Byline: Anna Levy

Music for better world

Novelist Milan Kundera said of Jews in the 20th century that they “were the principal cosmopolitan, integrating element in Central Europe: they were its intellectual cement, a condensed version of its spirit, creators of its spiritual unity. That’s why I love Jews and cling to their heritage with as much passion and nostalgia as though it were my own.”

I love reading these words, it helps me keep my head up. And motivated. I think of them often as I work on two major concerts which celebrate multiple aspects of Jewish heritage and history, the devastating impacts of hate, and the need for more love and compassion in the world today. 

You may remember my last endeavour, Project Tehillim, which was about the salvation of the Bulgarian Jews during the Second World War. (See jewishindependent.ca/music-to-say-thank-you.) I grew up in Bulgaria and, while I never experienced the antisemitism, I knew about it from history books. This is why I am shocked and horrified at what is going on around the world, including here in Vancouver. One of my friends said: “The evil is shocking. The willingness of this evil to parade itself is even more shocking.” 

I can only respond with what I know best: the power of music and art. The arts have the incredible ability to affect people more profoundly than plain facts. It is personal stories, artistically presented, that have an emotional impact.

I am the artistic director, with fellow pianist Jane Hayes, of Yarilo Contemporary Music Society, which is dedicated to high-quality professional music performances. The Yarilo ensemble has performed in Zurich, Moscow, Sofia and Tel Aviv, and the society has commissioned a number of Canadian composers: Jocelyn Morlock, Kelly-Marie Murphy, Jordan Nobles, John Burke, Colin MacDonald, Michael Conway Baker and Farangis Nurulla-Khoja. We work with members of the Vancouver Symphony Orchestra and we collaborate with Leslie Dala, the conductor of the Vancouver Opera and the Bach Choir.

Because government and other funding for the arts is in huge decline, I am turning to you, my fellow Jewish community members, for help in realizing Yarilo’s next project: Compassion Above All.

The first concert of the project, To Hope and Back, is a chamber music event that will take place this year on Nov. 10, 2 p.m. and 7:30 p.m., at Orpheum Annex. The budget is $10,000.

To Hope and Back is based on the book of the same name by Kathy Kacer, the daughter of a Holocaust survivor. The book tells the story of the SS St. Louis through the eyes of two children on board the ship that sailed from Germany in 1939 carrying nearly 1,000 Jewish refugees and was refused the right to land by every country, including Canada, forcing it to return to Europe, where many of the passengers were murdered in the Holocaust. The November concert will include two child actors reading excerpts from the book and Kacer has confirmed that she would like to come for the event from Toronto. It will include the music of Philip Glass, Steve Reich, Iman Habibi and Gheorghi Arnaoudov. Steve Reich’s work, “Different Trains,” includes archival recordings from the trains going to Auschwitz.

The second concert, The Tale of Esther in Our Time, is a symphony music concert conducted by Dala, and it will take place in 2025, on March 29, 7:30 p.m., at Christ Church Cathedral. Its budget is between $60,000 and $80,000.

The featured work of The Tale of Esther in Our Time is Iman Habibi’s “Shāhīn-nāmeh,” which was nominated for a Juno and won the Azrieli Foundation award for Jewish music in 2022. Based on the poetry of 14th-century Judeo-Persian poet Shahin Shirazi, the composition depicts the tale of Esther and delves into the themes of love, spiritual struggle and devotion. “Shāhīn-nāmeh” calls out for love and compassion; it brings the heart of humanity into focus.

Also on the program will be Arvo Part (“Tabula Raza”), Peteris Vasks (“The Message”) and Kelly-Marie Murphy (“En El Escuro Es Todo Uno,” “In the Darkness We Are One”).

Please feel free to ask any questions. I will also happily take any advice for funding opportunities. Any donation, even the smallest one, is a great support, financial and moral.

For more information about Yarilo, visit yarilomusic.com. To donate, go to gofundme.com.

Music to say thank you

Anna Levy  (photo from Yarilo Contemporary Music Society)

My mother’s maiden name was Levy, my dad’s surname was also Levy. My story is about life. None of my family was killed during the Holocaust. I am alive because I grew up in a small European country, Bulgaria, that – despite being Nazi-aligned – managed to save all its Jews during the Second World War. And I – and many others – will be saying thank you through music this spring in a major concert marking the 75th anniversary of this historic series of events, for which we are so grateful.

During the Holocaust, Bulgaria had a complex record. While it is responsible for deporting 11,000 Jews from Bulgarian-occupied territories, most of whom were murdered at Treblinka, it defied Hitler and saved all 50,000 of its Jews, among which was my family.

In 1943, the complicated diplomatic manoeuvres of the Bulgarian parliament, led by Dimitar Peshev, along with civil disobedience and the strong official opposition of the Bulgarian Orthodox Church, resulted in the cancellation of the deportation that was planned for March of that year.

In June 1943, then German ambassador to Bulgaria, Adolf Heinz Beckerle reported to Berlin, “The Bulgarian society doesn’t quite understand the real meaning of the Jewish question … so the racial question is totally foreign to them,” and he complained that the Bulgarian people lacked “the ideological enlightenment that we [Germans] have.”

In 1996, Jewish National Fund named a forest in honour of Bulgaria, with memorial plaques dedicated to Peshev, the Bulgarian Orthodox Church and to King Boris.

This year marks the 75 years since the salvation of Bulgarian Jews during the war and preparations are underway in Bulgaria, Israel and in other countries to mark this anniversary.

In Vancouver, on May 27, Project Tehillim will take place at the Orpheum Annex. Twenty-three professional musicians will participate in the program featuring Tehillim, which was written by one of the most famous living Jewish American composers, Steve Reich. This event should occupy a central place in Metro Vancouver’s cultural life, as the work is unique, rarely performed and difficult to put together.

“Tehillim,” explains Reich, “is the original Hebrew word for Psalms. Literally translated, it means praises, and it derives from the three-letter Hebrew root ‘hey, lamed, lamed’ … which is also the root of halleluyah.”

In his notes on the website of classical music publishing company Boosey & Hawkes, Reich also writes, “One of the reasons I chose to set Psalms as opposed to parts of the Torah or Prophets is that the oral tradition among Jews in the West for singing Psalms has been lost. (It has been maintained by Yemenite Jews.) This meant that I was free to compose the melodies for Tehillim without a living oral tradition to either imitate or ignore.”

That said, he notes, “The rhythm, of the music here comes directly from the rhythm of the Hebrew text and is, consequently, in flexible changing meters.”

Tehillim is deeply rooted in ancient Hebrew traditions from biblical times. This is not music of contemporary daily life, but instead conjures the timeless and eternal. This work is a deep reflection of Jewish tradition presented in a modern way.

The budget for this large-scale project is more than $20,000: for musicians’ fees, theatre rental, scores, instrument rentals and other expenses. To help raise these funds, the Yarilo Contemporary Music Society – of which I am co-artistic director with Jane Hayes – is holding the concert Lest We Forget, on Sunday, April 8, 3 p.m., at Pyatt Hall, with the support of the Peretz Centre for Secular Jewish Culture.

The fundraising concert features classical masterpieces. The centrepiece of the program – which will be performed by Angela Cavadas (violin), Rebecca Wenham (cello), Johanna Hauser (clarinet) and me on piano – is Tchaikovsky’s Piano Trio in A Minor, written in memory of his Jewish friend Nikolai Rubinstein. In addition, there will be music by Jewish composers Srul Irving Glick (Suite hébraïque) and Ernest Bloch (Prayer).

Both concerts – Tehillim and Lest We Forget – highlight the spiritual qualities of the Jewish people. In the words of the non-Jewish author Milan Kundera about the importance of Jews in Europe: “Indeed, no other part of the world has been so deeply marked by the influence of Jewish genius. Aliens everywhere and everywhere at home, lifted above national quarrels, the Jews in the 20th century were the principal cosmopolitan, integrating element in Central Europe: they were its intellectual cement, a condensed version of its spirit, creators of its spiritual unity. That’s why I love the Jewish heritage and cling to it with as much passion and nostalgia as though it were my own.”

I love the Jewish heritage with a passion, as well, and it is “our own.” I hope that other members of the Jewish community will become Yarilo’s partners, and help us make Project Tehillim a worthy thank you. To contribute to the project, visit gofundme.com/2018-my-jewish-story-is-for-life; the campaign includes a third concert, which is planned for October. For tickets to the April 8 fundraising performance at Pyatt Hall, visit yarilomusic.com.