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Ruta’s Closet reissued

Lady Esther Gilbert speaking at Vancouver City Hall April 8, when Vancouver Mayor Ken Sim proclaimed Ruth Kron Sigal Day in the city. (photo by Keith Morgan)

Ruta’s Closet, the Holocaust narrative of the late Vancouverite Ruth Kron Sigal, is being reissued for a new generation of audiences – and the book’s author is ensuring the survivor’s inspiring story of survival and resilience reaches the widest possible global audience.

Vancouver journalist Keith Morgan, who completed the book shortly before Kron Sigal’s passing, at age 72 in 2008, has updated the publication – and created an extensive range of multimedia projects to expand the impact of the written volume.

First issued as a fundraising initiative for the Vancouver Holocaust Education Centre, Ruta’s Closet was later published in the United Kingdom, with distribution there reaching new audiences.

The book recounts the harrowing survival story of the Kron family, imprisoned in the tiny Shavl (Šiauliai) ghetto in Lithuania, through the eyes of the youngest daughter, Ruta (later Ruth). Their survival against Nazi persecution hinged on the courage and resourcefulness of her parents, Meyer and Gita Kron, as well as the bravery of non-Jewish rescuers. Depicted with novel-like narrative power but rooted in rigorous research and eyewitness testimony, the memoir vividly portrays atrocities such as mass murder, a Nazi ban on Jewish births and the deportation of children to Auschwitz, while also shining a light on courage, compassion and human resilience amid the evil.

Kron Sigal didn’t live to see the book in print but she saw the final draft.

“She said to me shortly before she died, ‘You are going to carry on telling my story, Keith, aren’t you?’ And I said, of course I am,” Morgan told the Independent. “So, I took that on as a mission.”

Surveys indicating widespread ignorance of Holocaust history, combined with skyrocketing antisemitism, motivated Morgan to launch a series of Ruta’s Closet-related projects.

“We updated the book and decided it was time to go basically worldwide with this,” he said.

In addition to the re-release of the hard-copy, Morgan and his small team of colleagues recorded an audiobook and released an ebook. They revamped the existing Ruta’s Closet website and made it more interactive.

Working with Bill Barnes, a local radio producer, Morgan developed a 25-segment podcast.

“We are doing Zoom interviews with people around the world who are a part of a driving force behind an imaginative, creative initiative in spreading Holocaust awareness and education,” he explained. “I’ve got Ruth’s kids – Michael, Marilee and Elana – each week doing an introduction for book clubs.”

The VHEC has produced a downloadable guide for book clubs, as well as a teacher’s guide to the book, which makes it additionally relevant as British Columbia’s education curriculum mandates Holocaust education this year for the first time as part of the Social Studies 10 coursework.

“The beauty of it, for British Columbia, is it’s technically a local story,” Morgan said. “It’s about Ruth. It’s about somebody who came here and did a lot for her adopted society.”

photo - Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience — Journalist Keith Morgan, author with Ruth Kron Sigal of Kron Sigal’s memoir, Ruta’s Closet, is ensuring that her story of survival and resilience reaches the widest possible audience. *(photo from Keith Morgan)*

Morgan, who spent many years as the crime reporter at the Province newspaper, met Kron Sigal when his editor asked him to take on a more uplifting assignment and begin a series about people doing good works at home and abroad.

“Somebody said, ‘Oh, you should talk to Ruth Sigal,’” who was sharing her Holocaust story with students. “I went to meet her. I was very impressed. She told her story and it had an amazing impact on me. I just knew this was an important story to tell.”

He found immediate support from Dr. Robert Krell, the founding president of the Vancouver Holocaust Education Centre.

“Robert Krell kind of took me under his wing – he was a close friend of Ruth – and he said, ‘I’ve got just the guy to introduce to you, who will be really helpful to you for pulling the story together.’”

The person was renowned historian Sir Martin Gilbert.

“The British schoolboy in me thought, ‘How do I curtsy?’” Morgan joked.

Morgan met Sir Martin in London and got a one-on-one master course in writing about the subject.

“He looked me right in the eye and said, ‘You have to tell the story as though you were writing it for your newspaper and make it accessible to all people,’” Morgan recalled. “Sadly, Martin died [in 2015], but Lady Esther Gilbert took up his mantle and, since then, she’s been an ally and was very important in this edition in terms of going through it, adding bits here and there.”

She spoke at a ceremony at Vancouver City Hall on April 8 this year, when the mayor proclaimed Ruth Kron Sigal Day in the city.

Kron Sigal’s story resonates profoundly with people, according to Morgan.

“We can all relate to what happened to Ruth and her sister Tamara,” he said. “It also tells us compelling stories about how, through their own devices, they basically survived and helped others along the way. We also see what other members of the family did to help the broader community.… We get this family story, which, in itself, is very dramatic, but we also get this wider picture of how a community in the ghetto work with each other, help each other.”

Morgan sees Kron Sigal’s narrative as an inspiration not only because of her survival against the Nazis but in all she did after becoming a Canadian.

“Ruth came here, an adopted country, and spent 25 years at the Women’s Resource Centre and the VHEC Child Survivors Group,” said Morgan. “That’s an example to everybody: come into a new society, an adopted country, and just roll up the sleeves and get working. Isn’t that an example to anybody that comes in?”

No less a triumph, Morgan said, is the family Ruth and her husband, Dr. Cecil Sigal, created.

“You look at that family and you think, ‘Victory!” he said. “Because they beat Hitler.”

Offering solidarity, support

This summer, Jewish Addiction Community Services (JACS) and Jewish Family Services Vancouver (JFS) launched JACS Family Circle, a group that meets biweekly to provide solidarity and support for family members and loved ones of Jews experiencing addiction.

“Most people are surprised that this exists,” said Rabbi Josh Corber, director of addictions and mental health services. “But alcoholism is a family disease that affects everyone in the family differently. And, regardless of their loved one’s recovery journey, they deserve to have a life that’s happy, joyous and free.”

Nine people showed up for the first JACS Family Circle meeting, on July 28, and, depending on the needs of the attendees, the frequency may become weekly. Corber said gratitude was the main theme that emerged from the first meeting. “We received immense appreciation for the fact that this group exists now, and the attendees were happy to have this group and to have one another,” he said.

Since their Third Seder event in April, JFS and JACS have been busy launching this group and the Jewish Addiction Circle (JAC), a support group for people struggling with addiction, which follows Jewish teachings as they relate to self-care and recovery. JAC also meets biweekly. While participants don’t have to be Jewish to attend, they should be connected in some way with Judaism, or at the least, comfortable with the therapy provided having a Jewish basis.

Corber leads JAC and co-leads JACS Family Circle with Elana Epstein, a certified recovery coach.

In early July, JACS Vancouver participated in the AA International Convention in Vancouver, which was attended by more than 30,000 people. Because AA does not partner with external agencies, JACS rented a booth at “Sober City,” at the Junction Public Market, Granville Square. There, Corber interacted with convention attendees, tourists and cruise ship passengers, educating them about the work of JACS and similar Jewish organizations in other cities in Canada and the United States.

“I was able to make connections with many Jewish addicts in recovery,” he said. “There were sober Jews from small cities in the US who felt very isolated as Jews, and some of them were moved to tears when they spoke with us. Many of the people who approached us were Jewish, and many were not, but all of them were happy that we were there. Some didn’t know of any Jewish agency involved with addictions prior to meeting us.”

Corber worked hard to spread awareness of JACS’s work at the convention, and says addiction services for Jews are needed now more than ever.

“It can be difficult for people who aren’t Jewish to help us if they don’t understand the Jewish culture, though they sincerely want to,” he said. “But what we can build together will benefit the Vancouver Jewish community as well as alcoholics everywhere. The returns on our participation are hard to quantify right now but, on a world level, JACS Vancouver is now much more known. This can bring all kinds of returns, including philanthropic.”

Those interested in joining JAC or JACS Family Circle should email Corber at [email protected] for more information.

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Music’s healing power

The annual Music Heals gala raises funds and awareness of the therapeutic use of music. This year’s event takes place Oct. 23 at the Commodore Ballroom. (photo from David Barnett)

Vancouver’s business and entertainment communities are combining their philanthropic forces at the Commodore Ballroom Oct. 23 for a gala to support Music Heals, the charitable foundation that raises awareness and funds for the therapeutic use of music in physical and mental health processes.

David Barnett founded Music Heals in 2012. (photo from David Barnett)

David Barnett, who founded Music Heals in 2012 and currently serves as board president, said tickets will be available after Labour Day and are expected to sell out quickly. Still, the event, which is already fully booked from an artist standpoint, always has room for sponsorship opportunities, according to Barnett.

“It is a great group at Music Heals,” he said. “We bring in all types of artists from all over, including Grammy Award winners, and produce a fun variety show. We don’t reveal any of the artists. We keep everything a surprise.

“It is a super-fun event to produce and it brings the downtown business community and the music industry together for one night to celebrate the power of music.”

Since its beginning, Music Heals has distributed more than $5 million to help vulnerable Canadians gain access to music therapy. That translates to more than 65,000 funded music therapy hours in 85 different facilities, from children’s hospitals to senior centres to burn units, to hospices and rehabilitation centres. The funds have gone towards helping at-risk youth, cancer patients, those needing bereavement support and many others.

The 2024 gala raised more than $450,000, with sponsors such as RBC, BMO, ZLC Financial, Colliers International and Westbridge Capital, among numerous other organizations. DJ All Good, bbno$, CeeLo Green, Jack Thomas, Bif Naked and the Delta Police Pipe Band were some of the performers that appeared.

photo - “We always try to bring in something eclectic. The event itself is a little bit rowdy, and we try to keep the volume up,” says Music Heals founder and board president David Barnett about the organization’s annual gala — “We always try to bring in something eclectic. The event itself is a little bit rowdy, and we try to keep the volume up,” says Music Heals founder and board president David Barnett about the organization’s annual gala. (photo from David Barnett)

As for the upcoming event, Barnett, who calls Music Heals one of his “passion projects,” said, “We always try to bring in something eclectic. The event itself is a little bit rowdy, and we try to keep the volume up. We feature a story that is happening in the community and have a video of how we spent the money in the previous year.

“It is an opportunity for us to build a community of friends, business associates and music industry people to have some fun and raise some money for a very cool kind of cause to support facilities that use music as medicine in their healing for mental and physical health.”

In 2025, Music Heals gave more than $520,000 to 45 music therapy programs that included Ronald McDonald House BC and Yukon, Canuck Place Children’s Hospice, BC Cancer Foundation and the Pacific Autism Family Centre.

Countless studies have been conducted on the healing power of music. The overwhelming conclusion is that listening to or playing music has a beneficial effect on overall human health and can mitigate various physical and mental ailments. Music, various research has shown, can lower stress, lift moods, bolster energy and lower pain levels.

Music therapy can benefit people in all age groups, from children with developmental disabilities to older adults with Alzheimer’s. For young people, music can help improve their cognitive and social development, allowing for better communication and emotional expression. For adults, music therapy can be a means of managing stress, anxiety and depression while boosting self-esteem.

For seniors, music therapy can have positive implications for recollection and cognitive function. The Louis Brier Home and Hospital, for example, offers one-on-one individualized and small-to-large group music therapy programs that are supported by Music Heals.

Among the types of music used at the Brier are beat boxing, drum circles and movement to music, as well as the singing of the Brier Choir. Louis Brier states on its website that music therapy for individuals in long-term care can maintain memory recall and reminiscing, fine motor coordination and range of motion, and increase creative expression.

On the power of music, the late Rock and Roll Hall of Fame musician David Crosby said in an interview done with Music Heals in 2017, “Music is a lifting force in the universe. Just as war drags the human race down and draws out the worst in people, music is a lifting force. It brings out the best in us; it lifts us up. Any time you can do music, it lifts the human race.”

In March, around the time of International Women’s Day, Music Heals hosts Let Her Sing, an annual event meant to provide women with access to music therapy programs in support of their physical and mental health. This year’s event raised $120,000.

Philanthropic causes, whether through Music Heals or other charitable ventures, have played an important role for Barnett throughout his life.

“I grew up in a family that gives back to the community and giving back was a large part of my upbringing,” said Barnett, whose business ventures have included music venues in the city.

“As I was getting older and found myself having kids and trying to get out of the music industry and nightclub space,” he said, “we were looking for an opportunity to get back and give back, and fell into the music therapy world.”

For more information, visit musicheals.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Locals part of first cohort

A first-of-its-kind program will give 30 Jewish social service professionals, including social workers, doctors and therapists, specialized training to better meet the psychosocial and emotional well-being of Sephardi and Mizrahi Jews. Among the participants will be two members of the local Jewish community: Harley Kushmier, a social worker in Kelowna, and Serach Aleria Sarra, a student in spiritual health at Surrey Memorial Hospital.

photo - Serach Aleria Sarra Harley Kushmier (below) are two of the 30 Jewish social service professionals who will participate in an inaugural JIMENA Sephardic Leaders Fellowship program — Serach Aleria Sarra Harley Kushmier (below) are two of the 30 Jewish social service professionals who will participate in an inaugural JIMENA Sephardic Leaders Fellowship program. *(photo from JIMENA)*

The program, part of JIMENA’s Sephardic Leaders Fellowship, is designed to deepen the professionals’ understanding of Sephardi and Mizrahi heritage and equip them to provide culturally responsive care. Chosen from a competitive applicant pool, fellows were accepted based on professional merit and a demonstrated commitment to serving diverse Jewish populations. JIMENA stands for Jews Indigenous to the Middle East and North Africa.

“In a post-Oct. 7 world – where so many Sephardi and Mizrahi Americans have been directly affected by events in Israel and the Middle East, and amid rising antisemitism and social strain – our research and community experience point to a clear demand for culturally responsive training for health professionals and social service providers working with Sephardi and Mizrahi Jews,” said Sarah Levin, executive director at JIMENA, in a press release. “This inaugural cohort – comprising therapists, counselors, crisis and trauma practitioners, providers for aging populations and at-risk youth, and clinical social workers – reflects that demand.”

photo - Harley Kushmier — Harley Kushmier *(photo from JIMENA)*

Over a series of sessions, the fellows in the social service providers cohort will explore a range of topics relevant to working with Sephardi, Mizrahi and other unique Jewish communities. These include mental health stigma in Middle Eastern and Mediterranean cultures, intergenerational trauma in immigrant and refugee families from the Middle East and North Africa, and economic vulnerability. The cohort will also engage in discussions on trauma-informed care with a focus on sexual abuse, as well as traditional Sephardi perspectives on identity, belonging and community care. This will include a dedicated session on LGBTQ+ youth, led by JQY. Additionally, participants will receive a foundational overview of Sephardi Jewish history, context and key definitions. Sessions will be led by leading practitioners in their field.

* * *

On Aug. 21, JIMENA released the study Sephardic and Mizrahi Jews in the United States: Identities, Experiences and Communities. It offers recommendations for leaders and organizations that want to more deeply engage these communities. Among the findings are that Sephardi and Mizrahi Jews in the United States have higher rates of Jewish communal participation, a stronger connection to Israel and are more likely than Ashkenazi Jews to say that being Jewish is somewhat or very much a part of their daily life.

The research was directed by Dr. Mijal Bitton and based at the New York University’s Wagner Graduate School of Public Research. As part of the research, scholars at the Cohen Centre for Modern Jewish Studies (CMJS) at Brandeis University conducted a review of existing quantitative data from national and community studies on Sephardi and Mizrahi Jews in the United States. Based on these figures, the study’s researchers estimate that approximately 10% of American Jews are Sephardi and/or Mizrahi.

The data also show that, compared to Ashkenazi Jews, American Sephardi and Mizrahi Jews have the lowest intermarriage rates, and are more likely than Ashkenazi Jews to be born and/or raised outside the United States, to be politically moderate or conservative, and to be economically vulnerable.

Researchers examined four communities: the Syrian community in Brooklyn, NY; the Persian community in Los Angeles; the Bukharian community in Queens, NY; and the Latin Sephardi community of South Florida. Key findings include:

• While historically underrepresented in mainstream Jewish communal life, Sephardi and Mizrahi Jews have built strong, vibrant communities that maintain deep familial, religious and cultural traditions.

• Sephardi religious practice reflects a strong sense of traditionalism, combining respect for religious laws, customs, legitimations and authorities with more flexible personal and family religious observance.

• Community members want to make new lives for themselves in America, while still preferring ethnic connections, especially marriage with other community members and their own cultural traditions, and they maintain abiding connections to their Mediterranean, North African and Middle Eastern cultures.

• Most community members exhibit a notable resistance to language that frames race as their primary identity, categorizes them as Jews of colour or positions them as a minority group in need of diversity, equity and inclusion initiatives.

“The research is more than just insights and data; there’s a roadmap here that we hope will be a catalyst for change,” said Levin. “Jewish communal leaders and educators can include Sephardi and Mizrahi Jews – and our history, traditions and current customs – in meaningful, equal ways that reflect the diversity of the Jewish people.”

The report’s specific recommendations are informed by five recommended frameworks to approach diversity work in the Jewish community:

• Avoid viewing Sephardi and Mizrahi Jews only through the lens of exclusion, marginalization and victimhood narratives. Recognize that strong Sephardi and Mizrahi communal identities exist even as barriers and biases exist within Ashkenazi-majority institutional frameworks.

• Avoid centring Judaism exclusively around European Jewish experiences and Ashkenazi cultural norms as the dominant narrative (i.e. Yiddish as the primary language of Jewish tradition and denominational structures as the only legitimate form of Jewish identity).

• Avoid creating inclusion projects that assume everyone agrees with a single set of values (e.g., liberal values) or tools for inclusion (DEI frameworks). Create inclusion projects that allow for diverse viewpoints, values, multiple religious perspectives and norms, and a plurality of political views.

• Avoid viewing diversity in Jewish spaces solely through North American racial and ethnic categories. Jewish diversity should recognize the central role of family origins and communal networks in shaping Jewish identity; the complex intersections of ancestry, ethnicity, religion and culture; and the migration patterns and geopolitical histories that shape identities, perspectives and communal structures.

• Avoid assuming that universal frameworks and solutions for inclusion will be effective for all and that shared priorities exist across all Jewish communities.

For the full report, go to sephardicstudy.org.

– Courtesy JIMENA

Rolls’ poetic Adventures at Vancouver Fringe

The Vancouver Fringe Festival runs Sept. 4-14. For the full lineup and tickets, visit vancouverfringe.com. (photo from festival listing)

Jem Rolls brings Adventures in Canadian Parking Lots to the Vancouver Fringe Festival Sept. 5-14. “Describing the contents of the show is difficult, as it manages to cover so much ground in so little time,” writes Aiden Robert Bruce in a June post on kingstontheatre.ca. “The series of poems answers a variety of questions like: ‘Why are Canadians so good at smiling?’ ‘What is the most sellable title for a show?’ ‘How do the English view history?’ and perhaps most curiously, ‘When is he going to get to the parking lots?’ Amidst this amalgamation of individual topics, there is beautiful poetic imagery, dark science fiction, Fringe history lessons, and throughout it all there is almost always humour. The constant comedy is not only helpful in keeping the audience engaged, but also is used to create extremely powerful moments where the humour ceases and nothing but a striking verse remains.”

Community milestones … August 2025

Rabbi Dr. Laura Duhan-Kaplan

Rabbi Dr. Laura Duhan-Kaplan has been appointed the new dean of the ALEPH (Alliance for Jewish Renewal) Ordination Program (AOP). She will assume her role on Sept. 8.

Following the leadership of AOP’s retired founding dean Rabbi Marcia Prager, and two years of direction by Interim Dean Dr. Charles H. Silverstein, the AOP governors are pleased to welcome Duhan-Kaplan into this role.

A scholar, teacher and spiritual leader known for integrating mind and heart, Duhan-Kaplan brings decades of experience in Jewish studies, interfaith dialogue and rabbinic education. Most recently, she was professor of Jewish studies, director of inter-religious studies and interim academic dean at the Vancouver School of Theology. Ordained by ALEPH in 2005, she has served as AOP faculty,

a member of the Va’ad – the core administrative and organizational council that directs the seminary – and is rabbi emerita of Vancouver’s Or Shalom Synagogue.

Duhan-Kaplan’s many honours include the American Academy of Religion’s Katie Geneva Cannon Award for Excellence in Teaching and the Carnegie Foundation’s US Professor of the Year Award. A prolific author and editor, she has published 10 books, most recently Mouth of the Donkey: Re-imagining Biblical Animals and The Infinity Inside: Jewish Spiritual Practice Through a Multi-faith Lens.

Born in New York City, Duhan-Kaplan is a dual Canadian-American citizen and lives in Vancouver with her spouse, musician and retired psychologist Charles Kaplan. For more information about the ALEPH Ordination Program, visit aop.aleph.org.

* * *

photo - Rabbi Harry Brechner, who retires from Congregation Emanu-El this month, was awarded an honorary doctorate from the Jewish Theological Seminary in New York earlier this year — Rabbi Harry Brechner, who retires from Congregation Emanu-El this month, was awarded an honorary doctorate from the Jewish Theological Seminary in New York earlier this year.

After 24 years of service, Rabbi Harry Brechner retires this month and Rabbi Elisha (Eli) Herb is welcomed as the new rabbi at Congregation Emanu-El. Herb joins the Victoria community from Salem, Ore., where he has served as a congregational rabbi for nine years.

In 2024, Brechner received the King Charles III Coronation Medal for his significant contributions to interfaith connections, social justice and community dialogue in British Columbia. In 2025, he was awarded an honorary doctorate from the Jewish Theological Seminary in New York City for more than 25 years of distinguished service. A retirement party for him is planned for September and a formal installation ceremony for Herb will be held later this fall.

* * *

photo - Shayna Goldberg — Shayna Goldberg

Shayna Goldberg is the new artistic managing director of the Norman and Annette Rothstein Theatre and the Chutzpah! Festival.

From Toronto, Goldberg has lived in Vancouver for almost 12 years. She has worked in the theatre and music industries, and been involved in the Jewish community, taking on roles within Moishe House, Axis Young Professionals and Na’amat Canada.

This year’s Chutzpah! Festival is scheduled for Nov. 13-23.

* * *

The 2024 campaign of the Jewish Federation of Greater Vancouver raised $13.17 million: $9.38 million through the annual campaign, $1.78 million in additional funding directed to special projects, $1.86 million to combat antisemitism and $150,000 in additional funding thanks to corporate partners.

With the theme “Power of Together,” the support came at a critical moment for our community. In the face of rising antisemitism and a deepening affordability crisis, community members chose to act – with tzedakah and with a commitment to collective impact.

Because of community donors, Jewish Federation and its partners can support families and individuals struggling with the rising cost of living; enhance community security at institutions and events across the region; counter antisemitism with strength and resolve; provide care and connection to Jewish seniors, Holocaust survivors, young families and those most vulnerable; and offer hope and aid to all those living in our partnership region in the Upper Galilee, most of whom were evacuated post-Oct. 7 and have only recently returned home.

For more information, visit jewishvancouver.com.

* * *

On Aug. 7, Omatidio Media announced that production has begun in Vancouver on actor-turned-writer/director Elyse Levesque’s debut short film Hot Chocolate, which she wrote and is co-directing with Michael Driscoll.

photo - Jay Brazeau — Jay Brazeau *(photo from imdb.com)*

The film, shooting in Vancouver and Port Coquitlam, features a cast including multi-award- winning musician and actor Jann Arden, Clare McConnell (Star Trek: Discovery, Murdoch Mysteries), Paul Campbell (Battlestar Galactica), Kristian Bruun (Orphan Black), Leah Gibson (Jessica Jones), Jana Morrison (Astrid and Lilly Save the World), Alvin Sanders (Riverdale), Jay Brazeau (Day of the Dead), Luisa d’Oliveira (The 100) and Paula Giroday (Family Law).

Based on a true story, Hot Chocolate centres on Margot, who is on her way to a wedding with her boyfriend Cameron, when she finds herself the plus-one to a most unexpected event: his uncle’s assisted death.

* * *

Over the past months, there have been updates about the what, when and where of JWest, but one important question remained: Who are the people behind this project?

JWest was born from a shared vision between the Jewish Community Centre of Greater Vancouver (JCC), Jewish Federation of Greater Vancouver (JFGV) and King David High School (KDHS). Several years ago, leaders from these organizations came together with the idea to not just to update the existing JCC, but to completely reimagine the space as a multi-use Jewish campus. Since then, a broad network of people has been working to bring this vision to life.

The JWest Foundation Board, the JWest Development Corp board and several volunteer committees, together with leadership from the JCC, Federation and KDHS, have been guiding the project.

JWest Foundation: Responsible for the oversight of campus development and management of future revenue. Chair: Alex Cristall. Directors: Diane Friedman, Martin Gerber, Hodie Kahn, Lana Marks Pulver, Diane Switzer and Alvin Wasserman.

JWest Development Corp: Responsible for the management of campus construction. Chair: David Porte. Vice-chair: Joe Khalifa. Directors: Andrew Abramowich, Chris Andison, Michael Berkson, Alfonso Ergas, Phil Gertsman, Geoff Glotman, Mark Gurvis, Lana Marks Pulver and Lawrence Zimmering.

The JWest staff team supports volunteers and partner organizations in delivering the day-to-day operations:

• Executive director: Emily Pritchard, who led fundraising efforts over the last four years, raising – with the efforts of the campaign cabinet – $147 million, completing the first phase of the campaign. Pritchard stepped into the ED role in July, expanding her leadership beyond fundraising to overseeing the full scope of the project.

• Director of finance: Roni Greif, who brings a strategic financial lens to the team, shaped by years of professional experience and community involvement through KDHS and Congregation Beth Israel. Greif is instrumental in building the financial systems and structures that will support JWest not only through construction, but well into the future. She is helping lay the financial foundation for this project’s long-term success.

• Vice-president, development: Maurice Ouellette. With a background in architecture and a track record in real estate development, Ouellette plays a key role in shaping and delivering the physical campus. He works closely with Acton Ostry Architects and liaises with the City of Vancouver to make sure that planning, approvals and design meet (and exceed) expectations, from sustainability to architectural excellence.

• Development manager: Hayden Kremer, who is involved across all areas of project development and operations for JWest Development Corp. Whether he’s reviewing Oakridge Energy’s proposal for the JCC’s future energy needs, working with Grosvenor on temporary parking during construction, or negotiating rezoning conditions with the City of Vancouver, he is solving problems, managing logistics and keeping everything moving forward.

To learn more about the project and explore the community of donors helping bring it to life, visit JWestNow.com and follow JWest on Instagram and Facebook.

Preparing for High Holidays

We have a new rabbi at Shaarey Zedek, our Winnipeg congregation. This is exciting as well as reassuring for many people. Why? Well, Rabbi Carnie Rose is the son of a rabbi and professor who lived in Winnipeg for many years, Dr. Neal Rose. His brother, Kliel, is a rabbi at Congregation Etz Chayim, another nearby congregation in Winnipeg. So, while Rabbi Carnie is new as a rabbi in Winnipeg, he is also a deeply familiar entity. He became a bar mitzvah at Shaarey Zedek. He went to kindergarten with the synagogue’s current executive director.

This addition to our congregation is welcome, as Rabbi Anibal Mass and our chazzan, Leslie Emery, carry a heavy workload. They are still working hard, don’t get me wrong, but sometimes a new hire can offer support and everybody gets more breaks. I’m only observing this as a congregant and as the child of a Jewish professional. Sure, I serve on a committee, I show up to services, but I can tell there’s been a lot of work lately.

On a practical level, moving from the United States to Winnipeg is a big change. My family wanted to be supportive – after all, we too moved from the United States, in 2009 – so we’ve been helping Rabbi Carnie get his library in order. He’s got, as you might imagine, lots of books. These all got miserably jumbled in the move. While this has got to be stressful, he’s handling it all with good humour. We’ve taken pleasure at getting to look at and learn about all sorts of resources in Hebrew and English that we hadn’t seen before. Some books are like old friends, as I studied them as an undergraduate or in graduate school, but, to be honest, my books aren’t in nearly such good condition.

This experience mirrors many Jewish volunteer activities I did as a kid. As the child of a Jewish education director, who then went on to be the administrator (executive director) of my childhood congregation, Temple Rodef Shalom in Falls Church, Va., I spent many afterschool hours folding the weekly paper bulletin handed out on Shabbat, moving books or setting up chairs. While attending services or religious school were important activities, for me, the relationships I made with the rabbi and the staff and other congregants as we did these small jobs were the most meaningful ones. Along the way, I met many important guests, though it’s all a bit blurry now. For instance, I sat next to Elie Wiesel once after he spoke at our congregation. What I remember particularly is how formal and dressed up we were. Also, the dessert was good! I was allowed to stay up way past my bedtime.

Now, I’m proud that my kids are finding their way towards making their own community connections. One of my twins has gone to morning minyan many times this summer. He’s the only teen there and gets a lot of positive attention this way, including exchanging ideas with a retired provincial court judge. This judge also happens to be the father of my son’s elementary school principal, so we’re always on good behaviour with him!

My other twin isn’t getting to morning minyan much, but instead he volunteered for full weeks at a summer camp and daycare, helping little kids. He also helps on the synagogue tech team, doing accessible subtitles for prayers that are projected on screens as part of our service. This job is an important one, as it enables people to keep up with the service even if they are having a hard time hearing what’s going on or cannot read Hebrew. He’s been asked to help during the High Holidays. It’s a big honour and responsibility for a 14-year-old.

These commitments are important because they embody both the Canadian emphasis on volunteering and the Jewish one. When I was a teen, I lived for a year on a kibbutz. Volunteering was considered deeply valuable and important. Being the first to volunteer was a moral virtue. Yet, when I hear Winnipeg kids discuss accruing volunteer hours for school credits, it’s seen as an onerous requirement. Perhaps, for some, this requirement doesn’t have great value. On the contrary, in our household, we see these experiences as offering so many learning and growth opportunities.

While we moved books, searched for lost volumes and organized sets of Talmud and commentaries, we also saw the bustle behind the scenes as the congregation gets ready for Rosh Hashanah. There’s so much pageantry to the High Holidays. It’s a big deal. Some members jockey for important honours or specific seats and we listened with interest. We just wanted seats near the back, near where our kid would be in the tech booth. When I mentioned this to the new rabbi, I suggested that maybe different things matter to us. After all, I joked, I didn’t need to show off a new hat. (My mom always said this was an important part of High Holiday services when she was a kid in the 1950s!)

As for honours, we love a quiet summer Shabbat, when sometimes our kids get asked to read or are called up for an aliyah because no one reserved them in advance. These spur-of-the-moment experiences, where we might help out and take part in services, feel like the right spot for us. It may take months of practice to chant one part of the Torah portion, but we try to aim for a week when not much is happening.

A strong community is one where we can all contribute and help. Yes, big donors and fancy new hats are often part of the High Holidays. Big monetary donations keep the heat on, and status matters to many. However, a synagogue, and the Jewish community, must function throughout the year.

There’s a lot to think about when it comes to evaluating how we’ve behaved in the past year, and how we’ll make amends. To me, the most important reflections aren’t about where we are or how we behave specifically on Rosh Hashanah and Yom Kippur. In every regular weekday morning minyan, we also say “ashamu” – we are guilty. We work on ourselves all the time. Perhaps, while it’s important to have good intentions when it comes to the High Holidays, it’s also key to think about each day beforehand, and afterwards, too. Elul’s a whole month of reflection. Valuing one another and our community means making every day count.

Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

From the archives … JCC, 1937

It was the big black square on the cover of the June 11, 1937, Jewish Western Bulletin that caught my attention initially. Then, as I flipped backwards and forwards through the archived papers, it was the weekly drama – that kind of left me hanging – and the sheer bluntness of tactics that drew me in to the JWB’s coverage of the 1937 campaign to raise funds for a second unit of the Jewish Community Centre, then located at Oak and 11th. (The building still exists, the home of the BC Lung Association for a long time now.)

The campaign action plan came out of a shareholders’ meeting in March of that year, at “which over one hundred men of the community were present,” according to the March 12, 1937, JWB, the JI ’s predecessor. I’ve no idea who the shareholders of the centre were. Nor if any women were at that planning meeting, but Lillian Freiman Hadassah, Council of Jewish Women and the Schara Tzedeck Auxiliary were among the organizations that helped solicit and collect pledges.

The appointed campaign committee set a quota of $12,500 (or $271,217 in today’s dollars) and collections were divided into three divisions: donors of $100-$250 (Group A), $25-$100 (Group B) and up to $25 (Group C). The “keynote” of the campaign was “that each give according to his ability,” and every organization on the committee committed “its intention of getting whole-heartedly behind the task ahead.” Meanwhile, “The proposal submitted to shareholders by Schara Tzedeck Congregation of taking over the building has been tabled for a period of three weeks.”

While that proposal obviously fizzled out, I couldn’t find any later mention of it. As I’ve often found when looking through the paper’s archives, it’s easy to find when things start, but harder to find out how they ended up. What is clear is that there was a hard push to raise the $12,500, and, while the March 12 article noted that, “possibly, for the first time in community history, there is no division of opinion concerning the necessity of and the urgent need for doing constructive work for [the] community Centre,” the JWB did feature some disparate views as soon as the next issue.

Rabbi J.L. Zlotnik summed up those concerns in a March 19 article: the quota was too much, given other community concerns and organizations that also needed financial support; and the quota was too little, given that actual building costs are almost always larger than planned, and the community would, therefore, become even more indebted as a result.

“After a period of ten years, twenty thousand dollars are still to be paid before this building can truly be called our own,” wrote Rabbi Samuel Cass in the March 31 issue, about the existing centre, while also pointing to the need for a second unit. He observed, “First, we must not repeat the mistakes of the past,” so the second unit should “be paid for in cash to the very last penny, before the first sod is turned. Second, the campaign must go beyond the amount necessary to erect the contemplated addition.” Lastly, he said, the whole community must agree that the debt on the first unit be paid off “even speedily, and at a near time.”

The advice seems to have gone unheeded. In the same March 31 paper as Cass’s article, the page 2 headline read, “All Organizations Endorse Second Unit Campaign.”

The next edition’s cover blared, “2ND UNIT CAMPAIGN IN FULL SWING,” with the news that more than $3,000 had come in on the campaign’s first day, “collected from twenty men.” The building plans were also outlined in the April 9 paper: a two-storey building with a balcony was envisioned. The lower floor would be a gymnasium and banquet room, with “kitchen, showers, wash room, steam rooms, cloak-room, etc.” The upper floor would house an “Auditorium and Ball Room, cloak-room and lounge.” The balcony would be divided into small meeting rooms. “This present building is 33 feet 11 inches on 11th Ave. The addition would be 47 feet 9 inches or more than 40% larger,” the article stated.

By the April 23 issue, the A Division quota was “already assured.” A couple of weeks later, in the May 7 paper, a completely fictional piece was published on the cover, titled “Will You Make This Dream Come True?” It was written as if the second unit of the centre had opened, with a banquet, a highlight of which was the announcement of a $5,000 gift from an anonymous donor to pay for all the unit’s furnishings and appliances. The article imagined what meetings and other banquets were already being held in the new building and the great number of athletics classes available now that “the use of the gymnasium was available to all persons in the Community.”

By the end of May, though, the JWB was asking whether everyone had “done their share.” By June, the optimism hit a wall.

The cover of the June 11 issue featured the large black square that caught my eye. The label-sized caption with a white background read: “700 Jewish families in Vancouver can and must give towards the building of the Second Unit of the Community Centre.”

The dramatic editorial choice was explained in the June 18 paper:

“The editorial staff of the Bulletin was bombarded with heated criticism for allowing such a hideous, melancholy, morbid and depressing thing to appear on the front page of the paper. Jewish people in all walks of life shouted words of rebuke, prominent Jewish business men cried ‘Shame, Shame,’ and Jewish society matrons muttered ‘Oh, how awful, it nearly frightened me to death.’

“No one, however, said ‘That little message in white, standing so pure, apart from that black hideousness was TRUE. Every body should give to the Centre – How we need that second unit – How essential it is to our Youth to have a proper meeting place.

“What our Community needs is more players, and less bench criticisizers. More workers, and less kickers.”

It concluded: “If you have a conscience, if you have the true community spirit – come through and show it. If you haven’t already given your contribution to the Second Unit – Mail it in to the Centre – tell them this article made you feel your responsibility. If you have given your donation, send in notification to the Centre to have it doubled. No matter what you give, make it as much as you can afford. Don’t let us be criticisers – LET’S BE BUILDERS.”

Over the summer, a couple of meetings were held about the centre. There was a large notice on the cover of the July 2 paper about a July 5 meeting, but I couldn’t find a report in the paper about what transpired. Nor could I find out how the Sept. 22 “mass meeting” on “the Future of Vancouver Jewry” went – its Sept. 14 front-page notice declaring that “By your attendance … YOU SHALL BE JUDGED!”

There are no August or October 1937 papers in the bound archival collection I have, and I don’t know if they were lost to history or never published. Until June 1937, the reporting had been detailed and consistent, but the next mention of a campaign, in the Nov. 12 paper, is “the Recent Centre Drive” – not the second unit drive. In this campaign, there were seven grades, ranging from Grade A ($500 and up) to Grade G ($1 to $49). The Grade A donors were listed by name in that paper, the Grade Bs in the next issue, the Cs in the next, through to the Gs in the Dec. 24 issue, wherein the committee was congratulated for its work and the community for its “whole-hearted support to the campaign.”

Since there is no useable digital archive of the paper, sadly, my time-limited flipping came across no more mention of a second unit. The editorial two years after that campaign, on June 23, 1939, started, “Much water has gone under the bridge since our Centre Building has been re-financed. Inside and outside improvements on the building, in addition to the Amortization Plan itself has gone forward.

“Never have local Jewish efforts been more active, and the response greater, nor has the attendance within the building itself been so large. Much of the success is due to the liberal atmosphere of the Centre itself, which means the use of this building for any and all worthy Jewish efforts with but one thought – helping others to help themselves. One shudders to think of what might have happened to Jewish efforts in our city had not our fellow-Jews responded to the call for funds when it was made.”

The editorial also noted: “Some, however, have through oversight or neglect failed to send their payments in as yet.” It was hoped that “the pledgors in arrears will … see that their respective remittances are made … upon receipt of the notices.”

As far as I know, the second unit of the Oak and 11th JCC never materialized. It would be more than two decades later that a new centre would be built, at Oak and 41st, opening in 1962.

A complicated family legacy

Neshama Carlebach comes to Vancouver for Selichot at Congregation Beth Israel on Sept. 13. (photo by Michael Albany)

After more than two decades, Neshama Carlebach returns to Vancouver. But not for a concert.

The award-winning singer-songwriter will lead, with her band, a musical service at Congregation Beth Israel for Selichot, the night of Sept. 13. The holiday – whose name translates as forgiveness, or pardon – marks the beginning of a period of penitential prayers that runs through Simchat Torah. In addition to participating in the service, Carlebach will speak with Rabbi Jonathan Infeld about her father, the late Rabbi Shlomo Carlebach, his spiritual and musical legacy, and also the pain caused by the sexual misconduct of which he was posthumously accused.

In January 2018, Carlebach wrote a blog on the Times of Israel that addressed the allegations against her father, who died in 1994. She also shared that she had been sexually abused as a child by one of her father’s friends. Writing that blog, she told the Jewish Independent, “was one of the most painful and soul-wrenching things I have ever done. I was standing at the edge of a precipice, holding the truth of my own pain, the pain of others, and the love I still carry for my father, who was no longer alive to respond. The world was shifting in the wake of the #MeToo movement, and I felt an overwhelming need to finally speak and honour the voices of those who had been hurt and silenced – including my own.

“Simultaneously, my career was, in many ways, canceled. Doors closed. Invitations disappeared. People I loved and trusted turned away from me in anger, some even accusing me of betraying my father and his legacy. Perhaps just as painful was watching my family’s music – music that has brought meaning to so many – be rejected and erased.

“Acknowledging my father’s transgressions broke my heart,” said Carlebach, “but it was time for me to speak out – to stand with those who were hurt and to be a part of the possibility of healing, and for the belief that we must be honest to be whole. We must hold space for truth, even when it shatters the fabric of the life we once clung to.”

From the age of 5, Carlebach’s father invited her to share Chassidic stories for his audiences and, by age 15, she was performing alongside him. Since her first album in 1996, she has released 10 records and, worldwide, is one of the bestselling Jewish artists. She is also an advocate for religious pluralism and human rights, as well as being a community leader in other respects. Living in New York with husband Rabbi Menachem Creditor and their five children, she is in the midst of writing a memoir, as well as studying to become a rabbi at the Academy for Jewish Religion.

In 2026, a documentary about Carlebach’s family will be released, with the support of Jewish Story Partners. The blurb on JSP’s website reads: “Rabbi Shlomo Carlebach, ‘the Singing Rabbi,’ ignited the spiritual landscape for legions of Jews in a post-Holocaust world. Soon after his death, he is accused of sexual abuse. Thirty years later, with intimate access to his family, inner circle, and his victims, Carlebach Project Untitled grapples with a complicated legacy and how – or whether – to separate the art from the artist.”

“I was just 20 when my father died and, in many ways, I was still a child,” Carlebach told the Independent. “He wasn’t just my father; he was my rabbi and my closest friend. Losing him was like losing my grounding in the world. And when, years later, I began to fully confront the complexities of his life and the pain that others experienced because of him, the grief became more complicated. My career crumbled. I lost community. I lost friends.

“I think what helped me to continue was the music and my connection to God. Even when I wasn’t able to sing professionally, within my own heart I sang and I prayed.

“I still carry and honour my father because I am his daughter and because I believe that love and accountability are not opposites,” she said. “Music has a life of its own, it has always been bigger than the entity which creates it. The legacy I hope I’m building now with my sons is one rooted in truth, in justice, in faith and in love. I choose to believe these are the things he wanted for me, and for the world.”

photo - On Selichot, Sept. 13, Neshama Carlebach will speak with Rabbi Jonathan Infeld about her father, the late Rabbi Shlomo Carlebach, his spiritual and musical legacy, and also the pain caused by the sexual misconduct of which he was posthumously accused — On Selichot, Sept. 13, Neshama Carlebach will speak with Rabbi Jonathan Infeld about her father, the late Rabbi Shlomo Carlebach, his spiritual and musical legacy, and also the pain caused by the sexual misconduct of which he was posthumously accused. (photo by Joan Roth)

It was after the Hamas terror attacks on Oct. 7, 2023, that Carlebach began creating music with her sons, Rafael and Micah.

“To share the sacred legacy of our family with them, and to witness their light, their depth and their gifts has been one of the greatest blessings of my lifetime,” she said. “My Rafael sadly can’t be with us in Vancouver, as he is starting college, but my Micah will be! We will also be joined by my longtime musical collaborators, pianist and musical director Seth Farber, bass player Brian Glassman and drummer Joe Nero.”

The video Carlebach created with her sons – Invincible Spirit (In Solidarity with Israel), an interpretation of the song “Am Yisrael Chai” – is on YouTube.

“Originally written in support of the Soviet Jewry Movement, ‘Am Yisrael Chai’ has been an anthem of the Jewish people for over 50 years,” Carlebach wrote in a Times of Israel blog last year. “The melody and words have brought energy, sustenance and unity whenever it’s been sung, often in response to hardships facing the Jewish world. In times of need, it is simultaneously a call to action and a prayer, a defiant cry and a message of reassurance. The words, translated as ‘The People of Israel Live,’ were set to music by my father in the 1960s and embraced as part of the Jewish canon. Today, since the horrors of Oct. 7, they have once again become a constant refrain in the Jewish community.”

In another blog, Carlebach, who was born on Simchat Torah, explains why she decided to become a rabbi. “After Oct. 7, Simchat Torah, my heart, my essence and my birthday changed forever,” she wrote. “My Jewish identity and desire to learn have never been stronger. I feel a greater sense of urgency to do my part and bring meaning and holiness to our communities, both in the diaspora and Israel.”

She shared with the Independent the importance of participating in the event at Beth Israel.

“Selichot is the beginning of the High Holy Day season, our holiest time of year,” she said. “It is when we begin to turn inward and ask ourselves the hardest questions: Who have I been? Where have I fallen short? What do I need to repair – in myself, in my relationships, in the world? It’s a time of vulnerability, of accountability and of profound possibility.

“I’ve always envisioned that, on Selichot, the Great Gates of Teshuvah – of Return – first begin to creak open, but slowly, almost in a whisper. Selichot is softer than Rosh Hashanah, more intimate than Yom Kippur. We gather, often late at night, to begin to open our hearts as a community – with prayer, with song, with tears. It’s a time for truth and tenderness.

“It will be incredibly meaningful to gather with the Vancouver community in prayer and in conversation this Selichot. This is the kind of gathering I love most!” she said, commending Rabbi Infeld and the Beth Israel community for being “open and brave enough to engage in this complicated topic.”

“Every year, we work hard to make sure that our Selichot service and program makes a difference in people’s lives,” said Infeld. “The topics are often not easy to discuss, but, every year, people leave the synagogue looking at a situation from a different perspective and as better human beings because they came. We love when people discuss the content of what they heard at the synagogue after Selichot. We believe that this year that will happen as well. Shlomo Carlebach is extremely well known, but the underbelly of the person and his personality are extremely important for us all to discuss – and there is no one better in this world to do that than his daughter, who is also extremely musically talented.”

To invite Carlebach was “a natural choice,” he said, given that the event will honour Harley Rothstein.

“Since we had decided to honour Harley for his many years of service this year, I decided I wanted to do something very special from a musical perspective,” said the rabbi.

“Harley is one of the most humble and generous people I know. He is a constant supporter of our synagogue in many ways. We have been honoured to have him lead services over the years. He has a fabulous voice with great kavanah [intention/devotion],” explained Infeld. “He has a magical ability to engage people in congregational singing and to help engender a warm feeling among all the participants. Harley has gone above and beyond by helping to teach the next generation of service leaders. One of his most important aspects of leadership each year has been the Selichot service with our ba’alat tefillah [prayer leader], Debby Fenson.”

On Sept. 5, during the synagogue’s Shabbat with a Difference Kabbalat Shabbat service, the congregation will honour Fenson on her 20th anniversary with Beth Israel. On Sept. 13, she and Rothstein will lead Havdalah.

The Selichot event with Neshama Carlebach is open to the entire community. To attend, RSVP via bethisrael.ca.

Teaching about Shoah

Lise Kirchner, director of education of the Vancouver Holocaust Education Centre, demonstrates the online exhibition Fragments in Focus: A History of the Holocaust (photo by Pat Johnson)

The school year that begins next month is the first in British Columbia to include mandatory Holocaust education in the curriculum. As teachers throughout the province prepare to address this challenging topic in the classroom, the Vancouver Holocaust Education Centre has unveiled a wide-reaching online exhibit to both assist educators and to launch students into independent exploration on the complex network of moral and historical issues the subject raises.

In October 2023, the BC government announced that Holocaust education would be mandatory in the Grade 10 social studies curriculum beginning in the 2025/26 academic year. Many teachers were already addressing the topic as part of Social Studies 10, which covers the Second World War. An elective course, Genocide 12, also exposes students to the history of the Shoah. However, this is the first year that it will be impossible for a student to complete Grade 10 in the province without some exposure to the Nazis’ attempts to destroy the Jewish people and other groups they deemed undesirable.

While mandating that the topic be covered, the ministry of education’s guidelines for learning outcomes are extremely vague. Lise Kirchner, director of education of the Vancouver Holocaust Education Centre, said teachers have great flexibility in how to address the topic – and how much time to give it.

“The teacher can choose to spend four minutes, four hours or four months on the subject,” she said.

Given that many teachers will be seeking trusted resources to teach this material for the first time, the VHEC’s exhibit promises to deliver everything educators need to address the subject effectively, no matter how much class time they allocate to it.

“Over the last 18 months, the VHEC has been working with the ministry of education to articulate this new learning standard for Social Studies 10 and also to develop teaching resources to support educators as they implement Holocaust education in the classroom,” Kirchner told attendees at the VHEC’s annual general meeting in June, where she demonstrated the new online resource.

The exhibition is called Fragments in Focus: A History of the Holocaust. It has been produced with the support of the Digital Museums Canada investment program and the financial support of the Government of Canada. The website is in English and French and meets accessibility standards for people with disabilities.

The online exhibit showcases more than 160 primary sources, including artifacts, survivor testimonies and archival records from the VHEC’s collections, presenting the history of the era through these items.

Fragments in Focus explores Jewish life in Europe before the war, the Holocaust and its impacts, and postwar Jewish life. Users can explore digital 3D models of artifacts, engage with an interactive map and hear from survivors – most of those featured settled in British Columbia after the war – adding human faces and stories to the artifacts and the broader history.

Accompanying the Fragments in Focus exhibit are 20 integrated learning activities and a comprehensive teachers’ guide, providing everything required to navigate the exhibit, construct a complete unit on the Holocaust or supplement existing lessons using unique primary sources, according to the VHEC.

The VHEC’s education team is also available to support educators as they prepare to cover these topics, offering training workshops throughout the province.

Textbooks, which earlier generations might associate with high school, are mostly a thing of the past. Online resources have replaced most hard copy resources, making Fragments in Focus both relevant and accessible.

Historical introductions to each of the exhibit’s sections lead into artifacts, and students can then pursue their own explorations by finding out more about the individual associated with the item, their experience of survival and their life after the war.

For example, students can view a recipe book created by Rebecca Teitelbaum while she was an inmate in Ravensbruck women’s concentration camp. Risking her life, she stole paper, pencils and thread to compile the collection of favourite foods. The tiny booklet became a source of comfort for the women in Ravensbruck, allowing them to imagine a future of well-being and plenty.

The late Alex Buckman, Teitelbaum’s nephew and himself a survivor of the Holocaust, inherited the recipe book, which he eventually donated to the VHEC. During speaking engagements to young audiences, Buckman would share his aunt’s recipe for gâteau à l’orange and some students would make the cake at home, while sharing with their families what they had learned at school.

With the new exhibit, students can explore the recipe book, expand the image to see the stitching that held the book together, and then read transcripts of the recipes. More than this, they can then dig deeper and learn about the family’s story, of Rebecca’s survival and her reunification with her husband, Herman, and daughter, Annie. They can hear Buckman’s story of how he survived but lost both his parents and was raised by the Teitelbaums.

Students also can see the correspondence Rebecca received while in hospital after the war, informing her that both Herman and Annie had miraculously survived.

These artifacts and records help put this almost inconceivable history into context, said Kirchner.

“They now are reading these intimate letters between husband and wife, where they are dreaming of being together again with her daughter,” she said. “I think it brings a whole different dimension to how we understand history, the importance of these primary objects.”

The fact that almost all the objects have a BC connection adds richness to the experience, she said.

As director of education, Kirchner has led a team in bringing Fragments in Focus to fruition. Though the exhibit was in development before the province announced the curriculum change, the shift helped guide the VHEC team to make the resource especially responsive to the needs of educators and students.

Fragments in Focus is based on an earlier physical exhibit developed by former VHEC director of education Ilona Shulman Spaar, former executive director Nina Krieger and others, including Kirchner, who has been involved with the VHEC for about 25 years in various capacities.

“We mounted In Focus – we didn’t call it Fragments in Focus – as the first exhibition in the new renovated space,” Kirchner told the Independent, referring to a major upgrade to the museum in the Jewish Community Centre of Greater Centre, which substantially increased the capacity to display items from the collections. “It was kind of a celebration of the fact that we had just digitized our entire collection – that was a very big project. With the new visual storage facilities, it gave us the ability to actually have multiple artifacts on display, over 100, so that was a pretty big deal for us.”

The ongoing digitization of the VHEC’s entire archives allows global audiences to access its collections. For BC students, starting within days, Fragments in Focus will open doors for self-guided learning.

“We give them just enough information so they can put it in context, but also pique their curiosity a little bit so that they start to see themselves as the ones that ask these questions and start to make sense of this history and to give it meaning. It’s taking ownership of that history,” said Kirchner. “We are just planting seeds and making sure they have enough information to ask the right questions and to see the complexity of that history.”

The online exhibit launched Aug. 20 at fragmentsinfocus.ca and is available to everyone.