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Tag: George Soros

Deep, dangerous bias

The sale by George Soros of a (comparatively) modest holding in Elon Musk’s Tesla car company seems to have sent Musk into a Twitter tirade last week.

“He wants to erode the very fabric of civilization,” Musk tweeted in a reckles overreaction. “Soros hates humanity.”

The context of the smear is worth a moment of consideration. A man who sinks a chunk of his estimated $185 billion US pile into a space flight hobby says that a man who has donated (at a minimum) $32 billion US into building civil society in the former Soviet bloc and other countries “hates humanity.”

Beyond this context is a whole lot of subtext.

There is nothing essentially wrong with a public figure criticizing another public figure. If the target feels he has been libeled, there are legal recourses available. That’s not really the issue here.

As one of the world’s foremost funders of liberal causes, Soros draws criticism from plenty of people who don’t agree with his politics. Fair enough. But “Soros” has become a shorthand. Generations of people have used the name “Rothschild” to invoke a conspiracy of Jewish wealth and power. “Soros” is a 21st-century update of that conspiracy.

This is a bit dicey. It is fair to criticize someone who dumps billions of dollars into causes you disagree with. If the person happens to be Jewish, that doesn’t make you antisemitic. If you use that person’s name as a stand-in for a complex of ideas about Jews more generally manipulating events with wealth and the manipulative force that can come with it, that is antisemitic. But, of course, getting into the head of a suspected bigot is impossible. One person can accuse another of racism, the accused can deny it and neither is any further ahead. Sometimes the accused may not even be conscious of what they have done.

But Musk tipped his hand. He launched his outburst with: “Soros reminds me of Magneto.”

Magneto is a villain in the Marvel Comics franchise X-Men. Like Soros, Magneto is a Jewish survivor of the Holocaust.

The idea that Soros “hates humanity” is an especially laden accusation. It seems like a peculiar assertion – unless one is familiar with centuries of slander against Jewish people, which has posited that Jews are the embodiment of Satan, the enemy of all things good. In Christian theology, including official Catholic doctrine until the mid-1960s, Jews were accused of deicide, of literal God-killing, of destroying what is most sacred to humanity. To accuse a Jew in 2023 of hating humanity – and all that implies in the context of funding social change movements – is to invoke (intentionally or not) millennia of deadly ideas about Jewish evil-doing. To also invoke a (Jewish) cartoon villain in the process makes Musk’s playing to pervasive tropes about Soros, money, Jews and power seem more deliberate.

This is what is so confounding about racism and bigotry in general, and antisemitism in particular: it so often manifests not as outright intolerance and hatred but as unconscious or barely conscious bias that motivates our beliefs and actions without us knowing it. In some ways, this is the more frightening prospect. It is easy to identify and condemn the most overt acts of racism or hatred. Parsing and reproving harmful, unconscious ideas is much more challenging.

We are not all in a position (thankfully!) to have our Tweets or other late-night brainwaves analyzed by millions. Musk hosts a powerful platform and his speech can move financial markets and mobilize followers. Ideally, he may take time to reflect on whether he carries unconscious biases that need examining.

For us, there are at least two lessons. First, we are reminded that confronting antisemitism is not as easy as condemning those who exhibit the most obvious signs. Second, while we are critical of one of the most prominent people in the world letting slip what appear to be deep-seated conspiratorial ideas that project onto a single individual a host of negative characteristics attributed to the group to which he belongs, we would do well to consider how we use the platforms we each have in our daily lives in the service of justice, anti-racism and truth.

Posted on May 26, 2023May 25, 2023Author The Editorial BoardCategories From the JITags antisemitism, Elon Musk, George Soros, social media, Twitter
Returning after tragedy

Returning after tragedy

Abigél Szoke and Károly Hajduk in the film Those Who Remained. (photo from Menemsha Films)

The Hungarian movie Those Who Remained has been making the rounds at international film festivals, including, in recent weeks, the Victoria International Jewish Film Festival. And perhaps no other film at this year’s VIJFF, which contained six features and one short, generated as much discussion afterwards.

“In its purest form, Those Who Remained represents near-perfect film composition, entailing exceptional directing, editing, pacing, acting and cinematography. A film of this calibre only comes along every few years,” said Farley Cates, a committee and jury member of this year’s VIJFF.

“This film was selected for its ability to leave such a strong impression on the viewer, pondering its many layers and facets from a psychological and geopolitical perspective. This film is like a wondrous painting in which the longer you look at it, the more you see happening,” added Cates, who will serve as co-director of the festival in 2021.

The film takes place in Budapest during the period between the end of the Second World War and the 1956 Hungarian Revolution. While surviving Hungarian Jews did go to Israel and elsewhere, a large number stayed in their homeland. The Jewish population of Hungary today is estimated to be well over 100,000, the vast majority of whom live in Budapest.

The postwar period for Jews who remained in Hungary was difficult. An Orwellian state of affairs had commenced: people were questioned by the police in the middle of the night; colleagues reported on other colleagues. Amid this upheaval in Hungarian society, the two principal characters in the film – Aldo, a middle-aged doctor, and Klara, a teenage girl – deal with the trauma they experienced during the Holocaust.

Abigél Szoke, who plays Klara, was selected by Variety as one of the “10 Europeans to watch” in 2020. The magazine calls her a “revelation”: “She makes Klara’s energy, pain and smarts palpable, all the while being touchingly tuned to the emotional shadings of Aldo.”

The relationship between Aldo (played by Károly Hajduk) and Klara never develops into anything scandalous, though some of the peripheral characters in the film perceive it to be so. Despite Klara’s advances, Aldo does not allow the relationship to become sexual.

The film is a tale of survival, depicting two people’s attempts to get on with the normal, sometimes banal tasks of everyday life within the shadow of the unspeakable atrocities they witnessed and experienced only a very short time before.

Repressed emotions among survivors was a central theme to the VIJFF panel discussion after the film. Speakers included Budapest-born survivor Adrienne Carter, University of Victoria professor Charlotte Schallié, psychologist and member of the Victoria Shoah Project Robert Oppenheimer and music professor Dániel Péter Biró of the University of Bergen in Norway. Among other things, they discussed the common tendency of many survivors to refuse to talk about the events of the camps and the persecution afterwards, just as, in the film, Aldo refuses to say anything about the loss of his wife and children.

What is interesting, too, about this movie, the panelists noted, is that it was made in a Hungary led by Viktor Orban, a populist, nationalist and authoritarian leader who has presided over the country in an undemocratic fashion for the past 10 years. In fact, Hungary has produced a number of films set in the period around the war recently, including 1945 (2017) and Son of Saul, which was selected as the best foreign language film at the 2015 Academy Awards.

Orban has displayed a penchant for playing up the antisemitic caricature of Jews as the power brokers of the world stage. A popular target of his has been 90-year-old Hungarian-born financier George Soros, a regular figure of derision among right-wing groups in North America, as well. In 2017, Orban, who ironically received a scholarship from the Soros Foundation to study at Oxford in the late 1980s, plastered billboards across the country in an anti-migrant campaign featuring a smiling Soros that read “let’s not let Soros laugh in the end.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

***

Note: This article has been amended to reflect the correct name of the film festival. It is the Victoria International Jewish Film Festival.

Format ImagePosted on December 4, 2020December 7, 2020Author Sam MargolisCategories TV & FilmTags Farley Cates, George Soros, Holocaust, Hungary, politics, populism, Those Who Remained, trauma, Vancouver Island Jewish Film Festival, VIJFF, Viktor Orban
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