Tag: survivors

Learning from one another

The Jewish Regional Communities Conference April 27-28 brought together Jewish communities from throughout the province to network, engage and learn. (photo from Jewish Federation of Greater Vancouver)

The Jewish Regional Communities Conference was the first of its kind. The April 27-28 event included Jewish communities from throughout the province and was a time for everyone to come together, connect, hear various speakers and participate in workshops. 

The conference kicked off with a message from Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver. He talked about how the conference was 10 years in the making. 

“This conference started with a simple question, how do we support Jewish life, everywhere in BC, in every place where people are trying to connect, trying to build community on their own?” he said. “How do we support them? For years, we’ve been hearing that regional communities want more connection to each other, more access to resources and more chances to share what’s working. So, we listened, we had conversations, we showed up, we learned a lot, and now we’re here together to move the conversation forward – because vibrant Jewish life doesn’t look the same everywhere, and it shouldn’t. What matters is that it reflects you – you in this room, your people and your values. Federation’s job is not to decide what that looks like. Our job is to walk alongside you, to listen and to help open doors.”

Shanken’s statement encompassed what the conference was about: having regional communities coming together to network, engage and learn. The conference had numerous breakout sessions where attendees could learn about different subjects.

One session was on developing leaders in small communities, which was led by Lyssa Anolik, community connector, Squamish/South Sea to Sky, at Jewish Federation. In the workshop, attendees brainstormed on various questions, and ideas were discussed on how to motivate and support volunteers, create visions for each community, and event planning. 

Another keynote speaker was Rabbi Mike Uram, chief Jewish learning officer for Jewish Federations of North America. The presentation was held over Zoom and questions were welcomed throughout. One person asked how to maintain relationships within a community, especially if they are challenging. Uram, who had worked with the late John McKnight and John Kretzmann at Northwestern University, said they had advice on this topic.

“If you make a map of everything that’s wrong and then try to fix it, it creates a whole bunch of unanticipated negative consequences,” said Uram. “One of those consequences is that, when you’re thinking about things from a position of scarcity, then there’s always a debate about what is the one magic bullet answer that’s going to solve the issue, and both of them talked about [how,] just by flipping the conversation and beginning with the assets that you have – like, how do you map out what works? – that it actually dispels some political infighting, because you’re not approaching what is the future of the community. So that, I think, works across the board as a way of preventing burnout in leadership.”

He added, “One of the tricks is to make sure that you’re pitching the future and the conversation you’re having as a community way off at the horizon and thinking about all the things we could do, rather than fighting about how we’ve divided the pie as we have it, because that actually does, I think, tend to bring out people’s fear and a little bit of animosity and that kind of zero-sum thinking.”

The rest of the presentation talked about different theories or strategies that can build lasting and prosperous regional communities. 

In addition to other speakers and breakout sessions, there was a conversation with Nova music festival survivors Raz Shifer and Inbal Binder, who participated in many activities when visiting Vancouver from Israel. Both talked about who they are and their own experiences on Oct. 7. (See jewishindependent.ca/healing-from-trauma-of-oct-7.)

photo - Nova music festival survivors Inbal Binder, left, and Raz Shifer spoke at the conference
Nova music festival survivors Inbal Binder, left, and Raz Shifer spoke at the conference. (photo from Jewish Federation of Greater Vancouver)

Having had trouble getting back to work after the horrific tragedy, the two attended a program at Healing Space Rishpon.

“We went there three times a week … and we made ceramics and candles,” said Shifer. “From just creating with our own hands, it helped us process all the trauma and just feel useful…. For me, it really made movement again in my life and then I met Inbal – we’re good friends now.”

Speaking at the conference was challenging, said Shifer. 

“Almost the day before I came here,” she said, “it was like, oh my God, how am I going to do it? I think the twist that came after is the power of the group. I heard that you all came from different places – but we are all Jewish, and it’s something that I expect here in many kinds of communities.” 

Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.

A childhood spent on the run

Survivor Miriam Dattel, right, with the Vancouver Holocaust Education Centre’s Ellie Lawson at the Yom Hashoah commemoration April 23. (screenshot)

Miriam Dattel was born Branka Friedman, in September 1940, in the Croatian city of Zagreb, then part of Yugoslavia. She was about six months old when the Nazis invaded and her family began a life in hiding. Fleeing ahead of the Nazis and their collaborators, the family survived together through a series of close calls, lifesaving tips from compassionate officials, luck, determination and exhausting treks through the wilderness in search of refuge.

Dattel shared her family’s story at the annual Yom Hashoah commemoration at Temple Sholom on April 23.

Upon invading Yugoslavia in April 1941, the Nazis, aided by their Croatian fascist Ustaše collaborators, immediately instituted the Nuremberg Laws and set up the first concentration camps in Yugoslavia. Dattel’s father and uncle were thrown out of the university and all Jews were forced to don the yellow star – including on young Branka/Miriam’s baby carriage.

The family was set to flee to Budapest, where they believed they would find refuge with family. When the day came, the baby Branka was ill, so her grandmother, Irma Stern, was sent on ahead. It was the last time the family saw her. 

In her haste, the grandmother left behind her prayer book, which was her ubiquitous companion. Branka’s mother viewed the holy book as a fortuitous omen that all would be well in the end. At the commemoration last month, Dattel held the prayer book, now more than a century old and suffering the inevitable evidence of time. 

Eventually, the family fled – but not to Hungary. Branca/Miriam, her parents, Andor and Margita Friedman, and her aunt and uncle, Lili and Fritz, were transported with the help of a friend of her uncle’s southwest to the Croatian city of Split on the Adriatic coast. Sections of the city were controlled by the Italian fascists and others by the Croatian regime. 

One day, her father was tipped off by a high-ranking Italian officer that the Croatians were preparing to deport Jews from the areas of Split they controlled. He returned home in the middle of the night and evacuated the family to the Italian side. Eventually, the family’s race against fate continued, with a journey under false identities by ship to northern Italy.

“In 1943, when eventually Mussolini was finished, the Germans took over,” Dattel said in a video at the ceremony. Again, her father was tipped off by an Italian official, who warned him to disappear. 

“From then on, from what I saw in my father’s diary, we went through 18 different hiding places,” she said, noting assistance from underground operatives.

As a child forced to race from one place to another, few distinct memories remain. However, in various barns where they took refuge, people would roast chestnuts and that remains an evocative taste-memory for her.

Ovaltine is another. And it is a flavour from the very moment that may have saved the life of Miriam and her family.

The group – now six with the addition of her newborn cousin Gerardo – had made their way through northern Italy, around Lake Como and toward the Swiss border. After walking for hours, crossing under fences and trudging through difficult terrain, they came to the frontier of Switzerland.

“There were two Swiss border guards there,” said Dattel. “They said the border is closed. And my father said, impossible, you are not going to let two kids be killed. My recollection is this Swiss soldier [with] a German Shepherd coming towards me, lifting me up and carrying me to the station, to the border house.”

There, the guard gave her Ovaltine and, while she has tried to recreate the flavour, it has never tasted the same.

The family members were placed in refugee camps, Miriam separated from her parents. In Switzerland, the family lived out the war, returning to Zagreb afterward before Miriam and her parents made their way to Israel. 

About 1.5 million Jewish children were murdered in the Holocaust. Miriam was one of an estimated six to 11% who survived. In addition to the video screened at the event, Dattel spoke on stage with Ellie Lawson, the Vancouver Holocaust Education Centre’s education manager.

Claire Sicherman, a granddaughter of survivors, was the third-generation descendent speaker. She spoke of being consumed by grief in early life and growing up in a family filled with silences. (Sicherman shared her story of trauma and recovery earlier this year. See jewishindependent.ca/healing-trauma-possible.)

Hannah Marazzi, acting executive director of the VHEC, noted that this year marks the 82nd anniversary of the Warsaw Ghetto Uprising, a symbol of defiance in the face of annihilation. In addition to remembering the millions of lives lost and the resilience of survivors, she said, “We remember the young Jewish fighters who rose up against the Nazis and whose courage continues to inspire us to stand against oppression in all of its forms.”

Rabbi Carey Brown, associate rabbi of Temple Sholom, welcomed attendees to the synagogue and reflected on the past’s lessons for the present.

Dr. Abby Wener Herlin, associate director of programs and community relations for the VHEC and a member of the third generation, introduced survivors, who lit candles of remembrance.

Cantor Shani Cohen chanted El Moleh Rachamim, the memorial prayer for the martyrs.

Wendy Bross Stuart was responsible for musical direction and arrangement, and played piano. Eric Wilson played cello. Cantor Michael Zoosman, Erin Aberle-Palm, Matthew Mintsis and Lorenzo Tesler-Mabe sang.

As is traditional, the annual ceremony ended with the singing of “Zog Nit Keynmol,” “The Partisan Song.” 

Theatre from a Jewish lens

Laen Hershler performing REMNANTS. Hershler brings an interactive version of Dr. Hank Greenspan’s play, which is based on 40 years of conversations with Holocaust survivors, to the Peretz Centre for Secular Jewish Culture on June 8. He will be joined by Vancouver Playback Theatre. (photo from grad.ubc.ca)

In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific. He also hosts, on June 8, Listening with Survivors, “an evening of deep listening and shared reflection as monologues from Holocaust survivors open into a live, interactive performance with Vancouver Playback Theatre.”

“I was deeply honoured and excited to step in as the artistic director of Theatre Terrific,” he told the Jewish Independent. “This community has always felt like home to me, both as a person and an artist. I look forward to continuing this welcoming tradition.”

“Theatre Terrific Society is a trailblazing mixed-ability theatre company that has been championing inclusivity in the arts since 1985,” reads the website. The society is “dedicated to tackling the challenges of accessibility, representation and inclusion in the arts by breaking down stereotypes and fostering empathy across diverse communities. It creates work that resonates with universal human experiences, bridging differences through storytelling. With a compassionate yet bold approach to theatre-making, it cultivates spaces where respect, rigour and risk drive the creative process.”

Theatre Terrific’s last production, called Proximity: The Space Between Us, was well received at the Vancouver Fringe Festival last September. Directed by Hershler and Susan Bertoia, it was created with the cast and is about the struggles of aspiring artists.

photo - In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific
In June, Laen Hershler celebrates his first year as artistic director of Theatre Terrific. (photo from instagram.com/theatreterrificvan)

Hershler is also an actor and improviser, and he is pursuing a doctorate in research-based theatre at the University of British Columbia. He is part of Vancouver Playback Theatre, as well, and, as an observant Jew, he performs complete with head-covering and tzitzit. 

“Since my shift to diligently keeping Shabbat about eight years ago, my acting career moved from mainstream theatre, which almost always necessitates working on Friday/Saturday nights, to applied forms of theatre,” he said. “These include playback theatre, forum theatre and academically situated theatre, which are much less dependent on weekend shows. I love performing in these types of shows since they tend to be very socially engaged and meaningful projects.”

Hershler’s responsibilities at Theatre Terrific include arranging all the classes, courses and productions, and hiring the instructors, directors and other artists for TT’s projects. He teaches, directs and sometimes performs in the company’s offerings, and works on establishing connections with the broader community of theatre companies regionally and internationally, especially all-abilities arts organizations. 

“I love the meaningfulness of the work, the creative freedom and the amazing human beings I get to work with,” he said. “I appreciate the opportunity to create work and opportunities for theatre artists of all abilities and to produce meaningful and evocative theatre. The challenge of the work – which is learning to hold a radically inclusive space that allows for high-level artistic work while including artists across spectrums of physical, neurodiverse and cognitive abilities – is also something I cherish.”

Hershler’s theatre career began at the Jewish Young People’s Theatre of Vancouver, which was based out of the Peretz Centre for Secular Jewish Culture. The program was guided by Lynna Goldhar Smith, who he credits as being a huge influence – he began classes with her when he was 8 years old and stayed with YPT until he was 14. He said a large percentage of people that he acted with in YPT are still involved in the arts today. 

Since graduating with his master’s at the University of Cape Town in 2011, Hershler has been an instructor in the education faculty at UBC in Vancouver and in the creative studies faculty at UBC in Kelowna. He began his career as a performer and educator touring and giving workshops in France, Korea, Australia, Kenya, South Africa and elsewhere on various aspects and uses of physical theatre for both children and adults.

“I loved my role as the Tooth Prince while performing for 5-year-olds (and their parents) at one of the most prestigious theatres in Seoul, Korea,” he said.

A couple of years ago, at the Peretz Centre and at Or Shalom, Hershler performed the one-man show REMNANTS, which was written by Dr. Hank Greenspan and first produced, for radio, in 1991. Based on 40 years of conversations with Holocaust survivors, the work delves into the survivors’ experiences, exploring themes such as loneliness, rage, storytelling and the dynamics of relationships across generations.

“It was a deeply meaningful project,” said Hershler, who is bringing REMNANTS back to the Peretz Centre on June 8, in a different form.

“In this version,” said Hershler in an email, “these monologues will open into a space for collective reflection, storytelling and discussion through playback theatre – a form of theatre that invites the audience’s voices and experiences into the performance itself, creating a space for deep listening and dialogue. For this, we will be joined by Vancouver Playback Theatre.”

The evening will be about listening to the Holocaust survivors, as well as one another, he said, “to find overlap and connection with our own lives, today, in this moment in time – to learn with, to learn from, to learn alongside.”

Hershler would like to do more Jewish storytelling.  

“I would love to create work that brings down the mystical tales of Rebbe Nachman of Breslov, an interest I inherited from my father, who has long been a storyteller of Nachman tales…. Being Jewish is who I am, and it pulsates through all the work I do,” he said. “All my artistic work emerges from this prism, from a Jewish lens, from a Jewish neshamah (soul).”

For tickets to Listening with Survivors, go to peretz-centre.org. For more information about Theatre Terrific, visit theatreterrific.ca. 

Cassandra Freeman is a freelance journalist and improv comedy performer living in Vancouver.

Healing trauma possible

Claire Sicherman read from her book Imprint, about intergenerational trauma, at UBC Hillel on Jan. 21. (photo by Pat Johnson)

Understanding of intergenerational trauma has expanded in recent decades. Two granddaughters of Holocaust survivors discussed the larger phenomenon and their personal experiences recently at the University of British Columbia’s Hillel House, part of Hillel’s Holocaust Awareness Week. 

Claire Sicherman, author, workshop facilitator and trauma-informed somatic writing coach, shared her experiences and read from her book, Imprint: A Memoir of Trauma in the Third Generation, which was published in 2017. She was in conversation with Dr. Abby Wener Herlin, associate director of programs and community relations at the Vancouver Holocaust Education Centre, which co-sponsored the Jan. 21 event with Hillel BC.

Sicherman attributed to psychologist Dr. Arielle Schwartz the definition of intergenerational trauma as the ways in which the unresolved experiences of traumas, losses and griefs of one generation can become a legacy that is passed down to the next generation. 

“In other words,” said Sicherman, “the experiences of my grandparents are passed down through my parents to me.”

In addition to the “nurture” component of family legacies, there is the “nature” component of epigenetics, which Sicherman described as “the study of how genes turn on and off in response to environmental change.”

“I’ve heard it talked about like it’s sort of like light switches switching on and off in the body,” she explained. “Whatever switches switched on for my grandparents would then be switched on, passed down to my parent, passed down to me.” 

Experts in the field say it’s not a biological prison, Sicherman said. “They are actually malleable, so what you’re born with, you are not necessarily stuck with. We do have the ability to change certain things. There is hope in that.”

Growing up, Sicherman knew little or nothing about inherited trauma.

“When I started reading about it, I began to understand that what was going on with me wasn’t really my fault or that it wasn’t really something wrong with me,” she said. “It was just that I was carrying this huge thing.”

Reading excerpts from her book, Sicherman recounted being “disconnected from my body.” The inherited trauma manifested as a nervous system on overdrive and a tendency to hypervigilance. She was always ready to bolt out the door, looking for exit signs, aware of potential dangers, unable to fully rest, and prone to stress and anxiety.

She said that untold stories often pass more powerfully from generation to generation than stories that are recounted.

“When you think about that,” said Sicherman, “it’s what we don’t talk about that has more weight. It’s the silence. It’s the secrets.… That’s why it’s also important to me to speak out about these things, because it’s healing that goes across generations.”

Her survivor grandparents thought they were protecting their children through silence, Sicherman said. In response, the second generation learned not to ask questions.

There were other silences. In addition to the limited discussion around the Holocaust, Sicherman did not learn until well into her own adulthood that, when she was 4 years old, her grandfather had taken his own life, and not died of a heart attack, as she had been led to believe.

As someone who writes about and works with others on issues of healing intergenerational trauma, she urges people to embrace the totality of what they have inherited.

“Aside from trauma, what are the legacies that your ancestors bring to you?” she asked. “What are the gifts? What are the strengths? That’s also an important question to ask yourself, and a way of connecting with Jewish heritage. What are the strengths of your lineage? Is it survival? Is it tenacity? Is it humour? Is it creativity? Those are questions that you can ask yourself.”

Her son, Ben Sicherman, a UBC student, was present and also spoke of his family’s legacy of trauma. He described struggling with anxiety when he was younger and learning mechanisms for addressing issues through his parents’ modeling. He also spoke of carrying the legacy of his ancestors in ways like choosing 18 as his hockey number, not only because it represents chai, life, but because the numbers on his great-grandmother’s Auschwitz tattoo added up to the number 18.

Intergenerational trauma is a major component of her life’s work, said Sicherman.

“I do feel a sense of obligation, as a third generation,” she said. “But I also feel like this is part of my calling, too. It’s very meaningful. It’s an obligation that is not homework. It’s part of what I was set out to do.” 

Oct. 7 heroes support Team Israel-Premier Tech

Oct. 7 survivors Sharon Shabo, left, and Avida Bachar lead Team Israel-Premier Tech riders in the team’s final training session before the Tour de France started on June 29 in Florence, Italy. (photo by Noa Arnon)

Three injured heroes from the Oct. 7 Hamas terror attacks came to support Team Israel-Premier Tech at the Tour de France. As well, they held signs bearing the names of hostages, some of whom are their close friends, and called for their release. Alongside them stood Israel-Premier Tech owners Sylvan Adams and Ron Baron.

“My friends from the kibbutz are suffering there. We can’t wait another moment,” said Avida Bachar. He lost his son and wife, who were murdered in their shelter in Be’eri on the morning of Oct. 7, while he himself was severely injured and lost his leg. Despite adapting to his prosthetic, Bachar insisted on riding his bike for the first time since his injury to lead the Israeli team in their final training session. “It was an immense moment, one of the most emotional of my life,” he said.

Joining Bachar was his good friend Sharon Shabo, who was seriously injured in a Hamas ambush on the morning of Oct. 7 while riding his bike, and 20-year-old Oded Gelbstein, a young combat engineer soldier who was critically wounded in Gaza and is currently undergoing rehabilitation in Florence.

“Avida and Sharon will be our great inspiration at the Tour de France,” said Adams to the team riders before the race started.

The Tour de France lasts three weeks, during which the riders cycle more than 3,400 kilometres. Twenty-two teams are taking part in the 21-stage race, which culminates in Nice, France, on July 21. 

– Courtesy Team Israel-Premier Tech

Heroic survival at kibbutz

A photo Dekel Agami took Oct. 7, 2023, of Kibbutz Nir Oz in flames. (phot by Dekel Agami)

On Oct. 7, Kibbutz Magen, from which residents can see the Gazan city of Khan Yunis, was infiltrated by dozens of terrorists from Gaza. While two of the approximately 400 kibbutzniks were murdered and two seriously injured, a more horrific outcome was avoided, thanks to the heroic acts of a small squad of kibbutz civilian defenders, who held off the terrorists during a seven-hour gun battle.

A member of that response team was in Vancouver last week, sharing his story.

Kibbutz Magen is a kilometre away from Kibbutz Nir Oz, a village with a similar population, but which suffered exponentially more tragic outcomes that day – 46 Nir Oz residents were murdered and 71 taken hostage.

One reason for the less catastrophic death toll in Magen is that the terrorist infiltrators blew apart the perimeter fence a good distance from the kibbutz’s residential area. But the heroism and tireless response of Magen’s civilian emergency squad played a big role.

photo - Dekel Agami, left, and his partner Nufar Gal-Yam, share their Oct. 7 experiences with Vancouver audiences April 14. Itai Bavli, right, a University of British Columbia academic, grew up with Agami on Kibbutz Magen, near the Gaza border
Dekel Agami, left, and his partner Nufar Gal-Yam, share their Oct. 7 experiences with Vancouver audiences April 14. Itai Bavli, right, a University of British Columbia academic, grew up with Agami on Kibbutz Magen, near the Gaza border. (photo by Daphna Kedem)

Dekel Agami, who grew up on the kibbutz, and his partner, Nufar Gal-Yam, who grew up in Sde Boker, the kibbutz most noted as the home of David Ben-Gurion, had moved in together on Kibbutz Magen on Oct. 4.

Since both had grown up in southern Israel, close to Gaza, the red alerts on Oct. 7 did not disturb them unduly. Around 7 a.m., Agami, an Israel Defence Forces veteran who served in the special forces, headed out with his weapon to meet other members of the security squad, a group of civilians and off-duty soldiers ranging in age from 20 to 70. He quickly realized this was not a routine day.

As he walked to meet his colleagues, Agami saw figures near the kibbutz border. The first one he encountered was wearing an Israel Defence Forces uniform – as numerous terrorists were that day – and so he did not shoot.

He came across the head of his security team, Baruch Cohen, who had been shot in the leg. As Agami was delivering first aid, an anti-tank missile hit the vehicle they were next to. Agami does not know how they survived.

In the event of an emergency, civilian and off-duty military personnel on kibbutzim are expected to manage on their own for 20 to 30 minutes until the arrival of the IDF. On Oct. 7, the dozen emergency squad members in Kibbutz Magen battled 30 to 40 terrorists on their own from 7 in the morning until 2 in the afternoon.

The terrorists breached the fence at a location relatively remote from the residential area of the kibbutz, giving the defenders a small tactical advantage. Fighting soon moved to the terrorists’ targets, the kibbutz’s homes, and, after providing first aid to Cohen, Agami fought the terrorists from one of the houses. The kibbutzniks successfully flushed the infiltrators back to the fence, where some of them fled – maybe back to Gaza, possibly off to murder easier prey.

During the fighting, Agami took a photo of nearby Nir Oz, where multiple plumes of smoke were rising in an ominous foreshadowing of their potential fate. The photo went viral in Israel.

“When I took this picture, I thought we were next,” Agami said to an audience at Temple Sholom on the evening of April 14. He and Gal-Yam also spoke at the weekly rally earlier that day, outside the Vancouver Art Gallery.

When the IDF finally made it to Kibbutz Magen, about 2 p.m., they killed the remaining terrorists. Then the larger trauma began to dawn on Agami and his fellow kibbutzniks.

Agami’s two daughters from a previous relationship were with their mother at a moshav a few kilometres away. During the battle, he didn’t worry about them – partly because, he said, he “couldn’t go there” but more because it never crossed his mind that the battle he was engaged in was part of a much larger crisis. When he finally did get in touch, he found out the three were safe.

The Magen fighters were too occupied keeping the terrorists at bay – Agami alone expended 15 magazines, about 450 bullets – to check their phones to see what was going on elsewhere. They did, though, have cellular connectivity, which was not the case in many kibbutzim. The terrorists were strategic, first targeting army bases and bringing down communications systems.

As the smoke cleared midafternoon on Oct. 7, several stunning realities came to light.

Three wounded residents – Cohen, Nadav Rot and Avi Fleisher – had been transported by the kibbutz doctor to a nearby community, from which they were helicoptered to hospital. Fleisher did not survive. Cohen would eventually have his leg amputated. No one – including those who made the journey – understand how they made it to safety. The terrorists had taken control of all the roads in the region, killing every Israeli they encountered. Even the military had not breached the area by the time the medical transport got through.

The exhausted kibbutz defenders soon discovered that what they had experienced was a comparatively small part of the worst terror attack in Israel’s history. In just a hint of the depths of preparation that went into the attacks, the fleeing terrorists left behind not only weapons, flashlights and food for an extended siege, but even supplies of blood for infusions.

Agami and Gal-Yam were brought to Vancouver by Itai Bavli, a postdoctoral fellow and lecturer in public health at the University of British Columbia. He and Dekel grew up together in Magen.

The friends estimate that 60 alumni of their regional high school died on Oct. 7. Including those killed in the subsequent war, they estimate 100 of their circle of friends are dead, including Bavli’s stepbrother, Tamir Adar, who lived in Nir Oz.

Agami downplays his heroism, but Bavli is emphatic.

“He saved my family,” Bavli said.

Gal-Yam, who is expecting a baby in July, just completed a five-month call-up as a major in the IDF. She and Agami are now in temporary accommodations on her home kibbutz of Sde Boker. Agami spent five months relocated in Eilat.

“It’s like some area after a hurricane,” Gal-Yam said of the chaos at Kibbutz Magen, which was founded in 1949 and is one of the oldest communities adjacent to the Gaza Strip.

She has since returned to her day job, but everything has changed, she said.

“It seems unimportant to do again whatever it was I was doing before Oct. 7,” she said, noting that creating a normal routine is impossible. “Nothing is normal now. I’m not normal. I’m a completely different person. We are living completely different lives than before. Nothing is the same. Nothing at all.”

The Israeli visitors demurred from making predictions about the political or military ramifications of events.

“Some people are going to have to give answers after all this will be over,” Gal-Yam said.

The length of time the hostages have been in captivity – more than six months – is something that was unimaginable on that first, terrible day, she said. “Not a person in Israel thought it would take more than six months to bring them home,” she said. “This is a reality none of us expected.”

An audience member asked how they view residents of Gaza now.

Bavli reflected on how, before Hamas took over the Gaza Strip, workers from Gaza came to their kibbutz, even staying overnight.

“People from Gaza worked on our kibbutz and were treated as family,” he said. “We wanted to have them as neighbours, to find political solutions, to find a way to live together.

“We don’t have anything against people from Gaza,” he said. “What broke our hearts was, at Kibbutz Nir Oz, the first wave [of infiltrators on Oct. 7] was Hamas, but the second wave was just people who came to steal. But they also killed people. That’s what broke our hearts, confused us.”

For the future, Bavli sees the willingness of Gazans to live in peace as key.

“Hopefully,” he said, “there are enough good people there to find a way to live together.”

Immersed in animation

Alex Greenberg’s family experience drove his work for the Dallas Holocaust Museum. (photo from Alex Greenberg)

It was a winding road for Alex Greenberg to become head of animation at a leading creative technology firm in Vancouver. 

Born in Moldova, Greenberg and his family made aliyah in 1990, when he was 11 years old. After a “pretty regular childhood” in Israel, high school graduation, military service and a bit of travel around the world, Greenberg settled down to study animation.

“Unfortunately, two months into school, the director of the school took the money and split,” he said. “My luck. All the money was gone, the money I got from my [military] service.”

He started looking for schools in Canada and the United States where he could continue his studies. He discovered the Art Institute of Vancouver and moved here, by himself, in 2003.

Fast-forward … Greenberg is immersed in immersive technology. As head of animation for ngx Interactive, he has his finger in many projects – including one that shares the testimonies of Holocaust survivors and which, of everything he has worked on, is closest to his heart.

Founded more than two decades ago in Vancouver, ngx’s 80 or so employees, according to the company’s website, help clients “reimagine what’s possible in physical and digital spaces.”

“We work with four main sectors,” said Greenberg. 

The museum sector is a big one. The company took part in a major re-envisioning of the National Portrait Gallery in London, UK. It reopened last year featuring 41 multimedia exhibits, including an artificial intelligence-powered portrait experience, an animated projection wall featuring some of the gallery’s most stunning portraits, interactive touch screens, and documentary films produced by ngx.

The medical sector is another area and, if you have ever taken your kids or grandkids to BC Children’s Hospital, you may have seen the interactive aquarium ngx developed for the emergency room so that young patients and their families have something to take their minds off the stressful reasons for their visit.

A third area is themed attractions, which have engaged audiences in such diverse spaces as Vancouver’s Science World, SeaWorld Abu Dhabi, Jurassic World in Beijing and the Canada Pavilion at Expo 2020 in Dubai.

Their corporate and institutional work, another core area for ngx, includes an interpretive exhibition in the pharmaceutical sciences building at the University of British Columbia, where visitors explore the world of health, and a project for Roche Canada, in the Toronto area, where the global pharmaceutical company has an interactive space for employees to engage with the Roche brand story.

Other projects help visitors explore cultural institutions like the Citadel Heritage Centre in Halifax, Indigenous cultural storytelling at Wanuskewin Heritage Park in Saskatoon, and interpretive exhibits about nature at Wind Cave National Park in South Dakota.

Greenberg’s specific role in ngx projects is lighting and look development.

“When you are working on a project, there’s a certain style to it, lighting, a certain mood, something that will convey the story,” he said. “We don’t just create these experiences to make them look cool. There’s a lot of thought that is being put behind them, thinking about the colours and thinking about the movement and [in the case of the BC Children’s Hospital virtual aquarium] how kids are going to interact with it to help them relax.” 

In his seven years with the company, one project stands out among the rest for Greenberg.

Visitors to the Dallas Holocaust Museum, in Texas, enter a room that transforms into a home in eastern Europe at the start of the Holocaust. Survivors share their testimonies as the home becomes no longer a refuge but a backdrop for the projection of scenes of atrocities. Then the screen rises and a holographic version of a survivor engages with the audience.

Hundreds of hours of interviews with survivors using 360-degree cameras allow for the realistic perspective of meeting these individuals in person. The project, called Dimensions in Testimony and developed in partnership with Steven Spielberg’s USC Shoah Foundation, introduces school groups and other museum visitors to a different survivor and their experiences each week of the year.

“This was one of the most impactful projects that I ever worked on,” Greenberg said. “You feel like you’re sitting in their living room. As you hear the story, the room begins to change. Lights going off, you hear marching of the boots outside, the rooms become slowly, almost unnoticeably dilapidated, just to show that the people were driven out of their homes and these homes are left with nothing but memories and a few photographs.

“After that introduction, the screen goes up and there’s a hologram production of that survivor. That’s the technology that the USC [Shoah] Foundation has developed. You can ask a question – for example, ‘What was your favourite sport when you were little?’ – and that would trigger a story where the survivor will be talking about where he used to play soccer with his friends when they were little.”

The project was close to home for Greenberg, whose grandfather lost his entire family in the Shoah.

“There was a big part of me in that experience,” said Greenberg. “I can tell and I can educate other people, people that are coming to this museum and people around the world that still don’t know what the Holocaust is, don’t know what a genocide is. It’s almost like I was telling my story.” 

Pinsky pens family memoir

In his ambiguously titled book Ordinary, Extraordinary: My Father’s Life, Vancouver lawyer and community leader Bernard Pinsky shares the biography of Rubin Pinsky. As the pages turn, the reader realizes that ordinariness and extraordinariness really do describe the tale of a life that veers from historically monumental to surprisingly, and gratefully, commonplace. 

image - Ordinary, Extraordinary book coverAt 1 p.m., Jan. 28, Pinsky will officially launch the book, in honour of International Holocaust Remembrance Day, at a prologue event to the Cherie Smith JCC Jewish Book Festival. He will present in conversation with Marsha Lederman.

Pinsky’s book is based on videotaped testimonies that his father, Rubin, gave in 1983 and 1990 to the Vancouver Holocaust Education Centre (which is co-presenting the Jan. 28 event), as well as family memories and what is clearly intensive research.

Rubin was born (probably) in 1924, about 100 kilometres north of Pinsk in what is now Belarus but was then Poland. Pinsky sets the stage beautifully, evoking shtetl life, where the smallest of the children slept atop the bakery oven in the tiny home after his father, Baruch, had baked challah and cakes during the day to eke out a meagre living.

After the German occupation, the Nazis quickly identified the men in the Jewish community who had leadership qualities and said they were needed for an important mission in a nearby area. They were marched just out of earshot and mass murdered. In a later selection, Baruch, his wife Henya and 10-year-old Rachel were marched off and never seen again.

Rubin and his sister Chasia were deemed useful for forced labour and spared the executions. Older brother Herzl had earlier been conscripted into the Red Army.

Every survivor narrative includes a series of unimaginable interventions, coincidences and happenstances, often made possible by acts of incredible daring by the survivor. Through a series of audacious escapades – they weighed off what appeared to be likelihood of certain death with the faint hope of survival – Rubin, Chasia and a few others escaped a selection process and fled to the forest. They lived off berries, roots, tree bark and what small game they could capture. In one instance, Rubin slew a timber wolf in a competition for the same rabbit. 

The group connected with a diffuse but apparently well-organized network of Jewish and other partisan fighters. Despite the challenges of mere survival, Rubin and Chasia participated in anti-Nazi actions that included cutting telephone lines, destroying railway tracks and undermining the establishment of Nazi garrisons.

Typhus swept through the Jews in the forest. In the winter of 1943/44, Rubin was delirious with fever and expected to die. In one of the terrible choices people were forced to make in such situations, the partisan cadre decided to leave him behind to save the group. Chasia refused to go. The two siblings hid in a ditch and, to the best of her ability, she nursed him back to comparative health.

Each of these unlikely survival stories makes one wonder how many similar stories did not have the relatively happy ending Rubin’s did, how many survivor testimonies or second generation narratives were never written because the fever did not break, or the hero did not take a risk on a faint hope, or any of a million chance escapes or saving miracles did not occur in time.

In July 1944, the forest in which Rubin and Chasia had hid, fought and barely survived was liberated by the Soviet army. Concentration and death camps were repurposed into displaced persons camps after the war and Rubin and Chasia were in Bergen-Belsen. Chasia left and searched for three weeks, eventually finding Herzl and bringing him with her to Bergen-Belsen, where the three surviving members of the family were reunited.

Zionists tried to recruit them to go to Palestine, but Rubin knew that would be a continuation of the conflict, uncertainty and fighting he wanted to put behind him. 

“Rubin therefore made up his mind,” writes Pinsky. “He needed a skill or trade in demand in America. He and Herzl made a pact. They would study together, each in a different trade, and go together to the New World. They would help each other and never be separated again.”

The story of how Rubin and Herzl (in the New World, he would be known as Harry) were able to migrate to Canada is another example of chutzpah – an hilarious drama of subterfuge – that has to be read to be believed. Chasia, whose marriage in the DP camp did not last, joined them soon after.

Rubin married Jenny Moser in 1951 and they would have three children: the author, Bernard, his older sister Helen and younger brother Max – all now mainstays of the Vancouver Jewish community. Rubin’s life in Canada was that of a hardscrabble entrepreneur – and not without its seemingly miraculous near-misses and fortunate endings.

As an appendix, Pinsky shares writings from a 2012 family roots trip back to Gzetl, where a dedicated teacher is keeping alive the memory of Gzetl’s Jews.

Pinsky’s memoir is indeed a story both extraordinary and ordinary, of what human resilience can summon in a world turned upside-down – and how the strength developed in unimaginable adversity can carry a survivor through challenges when life becomes, in comparison, ordinary. 

Register for the event at jccgv.com/jewish-book-festival/events.

Survivors play brings tears

On Oct. 29, six young actors offered a powerful rendering of Survivors, a play by Wendy Kout, at the University of Victoria’s Phoenix Theatre. The production will tour BC and other Western provinces. (photo by Peter Nadler)

On Oct. 29, six young actors offered a powerful rendering of Survivors, a play by Wendy Kout about 10 Holocaust survivors. The performance at the University of Victoria’s Phoenix Theatre had the audience, many of whom were decades older than the actors, reaching for handkerchiefs as the last words of the play, “never again,” were spoken in unison on stage.

The Victoria organizers, who have been given the rights to perform Survivors across the Western provinces, are hoping the play and its message will eventually reach, inform and educate students about the Holocaust and the dangers of hate.

Suitable for audience members from Grade 6 and up, Survivors is intended to provide students the ability to recognize the short- and long-term effects of prejudice, discrimination and, ultimately, genocide. Other objectives are to foster critical thinking in young (and older) people and impress upon them the importance of human rights and social justice advocacy.

The six actors – Julie McGuire, Ryan Kniel, Sarah-Michelle Lang, Nolan McConnell-Fidyk, Sophie Radford and Brandon Sugden – took on the roles of the 10 Holocaust survivors and dozens of other characters pertaining to their respective stories during the 65-minute performance.

Survivors progresses chronologically, portraying events leading up to, during and after the Holocaust, bringing to the stage the experiences of Jewish children and teenagers from Europe. The professional cast portrays the survivors, starting at innocence and continuing through the terrifying rise and rule of bigotry, xenophobia and violence, before they immigrate to America.

Among others, the play includes the stories of a teen who watched her boyfriend being taken away to a concentration camp, a girl who was separated from her parents and relocated to England through the Kindertransport, and a boy whose family struggled to escape to China.

Four of the 10 survivors on whom the play is based were still alive when the play premièred in New York in 2018. Though each story is unique, all the survivors “went through this horror and came through the other side to build meaningful, contributing, beautiful lives,” notes Kout. “We’re not just telling history. We’re telling history as a cautionary tale for the present and the future.”

Several prominent members of the public, such as MLAs Murray Rankin and Rob Fleming, were in attendance at the UVic performance. In remarks made after the show, Rankin suggested he would press the Ministry of Education and Child Care to bring Survivors to schools in the province.

Rankin’s comments preceded the announcement by Premier David Eby the following day, Oct. 30, that Holocaust education would become mandatory in high schools throughout British Columbia beginning in the 2025-26 academic year. The move made British Columbia the second province, after Ontario, to mandate study of the Shoah.

There is a tangible sense of urgency by the organizers of Survivors to have the play viewed as widely as possible.

“We need to capture young minds of young people at an early stage before hate and racism becomes normalized,” their literature states. “We need to do this in the schools, because that is where most young people can be reached and it’s an opportunity to educate children and engage teachers.”

Survivors, with its aim to educate young people about hate, comes at a time when clear evidence of the ignorance of history has been in the news. In September, Anthony Rota, the speaker of the House of Commons, stepped down after honouring a Ukrainian veteran who fought with a Nazi unit during the Second World War.

More broadly, the organizers of Survivors cite a report by the Azrieli Foundation, Yad Vashem and others, which found that 62% of millennials did not know that six million Jews were killed in the Holocaust, 22% of millennials had not heard or were not sure if they had heard of the Holocaust, and 23% of all Canadians believe that two million or fewer Jews were killed during the Holocaust.

The Victoria production of Survivors that played last fall in school auditoriums, theatres and libraries, and had four public performances was the first international tour of the play. (See jewishindependent.ca/survivors-a-cautionary-tale and jewishindependent.ca/theatre-that-educates.) There are other tours currently on both coasts of the United States, and Kout, along with the New York company that developed Survivors, is creating a documentary on how the play came to be.

Survivors was originally commissioned and developed by CenterStage Theatre in Rochester, NY, in 2017, when Kout was asked to write a Holocaust play about survivors who had immigrated to the city. Shortly thereafter, while watching neo-Nazis march in Charlottesville, Va., Kout expressed the feeling that she was not simply writing an historical play but also a “warning play.”

For the Victoria troupe, Zelda Dean, the director, said, “Our goal is to expand the tour to more of Vancouver Island, to Vancouver on the mainland, and to select schools in the interior. The following year we will expand to include more schools throughout BC and other Western Canadian provinces.”

To learn more about Survivors and to donate, visit holocausttheatre.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Theatre that educates

Wendy Kout’s play Survivors is based on 10 real-life stories of young people’s Holocaust experiences. (photo by Peter Nadler)

Last year, Victoria-based Bema Productions and the Victoria Shoah Project collaborated on a pilot project: a nine-performance tour to middle and secondary schools of Survivors, a Holocaust-themed play by Wendy Kout. The success of the tour, which reached more than 1,100 students and 500 adults in the Victoria area, has led the organizations to broaden their reach throughout Vancouver Island, Metro Vancouver and other Western provinces beginning this autumn.

“Following our pilot tour in Victoria, we were asked to cover the Western provinces, and I happily accepted the challenge,” said Zelda Dean, the director of the play. “We will be touring to 30 schools on Vancouver Island in October 2023. In the fall of 2024, we will tour on the Mainland and in Alberta. Saskatchewan and Manitoba will be toured in 2025 – 150 performances in total will be presented.”

Citing a 2018 Canadian survey produced by the Azrieli Foundation, Yad Vashem, the United States Holocaust Memorial Museum and the Claims Conference, the Victoria organizers offer compelling reasons why Holocaust education is necessary today, particularly (but not only) for youth. According to the survey, 52% of millennials cannot name a concentration camp or ghetto; 62% of millennials did not know that six million Jews were killed in the Holocaust; 22% of millennials haven’t heard or are not sure if they have heard of the Holocaust; and 23% of all Canadians believe that substantially fewer than six million Jews were killed (two million or fewer) during the Holocaust, while another 24% were unsure of how many were killed.

“I have been alarmed at the ongoing rise in antisemitism for some years and have been looking for a suitable educational play. I had previously produced a play by Wendy and loved her work,” said Dean, regarding the selection of Survivors.

The intention of the one-hour play, suitable for those from Grade 6 to adulthood, is to provide a vehicle to teach lessons from the Shoah to younger audiences. Based on 10 real-life stories of young people’s Holocaust experiences, the play hopes to enable students to recognize the short- and long-term causes and effects of prejudice, discrimination and, ultimately, genocide. It also aims to foster critical thinking and bring the importance of human rights and social justice advocacy to the forefront.

Survivors goes through the chronological history of the Holocaust by enacting the experiences of Jewish children and teenagers from Europe. The young cast of six professional actors portrays the survivors, starting at innocence and continuing through the terrifying rise and rule of bigotry, xenophobia and violence, before they immigrate to America.

The play includes the true stories of a teen who watched her boyfriend being taken away to a concentration camp, a girl who was separated from her parents and relocated to England through the Kindertransport and a boy whose family struggled to escape to China.

Dean credited the young actors in the production for their diligence and dedication to their parts. “I put a casting call out and was delighted that a large number of very skilled young actors tried out for the roles. Those who were cast were tasked with doing considerable research into the Holocaust prior to rehearsals starting,” she said.

Survivors was originally commissioned and developed by CenterStage Theatre in Rochester, N.Y., in 2017, when Kout was asked to write a Holocaust play about survivors who had immigrated to the city. Shortly thereafter, while watching neo-Nazis march in Charlottesville, Va., Kout expressed the feeling that she was not simply writing an historical play but also a “warning play.”

The Victoria production in November and December 2022 – which played in school auditoriums, theatres and libraries, and had four public performances – was the first international tour of the play. There are other tours currently on both coasts of the United States, with Kout, along with the New York company that developed Survivors, creating a documentary on how the play came to be.

“Sharing the history of the Holocaust with students provides an important historical example of the dangers of allowing hatred and intolerance to take hold within a society,” said former B.C. minister of education Rob Fleming about the Victoria tour.

Additionally, several students who saw the play offered their input concerning how the performance affected them.

“I want to continue to learn more about the Holocaust and people’s stories. I’ve read [Elie Wiesel’s] Night and seen this play but other than that I haven’t heard many personal stories, so I’d like to learn more,” said one.

“I learned once again that I should not judge others selfishly based on race, religion, appearance or prejudice, and I will try to [remember that] whenever I meet new people from now on,” contributed another.

The organizers are looking for financial support to fund the upcoming Western Canadian tours.

“Over $450,000 is required to offer this powerful educational play to so many students, and we are actively fundraising to individuals, corporations, foundations, etc. We are running a campaign inviting folks to sponsor a school in their area for only $500,” Dean explained.

For more information about the play and to contribute, visit holocausttheatre.com or email [email protected].

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.