Jewish museum

Crackin’ Out online exhibit

A still from the documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection, showing photographer Ronnie Tessler. The documentary was directed by Sarah Genge and produced by the Jewish Museum and Archives of British Columbia.

The Jewish Museum and Archives of British Columbia is currently hosting Crackin’ Out, an online exhibit of photographs of rural Western Canadian rodeo from 1976 to 1980 by Ronnie Tessler, along with a short documentary by director Sarah Genge. In rodeo, the term “crackin’ out” means “the beginning of the new season, breaking out of the chute, or even breaking out new chaps.”

“These explosive words epitomize for me the spirit of rodeo and the cowboy way of life,” Tessler explained.

The idea to shoot the images began as a “fun photo expedition” to Williams Lake Rodeo in 1976 by four friends who were members of a photography group, the Vancouver Image Exhibition Workshop, which is known for bringing in acclaimed guest artists.

The group worked together for a year and, with the permission of the Canadian Cowboys Association, produced an exhibit at the Finals Rodeo in Edmonton in 1977. Tessler worked independently for the next two years, documenting life at rodeos throughout the west, from British Columbia to Manitoba and into the northwest corner of the United States. Aspiring for objectivity, she realized it was not attainable.

“I wanted to know more about the cowboys, what went on behind the chutes and on the road and what motivated them to take on the challenges they did unsupported by a team or steady income,” Tessler said.

The exhibit takes the viewer not only to the action, the cowboys riding – and falling – but also to the personal and the life surrounding the event: the preparations, the traditions, the camaraderie and the love. The photos evoke an emblematic sense of a particular era in Western Canadian life.

Grouped into three chapters – “Before the Rodeo,” “The Rodeo” and “After the Rodeo” – each photograph is accompanied by stories, observations and explanations from Tessler that encapsulate the feeling that existed the moment each image was taken.

photo - A novice rider at the John Quintana Bull-riding School in Oregon, 1978. Photo taken by Ronnie Tessler. Part of the Crackin’ Out online exhibit — A novice rider at the John Quintana Bull-riding School in Oregon, 1978. Photo taken by Ronnie Tessler. Part of the Crackin’ Out online exhibit.

These images are what photographer Henri Cartier-Bresson, who is referred to in the exhibit, called “the decisive moment.” Or, as scholar John Suler, also quoted in the exhibit, described as “the moment when the visual and psychological elements of people in a real-life scene spontaneously and briefly come together in perfect resonance to express the essence of that situation.”

Rodeo was the first large, thematic body of work that Tessler did. Every project she undertook, she said, began when she “noticed themes coming out on my contact sheets and felt there was something I wanted to pursue. Each took about three years.”

Tessler’s Crackin’ Out was followed by her next major work, Israeli Suite, which was photographed over several visits to Israel. There was no similarity between these bodies of work and her last large project was different still – Jewish life in the West Kootenays.

As for the Jewish connections to the rodeo exhibit, Tessler observed, “I didn’t meet another Jew the entire time and did not encounter or make use of any specific Jewish values while doing the work. Many cowboys knew I was Jewish, and one asked what I was doing photographing a bull-riding school instead of watching Shoah on TV every night. I did enjoy the uniqueness of being an urban, Jewish woman with a family ‘goin’ down the road,’ putting myself on the line to record another way of life.”

Genge’s documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection is part of the exhibit. It expands on the legacy of Tessler’s photography by exploring a multitude of perspectives on rodeo from such people as a stock contractor, a curator, a child of rodeo, a cowboy, an artist and a professor, as well as the archives intern who processed the collection.

“One photograph does not illustrate one idea. By speaking with eight different people, my aim was to bring their collection of voices together to elucidate an ever-shifting narrative of an image,” Genge said. “This film offers a brief glance at some of the distinct and disparate angles that create a multifaceted and, at times, conflicted understanding of Western Canadian rodeo.

“I endeavoured with this film to present aspects of rodeo frequently left untold, specifically its importance to Indigenous people, women and LGBTQ+ communities. It should be noted that, much like Tessler’s inherent presence in capturing these photographs, my subjectivity in curating them is unavoidable,” she added. “I am an unreliable witness who, six months ago, had never set foot at a rodeo, so my bias as an outsider is present throughout.”

The exhibit, which can be found at jewishmuseum.ca/exhibit/crackin-out, also features an hour-long video of its April 21 launch, which includes discussions with Tessler and Genge.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Kitchen Stories Season 2

Kind Café’s carrot lox is just one of the foods you’ll hear about during the podcast’s second season. (photo by Tosha Lobsing)

Looking for something to listen to? The Jewish Museum and Archives of British Columbia’s podcast The Kitchen Stories is back!

The Kitchen Stories explores culture, identity and community goings-on through conversations about food. Many of us have missed being able to connect with loved ones over food during the COVID-19 pandemic, and our relationships to shared meals and gatherings have had to shift. The Kitchen Stories is a chance to tune in to those food and community connections we’ve all been craving.

photo - In the first episode of The Kitchen Stories’ new season, Michelle Dodek tells listeners about her family’s traditional Rosh Hashanah lunch — In the first episode of The Kitchen Stories’ new season, Michelle Dodek tells listeners about her family’s traditional Rosh Hashanah lunch. *(photo from Michelle Dodek)*

I’ll be chatting with kosher food suppliers, holiday meal super-hosts, and other community leaders and members about all things food. And, in keeping with Season 1, the themes we’ll be exploring this time around are varied and guests will weigh in from different perspectives and experiences. While most of the topics covered are new, we’ll be checking back in on the state of food (in)security in the Greater Vancouver Jewish community, and the organizations at the forefront of tackling it, later on in the season.

I’ve also shaken things up a little, and a few of this season’s episodes consist of longer-form interviews with guests who’ve done a lot of thinking about Judaism and Jewish food, and the ties between the two.

As I’m sure you’ve experienced, when we set out to talk about food, we inevitably end up getting into so much more. I’ve had a great time discussing with my guests their views on questions like, How can we draw from Jewish tradition to help others? How can we use food to break down barriers in our community? Is being vegan a Jewish activity? I even put on my detective hat and dug deep into the mysteries of a secret family recipe.

The universality of food and its many symbolisms mean that every episode of The Kitchen Stories is different from the last and, just like a big holiday meal, we’ve got something for everyone.

The first few episodes of Season 2 of The Kitchen Stories will hit the airwaves starting March 4, with new episodes released weekly after that. You can subscribe wherever you get your podcasts. You can also check out Season 1 episodes at jewishmuseum.ca/the-kitchen-stories, on Spotify, or on Apple Podcasts.

Liana Glass is producer and host of The Kitchen Stories, Season 2.

Make history inclusive

Dr. Elizabeth Shaffer (photo from ischool.ubc.ca)

The expression of history matters. This issue, previously confined mainly to academic discourse, has been thrust into the public sphere as never before. In this year of upheaval and change, a spotlight seemed to follow the systemic racism exhibited by police forces across North America. Along with widespread protests about police behaviour came a wave of questions and action about how we choose to convey our collective history. Monuments toppled around the world, raising questions about how and why certain people are memorialized in our national consciousness and whose story is missing.

In Vancouver, the Jewish Museum and Archives of British Columbia is at the forefront of this dialogue, pushing the agenda of inclusion and trying to make sure that the stories of as many members of our community are heard and recorded. The museum, which was founded as the Jewish Historical Society of British Columbia, has been engaged for decades in collecting the oral histories of Jews from the spectrum of Jewish life – the stories that provide a greater context to what it means to be Jewish in this place.

This year, at the Jewish Museum’s annual general meeting on Nov. 18, the keynote speaker contextualized the importance of having a variety of voices and experiences shape our collective understanding of history. Dr. Elizabeth Shaffer, executive director of the University of British Columbia’s Indian Residential School History and Dialogue Centre and assistant professor at the UBC School of Information, spoke to a group of well over 100 people via Zoom.

Shaffer highlighted issues of social justice, marginalization, accountability and collective remembering. Each of these topics is thought-provoking on its own, but, grouped together, the picture she painted was more than the sum of its parts. Shaffer discussed why certain monuments are problematic. She said the protests that took place this summer across the globe created a robust dialogue about “who counts.” Increased understanding that our current narrative is depicted from the perspective of the colonizer has shown the need for viewpoints of “othered people” to be included.

While Shaffer’s primary focus is on reconciliation and how museums and archives should be reimagining their roles in terms of the Indigenous population of Canada, she presented a broad call to examine practices and positionality vis-à-vis marginalized people. She suggested that museums need to collaborate with communities more and that technology has presented us with unique opportunities to do so. Social media has democratized the recording of history, allowing more citizens to contribute to the dialogue in ways never seen before. The challenge for museums and archives will be to decide how to thoughtfully filter and present this information.

“Under-documented communities do not trust museums because they are not represented,” said Shaffer. She suggested that participatory archives, which are by their nature democratic, holistic and citizen-focused, would help fill in the gaps and provide a broader representation of our history. She said, “Archival records hold power … they hold the collective and individual memory, and shape who is included and who is not.”

The recognition that museums and archives are not neutral is an important part of this work. These are some of the challenges facing the archives and museums, as greater transparency and community participation make our institutions of memory “safe and non-oppressive spaces” and repositories of an inclusive history.

Shaffer called on museums and archives to be agents of change, to be actively anti-racist and to dismantle the oppressive practices that have excluded marginalized narratives. One suggestion she had pertaining to the importance of transparency is documenting the way the story is told. She said there are deep-rooted challenges in the long game, but she has seen an interest in the museum community to do things better.

“Humility as an institution is key,” said Shaffer. “We need to reflect and evolve and have the courage to act when change needs to be made.”

In response to a question from the audience, Shaffer endorsed the practices of the JMABC, as it fulfils its mission and mandate. She encouraged the community to support other organizations as well. “Cross-pollination enriches everyone,” she said.

For more information on the JMABC, visit jewishmuseum.ca.

Michelle Dodek is a freelance writer, chef and longtime community volunteer in Vancouver. One of her current involvements is as a board member of the Jewish Museum and Archives of British Columbia.

Jewish Museum marks 50th

On Nov. 18, the Jewish Museum and Archives of British Columbia held its annual general meeting and JMABC president Carol Herbert gave the following report, which has been edited for length.

What a roller coaster the last months have been! We are most grateful to our three dedicated staff members Marcy Babins, Alysa Routtenberg and Michael Schwartz, who reacted to the pandemic crisis promptly and creatively…. The staff have successfully sought out financial resources from government and granting agencies to allow us to continue our operations, supplemented by the generosity of our members when we put out a special call for donations. We are most grateful to those of you who responded, and especially to those of you who are Sustainers of the Archives.

The board has had a busy year…. We adopted a strategic communications plan prepared by Michael and the development committee, which states our vision and values. We completed and submitted a letter of intent to Federation and JCC to indicate our wish to relocate within the new campus when it is built. The board also endorsed an anti-racism statement, which was posted on our website in response to the troubling events of last summer, and since then has developed a policy on advocacy. A major focus for the board has been the plan for our 50th anniversary celebration of the Jewish Historical Society, which operates as the JMABC….

I have particularly appreciated the support of the executive committee, Daniella Givon, Michael Levy, Phil Sanderson and Perry Seidelman. The finance committee was activated after last year’s AGM, a programs committee has been established…. The Scribe committee has also been active, supporting the production of the 2020-21 issue on Jewish Education in British Columbia: K-12, and reviewing topics for future Scribes…. While we were unable to hold live events from early in March, staff continued to work on expanding the archival collection and preparing the 2020 Scribe, and they have conducted virtual programs…. While we have even been able to sustain some volunteer activity, only 72 hours have been logged since March of the total of 323.5 hours for the year, far less than usual…. Michael and Alysa have been able to recruit terrific students and interns to work with them virtually….

We reactivated the Council of Governors and we are most grateful to the stalwart supporters who serve as advisers to the board. Chaired by our past president, Perry, the council members are Gary Averbach, Isabelle Diamond, Mariette Doduck, Michael Geller, Bill Gruenthal, Richard Menkis and Ronnie Tessler…. We are most grateful to the board members who have continued to serve during these difficult times. We thank departing members Jerry Berkson (2018-20) and Ralph Swartz (2019-20), who served on the finance committee. We also thank Bill Gruenthal, who leaves the board after 22 years of service, though we are very happy that he will continue to serve on the Council of Governors. Three new individuals … are on the board slate….

Helen Aqua is a second-generation, Canadian-born Vancouverite…. Looking back in time has always interested Helen and, at one point, she volunteered as a docent with the Delta Museum and Archives, delivering local history talks to Grade 3 Delta schoolchildren in their classrooms…. After 17 years with Scouts Canada as a cub pack leader, member of the district service team and then the regional service team, Helen returned to school in 1985, earning a diploma in information systems and records management from Douglas College. Many interesting work opportunities resulted, culminating as the office coordinator for Immigrant Services Society’s Drake Street Settlement Services location. Post-retirement … Helen spent four years taking courses on end-of-life studies at Simon Fraser University, which led her to seek qualification as a death doula and then an advance care planning facilitator….

Lianna Philipp grew up in Vancouver and attended Richmond Jewish Day School as well as King David High School. She lived in Kingston, Ont., where she obtained a BComm at Queen’s University and returned to Vancouver to complete her CPA designation. Lianna currently serves on the board of the Jewish Federation of Greater Vancouver and Temple Sholom Synagogue. She is passionate about engaging the next generation of Jewish leaders to help ensure a strong future for our community….

Barb Schober was born in the former Czechoslovakia but grew up in North Delta. She is currently a graduate student in the history department at the University of British Columbia, with a special interest in the history of Vancouver’s Jewish community. She is well-acquainted with the JMABC in that capacity, having made extensive use of the community records during some of her previous work on Holocaust commemoration and Jewish women’s groups. She is working on her PhD thesis, which is about Jewish immigration to Vancouver from Russia and the Soviet Union. She is also the student member of UBC’s faculty of arts Holocaust education committee.

[The AGM marks the official launch of] our 50th anniversary celebration, which will continue throughout 2021. Our first event is the speaker [who] will follow our AGM, Elizabeth Shaffer, who will talk about dialogue and disruption in contemporary museums, particularly in the context of anti-racism and human rights. [See story on page 12.] We will continue with the launch of the 2020-21 Scribe…. Plans are also underway for a photo exhibit from Ronnie Tessler’s fantastic collection that she donated to the archives, for a children’s art contest that we hope will engage young families, and for a gala launch event in November 2021 for the 50th anniversary commemorative book, which will be an overview of 160 years of Jewish history across British Columbia with lots of historical photos…. On our website [jewishmuseum.ca] you will find a sponsorship brochure, which details 50th anniversary and ongoing projects and programs….

Again, let me emphasize that we want every Jewish person in British Columbia to know that JMABC is your organization, keeping the record of community-building that has been accomplished by an array of individuals and families. Our watchwords are diversity and inclusion…. As Perry reminded us every year in his president’s remarks, make sure to seek out your own family stories and don’t throw away family photos and memorabilia. Every one of your stories matters. We will be delighted to interview you so that your oral narrative can be included in our archives – just contact us.

Recording LGBTQ+ history

Embarking on a new archival project: left to right, Ye’ela Eilon-Heiber, Lily Hoenig, Mickey Morgan, Madison Slobin, Carmel Tanaka, Holly Steele, Avi Grundner and Alysa Routtenberg. (photo from JQT and JMABC)

The Jewish Museum and Archives of British Columbia (JMABC) and JQT Vancouver are seeking to document the history of local LGBTQ+ Jews through a joint initiative called On the Record: The BC Jewish Queer and Trans Oral History Project.

While the JMABC has an extensive – closing in on 1,000 – and diverse collection of oral histories, the experiences and stories of LGBTQ+ Jewish community members are not prominently featured. This is something the museum would like to change.

“We do a lot of oral histories and we typically target people in their 70s and 80s, for a number of reasons,” explained JMABC archivist Alysa Routtenberg of the process. “Generally, it’s a good age because people begin to feel reflective. They may have grandchildren with whom they would like to share their stories, they have wound their professional lives down and they are not yet suffering from memory or health issues.”

In addition, she said, given that a whole life history requires a significant story to tell, the interviews tend to feature older people.

And this might be one of the reasons why many of the oral histories of LGBTQ+ Jews have not yet been shared, according to Carmel Tanaka, JQT project coordinator.

“I have a friend who takes oral histories of LGBTQ seniors through UBC,” Tanaka told the Independent. “She says it’s hard to get people to stop talking about their lives once they get started. That is not the Jewish experience. We have a close-knit community and many older members fear being out in the Jewish community. They may be out in other aspects of their lives but not in the Jewish context, so many of them have remained silent.”

JQT (pronounced J-cutie) is a relatively new Jewish queer and trans group. Established in 2018, it aims to promote diversity and inclusion by “queering Jewish space and Jewifying queer space,” said Tanaka. The group approached the JMABC about the oral history project last year and interviewer training for the project was completed in January.

“We had six JQT members who trained as interviewers. They were ready to go and then COVID hit,” said Tanaka. “We had hoped to get 30 interviews done in three months. It’s been hard to get interviews done because the technology is difficult for some of our interviewees.”

Routtenberg agreed that people tend to prefer an in-person interview than one over the phone or via Zoom. “The interviews take between one and two hours,” she explained. “It’s a long time to be on the phone or in front of a computer.”

That said, a number of interviews have been completed, so the first phase of the project is underway, with the goal of 30 interviews conducted and transcribed. “Our objective is to reach a cross-section of LGBTQ Jews from across the province,” said Tanaka.

Both Routtenberg and Tanaka stressed that anonymity is provided for those who would prefer to keep their identities private.

The next phase of the project is to translate the interviews into a public program.

“What the interviews tell us will inform us as to the most appropriate form the material will take,” said Routtenberg. “Among our options are an online exhibition, a podcast, a physical exhibition…. There are so many possibilities. Hopefully, there will be many phases over many years.”

Routtenberg explained that the JMABC is always looking to build relationships with individuals and organizations both within and outside of the Jewish community. She said she was thrilled when Tanaka approached her to do this project together, and Jewish Family Services Vancouver is also helping, supporting the interview experience as needed.

Having the oral history of LGBTQ+ Jews as part of the JMABC records is helping accomplish the mission of JQT. “LGBTQ people have always been in our community,” said Tanaka. “This is an opportunity to make them feel included.”

For more information on how to participate in this project, or to nominate someone to be interviewed, contact Routtenberg at [email protected] or 604-257-5199.

Michelle Dodek is a freelance writer living in Vancouver.

Share your COVID story

The COVID-19 pandemic has impacted the lives of everyone in our local Jewish community, as it has impacted people around the world. Daily events like school, work, visiting with friends and family, as well as grocery shopping and other errands, have been transformed by public health recommendations.

The Jewish Museum and Archives of British Columbia has a responsibility to collect and document history as it happens – and needs your help to document this historic time. What are the important aspects of this moment that our community should recall years from now?

Each of us is experiencing this crisis in our own unique way, and the Jewish Museum and Archives wants to gather as many of those experiences as possible. Not sure what to say? The museum can help with that. The JMABC has recruited the assistance of Carly Belzberg, a specialist in guided autobiography, who will be helping community members put their experience into words.

The museum would like to know how daily routines around your house, including work, school and fitness have changed; how you’re staying in touch with family and friends; and what Jewish traditions look like for your family this year. For example, how did you celebrate Passover? How are you keeping Shabbat?

If you are interested in sharing your experiences, or simply would like to learn more about this project, contact JMABC archivist Alysa Routtenberg at [email protected].

Mystery photo … Feb. 28/20

Two unidentified people on the left with Gail and Michael James on the right holding a certificate at a Jewish National Fund event. (photo from JWB fonds, JMABC L.12042)

If you know someone in these photos, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

Mystery photos … Dec. 20/19

Photographs from an unidentified event in 1985, possibly a University of British Columbia event, likely in honour of Harry Adaskin, who is pictured centre-right in the above photo. (JWB fonds, JMABC L.13769)

photo - Photograph from an unidentified event in 1985, possibly a University of British Columbia event, likely in honour of Harry Adaskin — *(JWB fonds, JMABC L.13755)*

Mystery photo … Nov. 29/19

Group of B’nai Brith delegates at a Phoenix convention, 1975. Dave Jackson is on the left and Harry Buller is fifth from the left. (photo from JWB fonds, JMABC L.10220)

If you know someone in this photo, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

Mystery photos … Oct. 25/19

Dancing at a Jewish Community Centre party, 1984. (photo from JWB fonds, JMABC L.11733)