Jewish Museum and Archives of BC

A tour with extra pep

Elana Wenner (with folder) leads the Jewish Museum and Archives of British Columbia walking tour of Jewish Strathcona. (photo from JMABC)

Having taken the Jewish Museum and Archives of British Columbia’s tour of Jewish Strathcona, I know firsthand how interesting and worthwhile it is. This summer, there will be a little more swing to the July 27 tour – Kol Halev Performance Society will once again take part, but in an expanded role.

“Kol Halev has created a script for theatrical additions to the tour, along with musical components. Actors in full period costume will accompany the group and act out key scenes from the stories told along the way,” Elana Wenner, director of programming and development at the museum, told the Independent. “A full musical dance number is included as well, along with a reenactment of a wedding that mirrors cultural traditions from the past.”

Wenner got in touch with Sue Cohene, co-founder and current president of Kol Halev, after having taken some theatrical tours produced by other museums in the city and elsewhere.

“In the past,” said Wenner, “Kol Halev has put on productions based on BC Jewish history in conjunction with JMABC, before I worked here.”

“Kol Halev has been involved with the Jewish Museum since 2006, performing at their various galas and special events over the years,” Cohene explained. “In 2017, the museum created a photographic exhibit, shown alongside Kol Halev’s historically based play, Two Views from the Sylvia, which was presented at the Waterfront Theatre.

“Kol Halev Performance Society and the Jewish Museum and Archives have a long-standing collaboration and we update the museum on a regular basis about our shows, community teachings and future plans.”

A couple of years ago, said Cohene, Marcy Babins, interim executive director of the museum, suggested that she meet with Wenner, then the newly appointed director of programming and development, to discuss possible joint ventures.

“Connecting with Elana has been like carrying on a family tradition,” said Cohene. “Elana’s grandmother, Irene Dodek, was instrumental, along with Dr. Rabbi Yosef Wosk, in bringing Kol Halev on board to provide entertainment and theatrical historical education for Jewish Museum projects. Elana’s mother, Dr. Gail Wenner, has danced with Kol Halev and continues to share her creativity by creating historically influenced hats for our performers.”

Last summer, Kol Halev added a Yiddish dance performance to complement one of Wenner’s Jewish Strathcona walking tours. This summer, actors from the performance group will portray early Jewish community leaders during the tour, in addition to weaving in some traditional dance pieces.

Cathy Moss, one of Kol Halev’s main writers since the group was established, worked with the research provided by Wenner to create a script.

“Elana shared the tour route and basic information about Strathcona historical community leaders from the early 1900s to the 1940s,” said Cohene. “She kindly led Kol Halev on the tour, where we all looked at locations that could accommodate acting and dancing.”

“Elana did a great job compiling the research on the area,” said Moss. “Once I took the tour, it was easy to see what a compelling cast of characters inhabited Strathcona in the early days. It was fun to write dialogue for such interesting and lively folks.”

Moss relied on the museum’s material for each location along the tour, writing the dialogue for the characters based on the biographical details and context Wenner provided.

“The tour is great and informative on its own,” said Moss. “I would add that inviting Kol Halev to be part of it was an excellent idea. It adds another dimension that makes the experience that much more enjoyable. The wedding dance in particular will be appreciated by the tour-takers. It’s very entertaining.”

photo - Kol Halev rehearses the Patsh dance, choreographed by Santa Aloi. The group will dance and act in the July 27 JMABC Strathcona walking tour — Kol Halev rehearses the Patsh dance, choreographed by Santa Aloi. The group will dance and act in the July 27 JMABC Strathcona walking tour. *(photo by Adam Abrams)*

Kol Halev has several on-site rehearsals planned before the shows in which they’re participating – the July 27 public tour and a private tour in late June – “particularly to familiarize dancers and actors who were not involved last year,” said Cohene.

“We will have between eight and 10 dancers this summer and a few actors,” she said. “It’s a small working production that has room to grow.”

Cohene will be part of the performances.

“I’ll be playing a mother-in-law role in the 1940s wedding dance, which was choreographed by Tamara Thompson Levi,” she said. “I’ll also tap dance in the Yiddish Patsh dance choreographed by Santa Aloi.”

Wenner leads the Strathcona walking tours.

“This tour is a journey through the footsteps and choices made by the first community leaders in Vancouver,” she said. “It follows in the footsteps of community-building, highlighting the institutions and people who laid the groundwork for today’s thriving Jewish Vancouver institutions. Along the way, we see buildings that held components of the first Jewish community organizations, as well as the homes of some of the first leaders. We also explore the ideas of what Jewish community requires in general, and what it was like to live as a Jew in this part of the world at the turn of the last century. The tour is a synthesis of past and present, weaving together the origins and future of Vancouver’s Jewish community.”

The Jewish Museum has four different walking tours on offer this summer. In addition to the Strathcona neighbourhood tours led by Wenner on July 13 and 27, Aug. 10 and 24, Daniella Givon leads tours of the Mountain View Jewish Cemetery on July 6 and Aug. 10. In Victoria, Amber Woods leads both the Downtown (July 6 and Aug. 10) and Jewish cemetery (July 20 and Aug. 24) tours. All the walks start at 10:30 a.m. For tickets, visit jewishmuseum.ca, email [email protected] or call 604-257-5199.

Celebration of Jewish camps

The bright, happy cover of The Scribe Summer Camps Issue, which was released last month by the Jewish Museum & Archives of British Columbia (JMABC), draws readers right in. The 95-page magazine-format journal is packed with colour photos of campers having a great time, doing some amazing things in the beautiful place we live, the Pacific Northwest.

The issue features seven camps. In the order they are presented, they are overnight options Camp Miriam (Gabriola Island, BC), Camp Hatikvah (Okanagan Valley, BC), Camp Solomon Schechter (near Olympia, Wash.), Camp Kalsman (Arlington, Wash.) and Sephardic Adventure Camp (Cle Ulum, Wash.), and day options Camp Gan Israel (Vancouver) and the Jewish Community Centre of Greater Vancouver’s Camp Shalom. The basic structure of each profile is an overview of the camp and its history, then oral history segments from camp directors; all the overnight camp sections include interviews with former campers, as well.

Many Jewish Independent readers will recognize the names at least of most of the former attendees of the BC overnight camps: Bernie Simpson, Selina Robinson, Robert Krell, David Levi, Danya Rogen, Sam Gutman, Ted Zacks, Arthur Dodek, Stephen Glanzberg, Susan Fine and Kayla Cohen. And, from the Jewish Independent’s annual Camp Guides, many of the directors and staff might even be familiar: Leah Levi (Miriam), Liza Rozen-Delman (Hatikvah), Zach Duitch (Solomon Schechter), Rabbi Ilana Mills (Kalsman), Rabbi Dovid and Chaya Rosenfeld (Gan Israel) and Ben Horev (Camp Shalom).

The one camp that was new to the JI was a long-established one, Sephardic Adventure Camp, whose director is Rabbi Kenneth Pollack. It’s been around for decades and yet hadn’t crossed our radar. There are always things to learn!

In the interviews, people talk about how they became involved with their camp, how it is/was to work there, what makes/made their experience special. They are also asked why Jewish camps are important in their view, what they have learned, in what ways camp inspired them, and more.

Interviewees share some of their personal history, as well as answer more light-hearted queries, like “Your favourite food served at camp?” “Your favourite day at camp?” “If you were still attending camp, what activity would you want to excel at?” “If you weren’t working in the career you’re in, what would you be?”

As unique as all the camps are, there is overlap of such things as activities offered, lessons learned, inspirations gained, even though some camps are more ideological, some place more emphasis on Judaism and religious observance, others prioritize sports and outdoor life.

“Regardless of ideology or format,” writes Elana Wenner, the museum’s director of programming and development, in her introduction, “the camps are united in their intention to organically build community through immersive and engaging experiences.”

She observes: “Through the articles in this publication, three overarching themes emerge that serve to unite the experiences shared at all seven camps. They are: 1. The role of the personal camp experience as a grounding point for Jewish self-identity; 2. The influence of Jewish camp experience on personal values and ideals; and 3. The integral link between Jewish summer camp attendance and Jewish community involvement, both in childhood and later in life.”

While there is much data to support the personal and communal benefits of Jewish camp, there’s nothing like personal expressions to bring that message home.

“The personal stories shared by alumni and staff and supporters reveal how these camps forge deep, lasting connections that extend well beyond the summer months,” writes archivist Alysa Routtenberg in the journal’s concluding section. “These connections create a network of relationships that continue to enrich participants’ lives and bolster their sense of belonging.”

And Routtenberg underscores the need to preserve, as the JMABC does, these experiences through oral histories.

“By recording and sharing these stories,” she writes, “we ensure that the essence of Jewish summer camps is preserved for future generations, offering them a window into a cherished aspect of Jewish life.”

That includes the serious and the less serious of life. Reading about how Jewish summer camp allowed people to connect more deeply with their Jewish identity, learn valuable personal and professional lessons, make lifelong friends and more, is as interesting as discovering that anyone has a favourite camp food and what camp activity people would have wanted to excel at.

Carol Crenna was the managing editor and features writer for this edition of The Scribe; Sonia Bishop, graphic designer. Among the many people who donated their time and skills to getting the journal to publication were Heather Glassman Berkowitz, as copy editor, and Helen Aqua and Judith Gurfinkel, who chair the Scribe committee, were editorial consultants. Other volunteers acted as interviewers and transcribers. The journal committee is Aqua, Gurfinkel, Glassman Berkowitz, Gary Averbach, Debby Freiman, Daniella Givon (president of the JMABC board), Barb Schober and Ronnie Tessler.

The Camp and other issues of The Scribe can be purchased from the museum and archives for $20. Call 604-257-5199 or email [email protected].

Thoughts on Oakridge exhibit

Staging a parade on Laurel Street, circa 1960. An image from the Jewish Museum and Archives of British Columbia’s online exhibit, Oakridge. (photo from Gail Dodek Wenner via jewishmuseum.ca)

The oral history exhibit recently launched by the Jewish Museum and Archives of British Columbia on the postwar Jewish community of Vancouver’s Oakridge neighbourhood struck a chord and gave me pause. This is the area where my mom grew up – she was 13 when the shopping centre opened, the mall where my high school friends and I would later hold part-time jobs – and where my grandparents’ family home remained until a few years ago. And, it gave me pause because it reminded me that a little history can shake one’s sense of complacency.

Spending my teen years in Vancouver in the late 1980s, I sometimes wondered why the Jewish community didn’t live more north or more west – in short, closer to the beach, and in reach of sea and mountain views. Surely, part of the Jewish community’s move southward had to do with the wider lots and newer homes available as the city sprawled outward. But another important – and, to me, overlooked – part of the story is the legacy of racism and antisemitism that had infected the buying and selling of property in Vancouver.

One of the interviewees in the exhibit recalls a real estate agent telling her father, in reference to a house on King Edward Avenue between Oak and Granville streets, “This is a good neighbourhood because no Jews or Chinese are allowed.” By the fifties and sixties, however, Jews felt welcome and comfortable in the south Vancouver area, bounded by Oak and Cambie.

Times were different for my generation, growing up as multiculturalism was taking hold in a serious way and antisemitism and racism were increasingly seen as unmannered, even if they never fully went away.

In the mid-1980s, I recall accompanying my grandmother to an annual general meeting at the Richmond Country Club, where she regularly played tennis. I recall a discussion that evening about whether Jewish membership should be privileged. (An interview with the club’s current general manager, Mark Strong, confirms that, while the club’s written charter states that no member will be denied admission based on race, colour or creed, in practice, during that era, the club promoted Jewish membership.) After the meeting, I was outspoken in my criticism. To my 12-year-old sensibilities, trying to stack the membership of a recreational club with any particular religion or ethnicity seemed parochial and antiquated at best, and prejudiced and discriminatory at worst.

What I didn’t sufficiently appreciate then was the legacy of Jews being barred from many country clubs and, indeed, the Richmond Country Club had been founded by a group of Jewish businessmen and professionals in 1951 for that reason. If the club’s policies seemed antiquated to my 12-year-old ears, there was more resonance to it than I then realized. While I was trying to afflict the comfortable, these club members likely still felt the sting of affliction requiring comfort.

Today, the Richmond Country Club has a Magen David in its logo, and states on its website that “the spirit of inclusion remains one of our core values.” (I will leave aside the separate though partially related question of whether any country club can be economically inclusive.)

What does it mean to have grown up in what felt like a post-antisemitism era? I admit that, until recently, I have been suspicious of those who seek to find antisemitism at every turn. Not long ago, an older relative clipped a real estate ad for a cottage near Lake Winnipeg that stated it was in a “restricted” area. My relative took this to mean no Jews allowed. I did a little research and soon learned that, in this particular cottage zone, “restricted” meant something very different – no cars allowed. When I showed my relative what I’d found, he turned angry. It’s easy to get locked into patterns of victimhood.

But now my comfortable post-antisemitism bubble seems to be bursting. The Trump era has unleashed a torrent of hateful, xenophobic and bigoted discourse. Swastikas and racist graffiti have popped up on various houses of worship – including four Jewish institutions where I live, in Ottawa. Trump has appointed as chief counsel Steve Bannon, a man accused of trafficking in antisemitism via his website, Breitbart News.

Modern liberal polities require a constant sense of balance between comfort and vigilance. Too much comfort, and one risks complacency – for oneself and others. Too much vigilance, and one veers into paranoia. At the very least, we mustn’t forget history. Narratives of the past help explain collective fears, while suggesting what is necessary to make possible the kinds of societies that are worth fighting for.

Mira Sucharov is an associate professor of political science at Carleton University. She is a columnist for Canadian Jewish News and contributes to Haaretz and the Jewish Daily Forward, among other publications.

Saving community’s stories

Calof family festive meal, spring 1942. This is but one of the thousands of photos that have been collected and preserved by the Jewish Museum and Archives of British Columbia. (photo by Cyril Leonoff; JWB fonds, JMABC L.13866)

The Jewish Museum and Archives of British Columbia (JMABC) has launched a new campaign called Sustainers of the Archives. The B.C. Jewish Community Archives contains an unmatched collection of material documenting the more than 150-year history of Jewish life in the province, from family mementos to the founding documents of major organizations.

Housed in a secure, climate-controlled 3,000-square-foot facility in Richmond, the collection includes 750 oral history audio and video recordings, extensive photographic collections, as well as art and artifacts. This invaluable community asset is managed by a full-time professional archivist, and access to the material in the archives is available to researchers and other interested parties through the offices of the JMABC.

The purpose of the Sustainers campaign is to invite members of the public to become friends of the archives by making an ongoing financial commitment. These funds will help the JMABC preserve the archives for future generations, as well as help the JMABC achieve its mandate: to tell the story of Jewish life in British Columbia. To become a Friend of the Archives, visit jewishmuseum.ca/become-a-sustainer. For more information, visit jewishmuseum.ca or contact the museum at 604-257-5199.