced, for example, Fred Wah, George Bowering and Daphne Marlatt. These are all poets who are featured in the Bennett Library collection.

“Karasick has a very high profile for a poet,” Powers added, “and a certain amount of notoriety for her more daring works.”

Karasick told the Jewish Independent that the Feb. 23 event, in which her personal notebooks became, in effect, public artifacts, was “surreal.”

“I was honoured to be included in this collection, one of the greatest collections in North America of contemporary poets and avant-garde renegades, provocateurs and risk-taking challengers of esthetics,” she said.

Karasick, whose work has been called “beautiful linguistic carnage” by Word Magazine, specializes in non-narrative, intimate works that are most concerned with the play of language itself.

“I am interested in using language to create different effects of meaning production, highlighting language as a physical, material, construct. Play, jouissance [delight], as Jew-essence,” she explained with a smile.

Karasick regularly plays with Jewish themes in her work, whether it’s the invocation of the Kotel (a wall made of words in more ways than one) at the heart of Dyssemia Sleaze, or the Hebrew letter mem, which inspires Mêmewars.

“In the kabbalah, the world is created through language,” she said. “That’s also the way I view things.”

photo - Among Adeena Karasick’s donations to the Collection of Contemporary Literature at SFU’s Bennett Library were books and personal notes — Among Adeena Karasick’s donations to the Collection of Contemporary Literature at SFU’s Bennett Library were books and personal notes. *(photo from Adeena Karasick)*

Karasick’s speech is peppered with words like “intervention,” “transgression,” “disruption,” “nomadicism” and “vagrancy.” She aims, she explained, to “destabilize and subvert linguistic power structures with the hope of instigating new ways of seeing. My poetry uses playfulness and celebrates a sense of creative homelessness, a mashing up of poetry, critical theory and visuality.”

Asked how she felt about being a postmodern artist whose work has been called “an impressive deconstruction of language and meaning” by Canadian Literature, in an age where the American president, it could be said, was much maligned for engaging in similar activity, she pointed to Jewish postmodern philosopher Emanuel Levinas (1906-1995).

“I’m not saying there’s no truth. There is truth. There is what happened,” she said. “The search for the truth cannot be solitary or uniperspectival though, and cannot be an imposition of ‘the truth’ on others in a totalitarian way. Levinas said that truth itself arises out of discourse … it rests in the ethical relation between people, where a search for the truth can take place. Truth requires humility and multiplicity.”

Born in Winnipeg, Karasick’s family moved to Vancouver when she was six months old, and she grew up here. She had her bat mitzvah at Congregation Beth Israel and was very much a part of the local Jewish community. She went to the University of British Columbia for her undergraduate degree, did her master’s at York in Toronto and her doctorate at Concordia, in Montreal, in “French feminist post-structural theory and kabbalistic hermeneutics.”

Karasick now teaches at Pratt Institute in New York and is enjoying a growing distinction as one of the premier avant-garde poets of her generation. She is becoming known for her innovative use of video as well as the printed page.

In 2018, Karasick will release a new book, Alephville, a poem composed of faux Facebook updates. “I was un-nerved by the timing,” she said, referencing the administration of U.S. President Donald Trump, “by the fact that it is basically a poem composed of ‘alternative facts.’”

Also next year, Karasick will debut her “spoken-word opera” Salomé: Woman of Valour, a feminist reinterpretation of the biblical character. She co-wrote the piece with Grammy Award-winning musician Frank London of the Klezmatics. They met through KlezKanada, an annual klezmer camp that has been meeting in the Laurentians for 20 years, the poetry division of which Karasick has been director for the last six years.

Karasick wrote the libretto for Salomé: Woman of Valour and London composed the music, an original score that blends Arabic, klezmer, jazz and bhangra. The nomadic and subversive piece will première at next year’s Chutzpah! Festival.

Matthew Gindin is a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.

Researching unique species

Simon Fraser University biologist Dov Lank with some of the ruffs he and his team have been studying. (all photos from SFU Communications)

Simon Fraser University biologist Dov Lank and a team of researchers have identified the genes responsible for three different kinds of male ruff (Philomachus pugnax) – a species of wading bird. The ruff is the only bird species in which three kinds of males exist, each having its own approach to courtship and mating and with distinct physical characteristics. One is a fighter, the second is a “wingman” and the third is a cross-dresser.

The paper, “A supergene determines highly divergent male reproductive morphs in the ruff” was published on Nov. 16 in Nature Genetics. Researchers found that, 3.8 million years ago, an inversion occurred in the chromosomes of the ruff, creating a second kind of male. Then, half a million years ago, a second chromosomal rearrangement between the inversion and the original sequence occurred, creating a third kind of male. As a result, there are three types of male ruffs: one with ancestral sequences, another with an older kind of the inversion and a third with a newer kind of inversion.

Lank said, “Today, we have the tools to identify exactly what genes are involved and, over the next few years, we will describe how they work. These genes control differences in aggressive behavior and the expression of gender-specific traits, and the pathways and processes involved will provide a model with general applicability for vertebrates, including ourselves.”

סניף ונקובר של קק”ל מברך את פרושאור

Shelter access studied

A study for the Greater Victoria Coalition to End Homelessness led by a Simon Fraser University master’s student has found that a disproportionate number of people chronically staying in Victoria’s emergency shelters are seniors.

Hannah Rabinovitch conducted the longitudinal study on emergency shelter use patterns in Victoria under the MITACS Accelerate Program, in partnership with the Centre for Addictions Research at the University of Victoria. The SFU public policy master’s student examined data collected between April 2010 and May 2014.

The study tracked 4,332 individuals and examined nearly 46,000 shelter records. More than 85 percent of users accessed shelters for short periods, meaning only once or twice – findings that point to the need for affordable housing and preventative measures, according to the study.

Another 13.6 percent accessed the shelters five times over the four years with average stays of 30 days. The remaining 1.5 percent, many of them seniors, had stayed four to five times with average stays of six months.

As a former emergency shelter worker in Victoria, Rabinovitch, now a Vancouver resident, said she finds these results worrisome but not shocking. “I was stunned by the number of seniors with complex physical and mental health problems regularly seeking refuge in emergency shelters. I kept thinking emergency shelters aren’t supposed to become discharge plans for hospitals that aren’t equipped to keep them long term.”

She said the data also indicates that “women and youth are underrepresented in this study,” meaning their numbers don’t reflect the extent to which they are homeless. “For example, it’s widely known in research that homeless women avoid emergency shelters for fear they’re unsafe and that their children will be apprehended, and because they lack women’s beds.”

Rabinovitch conducted the study under the supervision of Bernie Pauly, a scientist at UVic’s Centre for Addictions Research and associate professor in UVic’s School of Nursing, and Doug McArthur, a professor and director of SFU’s public policy program.

Pauly said it’s important to maintain strategies that address the needs of different groups and make efficient use of resources. “Those experiencing temporary homelessness would benefit from rapid re-housing, more emergency cash assistance and rental subsidies to prevent or quickly address homelessness. Those with re-occurring episodes of homelessness would benefit from programs that combine intensive supports with housing.”