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Tag: films

Four Peretz pillars honoured

Four Peretz pillars honoured

As the owner of the 95-year-old Jewish Independent, I know full well that our Jewish community is built on the shoulders of those came before us. It is upon this foundation that we continue to grow, keeping our institutions going, while also starting new ventures and winding up groups that have served their purpose. Sometimes an organization will rebrand and recreate itself, sometimes it will reconnect with and reestablish its roots.

It is with these thoughts in mind that I watched the short documentary film Four Pillars of Peretz, which premiered last month at the Peretz Centre for Secular Jewish Culture. But it was also more personal than that, as I knew the four women being profiled: Bluma Field, Sylvia Friedman, Claire Klein Osipov and Gallia Chud, all of whom have passed away. To me, these women exemplified grace and grit. They were doers and they lived by their beliefs – most important, to me, though, was that they welcomed me, made a place for me, treated me as if I mattered, despite my holding very different views than they did on many things.

screenshot - Bluma Field, left, and Claire Klein Osipov
Bluma Field, left, and Claire Klein Osipov. (screenshot)

Nothing in filmmaker Michael Kissinger’s 36-minute documentary shattered the notion that they treated everyone with such respect, for which I’m grateful. I want to remember these women this way. A key element I feel is missing in the world today is this ability to be friends, or at least be civil to, people with different opinions. We are so polarized that our own views – and our need to express them – often take precedence over making another human feel, well, human.

I know that this phenomenon is nothing new. As is the case with most organizations, the Peretz Centre was started to fill a need that wasn’t being met by other groups at the time. Secular and socialist in nature, the Peretz has rarely “fit in” with the mainstream Jewish community over its 80-year history. While its politics held no interest for me, its focus on Yiddish culture, its choir in particular, did appeal to me and I was involved for some 30 years, having been introduced to the centre by Claire, who was the epitome of class – and, wow, what an incredible voice. She was close friends with my aunt, who also, sadly, has passed away. 

Going down memory lane with Four Pillars of Peretz was truly a pleasure. For people who don’t know the four women profiled, I would still recommend watching it, if only to demystify the Peretz Centre. Community unity shouldn’t mean community uniformity, and everyone should be so lucky as to have at least one place where they feel welcome. We don’t need to belong everywhere, but it’s vital to our health, I think, that we belong somewhere.

screenshot - Sylvia Friedman with her son, Michael Friedman
Sylvia Friedman with her son, Michael Friedman. (screenshot)

Four Pillars of Peretz is also an example of what other organizations could do to honour their founders. Keeping history alive is so important, in my view. It’s not an inexpensive endeavour, but it’s worthwhile. In the case of this documentary, Kissinger really captures the spirits of these women and the way in which they still inspire others. Bluma, Sylvia, Claire and Gallia were by no means the only pillars of the Peretz Centre, but they were particularly driving forces, and they were so for decades.

“These stubborn old ladies, you know, they get sh*t done,” says Faith Jones, providing the first comments in the film, which features clips from interviews with other Peretz members and with members of the women’s families. Through these snippets, as well as photographs and other archival material, you get a sense of the enormous amount of effort and love that it takes to start an organization and keep it running. 

The film starts with an overview of the four women, then each gets their own spotlight. The snappy music and the way in which Kissinger has edited the film makes it move along smoothly, both communicating the challenges these women – and others in their generation – faced with tenacity, but also with joy. 

“I think all of these women, if they were here today, would say that they got just as much out of it as they put into it, because it’s community,” says one of Gallia’s daughters, Rita Chudnovsky, near the end of the film. “And there’s no replacement for a sense of community, and that’s something that’s, I think, getting harder for people to find.”

For more about the film, go to peretz-centre.org/post/four-pillars-of-peretz-short-documentary-film-project.

Format ImagePosted on December 19, 2025December 18, 2025Author Cynthia RamsayCategories TV & FilmTags Bluma Field, Claire Klein Osipov, documentaries, films, Gallia Chud, history, Michael Kissinger, Peretz Centre, Sylvia Friedman
Blue Rodeo is thriving at 40

Blue Rodeo is thriving at 40

A 1989 PR photo for Blue Rodeo’s Diamond Mine album. Left to right are Bazil Donovan, Bob Wiseman, Jim Cuddy, Greg Keelor and Mark French. The documentary Blue Rodeo: Lost Together (left) has its world premiere at the Whistler Film Festival. (photo by Andrew MacNaughtan / bluerodeo.com)

The world premiere of Blue Rodeo: Lost Together, which gives viewers a glimpse into the rise of this iconic Canadian band, was so anticipated that the first screening of the documentary at the Whistler Film Festival sold out – a second screening has been added.  

The Whistler Film Festival runs Dec. 4-8, offering several programs, including feature-length films, shorts and its “Mountain Culture” series of films, après events and Q&As. The WFF24 Content Summit, which runs Dec. 4-7 in person and Dec. 10-12 online, presents speakers, panel discussions, workshops and other opportunities to learn and connect. 

Looking through the festival lineup, I came across Blue Rodeo: Lost Together and requested the screener for a few reasons. First, I grew up with Blue Rodeo’s music and knew many of their songs. Second, given the challenges of being recording and touring musicians – and Canadian to boot – I find it remarkable that the band is as popular as ever 40 years after high school friends Jim Cuddy and Greg Keelor started it. Lastly, founding members included Bazil Donovan (bass), Cleave Anderson (drums) and, most interestingly from my perspective, Bob Wiseman (keyboards). Wiseman is my second cousin and, though I’ve never met him, I have always been proud to let people know that I had a relative in Blue Rodeo. Wiseman was part of the group from 1984 to 1992.

image - Blue Rodeo: Lost Together posterBlue Rodeo: Lost Together delicately covers the comings and goings of musicians, and the sometimes-difficult friendship and professional collaboration of Cuddy and Keelor. It is frank about the band’s challenges in becoming a commercial success, starting as it did in the era of hard rock, but also dealing with some producers who had a different vision than Cuddy and/or Keelor of what would lead to that success. It is always fascinating to see how creative people balance their very personal drive with taking other people’s feelings and opinions into consideration (or not) and the need to feed and clothe themselves.

Overall, Blue Rodeo seems to have avoided any huge drama, though marriages and partnerships were tested by the rigorous tour schedule once the group broke into the international music scene. Some member partings were clearly amicable, such as when Anderson returned to his postman job after taking a five-year hiatus to play with the band – he had a family to support and wanted to be present for them. Other separations were more fraught: Wiseman wanted to leave a good year at least before he did, his unhappiness seeming to have started – from what I understand from the documentary – with the making of the album Casino, which was released in 1990. To make Blue Rodeo fit a more market-friendly mould, so it could become popular in the United States, Wiseman’s innate energy and expressive performance style was tamped down. “That was really traumatic for me,” he says in the film.

Despite creative differences and some tough times, all the interviewees in the documentary speak of one another and their experiences with great respect and gratitude. It is uplifting to see people treating one another kindly, even as they disagree. Hopefully, it isn’t just for show. Their affection seems genuine. The bonds these musicians have created between themselves and with their listeners seem strong. With all the bad that happens in the world, this is reason enough to watch this documentary – and, if you haven’t already, check out the music of Blue Rodeo.

At press time, there were tickets left for the Dec. 8 screening of Blue Rodeo: Lost Together. Of course, the festival features many other movies during its Dec. 4-8 run, including September 5 on Dec. 5 and 8. The thriller is based on the hostage-taking of Israeli athletes at the 1972 Munich Olympics. The description reads: “At the heart of the story is Geoff, a young producer eager to prove himself to his legendary boss, Roone Arledge. Teaming with Marianne, a German interpreter, Geoff unexpectedly takes the reins of the broadcast. As tensions rise, conflicting reports swirl and the lives of the hostages hang in the balance, Geoff faces difficult decisions that test his skills and moral compass.”

For tickets to the Whistler Film Festival and the full lineup of movies, visit whistlerfilmfestival.com. 

Format ImagePosted on November 29, 2024November 28, 2024Author Cynthia RamsayCategories TV & FilmTags Blue Rodeo, Bob Wiseman, Canada, films, history, movies, Munich 1972, music, Whistler Film Festival
שישה סרטים ישראלים בפסטיבל של טורונטו

שישה סרטים ישראלים בפסטיבל של טורונטו

“מונטנה” סרט הביכורים של הבימאית והתסריטאית לימור שמילה (שהייתה עד כה מלהקת מוכרת של סרטים). (צילום: tiff.net/tiff/montana)

ישראל נמצאת במקום מכובד בעולם מבחינת היצירה הקולנועית. זאת לאור העובדה שלא פחות משישה סרטים ישראלים ישתתפו השנה בפסטיבל הסרטים הבינלאומי של טורונטו, שחשב לשני בחשיבותו בעולם הקולנוע אחרי פסטיבל קאן. כידוע מדי שנה כוכבים ויוצרים רבים בתחום הקולנוע מגיעים לאירועי פסטיבל הסרטים של טורונטו.

להלן מידע בדבר שלושה מבין הסרטים הישראלים שיוקרנו בפסטיבל היוקרתי. במסגרת דיסקברי המשבצת המוקדשת ליוצרי העתיד של הקולנוע העולמי, שמומלץ לעקוב אחרי עבודתם, יוקרנו שני סרטים ישראלים. הראשון “מונטנה” סרט הביכורים של הבימאית והתסריטאית לימור שמילה (שהייתה עד כה מלהקת מוכרת של סרטים), שעוקבת אחרי צעירה החוזרת לבית ילדותה בעכו ממנו ברחה לאחר היעדרות ארוכה, לאור מות סבה. הצעירה מתאהבת במורה שהיא גם אמא, אותה היא פוגשת בזמן תקופת האבל ומתנהל קשר רומנטי אינטימי בין השתיים. כך גם מתגלה הסוד הקשה שגרם לצעירה לעזוב את עכו. “מונטנה” הוקרן כבר בפסטיבל הסרטים של חיפה. בסרט משתתפים בין היתר: נעה בירון, נטע שפיגלמן, חוה אורטמן ואבי מלכה. השני הוא “פיגומים” (קופרודוקציה ישראלית-פולנית) סרט הביכורים של הבימאי והתסריטאי מתן יאיר, שעוסק בקשר בין אב קשה ודומיננטי לבנו, תוך שהוא מצפה שהבן יחליף אותו בעבודתו על הפיגומים. הנער רואה חיים אחרים וטובים יותר לאחר שמגיע לבית הספר בו הוא לומד (בכיתה של תלמידים בעייתיים), מורה לספרות רגיש במיוחד לתלמידיו. “פיגומים” הוקרן כבר בהצלחה במסגרת הלא רשמית של פסטיבל קאן, וכן זכה בפרס התחרות הישראלית של פסטיבל הסרטים של ירושלים. בסרט משתתפים בין היתר: עמי סמולרצ’יק ואשר לקס.

במסגרת תצוגה מיוחדת יוקרן הסרט המדובר “פוקסטרוט” (קופרודוקציה ישראלית-גרמנית) של הבימאי והתסריטאי שמואל מעוז. הסרט עוסק בסיפורה של משפחה שנמצאת בקשר רחוק עם בנם החייל. האב בטעות גרם למותו של בנו למרות שלא התכוון לכך. הסרט יתחרה בפרס אריה הזהב של פסטיבל הקולנוע של ונציה. משתתפים בו בין היתר: ליאור אשכנזי, שרה אדלר ויונתן שיראי. מטבעה שרת החינוך, התרבות והספורט של ישראל, מירי רגב, ניצלה את ההזדמנות לבקר את הסרט במקום לתמוך ביוצריו, דבר המתבקש מתפקידה. רגב אמרה בין היתר את הדברים הבאים: “זוהי בושה וחרפה שהסרט “פוקסטרוט” של שמוליק מעוז ישתתף בפסטיבלי קולנוע נחשבים כפסטיבל טורונטו ופסטיבל ונציה. הדעת אינה סובלת, שסרטים המבאישים את שמו הטוב של צה”ל, הם אלו שנתמכים על ידי קרן הקולנוע הישראלי, הנתמכת על ידי המדינה, והם אלה שנבחרים להיות חלון הראווה של הקולנוע הישראלי בחו”ל”. בהקשר זה טענה רגב כי הסרט פוגע בשמו הטוב של צה”ל, בין היתר בשל סצנה הכלולה בו, כאשר קבוצת חיילים הנמצאת במחסום מפגינה אלימות קשה כלפי פלסטינים.

פסטיבל הסרטים של טורונטו נערך מדי שנה מאז 1976, במהלך חודש ספטמבר והוא נחשב לגדול בעולם. האירוע נמשך עשרה ימים ובמהלכו מוקרנים קרוב לארבע מאות סרטים. השנה יפתח הפסטיבל הארבעים ושתיים במספר ביום חמישי השבוע (השבעה בחודש) ויימשך עד ה-17 בחודש. על נותני החסות של האירוע נמנים: ויזה, רויאל בנק אוף קנדה, אייר פראנס, סינפלקס, סאן לייף פננשיאל, חברת התעופה דלתא, נשיונל בנק, פיצ’ה נובה, היץ’.אס.בי.סי, בריקס, אקורה רכב, מק קפה ובל. אירועי הפסטיבל בטורונטו מביאים להכנסה של כמאה ותשעים מיליון דולר לעסקים שונים בעיר ובקנדה בכלל. בין אורחי האירוע השנה: הלן מירן, אנג’לינה ג’ולי, גאל גרסיה ברנאל וחאווייר ברדם.

Format ImagePosted on September 6, 2017September 3, 2017Author Roni RachmaniCategories עניין בחדשותTags cinema, films, Israel, Toronto International Film Festival, הקולנוע, ישראל, סרטים, פסטיבל הסרטים הבינלאומי של טורונטו
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