Daniella Givon

Helping bring JWest to life

A sketch of the new Jewish Community Centre of Greater Vancouver, by Acton Ostry Architects. (© Acton Ostry Architects)

The JWest capital campaign’s goal of raising $161 million is only possible with the generous spirit and foresight of community members who rally to this generationally important project. Daniella Givon and Bernard Pinsky’s gift is an example of bringing the future JWest campus closer to reality.

photo - Bernard Pinsky and Daniella Givon — Bernard Pinsky and Daniella Givon’s gift is an example of bringing the future JWest campus closer to reality. *(photo from Bernard Pinsky and Daniella Givon)*

Both joined the Jewish Community Centre of Greater Vancouver (JCC) immediately after settling in Vancouver in 1979. Givon, who grew up in Israel, found friendship and community by joining Israeli folk dancing and becoming involved with Canadian Hadassah-WIZO. Pinsky, a lawyer who grew up in Winnipeg, got to know the JCC by working out in its gym. He noticed how JCC activities and just being around the JCC brought community members together in meaningful ways that sparked and fostered increased community participation.

“I realized that the JCC is a critical connector and gateway to deeper involvement in the Jewish community,” he said.

Pinsky began his local volunteer work with the Canadian Jewish Congress in 1981 and, over the ensuing 44 years, served in leadership roles for many Jewish organizations, including the Jewish Federation of Greater Vancouver, the Centre for Israel and Jewish Affairs’ national board and Beth Israel Synagogue. Today, he is board chair and director of the Ronald S. Roadburg Foundation, one of the lead donors to JWest.

Givon served as Vancouver regional president for Canadian Hadassah-WIZO and took leadership roles in the Jewish Museum & Archives of British Columbia and the Cherie Smith JCC Jewish Book Festival.

Pinsky and Givon, children of Holocaust survivors, continue a legacy of community involvement in their respective families. Givon was inspired by her mother’s many years of leadership in the parent-teacher association of her Israeli school and her grandfather’s participation as a board chair of his moshav’s governing council. Pinsky recalled how his grandfather headed the Zionist Federation of Manitoba, among other leadership positions.

“It’s inconceivable to me to imagine our community without a JCC, and our building is tired,” Givon noted. “A tired, crowded building attracts a limited number of people.”

Pinsky agreed that the JCC is in need of replacement.

“Right now, things are squeezed into pre-set spaces that restrain increased participation,” he noted. “The new JWest will have more space for Jewish organizations, flex spaces for more programming and an expanded daycare. We’ll be able to offer more programs that attract young families, which is a crucial way to build for the future.

“And it’s not just the Jewish community that uses and will continue to use this important facility,” he said. “Former BC premier Christie Clark sent her son to the JCC daycare. I became friends with Terry Yung, who is a current MLA, and his wife, Sarah Kirby-Yung, a city councilor, because we met at the JCC. They’ve been very connected to and helpful for the Jewish community.”

With just $19 million left to raise to achieve the $161 million target, JWest is poised to break ground in early 2026.

JWest recently submitted its development permit application with a new JCC as pictured here. In line with the guiding principle of responsibly using community funds, the design maximizes efficiency, with an increased number of multi-purpose spaces. For example, the JCC auditorium and theatre have been combined and will feature a state-of-the-art, automated, retractable seating system. Operating as a campus, the JCC and King David High School will be more integrated, with greater cross-sharing of spaces.

Visit JWestnow.com to learn more and share the link to get others excited about the project. The newly updated site includes a detailed look at the project and construction timeline, fresh renderings of the JCC, a list of the donors to date, news articles and information on the project team.

– Courtesy Jewish Federation of Greater Vancouver

Scribe camp issue launches

The Jewish Museum & Archives of British Columbia (JMABC) is releasing the 41st edition of The Scribe – which has a summer camps theme – on April 24, 6 p.m., at the Peretz Centre for Secular Jewish Culture.

The JMABC’s flagship publication celebrates the lives and traditions of British Columbia’s Jewish residents by focusing on one sector each edition. This year’s journal features personal memories from seven Jewish summer camps in the Pacific Northwest, highlighting the lasting impact that camp experiences have had on the development of lifelong connections to Jewish culture and community.

First published in 1989, The Scribe’s mandate is to link the Jewish community’s past with the present to inspire future generations. The publication has documented all aspects of the Jewish experience in British Columbia. Past issues have focused on prominent medical pioneers who have improved the lives of Canadians; top restaurateurs who cultivated Vancouver’s social scene; and ready-to-wear icons who helped British Columbia become an international fashion centre.

“The Scribe: Summer Camps Issue is by far one of the most endearing and nostalgic issues in [the journal’s] 41-year history,” said Daniella Givon, president of the JMABC. “Jewish summer camps have long represented a unique form of organic community-building and Jewish connection. Through the iconic summer camp experience, generations of Jewish youth have developed a sense of resilience and belonging that has strengthened their own connections to Jewish community, personal identity and cultural continuity.”

“The impact and success of Jewish communities in Canada have been significantly enhanced by the collective experiences of summer camp attendees,” said Elana Wenner, JMABC director of programming and development. “We look forward to taking a walk down memory lane with Jewish communities throughout BC with this new issue!”

The launch at the Peretz Centre will be an immersive evening of nostalgia, song and stories, as the summer camp communities of the Pacific Northwest are brought together under one roof.

Tickets are $54 each, and include dinner, a program and a keepsake T-shirt. All proceeds are in support of the JMABC. Copies of The Scribe: Summer Camps Issue will be available for purchase at the event for $20 each. (JMABC members in good standing will receive one free copy per family.) For tickets, visit tinyurl.com/ANightAtCamp.

– Courtesy Jewish Museum & Archives of British Columbia

Elana Wenner joins museum

Elana Wenner (photo from LinkedIn)

Elana Wenner, who became the director of programming and development at the Jewish Museum and Archives of BC (JMABC) on Aug. 1, brings an enthusiasm and desire to make the stories of the local Jewish community better known and more meaningful.

Born and raised in Vancouver, one of Wenner’s aims is to stress the stories of Jewish people in British Columbia and how all can benefit from, and are connected to, those first Jews who came to the province.

“The story is not just history, it is an ongoing, living story that we are all part of,” she said. “It is something that includes every single Jewish person in BC. We are preserving, maintaining and sharing the stories, but I would also add … we are helping to create new ones.”

Before working at JMABC, Wenner, who obtained a bachelor’s and a master’s in Jewish studies from McGill and Concordia, respectively, taught at King David High School and Vancouver Talmud Torah, schools she herself attended growing up here.

“Coming into this job combines my two-dimensional interest in history and my interest in education, and bringing stories to life to not just children but anyone who is interested,” she said.

Another of Wenner’s goals at the museum is to make exhibits not merely interesting but accessible and enjoyable, believing people will remember things when they feel a strong emotional connection with it.

“My philosophy of education is always about interactive, experiential education – things that people can actually be a part of and interact with instead of just being part of an audience,” she explained. “The idea is people will come, interact and engage with the story and be able to walk away with a piece of it that is a part of them.”

Wenner’s experience as a teacher will help in dealing with any possible challenges the new position may bring, she said. “I have discovered that teaching is a great place to figure out things because it includes the skills one needs for any other job.”

Since starting in August, Wenner has been busy researching places and venues, interacting with current donors, making sure that members are keeping up with their annual contribution and seeking donors elsewhere, as well as handling grant applications and marketing. She is also managing the JMABC social media accounts and providing informational fliers about the museum to synagogues during the High Holiday season.

“I am trying to get awareness of who we are, as many people did not know there is a Jewish museum in Vancouver and I would like the word out there that we exist because we have a lot to share,” she said.

“The history of Jewish Vancouver is such a good story and it deserves to be told [but] so many people just don’t know about it,” she added. “I am lucky to be one of the few who has spent some time digging deeper into this story.”

Wenner herself descends from a family that has been in Canada a long time by local Jewish standards – her ancestors arrived in Saskatchewan in 1888 – and that, she said, helped spark her interest in history and, specifically, Jewish history.

“My ancestors took photos of everything on a Brownie camera,” she recalled. “They developed their own film and it’s almost as if some of them are selfies. They were taking photos of casual life. It is rare to find non-formal photos of that period. You see what life was like, you see how people dressed.”

Daniella Givon, president of JMABC, said of Wenner’s arrival at the museum, “The board of JMABC is very excited to welcome Elana. Elana is full of energy and has a vision for the organization and her role in it. She has been familiar with JMABC since a young age, and has always cared about the organization. We feel fortunate to have her aboard.”

JMABC has several events scheduled for the coming year. On Nov. 21, the museum will hold its annual general meeting, which will feature the launch of Land of Hope: Documents on the Canadian Jewish Experience (1627-1923), edited by Richard Menkis and Pierre Anctil.

Later this fall, in partnership with Jewish Family Services, JMABC will put together the Supper Club, a series of dinners designed to share food and stories that reflect the diversity of the Jewish community in the province. Past menus have included Sephardi meatballs, namoura (orange cake) and Syrian-Argentinian fusion.

For the spring, Wenner is planning a pop-up exhibit that will showcase the original JMABC collection, when it used to be situated at the Jewish Community Centre of Greater Vancouver. “We are hoping to revamp the exhibit and connect the story to where the Jewish community in Vancouver is today,” she said.

During warmer periods of the year, JMABC will continue to offer historic walking tours of Mountain View Cemetery and the Oakridge, Strathcona and Gastown neighbourhoods.

To find out more and to view current online exhibits, visit jewishmuseum.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Community artists highlighted

Guest speaker Marsha Lederman addresses the crowd at the launch of the 40th issue of The Scribe on April 19. (photo from JMABC)

Last month, the Jewish Museum and Archives of British Columbia (JMABC) released its 40th issue of The Scribe, the organization’s mostly annual publication that chronicles various aspects of Jewish life in the province. This latest issue features 30 members of the local Jewish visual arts circle: painters, sculptors, mixed media artists, illustrators, textile artists, art educators, art consultants, an art curator and a gallery owner.

The official launch of the publication at VanDusen Botanical Garden’s Floral Hall on April 19 incorporated a silent auction of works donated by many of the artists highlighted in the issue. The items ranged from original paintings and sculptures to art books, sets of cards, and an art consultation.

The festive atmosphere buzzed, as people talked and laughed and greeted their friends. After the mixing and mingling, several speakers addressed the crowd. JMABC past president Carol Herbert acted as emcee, introducing current president Daniella Givon, the issue’s managing editor Carol Crenna and the keynote presenter, Marsha Lederman, who is Western arts correspondent for the Globe and Mail.

Givon gave an overview of the history of the JMABC, calling it the “community storage of history and memory.” She also talked about The Scribe and how it has evolved since its first issue.

Lederman’s address included a video presentation, as she concentrated on the theme of what makes Jewish artists Jewish, how their Jewish identity informs their art. The artists’ Jewishness is much more than the tragedy of the Holocaust, she said. There is a place in Jewish art for humour and family, for traditions and ecology. Lederman didn’t mention every artist featured but she mentioned as many as she could, given the time constraints, and her delivery was laced with admiration for the artists’ love of life, their creativity and their courage.

Crenna, who was hired specifically to lead this issue of The Scribe, talked about her excitement when she received the offer. “I’m not Jewish,” she said, “but so many Jewish people affected my life. I worked in businesses owned by Jews. I ate at Jewish restaurants. I wore clothing designed by Jewish designers.” She spoke about the stories in the magazine, which inspired her. She also said a few words about the visual aspect – the multiple colourful illustrations that made the publication an artistic creation of its own. And she introduced her graphic designer, Sonia Bishop.

“The Jewish artists in this magazine, and the ones we didn’t include – they are all fearless,” Crenna said. “They reinvent themselves again and again.… Their creativity has no limits.”

The magazine itself is a glossy, large format publication. Each of the 30 features inside is based on an interview with an artist, plus several colour illustrations of that artist’s works.

In her email interview with the Independent, Crenna said, “I was hired to complete this issue last June. Before, [Jewish Independent] publisher Cynthia Ramsay edited a number of previous issues on a volunteer basis, but this was the first time that the JMABC hired an editor to create one of its publications. The job was advertised, and I was hired due to my experience and the vision I had for The Scribe.”

Crenna has been a journalist for 39 years, including nine years as a columnist for the Vancouver Sun. “I have been an editor of nine magazines varying in subject matter. I have been the managing editor of the national visual art magazine Art Avenue for the Federation of Canadian Artists for seven years. I am also an artist. It was my wish to create a visually beautiful, more contemporary and more reader-friendly version of The Scribe…. I was very inspired by the incredible stories I read in the previous issues.”

She also said she wanted to make the magazine more accessible to a wider audience, not just Jews, and ruminated about the selection process – how the editorial team chose 30 artists from the much larger artistic community. Every issue, the team must narrow its subjects down to fit the constraints of a finite publication.

“An artist subcommittee was formed in the year prior to the beginning of work on this issue, before I was hired,” said Crenna. “This committee compiled a list of approximately 70 established B.C. artists or those that are emerging…. All are professionals. All have sold their works and have had exhibitions. To reduce the numbers, since 30 is the average number of individuals featured in every issue of The Scribe, it was decided that photographers would be excluded. They will have their own issue.… Some artists opted out, as well. Also, it was decided that the publication should include others within the artistic community…. Therefore, art consultants, a curator, an art educator and a gallery owner were also included in the visual arts issue. After much consideration, only living artists were included, since there are no archival interviews with those who are deceased.”

Crenna explained how the interview process worked. All of the participants were interviewed for this issue in 2022, she said. “These interviews – either on Zoom or in-person – were conducted by JMABC volunteers within the offices, where recording equipment is of high quality, so the future generations would be able to listen to them. The interviewers included Helen Aqua, Carol Herbert, Brynn Gillies, Perry Seidelman, Daniella Givon, Pam Wolfman and Bill Gruenthal. The 30 interviews lasted from one hour to two-and-a-half hours and were from 6,000 to 19,000 words. Afterwards, JMABC interns transcribed the recordings. Then I edited the information and wrote the features, which were then approved by the interviewees.”

Crenna organized with each artist to send her six high-resolution images of their artwork – in different styles/themes for variety – and headshots of them working on their art.

To purchase an issue of The Scribe or find out more about the JMABC, visit jewishmuseum.ca.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Museum releases 40th Scribe

Mordechai Edel is among the artists featured in the latest edition of The Scribe, which will be released April 19 at VanDusen Botanical Garden. (photo from JMABC)

The Jewish Museum and Archives of British Columbia (JMABC) is releasing its 40th issue of The Scribe, which celebrates the lives of B.C. Jewish residents by focusing on one sector each edition. The official release of the Visual Arts Issue will take place on April 19, 7 p.m., at VanDusen Botanical Garden, in the Floral Hall.

The 2022/23 issue features a cross-section of the province’s Jewish visual arts community, including painters, sculptors, mixed media artists, illustrators, textile artists, art educators, art consultants, an art curator and a gallery owner. Features are based on interviews recently documented for the JMABC and interviewees represent several cities and many islands. They include Ron Appleton, Miriam Aroeste, Hinda Avery, Suzy Birstein, Tanya Bub, Olga Campbell, Janis Diner Brinley, Mordechai Edel, Janet Essevia, Jessica Freedman, Linda Frimer, Monica Gewurz, Lori Goldberg, Pnina Granirer, Barbara Heller, Jeannie Kamins, Stacy Lederman, Julia Lucich, Anna Lutsky, Cynthia Minden, Suzy Naylor, Joyce Ozier, Nora Patrich, Marcia Pitch, Jack Rootman, Sidi Schaffer, Phyllis Serota, Elizabeth Shefrin, Carla Stein and Mia Weinberg.

“The Visual Arts Issue of The Scribe is surely one of the most dynamic and visually stunning publications in its 40-issue history,” said Daniella Givon, JMABC president. “Jewish individuals have made significant contributions to our province’s arts and culture sector throughout our history in B.C., and 2023 is a fitting time to take an historical snapshot of artists who are working and thriving here.”

Carol Crenna, managing editor of The Scribe Visual Arts Issue, added, “It’s been an extraordinary experience to meet this group of talented Jewish artists, many internationally known. They are fearlessly innovative, inspiring individuals with the strength and ability to push boundaries and bridge beliefs. They’re also wonderful storytellers with rich life experiences. I found their personal stories fascinating, and often entertaining, but, most important, they made me think differently.”

The publication’s launch will include a silent auction of artworks donated by many of the artists highlighted in the issue. The keynote speaker of the event will be journalist Marsha Lederman, Western arts correspondent for the Globe & Mail. Refreshments will be served. All proceeds are in support of the JMABC.

For tickets ($36), visit jewishmuseum.ca.

– Courtesy Jewish Museum and Archives of British Columbia

Caring for cemetery

In the Jewish Cemetery at Mountain View, a shroud was erected to protect the Kravitz family headstones. (photo from Schara Tzedeck Cemetery Board)

Responsible for three Jewish cemeteries in the Lower Mainland, the Schara Tzedeck Cemetery Board recently completed several projects.

Unable to restore two of the most interesting headstones at the Jewish Cemetery at Mountain View, a large metal shroud was erected for protection over the Kravitz family headstones. Designed by Bill Pechet and donated by the City of Vancouver and Saul Goldberg, a cousin of the family, this has added a unique decorative feature in the cemetery, as well as essential protection from the elements.

photo - A translation of the Kravitz family headstones has been added — A translation of the Kravitz family headstones has been added. *(photo from STCB)*

The Kravitz/Goldberg family has been traced back to the 1800s and has four members buried in this pioneer cemetery. Leah Deslauriers, Saul Goldberg’s daughter, provided a family history that completed missing pieces of information about the family. Translation of the poetry on the headstones was completed by Daniella Givon and mounted in weatherproof panels inside the shroud.

With the protection in place for these headstones, this site already has become a highlight for visitors on their walking tours.

Inside the new Schara Tzedeck Funeral Chapel in Surrey is a beautiful Memorial Giving Tree. Designed and created by Eclipse Awards, this tree made of maple, cherry and walnut woods is prominently displayed at the entrance to the new chapel. It will contain engravings that members of the community may purchase to memorialize their loved ones buried in Surrey. The tree can contain up to 100 elements to be inscribed, ranging from small leaves to birds.

photo - Memorial Giving Tree at Schara Tzedeck Funeral Chapel in Surrey — Memorial Giving Tree at Schara Tzedeck Funeral Chapel in Surrey. *(photo from STCB)*

Years ago, the elders of the community were asked to place headstones on unmarked graves. Today, the Chesed Shel Emet Fund, fulfils that mandate. This past year, more than 50 headstones were placed on gravesites where there were no headstones. In some cases, there were no families to do so and, in many cases, there was a financial inability to have a marker.

The Schara Tzedeck Cemetery Board, under the executive director Howard Jampolsky, board chairs Jack Kowarsky and Arnold Silber, and funeral director Joseph Marciano, works to ensure that all members of the community not only have a dignified burial, no matter what their financial situation is, but also works to initiate projects that serve the community and help maintain the beauty of its cemeteries.

This past year, other projects have included a new irrigation system, the establishment of a water/well in New Westminster and the ability to manufacture burial caskets on-site. The cemetery board and the Chevra Kadisha also produced an informative video on tahara (the process of preparing people for burial), which may be seen on the website cemeteryboard.com.

For more information on these and other projects, contact Jampolsky at 604-733-2277, ext. 204.

– Courtesy Schara Tzedeck Cemetery Board

JCC Book Fest awards given

Western Canada Jewish Book Award 2018 winners, left to right: Roger Frie, Deborah Willis, Kathryn Shoemaker and Irene Watts. Missing: Tilar Mazzeo. (photo by Cynthia Ramsay)

Deborah Willis became a writer, in part, because it is a way “to learn about the things that you’re curious about.” Irene N. Watts and Kathryn E. Shoemaker were motivated to reimagine a decade’s-old story in light of its relevance to pressing issues of today. And, in his latest work, Roger Frie found a way to discuss a past for which, previously, “the words were missing for how to speak about it.”

The Western Canada Jewish Book Awards, presented by the Cherie Smith JCC Jewish Book Festival, took place on April 26. Self-proclaimed book lover Daniella Givon, who is part of the JBF committee and was chair of the awards committee, introduced the evening.

“As I looked for ways to enhance the Jewish Book Festival,” she said, “I had a vision that book awards would marry the goals of the festival with the celebration of, and support the achievements of, local Jewish writers from Western Canada and showcase the winning authors. Since then, we’ve already gone through the process of bringing the ideas to fruition with the help of a subcommittee and the first round of awards … a beautiful ceremony was held here two years ago, recognizing five best-deserving authors.”

This year, four awards were presented, as chosen by the selection committee of former librarian Linda Bonder (Victoria); author and librarian Elisabeth Kushner (Vancouver); author and poet Dave Margoshes (near Saskatoon); writer, teacher and critic Norman Ravvin (Montreal); and Judith Saltman, professor emerita at the University of British Columbia School of Library, Archival and Information Studies. The winners were Calgary-based Willis for The Dark and Other Love Stories (Diamond Foundation Prize for fiction); Tilar J. Mazzeo, who divides her time between Maine, New York and Vancouver Island, for Irena’s Children (Pinsky Givon Family Prize for non-fiction); Vancouver’s Watts and Shoemaker for Seeking Refuge (Jonathan and Heather Berkowitz Prize for children and youth literature); and Frie, professor of education at Simon Fraser University and affiliate professor of psychiatry at UBC, for Not in My Family: German Memory and Responsibility after the Holocaust (Kahn Family Foundation Prize for writing on the Holocaust).

At the awards ceremony, each of the donors, or their representative, announced the winner of their sponsored award, which included a cash component. The winners – except for Mazzeo, who could not attend – read excerpts from their books and were interviewed briefly by Marsha Lederman, Western arts correspondent for the Globe and Mail.

Frie, who seven years ago discovered his maternal grandfather’s involvement with the Nazis, told Lederman, “This was a past no one had spoken about and, as I soon learned to understand, I think the words were missing for how to speak about it.” About the war in general, he said, his parents – who immigrated in the 1950s to Canada (Frie was born here) – talked about Germany’s responsibility for the Holocaust, however they did not speak about what his grandparents believed or what their involvement was in the war. He has found, in his research, that this “is a common dynamic amongst Germans in the postwar period.” He said that, while Germany has faced its past, “the emphasis on collective memory and collective understanding and collective responsibility has, in some way, allowed individual families to avoid confronting the past, and this book [Not in My Family] is very much a representation of that.”

Lederman described Mazzeo’s book as “astonishing.”

“I knew nothing about Irena Sendler before I picked up this book, so this has been a gift,” she said. “Irena Sendler was a Polish woman who saved … thousands of Jewish children during the Holocaust with amazing feats of courage, often in the Warsaw Ghetto. Her story is incredible, this book is incredible, and I can only hope that Steven Spielberg gets his hands on a copy.”

Shoemaker gave a brief presentation on the creative process she and Watts went through to create the graphic novel Seeking Refuge, which is based on Watts’ book Remember Me (first published in 2000). And Watts spoke of the challenge of cutting 27 chapters down to nine. “What I had to keep in mind,” said Watts, “is you can get so carried away by cutting and changing the language to make it more dynamic that you lose the story a little bit, and I had to watch that I didn’t diminish the characters.”

About the cover of the graphic novel, which features a girl sitting on a suitcase looking forlorn, Watts said Shoemaker “told the story in that one image.” Later, in response to a question from Lederman, Watts said the current refugee crisis was “the major reason to bring this book back in a different format.”

As for Willis, she spoke with Lederman about her winning collection of short fiction. “I was writing the stories for about five years, and I actually started noticing that the word ‘love’ was coming up over and over again. I was at first a little dismayed by that because I was thinking, oh, love stories, that’s been done. But then I embraced it and I wanted to try and explore that theme in a way that was true to my esthetic, or my goals as a story writer. I set it almost as a challenge.”

After an open Q&A with the authors, JCC Jewish Book Festival director Dana Camil Hewitt wound up the event with thanks to the sponsors, judges, awards committee and audience.

For an interview with Watts and Shoemaker, visit jewishindependent.ca/meet-award-winning-artists and, for a review of Not in My Family, visit jewishindependent.ca/a-grandfathers-sins.