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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: Alex Kliner

Kliner voices Old Dog

As I watched the National Film Board of Canada short film Old Dog, which preceded a documentary screening at this year’s Vancouver International Film Festival, I did a double take. Or, rather, a double listen. I knew that voice. And the credits confirmed it – former longtime Independent Menschenings columnist Alex Kliner was the voice of the elderly gentleman caring for his elderly dog.

Old Dog was created by writer and director Ann Marie Fleming.

“This film started off as a way of talking about aging, inspired by my namesake, Ann-Marie Fleming, who I often get mixed up with in internet searches,” said Fleming in an interview on nfb.ca. “The other Ann-Marie has a company that makes technologies for aging dogs and also for their humans. I was struck by the compassion she has for these vulnerable animals, helping them navigate the latter stages of their lives, and by how much dogs have to teach human beings.”

“Full disclosure,” Fleming told the Independent, “I made a film about twins and doubles many years ago (It’s Me, Again) and there is another Ann Marie Fleming out there I have been confused with, so it’s not unusual that I would do some sleuthing. When I read Ann-Marie’s interview and mission statement on her website for her company, Dog Quality, which makes technologies for senior dogs, I was really moved by her saying that she felt she was her best self when she was caring for her aging canines.”

So, Fleming contacted her namesake last year, and then approached the NFB, who agreed to produce it, and even suggested she use her “team” to make it: animator Kevin Langdale and composer/sound designer Gordon Durity.

“I went to 100 Mile House to meet Ann-Marie and her old dogs (literally), listen to her stories, see her technologies and get some reference footage for the animation,” said Fleming. “Then I wrote the very simple script and drew a storyboard. Kevin took my designs and made them his own – he definitely improves on them. Then it was recording the voice, cutting together an animatic, doing the animation.

“Gordon and I discussed the vibe I wanted – Dave Brubeck ‘Take 5’ meets ‘Freddy the Freeloader.’ Cool jazz from when our human character would have been in his youth. A few months later and shazam! The film is finished right as we go into a lockdown across the country.”

Fleming listened to many great voices for this film, she said. In her mind, she would think, “Does he sound mature enough? Does he sound like he really has a connection with his dog? Alex didn’t sound like anybody else. (You recognized him immediately, right?) The warmth and vulnerability and humour and care he had was just there.”

Alex was the consummate professional, she added. “I felt he was very generous to me with his performance in this little film. He can say a line a dozen nuanced ways. I love working with actors.”

Alex has been in the industry a long time, and his desire to act goes back even further – to Jewish school, when he just 7 years old, and was asked by the teacher to read the Yiddish poem “Why a Grandmother is the Way She is.”

“And I did the poem, and I got a huge applause – not so much perhaps because of the talent but because I spoke Yiddish so beautifully,” Alex told me. “And I did speak it beautifully, just the way any person who has a first language speaks it beautifully. I liked the applause and I liked doing the poem. I liked the ambience of the whole thing and, at that point, I decided I was going to be an actor. And, 20 years later, at age 27, I became a professional actor, got all my union cards because I was working in the theatre, in a union company.”

Over the years, he has been in theatre, radio, film and television, and he’s worked as both an actor and as a director. A very partial list of people with whom he has shared the screen include Melanie Griffiths, Vince Vaughn, Ellen Burstyn, Ryan Reynolds, Eddie Murphy, William H. Macy, Christopher Plummer, Sylvester Stalone, Jerry Lewis, Laura Linney, Isabella Rosselini, Jack Lemmon, Mariel Hemingway, Valerie Harper, Mandy Patinkin and Robin Williams.

“I worked with them either as an actor or as a background performer who interacted with the actor,” said Alex.

He was Mickey Rooney’s stand-in in Night at the Museum, which is also where he worked with Dick Van Dyke and Ben Stiller, among others.

The audition for Old Dog was an ordinary call, said Alex. While he hasn’t done much by way of voice work, he has done some dubbing of acting parts that didn’t come out properly sound-wise in the filming. The process for Old Dog was similar, he said.

“I just did one line and then the director said, OK, time to do the next line. Sometimes, she would ask me to do it two or three times but never more than three times,” he said. “The whole thing took a little more than an hour.”

In this type of work, while the actor doesn’t see the animation, he said, “You know what she wants, like your attitude toward the dog … and then you bring that attitude or that feeling or emotion to the line. But you do it without seeing the movie and then they sync what I’ve done vocally to the film.”

Alex’s wife, Elaine, works with him in the film industry. “We’re both still working,” said Alex. “It keeps us happy and young.”

Old Dog can be seen at nfb.ca/film/old-dog.

Format ImagePosted on December 4, 2020December 2, 2020Author Cynthia RamsayCategories TV & FilmTags acting, Alex Kliner, animation, Ann Marie Fleming, National Film Board, NFB

We miss you already, Alex

With gratitude and sadness, we share with readers the news that Alex Kliner’s Menschenings column will appear for the last time in this issue of the Jewish Independent. Alex is retiring and, while we are happy that he’s about to enjoy a well-deserved break, we’ll miss him.

After more than two decades of keeping our readers up-to-date with news, quips, culture, history, wordplay and trivia from the Jewish world, Alex has decided that the time has come to relax a little and give up the grind of a weekly column.

Alex has been a pillar of this newspaper and remains a pillar of this community, reflecting ourselves back to ourselves, with wit, Yiddishkeit and puns that he well knows are groaners. He has brought his unique character to these pages, built on the linguistic and comedic styles that are distinctively Jewish but which are also inimitably Klineresque.

photo - Reading Alex Kliner's Menschenings has always been like spending time with a friend – a gossipy friend, but in the best sense
Reading Alex Kliner’s Menschenings has always been like spending time with a friend – a gossipy friend, but in the best sense. (photo from Alex Kliner)

Reading Menschenings has always been like spending time with a friend – a gossipy friend, but in the best sense. Lashon hara never, ever found a place in Alex’s column. His stories were always positive and joyfully told. Like Alex in person, Menschenings has been a cheery respite amid the world’s sometimes woeful events.

Alex has been able to pack an enormous amount into each column, covering news that matters and nuggets that entertain. He often notes the passing of figures of importance to Jewish life, many of whom were unsung heroes in their fields but little known to the general public. Goings-on around town, important new works of literature, tidbits from showbiz with a Jewish angle: there have not been many limits to the Menschenings beat.

His columns have also been filled with kavods and kudos for local and international figures about whom readers may otherwise have known nothing. Mazal tovs for simchot, recognitions of landmark events, notes on new cultural diversions and businesses opening and closing. Through these many years, week after week, Alex has curated stories of ordinary and extraordinary people, distilling a huge range of events and personalities into a tight package that is a pleasure to peruse. His chatty style has made our community feel a sense of togetherness, as though even people we do not know are linked with us through a mutual friend.

Importantly, each week Menschenings has featured a member of the local community, often someone whose contributions to the smooth running of communal organizations or a local business are crucial yet uncelebrated, an artist being introduced to new audiences, an author, a chef, an athlete, any number of people we were better for knowing about through Alex’s introduction. He has often been the first to identify rising stars in the local arts scene and there is no gauge to measure the careers he has helped along the way.

For 21 tireless years, and just two columns short of 1,000, Alex has been an irreplaceable and beloved voice of this newspaper and the community we serve. Together with Elaine, whose name has appeared frequently in Menschenings as a muse and a foil – El-Al, as they are collectively known – Alex has attended more community events, concerts, plays and other events than the most dogged culture vultures.

Thank you, Alex, for everything you have done to help build this community and tell our stories. Your name is, appropriately, inextricably connected with the word mensch.

– all of us at the Jewish Independent

Posted on December 23, 2016December 21, 2016Author The Editorial BoardCategories From the JITags Alex Kliner, Jewish Independent, Menschenings
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