archives

The power of photography

“Elaborate Pride Costume, Gay Pride,” Vancouver, 1996. (© Dina Goldstein)

One of the JCC Jewish Book Festival pre-festival events holds special meaning for the Jewish Independent. Photographer Dina Goldstein, whose artistry has focused on large-scale narrative tableaux the last many years, began her career with the JI’s predecessor, the Jewish Western Bulletin. She has compiled thousands of images from her work over the last three decades – as a photojournalist, editorial photographer, traveler and artist – for the recently published 400-page hard-cover The XXX Archive, which she will share with the community on Feb. 12, 7 p.m.

photo - Dina Goldstein talks about her new book, The Archive XXX, at a JCC Jewish Book Festival pre-festival event on Feb. 12 — Dina Goldstein talks about her new book, The Archive XXX, at a JCC Jewish Book Festival pre-festival event on Feb. 12. *(© Dina Goldstein)*

“I spent the pandemic going through containers of binders filled with negatives. Many of the images I remember snapping, but others that I found surprised me,” Goldstein told the Independent. “Editing the lot after 30 years of shooting was overwhelming at first. The process of archiving is slow and fastidious, often challenging my expeditious nature. I leaned in, not knowing how long or how many images I would be working with. Within two years, I scanned, photographed, numbered, printed and added over 3,000 images to a boxed and digital archive. The result left me relieved that my life’s work was now organized in a way that was documented and accessible.”

The word “herculean” is used in The Archive XXX to describe the task of creating the archive. Goldstein worked by year of creation, grouping the images by decades.

“I started with the early ’90s, when I first started my career and shot with black-and-white film,” she said. “Many of those images I had photographed for the Jewish Western Bulletin, my first job as an editorial shooter. I had special opportunities to meet and photograph many great people, like Elie Wiesel, Seth Rogen, Liz Taylor, Ruth Westheimer, Mordecai Richler, Jackie Mason, Bill Clinton.

“In the 2000s, I was working as a commercial and editorial photographer. I photographed mostly in colour and did some experimentation with processes. This is when I began crafting series of photographs. I spent two years at Hastings Racetrack and created Trackrecord. I expanded on my staged portraits with DAVID.

photo - Comedian Seth Rogen in his early days, 1997. Rogen is just one of many famous people that Dina Goldstein has photographed — Comedian Seth Rogen in his early days, 1997. Rogen is just one of many famous people that Dina Goldstein has photographed. (© Dina Goldstein)

“By 2006, digital photography was introduced as consumer cameras. Art directors were passing along assignments to less-qualified shooters and/or having the writer also take the pictures. I felt that I needed to pivot,” Goldstein said, adding that, by then, she was also a new mother and things in general were shifting.

“In 2007,” she said, “I began to focus on a new series inspired by my toddler daughter, who suddenly became obsessed with Disney princesses. This was a new way of creating narrative within my imagery. The series was a critical success, giving me the confidence to continue with this methodology.”

Although Goldstein mentions the making of her tableaux projects in The Archive XXX, she decided not to include the staged works within the compilation. “This is also because I continued enthusiastically photographing street, documentary and portraiture,” she said.

Over the 2010s, Goldstein was invited to show her work internationally at galleries, photo festivals and museums, and traveled extensively – to Europe, India, China, Korea, Taiwan, New Zealand and Australia. “So many of The Archive images come from my travels around the world,” she said.

The Archive XXX ends at the start of the pandemic, in the early 2020s. Of course, she has continued to create. Last fall, she presented a new staged photography series: Mistresspieces. Each of the 10 works features a famous female portrait from history placed in a modern-day challenge. For example, the goddess of Sandro Botticelli’s “The Birth of Venus” floats alongside a beach piled with the life jackets of those who have fled to European shores and Salvador Dalí’s “Galatea at the Moment of Creation” has Galatea surrounded by Amazon packages and melting icebergs in Goldstein’s reimagining.

Mistresspieces is Goldstein’s eighth tableaux series, including Fallen Princesses.

“The idea for Fallen Princesses came to me intuitively, when I realized the way that Disney was influencing my daughter,” she explained. “I decided to select well-known female fairytale characters and parachute them into modernity. I gave them all relatable challenges that play out within a familiar location. The methodology, production-based, was novel, as I no longer just depended on myself and my camera. This format is more collaborative and filmic, with lighting as an intricate skill. Thankfully, the project was successful online, in the media and in education. So, I discovered that I could still create critical work, with specific messaging amplifying my voice in the form of visual social commentary…. Now, in light of AI and the quick accessibility of image-making, I am looking to the future, making some tough decisions.”

Goldstein recognized the power of images at a young age.

“As a child, I would go through my grandmother’s photographs for hours at a time,” she said. “The postcard-like black-and-white photos of her, as a young woman in Romania, were not only beautiful but a window into her life. I would stare at an image and take it all in, her outfit, her shoes, the people she was with, the buildings behind her. Within these images, I discovered people and places throughout the decades of her life. As an adult, I have kept my camera beside me, just in case, it was a compulsion of sorts. I wanted to make pictures that would tell the story of my life as well. Perhaps not as the subject, but as the narrator. Today, mostly everyone suffers from the same need, with the readiness and ease of using a smartphone camera to document or to create an image.”

In The Archive XXX, there are photographs of such a diverse range of people, from presidents to Pride paraders, the famous and the often-overlooked. That Goldstein is comfortable around people, no matter who they are, is partly because of her father.

“My father was a very charismatic figure,” she said. “He was a product of the Second World War, uneducated but street smart. He was able to connect with people, all sorts of people. I understood that there is always something that you may have in common with another person. That’s a good starting point.”

Travel has also contributed to Goldstein’s ease around almost everyone in almost every situation.

“Traveling as a young person allowed me to open up to others, and trust that most folks are good people,” she explained. “My positive experiences as a young photographer were foundational for what the next three decades would bring, working with various diverse personalities. Becoming a mother made me more cautious with my assignments and travel. I certainly didn’t take as many chances or put myself in danger while my girls were little. I remember traveling in India and Colombia, both places I had to be extra aware.

photo - “Horse and Carriage,” Romania, 2006 — “Horse and Carriage,” Romania, 2006. *(© Dina Goldstein)*

“In general, I find that society is complex and divided. This became super-evident during the pandemic, and recently after Oct. 7, 2023. I was able to photograph the anti-vaxxer gang, where bizarre people came out of the woodwork. The Free Palestine bunch includes some of these types, and also an element of proud antisemites. When they first rallied, in big crowds, holding up signs ‘From the River to the Sea’ down Commercial Drive, I photographed it, slightly shocked, slightly sickened. I decided then that I could not personally or professionally continue to be there as a witness to this open hatred.”

A lot changed for Goldstein after Oct. 7, she said. “Losing friends that were once close, making new friends (mostly Jewish), actively fighting against anti-Jewish/Israel sentiment in my East Van neighbourhood and within the Vancouver arts community. This leads to the next chapter of my career, where I will focus more on my Jewish/Israeli identity and Ashkenazi Jewish heritage.”

Goldstein has written a TV series called Grimm Lane, which is based on Fallen Princesses. She is creating a new book with her narrative series Storyography and is also working on the TV series The Tribe, which is based on three Jewish families living in Toronto.

For more about The Archive XXX, Goldstein’s tableaux series and other work, visit dinagoldstein.com. To attend her JCC Jewish Book Festival talk, register at jccgv.com/jewish-book-festival-events/feb-12. The event is free to attend.

From the archives … Hanukkah

The editorial in the Dec. 8, 1939, issue of the Jewish Western Bulletin.

We’ve come a long way in many ways, though some readers may disagree. I read, kind of in horror, the newspaper’s Dec. 8, 1939, editorial in which the lesson drawn from Hanukkah was that, “More formidable than the most rabid anti-Semite is the unfaithful Jew in our ranks. More threatening than all the malicious libels and frauds of such papers as DER ANGRIFF and DER DEUTSCHE BEOBACHTER, is the Jew who is IGNORANT of his history, ignorant of his literature, his tradition, his TORAH and his God.”

I can appreciate the Maccabean victory “was not by a superior might but with a superior SPIRIT, that untrained Judean forces did meet the enemy and vanquished him.” I agree that Jewish education is vital to Jewish continuity, but yikes. I’m not sure all the “yelling” capital letters encourage the message that: “There must be a closer alliance, a sense of closer affinity, a warmer consciousness of brotherhood between Jew and Jew and between the individual Jew and Jewry at large if we are to succeed – nay, if we are to insure our future as a people!”

I am also always surprised at how much of the advertising in the early years of the Jewish Western Bulletin was for alcohol. As but one example, given the time of year, is the Dec. 24, 1941, ad from United Distillers Ltd., “The Happy Holiday List” that readers are asked to “cut out and keep for reference,” which I guess I’ve done, though I don’t think any of the brands still exist.

I did enjoy some of the Hanukkah trivia that made the front cover of the Dec. 11, 1936, paper, though it was a jarring juxtaposition with the world news. As it happens, the first item, on the melody of the traditional Hanukkah song “Maoz Tzur,” mentions Martin Luther, as does the article on the cemetery in the German City of Worms that is featured in this week’s issue – on this very page, in fact – which discusses briefly Luther’s legacy.

In his “Lights on Hanukah” article, Rabbi Abraham H. Israelitan points out: “The familiar melody of ‘Maoz-Tzur,’ the well-known hymn that is sung after the kindling of the lights, is not Jewish at all, as is commonly supposed, but is really an adaptation of an old German folk song of the Middle Ages. This German folk melody has also been utilized by the Christians. The famous Martin Luther, for example, utilized it for his German chorals.”

The rabbi also notes, “One of the poems in Lord Byron’s ‘Hebrew Melodies’ – ‘On Jordans Bank’s’ [sic] – was set to the music of Maoz-Tzur by the great poet’s close friend Isaac Nathan.” He goes on to reveal “the origin of latkes,” and a few more of what we now call “fun facts.” Israelitan was not a local rabbi. His article was distributed by Seven Arts Feature Syndicate, which, according to Google, was an American group that provided content to Jewish papers from the 1920s through the 1960s.

Holiday parties, concerts, menorah lightings and more have always been promoted or covered in the newspaper, of course. Almost every Hanukkah issue has included recipes, gift ideas, personal holiday stories. And pretty much every Hanukkah-themed editorial aims to point out what the Maccabees can teach us today or what light we can shine to diminish the darkness in the world – though we do it a little less harshly than the editors of 80, 90 years ago, I think. Most certainly, we do it with fewer capital letters.

image - An adl in the Dec. 24, 1941, issue of the Jewish Western Bulletin — An ad in the Dec. 24, 1941, issue of the Jewish Western Bulletin.

image - An article on Hanukkah trivia in the Jewish Western Bulletin Dec. 11, 1936 — An article on Hanukkah trivia in the Jewish Western Bulletin Dec. 11, 1936.

From the archives … Israel

What’s old is new again

“At a time when we are all wishing each other a Happy New Year we may well pause to consider what we mean by happiness and what we shall do to attain it. There is one thing that holds true of all of us: there is nothing that we think so much about, care so much for, aim so much at, as somehow to be happy. Yet happiness remains one of the most elusive objects in the world, and even when we stop chasing it long enough to think about it, we find ourselves confused as to what we mean by being happy, anyway.”

“Let us talk friendly with ourselves as we face the New Year,” continues Rabbi Samuel Cass, spiritual leader of Congregation Beth Israel from 1933 to 1941, writing in the Jewish Western Bulletin’s Sept. 26, 1935, Rosh Hashanah edition. “What is it that we’re trying to overcome? Why does that call of renewal of vitality come as a refreshing sound to our ears?”

Cass contends that “many of us” in that day and age were in a “state of boredom,” despite the “many avenues of excitement that modern civilization has to offer to us for the enjoyment of our leisure hours.” Hours that “ancient man” – who, “when he did not toil, he slept” – did not have.

“Modern man, thanks to a machine civilization with its labor-saving device, enjoys a greater amount of leisure than man had ever enjoyed before, aside from the enforced leisure of unemployment. Yet our leisure hours are the most boring we enjoy. Just an endless round of movies, cards, games.”

Cass goes on to recount a display at the World’s Fair a couple of summers earlier: “the electric marvel of our age, Captain Televox, the mechanical man. This electrical mechanism, when addressed in the proper pitch, gives correct information, and executes various commands. It can start a vacuum cleaner, turn on the electric lights, sets the radio at the proper station.”

The engineer who created “Mr. Televox” predicted “the day when housewives will be able to be away from the house all day and manage the household duties in absentia, by merely calling up the mechanical man and giving it orders.”

Cass laments that life in the 1930s was “reduced to a mechanical existence” with alarm clocks, radios, cars – even newspapers! “Our music comes from the radio, our dramatic entertainment from the motion picture, our philosophy from newspapers,” he writes.

His solution for happiness?

“Find an ideal somewhere and let it life [sic] you above the mechanics of living, let it give you true freedom and stir within you new fountains of personality. We need not seek very far for it. We are living in a world teething with problems, teething with causes that demand to be taken up!”

He asks readers to “embrace some great human ideal in the New Year, and in it experience the blessedness of a Happy New Year.”

This Rosh Hashanah message – and most of those throughout the JWB/Jewish Independent’s 95-year history – hold up remarkably to the test of time. The language differs, of course, but the problems are variants on sadly consistent themes: war, economics, technology, assimilation, antisemitism, etc. And the “solutions” are also relatively consistent over the years: the need for Jewish education, a renewed embrace of Judaism’s ideals, unity, engagement, financial and physical support of community institutions, self-reflection. This year’s missive contains some of these same ideas.

In addition to holiday-related articles and editorials, Rosh Hashanah papers over the years have featured local and Israel year roundups, games and puzzles for kids, crosswords, recipes, reflective pieces, and more. The front covers generally gave some indication that the New Year’s issue would be special in some way – another tradition we continue to uphold.

From the archives … JCC, 1937

It was the big black square on the cover of the June 11, 1937, Jewish Western Bulletin that caught my attention initially. Then, as I flipped backwards and forwards through the archived papers, it was the weekly drama – that kind of left me hanging – and the sheer bluntness of tactics that drew me in to the JWB’s coverage of the 1937 campaign to raise funds for a second unit of the Jewish Community Centre, then located at Oak and 11th. (The building still exists, the home of the BC Lung Association for a long time now.)

The campaign action plan came out of a shareholders’ meeting in March of that year, at “which over one hundred men of the community were present,” according to the March 12, 1937, JWB, the JI ’s predecessor. I’ve no idea who the shareholders of the centre were. Nor if any women were at that planning meeting, but Lillian Freiman Hadassah, Council of Jewish Women and the Schara Tzedeck Auxiliary were among the organizations that helped solicit and collect pledges.

The appointed campaign committee set a quota of $12,500 (or $271,217 in today’s dollars) and collections were divided into three divisions: donors of $100-$250 (Group A), $25-$100 (Group B) and up to $25 (Group C). The “keynote” of the campaign was “that each give according to his ability,” and every organization on the committee committed “its intention of getting whole-heartedly behind the task ahead.” Meanwhile, “The proposal submitted to shareholders by Schara Tzedeck Congregation of taking over the building has been tabled for a period of three weeks.”

While that proposal obviously fizzled out, I couldn’t find any later mention of it. As I’ve often found when looking through the paper’s archives, it’s easy to find when things start, but harder to find out how they ended up. What is clear is that there was a hard push to raise the $12,500, and, while the March 12 article noted that, “possibly, for the first time in community history, there is no division of opinion concerning the necessity of and the urgent need for doing constructive work for [the] community Centre,” the JWB did feature some disparate views as soon as the next issue.

Rabbi J.L. Zlotnik summed up those concerns in a March 19 article: the quota was too much, given other community concerns and organizations that also needed financial support; and the quota was too little, given that actual building costs are almost always larger than planned, and the community would, therefore, become even more indebted as a result.

“After a period of ten years, twenty thousand dollars are still to be paid before this building can truly be called our own,” wrote Rabbi Samuel Cass in the March 31 issue, about the existing centre, while also pointing to the need for a second unit. He observed, “First, we must not repeat the mistakes of the past,” so the second unit should “be paid for in cash to the very last penny, before the first sod is turned. Second, the campaign must go beyond the amount necessary to erect the contemplated addition.” Lastly, he said, the whole community must agree that the debt on the first unit be paid off “even speedily, and at a near time.”

The advice seems to have gone unheeded. In the same March 31 paper as Cass’s article, the page 2 headline read, “All Organizations Endorse Second Unit Campaign.”

The next edition’s cover blared, “2ND UNIT CAMPAIGN IN FULL SWING,” with the news that more than $3,000 had come in on the campaign’s first day, “collected from twenty men.” The building plans were also outlined in the April 9 paper: a two-storey building with a balcony was envisioned. The lower floor would be a gymnasium and banquet room, with “kitchen, showers, wash room, steam rooms, cloak-room, etc.” The upper floor would house an “Auditorium and Ball Room, cloak-room and lounge.” The balcony would be divided into small meeting rooms. “This present building is 33 feet 11 inches on 11th Ave. The addition would be 47 feet 9 inches or more than 40% larger,” the article stated.

By the April 23 issue, the A Division quota was “already assured.” A couple of weeks later, in the May 7 paper, a completely fictional piece was published on the cover, titled “Will You Make This Dream Come True?” It was written as if the second unit of the centre had opened, with a banquet, a highlight of which was the announcement of a $5,000 gift from an anonymous donor to pay for all the unit’s furnishings and appliances. The article imagined what meetings and other banquets were already being held in the new building and the great number of athletics classes available now that “the use of the gymnasium was available to all persons in the Community.”

By the end of May, though, the JWB was asking whether everyone had “done their share.” By June, the optimism hit a wall.

The cover of the June 11 issue featured the large black square that caught my eye. The label-sized caption with a white background read: “700 Jewish families in Vancouver can and must give towards the building of the Second Unit of the Community Centre.”

The dramatic editorial choice was explained in the June 18 paper:

“The editorial staff of the Bulletin was bombarded with heated criticism for allowing such a hideous, melancholy, morbid and depressing thing to appear on the front page of the paper. Jewish people in all walks of life shouted words of rebuke, prominent Jewish business men cried ‘Shame, Shame,’ and Jewish society matrons muttered ‘Oh, how awful, it nearly frightened me to death.’

“No one, however, said ‘That little message in white, standing so pure, apart from that black hideousness was TRUE. Every body should give to the Centre – How we need that second unit – How essential it is to our Youth to have a proper meeting place.

“What our Community needs is more players, and less bench criticisizers. More workers, and less kickers.”

It concluded: “If you have a conscience, if you have the true community spirit – come through and show it. If you haven’t already given your contribution to the Second Unit – Mail it in to the Centre – tell them this article made you feel your responsibility. If you have given your donation, send in notification to the Centre to have it doubled. No matter what you give, make it as much as you can afford. Don’t let us be criticisers – LET’S BE BUILDERS.”

Over the summer, a couple of meetings were held about the centre. There was a large notice on the cover of the July 2 paper about a July 5 meeting, but I couldn’t find a report in the paper about what transpired. Nor could I find out how the Sept. 22 “mass meeting” on “the Future of Vancouver Jewry” went – its Sept. 14 front-page notice declaring that “By your attendance … YOU SHALL BE JUDGED!”

There are no August or October 1937 papers in the bound archival collection I have, and I don’t know if they were lost to history or never published. Until June 1937, the reporting had been detailed and consistent, but the next mention of a campaign, in the Nov. 12 paper, is “the Recent Centre Drive” – not the second unit drive. In this campaign, there were seven grades, ranging from Grade A ($500 and up) to Grade G ($1 to $49). The Grade A donors were listed by name in that paper, the Grade Bs in the next issue, the Cs in the next, through to the Gs in the Dec. 24 issue, wherein the committee was congratulated for its work and the community for its “whole-hearted support to the campaign.”

Since there is no useable digital archive of the paper, sadly, my time-limited flipping came across no more mention of a second unit. The editorial two years after that campaign, on June 23, 1939, started, “Much water has gone under the bridge since our Centre Building has been re-financed. Inside and outside improvements on the building, in addition to the Amortization Plan itself has gone forward.

“Never have local Jewish efforts been more active, and the response greater, nor has the attendance within the building itself been so large. Much of the success is due to the liberal atmosphere of the Centre itself, which means the use of this building for any and all worthy Jewish efforts with but one thought – helping others to help themselves. One shudders to think of what might have happened to Jewish efforts in our city had not our fellow-Jews responded to the call for funds when it was made.”

The editorial also noted: “Some, however, have through oversight or neglect failed to send their payments in as yet.” It was hoped that “the pledgors in arrears will … see that their respective remittances are made … upon receipt of the notices.”

As far as I know, the second unit of the Oak and 11th JCC never materialized. It would be more than two decades later that a new centre would be built, at Oak and 41st, opening in 1962.

From the JI archives … education

Not surprisingly – “People of the Book,” and all – education is an always-relevant topic that has been covered in the Jewish Independent / Jewish Western Bulletin. The paper seems to have steered clear of editorially supporting any particular Jewish school or type of Jewish schooling, but rather consistently stressed the need for Jewish education, especially for children, but also for youth and adults.

A 1956 editorial noted that “an estimated 50 percent of Jewish children in Canada do not get any Jewish education whatsoever.” While admitting that there were no data to suggest Vancouver fared better than other Canadian cities in this regard, it noted that there were several types of schooling available here, day school, evening classes, religious and secular options. “Only the anti-Semites try to cast all Jews in a common mold, a hateful mold,” it noted. “But the Jews among themselves have always followed diverse paths in the perpetuation of their history, ideals and spiritual heritage.” So, it concluded, “Register your child in the Jewish school of your choice. And, if your child is already enrolled, remind your friend or neighbor about enrolling his child.”

Sharing a special anniversary

When does something begin? I’ve been thinking about that as I go through 95 years’ worth of Jewish Independents. Well, 20 years of JIs and 75 years of its predecessor, the Jewish Western Bulletin. The JWB also had its predecessors – mimeos and letter-sized versions. The paper’s founders started counting on Oct. 9, 1930, the official first tabloid edition, when they could have started July 15, 1925, “the natal issue of the Vancouver Jewish Bulletin.” Or maybe earlier. Who knows when the idea that brought into existence what would become, through thousands of issues, the paper you today hold in your hands or read on your computer.

image - Making the cover of this special issue, where six stories jump to the inside and the rest of the stories are blurbs that direct readers to pages on the inside, was an organizational challenge. There was no way I could replicate the brevity of the 1930s articles, but I could mimic the style. — Making the cover of this special issue, where six stories jump to the inside and the rest of the stories are blurbs that direct readers to pages on the inside, was an organizational challenge. There was no way I could replicate the brevity of the 1930s articles, but I could mimic the style.

I know I’ve mentioned this fact in previous anniversary issues, that the JI could be considered five years older than the age we have deemed it to be. In looking through so many beginnings – and endings – throughout the years, it struck me again. So many organizations have multiple possibilities for the equivalent of their first edition. For example, the Louis Brier Home and Hospital was organized in 1945, but the idea for it probably came even earlier and the home didn’t open until 1946.

I share this as a caveat because, as I went through the paper’s archives, looking for other community organizations that are celebrating a significant anniversary this year, I no doubt have missed some. But my intent was good – I wanted to share the JI’s “special day” with others.

Unfortunately, I was hampered in my goal because the search function of the online Jewish Western Bulletin archives (newspapers.lib.sfu.ca/jwb-collection) is basically dysfunctional. If I had a 95th birthday wish, it would be to have the funding to have all the newspapers back to 1925 re-digitized and re-indexed, so that this priceless resource could be more accessible. In the meantime, I hope readers can embrace the random smattering of “clippings” that represent my attempt to show how the newspaper has grown with the community – our success being directly attributable to our collective success.

image - I continue to wish that the founders of the newspaper had started counting in 1925, when the “natal issue of the Vancouver Jewish Bulletin” was published. — I continue to wish that the founders of the newspaper had started counting in 1925, when the “natal issue of the Vancouver Jewish Bulletin” was published.

Going through the pages of the newspaper over 95 years is both an inspiring experience and a sobering one. Countless people, organizations, businesses and events no longer exist, but there are always new people coming into the world, coming into the community; new groups being created, new businesses popping up, new ideas being discussed, new events being organized. If the size of the Community Calendar is any indication, there is more happening in the community today than there has ever been.

During my 26 years as publisher – or, one of my other beginnings, 27 years since I was hired by the paper – there have been recessions, wars, a global pandemic, and seemingly inexhaustible antisemitism, which has increased greatly since Hamas’s terror attacks on Israel on Oct. 7, 2023. I am still processing that massacre, the ensuing war and all the other violent conflicts happening in the world, the hate and the anger that threaten to overwhelm. It never ceases to amaze and sadden me, humanity’s ability to be as destructive and cruel as we can be creative and compassionate. I won’t dwell on the negative here.

In running the newspaper, I have tried to maintain a middle ground, to be inclusive but also respect my own boundaries. I think there are concerns that should be played out in public, and others that should be dealt with privately. The JI is not a gossip rag, it is not sensationalist or alarmist. That is a decision I have made, and that our editorial board (Pat Johnson, Basya Laye and me) considers every issue.

While not ignoring the hurtful, the divisions, the controversies in our community or the larger universe, we try to cover stories in a way that doesn’t depress and paralyze action, but rather opens the door for solutions or at least positive attempts at change. We don’t want readers to put down the newspaper in despair, but rather to think about what they can do to contribute to a better world, whatever that means to them. One ad in this paper heralds the JI for being the bearer of good news – it makes me happy that people think that, even as we report the news that’s not so good.

The Jewish Independent has survived so long because of one thing: community support.

In 95 years, there has been much to mourn, that is true, but there also has been so much to celebrate. Personally, during my tenure as publisher, I have benefited from many kindnesses, from generous landlords and donors to loyal subscribers and the people who support the paper through purchasing ads.

I have met, worked with and/or become friends with some truly amazing people. I consider myself lucky to have joined the paper early enough to have met in person several of the visionaries who built the organizational foundations of this community, not to mention those of the province, even of Canada, in some instances. There are afternoon teas, lunches and gala dinners I’ll remember forever, if the mind stays healthy.

The people I work with are smart, talented, dedicated and should be earning a lot more than they are. I might own the paper, but by no means do I run it alone. The people whose names you see on the masthead every issue are integral to publishing the paper. And all the people who have been on that masthead over the years – and the many more who have not been recognized in print – have helped keep the paper going, from its first days to today. I thank you all.

I am not a journalist per se, nor an entrepreneur. I’m trained as an economist, and still make myself chuckle when I think of the most uneconomical choice I have made in my life – to buy this newspaper. But it has kept me clothed and fed, with a roof above my head. It has taught me so many things and, though I’ve not always been a willing student, I am better for the lessons.

Most importantly, I am better for all the people I have encountered on this journey. I have made many friends and acquaintances. Not all my encounters have been pleasant or easy, but I have come to appreciate more as I’ve gotten older that, behind the organizations serving the community are simply people. Maybe people I don’t always agree with, but people who are undeniably committed. They are people who believe in community so much that they give of their time, either as volunteers or staff or both, working in one place, volunteering in others. Or they give of their financial resources, funding causes in which they believe, choosing to give away some of their money rather than letting it sit in the bank or using it for personal wants and needs.

It is a privilege to do what I do for a living. I am proud to be part of this extraordinary community. Kol hakavod to us all. May we go from strength to strength….

Now let’s party. Happy anniversary to all the other Jewish organizations celebrating a milestone this year!

New archive launched

The Jewpanese Project Archives was launched online earlier this month.

I grew up in a mixed Jewish and Japanese Canadian family. My Jewish grandparents were Holocaust survivors from Poland and what is now Belarus, and my Japanese Canadian grandparents were survivors of the New Denver internment camp here in British Columbia.

Earlier this month – which is Asian Heritage Month and Jewish Heritage Month – I launched on my website the Jewpanese Project Archives, which highlights a selection of 35 US-based interviews, which were collected between May 2022 and April 2025. (See carmeltanaka.ca/jewpanese-project-archives.)

The collection phase of the interviews was funded by my year-long fellowship with the Anti-Defamation League – the Collaborative for Change Fellowship – and the aggregation of data from the US-based interviews was funded by a Jews of Colour Initiative research grant.

Each profile in the Jewpanese Project Archives contains the name of the interviewee and a photo of them; the place and date of their interview; their Jewpanese connection and birthplace; a link to a short video and a written paragraph on being Jewpanese; a link to the full audio and written interview; a link to the Instagram writeup with pictures; and archive notes.

The Jewpanese Project evolved organically. In my early 30s, I started to learn about what happened to my families (as I didn’t know much) and, then, the opportunity fell into my lap to find and interview fellow Jewpanese in Canada, the United States, Japan and Israel. Originally intended to be a 20-interview endeavour, it turned into an 85-plus interview community archive.

The project also has grown into a comic about a kimono heirloom in my Jewish family, an animated film about my journey to Białystok, and a play about being Jewpanese, for which I received an artist grant from the Japanese Canadian Legacies Society (JCLS). I also received an intergenerational wellness grant from JCLS to record the forgotten Japanese Canadian history of the Okanagan Landing Station House in Vernon, BC, which is also available on my website, carmeltanaka.ca.

Growing up, I thought it was just my sister and me who had Japanese and Jewish heritage. Never in my wildest dreams did I think I would be connected to 230-plus Jewpanese community members worldwide. And there must be more, which is an exciting thought. Many of us in North America hadn’t met another Jewpanese person – other than our siblings – until this project, which was birthed out of our monthly community Zoom calls during the pandemic.

While you peruse the archives, I welcome you to listen and read through the interviews and Instagram highlights to learn about the experiences of being mixed in Japanese and Jewish communities in the United States, which are comparable to those in Canada. Whether it’s language, culture, rituals, identity or traditions, Jewpanese people have a wide spectrum of lived experiences, but one thing is pretty constant – our love of food. We have a number of Jewpanese fusion recipes!

One of the questions I ask in the interviews is whether or not participants have done “roots trips,” going to their ancestral homelands. Many of us haven’t, and many of our parents (including mine) haven’t either, especially here in North America. My first trip to Japan was last year, at the age of 37, as part of this project, and it was life-changing. Even though the collection phase funding has ended, I have used my Avion points to go to Europe to retrace the steps of my Jewish family – and that’s where I am now. I experienced firsthand how healing my Japan trip was for me and for my dad, whom I dragged along virtually, as his health is declining, so I am doing the same for my mom, whose health is also deteriorating.

My journey to Japan inspired a number of Jewpanese and Nikkei people to seek out family members there through a process to obtain one’s koseki (family register document), and I hope that my journey to Poland also will motivate my Jewpanese and Jewish communities to do the same. It can be inspiring to know our history and where we come from.

Many Jewpanese families are asking when the rest of the interviews (all the non-US-based interviews) will be processed, and my answer is “when I get funding.” I never expected this project to blossom as it has. It’s been the project of a lifetime and deeply personal. If you are in a position to support it, please do reach out. It would be wonderful to have the Canadian, Israeli and Japanese interviews processed for the archives, as well.

If you are a Jewpanese person, couple or family and would like to participate in this project, I am still accepting written interviews. Please contact me for an interview package.

Todarigato! (Toda + arigato, “thank you” in Hebrew and Japanese!)

Carmel Tanaka is the founder and executive director of JQT Vancouver, and curator of the B.C. Jewish Queer & Trans Oral History Project (jqtvancouver.ca/jqt-oral-history-bc) and the Jewpanese Oral History Project (Instagram: @JewpaneseProject). A version of this article was published in the Victoria Nikkei Forum.

New draw to Ben-Gurion site

In 2023, Ben-Gurion University of the Negev opened a new home in Sde Boker for the David Ben-Gurion archives. (photo from Ben-Gurion University)

For visitors to Israel – and for Israelis looking for an engaging getaway – there is a relatively new destination in the country’s south.

In 2023, Ben-Gurion University of the Negev opened a new home for the David Ben-Gurion archives, with a dramatic exhibition hall to attract visitors. In addition to the many artifacts and documents on display, the exhibitions include interactive activities that allow visitors to speculate how the first prime minister would have responded to various scenarios.

Ben-Gurion was Israel’s first prime minister and the dominant political figure for the country’s first decade-and-a-half, during which time he served concurrently as minister of defence. In addition, no individual is more associated than Ben-Gurion with Israel’s development of the Negev and the entire south of the country.

The new archives facility rounds out a network of Ben-Gurion-related sites in the Sde Boker area, where Ben-Gurion built a desert home and enjoyed his retirement.

David Berson, Ben-Gurion University Canada’s executive director for British Columbia and Alberta, says the facility makes Sde Boker even more of a must-see for visitors to Israel.

There had been an archive at the Sde Boker campus, allowing deep research into Ben-Gurion’s papers and other materials, but these were photocopies because the university did not have the archival capacity to accommodate the originals in the environment they required. The originals were held in Tel Aviv at an Israel Defence Forces archive.

“Everything was there, but it was a reasonable facsimile, as we like to say,” said Berson.

That changed with the opening two years ago of the purpose-built Ben-Gurion Heritage Archive, which includes a 280-square-metre (more than 10,000-square-foot) exhibition hall.

“All the real, genuine archives have been transferred there,” Berson said. “The exhibition hall is basically an interactive tale of David Ben-Gurion’s heritage and questions about things like the ultra-Orthodox serving in the army, his relationship to the diaspora, the Altalena affair, all sorts of different things, as well as his correspondence with Hebrew school students from all over the world, leaders, his perspectives on religion, etc., etc.”

The facility is a partnership between BGU and the Ben-Gurion Heritage Institute, an educational and commemorative organization committed to keeping Ben-Gurion’s ideals alive, especially his emphasis on developing the Negev. Among other things, they operate the museum at Ben-Gurion’s kibbutz home and other educational programming.

The Ben-Gurion Promenade, a project designed to honour his legacy and connect significant landmarks associated with his life, takes visitors on a 3.5-kilometre walk from his residence at Kibbutz Sde Boker to his burial site overlooking Nahal Zin, and taking in the new archives and exhibition hall. The accessible path is lined with native desert plants and interpretive signs about Ben-Gurion’s life and vision.

photo - The David Ben-Gurion archives includes a 280-square-metre exhibition hall — The David Ben-Gurion archives includes a 280-square-metre exhibition hall. *(photo from Ben-Gurion University)*

The archives are part of a larger complex that also houses the Ben-Gurion Research Institute for the Study of Israel and Zionism, and the Azrieli Centre for Israel Studies.

Ben-Gurion’s eponymous university has three campuses in the country’s south.

The main Marcus Family Campus, in Beersheva, is home to the university’s faculties of engineering and sciences, health sciences, humanities and social sciences, business and management, computer science and cybersecurity, among others, and several advanced research institutes. It is adjacent to the Soroka University Medical Centre, where BGU medical students train. The campus is also home to the 10-year-old Advanced Technology Park, which is a joint venture of BGU, the City of Beersheva and real estate development company Gav Yam. The park is part of a national effort to develop the Negev region into a global centre for cybersecurity, defence technologies and tech innovation.

At the Sde Boker campus, about 30 kilometres to the south of Beersheva, specialties include desert studies, environmental science, hydrology, solar energy, sustainability and climate research, and arid agriculture. It is also home to the Jacob Blaustein Institutes for Desert Research.

The Eilat campus, at the country’s southern-most tip, on the Red Sea, specializes in marine biology and biotechnology, hospitality and tourism management, regional development studies, and interdisciplinary undergraduate programs that allow students from the south to do their initial studies in the area before completing their degrees at the Beersheva campus or elsewhere.

Sde Boker has always been a sort of pilgrimage site for Ben-Gurion fans and history buffs. But, because tourism to Israel has plummeted in the past year-and-a-half, most of the visitors so far have been comparative locals, Berson said, including leaders of the security services and military, educators and other Israelis.

When tourism picks up, Berson hopes the archives will make Sde Boker even more of a destination on the visitors’ map.

“It’s a wonderful national treasure,” said Berson. “But it’s also something that’s not on people’s radar screens abroad. We really want to encourage people to come and visit there, put it on their itineraries.”

Seeking diverse voices

Jimmy Chow, Burnaby resident and prop master since 1973. Burnaby Village Museum’s Many Voices Project is focusing on stories from people and communities who haven’t had the opportunity to add to the historical record. (photo from Burnaby Village Museum, BV022.21.25)

With its Many Voices Project, Burnaby Village Museum is focusing on stories from people and communities who haven’t had the opportunity to add to the historical record, including members of the Jewish community who have a Burnaby connection.

The museum is documenting the diverse lives of people connected to Burnaby, capturing stories of all areas of life in the city, including school, work, recreational activities, social events, family activities, and more. Anyone who has a meaningful and personal connection to Burnaby has an important story. However, to date, the museum has more personal accounts and historical information about people with British or European backgrounds, and is seeking to continue diversifying its collections by interviewing a wider range of people. This may include cultural minorities, people of colour, and sexually and gender diverse people.

How will interviews be used?

The Burnaby Village Museum is the primary historical resource for the City of Burnaby. It encourages understanding, appreciation and enjoyment of and participation in Burnaby’s unique history, and fosters a shared sense of community and identity for the citizens of Burnaby and visitors.

A big organization, the museum offers many ways to connect and learn. It has a heritage village and carousel, but also runs school programs, summer camps and public programs for people of all ages and backgrounds. In addition, it manages a collection of 50,000 historical artifacts, as well as archival materials, many of which are on display in the village. However, about 60% of the collection is stored in a secure vault and made accessible online via the website heritageburnaby.ca. The museum is always collecting and refining its holdings, and taking new donations that help tell the story of Burnaby’s history. The oral histories conducted will become a part of this growing archival collection.

The information contained in such interviews is invaluable. Museum researchers who work on new exhibition content and educational programs draw heavily on these historical records to help tell stories. They use the information to write text and shape how stories are told.

Why interviews?

Oral history interviews are a rich and textured way to capture history. Voice recordings capture more personality, details and subtleties than can the written word. Many people don’t have more than an hour or two to devote to the museum, and that is completely understood. An interview captures a tremendous amount of information in a relatively short period of time.

Why online?

Heritage Burnaby is the city’s searchable database for all things history. It holds community assets, heritage services and historic collections and adds new holdings daily. Many researchers – genealogists, reporters, university professors and museum professionals – access records regularly. Through Heritage Burnaby, this work benefits many more people than those who work at the museum.

Alternatives to interviews?

Sometimes sitting down for an interview can be intimidating, especially if you haven’t done something like this before. The museum is always collecting artifacts, original photographs, documents and ephemera related to life in Burnaby. Consider looking at your collections and family items, and making a donation to the museum, which aims to preserve its collections in perpetuity so that people many generations from now can see what life was like in Burnaby.

The museum also has options for those who would like to be interviewed but would prefer to use a pseudonym, or have their recording released at a later time.

Want to know more?

Burnaby Village Museum has a few open house events coming up that people are welcome to join. These events will be held on the afternoons of June 24, July 22 and Aug. 19. Come meet the team conducting the interviews. These sessions also will provide a private tour of the museum’s collections vault, where the archives are held. This will be followed by a short tour of the village, highlighting the ways that oral histories have been used in exhibitions.

For more details and times, register with Kate Petrusa, assistant curator. Petrusa is also the person to contact if you or anyone you know would like to share stories with the museum, or have questions about the Many Voices Project. She can be reached at 604-297-4559 or [email protected].

– Courtesy Burnaby Village Museum