piano

Lanyi’s live Canadian debut

The Vancouver Recital Society hosts London, England-based pianist Ariel Lanyi on March 3. (photo © Kaupo Kikkas)

“Art is there to remind us that there is something bigger and greater than the present moment, something that will remain long after we are gone, which is worthy of our devotion and commitment,” pianist Ariel Lanyi told the Independent in a recent interview. Lanyi will perform an afternoon concert at Vancouver Playhouse March 3.

Hosted by the Vancouver Recital Society, Lanyi will play works by Ludwig van Beethoven (1770-1827), Frédéric Chopin (1810-1849) and Max Reger (1883-1916). In a Facebook post, the London, England-based pianist noted his pleasure at working on Reger’s Variations and Fugue on a Theme by Bach, calling it an “underrated masterpiece of the late-Romantic era” that he couldn’t wait to bring to the stage in 2024.

“Max Reger had a problem: writing fugues was too easy for him. He could jot down fugues with the same ease that Picasso could scribble drawings. Hence, his music sometimes falls into a trap of gratuitous polyphony. However, when he put his heart and soul into a work, as he did with the Bach Variations (which he considered to be his finest work), the result is worthwhile,” Lanyi explained to the Independent. “We hear a multitude of styles in this work – at times, we hear the world of Brahms and his traditional harmonic language; at times, we enter the post-Wagnerian sphere, and we even get a glimpse of more decadent music that was yet to be written. Still, it hangs together organically, and comes to a rousing ending, as all threads convene and the piano truly emulates the sound of the organ.

“The reason this work is underrated and underplayed is quite obvious,” he added. “People tend to avoid Reger, and it takes a Herculean effort to learn this work. However, I earnestly believe that it is a masterpiece of piano literature.”

Last spring, Lanyi was awarded the Prix Serdang, which is given to young pianists at the beginning of their careers who excel in musicianship and artistic vision. The head of the selection panel, Austrian pianist Rudolf Buchbinder, said of Lanyi: “His playing is precise, nuanced and virtuosic, but he is no superficial virtuoso. What sets him apart is his ability to delve deeply into the music and to establish a connection with it. He doesn’t simply play the notes, he lives the music, seeks to capture its essence, and reflects it with extraordinary intensity, sensibility and expressive maturity.”

If one reads Lanyi’s posts and blogs, one gets a hint of the research that he puts into his performances, which have garnered critical acclaim. In addition to the Prix Serdang, Lanyi won third prize at the 2021 Leeds International Piano Competition. Also in 2021, he was a prize winner in the inaugural Young Classical Artists Trust (London, England) and Concert Artists Guild (New York) International Auditions, as well as being a finalist in the Arthur Rubinstein International Piano Master Competition. Other honours for the 26-year-old pianist include first prize at the 2018 Grand Prix Animato Competition in Paris and first prize in the 2017 Dudley International Piano Competition in the United Kingdom.

Born in Jerusalem, Lanyi studied piano at the Conservatory of the Jerusalem Academy of Music and Dance and moved to London in 2015 to study at the Royal Academy of Music. He remained in the city after graduating in 2021. Last month, he was among those selected by the Royal Academy for a 2023-2024 associate honour, which will be conferred in April: the award recognizes former students who have made “significant contributions to the musical landscape.”

Lanyi has performed around the world, both as a soloist on his own and with orchestras, and as a chamber musician. When he plays concertos or chamber music, he said of his preparation, “I always make sure to study the full score, in order to grasp the music from all points of view, not just through the prism of my individual part. When playing alone, obviously, this doesn’t apply.”

Among the highlights listed on Lanyi’s website for this season is the VRS concert next month. In 2021, during COVID, the recital society shared Lanyi’s Virtually VRS recorded performance on its YouTube channel. The March concert will be his live debut in Canada. In addition to the Reger composition, it will feature Beethhoven’s Sonata No. 30 in E Major, Op. 109; Chopin’s Mazurkas, Op. 59; and Chopin’s Polonaise-Fantaisie in A-flat major, Op. 61.

“Beethoven’s Sonata Op. 109 is a work that has been in my repertoire for quite awhile,” Lanyi told the Independent. “It was the first of the late Beethoven sonatas I worked on as a teenager, so coming back to it now feels enormously gratifying, as my idea of it has evolved in the years since. (It is also, if I remember correctly, the first work for piano to have ever moved me to tears.) The first two movements are concise and contrasting – from the relative serenity of the first movement to the fearful obsessiveness of the second. The third movement begins and ends with a hymn of gratitude and, in between, we are taken on a comprehensive journey through six distinct variations, each inhabiting its own world, deviating from the theme in the most fascinating ways while retaining the same epicentral connection to it.

“The two Chopin works in this program – the Op. 59 Mazurkas and the Polonaise-Fantaisie, Op. 61 – both stem from the composer’s late period, which is characterized by harmonic and structural exploration we seldom find in his earlier works. The mazurkas are elegant and poignant at the same time – in the midst of mellifluous music, Chopin finds ways to express intense distress with bold, dissonant harmonies, often left exposed. The Polonaise-Fantaisie is among his most symphonic works, I find. He never wrote any symphonies and, in my view, some of the late works make up for that by using the piano orchestrally. In the slow middle section of the Polonaise-Fantaisie, we almost hear a foretelling of Bruckner in the long, interwoven lines, which lead to the most unexpected places.”

Lanyi said he doesn’t have any specific formula for choosing performance repertoire.

“Usually, I have an idea of one or two central works I want to include in a program, and look for works which will complement them in a balanced way,” he said. “In the case of this program, the Reger has been on my mind for many years, so I was looking to combine it with works which aren’t as heavy.”

Lanyi’s March 3 performance takes place at 3 p.m. and is followed by a talkback. For tickets, visit vanrecital.com/concert/ariel-lanyi-2.

Lanyi debuts in March

Israeli pianist Ariel Lanyi performs in Vancouver March 3. (photo by Kaupo Kikkas)

Israeli pianist Ariel Lanyi will make his Canadian debut on March 3, 3 p.m., at the Vancouver Playhouse in a concert presented by the Vancouver Recital Society.

Born in Jerusalem in 1997, Lanyi is now based in London, England, having recently completed his studies at the Royal Academy of Music. In 2023, he received the Prix Serdanag, a Swiss prize awarded by Austrian pianist Rudolf Buchbinder, and was nominated as a Rising Star Artist by Classic FM. In 2021, he won third prize at the Leeds International Piano Competition and was a prize winner in both the Young Classical Artists Trust YCAT (London) and Concert Artists Guild (New York) International Auditions. Also in 2021, Linn Records released Lanyi’s recording of music by Schubert, with other releases also planned. Lanyi’s 2021 Virtually VRS recorded performance can be viewed on the Vancouver Recital Society’s YouTube channel.

Lanyi has appeared with orchestras in Israel, the United Kingdom, Argentina and the United States, and highlights include playing with the Israel Philharmonic, Royal Liverpool Philharmonic Orchestra and City of Birmingham Symphony Orchestra, the latter of which he will return to this season for Mozart K503. Other notable future engagements include his debut with the Mahler Chamber Orchestra at the Grafenegg Festival, a return to Australia at the Sanguine Estate Music Festival, followed by a tour to China, and the Stars & Rising Stars concert series in Munich.

An avid chamber musician, Lanyi has collaborated with members of the Berliner Philharmoniker and Concertgebouw Amsterdam, as well as with musicians such as Maria João Pires, Marina Piccinini, Charles Neidich and Torleif Thedéen. He also recorded with the Mozarteumorchester Salzburg under the auspices of the Orpheum Stifftung, as part of their Next Generation Mozart Soloist series, and gave recitals at the Kissinger Sommer, Fundaçion Juan March in Madrid, and Festspiele Mecklenburg-Vorpommern.

Lanyi’s March 3 performance in Vancouver will feature Ludwig van Beethoven’s Sonata No. 30 in E major, Op. 109, Frédéric Chopin’s Mazurkas, Op. 59, and Chopin’s Polonaise-Fantaisie in A-flat major, Op. 61, as well as Max Reger’s Variations and Fugue on a Theme by Bach, Op. 81. The concert will be followed by a talkback session. For tickets, visit vanrecital.com.

– Courtesy Vancouver Recital Society

Empowered by piano, song

From left to right: Leslie Rosen, Toby Rubin, Tammy Klass and Marilyn Berger dance to the music of singer and pianist Miriam Davidson. (photo from JSA)

The last session of the Jewish Seniors Alliance-Snider Foundation Empowerment 2022-23 season was held on June 26 at Beth Tikvah Synagogue in Richmond. It featured Miriam Davidson playing and singing show tunes, and people joined in and even danced.

The event was co-sponsored by JSA, Kehila Society’s Seniors Program and Beth Tikvah. Attendees were treated to a BBQ lunch of hamburgers, hot dogs and veggie dogs with all the trimmings. More than 60 seniors from around the Lower Mainland attended.

photo - Miriam Davidson — Miriam Davidson *(photo from JSA)*

The crowd was welcomed by Toby Rubin, the coordinator of the Kehila program. She explained that Lester Soo, the scheduled entertainer, was unable to perform, but that Davidson, a pianist and vocalist, was able to step in.

Davidson began with some songs from The Sound of Music that were very familiar to the audience, and she encouraged everyone to sing along. The program included such tunes as “Ain’t Misbehavin’,” “Fly Me to the Moon” and “Only a Paper Moon.” She played “Memory” from the musical Cats and a request for Abba’s “Dancing Queen” had the audience swaying and waving their arms in time to the music. There was even a bit of dancing.

The concert ended with “Here Comes the Sun” by the Beatles.

The afternoon wrapped up with greetings from Tammi Belfer, president of the JSA, and a thank you to Davidson, who was wonderful.

Shanie Levin is a Jewish Seniors Alliance Life Governor. She is also on the editorial committee of Senior Line magazine.

Hochman joins Fung in VRS concert

Zlatomir Fung (cello) and Benjamin Hochman (piano). (photo from vanrecital.com)

The Vancouver Recital Society (VRS) presents American cellist Zlatomir Fung and Israeli pianist Benjamin Hochman at the Vancouver Playhouse Jan. 15. Fung has racked up a slew of awards: in 2019, he was the first American in four decades and youngest musician ever to win first prize at the International Tchaikovsky Competition, cello division, and was the recipient of an Avery Fisher Career Grant in 2020 and a Borletti-Buitoni Trust Fellowship in 2022.

The Juilliard alum was originally booked for the VRS in 2020 but the pandemic thwarted plans. In January, Fung will perform with Hochman, who first performed in a VRS series in 2003, with violinist Elisabeth Batiashvili. Hochman is a graduate of the Curtis Institute of Music, where he studied with Claude Frank, and the Mannes College of Music, where he studied with Richard Goode.

The concert repertoire will feature the music of Yuri Shaporin (6 Pieces, arranged for cello and piano by Viktor Kubatsky), Nikolay Sokolov (Romance for Cello and Piano, Op. 19), Leo Ornstein (6 Preludes for Cello and Piano), Alexander Glazunov (Entr’acte from Raymonda, Op. 57, arranged for cello and piano) and Dmitri Shostakovich (Cello Sonata in D minor, Op. 40).

Tickets for the Jan. 15, 3 p.m., concert can be purchased at vanrecital.com.

– vanrecital.com

VRS hosts Schiff, Rondeau

As part of the Vancouver Recital Society’s fall programming, both pianist Sir András Schiff (above), and harpsichordist Jean Rondeau will perform J.S. Bach’s Goldberg Variations.

The Vancouver Recital Society’s season opened last month with the Canadian debut of Italian pianist Filippo Gorini. It continues Oct. 16 with Steven Isserlis (cello) and Connie Shih (piano), and Oct. 18 and 20 with pianist Sir András Schiff.

Rounding out the fall program, Turkish cellist Jamal Aliyev makes his Canadian debut with Turkish pianist Fazil Say on Oct. 30, Jean Rondeau (harpsichord) plays on Nov. 6, and American violinist Randall Goosby and Chinese pianist Zhu Wang perform together on Nov. 27.

Sir András was scheduled to fly to Vancouver in March 2020 to help VRS celebrate its 40th anniversary. Instead, he was detained in Japan as the world went into lockdown due to COVID-19. His Oct. 18, 7:30 p.m., performance at the Vancouver Playhouse will be special – Sir András will announce and discuss what he is going to play from the stage. On Oct. 20, 7:30 p.m., at the Orpheum Theatre, he will perform the Goldberg Variations. Originally written for harpsichord, J.S. Bach’s Goldberg Variations were first published in 1741 and are named after Johann Gottlieb Goldberg, who may have been the first performer of the work.

Sir András’s Oct. 20 performance is a benefit concert. It will help the VRS set the stage for its next big milestone – its 50th anniversary season in 2030. In addition to the Variations, Sir András will play Bach’s Italian Concerto in F major and Bach’s Overture in French Style in B minor.

photo - Jean Rondeau will perform at Beth Israel Nov. 6 — Jean Rondeau will perform at Beth Israel Nov. 6. *(PR photo)*

Rondeau also will perform the Goldberg Variations – his Nov. 6, 3 p.m., concert, will take place at Congregation Beth Israel.

“An ode to silence” is how Rondeau has described the Variations. “I feel they were written for silence, in the sense that they take the place of silence,” he says. “All Bach is there in the Goldberg Variations … all music is there … and I will no doubt spend my life working on them.”

For tickets and more information, visit vanrecital.com.

– From vanrecital.com

Classical pianist & educator

Robert Silverman is one of the musicians featured in Under the Radar, by David Eisenstadt. (photo from Robert Silverman)

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photo - David Eisenstadt — David Eisenstadt *(photo from tcgpr)*

Under the Radar: 30 Notable Canadian Jewish Musicians, which I wrote with Alan L. Simons (editor), takes an historical approach, covering musicians of most genres and genders, some alive and others having passed on, all skilled, but excelling somewhat out of sight. This is the first in a three-part series of excerpts from the book, which was released last November, and is available in paperback and as an ebook from amazon.ca. The excerpts feature performers with B.C. roots: Robert Silverman, Ben Mink and Mike Kobluk.

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Robert Herschel Silverman is one of Canada’s premier pianists. He was born in Montreal, Que., on May 25, 1938, to Jewish parents from the Ukraine and Romania. Globe and Mail reporter Marsha Lederman wrote, “when he was just 4, after seeing how he was drawn to classical music programs on the radio, he was signed up (by his parents) for piano lessons. By his second lesson, Silverman could identify notes by ear. He could read sheet music before he could read words. But even as he continued with his lessons through high school and university, he never considered a career in piano.”

At 6, Silverman played his first recital. His debut at 14 was with the Montreal Symphony Orchestra. At 23, he planned to become an engineer but decided to be a classical pianist. Lederman reported Silverman saying, “It was really, really late. It’s not the way to do it.”

He earned undergrad arts and music degrees in the 1960s from Sir George Williams (now Concordia) University. He studied with Dorothy Morton (the daughter of Silverman’s childhood piano teacher) at McGill University, and with Cecile Genhart at the Eastman School of Music, Rochester, N.Y. He also earned a Canada Council grant to enrol at the Vienna Academy of Music.

Silverman won the top piano prize at the Jeunesses Musicales Canada national competition, playing twice at Expo ’67. His Allied Arts piano competition success earned a recital debut in Chicago’s Orchestra Hall in 1970. He made his New York Lincoln Centre debut before he turned 40, in 1978, where the New York Timesdescribed him as “a polished and thoroughly finished technician and an extremely articulate [virtuoso].”

Silverman performed with global and Canadian orchestras conducted by John Eliot Gardiner, Neeme Jarvi, Kiril Kondrashin, Zdenek Macal, Seiji Ozawa and Gerard Schwarz.

In his 30s, he was an artist-in-residence at Nazareth College in Rochester, N.Y.; he also taught at the University of California in Santa Barbara from 1969 to 1970, and the University of Wisconsin-Milwaukee 1970-73. He moved to Vancouver to join the University of British Columbia as professor of music (piano) in 1973. He was the director of UBC’s music school 1991-95, retiring as professor emeritus of music in 2003. Celebrating his 30-year tenure, Silverman received an honorary doctorate in 2004.

Working with Adrienne Cohen, the former music program director at Toronto’s Koffler Centre of the Arts, Silverman, in 2002, was the artist-in-residence.

“My relationship was informal with no written contract. I received an honorarium for seasonal concerts. I appreciated the opportunity to maintain a visible presence in Toronto’s music life and to help Adrienne enhance and enlarge classical music’s role. Although I’m not observant from a religious standpoint, I am keenly aware of my Jewish heritage and pleased to be affiliated with Koffler, whose programs were attuned to the Jewish community in its traditional sense,” he said.

“I grew up when many North American Jewish luminaries were visible – Horowitz, Rubinstein, Bernstein, Reiner, Heifetz, Menuhin and the up-and-comers, Fleisher, Graffman and Rabin. My musicality was shaped by their warm manner of phrasing and attention to tonal beauty, qualities I hold dear and continue to strive towards.”

He returned to Montreal in 2008 to initiate the Dorothy Morton Visiting Artist series at McGill University’s Schulich School of Music, performing there on its 10th anniversary. He and his wife also endowed a biannual Robert and Ellen Silverman Piano Concerto Competition.

His discography numbers 30-plus CDs and 12 LPs. He received an Order of Canada in 2013.

As a Vancouver-based retiree and a Steinway artist, Silverman devotes himself full-time to recordings and concerts and is heard often on the CBC and Radio-Canada networks.

Libby Yu plays music for soul

Libby Yu performed A Concert for the Soul on June 28, hosted by Jewish Seniors Alliance and the Kehila Society of Richmond. (screenshot)

On June 28, Jewish Seniors Alliance and the Kehila Society of Richmond presented classical pianist Libby Yu in performance via Zoom. A Concert for the Soul was the last session of the 2020-21 JSA Snider Foundation Empowerment Series.

Toby Rubin, coordinator of Kehila Society, welcomed everyone to the concert and introduced Yu, who was born and grew up in Richmond. An accomplished performer, collaborator, teacher and adjudicator, Yu has graced international stages and has appeared as soloist with major symphony orchestras. She brings her passion for music to audiences of all ages and venues. She is an artist for the Health Arts Society’s Concerts in Care, which allows her to share her music in residential care homes and hospitals. Rubin encouraged us all to watch Yu’s fingers as they moved on the keyboard.

Yu greeted everyone from her home, saying how much she enjoys performing for JSA and Kehila and that she looks forward to playing for us in person in the future. She told us that she would be playing Ludwig van Beethoven, Franz Schubert and Frédéric Chopin.

The first piece was Beethoven’s Moonlight in three movements. The first was slow, the second light and happy, while the third was dramatic with many runs and chords.

The next piece was Schubert’s Impromptu, 4th Opus in A Flat Major. This piece is full of cascades, arpeggios, with a beautiful melody. It is in the ABA format, where the third movement returns to the melody of the first.

This was followed by two of Chopin’s Etudes, the first in F minor and the second his well-known revolutionary étude that reflects his turmoil over the instability of his native Poland.

Yu ended her performance with a Chopin Ballade, in G minor. The main theme is a quiet, still melody that builds in virtuosity and then flourishes to huge dramatic chords. The coda is fast and exciting.

It is indeed a pleasure to watch Yu in her intensity and concentration. After her performance, she thanked us and said she hoped the music brought us all joy.

Gyda Chud, co-president of JSA, thanked Yu for the program. She reminded everyone that, in the past, events with Kehila have included lunch and, hopefully, we will all be able to enjoy both lunch and a performance in person soon.

Chud again thanked Yu, saying the concert was not only an inspiration for the soul, but also for the heart and mind.

The Empowerment Series will continue with the theme “Be Inspired” for the 2021-22 season.

Shanie Levin is program coordinator for Jewish Seniors Alliance and on the editorial board of Senior Line magazine.

Concert that inspires

The new Jewish Seniors Alliance Snider Foundation Empowerment Series season began on Oct. 19 with a concert. As usual, the program was co-sponsored by JSA and a community organization; in this case, the Kehila Society of Richmond. Because of the pandemic, the event took place on Zoom.

Last year’s Empowerment theme, “Be Inspired,” was carried forward for this year’s season. Fifty participants tuned in to Music in the Afternoon, which featured pianist Lester Soo and vocalist Maria Cristina Fantini. Soo is an accomplished musician who has taught, adjudicated, accompanied and performed in the world of music for many years, while Fantini – a dramatic soprano, at home in both classical and popular styles – teaches and has established her own vocal studio.

Toby Rubin, coordinator of Kehila Society, welcomed everyone and introduced Soo and Fantini.

JSA’s Gyda Chud spoke about the alliance and recalled that Soo and Fantini had performed in a joint program in the past. This time, the musicians performed from Soo’s home, where he was able to make use of his grand piano.

The audience was entertained by a number of old favourites, starting from the 1930s. Songs included “Unforgettable,” “When I Fall in Love” and “Besame Mucho.” These were followed by works by Cole Porter and Irving Berlin, k.d. lang’s version of Leonard Cohen’s “Hallelujah,” and “Tonight” from West Side Story. The duo then switched to the jazz genre, with “Misty.” Lester played a solo of “Over the Rainbow” and he and Fantini ended with an aria by Puccini, “O, My Beloved Father.”

It was a wonderful concert. The only problem was that the musicians couldn’t hear the applause because the audience was muted for the performance. However, Rubin thanked Soo and Fantini on everyone’s behalf.

For information on JSA and upcoming events, visit jsalliance.org.

Shanie Levin is an executive board member of Jewish Seniors Alliance and on the editorial board of Senior Line magazine.

Chopin’s poetry and beauty

Byron Schenkman performs in the concert called Chopin Preludes on Aug. 1 at Christ Church Cathedral. (photo from Byron Schenkman)

“I think Chopin was an exceptionally sensitive pianist and composer – more of a poet than most. Sometimes his music is almost painfully beautiful. And, these days, I think we need all the poetry and beauty and sensitivity we can find!” Byron Schenkman told the Independent.

Schenkman returns to the Vancouver Bach Festival this year. Presented by Early Music Vancouver, they will perform preludes by Frédéric Chopin on Early Music’s 19th-century Broadwood fortepiano on Aug. 1, 1 p.m., with a pre-concert talk at 12:15 p.m., at Christ Church Cathedral.

The concert is a collaboration with the Vancouver Chopin Society. Describing Chopin as “a central figure of 19th-century Romanticism,” the program summary notes that “his connections to Bach are clear in his own preludes, which were directly inspired by Bach’s The Well-Tempered Clavier.” To place “Chopin’s music in the context of Romantic composers who influenced his work,” Schenkman’s performance will include pieces by Maria Szymanowska, Robert Schumann, Clara Schumann and Johannes Brahms.

Of playing Chopin, Schenkman said, “I think the biggest challenge – and the greatest joy – is honouring the delicacy of Chopin’s music even when it is intellectually complex and emotionally very deep. Compared with performing most other composers’ work, it’s like creating art out of glass instead of marble or bronze.”

Schenkman performs on piano, harpsichord and fortepiano, which is, simply, a piano made in the 18th and early 19th century. They also have contributed to more than 40 CDs, including some on which they have played on historical instruments from the National Music Museum, in Vermillion, S.D., and from the Museum of Fine Arts, in Boston. The award-winning musician is a founding member of several ensembles, and teaches music history at Seattle University, as well as being a guest lecturer on the harpsichord and fortepiano at other institutions. In 2013, they launched Byron Schenkman & Friends, a Baroque and classical chamber music series in Seattle.

A graduate of the New England Conservatory and Indiana University, Schenkman said, “I grew up in a home with lots of music. I often heard one of my older sisters practising the piano and it is still a very comforting sound for me, especially the repertoire that she practised most: Mozart, Beethoven, Schubert and Chopin.”

In past Bach Festivals, Schenkman has performed Bach, Ludwig van Beethoven, Johannes Brahms, Felix Mendelssohn and Ignaz Moscheles.

“I am really happy to be returning to Vancouver, one of my favourite cities,” they said. “And I am honoured to be part of the wonderful Vancouver Bach Festival along with so many inspiring colleagues.”

This year’s 14-concert festival, which runs July 30 to Aug. 9, begins with EMV’s ensemble-in-residence, Les Boréades, in a performance over two nights – July 30 and 31 at the Chan Centre for the Performing Arts – of Bach’s Complete Brandenburg Concertos. It also closes at the Chan Centre – with Henry Purcell’s Hail Bright Cecilia – but the other concerts take place at Christ Church. For tickets and more information, visit earlymusic.bc.ca or call 604-822-2697.

Series finishes on high notes

“Dueling pianists” Lester Soo and Marilyn Glazer entertain at the last Empowerment Series session of the season. (photo from JSA)

Co-sponsored by Jewish Seniors Alliance and the Kehila Society of Richmond, the fifth session of this season’s JSA Snider Foundation Empowerment Series took place at Congregation Beth Tikvah. It more than lived up to the series’ theme this year: “Renewing and Reinventing Ourselves.”

As usual, the program was preceded by a lunch provided by Stacey Kettleman. Beth Tikvah’s Rabbi Adam Rubin did the Hamotzi and Toby Rubin, co-executive director of the Kehila Society, welcomed everyone. Among the 120 or so attendees were members of the Kehila Society and of JSA, as well as a group from L’Chaim Adult Day Care.

The entertainment portion of the program took place in the sanctuary, where Ken Levitt, president of JSA, spoke briefly and Rubin introduced the “dueling pianists”: Marilyn Glazer and Lester Soo, both of whom are accomplished musicians and piano instructors. The two have known each other for 35 years and have been playing duets for much of that time – one piano, four hands. At the Empowerment Series performance, they began with four Hungarian rhapsodies and continued with Mozart’s Eine Kleine Nachtmusik. They then played a number of Gershwin tunes and ended with Cole Porter.

Rubin thanked the pianists for their wonderful performance, which was the last event of the 2018/19 Empowerment Series. The series will begin again in the fall, with a new lineup of events presented by JSA with other seniors groups in the community.

Shanie Levin is an executive board member of Jewish Seniors Alliance and on the editorial board of Senior Line magazine.