Bema Productions

Theatre that educates

Wendy Kout’s play Survivors is based on 10 real-life stories of young people’s Holocaust experiences. (photo by Peter Nadler)

Last year, Victoria-based Bema Productions and the Victoria Shoah Project collaborated on a pilot project: a nine-performance tour to middle and secondary schools of Survivors, a Holocaust-themed play by Wendy Kout. The success of the tour, which reached more than 1,100 students and 500 adults in the Victoria area, has led the organizations to broaden their reach throughout Vancouver Island, Metro Vancouver and other Western provinces beginning this autumn.

“Following our pilot tour in Victoria, we were asked to cover the Western provinces, and I happily accepted the challenge,” said Zelda Dean, the director of the play. “We will be touring to 30 schools on Vancouver Island in October 2023. In the fall of 2024, we will tour on the Mainland and in Alberta. Saskatchewan and Manitoba will be toured in 2025 – 150 performances in total will be presented.”

Citing a 2018 Canadian survey produced by the Azrieli Foundation, Yad Vashem, the United States Holocaust Memorial Museum and the Claims Conference, the Victoria organizers offer compelling reasons why Holocaust education is necessary today, particularly (but not only) for youth. According to the survey, 52% of millennials cannot name a concentration camp or ghetto; 62% of millennials did not know that six million Jews were killed in the Holocaust; 22% of millennials haven’t heard or are not sure if they have heard of the Holocaust; and 23% of all Canadians believe that substantially fewer than six million Jews were killed (two million or fewer) during the Holocaust, while another 24% were unsure of how many were killed.

“I have been alarmed at the ongoing rise in antisemitism for some years and have been looking for a suitable educational play. I had previously produced a play by Wendy and loved her work,” said Dean, regarding the selection of Survivors.

The intention of the one-hour play, suitable for those from Grade 6 to adulthood, is to provide a vehicle to teach lessons from the Shoah to younger audiences. Based on 10 real-life stories of young people’s Holocaust experiences, the play hopes to enable students to recognize the short- and long-term causes and effects of prejudice, discrimination and, ultimately, genocide. It also aims to foster critical thinking and bring the importance of human rights and social justice advocacy to the forefront.

Survivors goes through the chronological history of the Holocaust by enacting the experiences of Jewish children and teenagers from Europe. The young cast of six professional actors portrays the survivors, starting at innocence and continuing through the terrifying rise and rule of bigotry, xenophobia and violence, before they immigrate to America.

The play includes the true stories of a teen who watched her boyfriend being taken away to a concentration camp, a girl who was separated from her parents and relocated to England through the Kindertransport and a boy whose family struggled to escape to China.

Dean credited the young actors in the production for their diligence and dedication to their parts. “I put a casting call out and was delighted that a large number of very skilled young actors tried out for the roles. Those who were cast were tasked with doing considerable research into the Holocaust prior to rehearsals starting,” she said.

Survivors was originally commissioned and developed by CenterStage Theatre in Rochester, N.Y., in 2017, when Kout was asked to write a Holocaust play about survivors who had immigrated to the city. Shortly thereafter, while watching neo-Nazis march in Charlottesville, Va., Kout expressed the feeling that she was not simply writing an historical play but also a “warning play.”

The Victoria production in November and December 2022 – which played in school auditoriums, theatres and libraries, and had four public performances – was the first international tour of the play. There are other tours currently on both coasts of the United States, with Kout, along with the New York company that developed Survivors, creating a documentary on how the play came to be.

“Sharing the history of the Holocaust with students provides an important historical example of the dangers of allowing hatred and intolerance to take hold within a society,” said former B.C. minister of education Rob Fleming about the Victoria tour.

Additionally, several students who saw the play offered their input concerning how the performance affected them.

“I want to continue to learn more about the Holocaust and people’s stories. I’ve read [Elie Wiesel’s] Night and seen this play but other than that I haven’t heard many personal stories, so I’d like to learn more,” said one.

“I learned once again that I should not judge others selfishly based on race, religion, appearance or prejudice, and I will try to [remember that] whenever I meet new people from now on,” contributed another.

The organizers are looking for financial support to fund the upcoming Western Canadian tours.

“Over $450,000 is required to offer this powerful educational play to so many students, and we are actively fundraising to individuals, corporations, foundations, etc. We are running a campaign inviting folks to sponsor a school in their area for only $500,” Dean explained.

For more information about the play and to contribute, visit holocausttheatre.com or email [email protected].

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Play tackles Israeli/Palestinian conflict

Congregation Emanu-El Synagogue (photo from Bema Productions)

Bema Productions, directed by Zelda Dean, is bringing the play Peace Talks to the Victoria Fringe Festival, Aug. 25-Sept. 4. Performances will take place at Congregation Emanu-El Synagogue’s Black Box Theatre, 1461 Blanshard St., pictured above.

Written and performed by Izzy Salant and Ryan Dunn, this run will be a world première of the work that saw a virtual staged reading in early 2021. Since that time, the playwrights continued to develop their play and raise the necessary funds to meet their goal of touring the show to university and college campuses in both Canada and the United States.

Peace Talks addresses the Israeli/Palestinian conflict. Noam watches helplessly as his best friend Andrew dies in an explosion right in front of him in a hookah bar in Israel. Noam believes he was responsible. After the catastrophe, Andrew’s bereaved American brother James sets out on a revenge plot against Israel and against Noam, as he also believes Noam is responsible for Andrew’s death. He puts his plan into action, actively sabotaging Israeli advocacy and promoting anti-Zionism to anyone who will listen, ultimately attempting to attain his true goal: to kill Noam.

James and Noam find themselves in a bitter internal and external struggle with Israel, Zionism, death, human rights, and Andrew’s memory. As they clash, they both discover some harsh realities of the Israeli/Palestinian conflict and that it is a world that isn’t as clear-cut as they thought.

For tickets to Peace Talks, visit victoriafringe.com.

– Courtesy Bema Productions

Bema mounts Wells’ Mazel Tov, John Lennon

Nicholas Guerriero as John Lennon, left, and Perry Burton as his Jewish lawyer, Leon Wildes, in Bema Productions’ rendition of Mazel Tov, John Lennon by David Wells, which had a virtual run at the Victoria Fringe Festival this year (photo from Bema Productions). Based on the true story of the Nixon administration’s attempt to deport John Lennon because of his political activism against the war in Vietnam, it is a fascinating play about a lesser-known aspect of American history. The years-long case ultimately led to various changes in the country’s immigration laws.

“I was so happy to be back in live rehearsal after a year-and-a-half, and had tears in my eyes at the first rehearsal,” director Zelda Dean told the Independent. “Of course, we all wore masks until near the end. This is the 142nd show I have directed in my long career and the first time that I couldn’t see the expression on the actors’ faces while we were working together. Of course, their masks came off at the last few rehearsals and at the filming of the show [by Jason King] and, by then, everyone was fully vaccinated. A new experience and I was delighted to learn much and develop new techniques. I am always grateful to learn from the many skilled artists I am privileged to work with.”

O My God at Emanu-El

Bema Productions presents the Canadian première of the comedy O My God at Congregation Emanu-El Synagogue in Victoria, Jan. 16-26. In O My God by Israeli playwright Anat Gov, God walks into a therapist’s office suffering from depression. The therapist asks, “How long have you felt this way?” God says, “Two thousand, five hundred years. Give or take.” “You’ve been depressed for 2,000 years and only now you’ve come to therapy? What were you waiting for?” asks the therapist. And God says, “I thought time would heal.”

Gov, who died of cancer at 58, was born in 1953, and was a graduate of Thelma Yellin High School of the Arts. She was briefly a student in Tel Aviv University’s theatre department – she dropped out to become a successful playwright and television writer. She also married and was a mother of three and grandmother of two.

The Bema Productions staging of O My God is directed by Zelda Dean and performed by Christine Upright (the therapist), Rosemary Jeffery (God) and Jesse Wilson, who is on the autism spectrum himself, plays the autistic son of the therapist.

Tickets ($23) can be purchased online at ticketrocket.co or at the door.

Housing, high-tech, musicals and more – this week in the community

Tikva welcomes residents: The Storeys Complex in Richmond. (photo from facebook.com/tikvahousing)

We are taught from an early age that giving, repairing the world and being kind are the tenets of living a Jewish life. In our community we don’t have to look very far to find people who fit this description. One of the latest projects that has come to fruition is the Diamond Residences in the Storeys complex in Richmond. Thanks to the generosity of the Diamond Foundation, Tikva Housing Society now owns 18 (chai!) units that are being rented at below-market rates to people in the community for whom stable, safe housing was unpredictable and unaffordable, at best.

Tikva Housing partnered with four nonprofit societies and the City of Richmond to build these and other apartments. Tikva worked hand in hand with community agencies such as the Jewish Family Service Agency to place tenants in need in these units, as well as with the Jewish Federation of Greater Vancouver and B.C. Housing. Most of the tenants will have moved into their units by the end of this month.

The Diamond Residences will house six singles and, of those, five are seniors. Also, 12 families and a total of 22 children will be living there. One 83-year-old woman cried when she was told she would be moving into a studio unit, as she has not had a place to live for years and was sleeping on someone’s couch. A single Israeli mother with two children is moving into a three-bedroom unit; her kids have never had their own rooms. Another single mother with three children has been sharing a two-bedroom place and has not had her own room in two years. One family has moved to Greater Vancouver from out of town and can now attend Shabbat services, be close to their family and the Jewish community. There are many more such stories.

– Courtesy of Tikva Housing Society

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Simon Fraser University recognized four distinguished alumni on Sept. 13 at Four Seasons Hotel. Among them was Gary Cristall, co-creator of the Vancouver Folk Festival.

The annual awards, presented by SFU and the Alumni Association, recognize those whose accomplishments and contributions reflect the university’s mandate of engaging the world. An advocate for the arts and human rights, Cristall has been a cultural groundbreaker, having co-founded the Vancouver Folk Music Festival in 1978. In an industry plagued with an unscrupulous reputation, Cristall has been instrumental in fighting for the rights of artists to be treated professionally and with respect while also defending their rights to fair performance fees and copyright ownership.

Cristall served as acting head of the music section of the Canada Council for the Arts and was the founding president of the Public Service Alliance of Canada, the first union at the Canada Council. Today, Cristall continues to serve as a prominent mentor and educator, assisting artists in building their careers and guiding communities in enhancing dynamic cultural interactions that enrich and benefit a healthy, democratic society.

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After a grueling 33 hours of programming, DragonFruit – Benjamin Segall, Jacy Mark, Viniel Kumar and Pritpal Chauhan – completed StoryTree and demonstrated it live to a panel of judges at Hack the North, an international student hackathon held at the University of Waterloo in Ontario, which this year took place Sept. 15-17.

Canada’s biggest hackathon, Hack the North was founded and is organized by Techyon, a student-run nonprofit organization, in partnership with Waterloo Engineering. The event brings together 1,000 students from top universities across 22 countries in the world. Students collaborate and create impactful new hardware projects or mobile and web applications of their own design for a weekend at the University of Waterloo, all expenses paid.

DragonFruit’s StoryTree was one of the 14 projects chosen out of the more than 250 demonstrated at Hack the North. StoryTree is an online workspace for aspiring authors to collaborate on books together. All you have to do is write a paragraph or a chapter, or even just a sentence, and, as more and more people add or branch off from a story, that story you’ve always wanted to write becomes a reality.

DragonFruit will be continuing the project and are looking for alpha testers for January 2018. If anyone is interested in being a part of this project or for more information on it, contact them via facebook.com/dragonfruitcode or dragonfruitcode.com.

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photo - Swinging Sylvia rehearsals: Advah Soudack and Sky Kao create a whirlwind of action in rehearsal of the second one-act play that comprises Two Views from the Sylvia — Swinging Sylvia rehearsals: Advah Soudack and Sky Kao create a whirlwind of action in rehearsal of the second one-act play that comprises Two Views from the Sylvia. (photo by Sue Cohene)

Rehearsals have started for Two Views from the Sylvia, a new musical theatre production by Kol Halev Performance Society. This original production – which will be at Waterfront Theatre Nov. 8-12 – tells the story of the iconic Sylvia Hotel and its historic connection to the local Jewish community and the city of Vancouver.

Two Views from the Sylvia comprises two one-act plays.

The first play, Sylvia’s Hotel, is set in Vancouver in 1912. It brings to life the origin of the Sylvia Hotel, named for Sylvia Goldstein (Ablowitz) and the story of the Goldstein family who built it. Young Sylvia Goldstein and the legendary Joe Fortes, the beloved English Bay lifeguard, develop a bond that helps Sylvia realize her dreams.

In the second play, The Hotel Sylvia, the story continues as we meet the characters whose lives and loves became interwoven with the story of the Sylvia over her 100-year history. It includes vignettes revealed to the production’s researchers by Huguette, the front desk clerk who worked at the Sylvia for 35 years.

Jewish community members play key roles in both plays. In the lead roles are Advah Soudack (as Sylvia) and Adam Abrams (as Abraham Goldstein); Anna-Mae Wiesenthal and Joyce Gordon are cast in important supporting roles. Behind the scenes are Sue Cohene (producer) and Heather Martin (associate producer), as well as Gordon (assistant producer) and Abrams (graphic designer and webmaster) and Gwen Epstein (production team). Marcy Babins and Michael Schwartz collaborate in their roles at the Jewish Museum and Archives of British Columbia, which has created an historical photo display to accompany the production.

Two Views from the Sylvia is a project of Kol Halev in partnership with the B.C. Arts Council, Government of British Columbia, City of Vancouver, Granville Island Cultural Society, CMHC Granville Island and the JMABC. For information and tickets ($28), visit sylviamusical.com.

– Courtesy of Kol Halev

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Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success. All seven performances at Bema’s Black Box Theatre at Congregation Emanu-El were sold out and the production company’s work was once again as one of the best dramas in the Victoria Fringe.

photo - Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success — Bema Productions’ Victoria Fringe Festival play Horowitz and Mrs. Washington was a great success. *(photo from Bema)*

Mrs. Washington is hired to nurse Sam Horowitz, who’s been mugged and had a stroke. She’s a determined tyrant and he’s a bigoted Jewish widower. The two must find a mutually beneficial relationship when his daughter tries to make him leave his home. The play by Henry Denker reflects the attitudes of the 1970s and illuminates the power to be found in ordinary lives.

“The electric performance of the actors enabled the audience to visit uninhibitedly the issues of racism, stroke recovery and aging in place,” reads the review “Bravo Bema!” on Emanu-El’s website.

“For the most part,” said the review, “the actors were provided with a very humorous script that relied on stereotyping but went beyond it for its punchlines. The audience was asked to stretch their imaginations – who would have considered invoking Michelangelo to explain why the naming of a grandson ‘Douglas’ instead of ‘David’ was inappropriate? There were a few moments when the pace flagged but very few.”

While the play “revealed little about the face of contemporary racism,” the “potential disempowering of aging adults by their loving offspring is an issue of contemporary concern.”

The Bema production was directed by Zelda Dean and Angela Henry and was performed by David Macpherson, Rosemary Jeffery, Christine Upright, Alf Small, Cole Deo and Graham Croft.

– Courtesy of Bema Productions

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photo - Miki Mochkin teaches a class on baking challah — Miki Mochkin teaches a class on baking challah. *(photo by Shula Klinger)*

Chabad North Shore hosted a challah bake at Mia Claman’s store in West Vancouver on the night of Sept. 6. Miki Mochkin taught a class on baking challah to local women. While the bread was rising, she explained the significance of each ingredient for Jewish women. From the sweetness of the honey to the harshness of the salt, every element serves to remind the baker of its symbolic role in our lives as women and mothers.

– Courtesy of Shula Klinger

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photo - Panelists at Congregation Beth Israel discuss the topic Our Leaders: Are They Above the Law? — Panelists at Congregation Beth Israel discuss the topic Our Leaders: Are They Above the Law? *(photo by Cynthia Ramsay)*

In the photo, left to right, are Congregation Beth Israel Rabbi Jonathan Infeld, King David High School head of school Russ Klein, Vancouver Catholic Diocese Archbishop Michael Miller, Vancouver Police Chief Constable Adam Palmer, B.C. Court of Appeal Justice Sunni Stromberg-Stein and MLA Andrew Wilkinson. On Saturday night, Sept. 16, at the synagogue, this panel of speakers took on the topic Our Leaders: Are They Above the Law? Infeld framed the contemporary discussion around a talmudic discussion regarding an important rabbi in a community, rumours surrounding his conduct and whether the rabbi should be excommunicated. The panelists took this starting point to talk about their own professions, present-day accountability standards and various other issues.

– Courtesy of Cynthia Ramsay