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Danger in remaining silent

Danger in remaining silent

Marsha Lederman (photo by John Lehmann/Globe and Mail)

A few years ago, Marsha Lederman went with her mother, two sisters and a cousin on the adult portion of the March of the Living, which included a walk between the two main camps of the Auschwitz-Birkenau complex.

“The march from Auschwitz to Birkenau was somber and sorrowful, but it was also so empowering,” she recalled at the annual High Holidays Cemetery Service at Schara Tzedeck Cemetery in New Westminster Oct. 6. “We were marching with a statement to the world and a comforting message to the souls whose lives had ended so brutally on those grounds: ‘We are here, we are still living, we are multiplying, we remember you.’”

The family group proceeded to Radom, the town outside Warsaw where Lederman’s mother had grown up. The man who lived in the apartment where she had lived allowed them in and Lederman’s mother recounted her family’s years there.

“It was joyous,” Lederman said. “We were still on a high when we visited the memorial for the Radom Jews killed in the Holocaust. As I recall, it was in a fairly large square and seemed a little neglected. We were looking at this lonely memorial, the five of us women, when a group of, I would say, teenage boys began chanting something nearby. I don’t speak Polish, so I couldn’t understand what they were saying. But I did understand one thing: ‘Auschwitz-Birkenau.’ I don’t think they were offering their condolences.”

She reflected on the way she responded in that moment.

“We hurried away and said nothing. It was a safe thing to do, for sure. But, if that happened to me today, I would not walk away. I am done with walking away. Would I have put us in danger if I had turned around and confronted those boys? Maybe. But I know now that the real danger is in remaining silent.”

Lederman is the Vancouver-based Western arts correspondent for the Globe and Mail. Her father was born in Lodz, Poland, on erev Yom Kippur 1919. Her mother was born in Radom, Poland, in 1925. All four of their parents were killed in gas chambers at Auschwitz and Treblinka, as was Lederman’s father’s sister and little brother, and her mother’s little brother.

Lederman’s parents met in Germany after liberation and had one daughter there before moving to Canada, where they had two more daughters.

Lederman reflected on recent antisemitic incidents in North America and Europe, as well as her own encounters with antisemitism and racism, including a harrowing verbal attack on an Asian woman on the Skytrain at rush-hour, an incident in which Lederman was the only person to intervene.

“We have a duty to speak up,” she said. “We have a responsibility. This is our inheritance. I never had a bubbe or zadie to hug me or spoil me on my birthday or cook chicken soup for me. There’s nothing in my home that was theirs. I did not receive a single heirloom. But I did receive an inheritance – a duty to protect others from hate…. That is my inheritance and that is their legacy. Enough. Never again.”

She recalled being stunned during an interview with famed Vancouver photographer Fred Herzog, who died last month. Chatting after the main interview, Lederman asked the German-Canadian if he had experienced anti-German sentiment when he arrived here after the war. He launched into a discourse on the “so-called Holocaust” and said Jews died in the camps mostly because of lice and because Allied bombings prevented food from getting to them. Lederman agonized over whether to expose the admired photographer, eventually writing the story, for which she has been subjected to a range of criticism.

“Well, I have had enough,” she said. “And I’m going to fight to tell those stories and expose antisemitism and Holocaust denial and racism. I am not going to be quiet anymore. I think of all that was lost in the gas chambers; all the lives, of course, but also all the potential. With those millions of lives extinguished, what was lost with them? Poems were never written, beautiful artworks that were never painted, the cure for cancer, for Parkinson’s, the answer to the climate crisis?

“It was not just the people who were murdered that the world lost. It was all of their descendants and all of their descendants and all of that potential.… I talk about this because of what this leaves on our shoulders. I interviewed a Nisga’a poet, Jordan Abel, and he used a term to describe himself that I have adopted. He calls himself an intergenerational survivor of residential schools, which makes me an intergenerational survivor of Auschwitz. I do not take this lightly. With my parents’ survival came a hefty responsibility on me and on all of us who are descendants.”

At the service, Jack Micner, who led the ceremony and is also a member of the second generation, outlined a litany of antisemitic incidents and comments in Europe and North America in recent weeks.

“I suspect that those of our parents resting here in this cemetery would be furious to see what’s going on across the world,” he said. “We have to continue doing the type of work that VHEC [Vancouver Holocaust Education Centre] is doing in as many ways as we can think … it falls on us, because nobody’s going to do it for us.”

Rabbi Shlomo Estrin reflected on the loss of Chassidic communities during the Holocaust. Cantor Yaacov Orzech chanted El Maleh Rachamim.

Names were read of community members who have passed since the last High Holidays and a moment of silence was observed for the six million.

The Mourner’s Kaddish was recited by Jeremy Berger, a grandson of a Holocaust survivor. After the service ended, the Mourner’s Kaddish was also recited at the Holocaust Memorial in the cemetery.

The annual event is presented by the Vancouver Holocaust Education Centre with Congregation Schara Tzedeck and the Jewish War Veterans, and with support from the Jewish Community Foundation of Greater Vancouver.

Format ImagePosted on October 25, 2019October 23, 2019Author Pat JohnsonCategories LocalTags Holocaust, Kristallnacht, Marsha Lederman, memoir, racism, second generation, survivor, VHEC

Scammer awareness

On Nov. 3, the Jewish Seniors Alliance, with COSCO Health and Wellness Institute, presents Privacy and Security in the Internet Age. The JSA annual fall symposium has a different topic of particular relevance to seniors every year and this year’s topic aims to educate seniors on using the internet safely and securely.

There are numerous phone and internet scams that target seniors and separate them from their hard-earned dollars. The scammers often impersonate long-lost relatives or offer excellent returns on investment. One must also be wary of viruses and people trying to overtake emails.

COSCO provides workshops led by trained facilitators to seniors groups throughout British Columbia. In the case of the symposium, the presenter will be Floyd Smith. He will focus on personal privacy and the benefits and risks of technology. He will also explore mobile technology versus a desktop environment and provide an overview of home device systems.

The JSA motto is “Seniors Stronger Together,” while that of COSCO is “Seniors Helping Seniors.” Combining forces, it is hoped that the two organizations can both help and give strength to seniors in the Jewish community.

The symposium workshop takes place Nov. 3 at the Peretz Centre, with registration at 1:30 p.m. and the event beginning 2 p.m,; the cost to attend is $5. Refreshments will be served. Because of construction in the area, access to the Peretz’s underground parking is through the lane from 49th Avenue, the first alley west of Cambie Street. A parking attendant will be at the entrance of the lane at 49th Avenue to direct traffic to the lot, to which there is no access from 45th Avenue.

For more information or to register, contact the JSA office at 604-732-1555 or [email protected].

Posted on October 25, 2019October 23, 2019Author Jewish Seniors AllianceCategories LocalTags COSCO, education, Floyd Smith, fraud, internet, Jewish Seniors Alliance, JSA, seniors, technology
Vital, relevant culture

Vital, relevant culture

Tale of the Eastside Lantern’s Shon Wong and Rosa Cheng. (photo by David Cooper)

Among the many artists participating in this year’s Downtown Eastside Heart of the City Festival is Jewish community member Elliot Polsky. The multi-percussionist joins the Son of James Band in Tale of the Eastside Lantern, a workshop presentation of a new hybrid Chinese rock opera.

From Oct. 30 to Nov. 10, the annual Heart of the City offers 12 days of music, stories, theatre, poetry, cultural celebrations, films, dance, readings, forums, workshops, discussions, gallery exhibits, mixed media, art talks, history talks and history walks. More than 100 events are scheduled to take place at more than 40 locations throughout the Downtown Eastside. This year’s theme – “Holding the Light” – has emerged from the need of Downtown Eastside-involved artists and residents to illuminate the vitality and relevance of the Downtown Eastside community and its diverse traditions, knowledge systems, ancestral languages, cultural roots and stories.

Tale of the Eastside Lantern is one of the top festival picks: “In the streets and shops of Vancouver’s Chinatown, Jimmy wrestles with his personal demons and sets out to solve a mystery that is guarded by Chinese opera spirits of the underworld. Jimmy is led by the sounds of rock music and motivated by the oldest feeling in the world … love.” Written and composed by Shon Wong and directed by Andy Toth, the rock opera is produced by Vancouver Cantonese Opera and Son of James Band in partnership with Vancouver Moving Theatre. Performed in English and Cantonese, the workshop presentation takes place Oct. 31, 8 p.m., at CBC Studio 700. Tickets ($15) are available at the door or in advance from eastsidelantern2.eventbrite.ca.

Another top pick is Sis Ne’ Bi -Yïz: Mother Bear Speaks, written and performed by Taninli Wright (Wet’suwet’en) about her Messenger of Hope Walk – she walked 1,600 kilometres across British Columbia to give voice to First Nations children and other marginalized youth. Developed in collaboration with Laura Barron, Jason Clift, Julie McIsaac and Jessica Schacht, the play is produced by Instruments of Change. There are several performances Oct. 30-Nov. 3 at Firehall Arts Centre. For advance tickets ($20/$15), call 604-689-0926 or visit [email protected].

Written and performed by Yvonne Wallace (Lilwat) and directed by Jefferson Guzman, ūtszan (to make things better) follows the journey of a woman to reclaim her language; in the process, she uncovers indigenous knowledge, humour, strength and resilience. The play has three shows at the Firehall Oct. 31-Nov. 2, with tickets ($20/$15) available at the door and in advance.

Of special interest to the Jewish community, whose oral histories form part of Daphne Marlatt and Carole Itter’s Opening Doors: Vancouver’s East End, is the dramatization of that book, which was first published in 1979. Directed by Donna Spencer and co-produced by the Firehall and Vancouver Moving Theatre, Opening Doors has several performances Nov. 6-9 at the Firehall, with tickets $20/$15.

While there are these and other ticketed shows, most of the festival events are free to attend. For example, on Nov. 2, 11 a.m., at CRAB Park, there is a mini-landing of canoes, featuring a welcome ceremony, after which paddlers and guests journey on land to the Police Museum and the exhibition Healing Waters, an exploration of how communities heal through connecting to cultural practice. This landing, in honour of the inaugural Pulling Together canoe journey in 2001, launches a year of story gathering and history sharing in preparation for the 20th anniversary celebration of the Pulling Together Society at next year’s Heart of the City.

In Speaking in Tongues, guests Woody Morrison, David Ng, Grace Eiko Thomson and Dalannah Gail Bowen discuss mother tongues and how their interactions can give birth to hybrid languages such as Japanese Pidgin, which is unique to the West Coast of Canada. This conversation is part of Homing Pidgin, an interactive installation by Haruko Okano, and takes place on Nov. 2, 1 p.m., at Centre A (205-268 Keefer).

Meanwhile, Irreparable Harm? is by Sinister Sisters Ensemble – activists and theatre folk, young and old, First Nations and settlers, many of whom were arrested in the protests against the twinning of the Trans Mountain Pipeline. It uses videos, transcripts of the court proceedings and statements that were read in the courtroom to shine a light on the justice system. It is at Carnegie Theatre on Nov. 8, 3 p.m.

For full festival details, visit heartofthecityfestival.com.

 

Format ImagePosted on October 25, 2019October 23, 2019Author Heart of the CityCategories Performing ArtsTags culture, Downtown Eastside, Elliot Polsky, history, intercultural, justice, multifaith, music, poetry
Community milestones … VHEC, JMABC, JI and the Bayit

Community milestones … VHEC, JMABC, JI and the Bayit

Michael Schwartz of the Jewish Museum and Archives of British Columbia accepts the Award of Merit: Excellence in Community Engagement on behalf of all the partner organizations in the Cross Cultural Strathcona Walking Tour. (photo from JMABC)

The 2019 B.C. Museums Association Awards for Outstanding Achievement were handed out on Oct. 2 at the BCMA conference gala at Courtyard by Marriott in Prince George. The awards recognize institutions and individuals who have exemplified excellence in exhibitions, community engagement and innovation within the province’s museums, galleries and cultural heritage community. This year, three Jewish community groups were honoured for their work.

The Vancouver Holocaust Education Centre received the Award of Merit: Excellence in Collections for its collections management system, which provides access to Western Canada’s largest collection of Holocaust-related artifacts, survivor testimonies, archival materials and publications (collections.vhec.org). The award recognizes recent excellence in collections best practices, which may include innovative approaches to collecting, collections management, preservation, repatriation, collections-based research, dissemination and accessibility.

The Jewish Museum and Archives of British Columbia (JMABC), along with 16 partner organizations, including the Jewish Independent, received the Award of Merit: Excellence in Community Engagement for the Cross Cultural Strathcona Walking Tour. The award recognizes a recent outstanding success in community engagement, as demonstrated by ongoing participation of new audiences, new partnerships with community organizations, and supporting needs of the community through innovative programming.

Co-led by Carmel Tanaka and Michael Schwartz (director of community engagement at the JMABC), the walking tour celebrates the history of Vancouver Downtown Eastside neighbourhoods Hogan’s Alley, Jewish Strathcona, Japantown (Powell Street) and Chinatown. The guided walking tour builds awareness of the contributions of early immigrant communities then and now. Originally conceived in celebration of Vancouver Asian Heritage Month and Canada’s Jewish Heritage Month, the first series of tours debuted in May 2019.

With the theme of education, the route began at the oldest elementary school in Vancouver, Lord Strathcona Elementary School, referred to as the “League of Nations” for its multicultural makeup. When the triangle rang at the end of the day, school continued for many children in the form of nearby programs where students learned language and cultural traditions. Tour participants learned how these diverse communities interacted with one another in their common struggles, and how they were impacted by the urban renewal of the area.

The Cross Cultural Strathcona Walking Tour Working Group comprises Association of United Ukrainian Canadians; Benny Foods Italian Market; Dr. Sun Yat-Sen Classical Chinese Garden; Musqueam Elder Larry Grant (honourary advisor to PCHC-MoM and VAHMS); Greater Vancouver Japanese Canadian Citizens Association; Heritage Vancouver Society; Hogan’s Alley Society; Jewish Independent; JMABC; Nikkei National Museum and Cultural Centre; Pacific Canada Heritage Centre Museum of Migration; Vancouver Asian Heritage Month Society’s explorASIAN; Vancouver Heritage Foundation; Vancouver Japanese Language School and Japanese Hall; Vancouver School Board; Vancouver School Board Archives and Heritage Committee; Wongs’ Benevolent Association; and Youth Collaborative for Chinatown.

Work is underway to reprise the program in spring 2020. For more information, visit youtube.com/watch?v=nJB3cdkh5yc.

***

After leading the Bayit in Richmond for the last five years, Michael Sachs has stepped down as board president, to spend more time with his young family.

photo - Michael Sachs
Michael Sachs (photo by Lianne Cohen)

Michael’s efforts and dedication have given members of the Bayit much for which to be grateful. During his tenure, Michael had a vision for how he saw the community and, as a man of action, he followed through. With a philosophy of engaging with everyone, he worked together with all of the Jewish organizations in Richmond and beyond, without ever losing focus that he was building a Bayit community.

Michael’s stepping down from the position of president doesn’t mean he won’t continue to be involved in the Bayit. As past president, he will remain on the board of directors and continue to be a part of the Bayit’s future.

Current Bayit board member Keith Liedtke will take over as the Bayit’s interim president. He shares Michael’s vision and sees the need for a strategic plan that will allow the Bayit to continue growing and filling the community’s needs.

The Bayit thanks Michael for his contributions as president and for his decision to stay on as a member of the board.

Format ImagePosted on October 25, 2019October 23, 2019Author Community members/organizationsCategories LocalTags awards, Bayit, Carmel Tanaka, intercultural, Keith Liedtke, Michael Sachs, Michael Schwartz, museums, Vancouver Holocaust Education Centre, VHEC, walking tour

Near tragedy on guard

Patroling the kibbutz perimeter. (photo from Victor Neuman)

In this eight-part series, the author recounts his life in Israel around the time of the 1973 Yom Kippur War. The events and people described are real but, for reasons of privacy, the names are fictitious.

Part 5: Night Guard Duty on the Kibbutz

Lev, the banana boss, was in his early 30s and a miracle worker. He was back on the kibbutz and strolling toward me. He had talked the army into releasing him so he could save his banana fields. I was not surprised he had pulled it off. Lev was originally from the United States and a dedicated Zionist. He had long ago concluded that the only proper place for a Jew was in Israel and so he immigrated. Always determined in what he wanted, he bulldozed his way through kibbutz apprehensions to single-handedly create the banana crop as a major branch of our agricultural sector. And he was fearless to a fault.

“Fearless to a fault” may sound like a contradiction. It’s not. The right amount of fearlessness is courage. The wrong amount is stupidity. In my opinion, Lev was sometimes at the wrong end of that equation. Here’s an example.

Before the war, Lev was fed up with the theft from our banana fields and had no confidence that the village police from the nearby Arab town would take any action. The culprits were likely from the town and might even have been relatives of the cops. I had to agree with Lev – the only time I had seen any action from these police was when they drove up to the kibbutz to extort chickens for their next village wedding.

One day, Lev had six of us arm ourselves with clubs and do a stakeout in the banana fields. We had a German Shepherd named Ledie to help take down anyone we caught. Before long, two Arab teenagers appeared, checking for ripe bananas. They came toward where I was hiding. I jumped up but I had moved too early and they raced for their village. Only Lev, the dog and I were near enough to give chase. It was a farce. The teens were lean and fast. Lev smoked two packs a day. Our dog was never trained to be aggressive and was an older dog as well. So, it was the two teenagers way in front, me next, Lev a distant fourth and the dog in last place – tail wagging madly the whole time. I gave up and stopped, but Lev ran past me and yelled, “Come on!”

By the time we arrived at the village, the two thieves had vanished and our dog also had disappeared, likely returning to the kibbutz. I wanted to go back, too, but Lev wasn’t done and I couldn’t leave him on his own. Like a gunslinger minus the gun, he walked us right into the first building we came to. It was some kind of coffee house, full of locals sitting at tables sipping their drinks. All conversation and sipping ceased when we barged in. They all stared at us. I felt like I was in a bad Spaghetti Western. I was convinced Lev was going to get us killed.

Lev stomped around, demanding to know if anybody had seen the two boys. Heads were shaking. Not satisfied, he gave a description of what they looked like and the clothes they were wearing. Heads kept shaking. He then demanded that everybody keep an eye out for these banana thieves and report them to our kibbutz. To my astonishment, heads nodded. I think we had caught them by surprise and then Lev’s pure chutzpah had won the day. Walking out in one piece was a win for me, while Lev was angry at not catching anybody; surviving was not one of his concerns.

Now you know what I mean by “fearless to a fault.” And now, here was fearless-to-a-fault Lev walking up to me.

“Shalom, Victor. I’m back so I’ll be taking over the irrigation. I wanted to keep you on it, but Gidon says he needs you for guard duty. You better see him. And thanks for looking after the bananas. I expected half of them to be dead but they are all good. Nice job.”

High praise from Lev, who rarely expressed gratitude to anybody. The bananas were like children to him and I was the babysitter who, surprisingly, hadn’t murdered any.

Gidon told me I was to patrol the kibbutz from dusk to dawn for the next week at least. He gave me an ammunition belt, a flashlight and a first-aid kit with pressure bandages to patch up anybody I shot inappropriately. He also gave me Chauncy, the English guy. Chauncy was one of those hapless tourist volunteers who came to experience kibbutz life and was experiencing more than he bargained for. Though he wasn’t Jewish, he gamely agreed to be my assistant on patrol.

Our first patrol had a slow start. Chauncy begged me to let him hold the Uzi long enough to get his picture taken. I didn’t want to, but figured it would be better to get it out of his system. I removed the ammunition clip and handed him the Uzi. He gave me his camera and I took a half-dozen pictures of him, empty gun at the ready, looking steely-eyed and staring into the dark. I was thinking he was an idiot but then remembered the photos I had made Tamar take when I first got my weapon. She thought I was an idiot. Israelis would never think of getting this kind of snapshot, as Canadians wouldn’t think of getting their picture taken in their kitchen holding a spatula. Why record it? In this country, everybody has a spatula.

We walked the perimeter for about a week. Early evening was the best, as kibbutz members stopped to chat and the time went quickly. Adding to our duties was the requirement that we join others in checking cars that were coming up the driveway and searching them for bombs. I was particularly happy to intercept the village police who had come on another of their chicken runs. We made them get out of their car and stand around while we did a thorough, very slow check of their vehicle. The chicken-stealing cops were not nearly as annoyed as I had hoped. I was thinking we’d need to do a strip search next time.

As the night wore on, everybody went to sleep and it was just Chauncy and I walking the perimeter. As per Gidon’s instructions, we didn’t go to the dining hall to scrounge for food and thus take ourselves away from our rounds. We carried our lunches and ate under the security lights. I was always conscious of how dark it was beyond the reach of those lights and how impossible it would be to see anyone coming. On the other hand, Chauncy and I, walking directly under the lights, were highly visible from far away.

It became a nagging question in my mind as to how effective night guard duty was when Chauncy and I were always in plain view while the bad guys were always hidden. I confronted Gidon about it one day and his reply was, “When you are shot, it will alert the rest of the kibbutz.” I wished he had had a grin on his face, but he didn’t. I was just thankful he hadn’t ended with “Are we understanding?” We were not.

I never told Chauncy about that conversation but I think he detected my increased wariness. A certain morbidity came over me. In trying to come to terms with the possibility of death, I tried to control the fear by embracing the notion. I decided one night we would have our meal in the kibbutz cemetery. Chauncy was freaked but I put it to him that the dead were dead and gone. Also, I argued, the headstones made good back rests for eating in comfort. To pass the time, I read the Hebrew on some of the stones; the easiest part to grasp being the date of death and age of the departed. Many were in their 20s and had died in 1948, likely in the War of Independence. They were close to my age and Chauncy’s. It made me think of how endless the fighting was in this land. The dead of one war pondered by participants in another, with two other conflicts in between. We only had lunch in the cemetery that one time.

I never had to shoot anybody during my stint as night guard but I did come close once. Chauncy and I were in the area of the mechanical shop at around two in the morning when we heard noises coming from the shop and saw the lights were on. The kibbutz was generally very quiet at night. There was no shift work besides guard duty so everyone should have been in bed.

I told Chauncy to stay behind me as we entered the shop to investigate. For the first time in all my guard duty, I slid the thumb switch of my Uzi from safety to automatic.

Chauncy whispered, “Jesus!”

We got as close to the noise as we could and then I stepped around a corner with my Uzi leveled.

It was a kibbutz teenager named Uri. Apparently, Uri had a bout of insomnia and decided he might as well go to the shop and keep working on his project. He was trying to make a go-kart out of discarded tractor parts. Uri had almost gotten a permanent cure for his sleeplessness. I had almost shot a 15-year-old kid.

(Next Time: The War Comes Home)

(Previously: “Learning the lay of the land”; “When Afula road went quiet”; “Tending the banana fields in war”; “Weapon training begins”)

Victor Neuman was born in the former Soviet Union, where his family sought refuge after fleeing Poland during the Second World War. The family immigrated to Canada in 1948 and Neuman grew up in the Greater Vancouver area. He attended the University of British Columbia and obtained a BA and MA with majors in English literature and creative writing. Between 1968 and 1974, he made two trips to Israel, one of which landed him on a kibbutz at the time of the 1973 Yom Kippur war. Upon his return to Canada, he studied Survey Technology at BCIT and went on to a career of designing highways for the Province of British Columbia and the firm of Binnie Civil Engineering Consultants. When he retired, he reconnected with his roots in creative writing and began writing scripts for Vancouver Jewish Folk Choir concerts and articles for the Jewish Independent. Neuman and his wife, Tammy, live in southeast Vancouver and enjoy the company of friends, their extensive extended family and their four sons.

Format ImagePosted on October 25, 2019October 30, 2019Author Victor NeumanCategories IsraelTags Diaspora Jews, history, Israel, kibbutz, memoir, Yom Kippur War
Mystery photos … Oct. 25/19

Mystery photos … Oct. 25/19

Dancing at a Jewish Community Centre party, 1984. (photo from JWB fonds, JMABC L.11733)

If you know someone in these photos, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

photo - Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968
Then-mayor of Vancouver Tom Campbell, centre, with a group of unidentified people, with the exception of Alec Jackson (third from left) and Dave Jackson (sixth from left), in 1968. (photo from JWB fonds, JMABC L.12174)
Format ImagePosted on October 25, 2019October 23, 2019Author JI and JMABCCategories Mystery PhotoTags Alec Jackson, Dave Jackson, history, JCC, Jewish Community Centre, Jewish museum, JMABC, Tom Campbell
צי’זקייק חוגג ארבעים שנות

צי’זקייק חוגג ארבעים שנות

צי’זקייק חוגג ארבעים שנות פעילות ומציין שנתיים למותם של הבעלים (רוני רחמני)

הקפה המיתולגי צ’יזקייק אצטרה יחגוג בקרוב ארבעים שנות פעילות. הקפה נמצא ברחוב גראנוויל מייד לאחר הגשר (שמחבר את העיר עם הדאון טאון), בסמוך לשדרה הרביעית.

ביום ראשון האחרון (העשרים בחודש) נערך טקס אזכרה לבעלי צי’זקייק, אדית ומייקל סימס, בבית העלמין שבפוינט רוברטס ארה”ב (שסמוכה לדלתה שבמחוז בריטיש קולומביה). באירוע שאורגן על ידי בנם יחידם של הזוג, דניאל סימס ואשתו פטרישיה, כלל חשיפת המצבה מעל הקבר. השתתפו בו בני משפחה וחברים קרובים.

אדית ומייקל סימס שמו קץ לחייהם ביחד (אדית הייתה בת 77 ומייקל היה בן 79), ב-27 בנובמבר לפני שנתיים. בחיים כמו במותם השניים תמיד היו ביחד: הם גרו ביחד מרגע שהתחתנו בשנות העשרים המוקדמות של חייהם, הם עבדו ביחד בקפה, טיילו ברחבי העולם ביחד, נפשו ביחד, נפגשו ביחד עם החוג הנרחב של החבריהם מכל קצוות עולם, שהו יחדיו באירועי משפחה שונים, הופיעו כמעט לכל אירוע ביחד, החזיקו במחשב אחד, באימייל אחד ובמכשיר סלולר אחד.

מייקל חלה בנסיעתם האחרונה של הזוג לצרפת ודרום אפריקה ולקה בשיתוק חלקי. המחלה הפריעה לו למהמשיך ולתפקיד כרגיל, הוא התקשה בהליכה ובעיקר בנגינה על פסנתר – הדבר שהכי אהב לעשות. גם אדית כבר לא הייתה בקו הבריאות ולכן הם החליטו יחדיו להיפרד מהחיים. לא במקרה הם עשו זאת בסטודיו שלהם שממוקם מאחורי בית הקפה.

דן לקח את מושכות ניהול בית הקפה לידיו והמקום ממשיך להיות מלא מדי ערב, שבעה בימים בשבוע, מזה קרוב לארבעים שנה.

רבים רבים בוונקובר ובמקומות אחרים בעולם הצטערו לשמוע על מותם הפתאמי של אדית ומקייל סימס. לא נמצא אף אחד שאמר משהו רע עליהם. רבים הגיבו על פרסום הידיעה בעיתון “הוונקובר סאן” על מותם. נכתבו דברים טובים מאוד והובע צער עמוק על הפרידה מהזוג האהוב. להלן חלק מתגובות: “אדית ומייקל היו זוג נפלא ותמיד קיבלו בברכה, באהבה ובנוחות את הלקוחות”. “כמה היו נחמדים ונדיבים”. “איזה זוג מדהים. אבידה גדולה”. “זוג כל כך נחמד, אני שבור לשמוע את החדשות הרעות”. “צ’יזקייק היה מקום נפלא לעבוד בו בגלל אדית ומייקל”. “אהבתי את האווירה והמוסיקה. מאוד מאוד עצוב”. “אני בהלם לשמוע את החדשות הנוראיות. אדית ומייקל היו זוג כל כך נחמד, נעים וחם”. “הם היו נשמות יפות, נדיבים, מתוקים וטהורים. חיו בדרכם והיו מאוד מיוחדים”.

צ’יזקייק הזכיר בית קפה בפאריז בשל האווירה הרומנטית, האורות הנמוכים, התמונות בשחור לבן, הקירות באדום והנעימות ששררה במקום. מייקל ניגן נפלא ואהב לאלתר ג’אז. אדית אהבה לשיר וקול זהב שלה הזכיר מאוד את קולה של הזמרת הצרפתית הידועה אדית פיאף.

השניים היו יהודים: אדית ילידת סקוטלנד שגדלה בטורונטו ומייקל אמריקני יליד בוסטון. הם הכירו בישראל בשנת 1961 והתאהבו במבט ראשון. לאחר שנה החליטו השניים להינשא בטורונטו. ולאחר מכן הזוג עבר לבוסטון. אחרי שנולד בנם דן הם החליטו לעבור לוונקובר, שהפכה לביתם החם במשך כארבעים השנים האחרונות.

יום אחד בשנת 1979 אדית ומייקל מצאו חנות להשכרה ברחוב גראנוויל ובמקום נפתח קפה צ’יזקייק אצטרה. לאט לאט הקפה החל להתמלא ורבים באו לשמוע את מייקל מנגן ושר עם אשתו, ונהנו לאכול עוגת גבינה ברוטב תות שדה או שוקולד. תוך תקופה קצרה צ’יזקייק הפך לשם דבר והמקום שימש לעלייה במשך שנים וגם כיום – כאמור זה קרוב לארבעים שנה.

Format ImagePosted on October 23, 2019Author Roni RachmaniCategories עניין בחדשותTags Cheesecake Etc., Daniel Sims, Edith Sims, memorial, Michael Sims, אדית סימס, דניאל סימס, טקס אזכרה, מייקל סימס, צ'יזקייק
ניסויים מוצלחים באמצעות מזל”טים

ניסויים מוצלחים באמצעות מזל”טים

נסיעה טובה: ניסויים מוצלחים להעברת משלוחים באמצעות מזל”טים בארה”ב וקנדה (Webagentur Meerbusch via Pixabay)

בחודשים האחרונים בוצעו ניסויים מוצלחים להעברת משלוחים באמצעות מזל”טים ברחבי ארצות הברית וקנדה. זאת על ידי גורמים מסחריים וממשלתיים שונים. הניסויים מתבצעים כחלק מפעילות להפוך בקרוב את השירות של השימוש במזל”טים למסחרי ורווחי. כפי שפירסמנו בעבר הרגולציה בקנדה לביצוע ניסוים באמצעות מזל”טים הרבה יותר קלה, מאשר זו שבארה”ב. זו הסיבה למשל שאמזון החליטה לבצע את הניסויים במזל”טים בצד הקנדי של הגבול, לא רחוק ממטה החברה שבעיר סיאטל שנמצאת בצד האמריקני.

בקנדה בוצע בתקופה האחרונה ניסוי מסחרי ראשון ומוצלח על ידי רשות הדואר הקנדית (קנדה פוסט), בשילוב רשת בתי המרקחת לונדון דראגס ויצרנית מקומית של רובוטים אינדרו רובוטריקס (ממחוז בריטיש קולומביה). אינדרו רובוטריקס משתפת כבר פעולה עם רשות החלל האמריקנית (נס”א), רשות החלל הקנדית ורשות התחבורה הקנדית. באמצעות מזל”ט קטן הועברו תרופות חיוניות מוונקובר איילנד לביתו של חולה בשגר באחד האייים הסמוכים – סולט ספרינג איילנד שבבריטיש קולומביה. כלי הטיס הבלתי מאוייש עבר את ששת הק”מ מעל הים באחת עשרה דקות בלבד. השותפים לפרוייקט מאמינים כי כאשר השימוש במזל”טים להעברת משלוחים יהפוך למסחרי, אחת הדרישות המיידיות מהשוק תהיה העברת תרופות וציוד רפואי חיוני, למקומות שנמצאים במרחק ממרכזי הערים.

ניסוי דומה בוצע בחודש לאחרונה בארה”ב על ידי הצבא האמריקני, בשיתוף פעולה עם המכון לטכנולוגיה של מדינת ניו ז’רזי. שני הגופים ביצעו שני ניסויים עם מזל”טים שטסו למרחק של עד קרוב לק”מ, מעל הים ליד ניו ז’רזי. כלי הטיס העבירו מנות חירום ומארזי מים לצבא האמריקני. זאת כדי לבדוק את האופציה של העברת אספקת חירום לאזורי לחימה בלתי נגישים, וכן לאזורי מוכי אסון בארה”ב.

מספר ניסויים נוספים בוצעו בארה”ב בתקופה האחרונה להטסת מזל”טים ללא ציוד בשלב זה. בקייפ רובטרס שבמדינת קליפורניה בוצעה טיסת ניסוי למשך כדקה של מטוס ללא טייס, הנחשב הגדול ביותר מסוגו כיום, בארה”ב ואולי אף בעולם כולו. משקל כלי הטייס נאמד בכחצי טון. הפרוייקט שייך לחברת הסטרט-אפ אלראוי אייר מסאן פרנסיסקו. החברה בודקת אפשרות להעביר מטענים כבדי משקל של למעלה ממאתיים ק”ג. אלראוי אייר נערכת לשתף פעולה עם חברות המישלוחים האמריקניות הגדולות בעולם: פדקס, די.אייץ’.אל ויו.פי.אס.

בניסוי בפורט וורט שבמדינת טקסס מזל”ט קטן עלה לאוויר למשך מספר דקות ונחת. פרוייקט זה של חברת בל הליקופטר טקסטרטון האמריקנית בשיתוף פעולה עם חברת המשלוחים הגדולה של יפאן – ימאטו.

ואילו אוניברסיטת פיירבנקס שבמדינת אלסקה בשיתוף פעולה עם חברת שירותי צינורות, ביצעו ניסוי ראשון באזור פוקס. הניסוי הכלל הטסת מזל”ט למרחק של למעלה משישה ק”מ. שני הגופים מעוניינים לאפשר לספק ציוד רפואי לאזור צינור הנפט טרנס אלסקה. ובמקביל לבצע מעקבים אווירים על מה שמתרחש באזור.

מזל”ט הוא כלי טיס בלתי מאויש שלא נושא עליו טייסים. הכוונה והבקרה על כלי הטיס נעשית על ידי הפעלה מרחוק. רוב המזל”טים מיועדים לשימושים צבאיים, אך יותר ויותר נעשה בהם שימוש גם ליישומים אזרחיים. כמו למשל: משטרה, אבטחה, בקרת תנועה, מחקר מדעי וצילום.

בשימושים הצבאיים מזל”טים משמשים לאיסוף מודיעין, יצירת הטעיה וכן לירות חימוש מדוייק במטרות קרקעיות. בין המדינות המחזיקות במזל”טים לתקיפות צבאיות: ארה”ב, ישראל, סין, הודו, מדינות אירופה וקנדה. האיראנים אגב הואשמו לאחרונה בכך שהם השתמשו במזל”טים להתקיף את מתקני הנפט של ערב הסעודית. המזל”טים הגיעו מאזור תימן והפציצו שני מתקני נפט סעודיים.

Format ImagePosted on October 16, 2019October 16, 2019Author Roni RachmaniCategories עניין בחדשותTags Canada, delivery drones, drones, InDro Robotics, military, United States, אינדרו רובוטריקס, ארצות הברית, מזל"טים, מזל"טים להעברת משלוחים, צבאיים, קנדה
Affordability, inclusion focus

Affordability, inclusion focus

CIJA and SUCCESS held a candidates forum Sept. 22. (photo from SUCCESS)

Pocketbook issues and cultural concerns topped the agenda at an election forum put together by the Centre for Israel and Jewish Affairs and the multicultural service organization SUCCESS.

Representatives of four federal parties convened on Sept. 22 in Chinatown to address issues ranging from housing affordability and employment to community security, immigration and inclusion.

“Affordability is the key question every party is facing right now,” said Zach Segal, Conservative candidate in Vancouver Granville. He said his party’s plan to give tax cuts to the lowest income bracket would put more money in pockets.

Don Davies, New Democratic Party incumbent in Vancouver Kingsway, noted that about half of Canadians are $200 away from insolvency and that, for every dollar an average Canadian earns, they owe $1.77. Davies said the former Conservative government eliminated funding for social housing while the Liberals promised to return it and didn’t.

“If Liberal and Conservative policies have been so beneficial to low-income Canadians, why has income inequality only grown every year for the last 30 years?” asked Davies.

Harjit Sajjan, Liberal incumbent in Vancouver South and minister of national defence in the last government, said the Liberal promise to raise the first-time homebuyers’ incentive to apply to homes priced as high as $789,000 reflects the reality of markets in high-priced cities.

The Green party’s representative, Lawrence Taylor, who is running against Davies in the Kingsway riding, said Canada’s immigration policy needs to address changes in the economy. “We will probably need more people with different skills as our economy develops into a knowledge economy,” he said.

All major federal parties are in general agreement about the number of immigrants Canada should accept, and Liberal and Conservative governments have each raised the base annual immigration numbers. Only the People’s Party of Canada, which was not included in the forum, is arguing for lower immigration.

Davies said NDP policy is that immigration should be set at one percent of population and that reuniting families should be a priority for Canada’s immigration system. Family class immigrants, who represented 40% of all new Canadians in the 1990s, have fallen to about 20%, he said.

“Family class is the single most important class of immigrants because they are coming into a supported structure,” said Davies.

Davies also criticized Canada for continuing to treat “Donald Trump’s United States” as a safe third country for refugees, “even though he’s caging children and separating parents from their kids. Yet we still regard that country as a safe third country for refugees and asylum-seekers? I don’t think so.”

The New Democrat also called for more clarity and sensitivity of language from leaders, especially those who use terms like “illegal refugees.”

“Jews that were fleeing from Germany and making their way out of there, they were not jumping any queue. They were fleeing for their lives,” said Davies. “To even use terminology that suggests that refugees that are seeking safety are, in some way, illegal or are breaking the rules is wrong and we need to change that language because language matters.”

Sajjan, who came to Canada at the age of 5, said it is crucial to ensure that new Canadians are well-supported, so that they can quickly become successful in society. He linked immigration to the economy, saying that representatives of Microsoft had told him that they invested in Vancouver operations in part because Canada’s immigration policies make skilled labour accessible.

Segal called for better credential recognition, improved language training and more private sponsorships of refugees.

On the issue of credential recognition, Davies quipped that the back seat of a taxi is the best place in Canada to have a heart attack because of the number of foreign-trained doctors driving cabs in this country.

On community security, an issue of heightened concern to Jews after recent acts of violence around the world, Sajjan called it “ridiculous” that congregants at a synagogue need security to feel safe and said that leadership is needed to stand against hatred and intolerance.

Green candidate Taylor said his party does not have a policy on the subject.

Asked about Justin Trudeau’s brownface and blackface incidents, Sajjan said it has opened a discussion Canadians should have had a long time ago. He said his father told him they didn’t address issues like this in years past because they were confronting much greater racism, including violence. In one of the few flashpoints in the forum, Sajjan then turned the issue to comments made years ago by Conservative leader Andrew Scheer condemning same-sex marriage.

Segal called Trudeau’s blackface incidents “open mockery” and dubbed attacks on Scheer and other Conservatives “character assassinations.” Response to the incidents represent “rank hypocrisy,” said Segal. “Can you imagine if Andrew Scheer was caught wearing this type of costume three times?” he asked.

Taylor, the Green candidate, said of Trudeau: “Trust has been broken and that will be difficult to mend.”

Format ImagePosted on October 11, 2019October 10, 2019Author Pat JohnsonCategories LocalTags CIJA, Don Davies, federal election, Harjit Sajjan, Lawrence Taylor, politics, SUCCESS, Zach Segal
Dancing to Beethoven

Dancing to Beethoven

ProArteDanza’s The 9th will première in Vancouver before heading home to Toronto. (photo by Alexander Antonijevic)

Ten years after its conception, ProArteDanza’s The 9th, a full-length contemporary dance performance, will have its world première in Vancouver at the Chutzpah! Festival Oct. 26-28.

“We were originally planning to première it in Toronto for November,” Roberto Campanella, co-artistic director of ProArteDanza, told the Independent in a phone interview. “We’re opening in Toronto Nov. 6, which is a week-and-a-half after Chutzpah! And then Mary-Louise [Albert] called and said, ‘How do you feel about bringing The 9th here?’ And I said, ‘Well, it would not be a bad idea for everybody involved to have that opportunity…. We love being at Chutzpah! We’ve been before, we have a longtime relationship with Mary-Louise.” (Albert is artistic managing director of Chutzpah!)

Campanella created The 9th with ProArteDanza co-artistic director Robert Glumbek in collaboration with the dancers. Inspired by Beethoven’s Ninth Symphony and performed to the score, the show has four movements and is about 70 minutes long, with no intermission.

Each dance movement was created and mounted on its own: the first, then the third, the second and, finally, the fourth, which the company performed this past June in Trois-Rivières, Que., for the festival called Dansencore. Regarding the full-length work, Campanella said “it’s one thing to put on one movement at a time separately, and we’re realizing it’s a completely different beast because we have to also layer [each movement] with the concept of a wall or, in this case, the symbol of the Berlin Wall, so it’s taking almost a different life for me and for Robert…. And it’s only eight dancers and it’s going to be incredibly physical and athletic and intense, so we also have to distribute our dancers in a way that we don’t kill them in the first movement.”

Ten years ago, Dansencore commissioned Campanella and Glumbek to create the first movement. At the time, the festival was celebrating its 15th anniversary, as well as the establishment of Trois-Rivières, with Beethoven’s Ninth, said Campanella. “The idea was that there were different choreographers allocated for the four different movements … and we put the whole thing together probably in one day or two with the live orchestra and the live choir, so it was a mega-super-project. It all came together then.

“What we decided to do, with the permission, of course, of the festival, we said, ‘Can we present out first movement only for our company, ProArteDanza?’ We were granted permission and we presented just the movement itself as part of a mixed program the year after, or the same year, here in Toronto. Then we looked at each other, Robert and I, and said, ‘Why don’t we do a long version of it? Why don’t we continue? But let’s take our time. Why don’t we continue on the same path we’re doing, a movement at a time, we present it, we look at it and see what comes out of it?’

“And then, in 2010, I was in Berlin shooting a movie and I had a few days off,” continued Campanella. “I went to the Berlin Wall, which is essentially rubble, it’s just bricks, there isn’t much, but there are these audio-visual stations, where you can put headphones on and have a look at old footage of when they were building it; it’s pretty much the history of the wall. And there was one image that still, I would say, hit the spot, which was these two families on [opposite] sides of the wall waving at each other, probably they were related to each other … and the waving at each other was different from one side of the wall and the other. And then I thought, could it be that this [image] is actually our Ninth Symphony concept? So, I talked to Robert and I said, ‘Can we explore that and see where it goes?’ And that’s when the ball started rolling for us, but always maintaining the idea that we were not going to present the whole thing until we had all the four movements done and presented.”

The timing of The 9th’s completion comes with a few coincidences, said Campanella. Most notably, the final concert date, in Toronto, is Nov. 9 and, he said, “Nov. 9, 1989, is the actual day of the fall of the Berlin Wall,” so the show will occur exactly 30 years after the wall’s fall. He also noted that ProArteDanza’s show, which is called The 9th, ends on the ninth and that, at the 1989 celebration of the fall of the Berlin Wall, Leonard Bernstein conducted the Ninth Symphony.

For Campanella, the fall of the Berlin Wall is “about freedom, it’s about brotherhood, it’s about unity and diversity, celebrating all of that.”

In addition to the challenges of portraying these concepts, Campanella said it’s been fascinating to reimagine the movements that were created in the early years.

“We look at what we did 10 years ago and we cringe,” he said. When he and Glumbek watched videos of the piece, “you should have heard us, we were thinking, ‘Who choreographed that?’”

The pair have broken through many artistic walls since then in their respective careers, said Campanella, that they decided “this is not us anymore and so we are going to revisit it, reassess it, reevaluate what we’ve done and why.”

He pointed out that the original first movement was also created by a different cast. “There is only, I think, one [dancer] left who’s done everything. So, there are things that are born with a certain cast but there is a turnover of cast, [so] it will inevitably take a different direction naturally, as well as us being different now than 10 years ago.”

Part of what’s great about dance, he said, “is that you have the ability to remount things. A painting, once it’s done, it’s done. You’re going to hang it somewhere and you’ll look at it; it’s done, it’s over. For us, we have that ability to remount and re-look at it and say, ‘Who am I now that’s going to be in this current version of it?’ So, it’s been a very fascinating process.”

Campanella said, in creating The 9th, he and Glumbek “took our time because we really wanted to respect first and foremost the score of this magnificent piece of artwork,” referring to Beethoven’s composition.

In The 9th, more than one version of the symphony is used. Of those that were not chosen, Campanella said, “some of the versions are what we think are excruciatingly slow for us. Maybe they are amazing versions for musicians, for the experts, [but] they’re not conducive to the physical movement part of it.”

For tickets to The 9th, visit chutzpahfestival.com.

Format ImagePosted on October 11, 2019October 10, 2019Author Cynthia RamsayCategories Performing ArtsTags Beethoven, Berlin Wall, choreography, Chutzpah!, classical music, dance, ProArteDanza, Roberto Campanella, Rothstein Theatre

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