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Tag: Byron Schenkman

Chopin’s poetry and beauty

Chopin’s poetry and beauty

Byron Schenkman performs in the concert called Chopin Preludes on Aug. 1 at Christ Church Cathedral. (photo from Byron Schenkman)

“I think Chopin was an exceptionally sensitive pianist and composer – more of a poet than most. Sometimes his music is almost painfully beautiful. And, these days, I think we need all the poetry and beauty and sensitivity we can find!” Byron Schenkman told the Independent.

Schenkman returns to the Vancouver Bach Festival this year. Presented by Early Music Vancouver, they will perform preludes by Frédéric Chopin on Early Music’s 19th-century Broadwood fortepiano on Aug. 1, 1 p.m., with a pre-concert talk at 12:15 p.m., at Christ Church Cathedral.

The concert is a collaboration with the Vancouver Chopin Society. Describing Chopin as “a central figure of 19th-century Romanticism,” the program summary notes that “his connections to Bach are clear in his own preludes, which were directly inspired by Bach’s The Well-Tempered Clavier.” To place “Chopin’s music in the context of Romantic composers who influenced his work,” Schenkman’s performance will include pieces by Maria Szymanowska, Robert Schumann, Clara Schumann and Johannes Brahms.

Of playing Chopin, Schenkman said, “I think the biggest challenge – and the greatest joy – is honouring the delicacy of Chopin’s music even when it is intellectually complex and emotionally very deep. Compared with performing most other composers’ work, it’s like creating art out of glass instead of marble or bronze.”

Schenkman performs on piano, harpsichord and fortepiano, which is, simply, a piano made in the 18th and early 19th century. They also have contributed to more than 40 CDs, including some on which they have played on historical instruments from the National Music Museum, in Vermillion, S.D., and from the Museum of Fine Arts, in Boston. The award-winning musician is a founding member of several ensembles, and teaches music history at Seattle University, as well as being a guest lecturer on the harpsichord and fortepiano at other institutions. In 2013, they launched Byron Schenkman & Friends, a Baroque and classical chamber music series in Seattle.

A graduate of the New England Conservatory and Indiana University, Schenkman said, “I grew up in a home with lots of music. I often heard one of my older sisters practising the piano and it is still a very comforting sound for me, especially the repertoire that she practised most: Mozart, Beethoven, Schubert and Chopin.”

In past Bach Festivals, Schenkman has performed Bach, Ludwig van Beethoven, Johannes Brahms, Felix Mendelssohn and Ignaz Moscheles.

“I am really happy to be returning to Vancouver, one of my favourite cities,” they said. “And I am honoured to be part of the wonderful Vancouver Bach Festival along with so many inspiring colleagues.”

This year’s 14-concert festival, which runs July 30 to Aug. 9, begins with EMV’s ensemble-in-residence, Les Boréades, in a performance over two nights – July 30 and 31 at the Chan Centre for the Performing Arts – of Bach’s Complete Brandenburg Concertos. It also closes at the Chan Centre – with Henry Purcell’s Hail Bright Cecilia – but the other concerts take place at Christ Church. For tickets and more information, visit earlymusic.bc.ca or call 604-822-2697.

Format ImagePosted on July 19, 2019July 18, 2019Author Cynthia RamsayCategories MusicTags Bach Festival, Byron Schenkman, Chopin, classical music, Early Music Vancouver, fortepiano, piano
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