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Beth Tikvah celebrates 50th

Beth Tikvah celebrates 50th

The delayed celebration of Beth Tikvah’s 50th anniversary takes place April 19, with a night of comedy headlined by Juno Award-winning comedian Jacob Samuel. (photo from byjacobsamuel.com)

Beth Tikvah, the Conservative synagogue in Richmond, was founded in 1973. That placed the 50th anniversary in 2023, and a celebration was planned for October. Then the catastrophe of 10/7 occurred, and the event was indefinitely postponed.

Now that all the hostages are home and the war that began that day has ended (though a different one continues), the congregation thought it was not just appropriate to come together to celebrate the milestone of their community, but necessary.

A communal celebration – with laughter – is something the community needs, Rabbi Susan Tendler told the Independent. 

“People just really need to laugh,” she said, and to find strength in community. 

Tendler herself arrived as Beth Tikvah’s spiritual leader at the height of another collective crisis – the COVID pandemic. Her family was greeted warmly, but from a distance, as intense social isolation rules were still in place.

Six years later, she is effusive in her love for her role and her adopted community. Beyond the immediate Beth Tikvah and Richmond communities, she said, the relationship among Metro Vancouver’s rabbis is extremely unusual, with deep ties across denominations. Tendler is currently chair of the Rabbinical Association of Vancouver, the main conduit for that tight union.

Jews at Beth Tikvah, in British Columbia and worldwide are resilient but tired, she said.

“We are fierce and we are resilient, and we are strong and we are agile and we are constant,” she said. “But we all can feel the weariness from it.”

Coming together to celebrate is necessary, she said, noting that Purim this year seemed to unleash a collective wellspring of joy.

The delayed celebration of Beth Tikvah’s 50th anniversary takes place April 19, with a night of comedy featuring Juno Award-winning comedian Jacob Samuel and emcee Kyle Berger, himself a funnyman of some repute. 

Berger’s brother, Tadd Berger, is the synagogue’s president, as was older brother Ryan and mother Marilyn before him.

The Bergers were not founding members of the congregation, said Tadd Berger, but they showed up more than four decades ago.

“Beth Tikvah is a special place,” he said. “It’s always been a special place for me. I was bar mitzvahed at Beth Tikvah, I was married at Beth Tikvah. It has always been a centrepoint of my person, of my growth, of my community. A lot of who I am today is a result of opportunities and programs and events and things that I had at Beth Tikvah.”

He called his leadership role at this moment in the history of the shul and the community a responsibility, an honour and a privilege. 

While the celebration next month caps a half-century of growth, Berger is looking to the future.

“Our membership has been growing the last several years,” he said. “I think that we will continue to grow. We’ll continue to find more ways to connect with and service and support the larger Jewish community, especially the Richmond Jewish community.”

Beth Tikvah is the only Conservative synagogue south of Fraser River, Berger noted, so he views the shul as serving a larger geographic region, stretching southward. 

He is also proud of the range of programs the community delivers, including food security programs and services for youth and seniors, which are open to members and non-members. 

“We see ourselves as Richmond’s synagogue and here to support the whole community,” said Berger. “That’s how we want to continue and, [in] the coming 50 years, I hope that that gets us embraced more and more by the community. “

The solemnity of the period since Oct. 7, which occurred just as the world was emerging from the COVID pandemic, means it has been a long time since a festivity of this type has occurred, according to one of the organizers.

“The event is the first big fundraiser we’ve had in a long time,” said Alisa Magnan, who is co-chairing the celebration with Mindy Zimmering. “We’re raising badly needed funds for programs and it’s a great chance to support the community and get together and have some fun.”

Magnan echoes the rabbi in noting that it is time for the community to kick back and have a good time amid the many challenges.

“I wanted to be able to get together and celebrate our community and find some joy after such difficult times,” she said.

In addition to the anticipated guffaws (induced, the PR promises, by “smart, clean humour”), the event will include a 50/50 draw in addition to food stations featuring pasta, barbecue, salads, Mexican cuisine and crêpes for dessert. Tickets and more information for April 19’s  Eat, Laugh, Schmooze: A Night of Comedy & Connection are at btikvah.ca. 

Format ImagePosted on March 27, 2026March 26, 2026Author Pat JohnsonCategories LocalTags Alisa Magnan, anniversaries, Beth Tikvah, comedy, Jacob Samuel, Kyle Berger, milestones, Susan Tendler, Tadd Berger
Celebrate joy of music

Celebrate joy of music

The annual North American Jewish Choral Festival brings hundreds of singers together to enjoy a musical experience of Jewish identity and community. This year’s festival takes place Aug. 2-6 in Stamford, Conn. (photo by Jennifer Weisbord)

The annual North American Jewish Choral Festival (NAJCF) brings hundreds of singers together to enjoy a musical experience of Jewish identity and community. The five-day event, led by world-class conductors, takes place this year in Stamford, Conn., from Aug. 2 to 6. Registration to attend is now open, and all singers are welcome, from beginners to professionals.

“The festival is for anyone who wants to celebrate the joy of Jewish music,” said Maestro Matthew Lazar, festival founder and director. “This summer, we are highlighting American Jewish music, which beautifully intertwines US history, Jewish history and a range of genres. It is important to note that America is the first place where Jews had the freedom to be composers as Jews, opening up unlimited musical opportunities.”

NAJCF – which is a program of Zamir Choral Foundation – works to provide an environment of creativity and camaraderie, as well as a feeling of hope, unity and Jewish identity, to encourage singers to share a bonding experience and forge new friendships.

“The North American Jewish Choral Festival is my happy place,” said Cantor Mira Davis of New York City. “It’s a community of people who are like-minded, love each other, love Israel and love Jewish music – a place where you can be yourself.  The friends I’ve made at NAJCF will last a lifetime.”

NAJCF participants include amateur singers, professionals, cantors, conductors and lovers of Jewish music of all ages. Attendees have the unique opportunity to interact with and learn from top experts in Jewish choral music in a supportive setting. There are a variety of uplifting musical 

activities, including daily community sings; workshops and seminars on a wide range of topics; and evening concerts featuring guest choirs and notable performers.

“Being able to connect to this type of music and this type of text is something you can’t get anywhere else,” said NAJCF participant Dor Kaminka, an Israeli-American composer and conductor now residing in Los Angeles, Calif.

“Whether you’re a novice or a pro, you’ll leave with new skills, new music and new friends to cherish from this transformative choral festival,” concluded Lazar.

For more information and to register for NAJCF 2026, go to go to zamirchoralfoundation.org/north-american-jewish-choral-festival.

* * *

Applications are now open for another Zamir Choral Federation program: the Jewish Choral Conducting Institute (JCCI). The institute – a long-held vision of Lazar – is the first in the world to professionally train the next generation of conductors of Jewish choral music. Its creation was helped in large measure by a major gift donated by Cantor Robert Lieberman and Rabbi Vicki Lieberman, who will be honoured at this year’s HaZamir Gala Concert on March 15 at Lincoln Centre.

“Choral music lies at the intersection of text, music and community. It implants cultural identity, history, memory and catharsis,” said Lazar. “The conductor integrates music and text with mastery, precision and excellence, creating inspiring and transformative musical moments. The institute provides the specialized, intensive training needed to make all this possible.”

Each cohort is composed of 12 to 15 conducting students from around the world. Fellows gather at in-person retreats and workshops, and monthly online meetings, and receive one-on-one mentoring sessions with Lazar, as well as guest presenters. Upon completion of the program, fellows receive a certificate in Jewish choral conducting.

Lazar brings his knowledge of Jewish and Western music and an understanding of the text/music relationship that defines choral music. He has worked with maestros Leonard Bernstein, Zubin Mehta, Carlo Maria Giulini, Daniel Barenboim and others. Through his expertise, he models, encourages and nurtures the talents of future conductors of Jewish music.

“The Jewish Choral Conducting Institute provides a pipeline of talent to ensure strong Jewish choral leadership for the Jewish future,” he said.

The JCCI’s international Lazar Fellows deepen their development through ongoing mentoring and critique. These mentoring meetings foster ongoing growth within a supportive international community of Jewish choral conductors.

Applications for the fall 2026 cohort of the JCCI’s Lazar Fellowship are now open and due by 5 p.m. EST on April 30. For more information, visit zamirchoralfoundation.org/conducting-institute-2,  or email [email protected] to request the application details.

– Courtesy Zamir Choral Foundation

Format ImagePosted on March 27, 2026March 26, 2026Author Zamir Choral FoundationCategories WorldTags choral conducting, choral music, Jewish Choral Conducting Institute, Jewish music, NAJCF, North American Jewish Choral Festival
Women share experiences 

Women share experiences 

Left to right, at CHW Vancouver Centre’s SHE DAY event March 8: Ruthi Akselrod, Laura Lewko (kneeling a bit), Pam Wolfman, Toby Rubin, Jocelyn Brown, Ruth M’Rav Jankelowitz, Tamara Shenkier and Laura Mossey. (photo by Shula Klinger)

On March 8, CHW (Canadian Hadassah-WIZO) launched its first SHE DAY event. Hosted at the Jewish Community Centre of Greater Vancouver, the celebration of International Women’s Day included a panel discussion, a shuk (market) of women-led businesses and kosher refreshments.

CHW Vancouver Centre president Toby Rubin, who introduced the panel, also shared that, starting in October, the Vancouver CHW team would be under the joint leadership of Pamela Wolfman and Jocelyn Brown, who moderated the discussion between Dr. Tamara Shenkier, Ruth M’Rav Jankelowitz and Laura Mossey.

Shenkier, who is an oncologist, educator and advocate, recently retired. Her 30-year career included numerous leadership roles in medical education and governance, and she spent the last decade-plus focusing on breast cancer. She is a founding member of the Jewish Medical Association of British Columbia.

Jankelowitz has spent three decades in commercial and hospitality design, and her portfolio includes many household names, including DKNY, Timberland and Nike. Her company, Janks Design Group, has created the spaces of such eateries as OEB, Nando’s and Tap and Barrel.

Mossey brought her voice as a non-Jewish Zionist and educator to the panel, sharing some of the influences that have helped frame her identity and worldview.

The conversation was dominated by the topic of antisemitism and its marked increase since the Oct. 7, 2023, Hamas terror attack on Israel.

“Things were bubbling in the cauldron but, since then, I have felt as though I am ‘the Jew,’” said Shenkier, who spoke of feeling more exposed and more vulnerable in recent months than ever before. She talked about changes to medical curricula that followed consultation with “thought leaders,” rather than medical experts, and how students were being encouraged to contemplate their practice through the lens of race – though, she noted, “Jews were never mentioned as a marginalized, persecuted community.”

Mossey, too, has seen efforts to erase Jewish identity. For example, the Coquitlam school district now asks parents to share their identity in questionnaires, she said, and “Jewish wasn’t included.”

Brown asked panelists about the biggest challenges they have faced – as Jews and/or Zionists – in their personal and professional lives.

“The hardest thing for me was the silence – from colleagues, friends, employees,” said Jankelowitz. “I gave them countless chances to learn and nobody asked. It was pretty astounding. So, I made my voice louder.”

Mossey addressed the dangers of misinformation and disinformation, highlighting the need for strong leadership.

“We are all vulnerable,” she said, describing a history lesson she gave to Grade 10 students. She taught them about the origins of Black Friday: when, on Nov. 18, 1910, suffragists protesting at Parliament in London, England, for the right to vote were physically and sexually abused. Given that today’s students can graduate without being taught about democracy, she said, “it’s imperative that they hear about the challenges that have been faced by women, somehow, from anyone who’ll show leadership.”

Mossey pointed to the hypocrisy of “safe classrooms” after the provincial teachers’ federation donated $50,000 to UNWRA, many of whose teachers and doctors have been shown to be Hamas operatives.

Asked to speak about resilience, all three women talked about the importance of setting boundaries. Jankelowitz said she had let go a client of 10 years. “I designed all of their stores. They had unionized and the team made a statement about genocide and apartheid, citing Amnesty International and Francesca Albanese [of the United Nations]. I don’t want to create spaces that will alienate my own community,” she said.

Jankelowitz also shared a positive experience: meeting a woman at a Business Network International event who asked to be educated about Zionism. “In one week,” said Jankelowitz, “I put together a historical dossier, links, books … to this day, she’ll come and ask me to verify what she’s heard, she tells me, ‘So I can fight it.’”

Mossey also has not been shy about living according to her values. She has worn emblems in support of Israel and shows her solidarity with Jewish students in various ways. When a principal asked her to hide her social media feed from public view, her response was unequivocal: “No.”  

She recalled a conversation with a Jewish student, where she explained her purpose: creating a safe learning environment for all kids.

Asked to offer their advice to other women, Shenkier talked about her own life, cautioning against falling into unhelpful extremes: “being in denial, moving ahead as if nothing has happened,” and, on the other side, “absolute paralysis, anxiety, rumination, catastrophizing.” Find a middle ground where healing can really be possible, she said. “You need to acknowledge and sit with your pain. The community will sit with you, without trying to fix it.”

Shenkier advised people to “separate who you are as a human being from your thoughts, feelings and projections.” She added, “expunge the word, ‘should,’ from your vocabulary. Focus on your strengths. Say ‘no.’ Stop comparing yourself to others, do what brings you joy.”

Earlier in the discussion, Shenkier had spoken of the mythical person who can “have it all,” and the damage caused by such a mindset, which she described as “oppressive.” She stressed the importance of “self-awareness gained through introspection.”

Mossey recommended: “carry your burden, share it, talk and let friends help you. Be physical to get through the stress.”

“Focus on what you can control,” said Jankelowitz. “You don’t need permission to use your voice. The room doesn’t decide if you belong to it.”

Mossey asks one question when she is challenged on her position on Israel: “Do you believe in the Jews’ right to self-determination?” She said the response helps her decide, in an instant, whether the conversation is worth pursuing.

“Don’t waste your time talking to people who aren’t interested in learning,” said Mossey, who has read dozens of books about Judaism and Israel, yet said she would not call herself an expert on the topics.

The panelists explored the theme of resilience at some length. 

“What does resilience look like in the current climate?” Brown asked.

“Showing up for the community, for my team at work, being consistent in my beliefs,” Jankelowitz shared. “Equip yourself with the facts.”

Mossey responded with stories about her mother – a 17-year survivor of a high-risk cancer surgery –  who taught her the word’s meaning: “Lean into your faith, keep your family close, and do something every day” to stand up for your cause. 

Commitment to personal values and professional ethics are also vital, added Mossey. “I’m not going to make myself smaller to avoid offending a kid who knows nothing about history,” she said.

Brown asked panelists to share an example of when their identity had felt like a strength as opposed to something they “needed to explain, manage and protect.”

Shenkier’s happy childhood in Montreal was a “grounding, not a cloak I can put on and take off,” she said. She considers herself lucky to have been a physician, a career where “the constant questions, the examination of one’s ethics and the practice of empathy were all congruent with my faith.”

Mossey recalled a meeting where she was asked to “identify herself.” She felt that traditional labels, such as “white,” “heterosexual” and “cisgendered woman,” were unhelpful. On that day, she said, “What differentiates me is my character. So, now I identify as a Zionist.”

Jankelowitz, who was once a logistics officer in the Israel Defence Forces, agreed: “owning the identity is more powerful than hiding it,” she said.

As the questions came to an end, the audience rose in a standing ovation.

Toby Rubin reminded attendees that, if anyone faces antisemitism, they can find support through CHW.

Event sponsors included Sylvia Cristall, Laura Lewko, Ruth Freeman, Brown (Acubalance Wellness Centre), Rubin and Wolfman; the national corporate partner was real estate development company Israel Canada. The afternoon was catered in part by Ricci Leigh-Smith’s team at Perfect-Bite, and organized by Amanda Aron Chimanovitch, community engagement and event officer for CHW, Western Canada.

Proceeds from SHE DAY events – which took place in Montreal, Calgary, Edmonton and Delray Beach, Fla. – went to the Eden Association Trauma Therapy Centre. Founded in 1997, the centre provides trauma care to young women and girls in southern Israel, where the need has increased greatly since Oct. 7.

The next CHW Vancouver Centre event is Games Day on May 6 at Richmond Country Club. Proceeds from it will go to supporting post-traumatic stress disorder therapy at Shamir Medical Centre and psychological rehabilitation at Hadassah Hospital in Israel. To register, go to chw.ca/region/western-region. 

Shula Klinger is an author and journalist living in North Vancouver.

Format ImagePosted on March 27, 2026March 26, 2026Author Shula KlingerCategories LocalTags antisemitism, Canadian Hadassah-WIZO, CHW, health care, Laura Mossey, mental health, Oct. 7, philanthropy, SHE DAY, Tamara Shenkier, Toby Rubin, women
Raising funds for Survivors

Raising funds for Survivors

Artists Claire Kujundzic and Bill Horne have created a Bondi Beach memorial shirt. Monies raised are being donated to Bema Productions’ high school Holocaust education tours of Wendy Kout’s Survivors. (photo from Amazing Studios)

After the terror attack at Bondi Beach, Australia, on Dec. 14, in which two gunmen killed 15 people and wounded some 40 others who had gathered to celebrate the first night of Hanukkah, Victoria artist Bill Horne hosted a print-your-own glow-in-the-dark menorah shirt event at his and partner Claire Kujundzic’s Amazing Space Studio.

“Claire and I were very distressed by the antisemitic murders at Bondi Beach, and wanted to do something,” Horne told the Independent. “I’ve screen-printed with glow-in-the-dark ink before, e.g. images of aurora borealis, and the image of a glowing menorah popped into my mind. I thought it could symbolize the spirits of those killed at Bondi Beach, as well as literally ‘light up’ a menorah on a shirt this way.”

On Facebook, Horne invited anyone who wanted to print their own glow-in-the-dark menorah to bring a shirt to the Saanich studio before one of the Hanukkah light-up events in Victoria.

image - The front of the shirt features a menorah that glows in the dark
The front of the shirt features a menorah that glows in the dark. (photo from Amazing Studios)

“I had a few spare, unprinted black shirts in the cupboard, so I printed them,” he said. “When our visitors saw them, they asked if they were for sale. I hadn’t conceived of this as a commercial project, and that would have felt completely wrong, so I thought it could be a fundraiser. With Zelda Dean’s permission, I announced through word-of-mouth and our studio’s newsletter that we would be printing the shirts to raise funds for the high school tours of Bema theatre’s production of Survivors, as part of BC’s Holocaust education.”

Horne and Kujundzic, neither of whom is Jewish, have seen the play.

“It was an excellent production,” said Horne.

“The first production we attended at Bema was Si Kahn’s Stranger in a Strange Land,” he said. “I had heard Si sing at the Vancouver Folk Music Festival many years ago, and didn’t know he wrote plays. We saw a poster for this play of his at the [Victoria] Jewish Community Centre one day when we went for lunch. The musical was great, and Si was in attendance, which was a bonus.”

That was when the couple first met Dean, the founder and managing artistic director of Bema Productions, which is based in Congregation Emanu-El.

“We think she’s one of the best things about Victoria!” said Horne.

He and Kujundzic have since seen various plays and readings at Bema.

image - The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah
The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah. (photo from Amazing Studios)

The fundraising initiative is just starting, with $100 donated from that first, unplanned small batch of shirts.

“Once we receive enough orders to print and sell at least a few dozen more shirts, we’ll be able to make a larger contribution,” said Horne. “In terms of raising spirits, most people who see the shirt (especially with the lights out) have been moved or glad to see something positive in response to the Bondi Beach massacre. I also think it’s important for gentiles to wear a shirt like this in solidarity.”

“I am so grateful to my dear friends Claire and Bill for their tremendous generosity and their ongoing efforts to make the world a better place,” Dean told the Independent, noting that fundraising “becomes more difficult every year and we welcome donations toward this very important Grade 8 to 10 educational play, which is approved by the provincial government.”

Bema will be doing its fifth annual tour to BC schools with Survivors, which was written by Wendy Kout, based on recorded testimonies of 10 survivors talking about their experience as teens during the Holocaust, said Dean. “We have so far presented at 45 schools on Vancouver Island and in Greater Vancouver and hope to reach the Interior as well this year.”

Horne and Kujundzic operated Amazing Space Studio and Gallery in Wells, BC, for more than 25 years, before moving to Saanich in 2021. While not a retail gallery anymore, people can arrange a visit to the studio.

The Bondi Beach memorial shirt is completely in character for the couple, who have been involved in many causes and projects since they met in 1981. 

“Tools for Peace published two fundraising calendars of Claire’s Nicaragua-themed art in the late 1980s,” said Horne. “We’ve produced art and design for fundraising or promotion projects for groups such as BC Black History Awareness Society, the Wells Historical Society, Friends of Barkerville, families of Nicaraguan political prisoners, Ukrainian refugee families, RAVEN Trust and Treaty 8 First Nations (resisting the Site C dam), the United to End Racism delegation at the World Peace Forum (Vancouver, 2006) and the successful Wells Save Our School Campaign of 2002-2003.

“Claire has designed logos, graphics and posters for Pacific Post Partum Society, BC Organization to Fight Racism, Potters Without Borders, Nuu-Chah-Nulth Tribal Council, Kettle Friendship Society, International Women’s Day, many unions, including Union Women, and the International Metalworkers’ Federation.”

As a printmaker, Horne can silkscreen shirts, as well as editions of prints for exhibitions, he said. He has also designed books of poetry and photography. 

“Claire learned the printing trade in her 20s, worked as a designer doing layout and logos, and produced paintings, prints and sculptures as well,” he noted.

A reprint of the menorah shirts will take place this spring, with probably another run in the fall. Horne needs to first create a secure online order system.

If anyone wants a shirt, contact the studio for details of the next printing, shirt size/style options and prices: amazingspacestudio.com. To donate to Bema Productions’ high school tours of Survivors directly, go to holocausttheatre.com. 

Format ImagePosted on March 27, 2026March 26, 2026Author Cynthia RamsayCategories LocalTags antisemitism, Bill Horne, Bondi Beach, Claire Kujundzic, fundraising, Hanukkah, Holocaust education, tikkun olam, Victoria, Zelda Dean
Tarot as spiritual ritual

Tarot as spiritual ritual

Alycia Fridkin holds the Wheel of Fortune tarot card, which features the Tetragrammaton of G-d’s name interspersed between the letters T, A, R, O. (photo from Alycia Fridkin)

I love tarot. I love how you can receive insight anywhere, anytime using only what G-d gave you and a deck of cards. It’s a perfect spiritual practice for Jews who have been wandering spiritually. Not everyone knows enough Hebrew to read our sacred texts, and not everyone feels connected through our traditional prayers or going to the synagogue. But many are yearning for deep connection. New ways of practising spirituality are needed.

Tarot has drawn me closer to Judaism, Jewish people, G-d and myself. I have come back to the cards repeatedly for guidance, with my Jewish self leading the way. I am on a journey towards loving the Torah again, and tarot is helping me get there. 

For those who don’t know, tarot is a form of divination originating in Italy in the mid-15th century. It relies on using one’s intuition to channel wisdom from the divine, using a deck of cards with meaningful images, numerology and symbols. Although tarot is not traditionally used in Jewish contexts, using intuition as a spiritual practice is not new to Judaism. It goes back to our roots, which were pagan in nature. Our women ancestors played important roles in the times of the Temple, using their intuitive wisdom as priestesses and healers. Tarot invites us to return to our spiritual roots that were lost, and to search for meaning within our own bodies and spirits. 

I use tarot every day to connect with G-d and to feel a sacred connection to my Jewish spiritual self. In my view, tarot is a spiritual tool, just like Torah, to help us connect with the divine. Reading tarot guides me in life. It feels sacred, and there is ritual around the reading. In both tarot and Torah reading, we create a sacred space, look at the same text over and over again in different ways, and draw on our own experience to arrive at new interpretations, applying the meaning to our lives in the here and now.  

Without knowing anything about tarot, you can look at the original images created by Pamela Coleman-Smith on the traditional Rider-Waite Tarot deck and see the Jewish significance of the cards. When I saw the holy Tetragrammaton of G-d’s name inscribed on the chest of the angel in Temperance, one of the 22 Major Arcana cards, I felt the Jewish connection immediately. It is also a significant synergy that the scroll in the lap of the High Priestess reads “TORA,” letters which are also found on the Wheel of Fortune but rearranged to read TARO, interwoven with the four Hebrew letters of G-d’s name. In the Minor Arcana, the Ten of Pentacles contains 10 circles with five-pointed stars in the centre, depicted in shape of the 10 sefirot, the sacred geometry also known as the Tree of Life in kabbalah. 

My curiosity with tarot began as a teenager. I somehow acquired a small deck but didn’t know how to read it. As an adult, the cards found their way to me again, and perhaps it was not a coincidence that I was gifted with a tarot deck just after I turned 40, the age that Judaism traditionally says we are spiritually mature enough for the mystical teachings of kabbalah.

I learned to read tarot through my own study, using books, podcasts and courses. Even though some talked about the kabbalist correspondences on the cards, I never learned how tarot could be used as a way of connecting with my Jewish spirituality.

Since then, I have been exploring tarot as a tool for Jewish spiritual practice in several ways. I read for myself, I read for others, and I use the cards for Jewish rituals, such as setting intentions when lighting candles for Shabbat. 

I read tarot professionally under the name Azra Silverstein, a decision I made out of fear of the stigma associated with tarot. I chose the name because of its connection to my own Hebrew name, but also because of its Jewish feel. It makes a difference knowing when a reader is Jewish, and clients have often sought me out because of this.

I was reading at a spiritual fair once and a young man saw me listed as a Jewish tarot reader. He sat down at my table and asked me, “What makes a tarot reading Jewish?” I gave him the short answer, “You and me!” It’s because of the people who are involved. When you read tarot, you use your intuition, which means using the whole of yourself to glean insight from within and the world around you. So, if you are Jewish, you will read with a Jewish lens. It’s inherent.

The longer answer is, there are many ways to make a reading Jewish. One way is to open with a blessing. When I am reading for a Jewish client who has never had a reading before, I will often recite Shehechiyanu, the traditional blessing for doing something for the first time. In my opening meditation before a tarot reading I sometimes use the word Shechinah, instead of a more secular reference to the universe. I’ve witnessed Jewish clients drop into a sacred vibration when such references are made. I can feel the powerful impact of our ancestry in the reading ritual. 

I also have done readings for Jewish people where I weave in Jewish concepts, make connections to Jewish holidays or take into account the broader context surrounding Jews today. Tarot readings can support people navigating antisemitism or conflicts related to being Jewish, and they can also provide guidance for one’s Jewish spiritual development.

If you are curious about how tarot can deepen your own spiritual practice, I invite you to pick up a deck and start reading for yourself. For those who want more formal training, you may be interested in my Jewish tarot course, which teaches how to read the cards using Jewish and secular methods, as well as how to use tarot for Jewish ritual. For Passover, I created a Haggadah (which is available online) that uses tarot to engage with various parts of the seder. For more information, please visit my website, azrasilverstein.com. 

Dr. Alycia Fridkin, PhD, is also known as Azra Silverstein, the Jewitch Tarot Reader. Get in touch at azrasilverstein.com or email her at  [email protected].

Format ImagePosted on March 27, 2026March 26, 2026Author Alycia FridkinCategories LocalTags Azra Silverstein, Haggadah, Jewish life, Judaism, kabbalah, spirituality, tarot
Students create fancy meal

Students create fancy meal

King David High School students prepared a high-end Italian meal for some 90 guests on March 12. (photo by Galit Lewinski Photography)

There were 90 diners in the restaurant, and Italian music played in the background as servers whisked around the room efficiently, delivering appetizers, exquisitely plated entrees, palate cleansers and mouthwatering desserts. Bouquets of rosemary and bay leaves adorned the white tablecloths; red and white checkered napkins added an extra touch. Two opera singers made a guest appearance during the meal.

photo - King David High School’s gymnasium was transformed into an Italian restaurant for this year’s Lion’s Den. Grade 10 students were responsible for every aspect of the meal, including the menu
King David High School’s gymnasium was transformed into an Italian restaurant for this year’s Lion’s Den. Grade 10 students were responsible for every aspect of the meal, including the menu. (photo from KDHS)

This was no regular Vancouver restaurant – the setting on March 12 was the auditorium at King David High School. The diners were staff members at KDHS and parents. The chefs were Grade 10 students who had spent seven months testing and perfecting recipes.

The meal, called Lion’s Den, has been a highly anticipated annual event at the school for the past 11 years. Each year, the foods class picks a theme for their Lion’s Den and spends months exploring options, menu planning and learning to think like chefs. For Hilit Nurick, the school’s home economics teacher, the seven-month prep time is transformational.

photo - On the day of the event, they entered the kitchen first thing in the morning and were hard at work until dinner service ended and the final clean-up was completed
On the day of the event, they entered the kitchen first thing in the morning and were hard at work until dinner service ended and the final clean-up was completed. (photo by Galit Lewinski Photography)

“It’s a milestone event for the foods class, and it’s incredible to see the students change from the beginning of the year to this moment,” she reflected. “They become accountable, responsible, detail-oriented and good at working in teams. At the beginning of the year, they care mostly about what they can eat, but, by the end, it’s all about putting the event together, and it’s beautiful to watch them accomplish this.”

Ask any caterer – it’s no small feat to prepare a four-course meal for 90 people. In preparation for the Lion’s Den, students spent three solid days in the kitchen, working side by side with mentors from the senior classes. On the day of the event, they entered the kitchen first thing in the morning and were hard at work until dinner service ended and the final clean-up was completed.

photo - The first page of Lion's Den 2026's menu, all prepared by King David High School students. (photo from KDHS)
The first page of Lion’s Den 2026’s menu, all prepared by King David High School students. (photo from KDHS)

The menu, in line with any high-end restaurant, featured focaccia with dips including whipped ricotta, black olive tapenade and tomato confit, a lemon sorbet palate cleanser, an entree of fish branzino with seared eggplant, fennel steak and kale salad, and a dessert trio of biscotti, stracciatella ice cream and tiramisu. 

“We heard the meal was delicious, the food was beautifully plated, the servers were very calm and efficient and that the music was fabulous,” Nurick said, describing some of the praise that came from throughout the dining room over the course of the evening. 

“The Italian meal was amazing,” said Seth Goldsweig, KDHS head of school. “We could have filled up on the delicious appetizers, but we knew that an incredible main course was on the way. The lemon sorbet palate cleanser was a really nice, professional touch. And the tiramisu found a special place in my heart!”

photo - The second page of the evening's menu
The second page of the evening’s menu. (photo from KDHS)

While diners ate and mingled, a slideshow played with photographs from the three-day preparation. Galit Lewinski took photographs during the event itself.

Only after the last dessert had exited the kitchen did the students get to eat. By then, they were joyful, exhausted and fully appreciative of what it truly takes to create a memorable meal.

As mentioned, the theme for this year’s Lion’s Den was Italian. Previous themes have included Japanese, Thai, Israeli, Korean, Bedouin and Mexican.

“Whatever the theme, we really immerse ourselves within it, learning the basics of the food and the culture and trying to make everything from scratch,” Nurick said. “It’s not always easy – Japanese especially was challenging!”

It takes a special kind of talent to pull off an evening like this, Goldsweig added. “Hilit performs magic to coordinate over 50 students who work together to prepare the meal each year, and the evening is a highlight for King David. But she’s also teaching our students the culinary skills they need to feed themselves top-notch food, which is an invaluable life skill.” 

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Format ImagePosted on March 27, 2026March 26, 2026Author Lauren KramerCategories LocalTags cooking baking, education, food, Hilit Nurick, KDHS, King David High School, Lion's Den, Seth Goldsweig, youth
Encouraging young voices

Encouraging young voices

Larry Barzelai addresses those gathered for the Jewish Federation of Greater Vancouver’s Public Speaking Contest on March 5. (photo from JFGV)

On March 5, the Jewish Federation of Greater Vancouver’s annual Public Speaking Contest took place at the Jewish Community Centre of Greater Vancouver. Students in Grade 4 through Grade 7, from a range of schools, participated.

The contest, which was created more than 35 years ago by Larry Barzelai, with his wife, Rhona Gordon, is jointly presented by Federation, the JCC and Israel Bonds. 

“It provides young people with a meaningful platform to express their ideas,” wrote Jewish Federation chief executive officer Ezra Shanken in his weekly email message.

“Their confidence and creativity reflect the strength and promise of the next generation,” noted Shanken, who also spoke at the event.

Federation’s Lissa Weinberger is a key organizer, wrangling both student participants and their parents, as well as volunteer judges and moderators from the community.

Suggested topics ranged from “What is your favourite Jewish holiday and why?” to “From a Jewish perspective, should leaders be held accountable for mistakes they made in the past?” The 10 suggestions included talking about the Jewish values gained from a favourite picture book, the importance of food in Jewish culture, and the ethics of using ChatGPT; the 11th suggestion was a topic of the student’s choosing.

In each category, there were three winners. 

In Grade 7, they were Shiran Cohen (1st), Shael Singerman (2nd) and Meah Corea Reyes (3rd). 

In Grade 6, Group 1, it was David Herlin (1st), Olivia White (2nd) and Nogah Goldenberg (3rd). 

Grade 6, Group 2, saw Liz Sinderman (1st), Gilad Shortt (2nd) and Miriam Gordon (3rd) take home the top prizes. 

In Grade 5, it was Ella Zack (1st), Ben Kupfer (2nd) and Josie Prokosh (3rd).

In Grade 4, it was Levi Wenner (1st), Olivia Bregman (2nd) and Amelia Silverman (3rd). 

– Courtesy Jewish Federation of Greater Vancouver

Format ImagePosted on March 27, 2026March 26, 2026Author Jewish Federation of Greater VancouverCategories LocalTags education, Ezra Shanken, Judaism, Larry Barzelai, public speaking, youth
Rose’s Angels delivers

Rose’s Angels delivers

Left to right: May Stefanov, tenant relations coordinator with Tikva Housing Society, and Courtney Cohen, co-founder of Rose’s Angels. (photo from Rose’s Angels)

Eleven not-for-profits received donations from this year’s Rose’s Angels, including Mamas for Mamas, Richmond Food Bank Society, Jewish Family Services’ Grocery Program (formerly known as the Jewish Food Bank), Tikva Housing Society and Pathways Clubhouse. 

Run under the umbrella of the Kehila Society of Richmond, Rose’s Angels was created in 2012 by Courtney Cohen and Lynne Fader. It was founded in memory of Cohen’s grandmothers, Rose Lewin and Babs Cohen, who were both very philanthropic and instilled in Cohen the importance of giving back to community.

Essential personal care items, non-perishable food items, children’s arts and crafts materials, diapers and baby formula were among the donations received by Rose’s Angels this year. For many of its partner agencies, diapers and non-perishable food were among the top priority items.

“Being a mom myself, I can’t imagine what it must feel like to not have the access or means to provide essential items for your child,” said Cohen, stressing the impacts of the rising cost of living and the strain it’s putting on families and single parents.

“Supporting organizations that do such meaningful outreach for families in need is something I’m incredibly proud of,” she said.

Rose’s Angels’ success depends on the support of donors and volunteers. Letters were sent out to partner agencies, family, friends and community members in January, with donations collected in February.  Richmond Jewish Day School hosted a hygiene collection drive, and grocery gift cards were purchased last month. This month, all the donations were packaged and delivered by volunteers to the recipient agencies.

“My parents and grandparents … showed me that giving back isn’t just a kind gesture – it’s a responsibility we have to one another as part of a community,” said Cohen.

To learn more about or donate to Rose’s Angels, email [email protected] or call the Kehila Society of Richmond at 604-241-9270. 

– Courtesy Rose’s Angels

Format ImagePosted on March 27, 2026March 26, 2026Author Rose’s AngelsCategories LocalTags Rose’s Angels, tikkun olam, volunteering
Drawing on his roots

Drawing on his roots

Multi-instrumentalist and songwriter Ezra Ben-Shalom’s debut solo album, Known and Unknown, was released in 2025. (photo by Michelle Behr)

With his debut solo album, released last year, Kelowna musician Ezra Ben-Shalom shows off his personal side, with a uniquely Jewish touch. 

For Ben-Shalom, who reconnected to Jewish ritual practice around five years ago, Known and Unknown – his first solo project – is a deeply personal one. The focus of his music and daily life has become all about asking questions, he said. It’s about finding ways to be of service in the world and creating a connection with something larger than himself.  

“I’m doing my best to be of value to the world and to the culture. And, you know, you step in front of a room of people and take a deep breath and open your mouth and sing – I want to offer something that’s real, that’s authentic and that’s meaningful,” the 43-year-old said in a phone interview.

The album is highly Jewish-inspired, owing to his own reconnections – and, he said, he hopes it will encourage empathy among listeners.  

“I think the album title was maybe a hint to myself to come from that place of humility, that we don’t have the answers, as much as we think we know or that we learn,” said Ben-Shalom. 

The songs on Known and Unknown include some Hebrew words, and the sounds of a shofar on two tracks, though the lyrics are largely in English.

Jewish themes shape much of Ben-Shalom’s interpretation and highly personal expressions; however, he emphasizes that, while his path is Jewish, he sees the disc’s new compositions as something more broadly accessible. The songs, he said, are “about inner experiences and feelings and reflections, and they’re about living in the world as a human being, not as a Jewish human being.”

Themes of transformation, vulnerability and boldness underline the album’s adult alternative and folk-adjacent sounds, and Jewish references abound, with songs titled “Shechina,” “Shake the Dust,” and “El and Gil.” 

New name, old passion

Ben-Shalom is the new-ish musical handle of producer and multi-instrumentalist Ezra Cipes, who grew up in Kelowna and has played in bands since he was 14 years old, he told the CJN.

By the time he was 19, Cipes and one of his three brothers co-wrote a song with Indian-born Canadian punk/alternative music icon Bif Naked, who grew up in Winnipeg. He’s also performed regularly and recorded with the Calgary-born indie-pop-folk artists Tegan and Sara. (Bif Naked’s bassist, Chris Carlson, produced, co-wrote and played most of the other instruments on Ben-Shalom’s 2025 album.)

Prior to the new project, another band featuring the musical Cipes family had been nominated in 2022 for a Juno Award in the children’s music category for the second disc by the troupe, called the Oot n’ Oots. The five-piece band comprised Ezra; his three brothers, Matthew, Gabe and Ari; and his daughter, Ruthie, who was the singer.

When that project wound down following the end of 2023 summer festivals, the guitarist and keyboard player turned to exploring a different expressive musical language. He had set out on that musical exploration when the Oct. 7, 2023, attacks by Hamas in Israel, which triggered the Gaza war, refocused his artistic lens.

“Oct. 7 put a lot of things into focus and showed the ways that, really, we’re all lost in one way or another,” he said. 

The way the world responded after Oct. 7 was a “frustrating and painful” experience, he said.

“You think, ‘What can any of us do?’ And none of us can fix it – you can’t completely change all these cultural narratives and people’s ideas and correct the record or bring a higher perspective on our own, but we can do our part. We can stand strong in our own truth and share it, proudly and with strength and humility.” 

Explaining that he’s always needed “a little spiritual medicine in my life,” Ben-Shalom described reading at night, from literature and philosophy to spiritual and self-help books, and had long realized he needed to do that, even before he connected with Judaism.  

Pivotal turn to Judaism

Growing up, while his family – who own a successful organic vineyard – belonged to a local synagogue, they weren’t traditionally observant, though he became bar mitzvah and attended Jewish summer camp. 

But, as an adult, he reflected, he was “totally disconnected” when it came to traditional Jewish practice and observance. 

It was a moment in 2020, early during the pandemic, following a sweat lodge ceremony led by Ron Hall, a longtime family friend who’s an Indigenous artist and biologist, that brought Ben-Shalom an epiphany. 

“It [the sweat lodge] was one of those moments that really flipped a switch in my whole life, and it was just a hinge moment. I thanked him [Hall] for the ceremony, and I shared with him how powerful it was and how meaningful it was, how deep it was,” said Ben-Shalom.

“And I said to him that he’s lucky to have the traditions to draw on to connect with his own soul and with the creator and I said to him: ‘All I have is this shallow materialistic Western culture.’ 

“And he said, ‘What are you talking about, Ezra? You’re Jewish. You come from an Indigenous people.’”

Nobody had ever said that to him before, Ben-Shalom recalled, and it became a turning point.  

“I had grown up thinking it was cool to be Jewish and, like, neat, but also vaguely embarrassing to be Jewish, and it was something I didn’t really like to talk about or get into very much because … I always felt othered,” he said.

The COVID-era wave of social justice movements brought a resurgence of ideas “about decolonization and equality,” he said. “It’s good to support the Indigenous people keeping their culture, keeping their language, keeping their tradition, keeping the oral culture alive.”

He felt a tinge of hypocrisy. “And then I realized I was not honouring my own ancestors and I didn’t know my own language. I didn’t know my own story,” he said. 

Ben-Shalom now attends the local Chabad, lays tefillin and wears tzitzit and a kippah.

He described one of the first times he performed the new music at a live show at the Kelowna venue Revelry in 2024. 

“I got off stage and my whole body was sore, from holding myself and breathing and keeping myself grounded and keeping myself in a state of service,” he said. (Since then, he’s felt “a little bit more relaxed” performing the new material.) 

“The songs are almost like prayers, and you have to kind of get into that place to sing them, where there’s a genuine connection and not just notes and not just words.” 

Ben-Shalom hopes to bring the album in a live performance to audiences across Canada, and to ensure that includes Jewish audiences, he told the CJN. 

“I’d like to play for all audiences that will have me, but, in particular, I want to go and play for Jewish people,” he said. “I want to share these songs with Jewish people. I want to bring inspiration, pride and honour to our tradition, to Jewish people.” 

Jonathan Rothman is a reporter for the CJN based in Toronto. This article was originally published on thecjn.ca and is reprinted with permission.

Format ImagePosted on March 27, 2026March 26, 2026Author Jonathan Rothman The CJNCategories Local, MusicTags Ezra Ben-Shalom, Judaism, Kelowna, music, Oct. 7
Panama City welcoming

Panama City welcoming

The ceiling of the Sephardic synagogue Shevet Ahim, which is located in the Bella Vista neighbourhood of Panama City. (photo by Janice Masur)

My solo trip to Panama City this past February had seemed so far away when I organized it, knowing I would require some respite from caregiving. I had a yen to experience the Miraflores and San Pedro shipping locks, but not on a cruise. I had listened to a talk from Qesher, a website about Jewish communities worldwide, highlighting Jewish life in Panama, so I gathered my courage to travel alone and booked my hotel and flights. And then my beloved husband died. 

This changed my reason for going and started me thinking, What would I do there by myself? How would I manage to converse in Spanish and make myself understood? Could I give a talk about my Ugandan vanished Jewish community? (See jewishindependent.ca/honouring-community.) Despite my concerns, I made the journey.

photo - Panama City was a great place to travel solo – and as a Jew
Panama City was a great place to travel solo – and as a Jew. (photo by Janice Masur)

I had a half-day tour with an excellent Jewish guide, Patricia, to see all four of the Orthodox synagogues, each one more beautiful, all situated within a small area of Panama City. 

There were all types of Jews staying in my hotel: a Dutch woman who only recently discovered her Jewish heritage, a fur-hatted Jewish man, and two Jewish Tunisian-born sisters, whose family history included having been ousted from their home in Tunis during the Second World War, their home commandeered to be a Nazi headquarters. 

At Kol Shearith Reform synagogue, I struggled with the Spanish and Hebrew prayer book, spellbound by my surroundings. The Sephardic tunes of the prayers made only a handful of them familiar to my ear. The Oneg Shabbat was delicious: fish ceviche and crème caramel, a childhood favourite, as well as several dishes new to me. We stood around the loaded tables and talked.

Jews started arriving in Panama in the 15th century and there are about 17,000 Jews in Panama, with most living in Panama City. Apparently, Panama is a “Jewish bubble,” with basically no antisemitism. I was told that there are many families from Vancouver soon moving there. “Why?” you may ask. Imagine 40 kosher restaurants, two very large kosher stores, apartment buildings housing only Jewish families, a Jewish support system from birth to death, Sephardic Shevet Ahim in the Bella Vista neighbourhood with offshoots in Punta Paitilla, Ashkenazi Beth El Synagogue, two Chabad synagogues, and the oldest synagogue, Kol Shearith.

photo - “The Eternal Flame,” an Oct. 7 memorial at Beth El Synagogue in Panama City. The artists were Ilanit Schwartz and Michael Ostroviack
“The Eternal Flame,” an Oct. 7 memorial at Beth El Synagogue in Panama City. The artists were Ilanit Schwartz and Michael Ostroviack. The sculpture is composed of seven levels, each bearing a word: faith, resilience, hope, unity, perseverance, identity and strength. The flame is a reminder that there will always be light, even in the most difficult times. And, within the flame is the Shema Yisrael prayer. There is also the symbol of the “necklace of liberation,” associated not only with the promise to bring home the hostages, but the struggle for life and freedom for all human beings. (photo by Janice Masur)

Geographically, Panama City is situated on a narrow isthmus, making it an elongated city running east-west, mainly facing the Pacific Ocean. It is full of incredibly high and distinctive skyscrapers lining the long promenade.

The Old Town is being gentrified. Hotel La Compañía Casco Antiguo has a Spanish, French and American wing, each built in a different century. A large cathedral faces onto Plaza Herrera, and I saw my first modern-day monk. He was wearing a brown habit and many nuns were spilling out into the sunlit plaza. Brightly painted buildings and small shops catered to the tourists. The imposing Opera House faces the ocean.

I felt quite safe on my own and was touched by how a local family pointed out animals and kept an eye on me as we wandered around Metropolitan Natural Park, where I saw turtles, agoutis and my first ever armadillo.

I took myself to the botanical garden situated about 40 minutes outside the city. Along the route were American army barracks now being repurposed. At the garden, I enjoyed seeing flowers I had never seen before. A large red flower that only grows from a tree trunk; an orange flower whose seed pod is hard and round and slightly bigger than a tennis ball. The garden also showcased two- and three-toed sloths, plus several monkey species. In its far reaches, I saw a lone jaguar, who let out such sad, lonely notes with his rib cage working like an accordion that I could not bear to stay near his cage. I wondered about the information exhorting visitors to take care of the planet and not to shoot wild animals. Jaguars are on the at-risk list because of habitation loss and human interference. 

On the spur of the moment, I took a Black African walking tour of the old city. The young guide was very good. Highlights included some colourful historic wall paintings and an old church, which is now a Black African museum. We finished the tour at the San Felipe public market, where I had a large, freshly squeezed and most-welcome passion fruit drink in 32˚ C heat and then crashed on my bed for a nap. 

photo - A painted wall in Old Town, depicting Panamanian Black African history
A painted wall in Old Town, depicting Panamanian Black African history. (photo by Janice Masur)

The Biomuseo (biodiversity museum), designed by Frank Gehry, is well worth a visit, with a lovely seawall walk and an eco-friendly garden, where I rested and listened to the birds. I also took a private birding tour, which yielded some wonderful sightings. The couple of hours on my own watching close to 100 pelicans circling and diving for fish was spectacular.

And, of course, I took a tour on a small boat that passed through the Miraflores and San Pedro locks. It was fascinating to observe the speed with which large shipping vessels are lowered and raised through the original canal lock gates, which opened in 1914. Tugs and railway engines synchronize the adjustment of a ship in the lock with steel ropes to prevent it from damaging the canal walls – it’s a specialized job, and I was happy to learn there are some women pilots.

I was warmly welcomed in Panama City, and the Jewish hospitality was inclusive and friendly. It was a fun and easy holiday – it has given me the appetite for more solo adventures. 

Janice Masur is a Vancouver author and speaker. Her book, Shalom Uganda: A Jewish Community on the Equator, tells her story of growing up in the bygone Ashkenazi Jewish community of Kampala from 1949 to 1961.

Format ImagePosted on March 27, 2026March 26, 2026Author Janice MasurCategories TravelTags Ashkenazi Jews, history, Jewish history, Judaism, Panama, Panama City, Sephardic Jews, synagogues, travel

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