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Category: Arts & Culture

Dutch family’s secrets

“Twins run in the family, you know,” Stella ter Hart’s mother, Sophia, said to her nonchalantly when Stella was pregnant with her first child. That this was news to Stella is a first sign that there was a great deal about her family she did not know. In fact, she wasn’t aware she had much family at all.

image - Discovering Twins book coverThus begins Stella ter Hart’s book Discovering Twins: A Journey into Lives.

As a high school graduation gift, Stella and her mother made the trip from Estevan, Sask., to Holland. There, she meets an endless web of confusingly related kin – almost all on her father’s side. A visit to the home of family on her mother’s side raises questions in the teenager’s mind.

“‘Oom Jacob and Tante Becca are Jewish,’ I stated rather than questioned, ‘no one other than Jewish people are named Jacob and Rebecca.’

“And, in a style completely out of character for her, almost resignedly, my mother replied, ‘Yes, they are.’

“There was no further clarification of her answer, no offering up of a tidbit of a childhood memory, as might be expected when revealing so vast a thing as religiously specific relatives for the first time.

“‘So, if Oom Jacob is your first cousin, and he has the same last name as your mother’s maiden name, then he is the son of your mother’s brother,’ my new skill of dissecting family relationships now sharply honed, I added, ‘so your mother must have been Jewish, too.’

“In a split second, she came back at me, her voice strident with an unexpected, insistent, and lashing response, ‘NO! My mother was NOT Jewish. According to the Germans, she was Italian because she married an Italian.’”

Whether that logic ever truly convinced her mother, Sophia, it did not sit well with ter Hart. After her mother’s death, ter Hart began a genealogical quest. Slowly and excruciatingly, she pieces together the tragic fates of almost the entire maternal line.

“Our extended circle of family, formerly numbering over 1,200, was reduced to the less than 20 who returned, or were known to have survived, creating a psychological tsunami shock-wave impacting existing and future generations,” writes ter Hart.

The book recreates ter Hart’s prewar extended family, flashing back from postwar comfort in Canada. She captures what must have been a dawning realization among Dutch Jews in the earliest months of what became the Holocaust, as relatives who were relocated to the east inexplicably never wrote back.

“How many ‘workers’ did this totalitarian German regime require for its slave labour force? Where was the food to feed them all going to come from and the rooms to house them all? Supplies were already hitting dangerous lows in the cities, and rationing was strictly enforced.

“The unsettling sentiment echoing throughout the community for months raised its voice again. What in heaven’s name would the Germans do with grandparents and babies? This didn’t seem like a necessary part of war. This was something else.”

As ter Hart’s research expands, numbers and dates leap off the page.

“The ages and dates are, each time, an emotional shock. The eye at first does not even see, let alone accept, the horrific truths the numbers expose. Mothers with all their young children around them all killed at the same time, or an elderly couple, obviously arrested and deported together, also murdered together. The gruesomeness and cruelty of it all is staggering and overwhelming,” she writes.

On Sept. 30, 1942, 103 family members were murdered at Auschwitz, the youngest 15 years old, the oldest 54. On June 11, 1943, 64 family members were gassed at Sobibor, aged 2 to 68.

The author seeks to build suspense, but her discoveries are, generally, no surprise to those with knowledge of the history. The emphasis on twins – across generations, the family seems to have an occurrence of twins about twice the average – gives the reader an anxious sense that, at some point, some family members are going to fall into the hands of the monstrous Dr. Josef Mengele.

“Not wanting to know, but needing to know, I researched the lists of Mengele Twins, now publicly available. None of our family were on that list, as most had been deported and killed before Mengele began his murderous experimentations. Small comfort,” she writes.

The narrative at the beginning of the book devolves near the end into something of a genealogist’s notebook, with records, short biographies and charts. Generally, the book hangs together, though an editor’s hand could have been firmer, to avoid easily avoidable clangers like misspelling Anne Frank’s name.

Posted on April 8, 2022April 7, 2022Author Pat JohnsonCategories BooksTags Discovering Twins, family, genealogy, history, Holocaust, identity, secrets, Stella ter Hart
Snapshot of Jewish life

Snapshot of Jewish life

Looking Back, Moving Forward is available for purchase from the Jewish Museum and Archives of British Columbia. (photo from JMABC)

The first thing many readers will do upon opening the Jewish Museum and Archives of British Columbia’s Looking Back, Moving Forward: 160 Years of Jewish Life in BC is try and find their friends’ writeups and those of the organizations with which they volunteer or work. That is, if they didn’t submit their own writeup for the publication. If they did send in their bio or one for their family, then that’s the first page to find.

Even people who grew up in the province and have a multigenerational presence here will find novel tidbits in this 284-page hardcover (or soft) coffee table book. Published to celebrate the museum’s 50th anniversary last year, it is appropriately dedicated to Irene Dodek (1930-2019) and Cyril E. Leonoff (1925-2016). Leonoff was founding president of the Jewish Historical Society of British Columbia, which was established in January 1971. Dodek, also a founder of the museum and archives, “helped define its direction early on and conducted more than a hundred oral history interviews with members of our community.” More about Dodek and Leonoff can be found in the first pages of the book, before the greetings from Prime Minister Justin Trudeau and Premier John Horgan.

In her president’s message, Carol Herbert writes, “Our stories are fascinating, and demonstrate the evolution over time of our communities, from a few small clusters of Ashkenazi Jews from Eastern Europe in late 19th century to present-day diverse Jewish communities, comprised of individuals who originated from across the world; Sephardic, Mizrahi and Ashkenazi; secular and religious; leaders, activists and advocates for Jewish and general community causes.”

Both Herbert and the book’s editor, Michael Schwartz, director of community engagement for the JMABC, acknowledge that this publication is a partial snapshot of the community. They both encourage readers who haven’t done so yet “to share your memories of where we’ve been, celebrate with us where we are, and join us in envisioning where we might be headed,” writes Schwartz.

A chapter on the history of the JMABC begins the book proper. It is followed by brief regional histories – Victoria, Vancouver, Kootenay/Boundary, Okanagan, Prince George, Sunshine Coast, Central Vancouver Island and Whistler. The chapter on organizations is divided into those that work in advocacy and activism; religious observance; education; youth groups and camps; seniors; arts, culture and leisure; Zionism; Holocaust education; and anchor organizations. That last one, by the way, is where you’ll find the Jewish Independent (pages 126 and 127).

The Notables chapter is sorted chronologically: pioneers (1886-1945), postwar (1945-1970), modern (1970-2000), contemporary (2000-2010) and emerging (2010-present). Within each section, people are listed alphabetically by surname, as are the entries in the Family Album chapter. Rounding out the publication is a list of donors and an index.

Looking Back, Moving Forward offers a broad overview of many of the major players in the B.C. Jewish community over the 160 years since Jews first arrived here. It focuses on accomplishments and takes readers right up to 2021. It is easy reading, and no one need worry that any dirty laundry is aired. Given the celebratory nature of the book, none of the submitters (including the JI) talk about the challenges they’ve faced or controversies, and neither do any of the introductions to the various sections.

Some history is given only passing mention, such as what community fundraising structures were in place prior to the Jewish Federation of Greater Vancouver’s emergence in 1987, for example, but the book isn’t meant to be a comprehensive historical tome. Rather, it’s a fun, page-flipping community yearbook of sorts, which will hopefully motivate people to both learn more about the community and contribute their stories to its archival record.

Looking Back, Moving Forward is available in hardcover ($100) and softcover ($50). To place an order, contact the museum offices at 604-257-5199 or [email protected]. Shipping is available across Canada for a fee of $20 per book.

Format ImagePosted on March 25, 2022March 24, 2022Author Cynthia RamsayCategories BooksTags British Columbia, Carol Herbert, history, Jewish museum, Michael Schwartz
Gallery’s new guides

Gallery’s new guides

New docent program at the Zack gets underway. (photo from Zack Gallery)

Sidney and Gertrude Zack Gallery director Hope Forstenzer recently instituted a new docent program, to train guides for the art gallery.

“I came up with the idea of creating a group of volunteer docents for the gallery right after I got here, which means right before the pandemic,” Forstenzer told the Independent.

Unfortunately, the pandemic made it impossible to implement the idea at that time, and the initiative only became reality in the past few months.

“My job as the gallery director is only half-time,” Forstenzer said. “Even when I’m working, I’m frequently in meetings or visiting studios or doing other work that takes me away from engaging the people in the gallery. I created the docent program to make sure the gallery was staffed with friendly and available faces, with people who knew about the shows, could make sales, and could answer questions.”

Initially, about a dozen people responded to her invitation to become volunteer docents at the Zack. “Some dropped out for various reasons as we were getting underway,” she said. “Others have come along since.

Currently, we have six docents on our active roster.”

Before the docents could perform their assigned duties, they needed a certain amount of training on the gallery rules and procedures.

“The docents each attended two training sessions, both lasting about an hour,” said Forstenzer. “Sometimes, we’d do the whole training in one session, but it varied. The second training shift was usually about our sales system, which isn’t difficult, but isn’t something most of the docents have seen or used before. In the first training session, I explained what their responsibilities were, we discussed scheduling, and I’d either show them how to use our sales system or invite them back to learn it on a different day…. Then they did a shift with me in the gallery as backup. Then they were ready to go.”

The first docent started at the Zack last October. “Some of them have taken breaks due to the Omicron,” said Forstenzer, “but others have stayed throughout.”

She has lots of plans for her volunteer docents. “The primary purpose of having the docents in the gallery right now is to have a knowledgeable and friendly presence that welcomes visitors,” she said. “They can also make sales. As the restrictions due to COVID lift (hopefully), the docents will also help me run events in the gallery, both for kids and for adult groups. Eventually, I hope they’ll be able to run some of these events themselves. We might even schedule some docent-led viewings of shows.”

At the moment, most docents do one shift a week, each shift three or four hours long, but Forstenzer is flexible about that. “Some do two shifts a week. Some split their shifts and go for a swim or a workout in the middle and then come back. It is up to them, and I create a schedule based on their availability and the gallery’s needs.”

She added that all the docents take their volunteering seriously. “If someone can’t make their shift, they let me know,” she said. “If I can cover it, I will. If not, the gallery won’t have a docent that day.”

The docents vary widely in age and experience. Some are students. Others are retirees or people participating in various community centre programs. Gail Bloom shared with the Independent a bit about herself and why she became a docent at the gallery.

Bloom worked as a city planner in San Francisco. “I studied city planning in college and then worked as a practising planner,” she said. “I love cities and was interested in public utilities. My chief role for over a dozen years was sorting out public financing of major infrastructure projects in San Francisco.  It was very satisfying to see the fruition of that work across the city.”

She retired about 20 years ago. “My home is still in the Bay Area. I live there with my husband, and my son’s family also live nearby, but, last fall, I came to Vancouver for an extended winter visit with my daughter – she lives here and teaches at Emily Carr.”

Bloom, who turns 70 this month, has been volunteering in many fields since her retirement. “I lead the Board of Children’s Book Project and presently serve on a regional public health agency at the Marin/Sonoma Mosquito and Vector Control District,” she said. “I have also enjoyed working on state, local and federal election campaigns, mentoring youths, and helping with the major fundraising event for the Oakland Museum of California.”

She has always been interested in art. “I love cities, as I said, and the museums are a big part of that – especially art museums. In the last couple months, I visited the Vancouver Art Gallery and a small community gallery at the Deep Cove Cultural Centre. There is a show at the VAG now that I’d recommend – Emily Carr and Edith Heath. Heath was a local San Francisco ceramic artist; she started her iconic tile and pottery company out of her little apartment in San Francisco in the ’40s.”

Of course, when she visited the Jewish Community Centre of Greater Vancouver for the first time, the Zack Gallery attracted her. “As I’m interested in the arts personally and enjoy art museums, their new docent program seemed like a good fit,” she said. “And my family were thrilled that I found the gallery and something meaningful to do with my time. Now, I’m at the gallery every week. My docent days are Mondays.”

Besides volunteering, Bloom takes advantage of several other programs the JCC offers. “The aquatics program is pretty great,” she said. “I also attended several sessions of the book fair last month, and I just started watching VJFF [Vancouver Jewish Film Festival]. I’m fortunate to have time to participate in them all.”

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on March 25, 2022March 24, 2022Author Olga LivshinCategories Visual ArtsTags art, docents, Gail Bloom, Hope Forstenzer, JCC, Zack Gallery
Get $5 off Ahed’s Knee admission at VIFF

Get $5 off Ahed’s Knee admission at VIFF

A still from Ahed’s Knee, which screens at Vancity Theatre March 25, 26 and 28. The movie – which won the Jury Prize at last year’s Cannes Film Festival – is about a celebrated Israeli filmmaker named Y, who arrives in a remote desert village to present one of his films at a local library. Struggling to cope with the recent news of his mother’s terminal illness, he is pushed into a spiral of rage when the host of the screening, a government employee, asks him to sign a form placing restrictions on what he can say at the film’s Q&A. Told over the course of one day, the film depicts Y as he battles against the loss of freedom in his country and the fear of losing his mother.

For $5 off the ticket price, use the promotional code VIFFKNEE22 at goviff.org/aheds-knee.

– Courtesy Vancouver International Film Festival

Format ImagePosted on March 25, 2022March 24, 2022Author VIFFCategories TV & FilmTags Ahed's Knee, Israel, movies, politics, Vancouver International Film Festival

A rediscovered novella

Moshkeleh Ganev, a forgotten novella by Sholom Aleichem, was recently resurrected from obscurity by gifted translator Curt Leviant.

image - Moshkeleh the Thief book cover

Missing from the standard edition of Sholom Aleichem’s collected works, which was published after his death, Leviant came across a brief citation of the story in a Yiddish literary quarterly published in Israel, while doing research on another project at the Hebrew University library. Leviant went on to translate it into English and Moshkeleh the Thief was published in 2021 by University of Nebraska Press.

The story stands out as a lively and endearing picture of shtetl life in Russia’s Pale of Settlement. Sholom Aleichem himself wrote in 1903 that the work celebrated a phase in his career when he had, he said, “really begun to write,” and was not merely “fooling around.”

I read Moshkeleh at a rapid clip as soon as it was mailed to me by Leviant, unable to stop due to the inescapably arresting character of the narrative. Sholom Aleichem has the ability to keep readers riveted to his stories, as though we are living in the community he is describing. His narratives are always very much alive in this sense.

Tsireleh, the attractive daughter of Chaim Chosid, a wine-cellar manager (a marginalized role for many Jews of that time, whose sights were set on more prestigious occupations), was, for me, a pivotal character in the tale for several reasons.

Unlike Chava in Tevye the Dairyman, Tsireleh was another variation on the Sholom Aleichem theme of a daughter whose involvement with non-Jews (Chvedka) posed a challenge to a sense of Jewish identity. The nine Tevye stories were authored over several years, starting in 1894. Moshkeleh was first serialized in a Warsaw Yiddish paper in 1903, when five of the Tevye stories had already been published; the remaining four were published after 1904. So, thematic strands interwoven in the lives of characters like Chava and Tsireleh that were important to the author may have overlapped. For example, Tsireleh comes close to the same threat to tradition in her relationship with Maxim Tchubinski, a non-Jew, and her elopement with him to a Christian monastery, but is whisked away by Moshkeleh at the 11th hour.

It is tempting to think that, despite Tsireleh’s nascent feminism, she was a pushover for any man who declared his love for her in passionate terms, as did both Maxim and Moshkeleh. But one can also see her elopement with the latter – even though he is a horse thief fated for deportation – as an enduring commitment to the faith of the family she left behind in her drive toward independence. Far from being overly impressionable in matters of the heart, there remained a silent commitment to the Jewish faith, unlike Tevye’s Chava.

Also unlike Chava, Tsireleh was a contrarian from the get-go, who longed for a different life than the one she felt she was saddled with as Chaim Chosid’s daughter. She had earlier rebelled against the yet-to-be role of subservient wife, becoming pregnant and going on to appropriate the domesticity envisioned for her sisters, not to mention all the young women in the shtetl. Her own metaphor was not becoming a clucking hen who sits on her eggs until they hatch, only to repeat the process several times over. She rebelled against the idea of marrying at too young an age to experience the world in a different way, and rebelled against the thought of having to marry a suitable man from a respectable family. She promised herself she would build her life differently. Eloping with a non-Jew like Maxim Tchubinski on a Pesach night was a dramatic example of why, unlike other characters in the novel, she wasn’t cut from an ordinary mold.

Yet her elopement with Moshkeleh does show an enduring commitment to her Jewish faith. Perhaps Tsireleh was for Sholom Aleichem a character representing themes he wrestled with when it came to communities in which opportunities for assimilation were an ever-present temptation – or threat.

David Begelman, PhD, is a psychologist in New Milford, Conn.

Posted on March 25, 2022March 24, 2022Author David BegelmanCategories BooksTags Curt Leviant, Moshkeleh Ganev, Moshkeleh the Thief, Pale of Settlement, Sholom Aleichem, storytelling, translation
The excitement of holidays

The excitement of holidays

As meaningful and fun as most of the Jewish holidays are, there’s a lot of running around, cleaning, cooking and other preparation that generally goes into them. Three recently published children’s books – two about Passover and one on Shabbat – capture the joys of the holidays, and the craziness that can sometimes precede them.

Passover, Here I Come!, written by D.J. Steinberg and illustrated by Emanuel Wiemans was put out this year by Grosset & Dunlap. It’s a compilation of short poems, all related to Passover, from “Scrub-A-Dub-Dub!” preparations to “Bye-bye, Bread!” and “Hello, Matzoh!” it goes through pretty much every aspect, including the Passover story, what’s for dinner and the search for the afikomen.

“Made by Me!” is about making up the seder plate, and all the plate’s items and their symbols are noted alongside the illustration. For the poem “Our Magic Table,” the drawings and words again combine to wonderful effect. We see the tables from set-up to guest-filled, and the typesetting, leaving gaps between the letters forming the words “g r o w s   a n d    g  r  o  w  s,” communicate the truly magic nature of a Pesach table that does seem to fit an enormous number of people, when we’re lucky to have many friends and family join in our celebrations.

Steinberg’s verse and Wiemans’ drawings work well together, simultaneously entertaining and teaching. The basics of Passover are all covered in Passover, Here I Come! which even includes a recipe for Mom’s Matzoh Brei after the four-line poem “World’s Best Breakfast.”

A Persian Passover (Kalaniot Books) by Etan Basseri with illustrations by Rashin Kheiriyeh, also contains a recipe – for hallaq, which is Persian-style charoset. In addition, the end of the book features a brief description of Passover and what goes on the seder plate, a glossary of Persian and Hebrew words used in the story, and a couple of paragraphs on Jews in Persia, known today as Iran, though, notes Basseri, “the culture and main language of this region is still called ‘Persian.’”

image - A Persian Passover book cover

Set in Iran in the 1950s, A Persian Passover follows siblings Ezra and Roza, who are helping their family get ready for the holiday. Everyone is put to work and Roza is finally old to enough to accompany older brother Ezra to the synagogue, where families bring their own flour “to be mixed, rolled and baked into soft, delicious matzah.” Though older, Ezra is not necessarily wiser and he’s still a kid, with energy to burn. Not having learned from an earlier collision with a neighbour – as he ran a lap around the house, being timed by Roza – Ezra once again asks Roza to measure how fast he can run to the next street corner, freshly baked matzah in hand.

“But he didn’t see the rut in the road up ahead. ‘Oof!’ yelped Ezra as he tripped and fell. Splat! went the bag of matzah as it dropped into a puddle.

“‘The matzah!’ they exclaimed together.

“‘That was all the matzah we had for the week. Now it’s gone. What will we tell Mama and Baba?’ asked Roza.” (The glossary notes that baba means dad in Persian.)

Ezra and Roza set out to find replacement matzah before the seder starts, and we meet more of the neighbourhood folk. Hopefully, it won’t be too much of a spoiler to know that the kids succeed – not only receiving kindness, but also showing kindness to others along the way.

The last book that recently came out has to do with matzah, but not with Passover, which is why it’s included in this brief roundup even though it’s about Shabbat. Good for year-round reading, Bubbe and Bart’s Matzoh Ball Mayhem, written by Bonnie Grubman and illustrated by Deborah Melmon, was published by Seattle’s Intergalactic Afikoman last November. Created by two dog lovers, it begins, “This is Bubbe’s story. Believe me that it’s true. Her puppy loved each Friday night like Jewish puppies do.

image - Bubbe and Bart’s Matzoh Ball Mayhem book cover

“When Bubbe made her matzoh balls, Bart was at her feet, waiting for a ball to fall, and not some doggie treat.”

While Bart’s begging doesn’t achieve the desired result, he does get to eat all the matzah balls he’s able to catch. Bubbling away in the pot on the stove, the matzah balls grow so large that they blow off the lid and zoom all over the room. Not to be held back by “a better lid, and some very sticky tape,” the balls continue to fly. And we get to count them as they do. (Another spoiler alert: Bart gets to eat an awful lot of matzah.)

Eventually, with a little magic, calmness is restored and dog and house are cleaned up in time for Shabbat dinner with the family.

Bubbe and Bart’s Matzoh Ball Mayhem ends with a couple of paragraphs about Shabbat, “a very special day of the week,” and a short glossary.

Format ImagePosted on March 25, 2022March 24, 2022Author Cynthia RamsayCategories Books, Celebrating the HolidaysTags Bonnie Grubman, children's books, D.J. Steinberg, Deborah Melmon, education, Emanuel Wiemans, Etan Basseri, Iran, Judaism, matzah, Passover, Persia, Rashin Kheiriyeh, Shabbat
A roadmap to remembering

A roadmap to remembering

Alan Twigg, author of Out of Hiding: Holocaust Literature of British Columbia, at the gravesite of Rudolf “Rudi” Vrba, who died in 2006. (photo from JCC Jewish Book Festival)

Fittingly for a man who has dedicated his life’s work to the written word, Alan Twigg has compiled a fascinating bibliography. Out of Hiding: Holocaust Literature of British Columbia is one of two books to be launched in a JCC Jewish Book Festival epilogue event on April 5. The other is Sounds from Silence: Reflections of a Child Holocaust Survivor, Psychiatrist and Teacher by Dr. Robert Krell, to whom Twigg’s book is dedicated.

image - Sounds from Silence book cover“More than anyone in Canada, Robert Krell has continuously carried the torches of healing, investigation and discourse about the Shoah since the 1970s to counteract ever-encroaching racism, denial and wilful ignorance,” writes Twigg, whose book is also dedicated to the late publisher and editor Ronald Hatch, who died last November. Hatch and his wife Veronica co-managed Ronsdale Press, which published Out of Hiding.

Among other things, Twigg is the founder of the BC BookWorld newspaper, The Ormsby Review (now called The British Columbia Review), the ABCBookWorld reference site, the Literary Map of BC and the Indigenous Literary Map of BC, as well as many of the province’s literary prizes. He has published 20 books and made seven literary documentaries.

Twigg wrote Out of Hiding with the help of many, including, notably, Yosef Wosk, who wrote the book’s afterword, in which Wosk discusses various kinds of hiding – from one’s mission, from persecution, in dreams, in silence, from truth. Wosk notes that the perpetrators of the Holocaust also tried to hide: “The Nazis engaged in fraud, deception and secrecy on a massive scale,” he writes.

“The secrecy was complete and, to a large extent, effective,” he adds. “The very monstrosity of the crime made it unbelieveable. In fact, the Nazis speculated that the unimaginability of their Aktionen would work in their favour.” But this expectation “was frustrated by the Allied victory. [What remained of] Nazi archives were opened, contemporary Jewish documents were discovered, and facts were ferreted out by courts and scholars. Moreover, by 1942, the Free World had gradually learned the truth, albeit not always complete and precise.”

Wosk concludes, “There is much to remember and even more to know as the Holocaust comes out of hiding.”

And this is one of the reasons Twigg compiled this collection.

“I am not a Jew. I am not a German. I simply believe it is the responsibility of everyone on the planet to know more than just a little about the Holocaust,” begins Twigg in the foreword. “It is our collective responsibility to teach our children – with details – about why the Shoah is unique among the many genocides.”

He points out: “No other political regime has ever systematically murdered at least 1.5 million babies and children.”

As well: “Never before or after has a modern, industrial state mobilized all of its resources to systematically commit murder at least six million times in about eight years (from Kristallnacht in 1938 to 1945) and no other government has established a separate killing ground to murder approximately 50,000 women (at Ravensbruck, north of Berlin).

“No other regime has so thoroughly and consistently degraded its victims,” writes Twigg. “Estimates vary but the United States Holocaust Memorial Museum claims Germans created 980 concentration camps, 30,000 slave labour camps, 1,150 Jewish ghettos, 1,000 prisoner-of-war camps and 500 brothels where women were sex slaves.” And yet, Holocaust education surveys have shown that most people would struggle to name one or two camps, other than perhaps Auschwitz.

Twigg believes that, “if the most-heinous, most-planned and most extensive genocide can be deep-sixed by mankind, all genocides thereafter can be shrugged off as natural – as inevitable as forest fires, plagues, droughts, locusts or tidal waves.” If that happens, he argues, then genocide becomes “someone else’s problem.” As for something the magnitude of the Holocaust, he writes, “Most certainly it can happen again.”

image - Out of Hiding book coverOut of Hiding is an intensely personal project for Twigg. He describes the book as “a roadmap back to places and experiences that must never be forgotten, offering a wide range of perspectives from the Holocaust-related books of British Columbian authors.” In total, he covers some 160 books in four sections. Some authors have written, edited or otherwise helped bring into being more than one memoir, novel, report or study; some of the people discussed are the subjects of the publications, rather than the writer.

Part One features relatively long expositions on Rudolf Vrba, Robert (Robbie) Waisman and Krell.

Twigg considers Vrba – who lived in Vancouver for the last few decades of his life – the “most important author of British Columbia.”

Writes Twigg in Out of Hiding, “Historian Ruth Linn estimates there were about 500-700 attempts to escape from Auschwitz-Birkenau, and most failed. Some 75 of these attempts were made by Jews; only five Jews made it successfully to freedom. The most significant of these five was Rudolf ‘Rudi’ Vrba, the main author of the most authoritative report on the true nature of the concentration camps, co-authored with co-escapee Alfred Wetzler.”

The Vrba-Wetzler Report, dated April 25, 1944, “finally revealed to the Allies the true nature and extent of the Holocaust.”

Twigg provides a biography of Vrba and some of what he learned from him as a friend. He also shares that Vrba, who died in 2006, was buried in a “seldom-visited cemetery, known to few people, where there is only a simple headstone.”

The April 5 event will include a video of Wosk chanting a Jewish blessing for Vrba at the graveside – something that apparently has not been done before.

Both Waisman and Krell are discussed in as much depth as Vrba, from their brief childhoods before the Holocaust through to recent history, sharing some of their writings and accomplishments, giving readers a sense of who they are and why their contributions are so vital.

Part Two offers shorter personal summaries on dozens of authors and publications. This section includes Lillian Boraks-Nemetz, Claudia Cornwall, Peter Hay, David Lester, Robert Mermelstein, Heather Pringle, Peter Suedfeld, Mark Zuehlke and many others. It features survivors of the Holocaust, as well as researchers, educators, journalists, graphic artists and editors who have studied the Holocaust, members of the Second or Third Generation, and a few non-Jews.

Part Three features an eclectic mix of 26 writers/artists, including Olga Campbell, Esi Edugyan, Jean Gerber, Rabbi Marvin Hier, Nikolaus Martin, Isa Milman, Norman Ravvin, Colin Upton and others.

Part Four:  One Doctor, Two Rabbis comprises three essays. The first is on Dr. Tom Perry, who served with the U.S. Army Medical Corps in the Second World War, and “took a series of rarely seen photos that his widow Claire Perry donated to the Vancouver Holocaust Education Centre in 1994 along with a five-page letter he wrote to her from ‘somewhere in Germany,’ describing his feelings and impressions of Buchenwald.” The letter is included in this section – and it is a powerful testament, though words don’t capture the horror as much as do his photographs.

The second essay, “Lulek’s Story,” flows from a well-known photo taken by Tim Gidal on July 17, 1945, in a refugee compound near Haifa – front and centre is Israel Meir “Lulek” Lau, holding a Buchenwald banner. Rabbi Meir Lau, who became Ashkenazi chief rabbi of Israel, was the youngest survivor of Buchenwald and his story is moving and inspirational.

Wosk’s afterword rounds out the collection with his thought-provoking reflections on hiding.

“Soon all witnesses will be gone,” concludes Twigg in his author’s statement. “The Holocaust must not be relegated to being merely the psychic preserve of Jews and Germans.”

The double-book launch event is presented with the Vancouver Holocaust Education Centre and takes place at the Rothstein Theatre. Admission is free but registration via jccgv.com/jewish-book-festival/events or at eventbrite.ca is required. To read a discussion of Krell’s Sounds from Silence, visit jewishindependent.ca/a-child-survivor-reflects.

Format ImagePosted on March 11, 2022March 10, 2022Author Cynthia RamsayCategories BooksTags Alan Twigg, Holocaust, JCC, JCC Jewish Book Festival, literature, Robert Krell, Vancouver Holocaust Education Centre, VHEC, Yosef Wosk
Peace hopes still alive

Peace hopes still alive

Barak Ravid (photo from Twitter)

An end to the Israeli-Palestinian conflict may be nowhere in sight, but the Israeli-Arab conflict may be coming to an end, says a leading Israeli diplomatic journalist.

Barak Ravid spoke virtually Feb. 20 in a presentation organized by the Jewish National Fund of Canada. Ravid, who reports for Axios from Israel, was formerly with Ha’aretz, where he worked for a decade as diplomatic correspondent and columnist, and is also a familiar face on Israeli TV. He was interviewed by Cynthia Ramsay, publisher and editor of the Jewish Independent.

Ravid spoke about his new book, Trump’s Peace: The Abraham Accords and the Reshaping of the Middle East, which is currently available only in Hebrew but should be out in English this summer.

Ravid acknowledges that Trump is a controversial figure and that the book’s title has received some pushback. “Peace is not the first thing that comes to mind when you say the word Trump,” he said. “I chose that name because it happens to be true.”

The author maintains that the Abraham Accords and the expanding normalization between Israel and Arab states would not have occurred under any other president.

“At the end of the day, Trump’s policies in the region closed down the trust gap that was open between the U.S. and the Israeli government … a gap that was opened during Obama’s term in office,” he said. “Whether it was warranted or not doesn’t matter. The gap was there. Trump’s policies in the region, mainly on Iran, closed down the gap and brought Israel and the Arab countries closer together.”

Trump’s decision to appoint his son-in-law, Jared Kushner, to deal with peace in the Middle East was key, according to Ravid. In interviews with Israelis and Arabs for his book, Ravid found that both sides viewed the appointment as proof of how central this issue was for Trump and served as an assurance that, when they spoke to Kushner, they were speaking to the president.

The ultimate reason the Abraham Accords were cinched, said Ravid, is that Trump did what he always claimed as his strength – he made deals. In return for normalizing relations with Israel, each party to the accords got something they wanted.

“For the United Arab Emirates, it was the arms sales, the sales of the F-35 fighter jets,” he said. “For Bahrain, it was an upgraded trade deal [with the United States]. For Sudan, it was removing them from the [U.S.] state department’s terrorism list. For Morocco, it was the U.S. recognition of Moroccan sovereignty over the Western Sahara…. Without those tangibles, those countries would not necessarily agree to take those steps.”

Ravid contends that Trump is not the only leader who deserves credit – Binyamin Netanyahu, who was Israeli prime minister at the time, was pivotal to the success. Ironically, he noted, the decision by most Arab politicians in Israel to reject the accords led Mansour Abbas to break away from the Joint (Arab) List and form a new party, Ra’am, whose participation in the new coalition government ultimately brought Netanyahu’s reign to an end.

“For the first time in history, an Arab party is a part of the coalition in Israel,” Ravid said. “In a strange way, the Abraham Accords enabled this change in Israel where Jews in Israel feel more comfortable towards Arabs and Arabs feel more comfortable joining the coalition and, therefore, Netanyahu’s biggest foreign policy achievement created the political conditions to get him out of office.”

It has long been an assumption that peace between Israel and Arab states would come only after a resolution of the Palestinian issue. When Netanyahu earlier tried to bypass the Palestinians and make friends in the neighbourhood, he was publicly shunned, said Ravid. But he kept plugging away behind the scenes, building relations in the region.

“It’s hard to go from zero to 100 in one step,” said Ravid. “You need to get to a situation where you narrow this gap and Netanyahu managed to take Israel and the Arab world from zero to, let’s say, 70. So, when the decision for the Abraham Accords came, the Arab countries didn’t have to go zero to 100, they needed to go 70 to 100.”

A third crucial contributor – who Ravid said deserves perhaps the most credit and who wants the least recognition – is the Crown Prince of Abu Dhabi, Sheikh Mohamed bin Zayed, the de facto leader of the United Arab Emirates. Bin Zayed has been trying to modernize his nation and he saw normalization with Israel as advantageous to his project. At the time, Netanyahu was threatening to annex about 30% of the West Bank into Israel. According to Ravid, bin Zayed saw a way to manoeuvre.

“He decided to be the most vocal opponent of annexation,” Ravid said. Bin Zayed told the Trump White House that, if Netanyahu dropped the annexation initiative, he would be ready to sign a peace deal with Israel.

For the White House, the annexation issue was a huge headache, said Ravid, and bin Zayed’s offer solved that problem while delivering a generational diplomatic breakthrough at the same time.

The big question is, what’s next? What about Saudi Arabia?

“That’s the crown jewel,” Ravid said. U.S. President Joe Biden sent his national security adviser, Jake Sullivan, to Riyadh and received a list of demands from Crown Prince Mohammed bin Salman Al Saud. All the demands were on the United States, not Israel, including that the Saudi monarch be invited to the White House.

Bin Salman has been an international pariah since the Washington Post commentator and Saudi dissident Jamal Khashoggi was murdered and dismembered in the Saudi consulate in Istanbul in 2017. The U.S. Central Intelligence Agency concluded that bin Salman ordered Khashoggi’s killing.

“Biden will have to take a very hard decision if he wants to move ahead with the Abraham Accords,” said Ravid, walking the fine line between rewarding a foreign leader who American intelligence has dubbed a murderer of a journalist and seeking to advance peace in the Middle East. But, if it works, the dominos will almost certainly fall into place, said Ravid.

“If Saudi comes in, then Indonesia comes in, then Kuwait comes in, then Oman comes in, then Muslim countries in Africa join, Pakistan,” he said. “It’s literally the end of the Arab-Israeli conflict – while the Israeli-Palestinian conflict will continue, obviously.”

In this regard, Ravid said, “The Palestinians decided to boycott the Trump administration in December 2017 after Trump announced he is recognizing Jerusalem as the capital of Israel and moving the embassy there. While I can understand Palestinian frustration and anger, and it makes complete sense to protest, the decision to boycott Trump until his last day in office, I think, was counterproductive to their goals, and didn’t get them anything in the end.”

On the flip side, Ravid argued, Netanyahu’s annexation of a big chunk of the West Bank would have put another nail in the coffin of the two-state solution.

“I think the Abraham Accords, even though the Palestinians won’t admit it, saved the two-state solution, at least for now,” said Ravid. “Some people think it’s gone already, but if you think the two-state solution is still alive, the reason it’s still alive is that the UAE normalized relations with Israel and stopped Netanyahu from annexing the West Bank.”

Bernice Carmeli, president of JNF Canada Pacific Region, opened the event, and Michael Sachs, executive director of JNF Pacific Region, closed it. Lance Davis, chief executive officer of JNF Canada thanked Ravid.

Format ImagePosted on March 11, 2022March 10, 2022Author Pat JohnsonCategories BooksTags Abraham Accords, Barak Ravid, Israel, Israeli-Arab conflict, Israeli-Palestinian conflict, Jewish National Fund of Canada, JNF Pacific Region, Middle East, politics, Trump's Peace, two-state solution

A best home for Jews?

Despite its flaws, most Canadians are proud to call this country home. And most of us would leave it at that, and not delve too much into why we feel that way. But a recently published book asks 20 scholars to consider the question, “Has there ever been a better home for the Jews than Canada?” The result is a compelling read that raises many more questions than answers.

No Better Home? Jews, Canada and the Sense of Belonging, edited by David S. Koffman of York University, was published by University of Toronto Press last year. While many of us may not rush to pick up an academic publication, for fear of its denseness and potential incomprehensibility for laypeople, this one is surprisingly readable. Not every essay will be of as much interest, as the book is Eastern Canada-centric, but many of its ideas will help us in determining for ourselves what we mean when we say Canada is one of the best places in the world to live. And some of its discussion will prod humility – for example, the reality that many immigrants to Canada would rather have been able to stay where they were, but had to flee persecution, war or other circumstances, is a sobering reminder. As is the fact that the situation in Canada has not always been good for Jews or other minorities.

An exact measurement of “best” is elusive and subjective, of course. As editor Koffman notes in his introduction, “Canada may now very well be the safest, most socially welcoming, economically secure, and possibly most religiously tolerant home for the Jews than any other diaspora country, past or present. Jews in Canada today enjoy (1) high rates of voluntary religious participation at all denominational in-points; (2) relatively low rates of nonviolent forms of antisemitism; (3) high degrees of Jewish literacy; (4) the capacity to exercise political power unfettered by antisemitism; (5) institutional completeness for Jewish communal needs; (6) thoroughgoing social acceptance; (7) significant cultural production; (8) public recognition; (9) comparatively low intermarriage rates; and (10) economic opportunities unrestricted by their Jewishness.”

image - No Better Home? book coverThat said, the matter is not so easily determined, as the other contributors to the volume delve into Canada’s past, into other countries that offer good homes for Jews, into the accessibility and affordability of Jewish education, into Canada as a point of arrival for Holocaust survivors, into Yiddish not only as a language but as a link to family, heritage or tradition, and into many other topics.

The situation in Ukraine makes Jeffrey Veidlinger’s essay particularly interesting for anyone wanting to know more about that country and the influence of its history and its emigrants on Canada. For instance, Canada’s multiculturalism policy was a concept introduced in the 1960s by Ukrainian Canadians, “who, in turn, adapted it from the notion of ‘national autonomy’ that Jews had introduced to early 20th-century Ukraine, where Jews were conscious of securing rights as a minority group within a largely binational (Russian and Ukrainian) state,” writes Veidlinger, who is at the University of Michigan. “Ironically, when multiculturalism made it to Canada in its new form, it was met with skepticism and even outright rejection by the organized Canadian Jewish community.” Some of that rejection had to do with this vision of multiculturalism being “premised on a common Christianity,” he says. As well, the Jewish community had learned to navigate between the so-called “two founding races” (French and English powers) and there was concern that diffusion of power would make it harder to do so.

More than one writer touches on the French-English dichotomy, as well as where Indigenous peoples fit in those narratives. In his essay, Koffman considers the question, “What have Jewish-Indigenous peoples’ interactions looked like? How might we think about Jews’ home in Canada refracted through the prism of the interactions between the placed and the displaced?”

The only local contributor to No Better Home is Richard Menkis, a professor at the University of British Columbia. The way in which his essay on museums fits into the collection is encapsulated in the two questions he poses: “What kind of home would it be if the narrative of the Jewish community were not considered ‘Canadian’ and included in the national experiences depicted in state-sponsored exhibitions? And the corollary question is: How comfortable are Jews, in this home, telling their stories, including the stories of the marginalized (the poor) and the ostracized (the criminals)?”

Menkis looks at three exhibits on Canadian Jewry – Journey Into Our Heritage (1970s), A Coat of Many Colours (late 1980s) and narratives at the Canadian Museum of Immigration at Pier 21 in Halifax since it opened in 1999. He concludes that, in the two exhibits, as groundbreaking as they were, Canadian Jews were comfortable only in sharing their achievements and contributions (ie. worth) to Canadian society at large. These exhibits omitted people and activities that could be more controversial, such as Jews involved in the union movement or in radical politics.

At the Canadian Museum of Immigration, the historical summations eventually became more nuanced about Canada’s immigrant communities, and recognized them as having “enriched the cultural mosaic.” This is a grand improvement from the attitude in 1945 of the Historic Sites and Monuments Board of Canada when it was asked to recognize the country’s first synagogue. Menkis begins his essay with this point, citing a member of the board, who said “he was not particularly interested in the commemoration of Jewish activities.” The board member had a similarly dismissive response to the suggestion “that there be a commemorative marker for 400 African Canadians who lived on Vancouver Island before 1858,” notes Menkis.

Every contributor to No Better Home? offers a different perspective. One that seems sadly true is that of Jack Kugelmass of the University of Florida. “My point,” he writes, “is that good places for Jews have a lot to do with robust economies, with stable governments and a consensus in which difference is at least tolerated and immigrants welcomed because they’re good for business.” He recommends: “Enjoy the good times while they last. Nothing is forever. Right now is certainly Canada’s time, as it is for Canada’s Jews.”

Posted on March 11, 2022March 10, 2022Author Cynthia RamsayCategories BooksTags academia, David S. Koffman, No Better Home?, Richard Menkis
Bunny at Cultch

Bunny at Cultch

Emma Slipp co-stars in Bunny. (photo by Emily Cooper)

Emma Slipp co-stars in Bunny, written by Jewish-Canadian playwright Hannah Moscovitch, and presented by the Search Party in the Cultch’s Vancity Culture Lab March 17-27.

In Bunny, Sorrel – a young woman raised by unconventional parents – tries to reconcile her love of Victorian literature, her intellectual Marxist-feminist upbringing, and her burgeoning sexuality. From high school, through college and into adulthood, Sorrel’s story reveals a woman who feels the weight of societal expectations, wants to make the “good” and “right” choice, while simultaneously embracing her own sexual nature.

Bunny premièred in 2016 at the Stratford Festival, and garnered rave reviews for its bold and honest portrayal of female sexuality. With this upcoming run, the Search Party presents the play for the first time in Western Canada. A relatively new theatre company, their 2019 production of Florian Zeller’s The Father won six Jessie Awards. Mindy Parfitt, artistic director of the Search Party, directs this Vancouver première, which features Slipp, Ghazal Azarbad, Kayvon Khoshkam, Jay Hindle, Nathan Kay, Pamela Carolina Martinez and Liam Stewart-Kanigan.

– Courtesy the Cultch

 

 

Format ImagePosted on March 11, 2022March 10, 2022Author The CultchCategories Performing ArtsTags Hannah Moscovitch, Search Party, theatre

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