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Na’amat Canada marks 100

Susan Inhaber, president, Na’amat Canada (left), with Dalia Margalit-Faircloth, president, Na’amat Vancouver. (photo by Heather Freed)

Na’amat Canada and NA’AMAT USA came together last month to celebrate a milestone: 100 years of community work.

The Centennial Celebration, held in Toronto May 16-18, brought together leaders, members and supporters for a weekend filled with joy, reflection and renewed purpose. The program featured tributes, performances and presentations from Na’amat International leaders. Together, participants honoured a century of activism and achievement while charting the course for the work ahead.

Na’amat was “the first and last women’s organization for which I ever worked,” said the late Golda Meir, national secretary (president) of Na’amat in the 1930s, decades before she became Israel’s prime minister.

Founded in 1925, Na’amat Canada is a Jewish nonprofit volunteer organization dedicated to improving the lives of women, children and families in Israel and Canada through education, advocacy and social services.

“From our humble beginnings as a single organization to the growth of two vibrant organizations dedicated to empowering women and children in Israel, we can take great pride in our rich and storied history,” said event co-chairs Jan Gurvitch (NA’AMAT USA) and Susan Inhaber (Na’amat Canada). “This celebration honours not only the trailblazers who came before us but also the dedicated individuals who continue to give their time and energy to carry our mission forward.”

The weekend began with welcomes and candlelighting, continued with performances and storytelling, and culminated in a tribute to Na’amat’s past national presidents, women who helped shape the organization’s direction for generations. Attendees also heard from Na’amat Israel leaders Hagit Pe’er and Shirli Shavit, who shared updates on urgent needs and inspiring progress on the ground.

“Today, as we honour this remarkable milestone, we celebrate not only the achievements of the past but also the enduring partnership that continues to drive our mission forward,” said Pe’er, president of Na’amat Israel and Na’amat International. “Together, we have built a legacy of resilience, compassion and progress that will inspire future generations.”

The event captured the deep sense of community that defines Na’amat: from singing and dancing, to laughter and reflection, to sharing dreams for the next 100 years.

Kanot Youth Village

After wrapping up the centennial, the occasion served as the launchpad for Na’amat Canada’s next major initiative: a fundraising campaign to equip a brand-new middle school building at Kanot Youth Village, a life-changing boarding school for at-risk youth in Israel.

“We help children cross the bridge – from being lonely to being socially connected, from failing in school to succeeding, from mistrust and alienation to belonging, connection and pride in being part of society,” said Dr. Hezi Yosef, director of Kanot, who is an expert in cognitive-behavioural psychotherapy and lectures at educational institutions and organizations in Israel and worldwide.

Founded by Na’amat in 1952, Kanot today serves 700 students, many of whom face poverty, trauma or loss. The new building – a collaborative project between Na’amat Canada, donors and Israel’s Ministry of Education – is nearly complete but, to open its doors in September 2025, it must be fully furnished and equipped.

Na’amat aims to raise $180,000 CAD to provide classroom furniture, lab tools, creative arts supplies and technology to transform the space into a vibrant learning environment.

To learn more about Na’amat’s impact or to support the Kanot campaign, visit naamat.com or call 1-888-278-0792.

– Courtesy Na’amat Canada

JWest questions answered

A drawing of the new Jewish campus at Oak Street and 41st Avenue. (image from Jewish Federation)

With construction of the new Jewish campus at Oak Street and 41st Avenue set to begin in spring 2026, many in our community still have questions. What exactly is JWest? Is it replacing the Jewish Community Centre of Greater Vancouver? What about King David High School? Here are some answers to those questions.

JWest is the name of the redevelopment project and the campaign behind it. It is not a new name for the JCC, which will continue to serve as a hub for wellness, learning, culture and community connection. JWest is the vision, planning and fundraising effort driving the creation of a new, integrated Jewish campus that includes a new, expanded JCC and KDHS, and two residential rental towers.

Inside the new JCC

The new JCC will be a six-storey, 200,000-square-foot facility designed with inclusion, flexibility and sustainability at its core. Among its many features, it will include an eight-lane, 25-metre swimming pool and significantly expanded fitness and wellness spaces to support active living for all ages.

Families will benefit from a much larger childcare centre, complete with a rooftop outdoor play area. The facility will also house two full gymnasiums, universal changerooms with private cubicles for added comfort and accessibility, and a multi-function theatre with retractable seating and full wheelchair access – ideal for performances, films and community events.

At the heart of the building, a larger welcoming café will serve as a natural gathering space, while a new, purpose-built home for the Vancouver Holocaust Education Centre will provide enhanced opportunities for learning and remembrance.

image - A drawing of part of the interior of the new Jewish campus — A drawing of part of the interior of the new Jewish campus. (image from Jewish Federation)

The JCC has long been a home for a wide range of Jewish organizations – and that legacy will continue in the new campus. In fact, the new facility is designed to foster even greater collaboration and increased programming for all ages and interests.

While the list is still being finalized, most of the community partners and organizations currently housed in the JCC will move into the new building, joined by some new partners who will bring fresh energy and offerings to the campus.

Why a new KDHS

KDHS has been a vital part of Jewish life in Vancouver for decades, but, like the current JCC, the school has outgrown its space. The existing building cannot support further enrolment growth or accommodate the full scope of programs and facilities that today’s students – and tomorrow’s – need to thrive.

Also, the current school and the JCC are separated by a big parking lot and a busy street, which makes it hard to have shared programs, casual interactions, or really feel like part of one community. The new campus changes that. By bringing the school and the JCC right next to each other, it will become a true shared space. With students spending time at the JCC every day, the whole place will be filled with energy, laughter and activity. This kind of daily connection will open the door for more collaboration between teachers, families and community members, and help everyone feel like they belong. It won’t be just a campus but a place where Jewish life can grow and be shared across generations.

The phased approach to construction ensures that both the JCC and KDHS will remain fully operational in their current buildings throughout the project. Each organization will only move once its new home is ready, minimizing disruption and allowing continuity in programs, services and learning.

The residential towers

The two planned residential rental towers are an essential part of the long-term sustainability of the new campus. They are designed to generate stable, ongoing revenue that will help support the operations and maintenance of the entire site. In addition to strengthening the financial foundation of the project, the towers will contribute to addressing Vancouver’s broader need for rental housing. They will include below-market rental units, providing much-needed affordable housing options for members of the Jewish community and others in need.

During construction?

Construction will begin in spring 2026, starting in the current JCC parking lot. Once the new JCC is complete – estimated at about three years – the current building will be removed to make space for the new KDHS, outdoor areas, residential towers and long-term parking. Throughout construction, the current JCC will remain open, and all programs and services will continue.

JWest is working closely with Grosvenor, the developer behind the Mayfair West project across 41st Avenue, to coordinate temporary parking for JCC members, staff and visitors. While final details are still being confirmed, this location is expected to be the primary parking option during construction. At the same time, drop-off and pick up zones will be provided at the current JCC building for the childcare centre and for people with limited mobility.

Funding for JWest

Thanks to the extraordinary generosity of donors – and major support from the governments of British Columbia and Canada – more than 90% of the required funds have already been raised. As the project prepares to break ground, the final phase of the campaign will soon launch. This next stage is a chance for everyone in the community to take part and help shape the future.

Why this matters

“I truly believe that, together, we’re creating something special – a vibrant new Jewish campus that brings out the best of our community and our city. This is what we do,” said Alex Cristall, chair of the JWest Foundation. “We come together and we invest in our future because we care deeply about it. This new campus isn’t just about buildings – it’s about building a home for Jewish life, culture and values in British Columbia that will last for generations.”

JWest will continue to share updates – including construction timelines, additional parking details and news about the public phase of the campaign – in the months ahead. Visit JWestNow.com.

– Courtesy Jewish Federation of Greater Vancouver

Parshat Shelach Lecha

On June 21, at Ohel Yitzhak in Nahalat Shiva, Gil Zohar celebrated the 57th anniversary of his bar mitzvah. (photo Gil Zohar)

Man plans, God laughs, goes the Yiddish aphorism. For the last half year, I have been diligently learning the trope of Parshat Shelach Lecha (the Torah portion meaning Send for Yourself) to celebrate the 57th anniversary of my bar mitzvah, which I had when I was a boy in Toronto. My wife Randi and I had planned a kiddush at the historic Beit HaRav Kook synagogue near our home in downtown Jerusalem. We are members there, and enjoy the leadership of Rabbi Yitzhak Marmorstein, formerly of Vancouver’s Or Shalom. Alas, the war with Iran started. In accordance with the Home Front Command orders against large public assemblies, the shul closed. And so, we considered canceling the simchah.

While all but Jerusalem’s most essential businesses were locked down tight as a drum, the wartime defence regulations allowed synagogues near a bomb shelter to keep their doors open, with limited attendance. Hence, Ohel Yitzhak, the Sephardi synagogue in our courtyard in Nahalat Shiva, built in 1888, remained open. And so, we switched the venue from the former home and yeshivah of Abraham Isaac Kook (1865-1935) – the first Ashkenazi chief rabbi of British Mandatory Palestine – to the equally historic synagogue where Ben-Zion Meir Uziel (1880-1953) – Kook’s Sephardi counterpart, who served as nascent Israel’s chief Sephardi rabbi until his death – used to pray.

The illustrious Sephardi landmark, resembling a house of worship in a mellah in Morocco, is close to the Herbert Samuel Hotel, which opened its miklat (bomb shelter) to the public as well as hotel guests. So, on June 21, undeterred by the spectre of a ballistic missile salvo, I was called up to chant Maftir and read the Haftarah.

What’s it like when the air-raid sirens sound nightly and warplanes roar through the starry sky? Lori Nusbaum of Toronto, who came with her son, Ryan De Simone, for my second bar mitzvah, has been posting on Facebook:

“The 3rd night in Jerusalem and the 3rd siren alert went off; it was 4:35 a.m. Sleep is hard. You don’t want to be in a deep sleep and miss the [cellphone] notifications so you try to have ‘one eye open.’ There’s something strangely intimate about being in a smallish space with a bunch of strangers, some in bathrobes, carrying pillows and blankets, wearing slippers, with sleep still in their eyes. You aren’t sure if you should make eye contact or not. It’s nighttime, so conversation is not really happening. I think we all want to keep sleep in our brains, hope we can go back upstairs quickly and close our eyes for a peaceful rest of the night.”

Like many guests at the synagogue, Lori found my wartime bar mitzvah intensely emotional. “My somewhat unaffiliated son had an aliyah at one of the oldest shuls in Jerusalem,” she posted on Facebook. “Our friend, whose bar mitzvah we came to witness, literally took the tallit off his back to wrap around my son so he could go to the bimah. With tears in my eyes, so many emotions washed over me. Too many to describe adequately. This is what Israel is all about. The people who in the middle of a war come together, pray, help each other and celebrate life together. And give you the proverbial shirt off their back.”

The grim situation in which we find ourselves today parallels the Torah reading of Shelach Lecha (Numbers 13:1-15:41) and its equally pertinent Haftarah (Joshua 2:1-24).

Returning after 40 days of reconnoitring the Promised Land, the spies sent by Moses reported: “We went into the land to which you sent us, and it does flow with milk and honey! Here is its fruit [showing a huge cluster of grapes hanging from a stave, today the symbol of the Ministry of Tourism, proudly worn by every licensed tour guide]. But the people who live there are powerful, and the cities are fortified and very large.”

Then, Calev ben Yefune shushed the crowd declaring, “We should go up and take possession of the land, for we can certainly do it.”

Ten of his fellow spies (all except Joshua) disagreed – “We can’t attack those people; they are stronger than we are” – and they spread a slanderous report about the land they had probed. Misunderstanding the many funerals they had witnessed because of the plague God had sent so that the spies would go unnoticed, they said, “The land we explored devours its inhabitants. All the people we saw there are of great size. We saw the Nephilim there [the descendants of the giant Anak]. We seemed like grasshoppers in our own eyes, and we looked the same to them.”

Grasshoppers? They might as well have called the Jewish people cockroaches.

In the words of Rabbi Lord Jonathan Sacks ztz”l, this dibbat ha’aretz (slanderous report about the Land of Israel) is the language of fear and demoralization. They are big, we are small. They are strong, we are weak. They do not fear us, but we fear them. We cannot prevail.

Was this, in fact, the case? As the Haftarah makes clear, the 10 scouts could not have been more mistaken. A generation later, Joshua bin Nun too sent two spies – the same Calev, and Pinchas ben Zimri. They slept on the roof of a house belonging to Rahav the prostitute, which formed part of the walls of Jericho. Hearing about the spies, the city’s king ordered his soldiers to arrest them, but Rahav hid them and misdirected the guards. What is more interesting is what she tells the spies of the feelings of Jericho’s residents when they heard that the Israelites were on their way:

“I know that the Lord has given this land to you and that a great fear of you has fallen on us, so that all who live in this country are melting in fear because of you. We have heard how the Lord dried up the water of the Red Sea for you when you came out of Egypt, and what you did to Sihon and Og, the two kings of the Amorites east of the Jordan, whom you completely destroyed. When we heard of it, our hearts melted and everyone’s courage failed because of you, for the Lord your God is in heaven above and on the earth below.”

Like contemporary Gazans and Iranians, the people of Jericho were anything but giants – they were terrified of us. The spies of Moses’s day should have known this. They had already said in the song they sang at the Red Sea: “Nations heard and trembled; terror gripped Philistia’s inhabitants / The chiefs of Edom were dismayed / Moab’s leaders were seized with trembling / The people of Canaan melted away.”

How did 10 of the spies so misinterpret the situation? They misunderstood Moses’s instructions: “Alu zeh b’Negev v’alitem et ha-har” – ascend (alu) through the south, and ascend (va’alitem) the mountain. The word “ascend” (aliyah in Hebrew) also means to overcome. (When Martin Luther King Jr. famously said, “We shall overcome,” he was citing this verse.) The spies lacked the faith that the land would be theirs, despite God’s promises, and 39 years of wandering in the desert followed.

The Jewish people, in Israel and the diaspora, experienced a crisis of confidence in 1313 BCE following the Exodus from Egypt, on the eve of entering the Promised Land. Not so today. We have no such hesitations as the Israel Defence Forces battle the regime of the latter-day Haman in Iran and its Hamas, Hezbollah and Houthi proxies. Our response is to follow Moses’s instructions: “Alu.” Ascend. Overcome. Make aliyah.

To that end, I invite you to celebrate Parshat Shelach Lecha with me at Beit Ha Rav Kook (9 Rabbi Kook St.) on June 13, 2026. Next year, in peaceful Jerusalem.

Gil Zohar is a writer and tour guide in Jerusalem.

Deborah Wilde makes magic

Writer Deborah Wilde is more public now about the Jewish elements in her novels, which have always had a Jewish sensibility. (photo from Deborah Wilde)

East Vancouver author Deborah Wilde has been a writer since childhood, when she filled countless notebooks with her stories. Born and raised in Greater Vancouver, she also spent some years in Kitimat; hers was the only Jewish family in town. She read Isaac Bashevis Singer and watched Neil Simon movies. It was an upbringing she describes as being “rich in tradition.”

Wilde started her writing career in TV and film. “I loved it. I got to be in writers’ rooms, it was a real privilege,” she said. However, she added, screenwriters are “part of a machine: you’re hired to work on other people’s stories. I wanted to tell my stories.” These stories, as it turns out, are ones with strong Jewish representation and tough, sassy female protagonists.

With the movie industry being in what she describes as “a terrible state,” Wilde took the leap into young adult fiction. In writing the Nava Katz series, she was pleased to find that many of her screenwriting skills were transferable to this new genre. “Dialogue is my happy place,” she laughed. “I had a great time doing it.”

She knew that she had to have Jewish protagonists. “I was an avid reader as a kid but I only saw myself in Holocaust stories,” she explained. “Where was the Jewish girl falling down the rabbit hole or going through the cupboard into Narnia?”

In Wilde’s books, we meet a Jewish mom from Mumbai, and the love interest in her current series is a Mizrahi Jew. Diversity even within the Jewish community is vital, she said. “I want smart Jewish women who have adventures, who are the object of desire.”

Having embarked on her career in fiction, Wilde has reached her initial goal of publishing five books in three years. It took a lot of stamina and she learned that being an independent (or “indie”) young adult author was “not sustainable.” Setting her sights on an adult audience, she took inspiration from her “love of old Hollywood – it was the banter. And I’d always read romances,” she said, “so I wanted to include that as well.”

Wilde settled on first-person, urban fantasy. A relatively new but extremely popular genre, urban fantasy tales are set in the world we live in but with magical and supernatural elements. Ordinary or “mundane” activities are constantly disrupted by these troublemaking nasties, sometimes with deadly consequences.

And that is where we meet Jewish heroine Ashira Cohen, private investigator. Walking down a Vancouver street, Cohen comes across a “grimy convenience store selling long-distance phone cards and bongs.” A Vancouver scene we probably recognize, but she might also run into a bodyguard who’s been possessed by a demon or a delinquent teen with a talent for vanishing into thin air. Cohen is fast-talking, feisty and funny, but she’s also “someone you’d want to run into at Café 41,” said Wilde.

Meanwhile, Cohen’s finances are in a state, her love life is stagnant and she’s extraordinarily (and creatively) accident prone. The character is unsentimental, caustic and cynically bored. An interview with a young adult client gave her, she says, “all the details about their nauseatingly cute courtship and very little useful information.”

Wilde’s novels bring a big helping of zany chaos, a nod to the screwball comedies of the 1940s, staple viewing in the author’s childhood home. But, while the books conform to established genres – such as the “chosen one” trope, the terribly attractive and just as infuriating nemesis – they’re also full of little winks at the reader: neurotic elders, Jewish idioms, references to Jewish traditions.

Wilde’s talent lies in her ability to layer elements of regular life – like an eye-rolling teen whose statements sound like questions, or the intrusive badgering of Ash’s mother at a moment when tensions are already running high – over the frenzied dangers of the world inhabited by Cohen. The result is fiction that is absurd, surreal and peppered with rapid-fire dialogue reminiscent of the classic film His Girl Friday.

There is also a serious undercurrent. The author seasons her prose with references to history. For example, one of the magical characters, Meryem, is a Turkish magic refugee who has fled the “purges.”

Jewish representation is very important to Wilde. “There is so little fiction and television with strong, tough Jewish characters,” she said. The Jezebel narrative isn’t a Jewish story but, explained Wilde, “it has a Jewish sensibility – because that’s my own. It’s authentic to my experience.”

There has always been a Jewish flavour to Wilde’s writing, but it was more subtle; it could be found in the humour. “Readers would find the Jewish stuff eventually,” she said. “But now I’m talking about it in my ads, or even in certain interviews. I’m more public about it now.”

This is one of the aspects that makes Wilde’s work original. While Greek, Celtic, Roman and Norse tales have been all the rage for years, Jezebel’s Jewish folklore and mythology make it stand out. “I won’t write it if I don’t have something original to say,” said Wilde. And that’s where we find a magical organization called Nefesh, or, in Hebrew, “soul” or “life.”

Wilde is both a prolific writer and a businessperson. Talking about the switch to indie authorship, she describes it as “exhausting and a huge learning curve.” She is now both an author and her own publishing house. She has learned about search engine optimization, how to print and distribute books, the advantages of the different platforms and the wizardry required to publish ebooks online. But, despite all the technology that runs behind the scenes, Wilde finds that “word of mouth is still the best form of advertising – many people comment on my ads with things like, I just bought this book because of all the comments, so it had better be as funny as you all said!”

But she’s not alone in her work: her team now includes her husband (who designed the back end of her online store), an editor, cover designers and a slew of peers on whom she has depended for critical (but kind) feedback, moral support, professional insight and companionship.

Wilde sells her books directly to readers. She explained that, when you buy from Amazon, “you’re actually leasing the book.” Instead, she said, “When you buy digitally from an author, you actually own the book – it’s yours, not just a link you have access to while you have that device.”

Past and present intersect with Wilde’s writing. Most of her grandfather’s family was killed in the Warsaw Ghetto. Of those who survived, she said, “They ended up in a displaced persons’ camp in Germany. My mom was born prematurely in that camp, delivered by a former Nazi doctor.” So, stories about how Jews once lived in Russia, which invaded Poland in 1939 and fully occupied it at the end of the Second World War, “that was my childhood.”

Having been raised by her grandparents, Wilde said, “I know there is absolutely an aspect of me working through this generational trauma, baggage, but, at the same time, there’s also me working through the patriarchal aspect of Judaism.”

Shula Klinger is an author and journalist living in North Vancouver.

Saying goodbye to a friend

Left to right: Rabbi Philip Bregman, Archbishop Michael Miller and Rabbi Jonathan Infeld. (photo by Pat Johnson)

A lesson from a Jewish professor decades ago has remained with Archbishop Michael Miller all his life.

Miller retired last month as archbishop of Vancouver – head of the region’s nearly half a million Catholics. During his last week in office, he spoke with the Independent about his relationship with the Jewish community.

The new head of the Catholic Church, Pope Leo XIV, has emphasized the need for dialogue between Catholics and Jews, and spoke almost immediately after his election as pontiff about how close the issue is to his heart. But Miller didn’t need a nudge from the Vatican. According to several Vancouver rabbis, Miller has been a stalwart friend to the community since he arrived in the city more than a decade-and-a-half ago.

When Miller was a student, he and a group of other young Catholics were in a professional setting with noted medieval scholar Julian Wasserman, who was Jewish. Someone made a comment that was antisemitic. Miller doesn’t remember the exact context, but he does remember what happened next. No one in the meeting had contested the antisemitic remark and the professor challenged them on it afterwards.

“I remember Julian expressed to us his disappointment,” said Miller. “And that stung, because it was true.”

It wasn’t as though Jews were unfamiliar to Miller. He grew up in a heavily Jewish neighbourhood in Ottawa and attended friends’ bar mitzvahs. At university and in seminary, he had several Jewish professors and he has always had an interest in Jewish topics.

As a member of the clergy, he sees interfaith dialogue as central to his role. “And the first place of dialogue, of course, is with the Jewish community,” he said, “which preexisted Christianity by at least 1,500 years, maybe 1,800 years.”

Miller was named archbishop of Vancouver in 2009. In the hierarchy of the Catholic Church, an archbishop is a bishop who leads an archdiocese. Above them are the cardinals who, among other roles, come together to elect a new pope, as they did last month.

Rabbi Philip Bregman, who leads an interfaith group called the Other People and is rabbi emeritus of Temple Sholom, has been in the city since 1980.

“It wasn’t until I met Archbishop Miller that I actually had a relationship with an archbishop,” Bregman told the Independent. “Even though Pope John XXIII [in the 1960s] had really opened the door of dialogue between Christians and Jews previously closed, it still took time before that concept actually trickled down. Archbishop Miller was the one who really walked the walk and not simply talked a talk.”

Bregman noted that he had heard the new pope speak about the necessity of Catholics renewing relationships with Jews.

“Archbishop Miller has been there for many, many years and we are tremendously grateful,” he said. “This is an incredible man, who has reached out to the Jewish community and has been there in the most open fashion, for dialogue, for consultation, for support.”

Rabbi Jonathan Infeld of Congregation Beth Israel had equally enthusiastic praise.

“His spiritual leadership, because of his forward thinking and his intelligence, goes well beyond the Catholic community and has truly touched the hearts and souls of all religious people in the city, which is really due to his leadership, his insight and his intelligence and we wish him the best of luck in retirement but are sad to see him leave,” said Infeld, who wandered the dozen or so blocks from the synagogue to the archbishop’s office to bid Miller farewell.

The archbishop’s relationship with the Jewish community was strong before Oct. 7, 2023, but has only strengthened since then. Rabbi Dan Moskovitz, Bregman’s successor as senior rabbi at Temple Sholom, has spoken publicly in appreciation of Miller’s support in the days after the terror attacks.

The lesson Miller learned from Prof. Wasserman decades earlier may have ensured he did not remain silent about what happened on Oct. 7.

“The history of the Jews in Germany before the Second World War, before there was blatant antisemitism, there was a lot of silence,” he said. “Even though we now know that a lot of people were uneasy, they were not uneasy enough to say anything. That silence is often very damning. That’s true, certainly, today as well [about antisemitism], but also on other issues where we are not so willing to speak up, [where] we are a little cowardly and we can find reasons to justify it.”

Before being appointed a bishop, Miller was a professor and later president at the University of St. Thomas, in Houston, Tex. In 2003, Pope John Paul II appointed him secretary of the Congregation for Catholic Education, in the Vatican. He came to Vancouver in 2007 as coadjutor – effectively, the assistant to the archbishop and the apparent successor.

Fluent in English, French, Spanish and Italian, Miller has authored several books on Catholic education and the papacy. He is succeeded by Archbishop Richard W. Smith, who previously served as archbishop of Edmonton.

Miller credits his team at the archdiocese office for their commitment to Catholic-Jewish dialogue, and he and Bregman both praised Ann Marie McGrath, who serves as the religion lead at St. Patrick Regional Secondary School in Vancouver. Bregman has connected McGrath with King David High School, and a new relationship is budding between those schools.

Miller has now relocated to Houston. He does not like the term “retirement,” he said, and his first few weeks have been filled with speaking engagements and other responsibilities. He will be sharing his wisdom when invited to do so.

“I’ll probably read more – I look forward to that – and, God willing,” he said, “pray a little more because not every moment will be scheduled as it has been.”

Light and whimsical houses

Roxsane Tanner’s watercolours are on exhibit at the Steveston Museum and Post Office (painted here by Tanner) this month.

“Steveston is such a beautiful place,” artist Roxsane Tanner told the Independent. Her first solo show of watercolours features quaint houses of the village, where she has lived and worked for many years. The exhibit opened at the Steveston Museum and Post Office on June 1 and will be on display for the month.

Roxsane Tanner (photo courtesy)

Born in Holland soon after the Second World War, Tanner came to Canada with her family in 1951.

“My father was in the resistance, and my mother was in hiding during the war. They were both Jewish and wouldn’t have survived otherwise,” she said.

Her older sister was born during the German occupation, and her mother had to hide her baby with a local family. “My sister was 3 years old when my mom came for her after the war, to take her back. That was the first time she saw her mother.”

After the family came to Canada, her parents moved a lot. “They were very entrepreneurial,” said Tanner. “We lived in many small towns in Ontario and Quebec. Sometimes, my parents had several businesses open at the same time in the same town: a pet shop, a fabric shop, some others. They always worked hard. When I was 19, my parents and I moved to Vancouver. In the beginning, we lived in a trailer, the same one we drove here from across Canada.”

Tanner inherited her parents’ work ethic and their courage to try new things. “After high school, I wanted to study nursing, but soon after I started classes, I hurt my knees and had to come home – I couldn’t walk.”

After she healed, she became a dental assistant and worked as one for several years. “Until I met my first husband,” she recalled with a smile. “He was a wallpaper hanger. I fell in love with the man, married him, and joined his business. We worked together for several decades.”

Even after her first husband’s untimely death from cancer, she continued their business on her own. Many houses in Richmond and Vancouver feature wallpaper installed by Roxsane Tanner. By now, she has been a wallpaper hanger for more than 50 years. “But I’m slowing down,” she said. “I’m not accepting many new clients, not anymore.”

Now, she is becoming more and more absorbed in various artistic endeavours. Art was always on the periphery of her life. “I always dabbled,” she said. “Then, about 15 years ago, my second husband, Fred, and I visited Italy. He was a high school counselor before he retired; we were chaperoning a group of kids on that trip. I saw some beautiful jewelry local artisans sold on the street. I liked it, but it was too expensive. I thought maybe I could make something like that, and Fred encouraged me. When we returned home, I enrolled in a course on silversmithing and started making my own jewelry. Fred built a silversmithing studio for me in our backyard.”

She took more classes in different techniques, many of them on YouTube. “I can spend hours watching educational videos on YouTube,” she said. “There is always something new. Thousands of talented artists offer classes there. The good thing about YouTube: once you subscribe, you can watch the same lesson several times, until you really get it.”

She sells her jewelry – earrings, bracelets and necklaces – in a local Steveston shop. Occasionally, she offers her own classes in jewelry-making, to children and adults. What started as a hobby from a casual observation in Florence ended up becoming a small business, as many of Tanner’s hobbies tend to do: sewing, for example.

“My mother taught me to sew, knit and crochet,” she said. And, wanting to pass the skills on to others, she started, out of her home, to teach children how to sew. “We buy special kits and make hats and scarves for the homeless,” she said.

But that was not enough for her. Her creativity needed another outlet. About the same time as she embarked on jewelry-making, she also started painting in watercolours. “I took classes, of course, some on YouTube, others at the local Phoenix Art Workshop here in Steveston. At first, I painted landscapes, but I didn’t like it. A few years later, I went to Malta on a trip with the Phoenix Studio – they have amazing houses there, and I was inspired. The next year, we traveled to Mexico. I admired their historical buildings, but we also have amazing houses here, in Steveston. There are many heritage places here. I wanted to paint them.”

When she returned from Mexico, she noticed a blue house in Steveston she liked and took a photo of it. “I painted it from my photo. It was my first, and my friends kept bugging me: you need to show your painting to the owner. So, I went and knocked on his door. I never met him before that day, and he was somewhat gruff at first. He asked me if I would sell it to him, and I agreed. That’s how it started.”

image - Steveston’s Fisherman’s wharf, painted by Roxsane Tanner — Steveston’s Fisherman’s wharf, painted by Roxsane Tanner.

Tanner has built another small business on that foundation. “I paint houses that are for sale. Realtors around Steveston commission my paintings as gifts for the new homeowners. People also come to me and ask me to paint their houses, or their children’s houses, as gifts. Sometimes, I paint from my own photographs. Other times, the clients bring their photos and order a painting from that image.”

Besides personal homes, she paints heritage places around Steveston. The old community centre, a coffee shop, a church turned into a thrift store, the pier, with its picturesque boats, and the tiny post office – the same one where some of her work is now on display.

The exhibition includes Tanner’s original watercolour paintings plus postcards and mugs with her artwork. Some of the paintings sport charming, quirky houses found only in the artist’s imagination. “I go online and search for heritage homes around the world. If I like one, I use it as my inspiration, but I don’t copy the photos. I want my painted houses light and whimsical, like a fairy tale. Maybe a bit crooked, but reflecting the essence of the house, its soul and personality. Even the real houses I paint are not exact copies of the photos. I don’t use a ruler to make the straight lines. I use my watercolours to remind people of the fun and joy their homes bring them.”

You can see more of Tanner’s art at instagram.com/studioplace99.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Dance as prayer and healing

Aliza Rothman is “passionate about bringing this kind of expressive dance and healing movement to others and into the world.” (photo from Aliza Rothman)

It’s a musical Shabbat at Or Shalom Synagogue. There are four musicians playing. The rabbi is singing and chanting prayers with the congregation and a woman is dancing. Her face glows.

Hasidic leaders like the Ba’al Shem Tov and Reb Nachman of Breslov emphasized the power of dance as prayer and healing – and Aliza Rothman is part of the Jewish Renewal movement that values these teachings. She sees dance as a form of expression and prayer.

“When I move, I feel better, more alive, more connected to myself, others, my body, my emotions, my life force. And I am passionate about bringing this kind of expressive dance and healing movement to others and into the world,” she told the Independent.

Rothman is an expressive arts therapist who has been teaching a Rosh Chodesh (New Moon) movement class at Or Shalom since she moved back to Vancouver in 2023. Dance is both her passion and her medicine.

After many years of classes and choreography, she found herself at a drum circle at a music festival. Moving to the beat, it became a kind of trance dance. Ever since, she has been drawn to free-form movement.

In her mid 20s, Rothman traveled to India and participated in dance meditations as well as trance dances. Her journey then brought her to live in Jerusalem, in 2000, where she attended a weekly class called the Boogie – a dedicated free dance space, a place to be yourself, to connect and be playful. She traveled around Israel to dance at music festivals.

Jewish Renewal and dance came together for Rothman “on a soul level” when she was in her 20s. She dreamed of becoming a dance therapist.

“I had just come back from India, where I spent a few years traveling and on a spiritual quest that involved dancing, art, yoga and other healing heart-opening practices,” she said. “When I returned, I remember dancing outside on my own, and Hebrew songs and prayers came to me as I moved…. Years later, they really merged, when I went back to Israel, and then when I started facilitating dance workshops in Berkeley, Calif.”

Rothman moved to Berkeley with her now husband – Rabbi Arik Labowitz, spiritual leader of Or Shalom – to get a master’s in counseling psychology and expressive arts therapy. She led Rosh Chodesh and Omer dance groups there for close to 20 years.

She is also an open floor movement teacher. She discovered the activity in the Bay Area soon after it had begun, founded by five teachers who studied under the late Gabrielle Roth.

“Open floor is a form of conscious dance – there are no steps to follow, there is no right or wrong way to move. We let the rhythm of the music move us. We teach, practise and embody core movement resources – it is a life practice.” explains Rothman on her website.

“We work with 10 core movement resources: pause, release, centre, spatial awareness, toward/away, contract/expand, vector, activate/settle, dissolve, as well as four hungers – solitude, connection, belonging and spirit. Open floor is movement therapy.”

Since returning to Vancouver from Berkeley, Rothman has established her own private practice.

“I work with individuals as a somatic/trauma/movement and expressive arts therapist,” she said. “I believe in the body’s wisdom and innate ability towards healing and wholeness. I encourage people to move with their range of feelings – dancing our grief, anger, joy.”

Dear G-d,
if only my heart would be
straight with You all the time,
I would be filled with joy.
And that joy would spread all the way
down to my feet,
and uplift them in dance.
Please, never let my feet falter,
release them from their heavy bonds,
and give me the strength
to dance, dance, dance.

– Rebbe Natan Sternhartz, student of Rebbe Nachman of Breslov (Likutei Tefillot I:10)

Rothman grew up in the Jewish Renewal movement. Her parents were some of the first members of what is now Or Shalom but, back in the day, it was called “the Minyan,” led by Rabbi Daniel Siegel and his wife, Rabbi Hanna Tiferet Siegel.

“It rotated between all of our living rooms,” said Rothman.

Rothman’s parents are Myrna Rabinowitz, stepfather Barry Rabinowitz and father Leo Rothman. Myrna Rabinowitz is widely known in the Vancouver Jewish community as a singer, including as a member of the band Tzimmes.

“My mom had a lot of music playing in our house and, when I heard music, I danced,” said Rothman. “I danced all the time as a child – putting on shows, dancing in my yard, etc. I grew up with a soulful musical Jewish connection at home, a heart-centred, joyful Judaism, which I found more of when I moved to Berkeley.”

This month, Rothman is leading outdoor dance on Tuesday evenings in Queen Elizabeth Park. She will be teaching another Rosh Chodesh dance group beginning in the fall and hopes to begin some small dance-based expressive arts therapy groups in the fall, as well. She also teaches classes online. She can be reached at alizarothman.com.

Cassandra Freeman is a freelance journalist and improv comedy performer living in Vancouver.

Will you help or hide?

Bema Productions’ The Last Yiddish Speaker cast, director and crew: standing, left to right, Tess Nolan, Kevin McKendrick, Andrea Eggenberger, Nolan McConnell-Fidyk and Ian Case; seated, Siobhan Davies, left, and Zelda Dean. The play imagines a world in which the Jan. 6, 2021, attack on the Capitol in Washington, DC, was successful and Christian nationalists have taken over the United States. (photo by Peter Nadler)

Victoria’s Bema Productions is staging the international premiere of Deborah Laufer’s The Last Yiddish Speaker at Congregation Emanu-El’s Black Box Theatre June 18-29.

The drama imagines a dystopian world in which the Jan. 6, 2021, attack on the Capitol in Washington, DC, was successful and Christian nationalists have taken over the United States. In the play, a Jewish father and daughter must be careful and cunning, as any deviation from the norm could be deadly. When an aged Yiddish-speaking woman lands on their doorstep, they must decide whether to take the risk of helping the woman or focus on saving themselves.

Laufer has numerous full-length plays to her credit, as well as dozens of short plays and even musicals (written with composer Daniel Green). Her plays have been produced around the world and she has been recognized with numerous awards.

While The Last Yiddish Speaker focuses on Judaism and the right for Jews to exist, the play could be about any marginalized group, in any country.

“Although the play is set in the USA, the theme is universal: the struggle of good over evil,” Zelda Dean, founder and managing artistic director of Bema, told the Independent. “In this play, Canada is still a safe place for Jews.”

That said, it has a message for Canadian audiences, as well, Dean said. “It is very important that we address social and political issues, particularly with the huge increase in antisemitism in Canada. The play is entertaining, engaging and enlightening. It takes place in 2029, when the fascists have taken over the USA. It is timely and powerful.”

Directed by Kevin McKendrick, The Last Yiddish Speaker features Ian Case, Siobhan Davies, Nolan McConnell-Fidyk and Dean.

McKendrick is an award-winning director, notably being recognized by the Alberta Theatre Projects for significant contributions to theatre in Calgary. Case, a veteran stage actor on Vancouver Island, is also a director and arts advocate. Davies, meanwhile, is a stage and cinematic performer – she will be appearing in the upcoming film Allure, shot in Victoria. McConnell-Fidyk is a local actor who appeared in Survivors, a play aimed at spreading information about the Holocaust to audiences from Grade 6 and up. (See jewishindependent.ca/theatre-that-educates and jewishindependent.ca/survivors-play-brings-tears.)

Before the November 2024 presidential elections, Laufer told Philadelphia public radio station WHYY about her reasons for writing the play, including that she was deeply disturbed by the events of Jan. 6. “I thought, ‘Is this the end? Is our democracy completely ended?’” she said.

“The play reminds us there are times in history when we have the choice to speak out against oppression or choose to remain silent. You get the government you deserve,” McKendrick told the Independent. “How will you respond when faced with outright injustice?”

Tickets for The Last Yiddish Speaker can be purchased at ticketowl.io/lastyiddishspeaker.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

A tour with extra pep

Elana Wenner (with folder) leads the Jewish Museum and Archives of British Columbia walking tour of Jewish Strathcona. (photo from JMABC)

Having taken the Jewish Museum and Archives of British Columbia’s tour of Jewish Strathcona, I know firsthand how interesting and worthwhile it is. This summer, there will be a little more swing to the July 27 tour – Kol Halev Performance Society will once again take part, but in an expanded role.

“Kol Halev has created a script for theatrical additions to the tour, along with musical components. Actors in full period costume will accompany the group and act out key scenes from the stories told along the way,” Elana Wenner, director of programming and development at the museum, told the Independent. “A full musical dance number is included as well, along with a reenactment of a wedding that mirrors cultural traditions from the past.”

Wenner got in touch with Sue Cohene, co-founder and current president of Kol Halev, after having taken some theatrical tours produced by other museums in the city and elsewhere.

“In the past,” said Wenner, “Kol Halev has put on productions based on BC Jewish history in conjunction with JMABC, before I worked here.”

“Kol Halev has been involved with the Jewish Museum since 2006, performing at their various galas and special events over the years,” Cohene explained. “In 2017, the museum created a photographic exhibit, shown alongside Kol Halev’s historically based play, Two Views from the Sylvia, which was presented at the Waterfront Theatre.

“Kol Halev Performance Society and the Jewish Museum and Archives have a long-standing collaboration and we update the museum on a regular basis about our shows, community teachings and future plans.”

A couple of years ago, said Cohene, Marcy Babins, interim executive director of the museum, suggested that she meet with Wenner, then the newly appointed director of programming and development, to discuss possible joint ventures.

“Connecting with Elana has been like carrying on a family tradition,” said Cohene. “Elana’s grandmother, Irene Dodek, was instrumental, along with Dr. Rabbi Yosef Wosk, in bringing Kol Halev on board to provide entertainment and theatrical historical education for Jewish Museum projects. Elana’s mother, Dr. Gail Wenner, has danced with Kol Halev and continues to share her creativity by creating historically influenced hats for our performers.”

Last summer, Kol Halev added a Yiddish dance performance to complement one of Wenner’s Jewish Strathcona walking tours. This summer, actors from the performance group will portray early Jewish community leaders during the tour, in addition to weaving in some traditional dance pieces.

Cathy Moss, one of Kol Halev’s main writers since the group was established, worked with the research provided by Wenner to create a script.

“Elana shared the tour route and basic information about Strathcona historical community leaders from the early 1900s to the 1940s,” said Cohene. “She kindly led Kol Halev on the tour, where we all looked at locations that could accommodate acting and dancing.”

“Elana did a great job compiling the research on the area,” said Moss. “Once I took the tour, it was easy to see what a compelling cast of characters inhabited Strathcona in the early days. It was fun to write dialogue for such interesting and lively folks.”

Moss relied on the museum’s material for each location along the tour, writing the dialogue for the characters based on the biographical details and context Wenner provided.

“The tour is great and informative on its own,” said Moss. “I would add that inviting Kol Halev to be part of it was an excellent idea. It adds another dimension that makes the experience that much more enjoyable. The wedding dance in particular will be appreciated by the tour-takers. It’s very entertaining.”

photo - Kol Halev rehearses the Patsh dance, choreographed by Santa Aloi. The group will dance and act in the July 27 JMABC Strathcona walking tour — Kol Halev rehearses the Patsh dance, choreographed by Santa Aloi. The group will dance and act in the July 27 JMABC Strathcona walking tour. *(photo by Adam Abrams)*

Kol Halev has several on-site rehearsals planned before the shows in which they’re participating – the July 27 public tour and a private tour in late June – “particularly to familiarize dancers and actors who were not involved last year,” said Cohene.

“We will have between eight and 10 dancers this summer and a few actors,” she said. “It’s a small working production that has room to grow.”

Cohene will be part of the performances.

“I’ll be playing a mother-in-law role in the 1940s wedding dance, which was choreographed by Tamara Thompson Levi,” she said. “I’ll also tap dance in the Yiddish Patsh dance choreographed by Santa Aloi.”

Wenner leads the Strathcona walking tours.

“This tour is a journey through the footsteps and choices made by the first community leaders in Vancouver,” she said. “It follows in the footsteps of community-building, highlighting the institutions and people who laid the groundwork for today’s thriving Jewish Vancouver institutions. Along the way, we see buildings that held components of the first Jewish community organizations, as well as the homes of some of the first leaders. We also explore the ideas of what Jewish community requires in general, and what it was like to live as a Jew in this part of the world at the turn of the last century. The tour is a synthesis of past and present, weaving together the origins and future of Vancouver’s Jewish community.”

The Jewish Museum has four different walking tours on offer this summer. In addition to the Strathcona neighbourhood tours led by Wenner on July 13 and 27, Aug. 10 and 24, Daniella Givon leads tours of the Mountain View Jewish Cemetery on July 6 and Aug. 10. In Victoria, Amber Woods leads both the Downtown (July 6 and Aug. 10) and Jewish cemetery (July 20 and Aug. 24) tours. All the walks start at 10:30 a.m. For tickets, visit jewishmuseum.ca, email [email protected] or call 604-257-5199.

Jazz fest celebrates 40 years

Among the performers at this year’s Vancouver International Jazz Festival are Ard n’ Saul (Ardeshir and Saul Berson), at Tyrant Studios on June 21. (photo by Joshua Berson)

The 40th anniversary edition of the Vancouver International Jazz Festival runs June 20 to July 1. It offers more than 180 events, with 50 free shows at 14 locations around the city.

The festival took its maiden voyage Aug. 19-25, 1985. Billed as the first annual Pacific Jazz and Blues Festival, the event featured 100 musicians from British Columbia, Oregon and Washington state at clubs and venues around the city. It was created – and mostly financed – by John Orysik, Robert Kerr and Ken Pickering, along with Deborah Roitberg, who would become a founding board member. Together, they founded the Coastal Jazz and Blues Society, which was born with the intent of providing a 10-day music festival along with a year-long jazz presence.

In this year’s festival, there will be open jazz jams June 20-29, presented at and with Tyrant Studios. Come for the 9:30 p.m. sets ($18 in advance, $20 at door), then stay as the headliners become hosts, sharing the stage with visiting artists and local players alike starting at 11 p.m. (pay-what-you-can). Among the headliners are, on June 21, Ard n’ Saul, who pay homage to the classic two horns and rhythm section tradition – the group is led by alto saxophonist Saul Berson and tenor saxophonist Ardeshir.

On June 22, 6 p.m., at Zameen Art House, Infidel Jazz presents Asef ($20 in advance, $25 at door). Members of the group – Berson (saxophones), Itamar Erez (guitar), Sam Shoichet (bass) and Liam Macdonald (drums/percussion) – bring to the stage many years of experience playing a variety of music from around the world, including Balkan folk, tango, klezmer, flamenco and bebop.

Also on June 22, at the Georgia Street Stage at 6:30 p.m., Dawn Pemberton and her band – which includes Max Zipursky on keys – play a free concert of music from gospel and R&B, to jazz, funk and soul. Zipursky also plays with Confiture on June 29, 8:30 p.m., at Ocean Artworks ($15 at door). Led by vocalist Tim Fuller, Confiture celebrates 30 years of house music, blending classics with original tracks.

photo - Andrea Superstein plays at Frankie’s Jazz Club on June 26 — Andrea Superstein plays at Frankie’s Jazz Club on June 26. *(photo from coastaljazz.ca)*

On June 26, Juno-nominee Andrea Superstein plays at Frankie’s Jazz Club, at 8 p.m. ($20-$25), and the Evan Arntzen Quartet, with special guest Lloyd Arntzen, perform a free show on July 1, noon, at Ocean Artworks.

Vancouver-born, New York City-based saxophonist, clarinetist and vocalist Evan Arntzen blends modern jazz influences with deep roots in the genre’s history. The quartet will be joined by Arntzen’s grandfather, Lloyd Arntzen, a legendary clarinetist, saxophonist and vocalist who’s been a pillar of Vancouver’s traditional jazz scene since the 1940s.

For the full festival lineup and tickets, visit coastaljazz.ca.

– Courtesy Coastal Jazz