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Fight Jew-hatred – and lies

The U.S. Congressional committee investigating the Jan. 6 insurrection is limping along in the face of a near-total absence of cooperation from the Republicans who make up almost half of Congress and of the American voting public. Despite reams of video evidence, there is legitimate worry that justice will not be served in the case of an attempted coup at the heart of American government.

Those who tried to overthrow the will of the people and who even called for the murder of the vice-president of their own party are venerated by their supporters as patriots, while those who seek justice for those events are vilified as traitors.

The very people who tried to subvert the democratic decision of the American people last November – those who are trying to steal the election from President Joe Biden – chant “Stop the steal!” apparently without a hint of irony or self-awareness.

But the fight over Jan. 6 is a small puzzle piece in a larger social disorder. We are seeing verifiable truths dismissed as lies and what should be summarily debunked as lies revered as gospel. Listening to some of these voices, it is difficult to tell whether they are trying to create a reality based on what they wish were true – Trump won, Democrats eat babies, whatever – or whether they truly believe these falsehoods. It’s probably some of both.

Are we approaching a tipping point where a healthy society that has at least a modicum of shared consensus on what is true and what is false slides into a moral terrain that has no agreed-upon truth or lies, right or wrong, good or evil?

The pandemic has brought this problem into clear relief. Doctors say that they are treating people who, on their deathbed, continue to insist there is no such thing as COVID. There is a spectrum, from outright denial of the existence of the virus to conspiracies that it was invented for nefarious purposes to the idea that the virus itself is legitimate but is being exploited by governments (or other disreputable entities) to take away some amorphous “freedoms.”

Recently, parents opposed to mask mandates chased fellow parents (and their kids) at a school in California, screaming that the kids could not breathe through the masks. When some parents responded with what, by any fair measure, is common sense, one protester screamed back: “You were propagandized.… You are not being told the truth!”

To put a fine point on it, people who have been propagandized and who are convinced of a lie are shouting at others that they have been propagandized and do not know the truth.

Recently, South Carolina Senator Lindsey Graham, speaking to a Republican crowd that should have been in his back pocket, said, “If you haven’t had the vaccine, you ought to think about getting it because if you’re my age –” At this point, he was drowned out by screaming and booing. When he was able to speak again, he told the Republican crowd, “Ninety-two percent of the people in the hospitals in South Carolina are unvaccinated.” To this, some audience members began screaming “Lies!”

The New York Times Magazine’s ethics columnist, Kwame Anthony Appiah, wrote recently of the “strange mirror game” being played by conspiracy theorists and hucksters. “They peddle hoaxes that warn of hoaxes, scams that warn of scams. They dupe their victims by cautioning them not to be duped.”

Lies have been around forever. But it seems we are in another realm now. When Kellyanne Conway, a counselor to Trump, defended then-White House press secretary Sean Spicer’s false claims that attendance numbers at Trump’s 2016 presidential inauguration were the largest in history, Conway asserted that there were facts and then there were

“alternative facts.” This was not the genesis of a culture of gaslighting, but it did represent, along with Spicer’s lies, a turning point. The Trump administration operated in a world that rational observers would view as existing in an alternative universe of alternative facts.

Jews and supporters of Israel who forgive Trump’s many affronts because they deem him to be on “our side” on one issue suffer from something that might be equated to the difference between the weather and the climate.

Trump may indeed have taken steps that people view as being to Israel’s advantage. But, in nearly everything else Trump and his supporters have done, they have assaulted truth, facts and rationality. They call black white and up down. Legitimate media are “fake news” and darkweb rantings are trustworthy sources.

In a story in the last issue of the Independent, the commentator Bret Stephens said: “We now have come to a place where, increasingly, we are a nation that can bring ourselves to believe anything and a nation that can bring itself to believe anything … sooner or later, is going to have no problem believing the worst about Jews.”

Trump, Spicer, Conway and their crowd did not invent the situation where lies are gospel and truth is rejected, but they did their best to perfect it.

It should not need saying that such people should not be trusted, since their loyalty and sincerity are worthless. Republicans who, on a dime, turn into an angry mob screaming “Hang Mike Pence!” should not be trusted when it comes to something as sacred as the security and the fate of Israel and its people.

More gravely still, there is a reason why Jews are often referred to (as dehumanizing as the term is) as “canaries in a coalmine.” When antisemitism emerges, it is a sign of broader societal disorder. It is no surprise that the spike in antisemitism we are witnessing coincides with a phenomenon where verifiable facts are regarded as debatable assertions and the most ludicrous assertions are not only accepted as truth but defended with fanaticism and violence.

In the late 20th century, Canadian Jewish Congress and other groups adopted an approach premised on the idea that the best way to ensure the safety of Jewish people was to advance an ideal that protects allminorities. There might always be people with antisemitic motivations, but, if we can inculcate in society a transcendent commitment to equality for all, we may create a firewall against the worst antisemitism.

As CJC and others did several decades ago, it may be time for Jewish people and others who care about fighting antisemitism to rededicate ourselves to strengthening the most fundamental principles of our democratic societies, the very foundations that we too often have taken for granted, even after Jan. 6. This includes not only ensuring basic things like civil and voting rights and protecting the institutions of democratic government, but it calls on us to contest outright lies and to defend basic truth. If, in the process, we manage to yank our democratic societies back from the abyss of lies and the frightening places they lead, we will have made things better not only for the Jewish future, but for everyone’s.

A time for diversity training

We’re in the month of Heshvan on the Jewish calendar. Some people call it Mar-Heshvan or Marcheshvan. (Since this is transliteration, it can be spelled either “ch” or “h.”) It’s called mar, or bitter, because, aside from Shabbat, there are no Jewish holidays during this month.

Of course, as Canadians, we had Thanksgiving in there. However, after a long stretch of Jewish holidays, many Jewish people, myself included, quite like the idea of a month off from them. Finally, I have time to start another big project. A relatively quiet Jewish month leaves more time to do “regular” work, learning and making changes.

As a kid, I was very active in my Reform congregation. I learned to lead services and read Torah and Haftarah, and did it without hesitation after becoming a bat mitzvah. Unfortunately, though, at that time, we didn’t chant in my parents’ congregation, so I never learned how to do it. I married into a family with slightly more traditional practice among some of its members and, therefore, have been attending services with chanting now for more than 20 years.

Yet, learning to chant is a tricky business as an adult. On one occasion, I asked a rabbi if I might learn and he said of course, the congregation ran a special group class for adult b’not mitzvah. (Mostly it was women who never were able to participate in a bat mitzvah service as a child.) I said no, I’d been there and done that – complete with leading the service, a reception with custom-made omelettes, and a special dress. I just wanted to learn to chant. He had no space in his imagination for someone who just wanted to learn this skill without the lifecycle event.

I also learned that there are different kinds of trope. Chanting comes along with symbols in the text of the Torah, Haftarah, Eicha and Megillat Esther. The symbols were introduced by the rabbis as a way to mark and understand the text better. It’s like punctuation. However, as an oral tradition, chanting melodies differ according to where one lives and one’s background. There are actually many different styles of chanting trope, including smaller regional differences, as well.

The trope I’ve begun learning is an Ashkenazi one, which is perhaps appropriate to my family background. (I haven’t done a DNA test, though, so I’m going by family lore.) However, parts of my family are Western European and others have been in the United States for a long time. It’s even possible that I’m learning the “wrong” trope for my background. I’ve found that several Sephardi and Mizrahi chanting styles sound clearer and make more sense to me, perhaps because I’ve learned Modern Hebrew and I lived in Israel as a teenager. It’s actually not as simple as “Learn trope!” “Chant Torah!” although it seems this way if you’ve only lived in one specific Jewish ethnic community with unified customs and traditions.

The more you know, the more complicated things seem. The best metaphor I’ve come up with springs from an odd social media interaction I had. Someone I know only online described her harvest supper menu as including “Jewish-style brisket.” I jokingly responded, “WHAT?! There’s only one kind? What about the many varieties I’ve had over the years? Could it be that I’ve never eaten the only ‘official’ Jewish brisket recipe?”

I said maybe this was an Eastern European/Ashkenazi recipe, or her family recipe. After all, brisket is a relatively cheap cut of meat, cooked low and slow, which is perfect to make on Shabbat, when some families do not adjust oven temperatures or turn the oven on or off.

The person insisted that this was indeed the Jewish-style brisket her family made, mostly, and that, if you Google it, this exact recipe pops up. (Hint, lots of things pop up online that don’t hold up under scrutiny.) Eventually, I suggested that perhaps this was best called a family recipe or a specific geographic recipe, and wished her bon appétit.

Geography matters in cooking meat – for instance, in a Southern barbeque recipe. That is, brisket in Texas doesn’t taste like brisket made in eastern Carolina. Nothing could be more different! The same is true for Jewish trope or chanting. They don’t sound the same because, although Jews originated, long ago, in what is now called Israel, we’re now a diverse people, from all over the world. Just as Jews don’t all look the same, we all don’t eat the same foods on holidays, or sing the same melodies for Lecha Dodi, Adon Olam or myriad other prayers.

So, I begin, with baby steps, to learn one chanting/trope tradition while acknowledging there are many others out there. Like the many brisket recipes and holiday traditions out there, knowing about diversity and traveling deepens our appreciation for what we know and enjoy, and for learning more.

In the meanwhile, I joked with a non-Jewish friend I know in “real life” that, if there is really only one Jewish-style brisket recipe, we might be in trouble. “Oh no!” she replied. “I have to figure out ‘the’ Christian brisket recipe! How have I missed it after all this time?!” We snorted together with laughter. Next, I might call a Muslim friend to ask if there just one Muslim meatball – after all, the kibbe and kofte I’ve shared over many years might not be the official kind?

The best learning for Heshvan? There might not be a single “official” version of anything. That, in itself, is a lesson in diversity that might be worth learning like trope … over and over.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Chutzpah! back on the stage

Ophira Eisenberg (photo by Mike Katzif)

Live performances – that you can see in person – are, thankfully, a thing again. At least, for now. And this year’s Chutzpah! Festival, Nov. 4-24, features many shows that people will be able to attend, most of which will also be streamed digitally.

For the two artists the Jewish Independent interviewed this week about the festival, the upcoming performances hold special meaning.

“I am so looking forward to coming back to Canada,” said New York-based comedian and storyteller Ophira Eisenberg, who was born in Calgary. “And Vancouver at that! Where it all started.” Eisenberg performs Nov. 7 at the Rothstein Theatre.

Shay Kuebler/Radical System Art’s Momentum of Isolation sees its world première at the theatre Nov. 13 and 14. The dance company returns to Chutzpah! as resident artists. The Rothstein Theatre and Chutzpah! “have been critical to the growth of Radical System Art and my work as an individual artist,” Kuebler told the Independent, describing the theatre as “the cradle that supported us” during “our infancy as an organization.”

“When I stepped back into the theatre,” Kuebler said, “it was like being back in a close friend’s home. It feels right. There’s a groove and comfort there. This has enabled us to create with as much momentum as possible, both as a company and collective of artists.”

Stepping back into a theatre has been an emotional experience for many artists.

“This spring in New York, I performed numerous times outside,” said Eisenberg. “All of the situations were a little different and, a couple of times, the address of the show was a large tree in a park! It wasn’t ideal and definitely was challenging, but people really wanted to laugh and take in some live entertainment, so it was uplifting.

“My first real performance inside at a comedy club was in early May, when New York opened small performance venues,” she said. “The audience was distanced and masked, and I think they laughed louder and harder than an audience of 3,000 – or maybe my ears weren’t used to hearing live indoor laughter and it sounded explosive. Either way, it almost brought me to tears, and I know I’m not the only one that felt that way.”

Eisenberg comes to Vancouver soon after the final episode of National Public Radio’s comedy trivia show Ask Me Another, which she hosted for nine years, interviewing and joking with numerous famous folk, including Sir Patrick Stewart, Awkwafina, Ethan Hawke and Julia Stiles, among many others.

“After interviewing hundreds of celebrities, authors, musicians,” said Eisenberg, “one thing that stands out to me is that, whenever we talked about a project that meant a lot to an artist, they mentioned that what made that project so successful was the supportive environment – and the fact that they worked with people who allowed experimentation and even failure. That ended up bringing out their best work. I think about that a lot when it comes to creating a space for artists to truly succeed.”

Eisenberg has headlined and performed at countless festivals and appeared on numerous comedy networks and programs. She has her own comedy special, called Inside Joke, and her first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), was optioned for a feature film. She is a regular host and storyteller with the Moth, an organization that has become a radio show and podcast, in addition to putting on live events and other activities.

As for what she would still like to accomplish in her career, Eisenberg said, “I’m working on another podcast that I hope is also long-running! But I have so many things I’d like to do. Maybe too many things! On the docket are writing another book, and I’d love to write for TV. Performing live is my first love, so I’m looking forward to a safer world where that can happen more often.”

Eisenberg’s journey to success began at a young age.

“I truly believe I was drawn to New York as a child from watching Sesame Street!,” she said. “I went to McGill for university, where I got a bachelor’s in anthropology and theatre, then moved to Vancouver for a couple of years, where I tried standup for the first time.

“I was honestly too scared to move to New York,” she admitted, “so I moved to Toronto and spent five years performing and starting to understand my craft. Then, one day, I thought, ‘I need to move to New York now while I can still happily live with a futon and milk crate furniture.’ Two years after moving here, I discovered the Moth…. I love writing jokes, but I was working on other material that just did not fit into the standup mold. I found an outlet of expression at the Moth and in this short form storytelling, and I continue to pursue both.”

When asked to describe her connection to Judaism and/or Jewish community or culture, Eisenberg said, “I have a joke in my act that goes something like this: ‘I was raised Jewish in Calgary, Alberta, or so I thought because when I moved to New York I wondered, “maybe I was raised Protestant?” Everyone in New York is more Jewish than I am. My Puerto Rican neighbour knows more about Judaism than I do.’

“That is just a joke but living in New York is definitely the first time I felt surrounded by pervasive cultural Judaism. My father was the principal of the Hebrew school in Calgary but left that job the year I was born, so I went to public school. We still practised at home and went to synagogue during the High Holidays. As an adult, I’ve definitely been able to find my community here in Brooklyn, which is very wonderful and embracing.”

Exploring isolation

In 2018, before the pandemic sent us all into relative isolation, the United Kingdom appointed its – and, apparently, the world’s – first minister of loneliness, to address the problem as a public health issue.

“Right away, the title of ‘minister of loneliness’ grabbed me,” Shay Kuebler told the Independent. “There’s something very simple about it and it almost feels like a caricature, yet, when you think of someone whose entire work/career is to disrupt loneliness, it becomes deeply serious. When you read about isolation and loneliness, the gravity of this position becomes even more clear.”

The United Kingdom’s action was a catalyst for Kuebler, who noted, “You can now find multiple countries that have ministers of loneliness.”

The work Momentum of Isolation “speaks to a number of ideas around isolation and loneliness,” he said. “By doing so, I hope to open up greater conversations around the topic and maybe have audiences start their own exploration of the topic.”

photo - Sarah Hutton performs in Shay Kuebler/ Radical System Art’s Momentum of Isolation — Sarah Hutton performs in Shay Kuebler/ Radical System Art’s Momentum of Isolation. *(screenshot)*

Momentum of Isolation explores the theme both through physical isolation and social isolation, explained Kuebler. “These two points are explored through a number of different scenes, which make the show episodic in its structure, with some through-lines and arcs for characters moving all the way through.”

The work has turned out to be even more relevant than Kuebler initially thought it.

“Honestly, this show took on an evolution that I could have never projected,” he said. “The timing of our first full-company research period coincided with the closures and lockdowns across 2020. I knew that this project was important, and being forced into an online/isolated form of research was profound, to say the least.

“This isolated online research, which enabled one-on-one time with each of the company artists, created a well of material,” he said. “It was a format that was completely new, but something I found extremely valuable. While working with each artist one on one, I was simultaneously writing and composing music for the work. This not only led to a lot of new scenes and ideas, but it also distilled what was most relevant and necessary to say.

“For me, this piece was both a rediscovery and a reinforcement of what I hold most valuable. It has brought me back to how and why I want to create. I am grateful for this.”

For those unfamiliar with Radical System Art and dance in general, Kuebler added, “I know when we hear ‘dance’ and, especially, ‘contemporary dance,’ a lot of people can feel hesitant. I want readers and audiences to see this show as more of a ‘contemporary theatre experience.’ It brings together technology, design and multiple art forms around a very relevant – and timely – theme. It is something being made now, through many different artists and their many unique experiences…. With a collaborative approach to connecting with our audiences, we hope to create something new, relevant and accessible.”

For Chutzpah! tickets and the full lineup, visit chutzpahfestival.com or call 604-257-5145.

Capturing nature in photos

Micah Groberman with his son, Evan. (photo by Micah Groberman)

The current photography exhibit at the Zack Gallery, Discoveries: A New Way Forward, allows visitors a peek into the wilderness of British Columbia. A bird serenades the sunset. A bear crosses a road. A coyote glares into the camera. Even a Whistler bridge seems to lead to an adventure in the forests and mountains of our province. The photographer, Micah Groberman, talked to the Independent about his art and how the pandemic set him on his new creative course.

“Before the pandemic, I had a business with a partner, Ivan Solomon. We did many different things, but mostly we designed wall murals for children’s stores, hospitals and private clinics,” said Groberman. “After the pandemic hit, we couldn’t do it anymore, couldn’t stay inside the enclosed spaces for the long time it takes to create a large mural. Many places closed. School was canceled. I had to stay at home and take care of my sons.”

photo - Micah Groberman’s photo of a hummingbird feeding her babies was featured on CBC — Micah Groberman’s photo of a hummingbird feeding her babies was featured on CBC.

For Groberman, instructing his elementary school sons from a set curriculum was frustrating. “I’m not good at math,” he joked. So he found something else to do with his boys. He shared his passion for nature with them. They went for walks in local parks. And they took photographs.

“I started taking photos when I was about 9,” Groberman recalled. “It was with a simple camera, the point-and-shoot kind. I enjoyed it and did it for a long time, simply for myself and my family. During COVID, my photography took a more serious turn. I wanted to do it well. I wanted to learn. I watched videos on YouTube. You can find all sorts of useful tips online. I got myself some professional gear, a large camera. And I took photos. Many, many photos. I learned by doing.”

Groberman classifies his images into three categories: landscape, wildlife (which includes all his animal and bird shots) and fine art. The last category is the most inclusive. It overlaps with landscape and boasts some unusual shots, like a PNE ride from a rare angle or an old pickup surrounded by flowers that displays an uplifting message in its cargo bed.

photo - Micah Groberman took this photograph last year at the Richmond Sunflower Festival — Micah Groberman took this photograph last year at the Richmond Sunflower Festival.

“I took it last year at the Richmond Sunflower Festival,” Groberman explained. “The organizers put the old truck among the flowers, and I thought it looked interesting.”

Many of his images, especially of wildlife, are fascinating because he has sought them out. In addition to artistic skill and adequate hardware, nature photography requires a great deal of perseverance and patience. Groberman has both.

“The bear that crosses the road – I took this picture from my car,” he said. “We were in Whistler, driving around, looking for bears. It took us three hours, until one walked out of the woods.”

Another of his amazing wildlife shots is a coyote on a piece of driftwood. “I noticed him hiding in the bushes on the other side of a stream in Richmond. I followed him for about five minutes, with only glimpses, until he came out and stared at me. I took the shot, but I was glad there was water between us.”

While taking his own photos, Groberman tried to share his knowledge with his sons. “My younger son wasn’t that interested,” he said, “but my older son, Evan, took to photography. I taught him, and he inspired me. Many of my photos in this show I took when I was with him. I think teaching him made me a better photographer.”

Groberman hadn’t ever exhibited his photos prior to the pandemic. He had never even thought about doing so. “It was just a hobby,” he said. “But, in 2020, I participated in a group show at the Zack. A couple of my son Evan’s photos were also on display. That’s how I first met Hope [Forstenzer], the gallery director.”

photo - It took a few hours of searching before Micah Groberman came across this bear and took its picture — It took a few hours of searching before Micah Groberman came across this bear and took its picture.

According to Groberman, the current show was supposed to be a double feature, including a sculptor as well. “But the sculptor didn’t happen,” he said, “so it became my solo photography show. There are 37 images in the show: 30 are mine, seven are Evan’s. We have a show together.”

The name of the show – Discovery – came from the experiences shared between father and son. “Our walks together were bonding,” said Groberman. “We discovered things together. Evan discovered new skills. I discovered a new way to move forward and I discovered teaching. That’s where the name of the show came from.”

Groberman hopes that his wall mural business will recover once the pandemic ends, but he also sees several new avenues for his creativity.

“I want to do more with my photography,” he said. “I’m exploring different options, trying to establish myself locally. I went to stores to offer them prints of my photos and postcards. I rented a bunch of my prints to a movie set. I entered local contests. One of my photos – a mama hummingbird feeding her babies – was featured on CBC. Another – a photo of a heron – won the Richmond banner contest last year in the nature category. You will see my heron on the streetlights in Richmond. I have an Instagram account. I’m just starting with photography, but I want to see where I can end up.”

Discover opened on Oct 4 and runs until Nov. 7. Learn more about Groberman’s work at micahgphotography.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Tackling antisemitism

It’s no secret that antisemitism around the world has been increasing for years. As recently as Sept. 30, MLA Spencer Chandra Herbert saw his office window hit with a spray-painted red swastika. Make no mistake: there is no place for antisemitism in our world. That’s why Chabad Richmond is offering the four-week Rohr Jewish Learning Institute program called Outsmarting Antisemitism on Wednesdays Nov. 3, 10, 17 and 24 from 7:30-9 p.m.

“Join me each week as we explore the ethical impacts of history repeating itself, both within the Jewish community and beyond, by those who believe that antisemitism and hatred are accepted and encouraged practices and attitudes,” said Rabbi Yechiel Baitelman, director of Chabad Richmond.

Outsmarting Antisemitism takes on this subject directly and unapologetically, with a sense of optimism, faith and a distinctly Jewish approach.

“Through insightful source texts and fascinating case studies, this course examines the sources of this ancient scourge, along with the appropriate strategies for overcoming it. It’s time to find the confidence to fight hate with hope, and to stand tall against antisemitism,” said Baitelman.

“Upon concluding our series Outsmarting Antisemitism, you will be better equipped to campaign publicly against those who oppose both Israel and the Jewish people, and ensure we do everything possible to condition society to bring out the best in humans, rather than their more sinister elements,” he added.

Outsmarting Antisemitism will be offered both in-person and online via Zoom. Sign-in information will be provided at the time of registration. The cost to attend is $75 per person or $130 per couple, and includes the textbook.

This course will also be offered to lawyers for B.C. Law Society accreditation on Nov. 25, Dec. 2, 9 and 16 from 7:30-9:30 p.m. and will take place in person, at Chabad Richmond, 4775 Blundell Rd. The cost is $540 including textbook and the course is applicable for eight CLE approved credits.

To register for either Richmond course, call 604-277-6427 or visit chabadrichmond.com/jli.

The JLI course is also being offered at Lubavitch Centre (604-266-1313), starting Oct. 26, and Chabad of Nanaimo (250-797-7877), starting Nov. 9.

– Courtesy Chabad Richmond

Commemorating the Holocaust

Magdeburg, Germany, 1938. (photo from Bundesarchiv / Bild 146-1970-083-42)

Next month, our community marks the 83rd anniversary of Kristallnacht, the state-sponsored pogrom known as the Night of Broken Glass, which took place on the night of Nov. 9-10, 1938. Hundreds of synagogues were burned, Jewish-owned businesses were destroyed, nearly 100 Jews were killed and 30,000 were sent to concentration camps. The shards of broken window glass seen in front of Jewish-owned stores the next morning gave this event its name.

On Nov. 4, 7 p.m., streaming live via Vimeo, the Vancouver Holocaust Education Centre in partnership with Congregation Beth Israel features keynote speaker Judy Batalion, author of The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos, in conversation with the VHEC’s Dr. Abby Wener Herlin, and a Q&A. Visit vhec.org for details.

On Nov. 9, beginning at 7 p.m., streamed live on Zoom, Victoria Shoah Project hosts a program called Communities Standing Together Against Hate: Lessons from Kristallnacht. Remembrance is essential, however we also must act in tangible ways to protect all peoples. The Shoah Project is inviting political and law enforcement leaders, as well as representatives from the diverse faith communities, to join together at the commemoration to lead the reading of a pledge of mutual respect and support. Join in remembering the past and committing to take action for a better future where we will respect and protect our neighbours, not remain silent in the face of any injustice against any person or group and work towards building bridges leading to unity and shalom. For more information, visit victoriashoahproject.ca.

– Courtesy Vancouver Holocaust Education Centre & Victoria Shoah Project

New song for the holidays

Haley K. Turner has made a parody of her own Chanukah song, in an effort to get Adam Sandler’s attention.

On Nov. 3, local singer-songwriter Haley K. Turner is releasing what might be the only original Chanukah song set for release this year, and one of only a few in the last 25 years. Inspired by a recent plea from Adam Sandler for “someone out there” to write a new Chanukah song, Turner did just that.

In the tradition of nostalgic, sentimental classics such as “Have Yourself a Merry Little Christmas,” “Intangible Things (A Hanukkah Song)” features a string orchestra with lyrics that were completed early this year, on the very last snow day of last winter.

Since Sandler asked for the song, Turner decided he should know about it. In an attempt to garner his support, she wrestled an alligator in a Happy Gilmore parody video, which can be seen on YouTube; created a tutorial on “How to Get in Touch with Adam Sandler”; and recorded a parody of her own new song, “Intangible Things.”

The videos showcase Turner’s spirited side, one that may not have been recognizable from the vulnerable storytelling displayed on her debut LP in from the dark, which was released early 2020. (See jewishindependent.ca/find-comfort-in-music.) It was recorded at Monarch Studios with Juno-nominated producer and musician Tom Dobrzanski (Said the Whale, the Zolas). Her 2011 EP, Ready or Not, was produced by Ben Kaplan (Mother Mother, Five Alarm Funk).

It may take a miracle to get Sandler’s attention but, as Chanukah shows us, miracles do happen.

To hear “Intangible Things” once it’s released, as well as its parody and the Happy Gilmore video, visit facebook.com/haleykmusic.

– Courtesy Haley K. Turner

After #metoo, what now?

Alley Theatre, in partnership with Good Night Out Vancouver, presents the world première of a multi-perspective, docu-theatre dance creation entitled #whatnow, Oct. 28-Nov. 7, at the Russian Hall, as part of the Downtown Eastside Heart of the City Festival.

After collecting hours of audio interviews from people of different genders, sexual orientations, cultures, ages and abilities, real-life stories and reflections around the #metoo movement come to life through the mediums of headphone verbatim (explained below) and dance.

Marisa Emma Smith (photo from Alley Theatre)

“This piece is both a celebration of survival and a call for action,” explained co-director and sexual assault survivor Marisa Emma Smith. “What surprised me the most about interviewing people is their natural humour and poeticism. We couldn’t have written better lines to describe the things they went through or committed. I am so honoured to have met them all.”

Co-director and choreographer of #whatnow is Amber Barton, who has been a featured performer at the Chutzpah! Festival.

“We’re living in a time of increased awareness and social justice,” said Barton. “For me, that means it’s important to keep our conversations, such as the ones around the #metoo movement, alive. #whatnow is a unique performance experience that helps us to continue these conversations. I feel so privileged to be part of this production and to be trusted with the stories that have been shared with us.”

Amber Barton (photo from Alley Theatre)

#whatnow includes testimonials from survivors of harassment, misconduct and assault, as well as stories from those who took accountability for their harms. Throughout the piece, Barton has crafted ensemble movement that articulates tone, environment and viewpoints. The work also uses the format “headphone verbatim,” where edited audio interviews are played through headphones to actors on stage and the actors mimic and repeat what they hear, in real time. Every cough, stutter and hesitation is reproduced, and the actors never “memorize the lines.”

#whatnow features performances by Sabrina Symington, Yvonne Wallace, Patrick Dodd, Emily Grace Brook and Siobhan Sloane-Seale. Running time is approximately 80 minutes, with professionally facilitated conversations afterward. There are a few gender-specific performances, to allow for an honest and supported environment for audiences to respond to the performance with other people of the gender they identify as most. As well, there is ASL interpretation at the Nov. 7 show.

Tickets start at $15 and $2 from every ticket goes to Pacific Association of First Nations Women. The Oct. 28 preview is two-for-one. Visit alleytheatre.ca.

– Courtesy Alley Theatre

City’s only Jewish firefighters?

Firefighters Daniel Greenberg, left, and Adam Bender. (photo from Adam Bender)

There are not many Jewish firefighters in Vancouver – but two of them serve together in Fire Hall #2 in the Downtown Eastside.

Being Jewish is not all Daniel Greenberg and Adam Bender have in common. They are also both Ontario-born men, about 40, who came to firefighting comparatively late in life after other careers. And both have young families who they get to spend quality time with because the shift work inherent in their profession offers a flexibility that the 9-to-5 grind does not.

The two met while stationed together in the Downtown Eastside, a posting unlike any other in the city. The vast majority of calls to which they respond are drug overdoses and related emergencies. The leading minds of politics, policing and healthcare have not been able to resolve the epidemic of addiction that grips the neighbourhood and, if firefighters had the solution, it would have been implemented by now, but they don’t.

“This issue is often discussed amongst the firefighters,” said Greenberg. “We obviously don’t know the solution. It’s a terrible situation. It is difficult to see. You are seeing human beings living in a state that, honestly, you don’t expect human beings to live in…. Safer places for them to go, more permanent housing situations, access to treatment programs – any and all of the above sound wonderful and ideal.”

Vancouver Fire and Rescue recognizes the toll that serving in this challenging hall can take and they have a limit of 80 shifts – or about a year – before being transferred to a more conventional hall.

When he started, Greenberg got some advice from a veteran firefighter.

“Don’t make their emergency your emergency,” he was told. This may be easier said than done, of course, and Greenberg said the fire department takes the risks seriously. During recruitment, trainees go through resiliency training to prepare them in advance for what they might encounter, and the department is sensitive to the impacts tough calls can have.

“If we witness a particularly troubling call, you are essentially taken out of service and you are provided with counseling,” said Greenberg.

This is a major advancement from the old-style approach, which Greenberg characterized as “Tough it up, shake it off, on to the next.”

“We are all made to feel really supported,” he said of the current atmosphere.

Greenberg became a firefighter in Ontario after working in construction and teaching physical education and kids with special needs. He moved west when his wife, Emily Greenberg, was hired as head of school at Vancouver Talmud Torah. They have three kids, ages 12, 10 and 6.

“I was really searching for a career path that I’d be very passionate about, that would suit my strengths and my interests. Frankly, also, a job that could support my family and my wife not only financially but also me being able to be around the family a lot more than a simple 9-to-5,” he said.

Jewish people may be overrepresented in many helping professions, but not this one. Greenberg isn’t sure why.

“I think, historically, whether I’m generalizing or not, most Jews are steered towards professions that are more of the white-collar variety: lawyers, doctors, builders, entrepreneurs,” he said. “Certainly anything that involves a level of danger, perhaps, doesn’t speak to Jewish people. Mothers are probably a key ingredient there.”

Coming to firefighting after wider experiences, Greenberg has no regrets.

“It’s really exceeded my expectations,” he said. “Every firefighter I speak to truly loves the job.”

He sees his work as an embodiment of the value of tikkun olam.

“I’m fortunate to have a job and a career where I may not be helping the world at large per se, but to an individual in that moment, in their most dire moment, it feels pretty good to be there with my crew helping them and potentially saving lives,” he said.

Greenberg also picks up some shifts as a supply teacher and he is starting a new side business involving cosmetic tattooing for hair loss. He noted that he may be the only Jewish vegan firefighter in North America.

Greenberg met Adam Bender at the hall. It was a total coincidence that two practising Jews – maybe the only ones on the job – would end up in the same station.

Bender was born in Oakville, Ont., but spent formative years in Israel. His parents moved there when he was a year old and they returned to Canada around the time of the first Gulf War, when Bender was in Grade 1.

In Hamilton, Ont., at this point, Bender admitted he was not a model student.

“To say that I was kind of a piece of crap would be an understatement,” he said. He was kicked out of school and, to avoid being kicked out of his house, he made a deal to go on a five-month ulpan on a kibbutz in Israel.

But Bender’s parents got more than they bargained for when he returned home from ulpan with a surprise.

“I did something my parents I don’t think thought was part of the deal when I signed up for ulpan,” he said. “I signed up with the Israeli army. I broke the news to them when I came home that I was going back in a month.”

He served two years (since he was joining at age 21, rather than 18, he was not required to commit to the usual three years) and made it into the paratroopers and special forces.

“Special forces unit [was] probably the biggest influence on my character in terms of understanding the ability to accomplish goals,” said Bender. He returned to Canada, intending to study at the University of Toronto but, again, school wasn’t a good fit and he joined the Canadian military. There, he also served in the special forces.

He met his now-wife and proposed shortly before a six-month deployment in Iraq. The understanding was more intuitive than explicit that, for the marriage to work, a career other than the military was required.

They married in 2017 and now have two kids, 3 and 1. He joined Vancouver Fire and Rescue in 2018.

Like Greenberg, Bender isn’t sure why more Jews don’t choose their path, but suggests “the Jewish grandmother card” may play a role. “There’s a lot of other professions that are a lot more attractive, let’s say, and safer. Firefighting is a blue-collar job at the end of the day.”

The Greenberg and Bender families hope to get together for Shabbat dinner one of these weeks, but the pandemic has thwarted that hope so far. Meanwhile, Bender said, it’s a happy coincidence that the two tribe members ended up together.

“There obviously wasn’t any strategic implementation of putting the two Jewish kids together on one crew,” said Bender. “We’re kind of lucky that that happened.”

Sharing her inspiration

On Oct. 8, nonagenarian Gloria Levi was the featured speaker at the JSA Snider Foundation Virtual Empowerment Series session co-sponsored by Jewish Seniors Alliance and the Peretz Centre for Secular Jewish Culture. The topic was What Inspires Me at 90.

Gyda Chud, co-president of JSA and president of the Peretz Centre, welcomed the approximately 70 attendees and shared the background of JSA’s Empowerment series.

Fran Goldberg introduced Levi as a feminist, an activist, a COVID survivor, a gerontologist, a therapist, a social worker and a woman of tremendous confidence, who finds joy in even the darkest of moments.

From her talk, it seems that Levi does indeed find inspiration in everything around her, from rustling breezes and glistening sunsets to soulful self-discovery. She finds meaning in both everyday happenings and the larger matters of the heart and social justice. If we were to sum up Levi’s nuanced and profound wisdom in a word, it would be wholeness. She elevates the whole person with all their perfect imperfections.

To Levi, self-discovery and self-knowledge are paramount values. She illustrated the importance of being true to oneself with the charming story of Rabbi Zusia, who lamented to God, bemoaning his not being like Moses and Abraham. God advised him to be exactly who he is – Zusia. The goal in life is not to strive for perfection but to be authentically oneself.

Through Levi’s lens of wholeness, even a global disaster like COVID-19 has vital lessons. A COVID-19 survivor, Levi refers to the virus as the 11th plague, but also is passionate about the important issues that the pandemic has brought to light. For example, it revealed the discrepancy between the haves and the have nots: the ones who support our daily life – the grocery store clerks, hospital employees, delivery drivers and food workers, among others – in stark contrast with the wealthy. The pandemic has yielded an awakening, a heightened awareness that things need to change on numerous levels, both environmentally and socially, said Levi.

Along with her commitment to social justice, Levi draws connections and inspiration from Jewish sources; for example, she refers to Leviticus, in which God tells Moses to instruct the Israelites to give the land a rest. During the sabbath year, the land is to lie fallow and to be “released” from cultivation, she explained. Weaving rest and restoration into our physical and spiritual worlds is a much-needed change, she said.

In conclusion, Levi quoted Ecclesiastes and reminded us that “vanity of vanities; all is vanity.” Her advice: embrace life, enjoy meaningful relationships and small kindnesses – and find inspiration all around us.

Tamara Frankel is a member of the board of Jewish Seniors Alliance and of the editorial committee of Senior Line magazine. She is also a board member of the Jewish Community Centre of Greater Vancouver.