Peretz Centre

Drop in Jewish learning?

Participation in Jewish supplementary education in North America has decreased by nearly half in 15 years, according to a new study from a New York-based organization. But a brief survey of Vancouver after-school and weekend education programs suggests local kids are bucking the trend.

The report from the Jewish Education Project, formerly the Board of Jewish Education of Greater New York, is the first comprehensive continent-wide assessment of supplementary Jewish education since a 2008 report by the AVI CHAI Foundation.

Supplementary education – that is, after-school and weekend options offered mostly by congregations – is how most Jewish children get their formal Jewish learning. Despite this, little research has been done on the strengths and weaknesses of the sector, according to the report, titled From Census to Possibilities: Designing New Pathways for Jewish Learners, which was conducted with Rosov Consulting.

According to the study, total enrolment in supplementary schools has decreased at least 45% since 2006-2007. “While not so different than in 2006, only 16% (less than 2,000 students annually) of those ever enrolled in a supplemental program remain in a formal educational environment by senior year in high school,” notes the report. The number of schools has decreased at least 27% since 2006-2007.

Although the report surveyed Canadians, the American numbers overwhelmingly swamp nuances in the Canadian Jewish experience. An informal whip-round of a few local supplementary education providers by the Independent produced a far rosier picture. Most who responded to the paper’s inquiries have not only bounced back from the pandemic’s challenges but are doing better than ever.

Congregation Beth Israel’s Rabbi Jonathan Infeld said all post-pandemic programming is attracting more people than ever before, including growth in Hebrew school numbers.

“Despite the fact that 85% of our children attend Talmud Torah, our Hebrew school is thriving and growing,” he said. “A lot of that I believe has to do with the hard work and efforts of Rabbi [David] Bluman and the teachers, as well as solid Hebrew and Jewish education. It is well known that children leave the BI Hebrew school having learned real knowledge and with a strong and positive Jewish identity.”

Engaging young people in unique and hands-on ways is among the reasons for the success, Infeld suggested, noting the congregation’s involvement with the new Jewish Community Garden.

“At Beth Israel, we provide Jewish education in motion, where Jewish children are able to learn while literally getting their hands dirty in the garden,” he said. “This is an exciting addition to the scene of supplementary Jewish education in Vancouver that has already begun to teach Jewish children important Jewish values of protecting our environment, food security, gratitude for the food we eat and the land of Israel.”

Jen Jaffe, school principal at Temple Sholom, also reports great post-pandemic engagement. Over the last 10 years, she said, Temple Sholom School has more than doubled enrolment, reaching almost 200 students. More than 30 teenage madrichim are set to help in the classrooms this year.

Temple Sholom successfully navigated the pandemic, she said, through online learning. The convenience of that mode has not been abandoned just because it’s safe to gather again.

“Now, although back in person, we also offer midweek Zoom Hebrew classes for our Grade 4 to 7 students who find the convenience appealing,” said Jaffe.

The school’s continued growth has led to a second session of Sunday classes.

Schara Tzedeck has not resumed supplementary education since the pandemic and the congregation’s formal youth education has traditionally been limited so as not to detract from Jewish day school opportunities like Vancouver Hebrew Academy, said Rabbi Andrew Rosenblatt.

“Hating on Hebrew school has been fashionable at least since Philip Roth published his short story ‘The Conversion of the Jews’ in 1958,” the Jewish Education Project report notes. Despite this cultural trope, a recent survey found that 87% of kids surveyed like or love their experience with Jewish education.

While part-time Jewish schooling has been seen as an easier, more affordable form of Jewish education, the report notes that it is not cheap, requiring, as it often does, synagogue memberships in addition to possible other expenses.

Broader trends toward secularization that are affecting most religious communities in North America are reflected among Jews.

“Overall, about a quarter of U.S. adults who identify as being Jewish (27%) do not identify with the Jewish religion,” says the report. “They consider themselves to be Jewish ethnically, culturally or by family background and have a Jewish parent or were raised Jewish, but they answer a question about their current religion by describing themselves as atheist, agnostic or ‘nothing in particular’ rather than as Jewish.”

Many families tend to be looking for a cultural approach to Jewish identity, which emphasizes history, language and peoplehood over prayer and worship. Another aspect to note is the ethnic diversity of Jewish communities, with that diversity increasing among younger age cohorts.

“Successful educational programs welcome Jews of Colour, all family members from homes where more than one religion is practised, and all who wish to be part of the community regardless of gender identity, sexual orientation, class or ability,” write the authors.

According to the report, effective teachers have “transitioned from ‘a sage on the stage’ to a ‘guide at your side.’”

Maggie Karpilovski, executive director of the Peretz Centre for Secular Jewish Culture, is bullish on Jewish education but said institutions need to heed the warnings of this report. Her organization is trying new things both in terms of content and delivery, with one of their popular offerings a province-wide online program. They are also explicitly reflecting the diversity of families who may be intermarried, LGBTQ+ or otherwise seeking something that reflects their values.

“We are also adding an additional program that’s focused on Israeli culture because we are seeing that segment of the population growing quite a bit and they don’t fit the mold of the traditional synagogue,” she said of young Israeli-Canadians and Canadian-born kids of Israeli parents.

If anyone needed a reminder, the report should convince them that rote language learning and proscriptive religious training are out.

“The traditional brick-and-mortar Hebrew school is no longer working for a lot of families and families are looking for alternatives,” said Karpilovski. “Young people are so worldly nowadays. They are concerned about climate change, they are concerned about racism and discrimination. They are concerned about what’s happening in their world and Jewish education that takes that into consideration, that contextualizes

Judaism and Jewish life within the context of the world, has more success and holds more interest to modern families and kids.”

The Jewish Education Project report may carry bad news, but Karpilovski sees it as a chance for renewal.

“We need to be engaging young people in the design and delivery of educational programs because they are the ones who are going to tell us what is relevant and they are the future of this,” she said. “So, I really hope that this report opens the door for us to pay attention, to ask more insightful questions and to invite young people and their families to participate in the development of what Jewish education is going to evolve into over the next decades.”

The report, with more information, is available at pathways.jewishedproject.org.

Yiddish alive and well

Yiddish has the odds stacked against it – the vast majority of its speakers were murdered in the Holocaust, its use was repressed in the postwar Soviet Union, Israel favoured Hebrew over it, and it faced the challenges that any immigrant language faces in a new country, including in Canada. Yet, Yiddish lives on, and can continue to do so, and even flourish, contends Rebecca Margolis, director and Pratt Foundation Chair of Jewish Civilization at Monash University, in Australia.

Margolis, who is originally from Canada, will be in Vancouver to launch her new book, Yiddish Lives On: Strategies of Language Transmission, at the Peretz Centre for Secular Jewish Culture on May 23, 7:15 p.m. Introducing Margolis will be the Vancouver Jewish Folk Choir with the song “Yomervokhets,” a Yiddish translation of “Jabberwocky” by Raphael Finkel, set to music by the choir’s conductor, David Millard.

The event is particularly special, as Margolis uses the Vancouver Jewish Folk Choir – in which I’ve sung for more years than I can recall – as one of many examples of a “created language space.” Such spaces are “sites that are deliberately created to support the continuity of a language that is not commonly a mother tongue or widely spoken,” she writes.

The small section that features the choir cites the work of local Yiddish scholar and translator Faith Jones, who is a member of the choir as well, and the book references a paper that she and I wrote together in tandem with the 2019 online exhibit marking the choir’s 40th anniversary. I have to say it was an exciting surprise to find a paper I co-wrote quoted, but it’s a quote from Faith’s 1999 thesis on the Yiddish library of the Peretz Centre (the choir’s home, too) that helped me clarify some of what draws me to Yiddish. In commenting on the intersections between Yiddish, politics and identity, Faith wrote that “what these strands have in common is the belief in the power of human beings to alter the course of history. In left political life, in feminist theory, in the movement for lesbian and gay equality, in the political culture of secular humanism, it is not the past which is romanticized, but the future. Yiddish does not offer the path to the past as much as to a collective future which is linked with the past: a better future, but better because of human endeavour.”

It is this human aspect – the intention we can possess – that runs through all of Margolis’s examples of the ways in which people, specifically Canadians, have kept Yiddish alive. She conceptualizes her book “as a series of expanding rings of engagement with the language and culture.” Each chapter focuses on a ring, while acknowledging the rings are interconnected: families (1950s to today), youth theatre groups (1960s to 1970s), literature (1970s to 1980s), singing (1990s to 2000s) and new media/technology (2000 to today).

Margolis explains that Yiddish exists in two communities: the Haredim (ultra-Orthodox), who speak Yiddish in their everyday lives, and the secular, people “for whom continued engagement with the language has taken place despite maintaining linguistic acculturation.” Margolis’s book is mostly about the latter group, but she does discuss the Haredim quite a bit and, to a much lesser extent, the experience of preserving Scottish Gaelic, which, she says, “is undergoing revitalization in Canada and abroad,” and Indigenous languages.

Yiddish Lives On is an academic book, but easy to read, and there are common threads that recur, so that, if you don’t quite understand a concept on first encounter, you will when it is used in a subsequent context. In addition to discussing scholarly texts, Margolis talks about Yiddish writers – in Canada between 1950 and 2020, more than 200 books were published in Yiddish! – and analyzes movies and shows like the web series YidLife Crisis, which was created by and stars Eli Batalion and Jamie Elman, two Montreal secular Jews who speak Yiddish, using “provocative comedic dialogue,” Margolis notes, “to address contemporary issues around Jewish identity.”

Margolis doesn’t expect that Yiddish will ever return to regular, everyday use by non-Haredim, however, she convincingly argues that “a language lives by being used” and that the many spaces that have intentionally been created for Yiddish – “from raising children as native speakers to a virtual Yiddishverse” – bode well for the language’s continuity.

To attend the book’s launch and the mini-concert that precedes it, register at peretz-centre.org.

Time of change at the Peretz

“I like to dabble in things, I like to learn about things, and I think that’s where Peretz really shines,” says Maggie Karpilovski, executive director of the Peretz Centre for Secular Jewish Culture. (photo from Peretz Centre)

At 78, the Peretz Centre for Secular Jewish Culture may be an old dog among community organizations. But it is enthusiastically trying new tricks. The institution has undertaken a strategic planning process to reconsider everything they do, and to make sure they are responding to what their community wants and needs. Not least among the changes is a new face at the helm.

Maggie Karpilovski has been executive director of the Peretz Centre since last June and brings a breadth of experience in the not-for-profit sector and academia.

At a time of significant change for the organization, Karpilovski is applying skills garnered as a senior manager at United Way of the Lower Mainland and as national director of community impact and investment for United Way Centraide Canada. Previously, after completing a master’s degree, she worked at the Surrey school board developing and overseeing programs for vulnerable children.

Born in Kyiv, Ukraine, Karpilovski moved with her family at a young age to Holon, Israel, where she received her elementary and secondary education. After her army service, she came to Vancouver to study cognitive science at Simon Fraser University.

Throughout her career, Karpilovski has merged research and practice.

“I really believe that practice has to be informed by research and research can’t be good research unless it’s grounded in practice,” she said.

The senior roles locally and nationally with United Way were fulfilling but Karpilovski got restless.

“Sitting in that kind of role – very, very high level, which was really interesting and very fulfilling, but we were talking about how to raise capacity for smaller organizations on the ground – I was saying, instead of teaching people how to do it, I wanted to get my hands dirty and do it myself,” she said. “I wanted to be closer to the impact.”

The planning process into which Karpilovski arrived resulted in the creation of several unique pillars within the centre. Notable among these is the creation of a distinct Yiddish Institute at the Peretz Centre, which is headed by Donna Becker, Karpilovski’s predecessor as executive director. Other pillars include art and culture, Jewish secular humanism, and Beit H’Am, which focuses on Israeli culture in Hebrew.

The Peretz is home to Western Canada’s most significant library of books in and about Yiddish. It hosts classes in Jewish culture, language learning, holiday celebrations and commemorations, a folk choir, and other offerings.

Karpilovski said the centre is committed to innovation while maintaining the roots of the organization, which originated in 1945 as the Peretz Schule. It is part of a network of schools, cultural centres, libraries and organizations honouring the legacy of Isaac Leib (I.L.) Peretz, one of the leading writers and thinkers of the Haskalah, the Jewish enlightenment.

Vancouver’s Peretz Centre was founded by a diverse group of Labour Zionists, socialists, communists and others who shared a goal of establishing a school to provide children with a nonpolitical, secular Jewish and progressive education. The shule’s first principal was Ben Chud who, in 1945, had just returned from the war and was active in the United Jewish People’s Order. He and his wife, Galya, were stalwarts of the centre, as is their daughter Gyda Chud, who currently sits on the board.

“We really try to balance the history as well as modernity and recognizing that, [for] people in 2023 in Vancouver, their connection to Judaism can be complex and interesting and multifaceted and we really try to meet people where they are at, to satisfy their curiosity and make sure we’re both providing a space of comfort and familiarity, as well as a space of stretch and of deeper interest and insight,” said Karpilovski.

Given that a majority of Jews in Metro Vancouver now live outside the city proper, the Peretz Centre, which is located on Ash Street near Cambie and 45th, is developing outreach programs and partnerships to reach those audiences. They have also removed their membership model, which may have acted as a barrier to access for some. The doors are open to all, she said.

They are partnering with like-minded organizations, including Camp Miriam and JQT Vancouver, the Jewish LGBTQ+ organization, offering space and learning to be supportive allies.

“What we really don’t want is to replicate efforts,” said Karpilovski. “We really want to find our niche and make sure that we are creating offerings that are unique and that complement and add to that broad constellation of things that are happening. We really see our space in Yiddishkeit as one that is not really offered anywhere else.”

One of the centre’s most unique offerings is its P’nei Mitzvah program, a two-year track for bar/bat mitzvah-aged young people to delve into Jewish history and culture, ancient and modern, but from a non-religious perspective. In addition to the overarching lessons, participants focus down into an area of particular interest for a major research project, which they then present at the graduation celebration.

This Passover, in addition to the traditional secular seder, a popular event that generally attracts more than 100 people, they are holding a family-friendly “un-seder” or “seder balagan.”

“We really turn the seder on its head and focus on activities, engagement, things like that,” she said. “Not something that is necessarily going to be offered at your traditional synagogue.”

An unexpected boon for the Peretz came from the redevelopment of the Oakridge shopping complex, which has turned a huge swath of the neighbourhood into traffic, construction and parking mayhem. The Oakridge branch of the Vancouver Public Library has taken up temporary quarters on the first floor of the Peretz Centre, which has provided the welcome influx of funds that enabled the centre’s strategic planning process. It also brought fresh walk-in traffic from locals, many of whom had no idea there was a Jewish space on the street and who are getting their first introduction to the centre.

“It takes a lot for an 80-year-old organization to turn itself into a learning organization and a curious organization and a brave organization,” Karpilovski said. “We might misstep, [but] we’re going to be brave and try something different. We’re going to listen to our community and not assume that we know everything. It’s a little scary, but it’s a lot exciting because there’s a lot of interesting spaces and interesting innovations that are happening.”

The time of change and exploration at the organization suits Karpilovski fine, she added.

“My own journey with Judaism has been complex and interesting and is incomplete,” she said. “I like to dabble in things, I like to learn about things, and I think that’s where Peretz really shines. There is no judgment. People are really welcome to come, experience, try things for size.”

For more on the Peretz Centre, visit peretz-centre.org.

Sharing her inspiration

On Oct. 8, nonagenarian Gloria Levi was the featured speaker at the JSA Snider Foundation Virtual Empowerment Series session co-sponsored by Jewish Seniors Alliance and the Peretz Centre for Secular Jewish Culture. The topic was What Inspires Me at 90.

Gyda Chud, co-president of JSA and president of the Peretz Centre, welcomed the approximately 70 attendees and shared the background of JSA’s Empowerment series.

Fran Goldberg introduced Levi as a feminist, an activist, a COVID survivor, a gerontologist, a therapist, a social worker and a woman of tremendous confidence, who finds joy in even the darkest of moments.

From her talk, it seems that Levi does indeed find inspiration in everything around her, from rustling breezes and glistening sunsets to soulful self-discovery. She finds meaning in both everyday happenings and the larger matters of the heart and social justice. If we were to sum up Levi’s nuanced and profound wisdom in a word, it would be wholeness. She elevates the whole person with all their perfect imperfections.

To Levi, self-discovery and self-knowledge are paramount values. She illustrated the importance of being true to oneself with the charming story of Rabbi Zusia, who lamented to God, bemoaning his not being like Moses and Abraham. God advised him to be exactly who he is – Zusia. The goal in life is not to strive for perfection but to be authentically oneself.

Through Levi’s lens of wholeness, even a global disaster like COVID-19 has vital lessons. A COVID-19 survivor, Levi refers to the virus as the 11th plague, but also is passionate about the important issues that the pandemic has brought to light. For example, it revealed the discrepancy between the haves and the have nots: the ones who support our daily life – the grocery store clerks, hospital employees, delivery drivers and food workers, among others – in stark contrast with the wealthy. The pandemic has yielded an awakening, a heightened awareness that things need to change on numerous levels, both environmentally and socially, said Levi.

Along with her commitment to social justice, Levi draws connections and inspiration from Jewish sources; for example, she refers to Leviticus, in which God tells Moses to instruct the Israelites to give the land a rest. During the sabbath year, the land is to lie fallow and to be “released” from cultivation, she explained. Weaving rest and restoration into our physical and spiritual worlds is a much-needed change, she said.

In conclusion, Levi quoted Ecclesiastes and reminded us that “vanity of vanities; all is vanity.” Her advice: embrace life, enjoy meaningful relationships and small kindnesses – and find inspiration all around us.

Tamara Frankel is a member of the board of Jewish Seniors Alliance and of the editorial committee of Senior Line magazine. She is also a board member of the Jewish Community Centre of Greater Vancouver.

Community milestones … NCJW, JFS, Digby-Klein, Peretz, Federation, VHEC

Newcomer to Vancouver and longtime National Council of Jewish Women of Canada member Rachel Ornoy, left, cheers the Purse Project volunteer gang on.

Members of National Council of Jewish Women of Canada, Vancouver section, under the guidance of Cate and Jane Stoller, stuffed purses with cosmetics, toiletries, comfort candles, chocolates, gift cards, pyjamas and other useful items on the morning of Sept. 27 for partner agency Atira Women’s Resource Society, a not-for-profit organization committed to the work of ending violence against women.

Thank you to everyone who dropped off purses, helped fill the bags and collect their contents – more than 100 purses were delivered to Atira. Also thank you to Jane Stoller for putting together the hostess table with coffee and Timbits. It was a lovely pre-Kol Nidre morning mitzvah and it was great to have a socially distant visit with our NCJWC Vancouver friends.

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This year’s Project Isaiah campaign required Jewish Family Services (JFS) to change the way it looked at the traditional food drive. From Sept. 8 to Sept. 29, JFS ran its very first virtual community food drive, ending with a COVID-19-safe drive-thru drop off.

Despite the needs being greater than ever – more than double compared to last year – this year’s Project Isaiah campaign has been the most successful food drive in the past 10 years. Thanks to donors, the Jewish Food Bank will be able to feed 700 clients (up from 450 last year) over the next four to six months; recipients include 175 children and 118 elders within our community.

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photo - Aaron Klein and Carolyn Digby — Aaron Klein and Carolyn Digby

Carolyn Digby and Aaron Klein were wed in a romantic ceremony, surrounded by family and friends, Nov. 9, 2019, at VanDusen Botanical Garden in Vancouver. The couple resides in Toronto, where both are pursuing studies, Carolyn in a clinical psychology counseling master’s program, and Aaron in aerospace engineering, doctorate program.

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The Peretz Centre has appointed Liana Glass to lead the centre’s pnei mitzvah program. The Peretz pnei mitzvah – pnei (faces) rather than b’nei (“sons of”), to reflect a gender-neutral descriptor – is a two-year program in which students meet once every second week for two hours, culminating in a group ceremony. The next intake period is this fall.

Glass, who has earned a master’s of community and regional planning at the University of British Columbia, has considerable experience in teaching and facilitating groups from diverse backgrounds, most recently as a research intern with Vancouver’s Social Purpose Real Estate Collaborative.

Glass’s path to secular Judaism was not a straight one. After studying Yiddish at the Vilnius Yiddish Institute’s summer program in 2017, she found that “Yiddish opened up a secular avenue for me to explore my Judaism and connect with it on a different level. It allowed me to reexamine Judaism in the larger context of my life and as part of my cultural identity. The prospect of helping pnei mitzvah students find that sense of connection through the various subjects we’ll explore in class is extremely exciting.”

“In our search, we indicated that we were looking for a candidate who is dynamic, enthusiastic and firmly committed to secular Jewish ideals and learning. Liana brings all that and so much more. We’re looking forward to working with her and seeing where she’ll be taking the program next,” said David Skulski, Peretz Centre general manager.

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Jewish Federation of Greater Vancouver elected its 2020-2021 volunteer board of directors at its annual general meeting Sept. 30. New directors, elected for a two-year term, are Hodie Kahn, Shay Keil, Kyra Morris, Lisa Pullan and Stan Shaw. Each of them brings a background of community leadership and past contributions to Jewish Federation.

Kahn is currently chair of Jewish Federation’s Jewish Day School Council, whose work addresses the ongoing enrolment and financial stability needs facing the day schools; she is also a member of the Community Recovery Task Force. Keil is chair of major gifts for the Federation annual campaign and a member of the Jewish Day School Council; he is a past co-chair of men’s philanthropy. Morris is the new chair of the Axis steering committee, which oversees Federation’s programs for young adults. Pullan has lent her fundraising and leadership expertise to Federation for many years, including chairing women’s philanthropy and serving on the board in that capacity. And Shaw has held several leadership roles with Federation; he co-chaired the Food Security Task Force and is now bringing his cybersecurity expertise to the new cybersecurity and information protection subcommittee.

Returning directors elected for a two-year term are David Albert, Bruce Cohen (secretary), Alex Cristall (chair), Jessica Forman, Rick Kohn (treasurer) and Lianna Philipp. They join the following directors who are in the middle of a two-year term, and will be continuing their service on the board: Jim Crooks, Catherine Epstein, Marnie Goldberg, Candace Kwinter (vice-chair), Melanie Samuels and Pam Wolfman.

Joining or continuing to serve on the board are Sue Hector (women’s philanthropy co-chair), Karen James (immediate past chair), Jonathon Leipsic (campaign chair), Shawna Merkur (women’s philanthropy co-chair) and Diane Switzer (Jewish Community Foundation chair).

For more information, visit jewishvancouver.com.

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At its Oct. 14 annual general meeting, the Vancouver Holocaust Centre Society confirmed the society’s board of directors: Rita Akselrod, Marcus Brandt, Jeremy Costin, Michelle Guez, Belinda Gutman, Helen Heacock-Rivers, Philip Levinson, Michael Lipton, Shoshana Krell Lewis, Jack Micner, Talya Nemetz-Sinchein, Ken Sanders, Joshua Sorin, Al Szajman, Robbie Waisman and Corinne Zimmerman. For more information, visit vhec.org/who-we-are/#board.

Festival Judío in August

Brazil’s Mauro Perelmann takes part in the upcoming Festival Judío. (photo from mauroperelmann.com.br)

For eight days, Aug. 2-9, the Peretz Centre for Secular Jewish Culture will be transformed into a hub of Latin American culture as it hosts Festival Judío, a multifaceted celebration showcasing Jewish artistic work from Argentina to Mexico. The festival, revived after its original 2004-2006 run, is expected to be the largest of its kind in terms of scope anywhere in the world.

“There is so much material to choose from that there could easily be separate festivals for Latin American Jewish visual art, books, films and music,” said organizer David Skulski, who also spearheaded the previous festivals.

Jewish Connections

Among the highlights of this year’s event is a show featuring Mauro Perelmann, who fuses various Brazilian styles with Israeli and klezmer music.

“My aim is to stir emotions through my music. I want to be evocative and create an atmosphere. It is more important for me to get a reaction from people than to play what is written,” he told the Jewish Independent from his home in Rio de Janeiro.

The samba was invented in the same Rio neighbourhood that later became a Jewish enclave, and there have always been links between Jews and Brazilian music in the city, he said. “With some modification of the scales,” he added, “I am able to turn familiar Brazilian tunes into sounds that resemble klezmer.”

A known composer and choir conductor in Brazil, Perelmann is no stranger to Vancouver audiences, having performed here in 2015 and 2016. His Festival Judío appearance on Aug. 8, as part of a nine-piece musical ensemble, will be preceded by a samba dance lesson.

Buenos Aires-based bandoneonist Amijai Shalev will present the lecture Tango: The Jewish Connection. “Jewish musicians and songwriters were very involved in the creative process of tango,” he explained. “The style of the violín tanguero is that of a Jewish violin arriving in Rio de la Plata (Argentina and Uruguay).” His Aug. 5 discussion of the parallels between tango and klezmer will examine the habanera rhythm (heard in George Bizet’s opera Carmen) that is present in both tango and klezmer. He will also trace the Eastern European origins of the bandoneon, a concertina that is a fixture in tango music.

photo - Vancouver’s Andrea Fabiana Katz will perform several works by Jewish composers — Vancouver’s Andrea Fabiana Katz will perform several works by Jewish composers. *(photo from andreafabiana.ca)*

On Aug. 3, Argentine-Canadian mezzo-soprano Andrea Fabiana Katz’s performance will cover several works by Jewish composers. “People associate tango with earthiness, passion and emotion…. The texts are very, very rich and full of metaphor and deep emotions, mostly about love, especially old familiar love. The poetry is always wonderful,” said Katz, who lives in Metro Vancouver.

The evening will be a milonga, which can be taken to mean both a musical genre and a tango party. Prior to the concert will be a tango dance lesson, and Jewish foods from Latin America will be available.

Film screenings

Among the festival’s offerings are five films. An Unknown Country employs firsthand accounts in following the lives of Jews who escaped from Nazi Germany to Ecuador, and shows their contributions to the economic, artistic, scientific and social life of their adopted country. Director Eva Zelig will be on hand after the film, on Aug. 7, for a question-and-answer period.

Other films at the festival include Los Gauchos Judíos, based on an Alberto Gerchunoff novel portraying the thousands of Russian Jews who came as farmers to Argentina in the late 1880s and 1890s; and The Fire Within, a documentary chronicling the integration of Moroccan Jewish settlers with the indigenous women of rural Peru in the late 19th century.

Two dramas, the bittersweet comedy Nora’s Will (Mexico) and the slow-burning thriller The German Doctor (Argentina), complete the cinematic line-up.

Lectures and artists

The Song of Lilith, an Aug. 6 talk by visual artist, filmmaker and Jungian therapist Liliana Kleiner, explores the ancient myth of Lilith found in the Talmud and in kabbalah, its incarnations through the ages, and how this legend relates to the present day.

Additional events include a writers workshop led by young-adult author Silvana Goldemberg and a presentation about the reality of the situation in Venezuela, led by Jack Goihman, who was an agriculture engineer when he left his home country of Venezuela because of its political instability. Arriving in Vancouver in 2014, Goihman completed a master’s in business administration and now works as a project manager.

A visual art show and sale will exhibit works by local and internationally shown and collected artists, including Miriam Aroeste and Kleiner, as well as a mural by the late Arnold Belkin.

A book sale, primarily of selections from the University of New Mexico Press, includes Oy, Caramba! An Anthology of Jewish Stories from Latin America, edited by Ilan Stavans, and Yiddish South of the Border: An Anthology of Latin American Yiddish Writing, compiled by Alan Astro, with a introduction by Stavens.

“Festival Judío is a double celebration of Jewish culture and Latin American culture,” observed Shalev. “Both are expressions of the richness and diversity of humanity.”

For more information on the festival, visit facebook.com/festivaljudio.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Community day of learning

Prof. Norma Joseph (photo from Association for Canadian Jewish Studies)

On June 2, the Association for Canadian Jewish Studies is holding a day of lectures in the Jewish community that will be topped off with music from the Vancouver Jewish Folk Choir, the granting of the 2019 Louis Rosenberg Canadian Jewish Studies Distinguished Service Award to scholar and activist Norma Joseph and a talk by Franklin Bialystok on Canadian Jewish Congress.

“We offer a community day every year, and it’s always the opening day of the conference,” co-organizer Jesse Toufexis told the Independent.

“The motivations for the community day are plentiful,” said Toufexis. “Firstly, we receive great support in a number of ways from Jewish communities all over Canada, so this is an excellent way not only to thank them but to show them what the scholarly community is up to.

“Secondly, the Jewish community is interested in the topics we cover, from history to sociology to literature and art. So, coming from fields where we work on such minutely detailed projects, it’s fun to engage with a community that gets excited about the topics we ourselves find exciting.

“Thirdly, I think holding a community day is just part of a tradition that fosters togetherness. We aren’t scholars out in the ether, doing our own thing and keeping it to ourselves. I think of us more as a branch of a much larger Canadian Jewish community that includes all the various roles and aspects of Jewish life in this country, and I think it’s something of a duty to share what we’re constantly learning about our common past, present and future.”

Prof. Rebecca Margolis, ACJS president, praised Toufexis and co-organizer Prof. Richard Menkis on having “put together an amazing community day together in partnership with a team of local organizations that have gone above and beyond to make this day a success: Jewish Museum and Archives of B.C. and our host, the Peretz Centre for Secular Jewish Culture. As a member-run organization,” she said, “we value opportunities to collaborate with local organizations in order to produce exciting programming on the Jewish Canadian experience.”

The first panel session of the day is Jewish Space in Literature and Popular Culture, followed by Antisemitism and the Holocaust. At lunch, a panel discusses the topic Archives Matter. The two afternoon panels are Media Studies, and Challenging the Status Quo. Joseph’s talk in this last session is called No Longer Silent: Iraqi Jewish Immigrants and the CJC.

“I’ve been working on the Iraqi Jewish community in a bunch of different ways and my most recent publications are about their food and what we can learn about their cultural history and immigration patterns through studying their food,” Joseph told the Independent in a phone interview from her home in Montreal. “But I’ve also looked at, through the immigration pattern, the traumas they suffered by the expulsion from Iraq and the processes through which they had to escape from Iraq, as well as the ways in which they adapted to life in Montreal.”

It is only in the last decade or two, said Joseph, that Iraqi Jewish community members have “begun to present their memoirs and talk about how awful the experience from the Farhud in 1941 was. So, then I began to gather their stories.”

Joseph is particularly interested in the transition of the community from being unwilling to talk about their experiences to talking about them. “And also,” she said, “in the process of [preparing for] this year’s conference, which is celebrating 100 years of Canadian Jewish Congress, to figure out in what ways did Canadian Jewish Congress help or not help this community migrate or emigrate into Canada, which was, in fact, to Montreal. And that’s where I’m doing research right now. The Iraqi Jews themselves say, oh no, they didn’t help us … we came alone, we found our way on our own and nobody ever helped us. We didn’t ask for help. We weren’t refugees…. End of story.”

This perspective, as well as the larger Jewish community’s focus at the time on dealing with the impacts of the Holocaust, contributed to the silence, said Joseph.

“I wanted to go behind the scenes and say, OK, but in what ways that they [Iraqi Jews] might not have known was Congress working with the Government of Canada to open the doors, because we know that the doors of Canada were closed to Jewish immigration during World War Two but, afterwards, in the 1950s the doors open…. Did anyone in Congress help Middle Eastern Jews come? That’s my question. And that’s what I’m researching now at the archives, interviewing some people.”

Joseph’s interest in the Iraqi Jewish community comes in part from her and her husband Howard’s experiences.

“In 1970,” she said, “we came to Canada [from the United States]. He was invited to become the rabbi of the Spanish and Portuguese congregation. He was their rabbi for 40 years. And the congregation has many different communities – it has Iraqis, Lebanese, Moroccan, some Iranians, and we love the diversity of communities, the cultural diversity was so exciting.

“I never thought of studying the communities that we were friendly with and that my husband was the rabbi of, but, eventually, at some point, somebody said to me, why don’t you study Canadian Jews? And I looked around me at all these wonderful, diverse ethnic communities of Jews and I said, oh, this is a great idea, why not study the people I know so well?

“And I was interested in gender. I started asking a lot of questions and I especially focused on the women. And it came out that they were willing to talk to me, especially about food, and food was an entree into learning about their experiences, both in Baghdad and the transitions to Montreal and how hard those transitions were…. They couldn’t find the right foods and they didn’t know how to cook and there were no cookbooks and how were they going to cook and where were they going to find the spices? That was very symbolic of life, the difficulties of life in Montreal for this community that didn’t like gefilte fish.”

Joseph is being honoured by the ACJS for attaining the “highest standards of scholarship, creative and effective dissemination of research, and activism in a manner without rival in our field of Canadian Jewish studies, as well as being a respected voice in Jewish feminist studies more broadly.” Not only is she being recognized for “her mastery of both traditional rabbinic sources and anthropological methods,” but her teaching, her work in documentary and educational film, being a founding member of the Canadian Coalition of Jewish Women for the Get, as well as participating in the founding of the Institute for Canadian Jewish Studies at Concordia University, among many other accomplishments. For more than 15 years, she has written a regular column in the Canadian Jewish News. In one of these columns, in recent months, she recalled a time “when the phrase ‘liberal values’ was not a dirty word.”

“I was raised Orthodox,” she told the Independent. “My grandfather was a great Orthodox rabbi in Williamsburg…. But my parents worked very, very hard to send me to one of the great liberal Orthodox schools. It was called the Yeshivah of Flatbush, where boys and girls study together and we were taught that boys and girls could learn, and girls were included in that equation. It was one of the best schools because I learned fluent Hebrew, which was very rare, and it was a Zionist school, beginning in the ’50s.”

She added, “It wasn’t our liberal values in the 21st century, but it was mid-20th-century values. We learned to love Israel. We learned about justice, we learned about equality in some very interesting ways. We were patriotic Americans, my country right or wrong, which, after Vietnam, we had to rejig, but we were there before Vietnam…. I’ll tell you another thing that’s interesting about my upbringing – we didn’t learn about the Holocaust. At that age, in the ’50s and ’60s, parents didn’t want their children traumatized by stories of the Holocaust.”

Between her own studies of Jewish law and those of her husband, Joseph lauded the insight and flexibility that can be found in Judaism. “My husband always taught me that, if you are a legalist, are in charge of the law … the easiest answer is no, because it means you don’t have to examine and search the law. The hardest thing, but most creative thing, is to find a way to say yes…. We have thousands of years of law – surely in all that precedent you can find something.”

As but one example, Joseph has used Jewish law to argue for the rights (and obligations) of women, and has seen progress on the feminist front.

“For example,” she said, “let’s just take the world of bat mitzvah. In the 1950s, there weren’t bat mitzvahs, for the most part. Even the Conservative and Reform movements didn’t want bat mitzvahs…. Today, 2019, there isn’t a community that doesn’t offer some form of recognition of a girl’s 12th birthday,” including Chassidic communities.

“That’s a transformation because of feminist critique,” she said. “They will never admit it. They will say we always did it. But that’s a big change, on one hand. On the other hand, it’s silly, it’s narishkeit; it’s small, it’s nothing.”

But even incremental change leads to larger change, and Joseph spoke about the “incredible historical research coming out – women [always] had strong ritual lives, but what’s coming out now is the need for public ritual formats for women in all sectors of society.”

For the full schedule of and to register for the ACJS community day, visit eventbrite.ca.

Folk choir celebrates 40th

The Vancouver Jewish Folk Choir in a performance last fall at the Peretz Centre, led by conductor David Millard, with pianist Danielle Lee. (photo from VJFC)

As they say, nothing comes from nothing and so it is with the Vancouver Jewish Folk Choir of the Peretz Centre for Secular Jewish Culture. Officially, our birth date was 1979 – and that’s what we’re celebrating in the June 9 spring concert unironically called Freylekhe Lider: Yiddish Party Songs – but, when you come right down to it, we were in labour for around 25 years before finally coming into the world.

An early predecessor to the Vancouver Jewish Folk Choir was a group called the UJPO’s Vancouver Jewish Folk Singers. UJPO was the United Jewish People’s Order and it was a decidedly political organization that positioned itself somewhere left of Lenin. Its eight-member choir, though keen on socially progressive issues as well, was somewhat less political and more focused on bringing Yiddish and international music to the Vancouver community. Yiddish singer Claire Osipov, the choir’s founder and director, formed the group in 1956 and kept it going for six years. In that time, the choir performed at Peretz Centre events, as well as reaching out to the community beyond. On two occasions, the choir performed at the CBC studio and was broadcast over CBC Radio.

Everyone familiar with Claire knows she seems to have boundless energy when it comes to her love of music and so, to no one’s surprise, she took on additional musical duties and began a children’s choir at Peretz in 1959. The Peretz Centre had an active children’s education program under principal Leibl Basman and Claire’s choir drew on this group, bringing in children who ranged in age from 7 to 11. Noteworthy in this choir was part-time piano accompanist Gyda Chud, current president of the Peretz Centre.

Time and circumstance brought both those choirs to an end some time in the 1960s and, for a time, the halls of the Peretz Centre were chorally silent.

Then, a Peretz choir formed under the direction of Morrie Backun, an employee of Ward’s music. Little is remembered about this choir because Morrie discontinued the group after just one year. Tammy Jackson sang in this choir and one of her main recollections is not so much the repertoire and performances as the brilliant discount they got on sheet music.

* * *

Searle Friedman arrived on the Vancouver scene 1978. He had been out of the country for a number of years studying music in East Germany. After his studies, he and his family – wife Sylvia and sons Michael, Robert and David – settled in Toronto, where Searle became conductor of the Toronto Jewish Folk Choir.

After a time, the family decided to move to Vancouver and Searle came here on his own initially to pave the way. At first, he taught at an alternative education program (called Relevant High School) that was based at what was then called the Vancouver Peretz Institute but, after a year, he parted company with that organization. Since his Ontario teaching credentials were not immediately transferable to British Columbia, Searle spent much of his time at Peretz and it was there that he had a conversation with Tammy, who suggested that he form a choir to occupy his time.

photo - Vancouver Jewish Folk Choir founder Searle Friedman — Vancouver Jewish Folk Choir founder Searle Friedman. *(photo from VJFC)*

The beginnings of the Vancouver Jewish Folk Choir were rather humble, comprising just a few members and a Russian pianist named Wolfgang. The roster at that time is only vaguely remembered but it certainly included Tammy (Searle’s niece) and Sylvia (his wife). It likely also included David Friedman (Searle’s son), Goldie Shore, Betty Ewing, Davie Cramer, Carl Lehan and Margie Goldhar. When there were no-shows at rehearsals, the standing joke was that the choir could at least consider the possibility of becoming a barbershop quartet.

In those early years, the choir performed informally at various Peretz Centre festival occasions and cultural gatherings. The repertoire was a potpourri of traditional Jewish folk songs sung in Yiddish, as well as some non-Jewish selections that piqued Searle’s interest – “Roosters Crowing on Sourwood Mountain” and “Martian Love Song,” to name two. Incidentally, Searle could never figure out why the “Roosters” song never sounded quite right, until one day he discovered somebody in the bass section was singing “roosters growing on the side of the mountain.”

But the choir grew rapidly. Searle was not just a brilliant conductor and arranger. He was very much a people person and had a charisma and affability that drew others to him. He had a knack for making his singers believe in themselves. Maurie Jackson, an early recruit, recalls Searle often saying to struggling singers: “If you can talk, you can sing!” In a short time, the choir grew to around 30 members, including me.

I had seen Searle’s choir perform and I thought about joining but my interest was kind of a passing thing. I was determined to do something Jew-ish but my real hope was to join a folk dancing class at the Jewish Community Centre. My job kept me glued to a desk most days. I figured folk dancing would be a good way to get some exercise, lose some weight and meet new people. As fate would have it, the folk dancing class was canceled, so I had to begrudgingly fall back on my second choice – the choir. It was a choice that I stuck with for almost 36 years and a choice that introduced me to Tammy – the remarkable lady I’ve been married to for 31 years and counting.

Tammy’s uncle, Searle, was inordinately pleased to know he had played matchmaker to two of his choir members. As often as Searle gave me pointers on singing, he also asked for updates on the state of my relationship with his niece: “Are you seeing each other after choir?” “Are you engaged yet?” “Do you have a wedding date?”

photo - Victor and Tammy Neuman met at the Vancouver Jewish Folk Choir and have been married now for 31 years — Victor and Tammy Neuman met at the Vancouver Jewish Folk Choir and have been married now for 31 years. *(photo from VJFC)*

Rehearsals were a lot of fun. Searle liked to laugh and humour was always a part of our repertoire. I recall one day when Searle was working hard at getting us to blend our voices more closely. He wanted to hear the choir singing as one voice. After puzzling over how to make us understand this, he said, “I want all of you to try really hard to feel each other’s parts!” That did us in for most of the rest of that rehearsal, and even Searle had to take time to get back his concentration.

Searle’s one nemesis in rehearsals was his wife, Sylvia. While the rest of us were in awe of his talents and put Searle on a pedestal, Sylvia felt no such compunction. She freely advised Searle of proper pronunciations of Yiddish words and even was vocal about the pace of various songs when she thought Searle had got it wrong. The expression we often heard from Sylvia was, “In my village….” The expression we often heard from Searle was “Sylvia, who’s running this choir?” For fear of hurting his feelings, no one ever answered that question. Many a rehearsal degenerated into heated debates regarding Yiddish linguistics and the proper treatment of traditional songs.

As well as increasing the size of the choir, Searle wanted to increase our presence in the community and give us a focal point for our efforts. With that in mind, we performed our first annual spring concert in the spring of 1984. Our guest artists were the Shalom Dancers. In addition to the choir fans who attended, the Shalom Dancers brought to the performance their own appreciative followers. The result was a very large and lively audience. The pervasive feeling in the choir was, “We’ve got to do this again!” And so, we have, every spring.

* * *

Searle’s energy and love of music had always made him seem like an unstoppable force of nature. We thought and hoped he would last forever. We were wrong. Due to a childhood bout of rheumatic fever, his robust exterior masked the effects of a damaged heart. When he was still a young man, his doctors basically told him not to take on any long-term magazine subscriptions. They said that, with the damage to his heart valves, he would not survive past the age of 40. Searle’s response was to get married, raise three sons, travel to East Germany to study music, get his Canadian teaching certificate and start a choir. When it came to living his life, Searle was not about to call it a day.

In September 1974, Searle had a heart valve replacement and got on with his life. After he founded the Vancouver Jewish Folk Choir in 1979, he was spending repeated stints in the hospital. Nevertheless, he pushed through his medical setbacks and always came back to us ready to lead the choir without a backward glance.

I had a conversation with Searle that pretty much says it all. I was visiting him in the hospital.

Me: How are you doing, Searle?

Searle: Fantastic! I’ve gotten some very good news from my cardiologist.

Me: (greatly relieved) Wonderful! What did he tell you?

Searle: Well, it turns out he sings in a choir and he’s not happy with it. He’s thinking of joining ours! And he’s a tenor!

Searle returned to us from that hospital stay and all of that seemed behind him. But tragedy struck on Dec. 31, 1990. Searle’s heart just stopped. He was only 64.

Just over a week later, we had our first choir rehearsal without Searle. We stood in a large circle and began our warm-up exercises, led by our accompanist, Susan James. No one’s mind was on what we were doing. After a few minutes, I suggested we stop so I could say a few things about Searle. I can’t remember exactly what I said but I spoke about Searle and how much the choir meant to him, and about keeping it going as a tribute to his memory. The floodgates opened. Every choir member spoke of how much Searle had meant to them personally. When it ended, we got down to the business of carrying on what he had begun. If we doubted ourselves, we only had to look at one of the choir members who stood in that same circle to warm up and sing with the rest of us – Searle’s wife, Sylvia.

* * *

After Searle’s passing, Susan stepped up and became our conductor. She was a more reserved individual than Searle but a skilled conductor and her attention to detail was legendary. Nothing got by her and every note sung that was not to her satisfaction was drilled again and again until we got it right. And, sometimes, when the notes were right, we were still stopped dead in our tracks because the page turns were too loud. We worked harder during rehearsals, and we were better singers for it.

Susan’s tenure was five years. She was a devout Christian and the choir was composed mostly of a bunch of godless secularists. In her farewell letter to the choir, she expressed her sadness at not being able to share her beliefs with the rest of us. She left in 1995, after our annual June concert and our season had ended.

photo - A photo of the choir in 2014. At centre is Sylvia Friedman. Front left is former choir accompanist Elliott Dainow and front right is conductor David Millard — A photo of the choir in 2014. At centre is Sylvia Friedman. Front left is former choir accompanist Elliott Dainow and front right is conductor David Millard. *(photo from VJFC)*

Again, a member from our ranks stepped up and helped us carry on. In fall 1996, David Millard – who for a few years had been a paid professional singer in our tenor section – became our conductor and, much to our good fortune, is still at it today.

Over the years, David has conducted, served as our resident Yiddishist, sung as a soloist, filled in on occasion as our pianist, written choral arrangements for many of our songs and led audience sing-alongs at festival celebrations. As we declared in one of our concert narrations, David is the Swiss Army knife of conductors.

In recent times, he composed an original six-part cantata based on a Yiddish translation of Lewis Carroll’s nonsense poem, “Jabberwocky” – “Yomervokhets,” in Yiddish. David’s interest was piqued when he read a Yiddish translation of “Jabberwocky” by Raphael Finkel. Finkel had apparently found a Yiddish-English dictionary that no one knew existed. In this dictionary, the “Jabberwock” translates as the “Yomervokh” and the “frumious Bandersnatch” is noted as the “froymdikn Bandershnits.” The hero’s blade that went “snicker-snack” as it sliced into the Jabberwock made a different sound held by a Jewish hero – “shnoker-shnik.” Who knew?

Translation issues aside, “Yomervokhets” is a brilliant original composition and an audience favourite. No history of the choir would be complete without it and it is to be featured at the choir’s 40th anniversary concert in June.

* * *

Helping us sound our best over the years have been our piano accompanists. Some choirs sing a cappella (without accompaniment). Some choirs, such as ours, are community choirs that welcome enthusiasts of all abilities. For that reason, many of us welcome the guidance of an accompanist to help keep us on pitch. (Some of the choir still think a cappella is an Italian dish involving meatballs.)

Good accompanists are not easy to come by. They need to work closely in tandem with the conductor, often to the point of reading his or her mind.

Over the years, we have relied on many pianists to keep us in tune. Currently, we are accompanied by Danielle Lee, who joined us at the start of this season. But, Elliott Dainow stands out as our longest-serving accompanist – almost 20 years! Beyond contributing his talents at the piano, Elliott was a choral arranger and his version of “Oseh Shalom” has been performed by the choir many times. Though he grew to be a member of the family, to everything there is a season, and Elliott left us in June of 2017, in order to give more time to the renovation of his home on Hornby Island.

* * *

Over the years, the choir has performed at countless venues, including the Peretz Centre, South Granville Lodge, Louis Brier Home and Hospital, Cityfest Vancouver, Vancouver Public Library, VanDusen Gardens, Cavell Gardens, Orpheum Theatre’s Parade of Choirs, the Vancouver Planetarium, the Israeli Street Festival and Victoria’s Congregation Emanu-El.

Sadly, one of our more recent choir performances was at a memorial service for our beloved Sylvia. Shortly after our June concert in 2016, she became ill and passed away that December. She was our last original choir member still active with the choir. In the program notes of our June 2017 concert, we wrote: “The choir dedicates this concert to the memory of our beloved Sylvia Friedman, who sang with us for all but one of the 38 years of our existence. Sylvia wanted to sing this one last concert before retiring. Her death in December 2016 prevented that, but, in our hearts, she is always right there beside us, singing as beautifully as ever.”

Under David’s able baton – figuratively speaking, since he really just waves his arms and hopes somebody notices – and inspired by the devotion to Jewish music of Searle and Sylvia Friedman, the choir is looking forward to its next 40 years.

For tickets ($18) to Freylekhe Lider June 9, 2 p.m., at the Peretz Centre, visit eventbrite.ca.

Peretz Centre alumni reunite

From generation to generation: A Peretz Centre reunion attendee pauses to send a text while walking through an exhibit of archival photos. (photo from Peretz Centre)

On June 20, Vancouver’s Peretz Centre for Secular Jewish Culture held its first-ever reunion of alumni.

The enthusiastic crowd at the reunion, which took place in the Ben Chud Auditorium of the institute’s home on Ash Street, included those who had attended at each of the centre’s locations over the years. When it was founded in 1945, the Peretz Centre offered preschool and after-school classes in Yiddish and Yiddishkeit in the basement of the old Jewish Community Centre at Oak and 11th Avenue, but soon the members purchased a house on Broadway near Alder (now the site of a liquor store and a high-rise). It operated there for 15 years, and it had more than 100 students when it moved to its current location.

The Peretz Centre is dedicated to non-political, secular Jewish and progressive education. Speaking at an open mic, alumni, many now seniors, shared stories dating back to the early days. They recalled a warm sense of community and an education that lived up to the centre’s progressive ideals, including the principle of tikkun olam, the duty to work with others to heal the world. The reunion also provided an opportunity for many to thank the activists who established the centre and for years have dedicated themselves to sustaining it. Some of those first-generation leaders were able to attend the reunion, including Seemah and Harold Berson, Galya Chud, Arlene Jackson and Claire Osipov. Some alumni traveled from out of town to attend, from Winnipeg, Calgary and Denver.

Among the attendees were graduates from the Peretz’s secular B’nai Mitzvah Program, which continues to be one of the centre’s most important offerings. The program approaches Jewish identity through a range of topics, including genealogy and family history, Jewish history and culture, ethics, traditions, Yiddish and Hebrew language studies and more. Avrom Osipov, a Peretznik who in the mid-1960s was the first to complete a Peretz bar mitzvah, spoke at the open mic about the controversy the program caused at the time. The idea of a secular bar or bat mitzvah was new and challenging, he said, even attracting some attention from the local news media.

Reunion attendees enjoyed a display of archival photos from the old days, and Peretz graduates provided much of the entertainment, including emcee and magician Steven Kaplan (aka “the Maestro of Magic”), saxophonist Saul Berson and singers Lisa Osipov-Milton and Sheryl Rae. Pianists Nick Apivor and Wendy Bross Stuart accompanied. The reunion wrapped up with a rousing singing of the old Peretz Shule Hymn, the chorus of which is, “Yud Lamed Peretz a likhtiker kval / tsint unzer hartz on fun dor tsu dor / di tsukunft fun folk balaykht un bashtralt / es vinkt shoyn di nayer kayor” (“This school, our shule, may it blossom and grow / It was built with great effort and love / To teach all the youth who are placed in our care / About ethics and justice for all.”

Paul Headrick is a Vancouver novelist and short story writer. He attended classes at the Peretz Centre in the early 1960s.

Eclectic mix of art and artists

Artist Paula Mines combines photography and abstract work whenever possible. This image by Mines is part of the current group exhibit now on display at the Peretz Centre until July 22.

The current art show at the Peretz Centre for Secular Jewish Culture is reflective of the centre’s nature – it is inclusive and eclectic. The group exhibit encompasses various genres and techniques: oil paintings and watercolour, photography, textile art and even animation. The artists participating in the show are as different as their art, their only point of connection being the Peretz Centre.

Of the eight artists featured in the exhibit, JI readers are already familiar with at least three: Colin Nicol-Smith, Hinda Avery and

Simon Bonettemaker. All three took part in the inaugural Peretz Centre Art Show in 2014. For all three, art has been a hobby: Nicol-Smith was a professional engineer, Bonettemaker was an architectural technologist and Avery taught women’s studies at the University of British Columbia before retirement.

Unlike them, Avrom Osipov built his life around creative endeavours. “I grew up at the Peretz Centre,” he told the Independent. “Started coming here with my parents when I was 5. It took me 65 years to grow up,” he joked.

image - Avrom Osipov built his life around creative endeavours — Avrom Osipov built his life around creative endeavours.

At one time, Osipov made a living as an artist, producing his own line of handpainted clothing and T-shirts and selling them to department stores. “I’ve made 1,200 original T-shirts, never copied a design once,” he said.

Afterwards, he worked as an actor in film and television. “I have always been creative, but, before this show came along, I hadn’t painted in awhile,” he said. “I did some image manipulation on my computer. The show made me pick up a brush again, and it’s fantastic. Now, I paint every day.”

Paula Mines is also a regular at the centre. “I’m from Montreal,” she said. “My parents and I arrived in Vancouver in 1953 and almost immediately became involved at the Peretz. They felt at home here, and so do I.”

She has always been interested in art, even as she worked in social services. She paints and draws but, since her retirement, she has been focusing on photography. “My place is too small for an easel and paintings,” she said, laughing. “Photography just takes a computer. I combine my photography and abstract work whenever possible. My images are semi-realistic. I take a photo, clean it, crop it, change things or add things from other photos. Not all photos lend themselves to this kind of transformation. Of every 1,000 photos I take, I might keep about 25. To turn out a good image is so exciting.”

Another member of the Peretz community, Natalia Bogolepova, is an immigrant from Russia. She worked as a doctor in Russia for 20 years, specializing in plastic surgery and cosmetology, before coming to Vancouver in 2011. “I always loved art, always painted, even when I practised medicine,” she said. “I participated in several amateur art shows in Moscow. My mother was a professional artist and, since childhood, I enjoyed the smell of oil paints.”

Even though Bogolepova couldn’t work as a doctor in Canada without a licence, she didn’t try to pass the exam. Instead, she switched careers and worked in security for several years. Fortunately, serendipity took a hand in her life. Her security post at the Vancouver Art Gallery pushed her back into the arts. “I observed the art and the people who visited the gallery,” she said. “I watched children as they drew inside the gallery. I knew I had to get back to my painting.”

image - Karl Epstein’s paintings can be found in private collections throughout Belarus, Israel, Canada and the United States — Karl Epstein’s paintings can be found in private collections throughout Belarus, Israel, Canada and the United States.

Another Soviet immigrant, Karl Epstein, is a professional artist and architect. He graduated from Belarus Academy of Arts in 1972 and worked as an architect in his native Belarus before immigrating to Israel in 1990. In Israel, he painted a lot and participated in a number of exhibitions. His paintings can be found in private collections throughout Belarus, Israel, Canada and the United States. He kept on painting after he moved to Canada.

Rounding out the eight artists featured in the Peretz show is Lesley Richmond, the only one not previously connected to the centre. This exhibit will be her first appearance there.

A professional fibre artist, Richmond received her art teaching training in London, England. She taught textile art at Capilano University until 2003, when she dedicated herself full time to art. Private and corporate collections in the United States, Japan, Poland, Korea and Canada have some of her work on display.

The idea to bring eight wildly different artists together in one show was Nicol-Smith’s. “I wanted to have another show at the centre after the success of our first one in 2014,” he recalled. “I started talking about it at one of the Peretz events with food and music, and suddenly people at the other tables perked up. ‘I’m an artist,’ sounded all around me. ‘I want to be in this show, too.’” Nicol-Smith partnered with Lena Sverdlov, vice-president of the Peretz Centre for the past four years, and, together, they made the current show a reality.

The exhibit opens today, July 13, and will be on display until July 22.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].