Victoria Shoah Project

Panel on shared legacy

A still from the documentary Shared Legacies: From the left are Martin Luther King Jr., Ralph Abernathy, Maurice Eisendrath and Abraham Joshua Heschel during the march from Selma to Montgomery, 1965.

The Victoria Shoah Project held a panel discussion on Oct. 20, following an online showing of the documentary Shared Legacies: The African American-Jewish Civil Rights Alliance.

The 2020 film, part of the sixth annual Victoria International Jewish Film Festival, chronicles the common history of prejudice and hardships each group has faced, and features footage of the relationships of such luminaries as Dr. Martin Luther King and Rabbi Abraham Joshua Heschel. Included are interviews with many prominent civil rights leaders of the time, such as Andrew Young, John Lewis, Rabbi Alvin Sugarman and Rabbi Peter S. Berg.

After the screening, there was a Vancouver Island-based panel discussion with Adrienne and Barrie Carter, Paul Winn and the Victoria Shoah Project’s Robert Oppenheimer. From their own experiences, they each spoke about African-Canadian and Jewish-Canadian relations. They also talked about the film, and the events from 1960s America that it depicts, from personal, historical, present-day and Canadian perspectives. Rick Kool, also of the Shoah Project, served as moderator.

Adrienne Carter was born in Hungary in 1944, as the Nazis marched into the country and were increasing their campaign to exterminate the Jews. Many in her extended family died in Auschwitz. She and her family moved to Canada in 1956, following the Hungarian Revolution. “The whole stateless experience is very well known to me,” she recalled. “I married Barrie in 1965, at a time when Blacks and whites rarely ever connected, let alone married, and at a time when many Southern states had laws against interracial marriages.”

A co-founder and the director of services at the Vancouver Island Counseling Centre for Immigrants and Refugees, she has spent much of her working life helping immigrants by providing therapy to those who have experienced trauma, including intergenerational trauma.

Barrie Carter, who was a special needs education assistant until his retirement, told the audience of his early years. Born in Jacksonville, Fla., he moved to the northeastern part of the country where, in his teens, he volunteered with the NAACP in Bridgeport, Conn., and in New York and picketed Walgreens to challenge their segregationist luncheonette policies in the South. He immigrated to Canada on a bicycle in 1963. “While I was riding north, people were taking the bus south to the March on Washington. But I just had to get away,” he said.

Both Barrie and Adrienne Carter have traveled around the world, providing services to victims of torture and genocide.

Winn, whose work experience includes having been the executive director of the Canadian Race Relations Foundation, followed by recounting his experiences growing up in Toronto’s diverse Kensington Market neighbourhood.

“When I was 10 or 11, I was a Shabbos goy. I would do some things for the neighbours on Saturdays because they were unable to perform those tasks for religious reasons,” Winn recalled. “I got invited to bar and bat mitzvahs.”

He said, “It was natural for the Black and Jewish communities to support each other when there were struggles with such things as immigration. When I watched the film, I remembered how the connection between the religious Black and Jewish communities helped bring about a lot of activities in Canada, as well.”

Oppenheimer, a clinical psychologist with a focus on traumatized children and youth, a human rights activist and a staunch promoter of Holocaust education, also shared some information about his career. Reflecting on the 28 years he spent working in Detroit, he said, “It was an interesting experience for me. I was the only non-African-American on the staff and I was impressed with how welcoming the community was to me.

He added, “One of the things that impressed me about the movie was when Heschel said ‘not to be a bystander to history.’ I think that is central to my idea of human rights, that we cannot just stand by.”

“One of the things that really hit me in the film,” said Kool, “was a pastor standing in a church with a rabbi who said, ‘Reverend King isn’t here anymore, Rabbi Heschel isn’t here anymore, but are their children here now?’”

Barrie Carter observed that the youth in activist groups today “have the same dynamism as we did. They have an energy and a knowledge of concepts. It isn’t just a blind following. It is a positive morality.”

“They seem to believe it is part of their responsibility to make things better,” added Winn about today’s activists. “They want to make things better.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

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Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Kristallnacht programs

Dr. Chris Friedrichs will deliver the lecture “How to Steal from Jews: A Story from Nazi Germany and What It Teaches Us,” which will be available from Nov. 9, 7 p.m., from the Vancouver Holocaust Education Centre. The Victoria Shoah Project is also holding a commemoration, called “The Persistence of Creativity Emerging from the Shards of Tragedy.” (photo from VHEC)

On the evening of Nov. 9, both the Vancouver and Victoria Jewish communities will be holding virtual Kristallnacht commemorations. This year’s commemoration marks the 82nd anniversary of the state-sponsored Kristallnacht (Night of Broken Glass), which took place throughout Germany and Austria on the night of Nov. 9-10, 1938. In the course of just a few hours, hundreds of synagogues were burned, thousands of Jewish-owned places of business were destroyed, almost 100 Jews were killed, and 30,000 Jews were arrested and sent to concentration camps. The shards of broken window glass seen in front of Jewish-owned stores all over Germany the next morning gave the memorial event its name.

The Vancouver Holocaust Education Centre, in partnership with Congregation Beth Israel and with support from the Robert and Marilyn Krell Endowment Fund of the VHEC and funds from the Jewish Federation of Greater Vancouver annual campaign, is presenting the lecture “How to Steal from Jews: A Story from Nazi Germany and What It Teaches Us,” by keynote speaker Dr. Chris Friedrichs.

The Nazi regime not only murdered millions of Jews, it also relentlessly confiscated Jewish property from owners later sent to their deaths. The illustrated lecture by Friedrichs will describe the step-by-step process by which two elderly Jews from wartime Berlin were stripped of all their assets before they were deported to the death camps – and shows how Nazi officials then fought with one another about what to do with the stolen property.

Friedrichs is professor emeritus of history at the University of British Columbia, where he taught for 45 years before his retirement in 2018. He is a specialist in German history and has been active for many years in Holocaust awareness education.

The Vancouver event is pre-recorded and will be available for viewing any time after 7 p.m. on Nov. 9: visit vhec.org/events-gallery/#videos.

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In Victoria, live-streaming via Zoom, the Victoria Shoah Project will present a program titled “The Persistence of Creativity Emerging from the Shards of Tragedy.” It is a remembrance of those who suffered on Kristallnacht and in the Shoah, as well as a reminder of how and why we, as a collective society, commemorate such tragic events. Remembrance is essential; however, we also must act in tangible ways to protect all peoples in our diverse community.

In recent years, there has been the unfortunate growth of attacks on minority groups and those who are “ the other.” This highlights the need for us to stand together to protect and safeguard all peoples, regardless of religion, race, sexual orientation or other factors, which may make them targets of a hateful few. And, in this context, the Victoria Shoah Project is inviting political and law enforcement leaders, as well as representatives from the diverse faith communities, to join together at the commemoration to lead the reading of a pledge of mutual respect and support.

It is also inviting the entire community to join the event – to remember the past and commit to take action for a better future, where we will respect and protect our neighbours, not remain silent in the face of any injustice against any person or group and work towards building bridges leading to unity and shalom (peace) in our community and beyond.

For more information, email [email protected], or visit victoriashoahproject.ca or facebook.com/victoriashoahproject.

Autograph book resurfaces

Susi and Mænni Ruben, Copenhagen, 1960s. Mænni Ruben’s autograph book, compiled in Theresienstadt, is the focus of a new online exhibit launched by the Victoria Shoah Project. (photo from Victoria Shoah Project)

The Victoria Shoah Project has launched a virtual exhibit of an autograph book compiled by Mænni Ruben, a Danish violinist and graphic artist held prisoner at Terezin (Theresienstadt) concentration camp outside of Prague.

The 1945 Theresienstadt Autograph Book Exhibit features panels and the 40-page book itself, which is replete with signatures, sketches and aphorisms from Ruben’s friends and acquaintances who were also incarcerated at Terezin.

The book records the closing period of the war as survivors were being liberated. It is a story not only of the horrors of Nazism, but of long-lasting friends, and the music and art that united them during dreadful times.

Ruben died in 1976 in Copenhagen. Though he never lived in or visited Canada, the book remained with his widow, Susi, who remarried after his death and settled in Victoria. Upon her passing, in 2018, the book came into the hands of Rabbi Harry Brechner of Victoria’s Congregation Emanu-El. He subsequently showed it to member Janna Ginsberg Bleviss, who became the coordinator of the exhibit project.

“When the rabbi showed the book to me last year, I could see right away that it was special and should go to a museum. It is in remarkable condition for being 75 years old and is a tremendous addition to Holocaust studies,” Ginsberg Bleviss said.

“I was fascinated by the book – who were these people and what happened to them? Reading the pages filled with optimistic greetings, illustrations and pieces of music was like finding a hidden treasure, waiting to be opened. I wanted to discover who these people were and hear their stories,” she added.

“This virtual launch [which took place Aug. 20] is meant to honour both Mænni and Susi, and the memory of those whose lives intersected in space and time in the Theresienstadt camp. None of the artists, musicians, composers or rabbis who wrote in the book are alive, but we can sense their lives through their traces here,” said Dr. Richard Kool, a member of the Victoria Shoah Project.

A number of panels show the powerful drawings of artist Hilda Zadikow, whose husband, sculptor Arnold Zadikow, died at Theresienstadt. One depicts the coat of arms of Terezin under a Magen David made of barbed wire. Another features three sad, grey sketches of the camp itself. In a third, there is a happier scene of colourful opera figures.

Her inscription in the autograph book reads, “Your old friend Hilda Zadikow wishes you all the best and delight in beauty.”

A poignant message comes from Rabbi Leo Baeck, an intellectual and leader of the German Jewish community and the international Reform movement, who wrote: “What you forget and what you don’t forget, that is what decides the course of your life will take.”

Pianist Alice Sommer Herz, the subject of the 2007 book A Garden of Eden in Hell and the 2013 Oscar-winning documentary The Lady in Number 6, was another prisoner at the camp. Sommer Herz, who died at age 110 in 2014, wrote in Ruben’s book: “In memory of music at Theresienstadt and in strong hopes of a better future.”

And a touching note comes from Miriam Pardies, someone Ruben seems to have known only in passing: “We know each other only from having greeted each other in a friendly way, but that too is a good memory,” she writes in the book.

“There is a huge educational value to these pieces for students learning about the Holocaust, or for researchers who want to continue exploring the stories of these most interesting people during an important time at the end of the Second World War,” remarked Brechner.

Ruben and his family were sent to Theresienstadt in 1943. A place where the Nazis kept prominent Jews, the camp housed musicians, intellectuals, artists, religious leaders and hundreds of children. In 1944, the inmates performed a concert for German visitors and the visiting International Red Cross – the performers were forced to act as though life at the camp was normal.

Losing his father at the camp, Ruben returned home after the war. A few years later, he met his wife. They married and both played in the Copenhagen Youth Orchestra – she on cello and he on violin. Mænni Ruben also worked as a graphic designer and Susi Ruben as a fashion designer; they were together for 24 years.

After her husband died, Susi Ruben’s company sent her to Israel, where she met Dr. Avi Deston. They married in 1978 and went to South Africa for 13 years, where Deston taught physics at the University of Transkei. On his retirement, they came to Victoria, in 1992.

The autograph book will be donated to the Canadian Museum for Human Rights in Winnipeg for their Holocaust gallery. To view the virtual exhibit, go to terezinautographbook1945.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.