Kim Rosin, left, and Alejandra Morales’s shared exhibit, Parallel Visions, is at the Zack Gallery until July 21. (photo from the artists)
The double exhibit Parallel Visions opened at the Zack Gallery on June 25. It introduces two artists – Kim Rosin and Alejandra Morales – who have different backgrounds, are different ages and had never met before. But their art is amazingly compatible.
“When Alejandra submitted the photos of her pieces, they were mostly of fruit, along with a fruit stand. I thought that it would be interesting to pair her with Kim’s allotments,” said gallery curator Sarah Dobbs about why she combined both artists in one show. “However, when I saw Alejandra’s work at her studio, there was so much more, so I had to rethink.
“Upon reflection, I realized that both Kim and Alejandra turn to the natural world as more than just subjects of beauty. For Kim, painting from a community garden in West Vancouver becomes a way to reflect on growth, nourishment and the fragility of food systems in times of scarcity. Alejandra, working from northern Mexico, uses natural imagery as well, but in a dreamier way – exploring how Latin America is romanticized by outsiders. Though grounded in different geographies and experiences, both artists explore how abundance can hold layers of tension between beauty and critique, comfort and resistance. Hence the title, Parallel Visions.”
Rosin’s paintings are of her plot in a community garden. “I have always been interested in growing food,” she said. “From nothing, just a little seed, wonderful, nourishing plants grow. It feels almost magical. It makes me happy but also a little sad, because not everybody can grow their own food. Some people have to go without, when they don’t have a garden and can’t buy their vegetables because of high prices. When I look at my plot, I think of the food chain on our planet.”
Her paintings are full of edible green things: kale and lettuce, beets and carrots. One can imagine the labour that went into growing such a lush garden and the tasty dishes after the harvest. The images reflect the artist’s love for the plants she grows, as well as her longing to share her cornucopia with everyone. Her painting of red poppies is a worthy companion to the vegetable plots, adding beauty to the nutritional component. “Many people grow poppies in our plots,” she said.
Rosin also enjoys painting still life. “It is like a recording of a moment in time,” she said. “And the decorative element is there, too. People often appreciate such paintings, especially if they could ask me to include their favourite objects in the image.”
She likes working on commissions, which she describes as “collaborations with the clients.”
“Commissions take a different mindset from making art of my own, less creative freedom,” she acknowledged. “Some clients have a certain vision, and my job is to bring that vision to life. One example is dog portraits. Dog owners want them realistic, almost photographic. I don’t have to interpret anything, as I do in my own paintings. It is easier in some way, like a mechanical exercise. My creativity is not as important as my skills as a painter. Of course, it is not that simple. When I paint, the image occasionally changes on its own, it has its own demands. Then I worry. What if the client doesn’t like the end result? What if they won’t buy this painting? Fortunately, that has never happened to me.”
People’s stories have always served as an inspiration for her art. “I’m curious about everything – traveling, music, nature. Before I moved to Vancouver, I lived in Seattle,” she said. “I worked on theatre sets for several fringe theatres there…. After I moved here, I created a set for a musical on Granville Island. Teaming up with theatre companies was always a fabulous experience, despite the low budgets.”
Like Rosin, Morales also likes working on commissions. “Some people are very relaxed. ‘You’re the artist. You know what to do.’ Other people are very involved. They want exactly what they envision and you, the artist, need to give them what they want,” she said.
On the other hand, unlike the serene greenery in Rosin’s paintings, Morales’s paintings emphasize her unease with society’s contradictions and paradoxes. Her flowers are colourful and gorgeous, but unrealistic. “I wanted them too beautiful for this world, almost uncomfortable,” she said. “And the animals in my paintings – they fight, like humans do. There are conflicts there.”
In her self-portrait, which is on display, the dichotomy between the pastel tones, the elaborate, narcissistic flowers, the birds in the middle of an angry confrontation and the pensive woman facing the painting echoes the artist’s contemplation on the incongruities of life.
The self-portrait is titled “Will Happiness Find Me?” Many of Morales’s other paintings also sport titles that add a verbal facet to the art’s visual impact. “My titles come from books or songs. Or, I remember someone saying something, and it is relevant for this painting. Or a title could be a quote from an old show,” she said. Her tranquil landscape of a Vancouver shoreline is called “Nothing Mattered More Than Anything Else.”
Morales moved to Vancouver four years ago from Mexico. “I received my BA from McGill University in 2016 and studied for my master’s degree in visual arts at UBC.”
Besides Canada, she studied art in Spain and in her native Mexico. “When I took art classes in Mexico, many students were housewives,” she recalled. “North Mexican culture is different than here. Women are supposed to follow a traditional path of a wife and a mother. The women that took art classes were anxious because they deviated from that path. I wanted to show their anxiety, their inner struggle in my paintings.”
According to Morales, women are freer here in Canada, the entire society more relaxed, and her art reflects the difference. “I painted a jungle in Mexico – and it was very bright and colourful. But when I painted a jungle here, the colours became less vivid, more muted. Maybe because it was raining outside,” she said.
Morales taught fine art as a teacher’s assistant, while she studied at UBC. “I liked teaching. I would like to do more of that,” she said.
Her latest artistic project is rather unusual. She painted a series of cityscapes featuring dumpsters around Vancouver. “Some of them have amazing graffiti. It was such fun,” she said.
Parallel Visions is on until July 21. Rosin’s website is kimthings.com; Morales’s is moralesalejandra.com.
Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].