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Tag: survivors

Survival in the forest

The harrowing new memoir by Vancouver’s Evelyn Kahn, They Never Left Me: A Holocaust Memoir of Maternal Courage and Triumph, written with her daughter Hodie Kahn, tells of a family’s survival while hiding in the forests of Eastern Europe.

They Never Left Me includes some of the most debasing inhumanity imaginable. Perhaps most shocking, though, is that human beings can withstand what the author and her family experienced and somehow endure and begin again in a post-Holocaust world, to raise a successful family and find meaning and happiness.

image - They Never Left Me book cover
Evelyn Kahn wrote They Never Left Me: A Holocaust Memoir of Maternal Courage and Triumph with her daughter, Hodie Kahn. On Oct. 19, at Schara Tzedeck Synagogue, Evelyn Kahn will talk about the book with Dr. Robert Krell.

Stories of Chava’s (Evelyn’s) early years, typical of traditional Eastern European Jewish shtetl life – her father’s preparations for morning prayers, her mother baking round challah for Rosh Hashanah, a live fish floating around in preparation for gefilte – read as ominously ordinary, knowing as we do a little of what is to come. 

From their hometown of Eishyshok, a shtetl in Poland that historically had shifted between Lithuania, Poland and then, tragically, between the Nazis and the Soviets, the family moved a few dozen kilometres to Lida, in what is now Belarus. This relocation, an economic move driven by her father’s proficiency in the Russian language, was the least dramatic move of Chava Landsman’s young life. Nonetheless, that move might have been the first of many near-miracles that saved the lives of Chava and the women in her family.

“On the eve of Rosh Hashanah 1941, Eishyshok’s Jews were rounded up and locked in the synagogue and two schools. After three days, they were herded to the horse market.… Over the next two days, the Jews were taken in groups of 250 – first the men and then the women and children – to the old Jewish cemetery. They were ordered to undress and stand at the edge of large open ditches, where they were shot to death by Lithuanian police. Babies were bashed to death against headstones or tossed into the air for sharpshooting practice led by the chief of police, Ostrauskas, before their tiny lifeless or quivering bodies were thrown into the killing pits to join their parents. Everyone was murdered.”

The final victim of the massacre was the town rabbi, “shot after being forced to witness the murder of his entire flock.”

As the Nazis invaded Lida, the family witnessed the aerial bombardment and made the decision to flee. They headed south, and sought refuge in another shtetl, Zhetel. But this was a brief refuge – not an escape. Death was chasing them. 

Chava’s father was rounded up during a cull of intelligentsia on July 23, 1941, barely a month after they arrived. 

“We watched in misery as Papa climbed into the back of a truck and was driven away,” she writes. “I never saw my father again.”

Chava’s Uncle Chaim and Rivke’s husband Shael were conscripted into the Red Army, leaving the women as the only family together in the Zhetel ghetto, which was created in February 1942. Chaim was captured by the Nazis, but incredibly escaped a POW camp and returned to Zhetel, where he became a Partisan in the forest and was killed. On April 30, 1942, the first liquidation began in the Zhetel ghetto.

“My own memory of the procession along the street is of being corralled into a narrow funnel and of feeling smothered by the crush of human bodies around me,” she writes. “I remember telling my mother I could not breathe. I was worried I might pass out and be trampled. People were on top of one another – on top of me – crying and tearing their hair out. I wanted Mama to pick me up, but it was impossible. We were compressed like livestock in a cattle chute. I just held onto Mama’s hand and prayed that mine would not slip out of hers.”

In terror, Chava told her mother she was being suffocated.

“She bent down close to me and I will never forget her tearful words,” Kahn writes. “My child, it is better that you should suffocate here than my eyes should witness you being murdered.

“I took in what she said and then simply asked, ‘Does it hurt to die, Mama?’ She assured me it was a peaceful experience. ‘Neyn mayn kind, es iz vey a feygele, git a brum’ (‘No my child, it is like a chirp of a bird’).

“Her answer quieted my fears and calmed me. I was never afraid of death from that moment on. I never remember feeling despair. On the contrary, I was exceptionally calm and clear throughout the nightmare to come.”

Somehow, the women survived the first liquidation. When the second and what would be the final liquidation of the ghetto began on Aug. 6, 1942, 3,000 Jews were herded to the Jewish cemetery and murdered. Knowing what was to come, Chava’s mother Basia decided to risk going into hiding – a choice between instant death and likely later death for disobedience. Again, it was a lifesaving decision.

Basia, Chava and her grandmother (Bobe) Hoda fled to the forest. Miraculously, with the help of a non-Jewish friend of the family, they were reunited with Chava’s Aunt Rivke, and the three adult women and Chava would endure the horrors of life in the woods for two years. (Shael fought with the Red Army through the war and survived, but he and Rivke did not reunite.)

The women largely fended for themselves with some assistance from Partisans and the occasional righteous non-Jew. Like other Jews in the forests at the time, they formed fluctuating ad hoc survival “family groups” of a dozen or as many as 20 people.

“We had learned the rules of the ghetto and we had survived. Now we would have to learn the rules of the forest. And we would have to learn them very, very well and very, very quickly. We could either adapt and hopefully live or not adapt and definitely die.

“We lived with the constant nervous anticipation of being discovered and killed at any moment. We were careful to speak quietly. We were always alert. We became as hypersensitized and wary as the creatures of the forest.”

In winter, they sheltered in holes in the ground. 

“Needless to say, hygiene and maintaining our health in the forest was hugely challenging,” Kahn writes. “We were malnourished and vitamin deficient. We were unwashed and unkempt. We wore the same clothes day after day with no relief. We were filthy skeletons, bulked up only by the layers of our lice-infested clothing, which we wore 24 hours a day. I often wonder how we managed to survive those two years without bathing.”

Basia’s doggedness saved her family. Even at 40 degrees below zero and with snow to her thighs, she would trudge out of the woods to beg or steal provisions from local farmers. 

“It is true that many (most) farmers were unfeeling or, worse, informers. But it is important to acknowledge that there were those who hung onto their humanity during the war, righteous gentiles who were sympathetic and compassionate and gave us food and other necessities,” Kahn writes.

It is estimated that only one-half to one-third of the Jews who hid in forests survived to liberation. And, when “liberation” did come, and the Nazis were defeated, antisemitism remained. Many ordinary Russians, Poles, Lithuanians and Belarusians thought they had seen the last of the Jews and were not welcoming to the few straggling remnants who found their way back home.

The three generations of women – Bobe Hoda, mother Basia, Aunt Rivke and Chava, as well as Rivke’s baby, Joseph, who was born in and knew life only in the forest – remarkably survived and proceeded through a series of displaced persons camps, with schooling and vocational training for the young survivors. They had no family in the new state of Israel and so America seemed the more logical destination. At age 16-and-a-half, Chaya/Evelyn, her mother, aunt, cousin and grandmother were greeted at New York by the Statue of Liberty and a coterie of cousins. Eventually, Evelyn reconnected with a young man from Eishyshok, Leon (Leibke) Kaganowicz, who would become Leon Kahn and, because of American migration quotas, a Canadian who lived in Vancouver. Together, they became stalwarts of the Vancouver community.

Leon Kahn passed in 2003. His memoir, No Time To Mourn: The True Story of a Jewish Partisan Fighter, was published in 1978 and reissued in 2004. It will be released again this fall.

Evelyn has two sons, Mark and Saul, and daughter Hodie, as well as seven grandchildren and three great-grandchildren.

The idyllic start of Chava’s life, surrounded by a tight and loving family and community, juxtaposes horrifically with the abrupt cataclysm of history that would follow. The survival of three generations of women in the forests of Eastern Europe is a monument to human resolve and resilience. They Never Left Me is a momentous contribution to the literature of the Holocaust.

An event featuring Evelyn Kahn in conversation about the memoir with Dr. Robert Krell will take place on Oct. 19, 2 p.m., at Schara Tzedeck Synagogue, presented by the Vancouver Holocaust Education Centre, Ronsdale Press and Schara Tzedeck. 

Posted on September 26, 2025September 24, 2025Author Pat JohnsonCategories BooksTags book lauch, Evelyn Kahn, history, Hodie Kahn, Holocaust, memoirs, Ronsdale Press, Schara Tzedeck, survivors, They Never Left Me, Vancouver Holocaust Education Centre, VHEC

Vrba monument to be unveiled

photo - Rudolf Vrba, in the 1960s
Rudolf Vrba, in the 1960s. (photo from University of British Columbia. Archives)

Rudolf Vrba’s escape from Auschwitz and testimony helped alert the world to the horrors of the Holocaust, and Vrba is credited with saving the lives of more than 100,000 Hungarian Jews. On Oct. 26, 2 p.m., at Schara Tzedeck Cemetery Chapel in New Westminster, a commemoration ceremony will be held for Vrba. The program will feature reflections on his life, legacy and enduring impact from Dr. Robert Krell and Dr. Joseph Ragaz, and will conclude with the dedication of a memorial monument in Vrba’s honour.

Posted on September 26, 2025September 24, 2025Author Vancouver Holocaust Education CentreCategories LocalTags history, Holocaust, milestones, momuments, Rudolf Vrba, Schara Tzedeck Cemetery, survivors

Community milestones … for July 2025

photo - David Bercovici-Artieda’s The Fast Runner was nominated for six Leo Awards, with Bercovici-Artieda taking home the award for cinematography
David Bercovici-Artieda’s The Fast Runner was nominated for six Leo Awards, with Bercovici-Artieda taking home the award for cinematography. (photo © David Bercovici-Artieda)

The short film The Fast Runner, which was shot in the Greater Victoria area, won a 2025 Leo Award in cinematography for David Bercovici-Artieda. Bercovici-Artieda was also nominated for best direction, and the piece had six nominations in total.

The Leo Awards are a Project of the Motion Picture Arts & Sciences Foundation of British Columbia. This year, there were more than 1,300 eligible entries in 16 different program categories. 

In addition to nominations for direction and cinematography, The Fast Runner was nominated for screenwriting (Michael Adams), production design (Sarah Monteith), costume design (Constance Moerman and Josie Saldat) and make-up (Teia Dumaresq, Akina McCrea, Lindsay Pilkey, Donia Nikoo, Naomi Burnell and Mayhanna Haslam).

“It’s not just about telling a story,” Bercovici-Artieda, the son of a Holocaust survivor, told the Independent earlier this year. “It’s about honouring the memory of those who lived through unimaginable horrors, including my own father. Every frame, every scene and every creative choice carries the weight of history – my family’s history.” (See jewishindependent.ca/balancing-education-and-art.)

For more about Bercovici-Artieda, the film and the many other awards and recognition it has received, visit thefastrunnerfilm.com.

* * *

At its annual general meeting last month, the Vancouver Holocaust Centre Society for Education and Remembrance presented its annual Life Fellow Award to Sidi Schaffer and Keith Morgan. The award is given to individuals who have made exceptional contributions to Holocaust education and remembrance.

Sidi is a Holocaust survivor and talented artist whose life and work are powerful testaments to resilience and remembrance.

photo - Sidi Schaffer
Sidi Schaffer (photo from VHEC)

Born in northern Romania, Sidi was just a child when she and her family were forced into the Czernowitz ghetto in 1940, and later deported to the Djurin concentration camp in what’s now Ukraine. They endured unimaginable hardship for four years before returning to Romania in 1945. Sidi later moved to Israel, where she earned her degree in art education, and eventually settled in Canada with her husband David and their three sons.

After completing a bachelor of fine arts at the University of Alberta, Sidi continued to use art as a way of processing and sharing her experience. Her piece “Earth, Don’t Cover Their Blood” (featured in the VHEC’s 1998 Gesher Project) remains a moving tribute to those lost – and a powerful educational tool.

Sidi continues to share her story and use her art to bear witness as a long-time member of the VHEC’s Child Survivor Group. 

Keith, a best-selling author and award-winning journalist, has dedicated his work to preserving Holocaust memory.

photo - Keith Morgan
Keith Morgan (photo from VHEC)

Born in Blackpool, England, in 1954, he moved to Vancouver in 1980, where he became a columnist on cars and motoring for the Province and Sun newspapers.

In 1997, he wrote a newspaper feature about Ruth Kron Sigal and her community impact. Moved by Ruth’s family story and motivated by his own limited knowledge of the Holocaust in the Baltics, Keith collaborated with Ruth, the eldest daughter of Meyer and Gita Kron, on her memoir, Ruta’s Closet (Shavl Publishing, 2008), about the murder of 200,000 Lithuanian Jews during the Holocaust and the Kron Sigal family’s survival during the Nazi occupation of Lithuania.

Keith worked on Ruta’s Closet while working as a journalist, researching daily, conducting interviews and using his holidays to travel across Europe, Israel and North America. Since its publication in 2008, the book has become a vital educational resource. According to historian Sir Martin Gilbert, it is “one of the finest Holocaust memoirs.”

* * *

Wendy Cocchia, lieutenant governor of British Columbia, has accepted to serve as honorary patron of the Holocaust Theatre Production Society’s Survivors program. Patronage, in the spirit of supporting and encouraging meaningful initiatives, is a role of the Office of the Lieutenant Governor, rooted in the Crown’s tradition of recognizing and uplifting worthy endeavours. 

The play Survivors, by Wendy Kout, is an hour-long educational drama that enacts the story of the Holocaust through eyewitness testimony of 10 survivors. Young and diverse audiences relate to the young and diverse cast, who are guides on the perilous journey of their ever-changing world. The survivors in the play also provide life lessons and encouragement to speak up and act up against hatred and bullying today. Suitable for young adult and adult audiences, this play about the past is a warning and a wakeup call for the present and the future.

As of June 30, Survivors was booked for more than 30 performances across Vancouver Island, bringing the society’s Holocaust education program to middle and high schools, both public and private, as far north as Campbell River.

Thank you to the Victoria Foundation for their support, which will ensure that the program can be delivered to Victoria schools in October.

Visit holocausttheatre.com for more information and to watch the trailer. 

* * *

Last month, the Vancouver Holocaust Education Centre presented the 2025 Meyer and Gita Kron and Ruth Kron Sigal Award for Excellence in Holocaust Education to Chantel Parsons. Chantel has consistently demonstrated an exceptional commitment to Holocaust education throughout her career, significantly impacting her students, colleagues and the broader school community.

photo - Chantel Parsons
Chantel Parsons (photo from VHEC)

Chantel is a geography and history teacher at Mark R. Isfeld Secondary School in the Comox Valley. The teacher’s Genocide 12 course, which centres on the Holocaust, remains one of the most popular senior-level electives at her school, drawing students eager to engage deeply with this critical history.

Chantel’s approach to Holocaust education is marked by historical precision, critical inquiry and meaningful impact. Her students explore complex issues around historical responsibility and the roles of perpetrators, victims, bystanders and resistors, challenging simplified narratives and examining the complexities of human behaviour during the Holocaust.

The lasting influence of her teaching is reflected in the words of a former student: “You were probably one of the best teachers I had. The focus you put on the atrocities in WWII, and the effort you put into teaching us how to recognize the patterns that lead up to events like this made me question a lot of things I probably wouldn’t have otherwise…. I often think back to things I learned in your class.”

A distinctive feature of Chantel’s teaching is her focus on Holocaust denial and distortion – topics often underrepresented in high school curricula. Her students study landmark Canadian legal cases concerning Holocaust denial, and benefit from guest speakers and witnesses connected to these cases. 

Despite teaching in the smaller community of Courtenay, Chantel’s students access extensive enrichment opportunities through VHEC’s online programs. This year, her class participated in multiple live Zoom workshops, survivor speaker presentations, virtual exhibition tours and accessed a wealth of online teaching materials. 

The Kron Sigal Award was established in memory of Meyer and Gita Kron and their daughter Ruth Kron Sigal, Lithuanian Jewish survivors of the Holocaust who reestablished their lives in Vancouver. Through their lifelong involvement with education and community, the family touched the lives of thousands of students. The award in their name is presented annually to British Columbian teachers who have demonstrated excellence and commitment to teaching students about the Holocaust and its important lessons for humankind.

* * *

photo - Gerri Klein (centre, seated) with some of her graduating colleagues at the 50th anniversary of the Winnipeg Health Science Centre School of Nursing
Gerri Klein (centre, seated) with some of her graduating colleagues at the 50th anniversary of the Winnipeg Health Science Centre School of Nursing. (photo from Gerri Klein)

Gerri Klein recently celebrated 50 years as a nurse! She was part of the first nursing class from the Winnipeg Health Science Centre School of Nursing.

During her career, Gerri, who now has a master’s in nursing (2003, University of British Columbia), has been honoured with the Canadian Diabetes Educator of the Year Award in 2020 and a Nurses and Nurse Practitioners of BC 2023 Nursing Award of Excellence: Excellence in Advancing Nursing Knowledge and Research. She currently works as a diabetes educator at BC Diabetes in Vancouver.

* * *

photo - Dr. Aaron Klein
Dr. Aaron Klein (photo from Gerri Klein)

Aaron Klein graduated from the University of Toronto with a doctor of philosophy, aerospace studies, department of mechanical and industrial engineering, on June 17, 2025. Aaron, who is working and living in Toronto, stays busy raising his young family with his wife Carolyn.

 

Posted on July 25, 2025July 24, 2025Author Community members/organizationsCategories LocalTags anniversaries, Chantel Parsons, David Bercovici-Artieda, Gerri Klein, Holocaust, Holocaust Theatre Production Society, Keith Morgan, Kron Sigal Award, Leo Awards, Life Fellow Award, milestones, Sidi Schaffer, survivors, Vancouver Holocaust Centre Society, VHEC, Wendy Cocchia, Winnipeg Health Science Centre School of Nursing
Learning from one another

Learning from one another

The Jewish Regional Communities Conference April 27-28 brought together Jewish communities from throughout the province to network, engage and learn. (photo from Jewish Federation of Greater Vancouver)

The Jewish Regional Communities Conference was the first of its kind. The April 27-28 event included Jewish communities from throughout the province and was a time for everyone to come together, connect, hear various speakers and participate in workshops. 

The conference kicked off with a message from Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver. He talked about how the conference was 10 years in the making. 

“This conference started with a simple question, how do we support Jewish life, everywhere in BC, in every place where people are trying to connect, trying to build community on their own?” he said. “How do we support them? For years, we’ve been hearing that regional communities want more connection to each other, more access to resources and more chances to share what’s working. So, we listened, we had conversations, we showed up, we learned a lot, and now we’re here together to move the conversation forward – because vibrant Jewish life doesn’t look the same everywhere, and it shouldn’t. What matters is that it reflects you – you in this room, your people and your values. Federation’s job is not to decide what that looks like. Our job is to walk alongside you, to listen and to help open doors.”

Shanken’s statement encompassed what the conference was about: having regional communities coming together to network, engage and learn. The conference had numerous breakout sessions where attendees could learn about different subjects.

One session was on developing leaders in small communities, which was led by Lyssa Anolik, community connector, Squamish/South Sea to Sky, at Jewish Federation. In the workshop, attendees brainstormed on various questions, and ideas were discussed on how to motivate and support volunteers, create visions for each community, and event planning. 

Another keynote speaker was Rabbi Mike Uram, chief Jewish learning officer for Jewish Federations of North America. The presentation was held over Zoom and questions were welcomed throughout. One person asked how to maintain relationships within a community, especially if they are challenging. Uram, who had worked with the late John McKnight and John Kretzmann at Northwestern University, said they had advice on this topic.

“If you make a map of everything that’s wrong and then try to fix it, it creates a whole bunch of unanticipated negative consequences,” said Uram. “One of those consequences is that, when you’re thinking about things from a position of scarcity, then there’s always a debate about what is the one magic bullet answer that’s going to solve the issue, and both of them talked about [how,] just by flipping the conversation and beginning with the assets that you have – like, how do you map out what works? – that it actually dispels some political infighting, because you’re not approaching what is the future of the community. So that, I think, works across the board as a way of preventing burnout in leadership.”

He added, “One of the tricks is to make sure that you’re pitching the future and the conversation you’re having as a community way off at the horizon and thinking about all the things we could do, rather than fighting about how we’ve divided the pie as we have it, because that actually does, I think, tend to bring out people’s fear and a little bit of animosity and that kind of zero-sum thinking.”

The rest of the presentation talked about different theories or strategies that can build lasting and prosperous regional communities. 

In addition to other speakers and breakout sessions, there was a conversation with Nova music festival survivors Raz Shifer and Inbal Binder, who participated in many activities when visiting Vancouver from Israel. Both talked about who they are and their own experiences on Oct. 7. (See jewishindependent.ca/healing-from-trauma-of-oct-7.)

photo - Nova music festival survivors Inbal Binder, left, and Raz Shifer spoke at the conference
Nova music festival survivors Inbal Binder, left, and Raz Shifer spoke at the conference. (photo from Jewish Federation of Greater Vancouver)

Having had trouble getting back to work after the horrific tragedy, the two attended a program at Healing Space Rishpon.

“We went there three times a week … and we made ceramics and candles,” said Shifer. “From just creating with our own hands, it helped us process all the trauma and just feel useful…. For me, it really made movement again in my life and then I met Inbal – we’re good friends now.”

Speaking at the conference was challenging, said Shifer. 

“Almost the day before I came here,” she said, “it was like, oh my God, how am I going to do it? I think the twist that came after is the power of the group. I heard that you all came from different places – but we are all Jewish, and it’s something that I expect here in many kinds of communities.” 

Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.

Format ImagePosted on May 30, 2025May 29, 2025Author Chloe HeuchertCategories LocalTags British Columbia, Jewish Federation of Greater Vancouver, Nova music festival, Oct. 7, Regional Communities Conference, survivors
A childhood spent on the run

A childhood spent on the run

Survivor Miriam Dattel, right, with the Vancouver Holocaust Education Centre’s Ellie Lawson at the Yom Hashoah commemoration April 23. (screenshot)

Miriam Dattel was born Branka Friedman, in September 1940, in the Croatian city of Zagreb, then part of Yugoslavia. She was about six months old when the Nazis invaded and her family began a life in hiding. Fleeing ahead of the Nazis and their collaborators, the family survived together through a series of close calls, lifesaving tips from compassionate officials, luck, determination and exhausting treks through the wilderness in search of refuge.

Dattel shared her family’s story at the annual Yom Hashoah commemoration at Temple Sholom on April 23.

Upon invading Yugoslavia in April 1941, the Nazis, aided by their Croatian fascist Ustaše collaborators, immediately instituted the Nuremberg Laws and set up the first concentration camps in Yugoslavia. Dattel’s father and uncle were thrown out of the university and all Jews were forced to don the yellow star – including on young Branka/Miriam’s baby carriage.

The family was set to flee to Budapest, where they believed they would find refuge with family. When the day came, the baby Branka was ill, so her grandmother, Irma Stern, was sent on ahead. It was the last time the family saw her. 

In her haste, the grandmother left behind her prayer book, which was her ubiquitous companion. Branka’s mother viewed the holy book as a fortuitous omen that all would be well in the end. At the commemoration last month, Dattel held the prayer book, now more than a century old and suffering the inevitable evidence of time. 

Eventually, the family fled – but not to Hungary. Branca/Miriam, her parents, Andor and Margita Friedman, and her aunt and uncle, Lili and Fritz, were transported with the help of a friend of her uncle’s southwest to the Croatian city of Split on the Adriatic coast. Sections of the city were controlled by the Italian fascists and others by the Croatian regime. 

One day, her father was tipped off by a high-ranking Italian officer that the Croatians were preparing to deport Jews from the areas of Split they controlled. He returned home in the middle of the night and evacuated the family to the Italian side. Eventually, the family’s race against fate continued, with a journey under false identities by ship to northern Italy.

“In 1943, when eventually Mussolini was finished, the Germans took over,” Dattel said in a video at the ceremony. Again, her father was tipped off by an Italian official, who warned him to disappear. 

“From then on, from what I saw in my father’s diary, we went through 18 different hiding places,” she said, noting assistance from underground operatives.

As a child forced to race from one place to another, few distinct memories remain. However, in various barns where they took refuge, people would roast chestnuts and that remains an evocative taste-memory for her.

Ovaltine is another. And it is a flavour from the very moment that may have saved the life of Miriam and her family.

The group – now six with the addition of her newborn cousin Gerardo – had made their way through northern Italy, around Lake Como and toward the Swiss border. After walking for hours, crossing under fences and trudging through difficult terrain, they came to the frontier of Switzerland.

“There were two Swiss border guards there,” said Dattel. “They said the border is closed. And my father said, impossible, you are not going to let two kids be killed. My recollection is this Swiss soldier [with] a German Shepherd coming towards me, lifting me up and carrying me to the station, to the border house.”

There, the guard gave her Ovaltine and, while she has tried to recreate the flavour, it has never tasted the same.

The family members were placed in refugee camps, Miriam separated from her parents. In Switzerland, the family lived out the war, returning to Zagreb afterward before Miriam and her parents made their way to Israel. 

About 1.5 million Jewish children were murdered in the Holocaust. Miriam was one of an estimated six to 11% who survived. In addition to the video screened at the event, Dattel spoke on stage with Ellie Lawson, the Vancouver Holocaust Education Centre’s education manager.

Claire Sicherman, a granddaughter of survivors, was the third-generation descendent speaker. She spoke of being consumed by grief in early life and growing up in a family filled with silences. (Sicherman shared her story of trauma and recovery earlier this year. See jewishindependent.ca/healing-trauma-possible.)

Hannah Marazzi, acting executive director of the VHEC, noted that this year marks the 82nd anniversary of the Warsaw Ghetto Uprising, a symbol of defiance in the face of annihilation. In addition to remembering the millions of lives lost and the resilience of survivors, she said, “We remember the young Jewish fighters who rose up against the Nazis and whose courage continues to inspire us to stand against oppression in all of its forms.”

Rabbi Carey Brown, associate rabbi of Temple Sholom, welcomed attendees to the synagogue and reflected on the past’s lessons for the present.

Dr. Abby Wener Herlin, associate director of programs and community relations for the VHEC and a member of the third generation, introduced survivors, who lit candles of remembrance.

Cantor Shani Cohen chanted El Moleh Rachamim, the memorial prayer for the martyrs.

Wendy Bross Stuart was responsible for musical direction and arrangement, and played piano. Eric Wilson played cello. Cantor Michael Zoosman, Erin Aberle-Palm, Matthew Mintsis and Lorenzo Tesler-Mabe sang.

As is traditional, the annual ceremony ended with the singing of “Zog Nit Keynmol,” “The Partisan Song.” 

Format ImagePosted on May 9, 2025May 8, 2025Author Pat JohnsonCategories LocalTags Claire Sicherman, history, Holocaust, Miriam Dattel, second generation, speakers, survivors, VHEC, Yom Hashoah
Theatre from a Jewish lens

Theatre from a Jewish lens

Laen Hershler performing REMNANTS. Hershler brings an interactive version of Dr. Hank Greenspan’s play, which is based on 40 years of conversations with Holocaust survivors, to the Peretz Centre for Secular Jewish Culture on June 8. He will be joined by Vancouver Playback Theatre. (photo from grad.ubc.ca)

In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific. He also hosts, on June 8, Listening with Survivors, “an evening of deep listening and shared reflection as monologues from Holocaust survivors open into a live, interactive performance with Vancouver Playback Theatre.”

“I was deeply honoured and excited to step in as the artistic director of Theatre Terrific,” he told the Jewish Independent. “This community has always felt like home to me, both as a person and an artist. I look forward to continuing this welcoming tradition.”

“Theatre Terrific Society is a trailblazing mixed-ability theatre company that has been championing inclusivity in the arts since 1985,” reads the website. The society is “dedicated to tackling the challenges of accessibility, representation and inclusion in the arts by breaking down stereotypes and fostering empathy across diverse communities. It creates work that resonates with universal human experiences, bridging differences through storytelling. With a compassionate yet bold approach to theatre-making, it cultivates spaces where respect, rigour and risk drive the creative process.”

Theatre Terrific’s last production, called Proximity: The Space Between Us, was well received at the Vancouver Fringe Festival last September. Directed by Hershler and Susan Bertoia, it was created with the cast and is about the struggles of aspiring artists.

photo - In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific
In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific. (photo from instagram.com/theatreterrificvan)

Hershler is also an actor and improviser, and he is pursuing a doctorate in research-based theatre at the University of British Columbia. He is part of Vancouver Playback Theatre, as well, and, as an observant Jew, he performs complete with head-covering and tzitzit. 

“Since my shift to diligently keeping Shabbat about eight years ago, my acting career moved from mainstream theatre, which almost always necessitates working on Friday/Saturday nights, to applied forms of theatre,” he said. “These include playback theatre, forum theatre and academically situated theatre, which are much less dependent on weekend shows. I love performing in these types of shows since they tend to be very socially engaged and meaningful projects.”

Hershler’s responsibilities at Theatre Terrific include arranging all the classes, courses and productions, and hiring the instructors, directors and other artists for TT’s projects. He teaches, directs and sometimes performs in the company’s offerings, and works on establishing connections with the broader community of theatre companies regionally and internationally, especially all-abilities arts organizations. 

“I love the meaningfulness of the work, the creative freedom and the amazing human beings I get to work with,” he said. “I appreciate the opportunity to create work and opportunities for theatre artists of all abilities and to produce meaningful and evocative theatre. The challenge of the work – which is learning to hold a radically inclusive space that allows for high-level artistic work while including artists across spectrums of physical, neurodiverse and cognitive abilities – is also something I cherish.”

Hershler’s theatre career began at the Jewish Young People’s Theatre of Vancouver, which was based out of the Peretz Centre for Secular Jewish Culture. The program was guided by Lynna Goldhar Smith, who he credits as being a huge influence – he began classes with her when he was 8 years old and stayed with YPT until he was 14. He said a large percentage of people that he acted with in YPT are still involved in the arts today. 

Since graduating with his master’s at the University of Cape Town in 2011, Hershler has been an instructor in the education faculty at UBC in Vancouver and in the creative studies faculty at UBC in Kelowna. He began his career as a performer and educator touring and giving workshops in France, Korea, Australia, Kenya, South Africa and elsewhere on various aspects and uses of physical theatre for both children and adults.

“I loved my role as the Tooth Prince while performing for 5-year-olds (and their parents) at one of the most prestigious theatres in Seoul, Korea,” he said.

A couple of years ago, at the Peretz Centre and at Or Shalom, Hershler performed the one-man show REMNANTS, which was written by Dr. Hank Greenspan and first produced, for radio, in 1991. Based on 40 years of conversations with Holocaust survivors, the work delves into the survivors’ experiences, exploring themes such as loneliness, rage, storytelling and the dynamics of relationships across generations.

“It was a deeply meaningful project,” said Hershler, who is bringing REMNANTS back to the Peretz Centre on June 8, in a different form.

“In this version,” said Hershler in an email, “these monologues will open into a space for collective reflection, storytelling and discussion through playback theatre – a form of theatre that invites the audience’s voices and experiences into the performance itself, creating a space for deep listening and dialogue. For this, we will be joined by Vancouver Playback Theatre.”

The evening will be about listening to the Holocaust survivors, as well as one another, he said, “to find overlap and connection with our own lives, today, in this moment in time – to learn with, to learn from, to learn alongside.”

Hershler would like to do more Jewish storytelling.  

“I would love to create work that brings down the mystical tales of Rebbe Nachman of Breslov, an interest I inherited from my father, who has long been a storyteller of Nachman tales…. Being Jewish is who I am, and it pulsates through all the work I do,” he said. “All my artistic work emerges from this prism, from a Jewish lens, from a Jewish neshamah (soul).”

For tickets to Listening with Survivors, go to peretz-centre.org. For more information about Theatre Terrific, visit theatreterrific.ca. 

Cassandra Freeman is a freelance journalist and improv comedy performer living in Vancouver.

Format ImagePosted on May 9, 2025May 23, 2025Author Cassandra FreemanCategories Performing ArtsTags Holocaust, Laen Hershler, REMNANTS, storytelling, survivors, Theatre Terrific, Vancouver Playback Theatre
Healing trauma possible

Healing trauma possible

Claire Sicherman read from her book Imprint, about intergenerational trauma, at UBC Hillel on Jan. 21. (photo by Pat Johnson)

Understanding of intergenerational trauma has expanded in recent decades. Two granddaughters of Holocaust survivors discussed the larger phenomenon and their personal experiences recently at the University of British Columbia’s Hillel House, part of Hillel’s Holocaust Awareness Week. 

Claire Sicherman, author, workshop facilitator and trauma-informed somatic writing coach, shared her experiences and read from her book, Imprint: A Memoir of Trauma in the Third Generation, which was published in 2017. She was in conversation with Dr. Abby Wener Herlin, associate director of programs and community relations at the Vancouver Holocaust Education Centre, which co-sponsored the Jan. 21 event with Hillel BC.

Sicherman attributed to psychologist Dr. Arielle Schwartz the definition of intergenerational trauma as the ways in which the unresolved experiences of traumas, losses and griefs of one generation can become a legacy that is passed down to the next generation. 

“In other words,” said Sicherman, “the experiences of my grandparents are passed down through my parents to me.”

In addition to the “nurture” component of family legacies, there is the “nature” component of epigenetics, which Sicherman described as “the study of how genes turn on and off in response to environmental change.”

“I’ve heard it talked about like it’s sort of like light switches switching on and off in the body,” she explained. “Whatever switches switched on for my grandparents would then be switched on, passed down to my parent, passed down to me.” 

Experts in the field say it’s not a biological prison, Sicherman said. “They are actually malleable, so what you’re born with, you are not necessarily stuck with. We do have the ability to change certain things. There is hope in that.”

Growing up, Sicherman knew little or nothing about inherited trauma.

“When I started reading about it, I began to understand that what was going on with me wasn’t really my fault or that it wasn’t really something wrong with me,” she said. “It was just that I was carrying this huge thing.”

Reading excerpts from her book, Sicherman recounted being “disconnected from my body.” The inherited trauma manifested as a nervous system on overdrive and a tendency to hypervigilance. She was always ready to bolt out the door, looking for exit signs, aware of potential dangers, unable to fully rest, and prone to stress and anxiety.

She said that untold stories often pass more powerfully from generation to generation than stories that are recounted.

“When you think about that,” said Sicherman, “it’s what we don’t talk about that has more weight. It’s the silence. It’s the secrets.… That’s why it’s also important to me to speak out about these things, because it’s healing that goes across generations.”

Her survivor grandparents thought they were protecting their children through silence, Sicherman said. In response, the second generation learned not to ask questions.

There were other silences. In addition to the limited discussion around the Holocaust, Sicherman did not learn until well into her own adulthood that, when she was 4 years old, her grandfather had taken his own life, and not died of a heart attack, as she had been led to believe.

As someone who writes about and works with others on issues of healing intergenerational trauma, she urges people to embrace the totality of what they have inherited.

“Aside from trauma, what are the legacies that your ancestors bring to you?” she asked. “What are the gifts? What are the strengths? That’s also an important question to ask yourself, and a way of connecting with Jewish heritage. What are the strengths of your lineage? Is it survival? Is it tenacity? Is it humour? Is it creativity? Those are questions that you can ask yourself.”

Her son, Ben Sicherman, a UBC student, was present and also spoke of his family’s legacy of trauma. He described struggling with anxiety when he was younger and learning mechanisms for addressing issues through his parents’ modeling. He also spoke of carrying the legacy of his ancestors in ways like choosing 18 as his hockey number, not only because it represents chai, life, but because the numbers on his great-grandmother’s Auschwitz tattoo added up to the number 18.

Intergenerational trauma is a major component of her life’s work, said Sicherman.

“I do feel a sense of obligation, as a third generation,” she said. “But I also feel like this is part of my calling, too. It’s very meaningful. It’s an obligation that is not homework. It’s part of what I was set out to do.” 

Format ImagePosted on February 14, 2025February 13, 2025Author Pat JohnsonCategories LocalTags Claire Sicherman, health, Hillel House, Holocaust, Holocaust Awareness Week, Imprint, intergenerational trauma, mental health, second generation, survivors, third generation, trauma, VHEC
Oct. 7 heroes support Team Israel-Premier Tech

Oct. 7 heroes support Team Israel-Premier Tech

Oct. 7 survivors Sharon Shabo, left, and Avida Bachar lead Team Israel-Premier Tech riders in the team’s final training session before the Tour de France started on June 29 in Florence, Italy. (photo by Noa Arnon)

Three injured heroes from the Oct. 7 Hamas terror attacks came to support Team Israel-Premier Tech at the Tour de France. As well, they held signs bearing the names of hostages, some of whom are their close friends, and called for their release. Alongside them stood Israel-Premier Tech owners Sylvan Adams and Ron Baron.

“My friends from the kibbutz are suffering there. We can’t wait another moment,” said Avida Bachar. He lost his son and wife, who were murdered in their shelter in Be’eri on the morning of Oct. 7, while he himself was severely injured and lost his leg. Despite adapting to his prosthetic, Bachar insisted on riding his bike for the first time since his injury to lead the Israeli team in their final training session. “It was an immense moment, one of the most emotional of my life,” he said.

Joining Bachar was his good friend Sharon Shabo, who was seriously injured in a Hamas ambush on the morning of Oct. 7 while riding his bike, and 20-year-old Oded Gelbstein, a young combat engineer soldier who was critically wounded in Gaza and is currently undergoing rehabilitation in Florence.

“Avida and Sharon will be our great inspiration at the Tour de France,” said Adams to the team riders before the race started.

The Tour de France lasts three weeks, during which the riders cycle more than 3,400 kilometres. Twenty-two teams are taking part in the 21-stage race, which culminates in Nice, France, on July 21. 

– Courtesy Team Israel-Premier Tech

Format ImagePosted on July 12, 2024July 10, 2024Author Team Israel-Premier TechCategories WorldTags hostages, Oct. 7, resilience, survivors, Tour de France
Heroic survival at kibbutz

Heroic survival at kibbutz

A photo Dekel Agami took Oct. 7, 2023, of Kibbutz Nir Oz in flames. (phot by Dekel Agami)

On Oct. 7, Kibbutz Magen, from which residents can see the Gazan city of Khan Yunis, was infiltrated by dozens of terrorists from Gaza. While two of the approximately 400 kibbutzniks were murdered and two seriously injured, a more horrific outcome was avoided, thanks to the heroic acts of a small squad of kibbutz civilian defenders, who held off the terrorists during a seven-hour gun battle.

A member of that response team was in Vancouver last week, sharing his story.

Kibbutz Magen is a kilometre away from Kibbutz Nir Oz, a village with a similar population, but which suffered exponentially more tragic outcomes that day – 46 Nir Oz residents were murdered and 71 taken hostage.

One reason for the less catastrophic death toll in Magen is that the terrorist infiltrators blew apart the perimeter fence a good distance from the kibbutz’s residential area. But the heroism and tireless response of Magen’s civilian emergency squad played a big role.

photo - Dekel Agami, left, and his partner Nufar Gal-Yam, share their Oct. 7 experiences with Vancouver audiences April 14. Itai Bavli, right, a University of British Columbia academic, grew up with Agami on Kibbutz Magen, near the Gaza border
Dekel Agami, left, and his partner Nufar Gal-Yam, share their Oct. 7 experiences with Vancouver audiences April 14. Itai Bavli, right, a University of British Columbia academic, grew up with Agami on Kibbutz Magen, near the Gaza border. (photo by Daphna Kedem)

Dekel Agami, who grew up on the kibbutz, and his partner, Nufar Gal-Yam, who grew up in Sde Boker, the kibbutz most noted as the home of David Ben-Gurion, had moved in together on Kibbutz Magen on Oct. 4.

Since both had grown up in southern Israel, close to Gaza, the red alerts on Oct. 7 did not disturb them unduly. Around 7 a.m., Agami, an Israel Defence Forces veteran who served in the special forces, headed out with his weapon to meet other members of the security squad, a group of civilians and off-duty soldiers ranging in age from 20 to 70. He quickly realized this was not a routine day.

As he walked to meet his colleagues, Agami saw figures near the kibbutz border. The first one he encountered was wearing an Israel Defence Forces uniform – as numerous terrorists were that day – and so he did not shoot.

He came across the head of his security team, Baruch Cohen, who had been shot in the leg. As Agami was delivering first aid, an anti-tank missile hit the vehicle they were next to. Agami does not know how they survived.

In the event of an emergency, civilian and off-duty military personnel on kibbutzim are expected to manage on their own for 20 to 30 minutes until the arrival of the IDF. On Oct. 7, the dozen emergency squad members in Kibbutz Magen battled 30 to 40 terrorists on their own from 7 in the morning until 2 in the afternoon.

The terrorists breached the fence at a location relatively remote from the residential area of the kibbutz, giving the defenders a small tactical advantage. Fighting soon moved to the terrorists’ targets, the kibbutz’s homes, and, after providing first aid to Cohen, Agami fought the terrorists from one of the houses. The kibbutzniks successfully flushed the infiltrators back to the fence, where some of them fled – maybe back to Gaza, possibly off to murder easier prey.

During the fighting, Agami took a photo of nearby Nir Oz, where multiple plumes of smoke were rising in an ominous foreshadowing of their potential fate. The photo went viral in Israel.

“When I took this picture, I thought we were next,” Agami said to an audience at Temple Sholom on the evening of April 14. He and Gal-Yam also spoke at the weekly rally earlier that day, outside the Vancouver Art Gallery.

When the IDF finally made it to Kibbutz Magen, about 2 p.m., they killed the remaining terrorists. Then the larger trauma began to dawn on Agami and his fellow kibbutzniks.

Agami’s two daughters from a previous relationship were with their mother at a moshav a few kilometres away. During the battle, he didn’t worry about them – partly because, he said, he “couldn’t go there” but more because it never crossed his mind that the battle he was engaged in was part of a much larger crisis. When he finally did get in touch, he found out the three were safe.

The Magen fighters were too occupied keeping the terrorists at bay – Agami alone expended 15 magazines, about 450 bullets – to check their phones to see what was going on elsewhere. They did, though, have cellular connectivity, which was not the case in many kibbutzim. The terrorists were strategic, first targeting army bases and bringing down communications systems.

As the smoke cleared midafternoon on Oct. 7, several stunning realities came to light.

Three wounded residents – Cohen, Nadav Rot and Avi Fleisher – had been transported by the kibbutz doctor to a nearby community, from which they were helicoptered to hospital. Fleisher did not survive. Cohen would eventually have his leg amputated. No one – including those who made the journey – understand how they made it to safety. The terrorists had taken control of all the roads in the region, killing every Israeli they encountered. Even the military had not breached the area by the time the medical transport got through.

The exhausted kibbutz defenders soon discovered that what they had experienced was a comparatively small part of the worst terror attack in Israel’s history. In just a hint of the depths of preparation that went into the attacks, the fleeing terrorists left behind not only weapons, flashlights and food for an extended siege, but even supplies of blood for infusions.

Agami and Gal-Yam were brought to Vancouver by Itai Bavli, a postdoctoral fellow and lecturer in public health at the University of British Columbia. He and Dekel grew up together in Magen.

The friends estimate that 60 alumni of their regional high school died on Oct. 7. Including those killed in the subsequent war, they estimate 100 of their circle of friends are dead, including Bavli’s stepbrother, Tamir Adar, who lived in Nir Oz.

Agami downplays his heroism, but Bavli is emphatic.

“He saved my family,” Bavli said.

Gal-Yam, who is expecting a baby in July, just completed a five-month call-up as a major in the IDF. She and Agami are now in temporary accommodations on her home kibbutz of Sde Boker. Agami spent five months relocated in Eilat.

“It’s like some area after a hurricane,” Gal-Yam said of the chaos at Kibbutz Magen, which was founded in 1949 and is one of the oldest communities adjacent to the Gaza Strip.

She has since returned to her day job, but everything has changed, she said.

“It seems unimportant to do again whatever it was I was doing before Oct. 7,” she said, noting that creating a normal routine is impossible. “Nothing is normal now. I’m not normal. I’m a completely different person. We are living completely different lives than before. Nothing is the same. Nothing at all.”

The Israeli visitors demurred from making predictions about the political or military ramifications of events.

“Some people are going to have to give answers after all this will be over,” Gal-Yam said.

The length of time the hostages have been in captivity – more than six months – is something that was unimaginable on that first, terrible day, she said. “Not a person in Israel thought it would take more than six months to bring them home,” she said. “This is a reality none of us expected.”

An audience member asked how they view residents of Gaza now.

Bavli reflected on how, before Hamas took over the Gaza Strip, workers from Gaza came to their kibbutz, even staying overnight.

“People from Gaza worked on our kibbutz and were treated as family,” he said. “We wanted to have them as neighbours, to find political solutions, to find a way to live together.

“We don’t have anything against people from Gaza,” he said. “What broke our hearts was, at Kibbutz Nir Oz, the first wave [of infiltrators on Oct. 7] was Hamas, but the second wave was just people who came to steal. But they also killed people. That’s what broke our hearts, confused us.”

For the future, Bavli sees the willingness of Gazans to live in peace as key.

“Hopefully,” he said, “there are enough good people there to find a way to live together.”

Format ImagePosted on April 26, 2024April 26, 2024Author Pat JohnsonCategories IsraelTags Dekel Agami, Israel, Itai Bavli, Kibbutz Magen, Nufar Gal-Yam, Oct. 7, survivors, Temple Sholom, terrorism
Immersed in animation

Immersed in animation

Alex Greenberg’s family experience drove his work for the Dallas Holocaust Museum. (photo from Alex Greenberg)

It was a winding road for Alex Greenberg to become head of animation at a leading creative technology firm in Vancouver. 

Born in Moldova, Greenberg and his family made aliyah in 1990, when he was 11 years old. After a “pretty regular childhood” in Israel, high school graduation, military service and a bit of travel around the world, Greenberg settled down to study animation.

“Unfortunately, two months into school, the director of the school took the money and split,” he said. “My luck. All the money was gone, the money I got from my [military] service.”

He started looking for schools in Canada and the United States where he could continue his studies. He discovered the Art Institute of Vancouver and moved here, by himself, in 2003.

Fast-forward … Greenberg is immersed in immersive technology. As head of animation for ngx Interactive, he has his finger in many projects – including one that shares the testimonies of Holocaust survivors and which, of everything he has worked on, is closest to his heart.

Founded more than two decades ago in Vancouver, ngx’s 80 or so employees, according to the company’s website, help clients “reimagine what’s possible in physical and digital spaces.”

“We work with four main sectors,” said Greenberg. 

The museum sector is a big one. The company took part in a major re-envisioning of the National Portrait Gallery in London, UK. It reopened last year featuring 41 multimedia exhibits, including an artificial intelligence-powered portrait experience, an animated projection wall featuring some of the gallery’s most stunning portraits, interactive touch screens, and documentary films produced by ngx.

The medical sector is another area and, if you have ever taken your kids or grandkids to BC Children’s Hospital, you may have seen the interactive aquarium ngx developed for the emergency room so that young patients and their families have something to take their minds off the stressful reasons for their visit.

A third area is themed attractions, which have engaged audiences in such diverse spaces as Vancouver’s Science World, SeaWorld Abu Dhabi, Jurassic World in Beijing and the Canada Pavilion at Expo 2020 in Dubai.

Their corporate and institutional work, another core area for ngx, includes an interpretive exhibition in the pharmaceutical sciences building at the University of British Columbia, where visitors explore the world of health, and a project for Roche Canada, in the Toronto area, where the global pharmaceutical company has an interactive space for employees to engage with the Roche brand story.

Other projects help visitors explore cultural institutions like the Citadel Heritage Centre in Halifax, Indigenous cultural storytelling at Wanuskewin Heritage Park in Saskatoon, and interpretive exhibits about nature at Wind Cave National Park in South Dakota.

Greenberg’s specific role in ngx projects is lighting and look development.

“When you are working on a project, there’s a certain style to it, lighting, a certain mood, something that will convey the story,” he said. “We don’t just create these experiences to make them look cool. There’s a lot of thought that is being put behind them, thinking about the colours and thinking about the movement and [in the case of the BC Children’s Hospital virtual aquarium] how kids are going to interact with it to help them relax.” 

In his seven years with the company, one project stands out among the rest for Greenberg.

Visitors to the Dallas Holocaust Museum, in Texas, enter a room that transforms into a home in eastern Europe at the start of the Holocaust. Survivors share their testimonies as the home becomes no longer a refuge but a backdrop for the projection of scenes of atrocities. Then the screen rises and a holographic version of a survivor engages with the audience.

Hundreds of hours of interviews with survivors using 360-degree cameras allow for the realistic perspective of meeting these individuals in person. The project, called Dimensions in Testimony and developed in partnership with Steven Spielberg’s USC Shoah Foundation, introduces school groups and other museum visitors to a different survivor and their experiences each week of the year.

photo - Visitors to the Dallas Holocaust Museum, in Texas, can interact with holographic versions of survivors
Visitors to the Dallas Holocaust Museum, in Texas, can interact with holographic versions of survivors. (photo from Dallas Holocaust Museum)
photo - Hundreds of hours of interviews with survivors using 360-degree cameras allow for the realistic perspective of meeting these individuals in person
Hundreds of hours of interviews with survivors using 360-degree cameras allow for the realistic perspective of meeting these individuals in person. (photo from Dallas Holocaust Museum)

“This was one of the most impactful projects that I ever worked on,” Greenberg said. “You feel like you’re sitting in their living room. As you hear the story, the room begins to change. Lights going off, you hear marching of the boots outside, the rooms become slowly, almost unnoticeably dilapidated, just to show that the people were driven out of their homes and these homes are left with nothing but memories and a few photographs.

“After that introduction, the screen goes up and there’s a hologram production of that survivor. That’s the technology that the USC [Shoah] Foundation has developed. You can ask a question – for example, ‘What was your favourite sport when you were little?’ – and that would trigger a story where the survivor will be talking about where he used to play soccer with his friends when they were little.”

The project was close to home for Greenberg, whose grandfather lost his entire family in the Shoah.

“There was a big part of me in that experience,” said Greenberg. “I can tell and I can educate other people, people that are coming to this museum and people around the world that still don’t know what the Holocaust is, don’t know what a genocide is. It’s almost like I was telling my story.” 

Format ImagePosted on April 12, 2024April 10, 2024Author Pat JohnsonCategories Visual ArtsTags Alex Greenberg, culture, Dallas Holocaust Museum, Dimensions in Testimony, history, holograms, ngx Interactive, survivors, technology, USC Shoah Foundation

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