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A way to meet fellow Jews

A way to meet fellow Jews

OneTable dinners – a platform for young professionals to meet on Shabbat – are occurring in 700 cities, including Toronto, but not yet Vancouver. (photo from OneTable)

My son moved to Florida in August, choosing the Sunshine State for its large Jewish community, great weather and the many outdoor recreational possibilities it offers when Vancouver is soaked with rain. He quickly found opportunities to engage with young Jewish professionals like himself, through a synagogue, but also through OneTable Shabbat dinners.

“I had an amazing Shabbat experience,” he told me, as he explained how it works.

Someone agrees to host a Shabbat dinner for a certain number of people, who each bring an item to help with the meal. OneTable reimburses the host $10 per person, which doesn’t cover the costs, but it helps, particularly if the host is feeling cash-strapped.

In my son’s case, the meal was take-out sushi, which was completely fine with the 20-somethings gathered around that Florida table. They talked, laughed and ate together, kindling new friendships and inspiring my son to play host at a OneTable Shabbat soon.

My curiosity piqued, I started making inquiries about OneTable. What a great fit this would be for Vancouver, I thought, given how difficult it is to make new Jewish friends here. That’s especially true for young Vancouverites looking for Jewish partners in a city with an intermarriage rate of 43%, according to a 2011 study and intermarriage rates in Canada have increased, according to another study that came out this year, so likely Vancouver’s has, too. 

But it’s also a challenge for Gen Xers like me. What an incredible idea, to surround yourself with potentially new Jewish friends at a home table defined by challah and shared food! Alas, OneTable is not offered here.

Irit Gross, chief advancement officer at OneTable, described how the organization began in 2014, when two philanthropists united to address the epidemic of loneliness that was occurring. Young Jewish adults were focusing heavily on their mobile phones, and disassociating themselves from the traditional Jewish institutions where their parents and grandparents had socialized. 

OneTable sent out a survey, asking young people what it would take to get them to choose Shabbat on a Friday night, rather than another option. 

“People were socializing online, so we knew we needed to meet them in a virtual space,” Gross said. “We began investing in a platform similar to Airbnb, where, as a host, you could go online and post your dinner and, as a guest, you could join one. That’s the essence of how we started, with the goal of people going online to be offline.”

The $10 per person remuneration was added when OneTable realized money was a barrier to millennials wanting to host five to 10 people in their homes. The reimbursement allows the host to elevate their offering; for example, by buying better wine, or a nicer tablecloth for the event.

That first year, OneTable began in the Jewish heartbeat of North America – New York City. As the organization fundraised and collaborated with local federations in other cities, it quickly expanded to Chicago, Los Angeles, Boston and Miami.

“We knew where the young adults were and went to set up shop in those locations,” said Gross. Today, OneTable dinners are occurring in 700 cities, including Toronto, and 49 states, as well as Washington, DC.

The organization has engaged 320,000 unique individuals, with many returning for more. “Those 320,000 people have come back and either guested or hosted two or three times. That engagement rate shows that our goal and mission of creating a Shabbat ritual is coming to fruition and happening in the community,” she said.

Prior to Oct. 7, 2023, OneTable was engaging 40,000 unique individuals annually. “After Oct. 7, that jumped to 82,000 unique people, meaning we doubled in 2023 and sustained that increase in 2024,” Gross noted. “It’s been a marker for our organization, catapulting us to really think not just about how we’re addressing millennials, but, also, bringing Gen Zs together.”

After reading reports about how Jews across many different age groups were looking for ways to find community, OneTable expanded its offerings, though its core audience remains the 20-to-30-something demographic, which accounts for 95% of its time and budget.

The organization’s research is far from over. “We’re still trying to figure out how to stay relevant and continue to be the number one choice for young adults in their 20s and 30s, so they can create their own Shabbat rituals,” said Gross.

Five years ago, the UJA Federation of Greater Toronto requested collaboration with OneTable, beginning a conversation that would take two years before the program launched. OneTable began operating in Toronto in 2023 with a three-year funding grant, and Gross said Toronto has been one of its most successful communities. 

OneTable is not in Vancouver, and there seems to be no conversations about it coming here. Prior to Oct. 7, the Ronald S. Roadburg Foundation reached out to OneTable.

“I think it’s a great organization, but we’re not funding in the space of young adult engagement,” said Mark Gurvis, the foundation’s chief executive officer. “If we were funding young adult engagement, we’d fund this for sure. Federation’s involvement is the key for this, and whether we’ll step in with Federation remains to be seen.”

I asked the Jewish Federation of Greater Vancouver about the possibility.

“While Vancouver doesn’t have OneTable, we’re fortunate to have many organizations that host meaningful Shabbat dinners and gatherings that bring people together throughout the community,” said Caryl Dolinko, Federation’s communications and marketing director.

“We are continuing to develop a family-connector model to strengthen engagement. We’re also happy to explore other initiatives and opportunities that are out there in the community, as we would love to do with OneTable.”

She continued, “Our focus remains on supporting the many partner organizations and community initiatives that already create opportunities for meaningful Shabbat experiences and peer connection.”

Dolinko gave the example of Axis, a Federation initiative for Jews in their 20s and 30s. “Last year, Axis held 15 events for 682 unique participants, with 345 attending multiple events,” she told the Independent. The network connected 32 volunteers to community organizations and maintains active WhatsApp and Instagram engagement, she said.

“We are restructuring our PJ program to prioritize mixed-heritage families and have expanded PJ Library access into public school libraries, pediatrician offices and other community spaces,” she added.

With an intermarriage rate like ours in Vancouver, I’d argue that the current model is not working. But no one is asking me.

I moved to this city to start my family, in 2000. Now, a quarter-century later, three of my children have left for other cities and countries, where their odds of meeting Jewish partners are much better. My youngest will follow in two years. I miss them desperately, but I want them to spread their wings – and I want them to marry someone Jewish.

Gross understands all too well that funding dollars need to go to other worthy initiatives. 

“There are a lot of people out there fighting against hate,” she noted. “I don’t know if there are enough people fighting for the joy of Jewishness, the special rituals that remind us why we love our traditions.”

For more information, visit onetable.org. 

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Editor’s note: This article has been updated from the print version to better reflect Jewish Federation of Greater Vancouver’s commitment to youth engagement in the community.

Format ImagePosted on November 7, 2025November 27, 2025Author Lauren KramerCategories LocalTags intermarriage, Irit Gross, OneTable, Vancouver, young adults
Year-round holiday recipes

Year-round holiday recipes

Tori Avey’s Honey Apple Bundt Cake before being dusted with sugar powder or decorated with icing. (photo by Shelley Civkin)

Rosh Hashanah may well be in the rearview mirror, but Tori Avey’s Honey Apple Bundt Cake (toriavey.com/honey-apple-cake) is guaranteed to be a staple on your dinner table, no matter the time of year. It’s definitely not your typical yontif honey cake that doubles as a brick. Filled with shredded apples, it not only satisfies your sweet tooth but is off-the-charts moist.

Except for the apple-shredding part, which I do by hand, this recipe is fast and easy. I used to have a food processor with a shredder attachment but I never used it, so I gave it to my niece. I also used to have a Bundt pan, but I rarely used it, so I gave it to my niece. She now has an extensive collection of high-end small kitchen appliances. And I borrow from her. My point is that this cake was a colossal hit at my Rosh Hashanah dinner table, and is one recipe I’ll be making on the regular. You’re welcome.

HONEY APPLE BUNDT CAKE

3 large eggs
3/4 cup honey
1/2 cup white sugar
1/4 cup light brown sugar
1 1/4 cups canola oil
1 1/2 tsp vanilla
3 cups all-purpose flour
1 tsp baking powder
1 tsp baking soda
1 1/2 tsp cinnamon
3/4 tsp salt
1/4 tsp allspice (optional)
dash ground cloves (optional)
4 apples (peeled, cored, shredded)
3 tbsp powdered sugar

Preheat oven to 325˚F. Peel, core and shred your apples. 

In a large mixing bowl, beat the eggs until they’re frothy. Whisk in the honey, white sugar, brown sugar, oil and vanilla. In a separate medium-sized bowl, mix the flour, baking powder, baking soda, cinnamon, salt and spices (optional) together. Incorporate the flour mixture into the liquid, and stir to blend. Fold in the shredded apples (I used Ambrosia or Fuji but you can use any kind you like) and their juice.

Spray your nine-inch Bundt pan with cooking spray, making sure to evenly coat the entire inner surface. Pour the batter into the pan. Since Bundt pan sizes vary (I use a 10-to-15-cup pan), make sure the batter fills the pan three-quarters full or less – don’t fill beyond that or your cake might overflow during baking. Use a spatula to gently smooth the batter on the top so it’s flat and even all the way around the pan.

Bake the cake for 75 to 90 minutes. If you’re using a dark-coloured Bundt pan, it may bake faster, so start checking at 50 minutes. When the edges darken and pull away from the sides of the pan, and the cake is brown all the way across the top, insert a toothpick (or wooden shish kabob skewer) into the thickest part of the cake. If it comes out clean, it’s done. It’s a very moist cake, so it’s easy to undercook it. Bake it a little longer if you’re unsure, but not too long or it’ll dry out.

Let the cake cool for 10 minutes, then invert it onto a flat plate. Tap the Bundt pan gently to release the cake, then let the cake cool completely before you dust it with powdered sugar. Since the cake is moist, it tends to soak up the powdered sugar, so only add it right before serving. I put three tablespoons of powdered sugar into a small handheld mesh sieve and sprinkled it on top of the cake by tapping the sieve. If there’s any cake left over, keep it in the fridge, covered.

If you happen to be a fan of drizzled icing, this next part is for you. To make an icing, sift one cup of powdered sugar into a mixing bowl. Add a quarter teaspoon of vanilla extract and half a tablespoon of water or non-dairy creamer. Whisk the sugar and liquid to blend, adding the liquid very slowly, until it just comes together. Add additional liquid by half teaspoonfuls, mixing constantly, until the mixture has the texture of very thick honey. When you pull a spatula through the icing and it takes a few seconds for the gap to close again, the texture is right.

Pour the icing into a sealable plastic bag. Close the bag, leaving a small bit open to vent, and push the icing towards one lower corner of the bag. Cut the very tip of that corner off the bag. Squeeze gently to drizzle the icing over the cake. Let the icing dry completely before serving – this takes 30-60 minutes. Slice and enjoy!

Another new Rosh Hashanah recipe I tried convinced me that not all tzimmes are created equal. Ksenia Prints’ Russian Jewish Carrot Tzimmes (immigrantstable.com/my-grandmas-russian-jewish-carrot-tzimmes) is definitely a cut above and checks all the boxes for rich depth of flavour. Some of my Rosh Hashanah guests actually asked if they could take some home! 

RUSSIAN JEWISH CARROT TZIMMES

2 lbs carrots peeled & cut into 2-inch pieces
7 oz pitted prunes
7 oz dried apricots
zest of 2 oranges, in strips
juice of 2 oranges
4 tbsp honey
1/4 cup brown sugar
3 tbsp butter
1 tsp ground cinnamon
1/2 tsp ground ginger
1/4 tsp ground cardamom (optional)
salt to taste

photo - Ksenia Prints’ Russian Jewish Carrot Tzimmes
Ksenia Prints’ Russian Jewish Carrot Tzimmes. (photo from immigrantstable.com/my-grandmas-russian-jewish-carrot-tzimmes)

Preheat oven to 350°F.

Blanch carrots in boiling salted water for 5 minutes, then drain.

In a large ovenproof dish, combine carrots, prunes, apricots and orange zest.

Combine orange juice, honey, brown sugar, melted butter, cinnamon, ginger and cardamom (optional), and pour this over the carrot mixture. Toss to coat. 

Cover the dish with foil and bake for 30 minutes. Remove foil, stir, and continue baking uncovered for 30 to 40 minutes, until carrots are tender and the sauce has thickened and reduced to a glaze. Season with salt to taste and let rest for 10 minutes before serving.

The orange zest strips become almost candied and the glaze is sweet and slightly spicy. This dish freezes perfectly and offers a deep, rich flavour that only gets better with time. Seriously. You can make it in advance, like I did, then defrost and reheat it in the microwave. No one was the wiser. And everyone was happy.

The $64,000 question is this: Why do we save these delicious recipes only for holidays? Get thee to the oven now!

Shelley Civkin, aka the Accidental Balabusta, is a happily retired librarian and communications officer. For 17 years, she wrote a weekly book review column for the Richmond Review. She’s currently a freelance writer and volunteer.

Format ImagePosted on November 7, 2025November 6, 2025Author Shelley CivkinCategories LifeTags Accidental Balabusta, baking, cooking, honey cake, recipes, Tzimmes
OJC hosts Oct. 7 memorial

OJC hosts Oct. 7 memorial

On the weekend of Oct. 11-12, the Okanagan Jewish Community Centre hosted a memorial exhibit to mark two years since Oct. 7. It was designed as a series of information booths, to allow visitors to engage with the material at their own pace. (photo from OJC)

On the weekend of Oct. 11-12, the Okanagan Jewish Community Centre (OJC) hosted a memorial exhibit to mark two years since the Oct. 7, 2023, massacre in Israel. The program brought together Kelowna, West Kelowna and Okanagan area residents, the Jewish community, other faith groups and allies, as well as local, provincial and federal elected representatives and some of their staff.

The exhibit, created by Mila Shapiro and Harley Kushmier, was designed as a series of information booths, to allow visitors to engage with the material at their own pace. Each station explained different parts of the story: the historical context, the scale of the violence and the hatred that drove it. Displays showed how people from all backgrounds – left or right, foreign nationals or Israelis – were targeted and suffered the same nightmare.

One of the most difficult-to-view sections showed video footage recorded by the Hamas terrorists during the attacks. The reaction from visitors was intense, with many saying it was overwhelming, but also something they needed to see to understand the scale of the cruelty.

image - poster showing Canadians who died on Oct. 7
(photo from OJC)

On the Saturday evening, the guest speaker, Nitzan, shared her story of Oct. 7 to a room filled to capacity.

Nitzan, who preferred to go by her first name for this article, grew up in a small northern town in Israel, where having to take refuge in a shelter wasn’t necessarily a scary experience.

“Back then, we didn’t have Iron Dome, we didn’t have an alarm system,” she said. “We heard the whistle and then the boom.

“As we grew older, my sister moved to the south of Israel, where she fell in love and built her life in Kibbutz Be’eri, an amazing peaceful, community. Be’eri made the desert bloom.”

On Oct. 7, Nitzan’s sister sent a photo of her and her family in their safe room. “I called her, asking why they were in the safe room, what’s happening. She said the amount of rockets is insane. We’re in the safe room, but I’m not sure what’s going to happen to the people partying at the music fest – they have nowhere to go.”

A few minutes later, “She was outside with the kids and, on a video call, I said to her, what if they come?”

The family returned to their safe room, said Nitzan. But the doors to safe rooms don’t lock. “You have to hold the handle up,” she explained.

Fifteen minutes later, texts started flooding in – attackers were in the kibbutz, they were breaking into people’s homes.

“As the night went on,” said Nitzan, “they, Hamas, were burning the houses, smoking people out of their homes, shooting, killing, murdering whoever they could. They broke into my sister’s house five times. She and her husband held onto the door, not letting go, not letting them in.

“As the night went on, her texts were begging for help, saying goodbye, not thinking they were going to make it through the night.

“Her husband’s family all live in the kibbutz – his two sisters and his mom. His mom was hosting her sister, her husband and son. They didn’t make it,” said Nitzan. His mom, Pessi, her sister Hanna, husband Zizi and son Tal were all killed.

 “My friend Abouya answered my texts, saying he’s holding onto the door and then he stopped reading my messages. They had shot him in the stomach, and he died at home. He was a close family friend…. His grandkids,  two 12-year-old-year-olds, a boy and girl, Ynai and Liel, were being held in Pessi’s house. They were murdered with her. The terrorists gathered 15 neighbours, murdering 12 of them.”

photo - Attendees were asked to light a memorial candle
(photo from OJC)

Nitzan knew many others who were killed.

“I ended up in an emergency room,” she shared. “I couldn’t bear the horror. I was throwing up, sweating, shaking. When I got to emerg, the doctor told me he had to give me something to calm me down. I said, I can’t take it. If I need to make the decision to go home, I need to be able to make it. He looked at me and understood. When I saw him a few months after, he asked me, how are you doing? Did your family survive?

“They did, and I am so grateful for that.”

Nitzan spoke about the rising amount of antisemitism in Canada and around the world.

“We have to stick together, we have to find each other, support each other and find why,” she said, mentioning former hostage Eli Sharabi’s book, Hostage, in which he describes meeting Hersh Goldberg-Polin, another hostage, who was murdered in the tunnels of Gaza with five others in August 2024. Goldberg-Polin told Sharabi, “If you have the why, you’ll find the how” to survive. Sharabi talks about how this idea, also expressed by Friedrich Nietzsche (“he who has a why to live for can bear almost anything”) helped him survive 491 days in captivity.

“It has been two long years, years of hurt, of pain,” said Nitzan. “I wish for all our hostages to come home … victims’ bodies are still there. I wish for us to be united, to know that we are stronger together, that we have many friends that support us and that we are not alone.”

photo - Booth thanking community and allies
(photo from OJC)

The evening concluded with a Q&A session. Questions and comments ranged from the sharing of personal experiences, to questions for Nitzan, to concerns about antisemitism and the growing fear that many Jewish Canadians are now living with.

On Sunday, Liel, who also didn’t want her surname used for this article, shared her story about Oct. 7. She spoke about the loss of someone very close to her and the continuing impact that day has had on her perspective and sense of community. As well, she discussed the challenges on Canadian and American university campuses, describing how painful it has been to witness the reactions and divisions that have emerged.

“We can’t stop talking about the victims of the seventh of October,” said Liel, the more than 1,200 “innocent people who lost their lives in senseless violence,” and those who were kidnapped.

“We can’t forget about the heroes of that day,” she said, talking about the soldiers and civilians who fought hard that day, the “heroes that saved countless lives by sacrificing themselves. We must keep all of their memories alive by continuing to remember them and talk about them, and share their stories.”

“As a Jew, I carry the weight of my ancestors’ pain and resilience. Our voice must never be silent,” said Kushmier about why it was important for him to help create this exhibit. “The pain in Israel and in the Jewish diaspora has been profound, yet we rise above the hate. We stand as ourselves, stronger and united, showing the world that we will endure, heal and continue to thrive.

“Every generation of our people has faced hardship, but we have never been broken,” he said. “Through centuries of persecution, we have built communities, told our stories, and held onto our faith. Our people are strong, and our unity is our power. In the face of hatred, we choose love and life.”

Shapiro said the Oct. 7 massacre hit very close to home, and her family lost someone very close to them at the Nova music festival. 

“My land and my people are suffering and I believe it’s critical to bring historical facts and context to the forefront, so others can truly understand the roots of this conflict,” she said. “Only through education and awareness can we make change toward truth and justice.

“In addition, in the aftermath of such a horrific tragedy, I believe it can be deeply healing to come together in mourning – to honour and remember those who were brutally murdered, massacred, burned and tortured. Their lives were taken in unimaginable ways, and we owe it to them and to ourselves to remember their names, their stories and their humanity. Mourning together is not just an act of remembrance – it’s an act of resistance against forgetting.”

In a city where the Jewish community is small but strong, the exhibit was a chance to learn, to bear witness and to connect, said Kushmier and Shapiro, who thank Nitzan for sharing her story.

They also thank their families and the volunteers, including Bitachon (security) members, who assisted with the two-day exhibit, which was funded by donations from the Okanagan Jewish Community Centre and the Jewish Federation of Greater Vancouver, and included material from StandWithUs. 

Samantha Kushmier is a member of the Okanagan Jewish Community, and mother of exhibit organizer Harley Kushmier.

Format ImagePosted on October 24, 2025October 27, 2025Author Samantha KushmierCategories LocalTags education, Israel, memorial, Oct. 7, Okanagan Jewish Community
A journey beyond self

A journey beyond self

“The Valley of the Shadow” by Michal Tkachenko.

Songs of Deliverance, a solo exhibit by Michal Tkachenko, opened last month at the Zack Gallery and is on display until Nov. 10. While its title is inspired by the lyrics of a Bethel Music song – “You unravel me, with a melody / You surround me with a song / Of deliverance, from my enemies / Till all my fears are gone” – its focus derives from three psalms.

“I really wanted to have a subject for the exhibition that would bind communities together and so I came to rest on the psalms, which span both Judaism and Christianity, but are also used in secular society as a means to reach out to a greater being beyond ourselves,” Tkachenko told the Independent. “For me, this is a huge departure from previous work in both subject and vulnerability. It is my most honest work so far and, as the exhibition falls on the two-year anniversary of everything I saw with my spirit, I feel myself rising from the anguish and am ready to speak about my experience now, to move towards creating what I saw was possible.”

Lacking the exact words to describe it, Tkachenko said she had a near-death, or mystical, experience two years ago, and she was in that state for more than a week.

“It instantly changed my entire outlook on life and death and it completely changed me,” she said. “I was so excited about it until I began to realize how isolated it made me and how those I reached out to didn’t always have a helpful response. I quickly spiraled into the dark night of the soul and have been traveling that road…. Two very deep things came to rest in me during this time. The first was a deep longing in my spirit for something greater than myself, to draw and stay extremely close to God. The second was a deep grief that all that I had seen with my spirit, particularly an unseen solid force of love that is everywhere and how we are meant to love and be vulnerable with each other as our primary purpose in life, were things I could not make happen however hard I tried.”

Psalm 23 – “As I walk through the valley of the shadow of death, I will fear no evil” – was with Tkachenko throughout this two-year period. “For me,” she said, “it was a psalm about my journey and how, in the midst of the darkness, God was always with me and more vivid than I had ever experienced outside of that extraordinary week.”

photo - Michal Tkachenko’s solo exhibit, Songs of Deliverance, is at the Zack Gallery until Nov. 10
Michal Tkachenko’s solo exhibit, Songs of Deliverance, is at the Zack Gallery until Nov. 10. (photo by Andrea Lee)

As she approached the one-year anniversary of that week, Tkachenko asked two people to write her a blessing, as she made a vow to God and shaved her head. “One of the blessings,” she said, “included Psalm 63 and it reflected my own deep longing for God, ‘I thirst for you, my whole being longs for you, in a dry parched land where there is no water.’… My hair that I shaved off is part of the exhibition in an aged box that is meant to suggest a holy relic of the past, when people had more vivid experiences with God.

“Psalm 139 is such a beautiful expression of God’s love and absolutely full of beautiful imagery as an artist,” she continued. “It is a psalm that has also kept me company on my two-year journey and moves me every time I read it. 

“For this psalm,” she said, “I made a pile of sketches of different verses and the images that came to me. Of those, I chose seven to do larger pieces on mylar. In many of the pieces, the spirit of God is represented by the white negative space. In ‘You Hem Me in Behind and Before, You Lay Your Hand Upon Me,’ the image of a human is abstracted in a long, dark column down the centre of the page, but the figure is not the focus. Instead, the white empty space is the representation of God hemming that figure in from ‘behind and before.’”

Songs of Deliverance marks Tkachenko’s return to drawing and painting after this two-year period, during which she spent a lot of time writing. “My goal is to make short, layered videos using these writings,” she said.

She also took a break from painting during COVID, making art out of dollhouses that people were getting rid of in the decluttering that took place then. In these dollhouses, she created COVID lockdown scenes in miniature.

“My interest is not held by one medium or one style alone, although I do have a style that often emerges naturally,” she said. “The older I get, the less interested I am in creating what I think others will like or want to buy and more about what I want to say and what I am excited about making and expressing through the medium that seems best suited to that particular message.”

Tkachenko was born in Victoria but grew up in Vancouver. Her dad, an architectural technician, builder and musician, was a Ukrainian immigrant to Canada after the Second World War, while her mom, a teacher, music teacher and musician, was a second-generation Canadian with a Scottish/British background.

“My parents were part of the hippy movement in the ’60s and ’70s and, when I was young, we lived in communal housing,” said Tkachenko, who is the oldest of four sisters.

“Growing up in a big creative household, there were always guests and cooking parties (Ukrainian food), live music and all sorts of art projects going on,” she said. “My parents didn’t push the academics as much because they wanted to make sure we found what gave us excitement and joy and they invested in building our self-esteem instead.”

That said, Tkachenko has a bachelor’s and a master’s in fine arts. For her schooling, she has lived in Vancouver, Victoria, Calgary, Toronto, Florence and London (England). She has lived and volunteered in Haiti, Kenya, Malawi and Liberia, among other places. She has studios in both Vancouver and Manchester, as she, her husband and kids travel between Canada and the United Kingdom.

Despite knowing from a young age that she was going to be an artist, it took time for Tkachenko to recognize her skill and justify making art – “I considered it a luxury item, when the poor existed in the world,” she said.

“My hippy parents had driven us down to Mexico a number of times when my sister and I were young children (we are the oldest two) and we had been taken to the slums to understand how most of the world lived and how, despite our modest life in Canada, we were rich compared to rest of the world. It had made a huge and lasting impression on me as a child.”

At 18, she moved to Haiti to volunteer for a year, she said, “but before the year was out, I was in a life-altering car accident in which a friend died, my skull was shattered and my face smashed in on one side. I was flown back to Canada for reconstructive surgery and to recover.”

She volunteered for a spell in Kenya a few years later, but then finally decided to follow her calling in art.

Tkachenko works out of Parker Studios in Vancouver. She is also on the advisory committee for the DTES Small Arts Grant. “Being on this committee and working out of Carnegie [Community Centre] in the Downtown Eastside joins two things I value – the arts and working among the less fortunate,” she said.

Tkachenko’s husband is Jewish on his mother’s side – “her parents fled Czechoslovakia and Germany for the UK during WWII,” Tkachenko shared.

“Although they purposefully lost a lot of their Jewish heritage during the shift for safety reasons, my kids and I have become interested in it,” she said. “I came from a very open faith background because my parents were hippies that were part of the Jesus People Movement. They always encouraged us to find our own way to God and faith and, as a result, the people I am drawn to with my spirit are varied, from Jewish to Muslim, from Buddhist to Eastern Awakenings. The value of community does go beyond a single group [an idea she explores in one of The Journey series videos she is currently working on] and the more open and loving we become with each other, the more we can appreciate the differences that we each were gifted. And the more we see the bigger picture and what we all have in common.” 

Format ImagePosted on October 24, 2025October 23, 2025Author Cynthia RamsayCategories Visual ArtsTags Michal Tkachenko, painting, psalms, spirituality, Zack Gallery
Young man is missed

Young man is missed

Orca Wiesblatt was to play for the ECHL’s Allen Americans this season. The 25-year-old died in a car accident on Vancouver Island Sept. 14. (photo from allenamericans.com)

A crowdfunding initiative is underway to honour the memory of Orca Wiesblatt, a professional hockey player who died in a car accident on Vancouver Island Sept. 14, and to help his family and friends navigate through the hardship of losing a loved one who was only 25.

Paula King, a family friend of the Wiesblatts, launched the GoFundMe campaign shortly after news of the tragedy broke last month. The goal is to raise $22,000. Thus far, more than $16,000 has been contributed.

“There has been such an outpouring of love for this young man in statements from so many fans, friends, former teammates and every organization he has played for. His talent, love of life and infectious smile never went unnoticed on or off the ice; it is one to be recognized and to be remembered with such a high regard,” King, who knew the Wiesblatt family through the hockey community in Calgary, says on the site.

“I want the Wiesblatt family to know that they are not alone,” writes King. “Every friend, teammate and fan that has come to know them, we are here, standing united as a deep-rooted hockey community from near or far away. It takes a village, and we are here for them now more than ever.”

Wiesblatt was one of four hockey-playing brothers born to deaf parents. The children learned American Sign Language before they could speak English, and each could communicate in French and Quebec Sign Language as well.

Raised in both Kelowna and Calgary, Wiesblatt’s skills as a hockey player were evident early. In 2007, at age 7, he was ranked the best player in his class in the Okanagan.

The family was featured in a Nov. 9, 2007, article by Kelley Korbin in the Independent. At the time, his father, Art Wiesblatt, said, “Orca’s able to steal the show. I feel bad for the other parents, but he just gets out there and he’s all over the ice and the other kids just can’t keep up. Like Ocean (his older brother), he’s beyond the age range of the other boys he’s playing with. He’s at a whole different level.” 

Wiesblatt’s death has been met with shock and grief from the teams he played for in his professional career. The Calgary Hitmen of the Western Hockey League, where Wiesblatt got his start, said in a statement, “It is with great sadness that we mourn the tragic passing of [former Hitmen] Orca Wiesblatt. We are heartbroken for his family, friends and everyone who knew and loved him. 

“On behalf of the ownership, management, coaches, players and staff of Calgary Sports and Entertainment, we extend our deepest heartfelt sympathies during this very difficult time.”

Scott Hull, president of the Athens (Ga.) Rock Lobsters of the Federal Prospects Hockey League (FPHL), where Wiesblatt spent the 2024-25 season, said, “Orca will always be remembered as one of the players who helped set the tone for our franchise in its very first season. 

“His passion for the game and his infectious energy made him a fan favourite and a true teammate. But, more than that, Orca was an even better person off the ice – kind, humble, and someone everyone was grateful to know. We are devastated by this loss and our thoughts are with his family.”

Wiesblatt was slated to play for the Allen (Tex.) Americans of the ECHL (formerly called the East Coast Hockey League) for the 2025-26 season after the team signed him in August. 

“We are all heartbroken,” said Steve Martinson, the Americans general manager and head coach. “Orca was really looking forward to this next step in his hockey career. He wasn’t just skilled, he was a momentum-changing hitter. I can still see his grin when he would return to the bench after one of his big hits. That is what we will miss the most, his infectious smile.”

The Americans will pay tribute to Wiesblatt during their home opener on Oct. 24.

According to Vancouver Island’s CHEK News, Wiesblatt was driving a vehicle that veered off the road in Nanaimo and struck a light pole during the early morning hours of Sept. 14. He died at the scene. A passenger was treated in hospital for minor injuries.

Wiesblatt and his brothers were the subject of a 2019 Sportsnet Home Team Heroes segment titled “The Remarkable Story of the Wiesblatt Family.” Done in English and ASL, the piece covered the determination of Wiesblatt’s mother, Kim White, to have her sons participate in sports. 

In the video, Wiesblatt credits his mother for paving the way for their hockey careers. “You don’t hear of a lot of people that have five kids in their family, four of them playing high elite hockey. She sacrificed everything for us. She is a hero to us.”

Of his other brothers, Ocean Wiesblatt currently plays for the Danville Dashers of the FPHL, Oasiz Wiesblatt for the Milwaukee Admirals of the American Hockey League and Ozzy Wiesblatt for the National Hockey League’s Nashville Predators.

To learn more about the family and King’s fundraising effort, visit gofund.me/9000f7caf. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on October 24, 2025October 23, 2025Author Sam MargolisCategories LocalTags fundraising, Hockey, memorial, Orca Wiesblatt
Etgar Keret comes to Vancouver

Etgar Keret comes to Vancouver

(PR photos)

Israeli author and filmmaker Etgar Keret will be at the Rothstein Theatre Oct. 30, 7 p.m., in conversation with author and columnist Marsha Lederman. The JCC Jewish Book Festival event is sponsored by the Ronald S. Roadburg Foundation.

Keret, who also teaches creative writing at Ben-Gurion University of the Negev, is known for writing short stories that are lean and accessible in style, but whimsical, surrealist and darkly funny in subject. His work explores life’s smallest, most unremarkable interactions in ways that are profound and unusual, and his seventh story collection, Autocorrect: Stories (translated by Jessica Cohen and Sondra Silverston), is no different – it is vast in reach yet grounded in the bewildering absurdity of modern life. Books will be available for purchase at the Oct. 30 event and the author will be signing. For tickets ($36), go to jccgv.com/jewish-book-festival.

– Courtesy Cherie Smith JCC Jewish Book Festival

Format ImagePosted on October 24, 2025October 23, 2025Author JCC Jewish Book FestivalCategories BooksTags Etgar Keret, short stories, speakers
New fall lecture series

New fall lecture series

White Rock South Surrey Jewish Community Centre’s first-ever Fall Speaker Series, starts Oct. 29, with a talk on Jewish immigration to Canada. (image designed by Chloe Heuchert)

On Oct. 29, I will help launch White Rock South Surrey Jewish Community Centre’s first-ever Fall Speaker Series, which will also feature presenters from the Jewish Genealogical Society of British Columbia and the Jewish Museum and Arch-ives of British Columbia over the coming months.

For my presentation, I will give an introduction to the history of the Jews in Canada and some of the adversities they have had to face. I start off with the first known Jewish settlers, who came here in the 1760s, following Britain’s conquest of New France. So, Jews first came to Canada when it was under the British colonial rule. While there were no legal restrictions on them, the opportunities for integration into public life and to hold public office were limited. 

One of the earliest Jewish settlers was Aaron Hart, a fur trader who lived in Trois-Rivières, Que. The Hart family was influential over generations and laid the groundwork for Canada’s first Jewish community, in Montreal, in the late 1760s. 

Most formal Jewish communities – which grew into the ones we inhabit now – were established in major Canadian cities during the 19th century. Most of these Jewish Canadians would have been small business owners, farmers and traders. While small in number, they established the first synagogues and communal organizations.

During the latter half of the 19th and early 20th centuries, a significant surge of Jewish migration from Eastern Europe occurred. Between 1880 and 1920, Canada’s Jewish population grew from a few hundred to tens of thousands. These individuals found jobs as garment workers, shopkeepers and tailors, among other things, contributing to the industrial economy. They formed organizations, published English and Yiddish newspapers, held social gatherings, etc. In the larger community, Jewish immigrants were regularly at the forefront of labour, social justice and human rights movements, in part because of their own experiences with marginalization. 

While Jewish immigrants had thriving communities, they also faced adversity. Antisemitism dates back millennia, before there was even a word for it. In the context of the first Jewish settlers in Canada, Jews were often treated with suspicion and faced social exclusion. Certain professions, institutions and clubs were closed to them. Different publications and political figures depicted Jews as a threat to Canadian morality and economic stability. Restrictive measures were put in place in the 1910s and 1920s, as Jews were seen as “undesirable.” The 1923 Immigration Act severely restricted Jewish and other immigration. (Most notably, it effectively banned Chinese immigration.)

Antisemitism continued to be prevalent during the interwar years, becoming more organized and explicit. Hotels, social clubs and resorts often displayed signs barring Jews and there were several groups advocating for even more restrictive policies. The government of William Lyon Mackenzie King was antisemitic and, during the Second World War, only permitted a small percentage of Jews into Canada – the attitude of “none is too many,” in reference to Jewish immigrants, applied. Many Jewish boys and men were put into internment camps and the government imposed strict financial responsibility requirements on those wanting to sponsor others to enter the country or be freed from internment. While immigration policies began to loosen after the Holocaust, antisemitism is an ongoing challenge in Canada. 

White Rock South Surrey Jewish Community Centre’s new speaker series was created to highlight and celebrate Jewish heritage and identity in Canada. Its goal is to engage the community in exploring Jewish genealogy, culture and history, while encouraging intergenerational dialogue and a personal connection to the past. Ideally, it will serve as a platform for education, reflection and preservation of Jewish life in Canada, inspiring attendees to delve into their own histories and contribute to the broader communal narrative.

To register for any of the series talks, go to wrssjcc.org. 

Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.

Format ImagePosted on October 24, 2025October 23, 2025Author Chloe HeuchertCategories LocalTags Canadian Jewish history, education, history, immigration, speakers, White Rock South Surrey Jewish Community Centre, WRSSJCC
Joy of shared existence

Joy of shared existence

Omer Backley-Astrachan and Jana Castillo present the North American premiere of their work Common Place on Nov. 20, as part of this year’s Chutzpah! Festival. (photo by Wendell Levi Teodoro)

Intoxicating, moving, compelling, exhilarating – these are just some of the words that have been used to describe Common Place by Australian dancers and choreographers Omer Backley-Astrachan and Jana Castillo, which premiered in March at Riverside Theatres in Sydney. The work will have its North American premiere on Nov. 20, 7:30 p.m., at the Rothstein Theatre, as part of this year’s Chutzpah! Festival.

Common Place is described as “a physical exploration of belonging and togetherness, delving into shared action, collaboration and transcendent synchronization.” It is the first work that Backley-Astrachan and Castillo have created together.

In an interview with The Scoop arts review website, Backley-Astrachan explained, “We started by not knowing what the work was going to be about. We just danced together and, through that process, found the essence of what it means to find common ground.

“Jana and I could have spent time talking about our histories and our backgrounds,” he said. “Instead, we just created the work with movement at the centre and tried to find moments where we clicked together.”

He pointed out the title of the piece also invokes that which is commonplace, or ordinary.

“We tried to find a sense of exhilaration or a profound experience through very simple, very commonplace beginnings,” he told The Scoop. “So, rather than trying to create something complicated and highly technical, we took on a sensibility, almost inspired by folk, where it is something that anyone could do.”

“What we tried to avoid is creating the story first and then moulding ourselves into a preexisting narrative,” Backley-Astrachan told the Independent. “Instead, we wanted to stay curious and let the story unfold through the meeting between the bodies. It was important to us not to obey structured archetypes, rather to allow our shared physicality to weave the drama and the intimacy.”

“Common Place, for me, is the coming together of two people,” said Castillo. “It’s feeling the ease, frustration and joy of a shared existence. The audience could be witnessing a single day of a relationship, or a lifetime of reflection.”

The dancers met at a colleague’s birthday party, Backley-Astrachan said. “Jana flipped me off from across the room, giving me the finger, which obviously caught my attention – little did I know about Jana’s Tourette’s at the time. Jana immediately explained and apologized, which turned into the funniest and most endearing friendship.”

The two share a philosophy of movement and artistic practice. When Backley-Astrachan saw Castillo perform live with the Australian company Force Majeure, he said he “vowed to work with this incredible dancer, which came true.”

“Jana and I are both the same age and have had similar career journeys, which led us to a similar idea of what we are looking for in dance and dance-making – a sense of maturity, an interest in truth-making through physical storytelling,” he explained. “Working with a like-minded collaborator is non-negotiable. It’s about being able to commit wholly to the process without getting distracted by ambition.”

The creation of Common Place took a few years. The need to get the work stage-ready by its March premiere helped drive its completion. 

“But I know that, if we had more time, we would probably continue to change and evolve the work, so it’s good we were limited,” acknowledged Backley-Astrachan. “That said, we made sure the work follows an emotional structure that makes tonal sense and goes through the full life cycle during the duration of the work. That said, choreography is a living thing that starts and ends again and again every time we do it.”

“This piece was quite unique because we had a lot of space in between development phases to allow the qualities of the movement to be digested into the body,” Castillo said. “It became clear very early on – this piece is about a relationship between two people. The premise of the work was to bring our whole selves. So, naturally, our outside experiences influenced what we brought into the space. We weren’t dictated by a creative brief, which can be terrifying as a creator because there are too many options. Just like in a relationship, you figure it out, but it takes time. You learn … when to rein it in and when to trust and let go.”

“I truly believe in the ability of dance and physical language to transcend an ordinary sense of meaning,” said Backley-Astrachan. “I have had the pleasure of being left speechless at the end of works by [Israeli choreographer] Ohad Naharin – his work changed my life in a deep way. I try in my own work to allow a certain state where several, sometimes opposing, forces can be true at the same time. Dance as a medium can give space for interpretation and, within that, there is also clarity and detail.”

In addition to the Nov. 20 performance, Backley-Astrachan and Castillo will lead a masterclass for dancers on Nov. 21, at 10 a.m.

This year’s Chutzpah! Festival runs Nov. 12-23, opening with Modi at the Vogue Theatre, where Chutzpah! is the community partner of MRG Live for the comedian’s Pause for Laughter Tour, and closing with the Golden Thread Septet’s Yiddish Songs of Social Change at the Rothstein Theatre.

Most single tickets for Chutzpah! are offered at a pay-what-you-will price, with the levels at $18, $36, $52 and $70 (+ gst/sc). I’m Not a Comedian … I’m Lenny Bruce is $40 (students/seniors), $54 (general) and $72 (VIP) (+gst/sc). ChutzPacks are also available: see four different regular-price shows of your choice for $136. Tickets for Modi can be purchased through admitone.com/events. All tickets can be purchased at chutzpahfestival.com or 604-257-5145. 

Format ImagePosted on October 24, 2025October 23, 2025Author Cynthia RamsayCategories Performing ArtsTags choreography, Chutzpah! Festival, Common Place, dance, Jana Castillo, Omer Backley-Astrachan
From the archives … a coin, etc.

From the archives … a coin, etc.

My latest trip down a rabbit hole was inspired by this issue’s theme of Finance & Law. One of the first news items that caught my eye was “Model for U.S. Coin Revealed as a Jewess at Marriage.” The two-paragraph story appeared in the July 24, 1930, copy of one of the Jewish Independent’s predecessors, the Jewish Centre News.

“Through her marriage it was revealed that Miss Doris Doscher, whose face adorns the new twenty-five cent pieces issued by the National Treasury, is a Jewess. She was married yesterday to Dr. H. William Baum at the Jewish Institute of Religion,” reads the article.

“Miss Doscher was selected several years ago by the government representatives as the model for the new twenty-five cent pieces because she characterized ‘the highest type of American Womanhood.’”

Doscher, who lived from 1882 to 1970, was an actress (in silent films!) and model. Her main claim to fame movie-wise seems to have been the role of Eve in 1918’s The Birth of a Race. Her most famous modeling ventures were for the Standing Liberty Quarter (in circulation 1916-1930), designed by Hermon Atkins MacNeil, and for the Pulitzer Fountain of Abundance by Karl Bitter (and Thomas Hastings, according to nycgovparks.org), which was dedicated in 2016, having been completed by Isidore Konti and Karl Gruppe after Bitter died in 1915. The fountain is located at Grand Army Plaza in Manhattan.

From the late 1920s, Doscher worked as a newspaper columnist and radio broadcaster, even having her own health and beauty column for a time; she also lectured on the topic. But, back to the Standing Liberty Quarter, which was controversial for a couple of reasons.

image - A 1918 print of Doris Doscher, horizontally flipped for comparison to the Standing Liberty Quarter, for which she may have been the model
A 1918 print of Doris Doscher, horizontally flipped for comparison to the Standing Liberty Quarter, for which she may have been the model. (photo from mediastorehouse.com)
image - Standing Liberty Quarter, 1930
The Standing Liberty Quarter, 1930.

The first iteration of Liberty was quite risqué, with her right breast exposed, which apparently appalled the women’s movement of the day, as well as clergy and others. According to edmontoncoinclub.com, “The initial production run of 52,000 pieces had made their way through the Treasury system by January 1917; by then, the production of the ‘Type 1’ 1917 issue was already in full-swing … but by early 1917 clearly something had to be done. Hermon MacNeil was obliged to modify his design, which he strenuously objected to [an article on uscoinnews.com asserts that MacNeil never authorized the design change], and the reasons that were given to him by the mint were everything from poor striking characteristics, relief problems, die wear, coin wear, anything else but that exposed breast. The dies were modified in time for the 1918 strike (known as ‘Type 2’), and it featured a now ‘clad-to-the-neck’ in chain-mail Liberty.” Other changes were made for that casting and there were later revisions. 

“The last run of the Standing Liberty Quarter took place in 1930, with only Philadelphia and San Francisco minting them. None were made in 1931 or 1932, possibly reflecting an oversupply because of the Great Depression, which had decimated the world economy in 1929,” notes the article on edmontoncoinclub.com.

The second controversy – which is still unresolved – arose after Doscher died. In 1972, another actress and model, Irene MacDowell, claimed to have been MacNeil’s model. According to various reports, her husband was friends with MacNeil and would not have approved of her modeling for the sculptor, hence, the secrecy. Another rumour is that MacNeil’s wife considered MacDowell a threat to her marriage, and so the sculptor kept her identity hidden.

It may never be known whether MacDowell or Doscher was the real model for the Standing Liberty Quarter, but Doscher was publicly credited, becoming known as known as “the girl on the Quarter.” And the moniker stuck. As noted on a memorial site for MacNeil (hermonatkinsmacneil.com), “100 years after the birth of Hermon MacNeil and fifty years after the Standing Liberty Quarter was minted, Doris Doscher Baum appeared on the TV quiz show I’ve Got a Secret on April 4, 1966.” The video is on YouTube.

There’s even more on this whole topic – including the reason the Standing Liberty coin was made. According to a blog on greatamericancoincompany.com, “When Robert W. Woolley took office as Mint director in April 1915, he asked [Philadelphia Mint superintendent Adam] Joyce to have [Mint chief engraver Charles] Barber submit some new designs for the dime, quarter and half dollar. It seems Woolley misinterpreted a memo from the assistant treasury secretary stating that coin designs could be changed after 25 years. Woolley took it to mean they must be changed and set the redesign wheels in motion.”

Barber’s suggested designs did not impress, and so a few sculptors were asked to make a submission, and MacNeil’s won. In the end, the blog notes, more than 214 million MacNeil quarters were made.

I could have spent as many hours exploring the other clippings I picked for this issue’s theme. I settled on a group that, to me, shows the paper’s diversity, as well as how technology and societal attitudes change over the years. 

image - April 4, 1947: In an article by Winnipeg Jewish community member David Orlikow, Saskatchewan’s then-premier Tommy Douglas talks about the Bill of Rights his province was introducing  – the first such bill in Canada. Orlikow would have a 43-year political career, including 26 years as an MP (1962-1988)
April 4, 1947: In an article by Winnipeg Jewish community member David Orlikow, Saskatchewan’s then-premier Tommy Douglas talks about the Bill of Rights his province was introducing  – the first such bill in Canada. Orlikow would have a 43-year political career, including 26 years as an MP (1962-1988).
imaeg - Oct. 17, 1969: An organization called the National Committee for Furtherance of Jewish Education was appalled, to say the least, by the goings-on at the Woodstock Music and Arts Festival, which, it contended, created “a national hallucination which has distorted the minds of 200,000,000 Americans as to what is wrong morally"
Oct. 17, 1969: An organization called the National Committee for Furtherance of Jewish Education was appalled, to say the least, by the goings-on at the Woodstock Music and Arts Festival, which, it contended, created “a national hallucination which has distorted the minds of 200,000,000 Americans as to what is wrong morally.”

image 1 - Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.

image 2 - Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.
Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.

 

image - Nov. 17, 1995: Antisemitic graffiti on Beth Israel Synagogue concerned a passerby, but it was a “false alarm.” BI had agreed for its exterior to be used for “an episode of the locally-produced cop show The Commish.”
Nov. 17, 1995: Antisemitic graffiti on Beth Israel Synagogue concerned a passerby, but it was a “false alarm.” BI had agreed for its exterior to be used for “an episode of the locally-produced cop show The Commish.”
Format ImagePosted on October 24, 2025October 23, 2025Author Cynthia RamsayCategories From the JITags coins, finance, history, Jewish Centre News, Jewish Western Bulletin, law, ytttttttttt
New bio gives Vrba his due

New bio gives Vrba his due

Rudolf Vrba, left, and author Alan Twigg at the University of British Columbia in 2001. Twigg’s new book on Vrba, Holocaust Hero: The Life & Times of Rudolf Vrba, breaks much new ground. (photo by Beverly Cramp)

Celebrated German factory owner Oskar Schindler is estimated to have saved the lives of about 1,200 Jews during the Holocaust. Carl Lutz, a Swiss vice-consul in Budapest, is credited with organizing protective documents and “safe houses” that helped between 50,000 and 62,000 Jews survive. Raoul Wallenberg, a Swedish envoy in Budapest issued passports and sheltered people in buildings, saving somewhere between 20,000 and more than 30,000 Jews. Chiune Sugihara, a Japanese consul in Kaunas, Lithuania, wrote thousands of transit visas, enabling about 6,000 Jews to escape via the Soviet Union and Japan, some of whom came to Canada and settled in Vancouver.

But few outside certain circles know of Rudolf Vrba. The late University of British Columbia professor of pharmacology escaped from Auschwitz and alerted the world to what was happening there. Estimates of the number of Jews saved by Vrba’s report vary, but a consensus among historians worldwide suggests he helped halt the mass deportation of more than 200,000 of Hungary’s Jews to Auschwitz. The late eminent historian Sir Martin Gilbert said of Vrba: “No other single act in the Second World War saved so many Jews from the fate that Hitler and the SS had determined for them.”

And yet, Vrba’s name remains largely unknown. This is not a coincidence. After the war, especially in Israel, there was a deliberate effort to downplay Vrba’s perspective of events. 

image - Holocaust Hero book coverA new book – the first of a meticulous two-volume assessment of Vrba’s life – has just been released by Vancouver author Alan Twigg. It goes great lengths to broadening awareness of Vrba’s heroism and correcting the many misconceptions around his legacy. In the process, Holocaust Hero: The Life & Times of Rudolf Vrba breaks much new ground. 

Coincidental to the release of this publication, a monument to Vrba’s memory is to be unveiled later this month at Schara Tzedeck Cemetery, righting what many locals see as an unjust historic oversight. 

While Vrba wrote his own memoirs, somewhat incredibly, Twigg’s book is the first real Vrba biography. 

“There’s never been an in-depth biography of Rudolf Vrba,” said Twigg, who deliberately did not replicate the contents of Vrba’s own 1963 book, written with Alan Bestic, titled I Cannot Forgive and re-released in the 1980s as Escape from Auschwitz. “I tried to concentrate on information that was not available anywhere.”

While this first volume is an eye-opener for those who know nothing of Vrba, it contains bombshells and fascinating depth even for those who have read Vrba’s book or who otherwise know something about his story. And Twigg promises more to come in the next volume.

“The really revealing material is going to be in Volume Two,” Twigg told the Independent. “That volume will be almost entirely original material and it will show the evolution of Rudi’s character.”

Those who know of Vrba are aware of his daring escape. But that was, in many ways, the beginning of his historic story. He joined the Partisans and was a decorated war hero. He was an extraordinary intellectual, a difficult personality, had a dark humour many people didn’t understand, and carried anger throughout his life.

“I think it’s so important if you’re writing a biography to get across his character, not just the events of his life,” said Twigg. The participation of Vrba’s widow, Robin, was invaluable and the book includes extended transcriptions of Twigg’s engaging conversations with her.

Rudolf Vrba was originally a false name that came on the forged papers given to Walter Rosenberg soon after he filed his report and then joined the Czechoslovakian resistance after his escape from Auschwitz.

Born in Slovakia, Rosenberg/Vrba was transported to Auschwitz in June 1942. He steadfastly viewed the plunder of Jewish assets – not antisemitism as its own accelerant – as the motive for the Holocaust.

Vrba is said to have had a near-photographic memory, which allowed him to store away data that would change the course of history. It is believed that he greeted almost every train arriving at Auschwitz for 10 months, mentally noting estimated numbers and places of origin.

Eventually, he gained the coveted job of registrar of Birkenau’s quarantine camp, allowing him unusual access to additional information and limited freedom of movement. He learned that plans were afoot to liquidate the last remaining large population of European Jews – the 800,000 in Hungary – whose destruction would be streamlined by the construction of a new rail line to expedite transportation to the crematoria.

Vrba connected with Alfréd Wetzler, another Slovakian Jew who was registrar of the morgue.

On April 7, 1944, Vrba and Wetzler hid in a woodpile, still on the Birkenau site but outside the barbed wire prisoner encampment. Gasoline-soaked tobacco threw search dogs off their scent. They hid there for three days and nights as search parties worked 24/7 to find the escapees. After the intensive search was called off, they made their move.

The pair made an 11-day trek by foot through Poland to the border with Slovakia, where they connected with the Jewish community. 

“Their feet were bloodied and misshapen,” Twigg reports. “A doctor was summoned. The malnourished pair recovered and soon cooperated with Jewish Council officials to produce an anonymous report that would be so detailed and emotionless that it could not not be believed.”

The Vrba-Wetzler Report, as it became known, was the first to have any significant reverberations, apparently because of the mathematical tallies and objective, scientific-like writing. 

With the report, pressure came down on Admiral Miklós Horthy, the Hungarian leader viewed by most as a Nazi collaborationist, to halt the deportations of Hungarian Jews to Auschwitz. By 1944, the tide had begun to turn against the Nazis and so it was not moral considerations, Twigg suggests, that turned Horthy against the deportations, but the fear of war crimes charges after the war. Regardless of Horthy’s motivations, it was this impact of the Vrba-Wetzler Report that is believed to have saved at least 100,000 and as many as 200,000 lives.

The deportations did not end permanently, though. And here Vrba’s history is inescapably tied up with that of another Rudolf – Rudolf (Rezső) Kasztner, one of the most polarizing figures in Holocaust history.

“A controversy persists to this day as to the extent prominent Jewish and Zionist leaders should be held accountable for a myriad of failures to adequately inform Jews about the lethal dangers of boarding the trains,” Twigg writes. “For the rest of his days, Vrba would chiefly lay the blame for the failure to adequately inform approximately 800,000 Jews in Hungary about the Holocaust on Kasztner, the Zionist leader from northern Transylvania.”

Kasztner was the first non-Slovakian official to see the Vrba-Wetzler Report and a harsh dispute rages still around what happened next.

In meetings among the leadership of Hungarian Jewry, it was apparently Kasztner who pressed for an approach in which, rather than alerting the Jewish population, the leadership would keep the information to themselves and negotiate directly with Adolf Eichmann for favourable terms that made it possible for Kasztner and other senior Jewish figures to save themselves and a number of others.

Kasztner (and those sympathetic to his narrative) would have seen some logic in the fact that the Nazi war effort was foundering and the Germans desperately needed goods and money, something Kasztner and his associates believed they could access through Jewish channels internationally. With the Soviets approaching from the east, they may have thought they could buy time and save more than their limited numbers.

Eventually, Kasztner negotiated with Eichmann that a trainload of about 1,684 Jews, many or most of Kasztner’s own choosing, would set off for Switzerland. It is estimated that the passage for each passenger had been “bought” from Eichmann for about $1,000. 

The passengers did not go directly to Switzerland, though, but were rerouted to Bergen-Belsen. Unlike the other Hungarian Jews arriving at the concentration camps, however, these 1,600 or so were kept separate and eventually did make it to Switzerland, in two transports, later in the year.

In the meantime, 400,000 Hungarian Jews were sent to Auschwitz, where almost all of them were murdered. 

The title of Vrba’s book, I Cannot Forgive, is assumed to refer to the Nazis. Twigg, among others, believes it is simultaneously a reference to Kasztner and his coterie of Jewish leaders.

Vrba was openly critical of the Jewish leadership, particularly those in Hungary and especially Kasztner, who by this time had risen to a moderately senior post in the Israeli government, along with other Hungarian Jewish leaders who were senior or mid-level figures in the governing party, Mapai. To some extent, put simply, the Hungarian Jews who had negotiated with Eichmann and who Vrba blamed for preventing his report from saving exponentially more Jewish lives, became integrated into the nascent elite of the new Jewish state. It was decidedly not in their interests to have the provocative professor, now halfway around the world in Vancouver, obtain any wider audience for his book.

Ruth Linn, an Israeli scholar of moral psychology and Holocaust memory at the University of Haifa, has Vancouver connections and stumbled onto Vrba’s story a couple of decades ago. She could not understand why his name was almost completely unknown in Israel. She spearheaded the first publication of the Vrba-Wetzler Report in Hebrew, in 1998, and, in 2004, wrote Escaping Auschwitz: A Culture of Forgetting, which examined why Vrba’s account had been marginalized in Israel and how politics and memory shaped Holocaust historiography.

Capturing the dichotomy of the debate around Kasztner’s role in the Hungarian Holocaust, Twigg juxtaposes two quotes. An Israeli judge, Benjamin Halevi, said of Kasztner, “He didn’t sell his soul to the devil; he was the devil.” Canadian author and publisher Anna Porter, who has written about the subject, said, “If you’re in hell, who do you negotiate with but the devil?”

A 1955 libel trial instigated by Kasztner proved his undoing. Ostensibly a case against Malkiel Gruenwald, who publicized the wartime actions of Kasztner, the trial turned into an examination of the facts of the case. Halevi, the judge who deemed Kasztner the devil himself, ruled that, by saving a chosen few, Kasztner had sacrificed the majority of Hungarian Jews. More than two years later, Israel’s Supreme Court overturned the judgment, but Kasztner did not live to see his legal redemption. He was assassinated outside his home in March 1957.

Twigg came to the Vrba story more by happenstance than design. Twigg edited BC Bookworld, a newspaper about books and authors, for more than three decades. 

“I used to keep track of all the books of British Columbia and I had categories,” he said. He could cross-reference, for example, all books on Japanese-Canadians or forestry. 

Based on this knowledge, in 2022, Twigg wrote Out of Hiding: Holocaust Literature of British Columbia. (See jewishindependent.ca/a-roadmap-to-remembering.) Its largest, though still necessarily brief, section is on Vrba. However, this was inadequate for Twigg, who decided to expand the project – first as a comprehensive website (rudolfvrba.com) – now as this book.

Not directly related to Holocaust Hero but timely, if profoundly overdue, an ad hoc group of friends and admirers of Vrba will erect the world’s only monument to him on Sunday, Oct. 26, beginning with a ceremony in the chapel at Schara Tzedeck Cemetery at 2 p.m. The program will feature reflections on Vrba’s life, legacy and enduring impact from Dr. Robert Krell, Dr. Joseph Ragaz and Prof. Chris Friedrichs, and will conclude with the dedication of the memorial monument. 

Format ImagePosted on October 10, 2025October 8, 2025Author Pat JohnsonCategories BooksTags Alan Twigg, history, Holocaust, Rudolf Vrba, Vrba-Wetzler Report

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