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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: populism

Concerning elections

On Remembrance Day, we reflect on the sacrifices made by Canadians who fought to defend freedom. Many of us recall the solemnity of our childhoods standing in a school auditorium, first beginning to understand the meaning behind the poem “In Flanders Fields” and the moment of silence.

Similar ceremonies occur worldwide, including in places where the loss of life in wars has been far greater and more recent than our nation’s experience.

At the same time, it is impossible not to reflect on how some of the messages of tolerance, coexistence and peace seem to have been lost on leaders of various countries – as well as those who vote for them.

Across Europe, the Americas and some other places, extremism is growing. Far-right governments in Italy, Poland and Hungary advance xenophobic and scapegoating policies. While not yet reaching the highest echelons of power, far-right groups in Germany and France are growing in popularity. The defeat of Jair Bolsonaro, Brazil’s extreme-right and volatile president, is a bright spot, though the leftist Luiz Inácio Lula da Silva, who beat him only by a hair, demonstrated in his previous term as president that he is also no archetype of impeccable governance.

Enormously alarming were this week’s midterm elections in the United States. More than half of the Republican candidates for Congress and state offices, including crucial officials who oversee election processes, are “election deniers” who claim that the 2020 presidential race was not rightfully won by Joe Biden. The refusal of the former president to acknowledge defeat and accede to the peaceful transition of power, hand-in-hand with the insurrection at the Capitol on Jan. 6, 2021, represent the greatest threat to American democracy since that country’s Civil War. The last two years have shown how fragile this form of governance is and how dependent it is on the goodwill of its participants to abide by the rules and accept the will of the people. The fact that about half of American voters don’t seem the least bit bothered by this reality is the scariest part.

Then, and by no means least, are the results of Israel’s most recent national elections. The good news is that, after five elections in three years, the country will apparently have a stable coalition government. The bad news is that it will include individuals whose political and moral values should be scorned by people who support democracy, pluralism and respect. Itamar Ben-Gvir, leader of the third-largest bloc, was forbidden from serving in the Israel Defence Forces because military leaders deemed him too extreme. Until he decided to get serious about politics, Ben-Gvir had a framed photo in his home of Baruch Goldstein, the extremist who murdered 29 Palestinians in Hebron’s Cave of the Patriarchs in 1994. His policies include annexing the West Bank and forcibly expelling (at least some of) its residents, an idea that is, put mildly, against international law, and would almost certainly lead to a serious regional conflagration.

Israelis must deal with the situation they have created. Diaspora Jews and other supporters of Israel have a tough row to hoe as well.

Jewish organizations worldwide have issued unprecedented statements of concern and condemnation about internal Israeli affairs. There has always been tension, ranging from a low simmer to a full boil, between Israel and the Diaspora over a vast range of issues. Israelis, we must state, are the ones who put their lives, and those of their children, on the line to defend the Jewish state and they alone have the right to determine its direction. This does not mean, however, that the opinions and concerns of overseas family and allies do not matter.

Israel has always lacked dependable overseas allies. In far too many instances, this has been an unfair situation driven by geopolitical issues and, to an extent, bigotry and antisemitism. But Israel is not entirely blameless in its isolation. Decades ago, Golda Meir said, “I prefer to stay alive and be criticized than be sympathized.” Sometimes, Israel needs to make unpopular choices in the interest of its security.

There are moments when Israel’s hand has been forced, when its leaders have made choices that are unpopular among outside observers but deemed necessary for national security. This is not one of those moments. Israeli voters have chosen some extremely unsavoury people to represent them. They have sown the wind. It is the responsibility of decent people in Israel and abroad – including Jewish institutions – to advocate for tolerance and human rights in order to moderate the inevitable storm.

Posted on November 11, 2022November 9, 2022Author The Editorial BoardCategories From the JITags democracy, elections, Europe, extremism, far-left, far-right, Israel, politics, populism, United States
Returning after tragedy

Returning after tragedy

Abigél Szoke and Károly Hajduk in the film Those Who Remained. (photo from Menemsha Films)

The Hungarian movie Those Who Remained has been making the rounds at international film festivals, including, in recent weeks, the Victoria International Jewish Film Festival. And perhaps no other film at this year’s VIJFF, which contained six features and one short, generated as much discussion afterwards.

“In its purest form, Those Who Remained represents near-perfect film composition, entailing exceptional directing, editing, pacing, acting and cinematography. A film of this calibre only comes along every few years,” said Farley Cates, a committee and jury member of this year’s VIJFF.

“This film was selected for its ability to leave such a strong impression on the viewer, pondering its many layers and facets from a psychological and geopolitical perspective. This film is like a wondrous painting in which the longer you look at it, the more you see happening,” added Cates, who will serve as co-director of the festival in 2021.

The film takes place in Budapest during the period between the end of the Second World War and the 1956 Hungarian Revolution. While surviving Hungarian Jews did go to Israel and elsewhere, a large number stayed in their homeland. The Jewish population of Hungary today is estimated to be well over 100,000, the vast majority of whom live in Budapest.

The postwar period for Jews who remained in Hungary was difficult. An Orwellian state of affairs had commenced: people were questioned by the police in the middle of the night; colleagues reported on other colleagues. Amid this upheaval in Hungarian society, the two principal characters in the film – Aldo, a middle-aged doctor, and Klara, a teenage girl – deal with the trauma they experienced during the Holocaust.

Abigél Szoke, who plays Klara, was selected by Variety as one of the “10 Europeans to watch” in 2020. The magazine calls her a “revelation”: “She makes Klara’s energy, pain and smarts palpable, all the while being touchingly tuned to the emotional shadings of Aldo.”

The relationship between Aldo (played by Károly Hajduk) and Klara never develops into anything scandalous, though some of the peripheral characters in the film perceive it to be so. Despite Klara’s advances, Aldo does not allow the relationship to become sexual.

The film is a tale of survival, depicting two people’s attempts to get on with the normal, sometimes banal tasks of everyday life within the shadow of the unspeakable atrocities they witnessed and experienced only a very short time before.

Repressed emotions among survivors was a central theme to the VIJFF panel discussion after the film. Speakers included Budapest-born survivor Adrienne Carter, University of Victoria professor Charlotte Schallié, psychologist and member of the Victoria Shoah Project Robert Oppenheimer and music professor Dániel Péter Biró of the University of Bergen in Norway. Among other things, they discussed the common tendency of many survivors to refuse to talk about the events of the camps and the persecution afterwards, just as, in the film, Aldo refuses to say anything about the loss of his wife and children.

What is interesting, too, about this movie, the panelists noted, is that it was made in a Hungary led by Viktor Orban, a populist, nationalist and authoritarian leader who has presided over the country in an undemocratic fashion for the past 10 years. In fact, Hungary has produced a number of films set in the period around the war recently, including 1945 (2017) and Son of Saul, which was selected as the best foreign language film at the 2015 Academy Awards.

Orban has displayed a penchant for playing up the antisemitic caricature of Jews as the power brokers of the world stage. A popular target of his has been 90-year-old Hungarian-born financier George Soros, a regular figure of derision among right-wing groups in North America, as well. In 2017, Orban, who ironically received a scholarship from the Soros Foundation to study at Oxford in the late 1980s, plastered billboards across the country in an anti-migrant campaign featuring a smiling Soros that read “let’s not let Soros laugh in the end.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

***

Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Format ImagePosted on December 4, 2020December 7, 2020Author Sam MargolisCategories TV & FilmTags Farley Cates, George Soros, Holocaust, Hungary, politics, populism, Those Who Remained, trauma, Vancouver Island Jewish Film Festival, VIJFF, Viktor Orban
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