Tag: Michael Schwartz

Camp Miriam celebrates 75th

Kelley Korbin, left, and Trilby Smith honour Bernie Simpson, who has been a longtime staunch supporter of Camp Miriam, which he attended, starting in the mid-1950s. (photo by Adi Keidar)

Hundreds gathered Dec. 7 to mark 75 years of Camp Miriam. Generations of campers convened at the Jewish Community Centre of Greater Vancouver for an emotion-packed reunion of alumni and friends, in which the Habonim Dror-affiliated Labour Zionist camp was fêted for having an outsized impact on building British Columbia’s Jewish community.

The celebration actually marked 76 years since the beginning of the camp, but the event, originally scheduled for last year, was postponed as a result of the Oct. 7, 2023, terror attacks.

Some of those who have strengthened Camp Miriam in recent years were honoured at the celebration. 

Sam Bernofsky paid tribute to Leah Levi, who retired after 17 years as camp registrar, in 2023, but continues her involvement as bookkeeper and keeper of institutional memory. She received an ovation and video-recorded greetings from alumni and friends.

Trilby Smith and Kelley Korbin honoured Bernie Simpson who, among other contributions, has ensured that camperships are available for all who need them, guaranteeing that finances are never a barrier to participation. Simpson also nurtured relationships with non-Jewish supporters of the camp, including former BC Supreme Court Justice Angelo Branca, and former Speaker of the House of Commons John Fraser, both now deceased. Through fundraising and personal contributions, Simpson is credited with playing a core role in every capital project the camp has completed in recent decades. He is also Camp Miriam’s unofficial historian and archivist.

Speaking to the Independent, Simpson credited Camp Miriam (along with his wife, Lee) for every success in his life, including his time as a member of the BC legislature. 

“It means everything to me,” Simpson said of the camp, which he began attending in the mid-1950s. “It probably shaped my whole life. The Habonim leadership at that time, which was the camp leadership, took me under their wing. I came from quite a disturbed home and they had lots of patience for me and they ended up being my life. 

“They had time for a shmuck like me,” he said. “That was remarkable. But I’m not the only person.”

Alan Tuffs was being physically abused in his home, Simpson said. The head of the Jewish welfare agency, Jessie Allman, called Simpson up and asked if Camp Miriam would “take this boy.”

Tuffs went on to study Judaism in Israel and recently retired as a rabbi in Hollywood, Fla., after 45 years. 

Shalom Preker was another Miriam success story, according to Simpson, having overcome challenges to become a PhD and a global expert in health financing. Preker has served in senior roles at the World Bank and the International Finance Corporation, focused on the health sector in developing countries.

Pioneers of the movement – often kids themselves at the time – were remembered throughout the evening. Michael Livni, né Langer, spearheaded the purchase of the camp on Gabriola Island. As a teenager, Langer/Livni cajoled philanthropists to front the money to purchase the camp’s site from the Cooperative Commonwealth Federation, precursor to the New Democratic Party, in 1956. 

Until then, Habonim had rented camps for summer programming, and ran youth programs in Vancouver throughout the year. Livni, who made aliyah and went on to be a leading figure in both Reform Zionism and the kibbutz movement in Israel, died this year at age 89.

Simpson credited the late Army & Navy department store founder Sam Cohen, as well as the late Ben and Esther Dayson and the late Norman Rothstein as benefactors who set the foundation for Camp Miriam’s long-term sustainability. 

The anniversary event featured a display of the camp over the decades and pioneers, living and departed, were celebrated. Camp “matriarch” Gloria Levi was on hand, and the movement’s leaders of the past and present shared memories.

Miriam alumni Michael Schwartz emceed the evening, provided a moving reflection on the impacts of Oct. 7 on the Habonim community, and recalled his own memories of camp.

“I got to experience moments I will never forget,” Schwartz said, including the staging of a “show trial” of the Little Mermaid. “Through all these experiences – some absurd, yes – Miriam taught me some of life’s most important lessons. It taught me about the so-called big, important things, like history and justice, political philosophy, but it also taught me about the truly important things, like teamwork, leadership, friendship and girls.”

Jay Eidelman, the camp’s new director of fundraising and strategic planning, said that next summer’s enrolment will be a record 360, with a waiting list of others who want to come. 

“That’s 5% more than last year, which was also a record enrolment,” he said. “Our retention rate is an astounding 90%.”

Especially in this time of rising antisemitism, Eidelman said, Jewish kids need safe spaces. 

“Miriam is that space and for many of our campers,” he said. “Miriam is the only place where they can explore their Jewish identities, their relationship to Israel and their relationship to our community.”

He noted that 85% of Miriam campers attend public schools and more than half come from outside the city of Vancouver. 

“We are growing and we need to grow sustainably,” he said. “That’s why, in 2022, with the help of the Ronald S. Roadburg Foundation, we started a site master planning process to help us grow sustainably.”

photo - Left to right at Camp Miriam’s 75th anniversary celebration are Sue Siklos (parent), Trilby Smith (past camp committee chair) and Gretchen DuMoulin
Left to right at Camp Miriam’s 75th anniversary celebration are Sue Siklos (parent), Trilby Smith (past camp committee chair) and Gretchen DuMoulin. (photo by Adi Keidar)

Brian Tucker, chair of the camp’s board, and Ariella Smith-Eidelman, who is going into her second year as rosh machenah (head of camp), spoke from their respective positions. Video greetings were shared from alumni Selina Robinson, former provincial cabinet minister, and Seth Rogen, comedian and actor.

The anniversary celebration was emotional, said Leya Robinson, who took over as Camp Miriam’s community director last year, succeeding Levi. Before returning to her hometown of Vancouver, Robinson (a second-generation Habonimnik, thanks to her mother Selina) worked for the North American Habonim movement in New York as director of education and then spent five years in Israel, where she directed programs in Israel for Habonim Dror campers and university students worldwide.

“It was very heartwarming, almost in an overwhelming way,” Robinson said of the event. “Just to have that deep a sense of belonging and to look around and see how many other people felt that same sense of community and belonging to Camp Miriam. I just feel so lucky to be a part of the community and to have the experience at Camp Miriam.”

In these challenging times, she said, that connection is vital.

“It’s really easy to fall into despair seeing what’s happening, and having community helps to build up that sense of hope or to maintain that sense of hope and to see that we are not isolated and we have friends and partners and people to talk with,” she said.

David Bogdanov told the Independent that his camping experiences in the late 1970s and early ’80s were “very transformative and almost lifesaving.”

“It gave me a strong love of Israel,” he said. “It really enhanced my relationship with the Jewish community and really informed my whole life to a very large degree.”

Michelle Plotkin, a member of the committee that put the anniversary event together, wasn’t a camper herself but has seen the camp’s effects on her daughter.

“It just offers so many opportunities for the kids to be independent and learn how to be comfortable outside their comfort zone and stretch their minds and imaginations,” Plotkin said. “My daughter does things I never would have expected her to be comfortable doing.”

It was Plotkin’s idea to put together a one-time band for the event. The six-member group was made up of three professional and three amateur musicians, all of them Miriam alumni. The musicians, who dubbed themselves the Final Messiba, were Yonni Silberman (drums), Sunny Zatzick (guitar), Daniel Pimentel (bass guitar), Ira Cooper (vocals), Roy Vizer (percussion) and Jessica Stuart (lead guitar and vocals, and music director).

Gretchen DuMoulin, who chaired the evening’s organizing committee, has experienced almost all aspects of camp, from being a camper herself, a madricha (counsellor), a parent to campers and madrichim, and an organizer of family camps and then the 75th anniversary celebration.

She said Camp Miriam “is a whole Jewish and cultural experience. Every aspect of camp is thoughtfully planned with aspects of Jewish values, equality, social justice and leadership woven throughout. Every camper has an opportunity to become a leader at some level and for their voice to be heard and counted. It is 100% a youth leadership-run camp.”

DuMoulin cites lasting friendships as an enduring legacy of camp.

“There is something about spending weeks at a time, day and night, independently but together,” she said, “that just allows you to form friendships in a different way than when you are at home and in school.” 

For more about the camp, visit, campmiriam.org.

Keeping sacred songs alive

Ida Halpern, right, with Chief Harry and Ida Assu in Cape Mudge, 1979. Chief Assu was the son of Chief Billy Assu. (Image J-00562 courtesy Royal B.C. Museum and Archives)

In 1947, ethnomusicologist Dr. Ida Halpern and hereditary Kwakwaka’wakw chiefs Billy Assu and Mungo Martin, among others, began a decades-long collaboration. They recorded more than 300 sacred and traditional songs that otherwise would have been lost because of the Potlatch Ban and the suppression of Indigenous culture in general. The exhibit Keeping the Song Alive explores these preservation efforts and highlights how these songs are inspiring Indigenous artists today.

Co-developed by the Bill Reid Gallery of Northwest Coast Art and the Jewish Museum and Archives of British Columbia, Keeping the Song Alive is at the Bill Reid Gallery until March 19. The exhibit is co-curated by Michael Schwartz, former director of community engagement with the Jewish Museum, and Bill Reid Gallery’s Cheryl Kaka’solas Wadhams, a practising artist who also is an active member of the local Kwakwaka’wakw Cultural Sharing Group and a participant in the Kwak’wala language program through the First Nations Endangered Language Program at the University of British Columbia.

photo - Ida Halpern with her audio recorder, circa 1960
Ida Halpern with her audio recorder, circa 1960. (Courtesy Royal B.C. Museum and Archives)

“I first learned about Ida Halpern at a B.C. Museums conference in Victoria in 2017,” Schwartz told theIndependent. “My colleagues at the B.C. Archives shared the news that they had recently submitted the Ida Halpern Collection to be considered for inclusion in the Canadian UNESCO Memory of the World register. The collection was inscribed in the register in March of the following year but, at that conference, I was inspired by the story of Ida Halpern and thought it would be an excellent topic for an exhibit or project by the JMABC.

“A few months later, I ran into [curator] Beth Carter from the Bill Reid Gallery and we agreed to collaborate on the exhibit. Doing so would expand the possibilities and improve the final project, which definitely turned out to be true. Shortly thereafter, we brought in Cheryl Wadhams, who brought lived experience and essential connections as a member of the Kwakwaka’wakw community.”

A 2020 grant from the B.C. Arts Council made it possible for Schwartz and his colleagues to visit the Kwakwaka’wakw communities in Alert Bay, in Campbell River and on Mudge Island. They did so in early summer of this year.

“The impact is still revealing itself,” said Wadhams of guest curating the exhibit. “In general, it is causing me to think more deeply about my relationship with my community. Our research helped me to reconnect with community leaders back home in Alert Bay. Living in the city, this is so important to me.”

In addition to the historical elements, Keeping the Song Alive includes contemporary art, artist talks, Kwakwaka’wakw dance and drum group performances, and more.

“We were honoured to receive permission from the families to share certain songs,” said Wadhams. “All of the artists in the show are directly speaking to the recordings, the Potlatch Ban, or the contemporary flourishing of Kwakwaka’wakw potlatches. Barb Cranmer is an influential filmmaker whose important films are all based on our culture.

“We first approached Sonny Assu as the great-great-grandson of Chief Billy Assu,” she said. “He has explored the ideas behind these recordings for several years and created a new work for the exhibition. Andy Everson is also sharing a personal family story in his work. Maxine Matilpi supports the community with her beautiful regalia and her deep cultural knowledge.”

Several Kwakwaka’wakw community members and cultural leaders are featured in the exhibition, said Wadhams. “They speak directly to the value of the recordings and their meaning for the community. They are the leaders of today who are teaching our youth for the future.”

photo - Chief Mungo Martin restoring totem poles, 1949
Chief Mungo Martin restoring totem poles, 1949. (UBC Archives Photograph Collection)

“At a time when historic injustices are in the spotlight and racial tensions and hate crimes are high, stories of cross-cultural collaboration can soothe and provide inspiration,” said Schwartz, who described the exhibit as a “capstone” to his time at the Jewish Museum. (He recently became a director of development at Ballet BC.) “The JMABC’s last physical exhibit was in 2015, Fred Schiffer: Lives in Photos. Eight years later, it’s nice to produce another one,” he said.

In an interview with the CBC in 1967, which can be found on the Royal B.C. Museum website, Halpern describes the preservation of these local Indigenous songs as a project close to her heart.

“Some have suggested that Ida’s experience fleeing the Holocaust informed her work, and that this experience may have given the chiefs confidence in trusting her. But it’s difficult to know for certain,” said Schwartz. “It is apparent in her writing that she felt other academics had misrepresented and oversimplified this musical tradition and she sought to remedy this perceived wrong.”

Ida and Georg Halpern fled Vienna shortly after Kristallnacht and, by way of Shanghai, made their way to Vancouver, said Schwartz. “Ida had been a promising pianist as a teenager and intended to pursue a career as a performer, but a spell of rheumatic fever landed her in the hospital for a year, making her practise and training impossible. Her health restored, she studied musicology at the University of Vienna during a time when the field was flourishing and some of the best minds in the discipline were teaching there. It was a transformative time for her.

“Arriving in Vancouver, Ida set out to record and analyze the song traditions of local Indigenous nations,” he said. “She spent close to a decade building trust and often spoke of all the time she spent in kitchens, helping the women prepare food for community events. These efforts paid off when she was invited by Chief Billy Assu to record him singing 100 songs at his home in Cape Mudge.

“Over the course of a week, the two recorded 88 songs, complete with explanations of the history, meaning and significance of each song, when it was to be sung and by whom. This encounter was the initial spark for Ida’s research. Assu was a widely respected leader and his endorsement opened the doors for her to meet with other Indigenous leaders, including Mungo Martin and Tom Willie.

“Selections from these recordings were later published through Smithsonian Folkways Records, through the 1960s, ’70s and ’80s, giving them an audience far beyond the academic community. Many of the people we worked with in developing this exhibit spoke to the importance of these records and the fact that they were many people’s first encounter with their own tradition.”

Hereditary Chief K’odi Nelson was one of the people the research group met in Alert Bay, said Schwartz. “He’s an extremely kind and welcoming person, who told us about the classes his mother and aunties started to teach the children the old songs. In the early days, they couldn’t persuade any of the elders to come sing in person, so his mom swiped a copy of one of the Folkways records from the band office. K’odi had a visceral memory of being about 5 years old and hearing the needle drop as he waited behind the curtain to start dancing.”

image - Kwakiutl: Indian Music of the Pacific Northwest record cover
Kwakiutl: Indian Music of the Pacific Northwest was published in 1981 by Folkways Records.

It is important to note that Halpern and the chiefs’ recordings were made during the Potlatch Ban, Schwartz said. The ban came into effect in 1885 and was in place until 1951.

“By working with Halpern, the chiefs were breaking the law and putting themselves at risk,” he said, “but they saw the necessity to do so. Their children were distancing themselves from their cultural tradition and showing a lack of interest in learning the old ways. Members of the community felt it was safer to assimilate and blend into the dominant society. The chiefs feared that their tradition would die with them; by recording with Halpern, they were essentially crafting a time capsule, making it possible for a future generation to reconnect with the tradition, which we’re seeing happen now and over the past decade.”

Schwartz was quick to point out that the recordings weren’t the only way that the traditions were kept alive during the Potlatch Ban.

“Kwakwaka’wakw leaders violated the ban or navigated tightly around the edges of it in various ways, including by holding gatherings under the guise of Christmas or Thanksgiving dinners,” he explained. “While technically not a potlatch, they were opportunities to undertake the ‘business’ of the potlatch: namings, agreements, honours and so forth.

“These creative solutions in the face of attempted erasure brought to mind for me the story of Hanukkah,” said Schwartz, “How the dreidel was used as a mask for study groups, and the old adage that an idea can’t be killed.”

About the importance of keeping these songs alive, Wadhams said, “Speaking to the singers in the Urban Dance Group, and also back home, I have learned that they find them so valuable. They have them on their phones and listen on YouTube, Spotify, all the time. Living in the city, I started my journey 25 years ago to learn the songs and dances. Having access to these songs really made it possible for me to connect in a new way with my ancestry.”

To watch the Nov. 2 opening celebration of the exhibit and for more information, visit billreidgallery.ca.

Snapshot of Jewish life

Looking Back, Moving Forward is available for purchase from the Jewish Museum and Archives of British Columbia. (photo from JMABC)

The first thing many readers will do upon opening the Jewish Museum and Archives of British Columbia’s Looking Back, Moving Forward: 160 Years of Jewish Life in BC is try and find their friends’ writeups and those of the organizations with which they volunteer or work. That is, if they didn’t submit their own writeup for the publication. If they did send in their bio or one for their family, then that’s the first page to find.

Even people who grew up in the province and have a multigenerational presence here will find novel tidbits in this 284-page hardcover (or soft) coffee table book. Published to celebrate the museum’s 50th anniversary last year, it is appropriately dedicated to Irene Dodek (1930-2019) and Cyril E. Leonoff (1925-2016). Leonoff was founding president of the Jewish Historical Society of British Columbia, which was established in January 1971. Dodek, also a founder of the museum and archives, “helped define its direction early on and conducted more than a hundred oral history interviews with members of our community.” More about Dodek and Leonoff can be found in the first pages of the book, before the greetings from Prime Minister Justin Trudeau and Premier John Horgan.

In her president’s message, Carol Herbert writes, “Our stories are fascinating, and demonstrate the evolution over time of our communities, from a few small clusters of Ashkenazi Jews from Eastern Europe in late 19th century to present-day diverse Jewish communities, comprised of individuals who originated from across the world; Sephardic, Mizrahi and Ashkenazi; secular and religious; leaders, activists and advocates for Jewish and general community causes.”

Both Herbert and the book’s editor, Michael Schwartz, director of community engagement for the JMABC, acknowledge that this publication is a partial snapshot of the community. They both encourage readers who haven’t done so yet “to share your memories of where we’ve been, celebrate with us where we are, and join us in envisioning where we might be headed,” writes Schwartz.

A chapter on the history of the JMABC begins the book proper. It is followed by brief regional histories – Victoria, Vancouver, Kootenay/Boundary, Okanagan, Prince George, Sunshine Coast, Central Vancouver Island and Whistler. The chapter on organizations is divided into those that work in advocacy and activism; religious observance; education; youth groups and camps; seniors; arts, culture and leisure; Zionism; Holocaust education; and anchor organizations. That last one, by the way, is where you’ll find the Jewish Independent (pages 126 and 127).

The Notables chapter is sorted chronologically: pioneers (1886-1945), postwar (1945-1970), modern (1970-2000), contemporary (2000-2010) and emerging (2010-present). Within each section, people are listed alphabetically by surname, as are the entries in the Family Album chapter. Rounding out the publication is a list of donors and an index.

Looking Back, Moving Forward offers a broad overview of many of the major players in the B.C. Jewish community over the 160 years since Jews first arrived here. It focuses on accomplishments and takes readers right up to 2021. It is easy reading, and no one need worry that any dirty laundry is aired. Given the celebratory nature of the book, none of the submitters (including the JI) talk about the challenges they’ve faced or controversies, and neither do any of the introductions to the various sections.

Some history is given only passing mention, such as what community fundraising structures were in place prior to the Jewish Federation of Greater Vancouver’s emergence in 1987, for example, but the book isn’t meant to be a comprehensive historical tome. Rather, it’s a fun, page-flipping community yearbook of sorts, which will hopefully motivate people to both learn more about the community and contribute their stories to its archival record.

Looking Back, Moving Forward is available in hardcover ($100) and softcover ($50). To place an order, contact the museum offices at 604-257-5199 or [email protected]. Shipping is available across Canada for a fee of $20 per book.

Community milestones … VHEC, JMABC, JI and the Bayit

Michael Schwartz of the Jewish Museum and Archives of British Columbia accepts the Award of Merit: Excellence in Community Engagement on behalf of all the partner organizations in the Cross Cultural Strathcona Walking Tour. (photo from JMABC)

The 2019 B.C. Museums Association Awards for Outstanding Achievement were handed out on Oct. 2 at the BCMA conference gala at Courtyard by Marriott in Prince George. The awards recognize institutions and individuals who have exemplified excellence in exhibitions, community engagement and innovation within the province’s museums, galleries and cultural heritage community. This year, three Jewish community groups were honoured for their work.

The Vancouver Holocaust Education Centre received the Award of Merit: Excellence in Collections for its collections management system, which provides access to Western Canada’s largest collection of Holocaust-related artifacts, survivor testimonies, archival materials and publications (collections.vhec.org). The award recognizes recent excellence in collections best practices, which may include innovative approaches to collecting, collections management, preservation, repatriation, collections-based research, dissemination and accessibility.

The Jewish Museum and Archives of British Columbia (JMABC), along with 16 partner organizations, including the Jewish Independent, received the Award of Merit: Excellence in Community Engagement for the Cross Cultural Strathcona Walking Tour. The award recognizes a recent outstanding success in community engagement, as demonstrated by ongoing participation of new audiences, new partnerships with community organizations, and supporting needs of the community through innovative programming.

Co-led by Carmel Tanaka and Michael Schwartz (director of community engagement at the JMABC), the walking tour celebrates the history of Vancouver Downtown Eastside neighbourhoods Hogan’s Alley, Jewish Strathcona, Japantown (Powell Street) and Chinatown. The guided walking tour builds awareness of the contributions of early immigrant communities then and now. Originally conceived in celebration of Vancouver Asian Heritage Month and Canada’s Jewish Heritage Month, the first series of tours debuted in May 2019.

With the theme of education, the route began at the oldest elementary school in Vancouver, Lord Strathcona Elementary School, referred to as the “League of Nations” for its multicultural makeup. When the triangle rang at the end of the day, school continued for many children in the form of nearby programs where students learned language and cultural traditions. Tour participants learned how these diverse communities interacted with one another in their common struggles, and how they were impacted by the urban renewal of the area.

The Cross Cultural Strathcona Walking Tour Working Group comprises Association of United Ukrainian Canadians; Benny Foods Italian Market; Dr. Sun Yat-Sen Classical Chinese Garden; Musqueam Elder Larry Grant (honourary advisor to PCHC-MoM and VAHMS); Greater Vancouver Japanese Canadian Citizens Association; Heritage Vancouver Society; Hogan’s Alley Society; Jewish Independent; JMABC; Nikkei National Museum and Cultural Centre; Pacific Canada Heritage Centre Museum of Migration; Vancouver Asian Heritage Month Society’s explorASIAN; Vancouver Heritage Foundation; Vancouver Japanese Language School and Japanese Hall; Vancouver School Board; Vancouver School Board Archives and Heritage Committee; Wongs’ Benevolent Association; and Youth Collaborative for Chinatown.

Work is underway to reprise the program in spring 2020. For more information, visit youtube.com/watch?v=nJB3cdkh5yc.

***

After leading the Bayit in Richmond for the last five years, Michael Sachs has stepped down as board president, to spend more time with his young family.

photo - Michael Sachs
Michael Sachs (photo by Lianne Cohen)

Michael’s efforts and dedication have given members of the Bayit much for which to be grateful. During his tenure, Michael had a vision for how he saw the community and, as a man of action, he followed through. With a philosophy of engaging with everyone, he worked together with all of the Jewish organizations in Richmond and beyond, without ever losing focus that he was building a Bayit community.

Michael’s stepping down from the position of president doesn’t mean he won’t continue to be involved in the Bayit. As past president, he will remain on the board of directors and continue to be a part of the Bayit’s future.

Current Bayit board member Keith Liedtke will take over as the Bayit’s interim president. He shares Michael’s vision and sees the need for a strategic plan that will allow the Bayit to continue growing and filling the community’s needs.

The Bayit thanks Michael for his contributions as president and for his decision to stay on as a member of the board.

Community milestones … a special visit, a big birthday, a cycling win and a wedding

Left to right are Shirley Barnett, Michael Schwartz, Sam Sullivan, Julian Prieto, Margaret Sutherland and Alysa Routtenberg. (photo from Jewish Museum and Archives of British Columbia)

The Jewish Museum and Archives of British Columbia was pleased to welcome Sam Sullivan, MLA for Vancouver-False Creek, for a tour of the B.C. Jewish Community Archives on Aug. 15, 2019. Archivist Alysa Routtenberg and director of community engagement Michael Schwartz shared highlights of the archival collection and explained how JMABC staff and volunteers work to preserve and share these important documents.

Among his many accomplishments, Sullivan is a former mayor of Vancouver and the founder of Transcribimus, an online service dedicated to transcribing early Vancouver city council meeting minutes and publishing them online. Transcribimus was an essential resource in the JMABC’s efforts to restore the Jewish section of Mountain View Cemetery in 2013-2015, an initiative led by former JMABC board member Shirley Barnett.

***

National Council of Jewish Women of Canada celebrated its 95th year in Vancouver with a birthday party June 4, 2019, at the Vancouver Lawn Tennis and Badminton Club.

* * *

photo - Ben Etkin-Goulet
Ben Etkin-Goulet (photo by Cheralyn Chok)

Ben Etkin-Goulet beat all the other cyclists in his category at the GranFondo Axel Merckx Okanagan on July 14. The 24-year-old Vancouverite completed the 92-kilometre Mediofondo in two hours and 30 minutes, beating out hundreds of competitors. It was only his second competitive race.

“I’ve been commuting for as long as I can remember,” said Etkin-Goulet, “but I started cycling more as a sport in 2016 and I’ve been ramping up since then. This last year was my first year training throughout the winter.”

Etkin-Goulet graduated last year with a degree in commerce from the University of British Columbia and works in data analytics at Boeing. He is the son of Fabienne Goulet and Alan Etkin and grandson of Leonor Etkin.

* * *

photo - Newlyweds Jaclyn and Alex
Newlyweds Jaclyn and Alex

Parents Cyndi and Max Mintzberg and Ricki and Mark Kahn and grandparents Evelyn, Gloria and Irwin are delighted to celebrate the marriage of Jaclyn and Alex.

 

 

 

 

 

 

 

Reaching for new audiences

Michael Schwartz speaks at the launch of East End Stories on June 24. (photo from JMABC)

When Louis and Emma Gold arrived in Granville, precursor to Vancouver, the merchant family from Kentucky became the first members of what would grow into the booming Jewish community in the Lower Mainland.

Like most of the first Jewish immigrants to British Columbia, the Golds moved to the eastern end of downtown, where they opened a general store. Two waves of European Jews would come to Vancouver in the late 19th century and the Strathcona neighbourhood would become their home. It was an era during which new Jewish arrivals to North America largely found employment as merchants or doing various trades and Vancouver’s East End provided affordable and accessible housing for the working class.

“So many immigrant communities passed through there,” said Michael Schwartz, director of community engagement for the Jewish Museum and Archives of British Columbia.

The Jewish history of Strathcona is no secret, and the museum has offered walking tours of the neighbourhood for decades, beginning with a self-guided one in 1986, which grew into the current monthly guided tour. But, while those familiar with Jewish Vancouver may already know about the community’s past, Schwartz is hoping that a new school curriculum and video series created by the JMABC will make that history significantly more accessible.

East End Stories, completed in June, includes six short online videos and a 43-page study guide intended for use with students in grades 7 through 9. In addition to making some of the information offered on the walking tour available to those who can’t attend in person, Schwartz said the project also unveiled new information about early Vancouver Jews.

“It gave us the opportunity to do more research, to dig deeper, to find stuff we hadn’t before,” he told the Independent.

The result is the six videos, covering the first arrivals, the early community institutions and history of philanthropy, as well as Vancouver’s second mayor – David Oppenheimer – entrepreneur and philanthropist Jack Diamond, and the Grossman family. (Among other things, Max Grossman started this community newspaper.) Each running just under five minutes and offering encyclopedia-style capsule histories, the videos feature narrators from the local community. Schwartz said the photographs used were drawn from 17 archives across the world, including ones in California, Jerusalem and Poland.

The study guide covers the material in each video but is structured slightly more broadly, wrapping the Oppenheimer and Diamond biographies into a single lesson focused on how Jews shaped Vancouver, for example.

Schwartz said the impetus for creating the educational resources came after a vice-principal in the city asked whether there was a way to bring the information from the walking tour to classrooms at his school, as the logistics of bringing dozens of students to the neighbourhood itself was too complex. The museum offered the school replicas of wall panels that appear along the tour, but the study guide goes further, and meets current provincial guidelines for social studies curricula. Schwartz said museum staff will attend the B.C. Teachers Federation Conference in October to publicize the project, which was made possible by a $50,000 grant from the Canada 150 grant program.

“That provided the anchor funding and we were able to build the rest of the budget with smaller grants,” Schwartz explained. “It had always been a wish list thing and, when this funding opportunity arose, I thought, ‘Let’s give it a shot.’”

The lesson plans are intended to be used in conjunction with other Vancouver ethnic histories and video series created by Orbit Films, the company that produced East End Stories. The other histories are Black Strathcona, Nikkei Stories, which focuses on Japanese Canadians in Vancouver and Steveston, and South Asian Stories.

“All these different communities … faced struggle, rose to the occasion and relied on each other to be able to do that,” said Schwartz.

Highlighting the Jewish community’s roots in Vancouver and the similarities that the community shares with other immigrant groups is one of the goals of East End Stories, Schwartz said, adding that it could help combat certain stereotypes about Canadian Jews.

“Jews are assumed to have always been successful and that’s just not true,” he said. As can be seen in East End Stories, “many of us are stable or in some cases successful today [but] that’s new history.”

The videos and study guide also highlight a period of Jewish history in the Lower Mainland that was different for the way in which Jews were geographically concentrated in a certain quarter of the city, a phenomenon that remained true even after Jews largely left Strathcona but which has changed in recent decades.

Schwartz said that, during the 1950s, the community left Strathcona and clustered around Oakridge and Kerrisdale. The Baby Boomer generation dispersed but would return to the community to visit parents and attend community functions. But, while community institutions like the Jewish Community Centre of Greater Vancouver remain along the Oak Street corridor, fewer Vancouver Jews are calling the area home.

“We’re in a moment of transition,” Schwartz said. “We’re seeing a decline in gathering places and institutions where people come together.”

While online resources like the East End Stories videos, which are available on the Jewish Museum’s website, jewishmuseum.ca, can help bring people together figuratively and in shared knowledge and history, Schwartz said that in-person activities like those enabled by the walking tours and the classroom guide remain essential.

“There’s Jewish history in all corners of the city and it’s important for us to be present in not particularly Jewish areas to share the history of our community and spark dialogue about diverse histories of the city,” Schwartz said.

Arno Rosenfeld is a freelance journalist based in Vancouver. He has covered Canadian Jewish issues for JTA and the Times of Israel.

Telling our stories with food

Michael Schwartz, director of community engagement at the Jewish Museum and Archives of British Columbia, speaks to guests at a Chosen Food Supper Club gathering. (photo from JMABC)

This spring, the Jewish Museum and Archives of British Columbia began airing the podcast The Kitchen Stories. The series, which is focused on Jewish food, is the brainchild of Michael Schwartz, the museum’s director of community engagement.

“A podcast is not so different from a museum exhibit,” said Schwartz in an interview with the Independent. “It is a way to present a story…. It doesn’t have a visual component but, unlike a museum exhibit, people can take a podcast with them, listen to it whenever they have the time.”

While podcasts have evolved on and from the internet, Schwartz considers the format a renaissance of a much older type of media – the radio talk show. “Like radio, a podcast is an audio presentation, but on a different technological level. In the past couple of years, there have been some creative and innovative podcasts, and we’re trying to add to their number.”

The idea of a food-related podcast came to him after he experimented with a couple of other topics. “My role at the museum is to make people, both Jews and non-Jews, more aware of our museum. I tried several different themes – architecture, photography – but food seems to be universal. Everyone is interested in food, especially in Vancouver. We are a foodie city, so it seemed appropriate to ride that momentum, to let people tell their stories about food. That’s what a museum does: it lets people tell their stories. Ideally, the museum staff should be invisible.”

The Kitchen Stories concept, as well as the museum’s Chosen Food Supper Club – a dinner series where people meet each other, learn about and enjoy the food being served – crystallized for Schwartz simultaneously. “We started the podcasts a bit earlier, in March, and the supper club in April…. Lots of storytelling happens during the club meetings,” he explained. “Like the podcasts, each club meeting has a theme. Sometimes, it is geographical: food from different parts of the globe. Sometimes, thematic, like holiday food.”

photo - Chef Lior Ben-Yehuda puts the finishing touches on a salad as Erika Balcombe, left, and JMABC archivist Alysa Routtenberg look on
Chef Lior Ben-Yehuda puts the finishing touches on a salad as Erika Balcombe, left, and JMABC archivist Alysa Routtenberg look on. (photo from JMABC)

A similar variety of themes characterizes the podcasts. To date, shows have examined food links to family dynamics and worldwide migrations, climate and gender roles, cultural customs and regional culinary quirks.

“We brainstormed the possible themes as we listened to other podcasts, read books on culinary history. We tried to pinpoint what is missing and use those points as our guidelines. One of the underlying themes in our podcasts is the tension between traditional and modern. How people adapt to the local food sources when they move, how the familiar recipes change with times and places. How those recipes diverge when members of one family move to different countries, or continents, and the usual ingredients become unavailable.”

Schwartz believes that the museum has to be open to the stories of all Jews, regardless of their religiosity, affiliation or geographic roots. “The museum’s role is not to provide answers but to discuss a question, to open a forum for conversation. In The Kitchen Stories, food is a medium of telling stories. We explore healthy food choices and how they change with generations: what our grandmothers thought healthy and what we think healthy could be different. We talk about kosher food and organic food. And, of course, when people talk about food, everyone has an opinion.”

The topics are approached often from an historical perspective. “Food is a way to keep history alive,” Schwartz said. “When a kid asks his parents or grandparents why do you cook this way, stories emerge. We wanted to showcase those stories. Food is also a way towards peace and harmony. When we share food with friends, we talk and try to understand each other. Food is a means of communication.”

Schwartz doesn’t create the podcasts alone. Co-producer April Thompson has been working for the museum for the past year.

“I do research on the theme we select, I conduct the interviews,” Thompson said. “Sometimes we interview people in their homes or their businesses. Other times, they come here to the museum; we use a quiet room for the interviews. The museum has had an oral history program for decades, so we use the existing museum equipment for recording. Then I do the editing, choose the music. After I’m done, Michael listens to my material. He records the narration, inserts special terminology sometimes, or we move the pieces around to structure the story better.”

“April is very important to the series,” said Schwartz. “She is not Jewish, and that fact has given her an interesting angle on the project. She brings necessary curiosity to some things those of us within the Jewish community take for granted.”

“Yes,” Thompson agreed. “I’m like a child. I ask: why do you do this, because I don’t know. I want to know. I’m now working on a podcast about [dealing with] grief through food, about the Jewish shivah custom. It’s different from many other cultures.”

All of the podcasts can be found at jewishmuseum.ca/the-kitchen-stories.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

The West Coast style

Oberlander Residence II, Vancouver. Peter Oberlander and Barry Downs, architects, 1969. Photograph by Selwyn Pullan, 1970. Courtesy of West Vancouver Museum.

New Ways of Living: Jewish Architects in Vancouver, 1955 to 1975, “focuses on two significant expressions of modernism in the practices of Jewish architects and landscape architects in Vancouver,” explained curator Chanel Blouin at the exhibit’s launch Jan. 28. “First, the integration of the West Coast Modern home into the natural landscape in a way that invites the outdoors in. And, second, in creating home designs that respond to the specific needs and living habits of the family within.”

For her research, Blouin interviewed architect Judah Shumiatcher; architects Kate and Erika Gerson, daughters of the late architect Wolfgang Gerson; University of British Columbia professors emeritus Andrew Gruft and Rhodri Windsor-Liscombe; Leslie van Duzer, head of UBC School of Architecture and Landscape Architecture (SALA) and author of House Shumiatcher; and landscape architect Cornelia Hahn Oberlander, whose late husband, architect Peter Oberlander, is featured in the exhibit, as well.

In addition to the interviews, Blouin traveled to the Canadian Centre for Architecture in Montreal to consult their collections, in particular that on Hahn Oberlander. A highlight of the online exhibit, which can be found at jewishmuseum.ca, is the photography of the houses featured, including photos by Michael Perlmutter, Selwyn Pullan and Fred Schiffer.

“Architecture and the design of cities have always been interests of mine, and I’ve known for awhile that there are and have been members of our community who are or were innovators in these fields,” said Michael Schwartz, coordinator of programs and development at the Jewish Museum and Archives of British Columbia, about the exhibit’s origins. “As we move from theme to theme in each of our exhibits and in each issue of The Scribe, it seemed fitting to turn the lens on this group. Chanel has a footing in architectural history, so when we hired her, this was the topic she was most drawn to. As she progressed through her research, it became clear what era and which individuals to focus on.”

Blouin was hired by the JMABC for the summer of 2015 with support from the Canadian Heritage program Young Canada Works. An extension to the grant allowed her contract to continue through January 2016, said Schwartz, “giving her time to dig much deeper into the topic and produce a more comprehensive result.”

Blouin, a master’s student in art history at UBC, will begin her PhD at University College London in September. “My current research was influenced by my work on New Ways of Living and considers the complex genealogy of the mid-century modern residential designs conceived by the Oberlanders and Wolfgang Gerson,” she told the Independent. “I want to examine how these figures’ exposure to Central European modern art and architecture of the Bauhaus and Werkbund in the Weimar period, as well as their exile and studies at the Architectural Association and the Harvard School of Design with Walter Gropius, influenced their practices in Vancouver.”

About 200 people attended the launch of the exhibit at Inform Interiors. There was a panel discussion between Blouin, Shumiatcher and Windsor-Liscombe; and Hahn Oberlander, the Gersons and van Duzer were in attendance. “There were also representatives from the Jewish Federation, the City of Vancouver and Canadian Heritage, all strong supporters of the JMABC,” said Schwartz.

In his opening remarks, Schwartz noted, “Not only are we very pleased to launch this new exhibit, New Ways of Living, but this week marks the 45th anniversary of the Jewish Museum and Archives of B.C.

“We have with us tonight our founder, Cyril Leonoff, who had the original vision of an organization that would preserve and celebrate the history of Jewish life in B.C…. With a small, dedicated corps of volunteers, Cyril collected documents and carried out oral history interviews with some of our community’s earliest pioneers – people who, in the 1960s, were already in their 80s and 90s.

“From this founding collection, our archives have since grown to comprise over 300,000 photographs, 750 oral history interviews and 300 metres of documents recounting all aspects of the rich 150-year history of our community.”

In the panel discussion, Blouin spoke about the process of developing and curating the exhibit. “I also provided an introduction to the major themes in the exhibit, such as the features of the West Coast style of architecture, site specificity and the important events that introduced Vancouverites to the modernist ethos in the postwar period,” she said. “Rhodri Windsor-Liscombe elaborated further on Jewish involvement in the development of the West Coast Modern home and considered questions of Jewish identity. Judah Shumiatcher shared the story of House Shumiatcher. He described the experience of designing his home and the challenges that the steep slope of the landscape posed as well as the property’s incredible views. We also had a lively Q&A period with many interesting questions from the audience.”

This interaction and excitement is why the JMABC does a launch event. While online exhibits are more cost-efficient and “have no expiry date,” said Schwartz, meaning that researchers around the world will be able to access this material years from now, “there is still value in creating an occasion for people to come together to learn about and celebrate our past. This is why events like the exhibit launch are so important; they give us the chance to dig deeper into the topic and share with our audience a glimpse into the exhibit creation process. This shared experience so essential to museums is generally missing from an online exhibit, hence the need to supplement the exhibit with public programs.”

Blouin said, “One of the most interesting ideas that I hope people will take away from this exhibit is the fact that Vancouver is home to an extraordinary regional style. Many iconic West Coast Modern homes are located in Point Grey and West Vancouver and it’s possible to visit some of them – the West Vancouver Museum provides annual tours. The West Coast style is complex and the Jewish architects who arrived to the city in the postwar period played a prominent role in its development. It’s a fascinating history!”

photo - Interior of House Shumiatcher, 2013. Judah Shumiatcher, architect, 1974
Interior of House Shumiatcher, 2013. Judah Shumiatcher, architect, 1974. Photo by Michael Perlmutter.

The exhibit online, the content of which Blouin wrote, explains that Vancouver “underwent a period of momentous transformation and modernization” after the Second World War. “Returning veterans and new immigrants alike prompted a need for more affordable housing, transportation systems, civic spaces and infrastructure. Between 1940 and 1970, Vancouver required 45,000 new housing units to accommodate the city’s growing population. The city’s expansion was informed by new thinking on improved civic living.”

Blouin explained, “The vibrant art and architecture community that converged around the newly founded School of Architecture at UBC introduced the modernist ethos in Vancouver through various means, including a series of Richard Neutra lectures. The first director of the school, Frederic Lasserre, and B.C. Binning promoted modern architecture in response to the shifting needs of the city.”

The regional domestic architecture of this period “was the post-and-beam house built of locally sourced cedar with wide overhangs and large horizontal windows. Regional West Coast innovations included an exposed timber frame, which allowed for open fluid spaces and immense freestanding ribbon windows oriented toward the picturesque views of the Pacific Northwest landscape.”

While parts of the modernist project will not carry into the future – Marine Gardens, for example, 70 family-sized units designed by Hahn Oberlander and Michael Katz in the 1970s, will be replaced by large residential towers comprising more than 500 units – it will leave a legacy, believes Blouin.

“I think the modernist project has and will continue to inform our thinking about sensitive architecture that responds to both the landscape and the people who inhabit their interiors,” she said. “I hope that New Ways of Living and similar projects, such as the UBC School of Architecture and Landscape Architecture (SALA) West Coast Modern homes book series, will raise awareness about the significance of the West Coast-style homes and the importance of preserving them as they become endangered by escalating land values.”

 

Museum jazzes up website

The new Jewish Museum and Archives of British Columbia website, jewishmuseum.ca.

The Jewish Museum and Archives of British Columbia has launched its revamped website, unveiling a new look for the organization, simplifying navigation and making it easier for users to engage with the museum’s diverse programming and to access the holdings of the B.C. Jewish community archives.

The website, jewishmuseum.ca, features a contemporary design. Implementing the archives database system Access to Memory (AtoM), the new site gives researchers access to thousands of documents, photos, audio and video items documenting the 150-year history of Jews in British Columbia.

“For the first time in the history of the JMABC, we have the capability of providing online access to the treasures in the archives, while at the same time adhering to important archival standards,” said archivist Jennifer Yuhasz. “We are excited to join the vast community of professional archives already using AtoM, including UNESCO, World Bank Group Archives, Library and Archives Canada, and most of the provincial, municipal and university archives and libraries across B.C.”

Selections from this archival collection are presented in the form of online exhibits recounting specific themes and events in community history. Exhibits will be added each year.

The production of the new site was made possible through the support of the Betty Averbach Foundation, the Jewish Community Foundation of Greater Vancouver, numerous private donors and the more than 100 contributors to the JMABC’s 2014 Indiegogo campaign. Its launch follows the introduction of a new graphic identity for the museum and archives, designed by local graphic design firm Adria Consulting, which also redesigned the website.

Important elements of JMABC’s new look include a new wordmark, new typography, a palette of vibrant colors and a suite of facet shapes drawn from the Star of David. Together, these elements celebrate the diversity of B.C. Jewish history and the innovative spirit of JMABC, and they will be implemented throughout all of JMABC’s print and online materials, unifying the organization’s public presence as never before. The public were given their first taste of the new identity at the recent JMABC exhibit, Fred Schiffer: Lives in Photos, presented this spring as part of the Capture Photography Festival.

“Our new look reflects the exciting work we are doing, always seeking new ways to share our community’s rich history with everyone,” said Michael Schwartz, JMABC’s coordinator of programs and development. “Adria understood this immediately and devised an identity that boldly conveys our core principles.”

JMABC is dedicated to the collection and sharing of community memories of Jewish life in British Columbia. With 300 linear metres of textual records, 300,000 photographs and 725 oral history interviews, it chronicles all facets of the community’s history.

Glimpse into Schiffer’s work

Jennifer Levine, Fred Schiffer’s daughter, speaks at the opening of the exhibit of her father’s work. (photo by Cynthia Ramsay)

On April 16, with the help of volunteers from King David High School and others, the Jewish Museum and Archives of British Columbia welcomed more than 250 visitors to the opening night of Fred Schiffer Lives in Photos. At the Make Gallery until May 31, the exhibit is part of the Capture Photography Festival.

Michael Schwartz, coordinator of programs and development at the JMABC and curator of the exhibit, gave the crowd a brief overview of what the JMABC does, and how the Schiffer photos fit into the museum’s holdings.

Of the 300,000 photographs housed by the JMABC, said Schwartz, “The Schiffer collection comprises over 10,000 photos. The JMABC has been working on this collection – organizing it, processing it – since it was donated by Schiffer’s family in 2001. To date, we’ve digitized 2,000 photographs, which are available to researchers online. The 45 photos that you see in this exhibit are selected from those 2,000, and an additional six photos are on display at the atrium of the Langara library through May 4th in a satellite exhibit.”

Schwartz explained that Schiffer fled Vienna, seeking refuge in England, where he stayed for 10 years before heading to Argentina, where he also lived for 10 years. “He arrived here in Vancouver in 1958 with his wife Olive and their two young children, Jennifer and Roger.”

The Schiffers operated a small studio under the Hudson’s Bay Co. building, on Seymour Street. “Schiffer was respected by his peers, not only for his skill but for being a kind and generous man, a true mensch, as we say,” said Schwartz. “He was president of the local photographic association, wrote frequently for the association newsletter and shared his knowledge of the trade with his colleagues.” He was one of the people who “led the charge to develop a professional photography program at Langara.”

After thanking the partners and funders of the exhibit, as well as his colleagues, Schwartz introduced Jennifer Levine, Schiffer’s daughter, who attended the opening from Toronto.

While her father was the person behind the photographs, she said, “he had two quite remarkable women who loved him and worked with him”: her mother, “who was the person you would always meet in the studio and who was also the organizer and the bookkeeper,” and her aunt, Irene, “who was not only a master retoucher but, also, I think she did some of the printing … together they discussed how things should be, and collaborated to make the prints happen.”

The family came to Vancouver from Buenos Aires, which had a “very lively photographic culture and my father was part of a group of photographers who met together, collaborated, discussed their work … they were sophisticated, they had annual photo shows in art galleries,” said Levine. When he came here, he thought he could interest the Vancouver Art Gallery in his work. “The response was, ‘Oh no, that’s photography, that’s not art.’ And it’s interesting that Vancouver has become such … an international centre for exciting work in photography, but let me tell you that, in the ’50s and ’60s, that was not happening.”

For her father, she said, “coming to Vancouver, which he chose to do, I think, largely for his children … because he had a sense of what was happening in Argentina, meant that the exploratory and experimental nature of his work would have to be held in because people in Vancouver were not interested…. I see how he had to shape his work for the marketplace and I know he did it for us and I honor him for that…. Artists have to make compromises sometimes for the people they love, and my dad did. I’m really proud of him as a photographer but I’m proud of him as a dad, too.”

– With the video file of Wendy Fouks