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Tag: Michael Kissinger

Four Peretz pillars honoured

Four Peretz pillars honoured

As the owner of the 95-year-old Jewish Independent, I know full well that our Jewish community is built on the shoulders of those came before us. It is upon this foundation that we continue to grow, keeping our institutions going, while also starting new ventures and winding up groups that have served their purpose. Sometimes an organization will rebrand and recreate itself, sometimes it will reconnect with and reestablish its roots.

It is with these thoughts in mind that I watched the short documentary film Four Pillars of Peretz, which premiered last month at the Peretz Centre for Secular Jewish Culture. But it was also more personal than that, as I knew the four women being profiled: Bluma Field, Sylvia Friedman, Claire Klein Osipov and Gallia Chud, all of whom have passed away. To me, these women exemplified grace and grit. They were doers and they lived by their beliefs – most important, to me, though, was that they welcomed me, made a place for me, treated me as if I mattered, despite my holding very different views than they did on many things.

screenshot - Bluma Field, left, and Claire Klein Osipov
Bluma Field, left, and Claire Klein Osipov. (screenshot)

Nothing in filmmaker Michael Kissinger’s 36-minute documentary shattered the notion that they treated everyone with such respect, for which I’m grateful. I want to remember these women this way. A key element I feel is missing in the world today is this ability to be friends, or at least be civil to, people with different opinions. We are so polarized that our own views – and our need to express them – often take precedence over making another human feel, well, human.

I know that this phenomenon is nothing new. As is the case with most organizations, the Peretz Centre was started to fill a need that wasn’t being met by other groups at the time. Secular and socialist in nature, the Peretz has rarely “fit in” with the mainstream Jewish community over its 80-year history. While its politics held no interest for me, its focus on Yiddish culture, its choir in particular, did appeal to me and I was involved for some 30 years, having been introduced to the centre by Claire, who was the epitome of class – and, wow, what an incredible voice. She was close friends with my aunt, who also, sadly, has passed away. 

Going down memory lane with Four Pillars of Peretz was truly a pleasure. For people who don’t know the four women profiled, I would still recommend watching it, if only to demystify the Peretz Centre. Community unity shouldn’t mean community uniformity, and everyone should be so lucky as to have at least one place where they feel welcome. We don’t need to belong everywhere, but it’s vital to our health, I think, that we belong somewhere.

screenshot - Sylvia Friedman with her son, Michael Friedman
Sylvia Friedman with her son, Michael Friedman. (screenshot)

Four Pillars of Peretz is also an example of what other organizations could do to honour their founders. Keeping history alive is so important, in my view. It’s not an inexpensive endeavour, but it’s worthwhile. In the case of this documentary, Kissinger really captures the spirits of these women and the way in which they still inspire others. Bluma, Sylvia, Claire and Gallia were by no means the only pillars of the Peretz Centre, but they were particularly driving forces, and they were so for decades.

“These stubborn old ladies, you know, they get sh*t done,” says Faith Jones, providing the first comments in the film, which features clips from interviews with other Peretz members and with members of the women’s families. Through these snippets, as well as photographs and other archival material, you get a sense of the enormous amount of effort and love that it takes to start an organization and keep it running. 

The film starts with an overview of the four women, then each gets their own spotlight. The snappy music and the way in which Kissinger has edited the film makes it move along smoothly, both communicating the challenges these women – and others in their generation – faced with tenacity, but also with joy. 

“I think all of these women, if they were here today, would say that they got just as much out of it as they put into it, because it’s community,” says one of Gallia’s daughters, Rita Chudnovsky, near the end of the film. “And there’s no replacement for a sense of community, and that’s something that’s, I think, getting harder for people to find.”

For more about the film, go to peretz-centre.org/post/four-pillars-of-peretz-short-documentary-film-project.

Format ImagePosted on December 19, 2025December 18, 2025Author Cynthia RamsayCategories TV & FilmTags Bluma Field, Claire Klein Osipov, documentaries, films, Gallia Chud, history, Michael Kissinger, Peretz Centre, Sylvia Friedman
Animatedly tackling issues

Animatedly tackling issues

In Bayla’s Issues, the title character is plagued by the travails of aging and anxiety, and a desire for acknowledgement in the art world.

Bayla’s Issues, a 2020 animated short based on the comic strip Bayla’s Comics by Vancouver artist Hinda Avery, has been making the Jewish film festival circuit, with a recent stop in Washington, D.C. The 15-minute film, which follows the story of its title character and her quest to be recognized as an artist, was directed and edited by Victoria’s Michael Kissinger, and is voiced by Ellen Kennedy and animated by Marty Emanuel.

Divided into eight chapters, Bayla’s Issues delves into the inner thoughts – a turbulent sea of doubts, fears and anxieties – of its heroine and her conversations with an expensive and expletive-laden therapist, who is neither encouraging nor helpful.

The character of Bayla came into being after Avery retired from her career in academia. At the time, she wanted to do two things: return to painting after a long break and establish a means of connecting with family who died in the Holocaust.

“Clearly, the only way for me to make this connection would be through an imaginary process, and painting seemed a tangible tool,” Avery told the Independent. “I decided to paint myself with my late mother and, with the help of only two motley photographs, my murdered aunt and grandmother. This would suffice as a way of spending time with them.”

Avery’s mother had left Poland before the start of the Second World War, but was severely traumatized by the murder of her family by the Nazis.

“The atrocity affected both her mental and physical health; her trauma was passed down to me, hence my close connection to the Holocaust,” Avery said.

Over time, in a process that began in 2005 and lasted 13 years, Avery was able to separate herself from, as she puts it, “an overt depiction of the Holocaust experience – an event too catastrophic for me to depict using conventional representation – and instead depicted it as a phantasmagoric event. I added more women and called us all ‘The Rosen Sisters.’” Rosen was her mother’s family name.

The paintings feature strong, confident women resisters in situations that are both humorous and dark. Avery found it therapeutic and liberating “to fight the Nazis in this vicarious method.” Still, she said, “beneath the surface of all the paintings, the calamity and horror of the Holocaust is ever present.”

screenshot - In Bayla’s Issues, Bayla must deal with her past
In Bayla’s Issues, Bayla must deal with her past.

When the paintings, in her view, had run their course, she was “desolate” and expressed this by drawing a comic about a befuddled, unfulfilled older Jewish woman who is plagued by the travails of aging and anxiety, and a desire for acknowledgement in the art world.

“In many of the comics, Bayla expresses her angst about being Jewish. Her Jewishness has never been a joy for her. In one of the comics, she says it feels like a huge lead-heavy Star of David, attached to a thick chain-link, hanging from her neck – it weighs her down, she can’t pull it off,” said Avery.

Kissinger’s collaboration with Avery can be traced to 2015, when he served as the editor of the now-defunct Vancouver Courier. “She left a message on my work phone about an upcoming art exhibit of her paintings and I, of course, never returned her call…. But she left another message, and another message,” Kissinger recounted.

“We didn’t do a lot of art exhibit coverage,” he explained. “But, for some reason, I decided to Google her name and up came these paintings of elderly women in bikinis holding automatic weapons and swearing and taking down Hitler and having a great time while they were at it. From that point on, I was in.”

Kissinger went on to write a story and created a five-minute video to accompany it on the newspaper’s website.

screenshot - Hinda Avery’s cartoon strip has been transformed into film about an “‘old, neurotic Jewish woman’ who wants to be an old, famous painter, but is hampered by her own demons”
Hinda Avery’s cartoon strip has been transformed into film about an “‘old, neurotic Jewish woman’ who wants to be an old, famous painter, but is hampered by her own demons.”

A year later, Avery reached out again – this time to share that she had obtained a Canada Council grant and to ask Kissinger if he would be interested in making a documentary about her, her paintings, and her journey in dealing with the Holocaust and depression.

A 27-minute documentary, Hinda and Her Sisterrrz, ensued. That 2018 film screened at a number of Jewish film festivals, including those of San Francisco, Toronto, Boston, Vancouver and Victoria.

“The documentary ends with Hinda talking about retiring the characters in her paintings and moving on to working on a comic strip about an ‘old, neurotic Jewish woman’ who wants to be an old, famous painter, but is hampered by her own demons,” said Kissinger.

“Because I know Hinda’s work and backstory and she trusts me with it and was happy with the documentary, she asked me if I could help her animate her comic strip,” he added.

“Bayla lends herself to being animated. I love seeing her come alive!” Avery said.

The original strip, Bayla’s Comics, appeared in Jewish Currents. More episodes about Bayla’s tribulations – under the title Bayla’s Got Problems – are currently underway.

To watch the trailer for Bayla’s Issues, visit vimeo.com/439541618.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on August 27, 2021August 25, 2021Author Sam MargolisCategories TV & FilmTags animation, Bayla's Issues, cartoon, film, Hinda Avery, Holocaust, Michael Kissinger, painting
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