Rabbi Schneur and Bina Druk and family (photo from Chabad of Whistler)
Rabbi Schneur and Bina Druk and their two children have recently made Whistler their home.
Rabbi Druk was ordained at the central Chabad-Lubavitch rabbinical seminary in Brooklyn and has served Jewish communities across North America and around the world, leading Shabbat services, holiday programs and outreach initiatives in a wide range of settings. His approach is guided by listening to the unique needs of each community and creating a welcoming, inclusive environment.
Bina Druk, a Toronto native, has extensive experience in Jewish education and community engagement, having taught in Jewish schools and held leadership roles at Chabad centres in Toronto and New York.
The Druks are excited to serve Whistler and the Sea-to-Sky corridor and to help ensure that every Jew, resident or visitor, has a place to connect with Jewish tradition, learning and community.
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The Jewish Museum and Archives of British Columbia has appointed Eli Klasner as its new executive director.
Eli Klasner (photo from JMABC)
Klasner brings decades of leadership experience in arts, culture and community development, most recently in Prince George and north central British Columbia, where he played a key role in strengthening cultural infrastructure and fostering inclusive creative communities. His work there included the development of new arts facilities, as well as the revitalization of civic venues.
In addition to his work in the arts, Klasner was instrumental in organizing and supporting the Jewish community in north central British Columbia,
As executive director, Klasner will lead JMABC’s strategic direction, oversee development, public programming and archival initiatives, and work closely with partners across the Jewish and cultural sectors in the province.
“I am incredibly honoured to be joining the Jewish Museum and Archives of BC,” said Klasner. “JMABC plays a vital role in preserving and sharing Jewish history and lived experience in this province. I am excited to … help expand the organization’s work and capacity over the coming years, and to be collaborating with the many Jewish organizations in BC that make this province so rich and dynamic.”
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The Gotta Sing! Gotta Dance! production of Law Law Land has won a BroadwayWorld Regional Award for best theatre for young audiences production. The musical theatre summer program based at the Jewish Community Centre of Greater Vancouver was runner up for the award for best ensemble.
The awards honoured regional productions, touring and other shows that had their first performance between Oct. 1, 2024, through Sept. 30, 2025. Law Law Land, written by Perry Ehrlich and David Hudgins, was the show that last summer’s Gotta Sing! Gotta Dance! participants worked towards and performed at the end of their respective sessions.
The 2026 Gotta Sing! Gotta Dance! program runs July 7-30 and Aug. 4-27. For an audition, apply online at jccgv.com or gottasinggottadance.ca by April 1.
In her talk at the White Rock South Surrey Jewish Community Centre on Nov. 23, Elana Wenner articulated what many in the room felt: that understanding our local history is not only a matter of dates and facts, but of recognizing the people and decisions that shaped Jewish life in British Columbia.
Wenner is director of programming and development at the Jewish Museum and Archives of British Columbia (JMABC). She offered participants at the WRSS JCC an opportunity to learn, ask questions and connect with a narrative that continues to inform how communities develop today.
Elana Wenner, director of programming and development at the Jewish Museum and Archives of British Columbia. (photo from JMABC)
Wenner framed the museum’s work as a living effort: one rooted in storytelling, preservation and accessibility. Since its founding in 1971, the museum has aimed to collect and safeguard materials that reflect the breadth of Jewish life across the province. While the JMABC’s office is in Vancouver, the physical archives are in Steveston, and much has been digitized. The museum’s holdings include an extensive collection of photographs, oral histories, community records and artifacts that trace the evolution of BC Jewish communities from the 1850s to the present. As Wenner explained, the goal is not only to document the past, but to continually bring it forward through tours, public programs and exhibitions that invite ongoing engagement.
A significant portion of the talk focused on the formation of early Jewish communities here, with Victoria serving as the central example. Wenner outlined how Jewish settlement in the province grew in tandem with broader economic shifts – particularly, the Fraser River Gold Rush of 1858, which drew thousands of newcomers, including Jews, arriving largely from San Francisco. Unlike many immigrant populations fleeing hardship, early Jewish settlers often came from stable or middle-class backgrounds, equipped with professional experience and communal networks established during prior periods of Jewish emancipation in Western Europe. This shaped the type of roles they took on upon arriving in British Columbia.
Rather than heading directly into the goldfields, Jewish settlers tended to create the infrastructure that supported the prospectors. Businesses, supply stores and service-oriented ventures were the backbone of Jews’ early contributions. By the 1860s, Jews owned a notable portion of the establishments in Victoria’s commercial district, helping transform what was still a young settlement into a functioning hub. One example highlighted in the talk was the Victoria Dry Goods Store, run by Kady Gambitz. Far more than a retail space, the store became a gathering point where members of the small but growing Jewish community could meet, organize, and exchange news. It became, as Wenner described, “a community centre before the community had a centre.”
This comment led into a discussion about what it takes to build a Jewish community from the ground up. Drawing on both historical evidence and contemporary observations, Wenner outlined several elements: a critical mass of people, stability and safety, access to kosher food and religious rituals, a cemetery, communal leadership and, eventually, the capacity for self-organization. In Victoria, one of the first formal steps was the creation of the Victoria Hebrew Benevolent Society around 1860/61, which coordinated charitable efforts and helped fund essential communal needs, including education and welfare. The society’s earliest priority, Wenner noted, was establishing a Jewish cemetery; a cornerstone of Jewish communal life reflecting the importance of honouring the dead according to tradition.
Wenner also spoke about the construction of Victoria’s Congregation Emanu-El. While today it stands as the oldest continuously operating synagogue in Canada, its path to completion was complicated. Tensions between more reform-minded members, who preferred a church-like architectural style, and traditionalists, who insisted on a recognizably Jewish structure, stalled progress. The turning point came through the efforts of the Victoria Ladies Hebrew Aid Society. Through fundraising events, including a community ball that attracted attendees from across the city, they raised sufficient funds to move the project forward. In the end, both visions were incorporated: a subdued exterior aligned with contemporary preferences and a traditional interior complete with a women’s gallery. The synagogue, completed in 1863, remains a testament to compromise, cooperation, and the decisive leadership of Jewish women, who often worked behind the scenes.
Throughout the presentation, Wenner emphasized how women’s contributions extended far beyond fundraising. They maintained communal spaces, organized cultural events and helped establish social services that supported families and newcomers. Their work, preserved through handwritten receipts, event notes and donation lists – all of which can be found in the archives – highlights a broader pattern: that community endurance is rarely the work of a few visible leaders, but of the collective efforts of many.
Wenner also touched on the political influence of early Jewish settlers. Figures such as Lumley Franklin, Victoria’s mayor and the first elected Jewish mayor in North America, and David Oppenheimer, Vancouver’s second mayor, were presented not merely as historical footnotes but as individuals whose civic engagement reflected the integration and ambition of the province’s early Jewish community. Henry Nathan, Canada’s first Jewish member of Parliament, who represented Victoria in Ottawa, and Samuel David Schultz, the country’s first Jewish judge, further illustrate the ways in which Jews have contributed to the shaping of public life in the region since they arrived.
As Wenner’s talk moved into the Q&A session, attendees asked about migration patterns, economic networks, and how early Jewish settlers balanced maintaining tradition with adapting to a rapidly developing province. Wenner’s responses blended archival detail with broader social insight, giving the discussion a conversational quality that matched the curiosity in the room.
By the end of her presentation, what emerged most clearly was a sense of continuity. Early Jewish settlers faced many of the same issues we do today surrounding organization, leadership, collaboration and identity. The history Wenner shared was not distant; it was grounding. It provided a reminder of how communities form, evolve and endure through intention and shared purpose.
Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.
Elana Wenner (with folder) leads the Jewish Museum and Archives of British Columbia walking tour of Jewish Strathcona. (photo from JMABC)
Having taken the Jewish Museum and Archives of British Columbia’s tour of Jewish Strathcona, I know firsthand how interesting and worthwhile it is. This summer, there will be a little more swing to the July 27 tour – Kol Halev Performance Society will once again take part, but in an expanded role.
“Kol Halev has created a script for theatrical additions to the tour, along with musical components. Actors in full period costume will accompany the group and act out key scenes from the stories told along the way,” Elana Wenner, director of programming and development at the museum, told the Independent. “A full musical dance number is included as well, along with a reenactment of a wedding that mirrors cultural traditions from the past.”
Wenner got in touch with Sue Cohene, co-founder and current president of Kol Halev, after having taken some theatrical tours produced by other museums in the city and elsewhere.
“In the past,” said Wenner, “Kol Halev has put on productions based on BC Jewish history in conjunction with JMABC, before I worked here.”
“Kol Halev has been involved with the Jewish Museum since 2006, performing at their various galas and special events over the years,” Cohene explained. “In 2017, the museum created a photographic exhibit, shown alongside Kol Halev’s historically based play, Two Views from the Sylvia, which was presented at the Waterfront Theatre.
“Kol Halev Performance Society and the Jewish Museum and Archives have a long-standing collaboration and we update the museum on a regular basis about our shows, community teachings and future plans.”
A couple of years ago, said Cohene, Marcy Babins, interim executive director of the museum, suggested that she meet with Wenner, then the newly appointed director of programming and development, to discuss possible joint ventures.
“Connecting with Elana has been like carrying on a family tradition,” said Cohene. “Elana’s grandmother, Irene Dodek, was instrumental, along with Dr. Rabbi Yosef Wosk, in bringing Kol Halev on board to provide entertainment and theatrical historical education for Jewish Museum projects. Elana’s mother, Dr. Gail Wenner, has danced with Kol Halev and continues to share her creativity by creating historically influenced hats for our performers.”
Last summer, Kol Halev added a Yiddish dance performance to complement one of Wenner’s Jewish Strathcona walking tours. This summer, actors from the performance group will portray early Jewish community leaders during the tour, in addition to weaving in some traditional dance pieces.
Cathy Moss, one of Kol Halev’s main writers since the group was established, worked with the research provided by Wenner to create a script.
“Elana shared the tour route and basic information about Strathcona historical community leaders from the early 1900s to the 1940s,” said Cohene. “She kindly led Kol Halev on the tour, where we all looked at locations that could accommodate acting and dancing.”
“Elana did a great job compiling the research on the area,” said Moss. “Once I took the tour, it was easy to see what a compelling cast of characters inhabited Strathcona in the early days. It was fun to write dialogue for such interesting and lively folks.”
Moss relied on the museum’s material for each location along the tour, writing the dialogue for the characters based on the biographical details and context Wenner provided.
“The tour is great and informative on its own,” said Moss. “I would add that inviting Kol Halev to be part of it was an excellent idea. It adds another dimension that makes the experience that much more enjoyable. The wedding dance in particular will be appreciated by the tour-takers. It’s very entertaining.”
Kol Halev rehearses the Patsh dance, choreographed by Santa Aloi. The group will dance and act in the July 27 JMABC Strathcona walking tour. (photo by Adam Abrams)
Kol Halev has several on-site rehearsals planned before the shows in which they’re participating – the July 27 public tour and a private tour in late June – “particularly to familiarize dancers and actors who were not involved last year,” said Cohene.
“We will have between eight and 10 dancers this summer and a few actors,” she said. “It’s a small working production that has room to grow.”
Cohene will be part of the performances.
“I’ll be playing a mother-in-law role in the 1940s wedding dance, which was choreographed by Tamara Thompson Levi,” she said. “I’ll also tap dance in the Yiddish Patsh dance choreographed by Santa Aloi.”
Wenner leads the Strathcona walking tours.
“This tour is a journey through the footsteps and choices made by the first community leaders in Vancouver,” she said. “It follows in the footsteps of community-building, highlighting the institutions and people who laid the groundwork for today’s thriving Jewish Vancouver institutions. Along the way, we see buildings that held components of the first Jewish community organizations, as well as the homes of some of the first leaders. We also explore the ideas of what Jewish community requires in general, and what it was like to live as a Jew in this part of the world at the turn of the last century. The tour is a synthesis of past and present, weaving together the origins and future of Vancouver’s Jewish community.”
The Jewish Museum has four different walking tours on offer this summer. In addition to the Strathcona neighbourhood tours led by Wenner on July 13 and 27, Aug. 10 and 24, Daniella Givon leads tours of the Mountain View Jewish Cemetery on July 6 and Aug. 10. In Victoria, Amber Woods leads both the Downtown (July 6 and Aug. 10) and Jewish cemetery (July 20 and Aug. 24) tours. All the walks start at 10:30 a.m. For tickets, visit jewishmuseum.ca, email [email protected] or call 604-257-5199.
The bright, happy cover of The Scribe Summer Camps Issue, which was released last month by the Jewish Museum & Archives of British Columbia (JMABC), draws readers right in. The 95-page magazine-format journal is packed with colour photos of campers having a great time, doing some amazing things in the beautiful place we live, the Pacific Northwest.
The issue features seven camps. In the order they are presented, they are overnight options Camp Miriam (Gabriola Island, BC), Camp Hatikvah (Okanagan Valley, BC), Camp Solomon Schechter (near Olympia, Wash.), Camp Kalsman (Arlington, Wash.) and Sephardic Adventure Camp (Cle Ulum, Wash.), and day options Camp Gan Israel (Vancouver) and the Jewish Community Centre of Greater Vancouver’s Camp Shalom. The basic structure of each profile is an overview of the camp and its history, then oral history segments from camp directors; all the overnight camp sections include interviews with former campers, as well.
Many Jewish Independent readers will recognize the names at least of most of the former attendees of the BC overnight camps: Bernie Simpson, Selina Robinson, Robert Krell, David Levi, Danya Rogen, Sam Gutman, Ted Zacks, Arthur Dodek, Stephen Glanzberg, Susan Fine and Kayla Cohen. And, from the Jewish Independent’s annual Camp Guides, many of the directors and staff might even be familiar: Leah Levi (Miriam), Liza Rozen-Delman (Hatikvah), Zach Duitch (Solomon Schechter), Rabbi Ilana Mills (Kalsman), Rabbi Dovid and Chaya Rosenfeld (Gan Israel) and Ben Horev (Camp Shalom).
The one camp that was new to the JI was a long-established one, Sephardic Adventure Camp, whose director is Rabbi Kenneth Pollack. It’s been around for decades and yet hadn’t crossed our radar. There are always things to learn!
In the interviews, people talk about how they became involved with their camp, how it is/was to work there, what makes/made their experience special. They are also asked why Jewish camps are important in their view, what they have learned, in what ways camp inspired them, and more.
Interviewees share some of their personal history, as well as answer more light-hearted queries, like “Your favourite food served at camp?” “Your favourite day at camp?” “If you were still attending camp, what activity would you want to excel at?” “If you weren’t working in the career you’re in, what would you be?”
As unique as all the camps are, there is overlap of such things as activities offered, lessons learned, inspirations gained, even though some camps are more ideological, some place more emphasis on Judaism and religious observance, others prioritize sports and outdoor life.
“Regardless of ideology or format,” writes Elana Wenner, the museum’s director of programming and development, in her introduction, “the camps are united in their intention to organically build community through immersive and engaging experiences.”
She observes: “Through the articles in this publication, three overarching themes emerge that serve to unite the experiences shared at all seven camps. They are: 1. The role of the personal camp experience as a grounding point for Jewish self-identity; 2. The influence of Jewish camp experience on personal values and ideals; and 3. The integral link between Jewish summer camp attendance and Jewish community involvement, both in childhood and later in life.”
While there is much data to support the personal and communal benefits of Jewish camp, there’s nothing like personal expressions to bring that message home.
“The personal stories shared by alumni and staff and supporters reveal how these camps forge deep, lasting connections that extend well beyond the summer months,” writes archivist Alysa Routtenberg in the journal’s concluding section. “These connections create a network of relationships that continue to enrich participants’ lives and bolster their sense of belonging.”
And Routtenberg underscores the need to preserve, as the JMABC does, these experiences through oral histories.
“By recording and sharing these stories,” she writes, “we ensure that the essence of Jewish summer camps is preserved for future generations, offering them a window into a cherished aspect of Jewish life.”
That includes the serious and the less serious of life. Reading about how Jewish summer camp allowed people to connect more deeply with their Jewish identity, learn valuable personal and professional lessons, make lifelong friends and more, is as interesting as discovering that anyone has a favourite camp food and what camp activity people would have wanted to excel at.
Carol Crenna was the managing editor and features writer for this edition of The Scribe; Sonia Bishop, graphic designer. Among the many people who donated their time and skills to getting the journal to publication were Heather Glassman Berkowitz, as copy editor, and Helen Aqua and Judith Gurfinkel, who chair the Scribe committee, were editorial consultants. Other volunteers acted as interviewers and transcribers. The journal committee is Aqua, Gurfinkel, Glassman Berkowitz, Gary Averbach, Debby Freiman, Daniella Givon (president of the JMABC board), Barb Schober and Ronnie Tessler.
The Camp and other issues of The Scribe can be purchased from the museum and archives for $20. Call 604-257-5199 or email [email protected].
School girls, Lord Strathcona School, 1915. The JMABC Walking Tours take participants on a journey through the girls’ Strathcona neighbourhood, as well as to the Mountain View Jewish Cemetery, where many of the community’s pioneers are buried. (JMABC L.00172)
This summer, the Jewish Museum and Archives of British Columbia is once again offering opportunities for time travel. JMABC Walking Tours are back, taking guests on an immersive journey into Vancouver’s Jewish past. All you need to bring for the journey is your curiosity – and a hat and water!
The Jewish presence in British Columbia goes back 166 years, to the days before Vancouver was established as a city. Early Jewish immigrants arrived in the region during the 1850s Klondike Gold Rush, along with masses of other hopefuls seeking fortune in the wilderness of the BC Interior. Unlike their contemporaries, early Jewish gold-seekers did not head to the mines. Instead, they opted to sell supplies to those seeking gold. In the mines, there was no guarantee that gold would be found; in the shops, even unsuccessful miners needed provisions, thus guaranteeing an income for the shopkeepers.
The earliest Jewish community in the province was based in Victoria. It was primarily made up of businessmen and their families, who had profited during the gold boom. As the rush petered out, Jewish-owned outfitter shops transformed into general stores or niche market suppliers that specialized in items such as stoves, fabric, dry goods and other essentials, updating their stock as necessary to meet the changing needs of the times. When Vancouver was officially established in 1867, Jewish storefronts in Gastown were among some of the earliest establishments along the main thoroughfare of Water Street.
Eventually, attention in the region turned away from mercantile pursuits and towards the burgeoning real estate market. With the completion of the CPR and the dedication of Vancouver as its terminus station, the railway company began selling off large packages of land that had been taken from Indigenous communities. Real estate investors jumped at the opportunity, and Jewish businessmen were among some of the first investors in what would later become the residential and commercial neighbourhoods of Downtown Vancouver. As the city expanded, surveyor groups purchased large swaths of the forested area to the south, which now comprises the bulk of the City of Vancouver. During this time of growth, Jewish real estate moguls were instrumental in securing space for a Jewish section within the then-newly established Mountain View Cemetery.
Around this time, the whispers of two core Jewish neighbourhoods sprang up: the West End, where those with more resources and status would settle; and the East Side, where immigrants and other lower-income families would congregate. The latter neighbourhood, Strathcona, was the closest residential area to the hub of the city. While the Jewish community eventually moved towards Fairview Slopes and Oak Street in the 1950s, the Strathcona neighbourhood continues to stand as a testament to the historic challenges and achievements of British Columbia’s early immigrants.
The JMABC walking tours seek to engage audiences in the remarkable structures and values that have contributed to Jewish life here over its history. Each tour introduces participants to the iconic characters, stories and cultural phenomena that formed the Jewish community’s foundations, and it is hoped that participants emerge from each experience with greater insight and new perspectives, inspired to continue building the legacy of the community in Vancouver.
Jewish Strathcona: The Architecture of Community-Building (JMABC Walking Tours July 7, July 21 and Aug. 18, at 11 a.m.)
Since the city’s early beginnings, Vancouver’s East Side neighbourhhood of Strathcona has been home to multiple waves of immigrant communities. From the 1880s through the mid-20th century, Jewish immigrants were among the ethnic minorities that claimed these streets as home. As early as the 1850s, these Jewish pioneers were establishing essential services and buildings to accommodate the vision of a thriving Jewish community.
The JMABC tour of Strathcona highlights the themes of social welfare, family and tradition as cornerstones of Jewish communal development. The tour follows the journey of early immigrants to this area and the paths they took to found and build communal structures and social groups. Through the magic of storytelling, participants are transported back in time and immersed in the experiences of those who laid the groundwork for the expansive Metro Vancouver Jewish community we have today.
Mountain View Jewish Cemetery: Exploring Common Grounds (JMABC Walking Tours July 14 and Aug. 4, 3 p.m.)
Despite its context and location, this tour is all about life! Like its sister tour in Strathcona, this experience transports audiences back in time to get to know the once-lively personalities of the people buried in the Mountain View Jewish Cemetery. Tour participants are encouraged to engage with the space and explore the unique aspects of the surroundings, looking beyond the façades of stone and dirt to understand the deeper nuances of this historic site. Using an audience-guided model, this tour can be repeated multiple times, with variable content and direction, stemming from three focal themes: the people, the stones and the stories. Each area of focus gives its audience new perspectives on the significance and role of a cemetery as a foundational pillar of Jewish community.
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To join a tour or to book a private one, contact the JMABC office at 604-257-5199 or [email protected].
– Courtesy Jewish Museum and Archives of British Columbia
Elana Wenner, who became the director of programming and development at the Jewish Museum and Archives of BC (JMABC) on Aug. 1, brings an enthusiasm and desire to make the stories of the local Jewish community better known and more meaningful.
Born and raised in Vancouver, one of Wenner’s aims is to stress the stories of Jewish people in British Columbia and how all can benefit from, and are connected to, those first Jews who came to the province.
“The story is not just history, it is an ongoing, living story that we are all part of,” she said. “It is something that includes every single Jewish person in BC. We are preserving, maintaining and sharing the stories, but I would also add … we are helping to create new ones.”
Before working at JMABC, Wenner, who obtained a bachelor’s and a master’s in Jewish studies from McGill and Concordia, respectively, taught at King David High School and Vancouver Talmud Torah, schools she herself attended growing up here.
“Coming into this job combines my two-dimensional interest in history and my interest in education, and bringing stories to life to not just children but anyone who is interested,” she said.
Another of Wenner’s goals at the museum is to make exhibits not merely interesting but accessible and enjoyable, believing people will remember things when they feel a strong emotional connection with it.
“My philosophy of education is always about interactive, experiential education – things that people can actually be a part of and interact with instead of just being part of an audience,” she explained. “The idea is people will come, interact and engage with the story and be able to walk away with a piece of it that is a part of them.”
Wenner’s experience as a teacher will help in dealing with any possible challenges the new position may bring, she said. “I have discovered that teaching is a great place to figure out things because it includes the skills one needs for any other job.”
Since starting in August, Wenner has been busy researching places and venues, interacting with current donors, making sure that members are keeping up with their annual contribution and seeking donors elsewhere, as well as handling grant applications and marketing. She is also managing the JMABC social media accounts and providing informational fliers about the museum to synagogues during the High Holiday season.
“I am trying to get awareness of who we are, as many people did not know there is a Jewish museum in Vancouver and I would like the word out there that we exist because we have a lot to share,” she said.
“The history of Jewish Vancouver is such a good story and it deserves to be told [but] so many people just don’t know about it,” she added. “I am lucky to be one of the few who has spent some time digging deeper into this story.”
Wenner herself descends from a family that has been in Canada a long time by local Jewish standards – her ancestors arrived in Saskatchewan in 1888 – and that, she said, helped spark her interest in history and, specifically, Jewish history.
“My ancestors took photos of everything on a Brownie camera,” she recalled. “They developed their own film and it’s almost as if some of them are selfies. They were taking photos of casual life. It is rare to find non-formal photos of that period. You see what life was like, you see how people dressed.”
Daniella Givon, president of JMABC, said of Wenner’s arrival at the museum, “The board of JMABC is very excited to welcome Elana. Elana is full of energy and has a vision for the organization and her role in it. She has been familiar with JMABC since a young age, and has always cared about the organization. We feel fortunate to have her aboard.”
JMABC has several events scheduled for the coming year. On Nov. 21, the museum will hold its annual general meeting, which will feature the launch of Land of Hope: Documents on the Canadian Jewish Experience (1627-1923), edited by Richard Menkis and Pierre Anctil.
Later this fall, in partnership with Jewish Family Services, JMABC will put together the Supper Club, a series of dinners designed to share food and stories that reflect the diversity of the Jewish community in the province. Past menus have included Sephardi meatballs, namoura (orange cake) and Syrian-Argentinian fusion.
For the spring, Wenner is planning a pop-up exhibit that will showcase the original JMABC collection, when it used to be situated at the Jewish Community Centre of Greater Vancouver. “We are hoping to revamp the exhibit and connect the story to where the Jewish community in Vancouver is today,” she said.
During warmer periods of the year, JMABC will continue to offer historic walking tours of Mountain View Cemetery and the Oakridge, Strathcona and Gastown neighbourhoods.
To find out more and to view current online exhibits, visit jewishmuseum.ca.
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Residents of Prince George might be forgiven for thinking there is more than one person named Eli Klasner in their midst. Among his many concurrent pursuits, the Toronto native is directing the Community Arts Council of Prince George, leading a fundraising initiative for Ukrainian refugees and serving on the board of the Jewish Museum and Archives of British Columbia.
Living in Prince George is the fulfilment of a lifelong dream for Klasner. Since childhood, he had entertained the notion of living on the Canadian frontier or the Far North. When he was younger, he also made a commitment to himself that, by the time he celebrated his 40th birthday, he would do whatever it was that excited him.
For philanthropist Eli Klasner, living in Prince George is a dream come true. (photo from Eli Klasner)
As events unfolded, he was able to do just that after running businesses in Toronto and Vancouver. In 2017, while Klasner was working for a nonprofit, the possibility of moving to Prince George presented itself.
“I was just charmed by the roughness and climate adversity and, significantly, by the opportunities I saw both as a participant in arts and culture but also to identify that there are Jewish people here and in this area,” Klasner told the Independent.
The friendliness and accessibility of locals reaffirmed his desire to stay. “Soon after I was here, I visited City Hall and asked who is the mayor? ‘Well, that’s his office there. If you want to say hello, just go on in and introduce yourself.’ I like that. Coming from Toronto, you don’t just walk in and put your feet up on the mayor’s table. I thought that was very appealing,” Klasner recalled.
His executive director position with the arts council quickly transformed into a full-time schedule as he came to realize that the city could use support with its arts facilities. Klasner’s role in Prince George’s artistic rejuvenation includes working on a new creative hub, a new performing arts centre and, in March, the gala opening of a retired heritage church that was turned into a concert hall.
“Taking the executive director job here helped solidify that I need to settle down and find a place to live permanently. At that point in my life, I thought a lovely arts council with a lovely little gallery and gift shop would be a lot of fun,” said Klasner, who during his youth studied music in various European capitals.
For two years of his stay in Prince George, Klasner lived in a cabin in the woods, along with two hound dogs and two cats. “I moved a little off the grid,” he said. “That, for me, was the boyhood dream of living in the woods, chopping wood, growing a garden in the summer and being close to wildlife and nature. It was an amazing experience.”
Then came 2020. Klasner contracted the coronavirus at the outset of the pandemic. “COVID is an interesting part of the journey of being up here in this odd, unusual place,” he said. “It was certainly a challenge, but, also, when you live through something like that, you really come to appreciate life when you have good health, and the bounty that comes with good health.”
From a Jewish cultural perspective, one of Klasner’s recent projects has been the performance of Different Trains, a piece written for string quartet, with pre-recorded tape, by American Jewish composer Steve Reich that revolves around the Second World War and the Shoah. After being approached last year by the Prince George Symphony Orchestra, Klasner was able to arrange to have the work performed to mark Holocaust Remembrance Day this past January.
“I found it to be a remarkable process of respect and inclusion and terrifically ambitious for a small-town symphony to want to take on such a challenging and groundbreaking piece of music,” Klasner said.
Afterwards, several members of the local Jewish community were invited on stage to say a few words. The crowd, according to Klasner, was very moved by the event. “People got to sit, ask questions and talk about Holocaust and persecution. I found it a unique thing to happen in a place like Prince George. Where else is something like this done in Canada that does not have a significant Jewish population?”
Prince George, like other parts of northern British Columbia, Klasner noted, used to have a thriving Jewish community, starting with the immigrants who arrived in the 1880s. Many of the first local businesses were started by Jews, and the first Jewish female elected to public office in Canada was in Prince George, when Hanna Director became chair of the city’s school district.
From the Second World War to the 1970s, the community dwindled. The Sefer Torah that was in Prince George was sent down to Vancouver and is in storage.
However, there has been a resurgence in Jewish life, Klasner said. “What we started to do is hold community events around holidays and festivals, wanting to expose the young generation to the culture and history of Jewish celebrations and milestones, holidays and festivals. We are quite open to people who might want to come but who are not Jewish to see a Hannukah celebration and what kind of foods we eat around Rosh Hashanah, etc. There has been a lot interest in the community.”
The Jewish Museum and Archives, Klasner said, helped him understand some of the history and heritage of the Jewish community in the area. This, in turn, helped Klasner get other members of the community involved to share stories about what life in Prince George was like at one time or another. For example, there were photos of a seder in Prince George just after the war, when so many Jews wanted to be involved that a community hall had to be used.
“When there was an opening on the board of the Jewish Museum and Archives, I thought it was an opportunity to help them have province-wide representation, rather than just the Lower Mainland, the Island and the Okanagan,” he said.
Jewish values were integral in Klasner’s recent efforts to assist Ukrainian refugees in his community. When a new endowment fund was created to help the newcomers, he reached out to the organizers to help propel their fundraising.
“I was overwhelmed at the possibilities of life when people open up their hearts to strangers in their land and by the idea of opening up one’s heart and mind and wallet to people in the community – and what a Jewish attribute as well. Our families were once accepted here as refugees,” he said. “Our life on earth depends on the fact that Canada accepted refugees.”
From June 9 to 11, Prince George will host another of Klasner’s ventures, the B.C. Gourmet Arts Festival. Now in its second year, the event features scores of local artisans and presents culinary delights of the region and country.
“I love life and the opportunity to be busy and creative and help people and get involved,” Klasner said. “Life is awesome.”
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Jewish Museum and Archives of British Columbia releases its new publication Looking Back, Moving Forward after its AGM on Nov. 16.
The Nov. 16 annual general meeting of the Jewish Museum and Archives of British Columbia (JMABC) is the culmination of the museum’s 50th anniversary year of celebrations. The special occasion will not only feature Dr. Morton Weinfeld, Chair in Ethnic Canadian Studies at McGill University and author of numerous books on Canadian Jewry, but also the release of the new JMABC publication Looking Back, Moving Forward: 160 Years of Jewish Life in BC.
Taking place at Congregation Beth Israel, the 6 p.m. AGM will be followed by a reception at 7 p.m. and the keynote address. Weinfeld’s most recent publication is a revised and updated version of his book Like Everybody Else but Different: The Paradoxical Success of Canadian Jewry. His virtual presentation will highlight the unveiling of the JMABC’s Looking Back, Moving Forward.
Local historian Cyril Leonoff, who passed away in 2016, established what has become the JMABC with a group of volunteers in 1970. In his research on the B.C. Jewish community, he combed ship manifests and discovered that the first Jews to arrive in the province came to participate in the Gold Rush, in 1858.
The museum’s new book is a testament to the variety and tenacity of Jewish life all over British Columbia. The publication comprises interviews, archival research and community contributions from more than 200 B.C. Jewish community members and it includes more than 400 photos.
Organized into four sections, the book begins with a collection of essays on the history of Jewish life in various regions of the province. This section is followed by short descriptions of historic, modern and new Jewish agencies and organizations that serve(d) the social, cultural, political and religious interests of the Jewish community. Short biographies of notable B.C. Jewish figures from all areas of public and communal life make up the third part of the book. And, finally, a family-sponsored section gives some personal descriptions of a variety of families within the community.
A central mission of the JMABC is to raise awareness of the importance of everyday artifacts to the overall picture of Jewish history in British Columbia. Photos of a family barbecue or a trip to the beach, flyers, letters and other such memorabilia personalize history. Over the years, the museum has created exhibits, films, books and other research material, making its archives as accessible to the public as possible.
The JMABC is hoping to ride the wave of enthusiasm and support from the past year of 50th anniversary activities, as it continues its role as both keepers and disseminators of history within the community and as ambassadors of the Jewish community to broader B.C. society.
Copies of Looking Back, Moving Forward: 160 Years of Jewish Life in BC are now on sale through the JMABC website at a 10% discounted price up until Nov. 16. After the AGM, the price will increase to $50 in general and to $100 for the limited edition hardcover version.
A still from the documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection, showing photographer Ronnie Tessler. The documentary was directed by Sarah Genge and produced by the Jewish Museum and Archives of British Columbia.
The Jewish Museum and Archives of British Columbia is currently hosting Crackin’ Out, an online exhibit of photographs of rural Western Canadian rodeo from 1976 to 1980 by Ronnie Tessler, along with a short documentary by director Sarah Genge. In rodeo, the term “crackin’ out” means “the beginning of the new season, breaking out of the chute, or even breaking out new chaps.”
“These explosive words epitomize for me the spirit of rodeo and the cowboy way of life,” Tessler explained.
The idea to shoot the images began as a “fun photo expedition” to Williams Lake Rodeo in 1976 by four friends who were members of a photography group, the Vancouver Image Exhibition Workshop, which is known for bringing in acclaimed guest artists.
The group worked together for a year and, with the permission of the Canadian Cowboys Association, produced an exhibit at the Finals Rodeo in Edmonton in 1977. Tessler worked independently for the next two years, documenting life at rodeos throughout the west, from British Columbia to Manitoba and into the northwest corner of the United States. Aspiring for objectivity, she realized it was not attainable.
“I wanted to know more about the cowboys, what went on behind the chutes and on the road and what motivated them to take on the challenges they did unsupported by a team or steady income,” Tessler said.
The exhibit takes the viewer not only to the action, the cowboys riding – and falling – but also to the personal and the life surrounding the event: the preparations, the traditions, the camaraderie and the love. The photos evoke an emblematic sense of a particular era in Western Canadian life.
Grouped into three chapters – “Before the Rodeo,” “The Rodeo” and “After the Rodeo” – each photograph is accompanied by stories, observations and explanations from Tessler that encapsulate the feeling that existed the moment each image was taken.
A novice rider at the John Quintana Bull-riding School in Oregon, 1978. Photo taken by Ronnie Tessler. Part of the Crackin’ Out online exhibit.
These images are what photographer Henri Cartier-Bresson, who is referred to in the exhibit, called “the decisive moment.” Or, as scholar John Suler, also quoted in the exhibit, described as “the moment when the visual and psychological elements of people in a real-life scene spontaneously and briefly come together in perfect resonance to express the essence of that situation.”
Rodeo was the first large, thematic body of work that Tessler did. Every project she undertook, she said, began when she “noticed themes coming out on my contact sheets and felt there was something I wanted to pursue. Each took about three years.”
Tessler’s Crackin’ Out was followed by her next major work, Israeli Suite, which was photographed over several visits to Israel. There was no similarity between these bodies of work and her last large project was different still – Jewish life in the West Kootenays.
As for the Jewish connections to the rodeo exhibit, Tessler observed, “I didn’t meet another Jew the entire time and did not encounter or make use of any specific Jewish values while doing the work. Many cowboys knew I was Jewish, and one asked what I was doing photographing a bull-riding school instead of watching Shoah on TV every night. I did enjoy the uniqueness of being an urban, Jewish woman with a family ‘goin’ down the road,’ putting myself on the line to record another way of life.”
Genge’s documentary Crackin’ Out: The Ronnie Tessler Rodeo Collection is part of the exhibit. It expands on the legacy of Tessler’s photography by exploring a multitude of perspectives on rodeo from such people as a stock contractor, a curator, a child of rodeo, a cowboy, an artist and a professor, as well as the archives intern who processed the collection.
“One photograph does not illustrate one idea. By speaking with eight different people, my aim was to bring their collection of voices together to elucidate an ever-shifting narrative of an image,” Genge said. “This film offers a brief glance at some of the distinct and disparate angles that create a multifaceted and, at times, conflicted understanding of Western Canadian rodeo.
“I endeavoured with this film to present aspects of rodeo frequently left untold, specifically its importance to Indigenous people, women and LGBTQ+ communities. It should be noted that, much like Tessler’s inherent presence in capturing these photographs, my subjectivity in curating them is unavoidable,” she added. “I am an unreliable witness who, six months ago, had never set foot at a rodeo, so my bias as an outsider is present throughout.”
The exhibit, which can be found at jewishmuseum.ca/exhibit/crackin-out, also features an hour-long video of its April 21 launch, which includes discussions with Tessler and Genge.
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Kind Café’s carrot lox is just one of the foods you’ll hear about during the podcast’s second season. (photo by Tosha Lobsing)
Looking for something to listen to? The Jewish Museum and Archives of British Columbia’s podcast The Kitchen Stories is back!
The Kitchen Stories explores culture, identity and community goings-on through conversations about food. Many of us have missed being able to connect with loved ones over food during the COVID-19 pandemic, and our relationships to shared meals and gatherings have had to shift. The Kitchen Stories is a chance to tune in to those food and community connections we’ve all been craving.
In the first episode of The Kitchen Stories’ new season, Michelle Dodek tells listeners about her family’s traditional Rosh Hashanah lunch. (photo from Michelle Dodek)
I’ll be chatting with kosher food suppliers, holiday meal super-hosts, and other community leaders and members about all things food. And, in keeping with Season 1, the themes we’ll be exploring this time around are varied and guests will weigh in from different perspectives and experiences. While most of the topics covered are new, we’ll be checking back in on the state of food (in)security in the Greater Vancouver Jewish community, and the organizations at the forefront of tackling it, later on in the season.
I’ve also shaken things up a little, and a few of this season’s episodes consist of longer-form interviews with guests who’ve done a lot of thinking about Judaism and Jewish food, and the ties between the two.
As I’m sure you’ve experienced, when we set out to talk about food, we inevitably end up getting into so much more. I’ve had a great time discussing with my guests their views on questions like, How can we draw from Jewish tradition to help others? How can we use food to break down barriers in our community? Is being vegan a Jewish activity? I even put on my detective hat and dug deep into the mysteries of a secret family recipe.
The universality of food and its many symbolisms mean that every episode of The Kitchen Stories is different from the last and, just like a big holiday meal, we’ve got something for everyone.
The first few episodes of Season 2 of The Kitchen Stories will hit the airwaves starting March 4, with new episodes released weekly after that. You can subscribe wherever you get your podcasts. You can also check out Season 1 episodes at jewishmuseum.ca/the-kitchen-stories, on Spotify, or on Apple Podcasts.
Liana Glassis producer and host of The Kitchen Stories, Season 2.
