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Tag: David Bercovici-Artieda

Community milestones … for July 2025

photo - David Bercovici-Artieda’s The Fast Runner was nominated for six Leo Awards, with Bercovici-Artieda taking home the award for cinematography
David Bercovici-Artieda’s The Fast Runner was nominated for six Leo Awards, with Bercovici-Artieda taking home the award for cinematography. (photo © David Bercovici-Artieda)

The short film The Fast Runner, which was shot in the Greater Victoria area, won a 2025 Leo Award in cinematography for David Bercovici-Artieda. Bercovici-Artieda was also nominated for best direction, and the piece had six nominations in total.

The Leo Awards are a Project of the Motion Picture Arts & Sciences Foundation of British Columbia. This year, there were more than 1,300 eligible entries in 16 different program categories. 

In addition to nominations for direction and cinematography, The Fast Runner was nominated for screenwriting (Michael Adams), production design (Sarah Monteith), costume design (Constance Moerman and Josie Saldat) and make-up (Teia Dumaresq, Akina McCrea, Lindsay Pilkey, Donia Nikoo, Naomi Burnell and Mayhanna Haslam).

“It’s not just about telling a story,” Bercovici-Artieda, the son of a Holocaust survivor, told the Independent earlier this year. “It’s about honouring the memory of those who lived through unimaginable horrors, including my own father. Every frame, every scene and every creative choice carries the weight of history – my family’s history.” (See jewishindependent.ca/balancing-education-and-art.)

For more about Bercovici-Artieda, the film and the many other awards and recognition it has received, visit thefastrunnerfilm.com.

* * *

At its annual general meeting last month, the Vancouver Holocaust Centre Society for Education and Remembrance presented its annual Life Fellow Award to Sidi Schaffer and Keith Morgan. The award is given to individuals who have made exceptional contributions to Holocaust education and remembrance.

Sidi is a Holocaust survivor and talented artist whose life and work are powerful testaments to resilience and remembrance.

photo - Sidi Schaffer
Sidi Schaffer (photo from VHEC)

Born in northern Romania, Sidi was just a child when she and her family were forced into the Czernowitz ghetto in 1940, and later deported to the Djurin concentration camp in what’s now Ukraine. They endured unimaginable hardship for four years before returning to Romania in 1945. Sidi later moved to Israel, where she earned her degree in art education, and eventually settled in Canada with her husband David and their three sons.

After completing a bachelor of fine arts at the University of Alberta, Sidi continued to use art as a way of processing and sharing her experience. Her piece “Earth, Don’t Cover Their Blood” (featured in the VHEC’s 1998 Gesher Project) remains a moving tribute to those lost – and a powerful educational tool.

Sidi continues to share her story and use her art to bear witness as a long-time member of the VHEC’s Child Survivor Group. 

Keith, a best-selling author and award-winning journalist, has dedicated his work to preserving Holocaust memory.

photo - Keith Morgan
Keith Morgan (photo from VHEC)

Born in Blackpool, England, in 1954, he moved to Vancouver in 1980, where he became a columnist on cars and motoring for the Province and Sun newspapers.

In 1997, he wrote a newspaper feature about Ruth Kron Sigal and her community impact. Moved by Ruth’s family story and motivated by his own limited knowledge of the Holocaust in the Baltics, Keith collaborated with Ruth, the eldest daughter of Meyer and Gita Kron, on her memoir, Ruta’s Closet (Shavl Publishing, 2008), about the murder of 200,000 Lithuanian Jews during the Holocaust and the Kron Sigal family’s survival during the Nazi occupation of Lithuania.

Keith worked on Ruta’s Closet while working as a journalist, researching daily, conducting interviews and using his holidays to travel across Europe, Israel and North America. Since its publication in 2008, the book has become a vital educational resource. According to historian Sir Martin Gilbert, it is “one of the finest Holocaust memoirs.”

* * *

Wendy Cocchia, lieutenant governor of British Columbia, has accepted to serve as honorary patron of the Holocaust Theatre Production Society’s Survivors program. Patronage, in the spirit of supporting and encouraging meaningful initiatives, is a role of the Office of the Lieutenant Governor, rooted in the Crown’s tradition of recognizing and uplifting worthy endeavours. 

The play Survivors, by Wendy Kout, is an hour-long educational drama that enacts the story of the Holocaust through eyewitness testimony of 10 survivors. Young and diverse audiences relate to the young and diverse cast, who are guides on the perilous journey of their ever-changing world. The survivors in the play also provide life lessons and encouragement to speak up and act up against hatred and bullying today. Suitable for young adult and adult audiences, this play about the past is a warning and a wakeup call for the present and the future.

As of June 30, Survivors was booked for more than 30 performances across Vancouver Island, bringing the society’s Holocaust education program to middle and high schools, both public and private, as far north as Campbell River.

Thank you to the Victoria Foundation for their support, which will ensure that the program can be delivered to Victoria schools in October.

Visit holocausttheatre.com for more information and to watch the trailer. 

* * *

Last month, the Vancouver Holocaust Education Centre presented the 2025 Meyer and Gita Kron and Ruth Kron Sigal Award for Excellence in Holocaust Education to Chantel Parsons. Chantel has consistently demonstrated an exceptional commitment to Holocaust education throughout her career, significantly impacting her students, colleagues and the broader school community.

photo - Chantel Parsons
Chantel Parsons (photo from VHEC)

Chantel is a geography and history teacher at Mark R. Isfeld Secondary School in the Comox Valley. The teacher’s Genocide 12 course, which centres on the Holocaust, remains one of the most popular senior-level electives at her school, drawing students eager to engage deeply with this critical history.

Chantel’s approach to Holocaust education is marked by historical precision, critical inquiry and meaningful impact. Her students explore complex issues around historical responsibility and the roles of perpetrators, victims, bystanders and resistors, challenging simplified narratives and examining the complexities of human behaviour during the Holocaust.

The lasting influence of her teaching is reflected in the words of a former student: “You were probably one of the best teachers I had. The focus you put on the atrocities in WWII, and the effort you put into teaching us how to recognize the patterns that lead up to events like this made me question a lot of things I probably wouldn’t have otherwise…. I often think back to things I learned in your class.”

A distinctive feature of Chantel’s teaching is her focus on Holocaust denial and distortion – topics often underrepresented in high school curricula. Her students study landmark Canadian legal cases concerning Holocaust denial, and benefit from guest speakers and witnesses connected to these cases. 

Despite teaching in the smaller community of Courtenay, Chantel’s students access extensive enrichment opportunities through VHEC’s online programs. This year, her class participated in multiple live Zoom workshops, survivor speaker presentations, virtual exhibition tours and accessed a wealth of online teaching materials. 

The Kron Sigal Award was established in memory of Meyer and Gita Kron and their daughter Ruth Kron Sigal, Lithuanian Jewish survivors of the Holocaust who reestablished their lives in Vancouver. Through their lifelong involvement with education and community, the family touched the lives of thousands of students. The award in their name is presented annually to British Columbian teachers who have demonstrated excellence and commitment to teaching students about the Holocaust and its important lessons for humankind.

* * *

photo - Gerri Klein (centre, seated) with some of her graduating colleagues at the 50th anniversary of the Winnipeg Health Science Centre School of Nursing
Gerri Klein (centre, seated) with some of her graduating colleagues at the 50th anniversary of the Winnipeg Health Science Centre School of Nursing. (photo from Gerri Klein)

Gerri Klein recently celebrated 50 years as a nurse! She was part of the first nursing class from the Winnipeg Health Science Centre School of Nursing.

During her career, Gerri, who now has a master’s in nursing (2003, University of British Columbia), has been honoured with the Canadian Diabetes Educator of the Year Award in 2020 and a Nurses and Nurse Practitioners of BC 2023 Nursing Award of Excellence: Excellence in Advancing Nursing Knowledge and Research. She currently works as a diabetes educator at BC Diabetes in Vancouver.

* * *

photo - Dr. Aaron Klein
Dr. Aaron Klein (photo from Gerri Klein)

Aaron Klein graduated from the University of Toronto with a doctor of philosophy, aerospace studies, department of mechanical and industrial engineering, on June 17, 2025. Aaron, who is working and living in Toronto, stays busy raising his young family with his wife Carolyn.

 

Posted on July 25, 2025July 24, 2025Author Community members/organizationsCategories LocalTags anniversaries, Chantel Parsons, David Bercovici-Artieda, Gerri Klein, Holocaust, Holocaust Theatre Production Society, Keith Morgan, Kron Sigal Award, Leo Awards, Life Fellow Award, milestones, Sidi Schaffer, survivors, Vancouver Holocaust Centre Society, VHEC, Wendy Cocchia, Winnipeg Health Science Centre School of Nursing
Balancing education and art

Balancing education and art

Alix West Lefler plays Frida in The Fast Runner, a 15-minute short from director David Bercovici-Artieda that was shot over the course of four days in the Greater Victoria area. (photo from thefastrunnerfilm.com)

The Fast Runner, a film about a young girl and a rabbi confronting the reality of the Holocaust, will be shown at the Comox Valley International Film Festival on April 5. The 15-minute short was shot over the course of four days in the Greater Victoria area and involved 260 people. 

Director David Bercovici-Artieda, the son of a Holocaust survivor, described the project as both a profound responsibility and an intensely personal journey. His father’s experience, though not depicted in the story, inspired him to bring the film to fruition.

“It’s not just about telling a story. It’s about honouring the memory of those who lived through unimaginable horrors, including my own father. Every frame, every scene and every creative choice carries the weight of history – my family’s history,” he told the Independent.

“I came to understand the profound impact of survival – not just the physical endurance, but the emotional and psychological resilience that followed. His story, and those of so many others, shaped my perspective on the responsibility of storytelling and the importance of preserving these narratives for future generations.”

Bercovici-Artieda said creating a film like The Fast Runner is a balancing act between art and education. It must be compelling, engaging and cinematic, but also serve the greater purpose of preserving memory and fostering empathy. At its core, he explained, the film carries a message of compassion, hope and perseverance in the darkest moments of history.

“It is a reminder that, even in the face of cruelty, there were acts of kindness, moments of defiance and an unbreakable human spirit. These themes are as relevant today as they were then,” he said.

Bercovici-Artieda admitted that, during the process of putting the film together, he questioned whether he was doing justice to the story and honouring his father’s legacy in the right manner. 

“Ultimately, telling these stories is a privilege,” he said. “It is a way to ensure that the Holocaust is never forgotten, to remind audiences that history is not just in textbooks – it lives in the voices and memories of those who came before us.”

Bercovici-Artieda stressed that the film is about choices as well: those forced upon people who suffered and those made by people who stood by, helped or betrayed. Viewers, he hopes, will recognize the weight of these decisions and that history is not just a collection of events: it is built on the actions and moral dilemmas of individuals.

“I also hope audiences see the film not just as a story about the past, but as a reflection of today’s world,” he said. “The forces of hate, intolerance and dehumanization did not disappear with the Holocaust. They persist in different forms. If we are not vigilant, history can repeat itself. And, right now, we are witnessing a dangerous rise in antisemitism, Holocaust denial and historical revisionism.”

photo - Director David Bercovici-Artieda behind the camera of The Fast Runner, which next screens at the Comox Valley International Film Festival
Director David Bercovici-Artieda behind the camera of The Fast Runner, which next screens at the Comox Valley International Film Festival. (photo from thefastrunnerfilm.com)

Most importantly, Bercovici-Artieda would like people to leave the theatre with a sense of empathy. Survivors like his father, he said, endured unspeakable horrors, but they carried on, rebuilt their lives and, in many cases, found a way to forgive.

“If they could move forward with hope, so can we,” he said. 

Currently, Bercovici-Artieda is raising funds to support a partnership with Journeys in Film, an educational nonprofit, to help teachers bring The Fast Runner into classrooms worldwide. In addition, he would like to expand screenings, panel discussions and outreach programs to engage audiences in meaningful conversations about the Holocaust, resilience and the dangers of historical revisionism.

“My hope for educating people about the Holocaust through The Fast Runner is to provide a deeply human perspective on one of history’s darkest chapters – one that goes beyond statistics and textbooks,” he said. “I want audiences, especially younger generations, to connect emotionally with the story, to feel the weight of what was lost and to understand the consequences of hatred and intolerance.”

The Fast Runner screened at the Victoria Film Festival in February; the Shabbat Lounge, a Jewish cultural event running alongside the Sundance Film Festival in Park City, Utah, in January; and the Victoria International Jewish Film Festival last November. After Comox, it will make its Latin American debut, with three screenings in Ecuador, Bercovici-Artieda’s home country. One of the screenings will take place on Holocaust Remembrance Day (Yom Hashoah), on April 23, in Quito. 

The film stars Alix West Lefler as the young girl Frida and Alex Poch-Goldin as the rabbi. Only 13 years old, West Lefler has a considerable list of acting credits, including roles in films (Speak No Evil, The King Tide) and on television (The Good Doctor, Riverdale). Poch-Goldin is a veteran stage and television actor with appearances on Nero Wolfe, Murdoch Mysteries and Queer as Folk; he is also a playwright, director and librettist.

Michael Bruce Adams wrote the screenplay for The Fast Runner. Adams has been involved in more than 150 film productions. Besides short films, he has written features and documentaries.

Bercovici-Artieda has been the cinematographer on dozens of film projects and a director of several recent television series’ episodes and movies, including the holiday film Making Spirits Bright.

For more about The Fast Runner, visit thefastrunnerfilm.com. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on March 28, 2025March 27, 2025Author Holocaust, Sam MargolisCategories TV & FilmTags David Bercovici-Artieda, education, Holocaust, second generation, The Fast Runner, Victoria
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