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Tag: teaching

Teaching about Shoah

Teaching about Shoah

Lise Kirchner, director of education of the Vancouver Holocaust Education Centre, demonstrates the online exhibition Fragments in Focus: A History of the Holocaust (photo by Pat Johnson)

The school year that begins next month is the first in British Columbia to include mandatory Holocaust education in the curriculum. As teachers throughout the province prepare to address this challenging topic in the classroom, the Vancouver Holocaust Education Centre has unveiled a wide-reaching online exhibit to both assist educators and to launch students into independent exploration on the complex network of moral and historical issues the subject raises.

In October 2023, the BC government announced that Holocaust education would be mandatory in the Grade 10 social studies curriculum beginning in the 2025/26 academic year. Many teachers were already addressing the topic as part of Social Studies 10, which covers the Second World War. An elective course, Genocide 12, also exposes students to the history of the Shoah. However, this is the first year that it will be impossible for a student to complete Grade 10 in the province without some exposure to the Nazis’ attempts to destroy the Jewish people and other groups they deemed undesirable.

While mandating that the topic be covered, the ministry of education’s guidelines for learning outcomes are extremely vague. Lise Kirchner, director of education of the Vancouver Holocaust Education Centre, said teachers have great flexibility in how to address the topic – and how much time to give it.  

“The teacher can choose to spend four minutes, four hours or four months on the subject,” she said.

Given that many teachers will be seeking trusted resources to teach this material for the first time, the VHEC’s exhibit promises to deliver everything educators need to address the subject effectively, no matter how much class time they allocate to it.

“Over the last 18 months, the VHEC has been working with the ministry of education to articulate this new learning standard for Social Studies 10 and also to develop teaching resources to support educators as they implement Holocaust education in the classroom,” Kirchner told attendees at the VHEC’s annual general meeting in June, where she demonstrated the new online resource.

The exhibition is called Fragments in Focus: A History of the Holocaust. It has been produced with the support of the Digital Museums Canada investment program and the financial support of the Government of Canada. The website is in English and French and meets accessibility standards for people with disabilities.

The online exhibit showcases more than 160 primary sources, including artifacts, survivor testimonies and archival records from the VHEC’s collections, presenting the history of the era through these items.

Fragments in Focus explores Jewish life in Europe before the war, the Holocaust and its impacts, and postwar Jewish life. Users can explore digital 3D models of artifacts, engage with an interactive map and hear from survivors – most of those featured settled in British Columbia after the war – adding human faces and stories to the artifacts and the broader history.

Accompanying the Fragments in Focus exhibit are 20 integrated learning activities and a comprehensive teachers’ guide, providing everything required to navigate the exhibit, construct a complete unit on the Holocaust or supplement existing lessons using unique primary sources, according to the VHEC.

The VHEC’s education team is also available to support educators as they prepare to cover these topics, offering training workshops throughout the province.

Textbooks, which earlier generations might associate with high school, are mostly a thing of the past. Online resources have replaced most hard copy resources, making Fragments in Focus both relevant and accessible.

Historical introductions to each of the exhibit’s sections lead into artifacts, and students can then pursue their own explorations by finding out more about the individual associated with the item, their experience of survival and their life after the war.

For example, students can view a recipe book created by Rebecca Teitelbaum while she was an inmate in Ravensbruck women’s concentration camp. Risking her life, she stole paper, pencils and thread to compile the collection of favourite foods. The tiny booklet became a source of comfort for the women in Ravensbruck, allowing them to imagine a future of well-being and plenty.

The late Alex Buckman, Teitelbaum’s nephew and himself a survivor of the Holocaust, inherited the recipe book, which he eventually donated to the VHEC. During speaking engagements to young audiences, Buckman would share his aunt’s recipe for gâteau à l’orange and some students would make the cake at home, while sharing with their families what they had learned at school.

With the new exhibit, students can explore the recipe book, expand the image to see the stitching that held the book together, and then read transcripts of the recipes. More than this, they can then dig deeper and learn about the family’s story, of Rebecca’s survival and her reunification with her husband, Herman, and daughter, Annie. They can hear Buckman’s story of how he survived but lost both his parents and was raised by the Teitelbaums.

Students also can see the correspondence Rebecca received while in hospital after the war, informing her that both Herman and Annie had miraculously survived.

These artifacts and records help put this almost inconceivable history into context, said Kirchner. 

“They now are reading these intimate letters between husband and wife, where they are dreaming of being together again with her daughter,” she said. “I think it brings a whole different dimension to how we understand history, the importance of these primary objects.”

The fact that almost all the objects have a BC connection adds richness to the experience, she said.

As director of education, Kirchner has led a team in bringing Fragments in Focus to fruition. Though the exhibit was in development before the province announced the curriculum change, the shift helped guide the VHEC team to make the resource especially responsive to the needs of educators and students.

Fragments in Focus is based on an earlier physical exhibit developed by former VHEC director of education Ilona Shulman Spaar, former executive director Nina Krieger and others, including Kirchner, who has been involved with the VHEC for about 25 years in various capacities.

“We mounted In Focus – we didn’t call it Fragments in Focus – as the first exhibition in the new renovated space,” Kirchner told the Independent, referring to a major upgrade to the museum in the Jewish Community Centre of Greater Centre, which substantially increased the capacity to display items from the collections. “It was kind of a celebration of the fact that we had just digitized our entire collection – that was a very big project. With the new visual storage facilities, it gave us the ability to actually have multiple artifacts on display, over 100, so that was a pretty big deal for us.”

The ongoing digitization of the VHEC’s entire archives allows global audiences to access its collections. For BC students, starting within days, Fragments in Focus will open doors for self-guided learning.

“We give them just enough information so they can put it in context, but also pique their curiosity a little bit so that they start to see themselves as the ones that ask these questions and start to make sense of this history and to give it meaning. It’s taking ownership of that history,” said Kirchner. “We are just planting seeds and making sure they have enough information to ask the right questions and to see the complexity of that history.”

The online exhibit launched Aug. 20 at fragmentsinfocus.ca and is available to everyone. 

Format ImagePosted on August 22, 2025August 20, 2025Author Pat JohnsonCategories LocalTags education, Holocaust education, teaching, VHEC

Drama teacher back on stage

People of a certain age will have seen the iconic 1980 comedy 9 to 5, starring Jane Fonda, Dolly Parton, Lily Tomlin and Dabney Coleman. Even more will know the eminently singable title song of the movie, written by Parton, which remains popular today, 45 years later. Those of us who enjoyed the story and like (love!) the song will be happy to know that Royal City Musical Theatre (RCMT) is presenting 9 to 5 The Musical – the score of which Parton wrote – April 25 to May 11 at New Westminster’s Massey Theatre.

“Set in 1979, 9 to 5 The Musical follows three co-workers – Violet, Doralee and Judy – as they endure their mundane and demoralizing office jobs at Consolidated Industries, under the thumb of their sexist and egotistical boss, Franklin Hart Jr.,” reads the press release for the production, which is co-directed by Valerie Easton and Chris Adams. “When the women are suddenly given the chance to turn their wildest revenge fantasies into reality, they hatch a plan to kidnap their nasty boss and step into their full potential – ultimately taking control of the company.”

photo - Keri Smith is in Royal City Musical Theatre’s 9 to 5 The Musical, which runs April 25-May 11 at Massey Theatre
Keri Smith is in Royal City Musical Theatre’s 9 to 5 The Musical, which runs April 25-May 11 at Massey Theatre. (photo from Royal City Musical Theatre)

The RCMT production stars Irene Karas Loeper as Violet, Maia Beresford as Doralee, Madeleine Suddaby as Judy and Dustin Freeland as Franklin Hart Jr. Jewish community member Keri Smith plays Margaret, a secretary in Hart’s office, who drinks a bit, and she is the understudy for Violet.

RCMT’s 9 to 5 The Musical marks a return to the stage for Smith – who trained at the American Musical and Dramatic Academy in New York City – after a long hiatus, during which time she has taught grades 1-7 at Vancouver Talmud Torah.

The Jewish Independent interviewed Smith in advance of the musical’s opening.

JI: Can you tell me a bit about your general background, how you got into education and theatre, when and why you came to Vancouver? Or did you just study in New York?

KS: After completing my studies at theatre school and spending several years working in New York, my visa expired, prompting my return to Vancouver. Upon arriving, I quickly recognized the challenges of pursuing a full-time acting career in the city. As a result, I sought a position that would allow me to continue engaging with theatre while securing a steady income. I found a role as an early childhood educator at Vancouver Talmud Torah, the elementary school I had attended as a child.

Two years into my position, when an opening for a drama instructor became available, I approached the principal and shared my theatrical background … [and] she entrusted me with the role. I quickly developed a deep passion for teaching and decided to pursue a teaching certification to further my commitment to education.

Over the past 19 years at Vancouver Talmud Torah, I’ve had the privilege of helping to establish a vibrant musical theatre program for students aged 10 to 13. I am immensely grateful to be in a position where I can combine my love for theatre with the joy of teaching every day.

JI: What role, if any, does Judaism and/or Jewish community play in your life?

KS: Judaism and the Jewish community hold a deeply cherished place in my life, shaping both my personal journey and my work as an actor and educator. In my daily life, Jewish values of compassion, justice and the importance of education are guiding principles.

In my role as an educator, I am reminded every day of the power of knowledge and the responsibility we bear in passing on these values to future generations. Judaism has a long tradition of asking questions, seeking understanding and fostering growth through learning, which resonates deeply in my approach to teaching.

As an actor, I find that storytelling in the Jewish tradition has influenced my perspective, as narratives in Judaism often revolve around struggles, resilience and the pursuit of justice – ideas that transcend time and place. Whether in a classroom or on stage, I strive to embody the deep sense of connection and responsibility that Judaism fosters, with gratitude for the wisdom that has been passed down through generations.

The Jewish community, with its strength, support and shared commitment to growth, reminds me that we are all part of something much larger than ourselves and that, together, we can bring light into the world.

JI: What attracts you to acting?

KS: What I love most about acting is the profound escape it offers – an opportunity to leave behind my own world and immerse myself fully in someone else’s reality. The process of stepping into a character’s shoes, seeing the world through their eyes, and experiencing their emotions and struggles is not just thrilling; it’s transformative. It’s an addicting experience because each new role is a journey of discovery – of understanding, empathy and expression that goes beyond my own personal experiences.

JI: What’s your favourite part of teaching?

KS: What truly deepens my love for acting is the opportunity to teach it. Teaching drama allows me to share that same transformative experience with others, especially young people. Watching students experience the same magic of stepping into a character’s shoes for the first time is incredibly rewarding. There’s something truly special about guiding them through the process of self-expression, helping them find their voice and watching them take risks on stage. Drama gives students a unique platform to explore their own identities and develop their confidence, creativity and empathy – all essential skills not just for acting, but for life.

JI: What motivated you to audition for 9 to 5 The Musical? What was that process?

KS: I felt it was the perfect time to step out of my comfort zone and challenge myself, so when I saw the opportunity, I didn’t hesitate to audition. The process was incredibly enjoyable! I was given a song and a scene to prepare, and I went in with the goal of giving it my all. Afterward, I felt confident and proud of my performance.

JI: How often do you perform, and approximately for how long have you been a performer?

KS: I first discovered my passion for performing as a Grade 7 student at VTT, where I played Hodel in Fiddler on the Roof. That role was my introduction to acting, and I’ve been hooked ever since. While I “perform” daily in my role as a teacher, engaging with my students, I haven’t had the chance to take the stage in over 10 years. This production marks my return to acting, and it feels incredible to be back!

For tickets to 9 to 5 The Musical, visit royalcitymusicaltheatre.com. 

Posted on April 11, 2025April 10, 2025Author Cynthia RamsayCategories Performing ArtsTags 9 to 5 The Musical, Dolly Parton, drama, Keri Smith, musicals, Royal City Musical Theatre, teaching, Vancouver Talmud Torah, VTT
Grateful to do what she loves

Grateful to do what she loves

Advah Soudack (photo courtesy)

I watched Hallmark’s Love, Lights, Hanukkah! on television but never imagined that I would meet the actress who played Becky Berman, the lead character’s half-sister. But Advah Soudack lives right here in East Vancouver. 

This spring, I organized a series of Playback theatre classes for people with lived experiences of mental health challenges and addictions, which was funded by the Consumer Initiative Fund. Laen Hershler, a member of Vancouver Playback Theatre, recommended Soudack to teach the classes.

Soudack taught with enthusiasm, determination and emotional honesty. She gained the trust of the students quickly and soon they were leaping up on stage to improvise one another’s stories and emotions. 

“I had a wonderful time teaching Playback these past few weeks,” she said. “I was amazed and inspired by the bravery I witnessed in the class. I loved working with a group of artists coming from all walks of life, some with years of theatre and improv experience and others with very little.

“I think the thing I enjoyed most about teaching Playback … with this specific group of individuals, was witnessing a group of people who didn’t know each other at first, come together, play, explore, trust, allow themselves to be vulnerable, share with open hearts, let go and create together as if they had been working as a troupe for a long time.” 

Soudack’s enthusiasm for the theatre began when she was a child.

“I grew up with a lot of music in my home. My dad was very musical and played the piano, and my mom was always singing around the house,” she said.

“In elementary school, I had a music teacher named Donna Piper and she saw my flair for performing and told my parents to take me to audition for The Music Man with a company called Greater Vancouver Opera Society,” she added. “At 8 years old, in leggings my mom had bought me in France, a fitted T-shirt and a funky baseball hat, I sang ‘Wadda Wadda Wadda’ and played the air trumpet. I got the part!” 

photo - Advah Soudack
Advah Soudack (photo courtesy)

Soudack regularly teaches improv to children. For several years, she took her considerable talent to Perry Ehrlich’s Gotta Sing! Gotta Dance! performing arts summer camp at the Jewish Community Centre of Greater Vancouver. There, she taught improv and ensemble-building exercises and assisted director Chris McGregor. She also “created and ran the finishing school program, which taught kids audition skills, from entering the audition room to character creation, and how to prepare monologues and songs.”

Soudack recently completed two seasons at Bard on the Beach with A Midsummer Night’s Dream and Henry V. Other recent theatre credits include Courage Now, The House at Pooh Corner and a touring production of Glory. You may have seen her on television in Blockbuster and/or The Christmas Contest. She is also known for her work as an actor in animated films, including My Little Pony, Polly Pocket, Lego Friends, Beyblade Burst Evolution and Adventures of Ayuma. 

She says that all the roles she has played have been challenging and fulfilling. 

“I feel like I have grown and learned from every role I have played and every theatre project I have been part of,” she said. “I guess one role that sticks out for me is the role of Lucille Frank from Parade, which I portrayed about six years ago with Fighting Chance Productions. This was one of the first roles back from a hiatus I had taken from theatre. I had been forcing myself to audition again, anything that came my way, even if I was scared sh*tless.”

When she got the role, she began a journey into the world of Leo and Lucille Frank. Leo Frank was wrongfully convicted of murdering a young girl in 1913, and was lynched by a mob who broke into the prison when his death sentence was commuted to life imprisonment. Lucille Frank defended her husband through everything, dying in 1957, long before Leo Frank was posthumously pardoned in 1986.

“I was at the downtown library for days and spent many hours reading old, archived newspaper articles about the case, reading books and looking up everything I could find that had information about the young, Jewish couple living in Atlanta, Ga.,” said Soudack, adding that the roles she finds most exciting are the ones based on real people and events. When the research involves history, she is always extra excited.

“I feel very honoured that I have had the opportunities that I have had to work in the arts in Vancouver,” she said. “I feel very grateful to be able to do what I love and what inspires me and makes my heart feel full. It is also a gift to be a vessel for others’ stories and bring them to life for this community.” 

Soudack spent time in Israel about 10 years ago. 

“When Oct. 7 happened, I felt very strongly about going. I am still wanting to go and plan to make a trip in the near future,” she said. “I have so many family members in Israel and it feels like a second home. Whenever I am there I always think, ‘OK, this is home, I feel like I belong here.’ There is something about the energy of the country and the people that makes me feel alive and vibrant.”

Soudack is a proud graduate of the University of Alberta’s bachelor of fine arts’ acting program. In Hebrew, Advah means “little wave” or “crest of the wave.” 

Cassandra Freeman is a journalist and improviser who lives in East Vancouver.

Format ImagePosted on July 26, 2024July 25, 2024Author Cassandra FreemanCategories Performing ArtsTags acting, Advah Soudack, teaching
Educating differently

Educating differently

Ada Glustein’s passion for learning and teaching shines through in her self-published memoir Being Different. (photo from Ada Glustein)

Duke’s father would beat him. Tien, a refugee from Cambodia, had witnessed unimaginable violence. Louise was in and out of foster care because her father had drug addictions and her mom was emotionally unstable.

These are just a few of the countless children Ada Glustein encountered in her time as a teacher. Many of her young charges – she taught kindergarten mostly – faced harsh conditions at home and adult-sized problems. She shares her and their experiences with kindness and compassion in her memoir Being Different: From Friday Night Candles to Compassionate Classroom, which she self-published last year. She dedicates the book to her “parents, grandparents and ancestors whose struggles and strengths brought them to Canada, where at last they found their place to call home.” She also writes, “To my children and grandchildren, whose journeys bring the hope for a future of respect, social justice and belonging for all.”

While Glustein was born and raised in Ottawa, her Jewish Orthodox grandparents and parents came from Russia, from an area that became Ukraine. Part 1 of Being Different – Where I Am From: Stories of Home and Community – is about Glustein’s family and her early years. “Though my parents considered themselves to be modern,” she writes, “to me they seemed to live in a world caught between the old and the new.”

From her perspective, her father believed she asked too many questions and her mother fretted too much over her safety. But they came from a different time and place, more traditional and more dangerous. “My family comes from a place where the grass is greener somewhere else. Any place that is not Eastern Europe, not within the Pale of Settlement. Any place to leave behind the pogroms and the poverty, the losses of children who died in childbirth or wasted away from consumption. I do understand the silence,” she writes.

“But I also understand the richness of life’s difficult experiences and their inevitability. To allow those experiences to touch me, even to hurt me, helps me to live a full human life, to live with the reality of how things are.”

Part 1 of Being Different is about Glustein’s efforts to understand her place and who she is within her family. Part 2 – Where Do I Belong? Lessons at School – takes that exploration of identity and differentness into the broader world, where Glustein has to confront Christmas plays, lecherous older men, peer dynamics and a mix of teachers with different approaches, among other life lessons. In Part 3 – Becoming a Teacher: Finding My Way Home – we see how Glustein translates what she has learned into being an educator. And, honestly, if only every teacher could be like Glustein – not because she is perfect, but because she cares, and is continually learning.

Glustein graduated from Ottawa Teachers’ College, completed her bachelor of education at the University of British Columbia and her master of arts at Simon Fraser University. She taught for many years – in Ottawa, Toronto and Vancouver – and also became a faculty associate and sessional instructor at SFU, where she taught teachers. After she retired, she became a member of two writing groups and has had several of her works published. Being Different won a silver medal for Canada-West Region, non-fiction, in this year’s Independent Publisher Book (“IPPY”) Awards, and deservedly so.

Being Different is charming and heartbreakingly honest, written in short, crisp chapters, giving it a sense of immediacy. It is a call for all of us to be more patient with one another, to keep an open mind and to understand the impact our actions have on other people, especially children. In her openness about her own imperfections and missteps, Glustein is also asking us to be kind to ourselves. A more accepting and inclusive world begins with us, after all.

Being Different will be engaging to any reader – it will foster many a childhood memory – but should be a must-read for anyone interested in becoming an educator. It is available on Amazon.

Format ImagePosted on August 18, 2023August 17, 2023Author Cynthia RamsayCategories BooksTags Ada Glustein, Being Different, culture, education, teaching
Welcomed in Kiryat Gat

Welcomed in Kiryat Gat

Laura Soda, right, with her host family, the Lipiks, and some of her MITF colleagues at Rosh Hashanah. (photo from Laura Soda)

Growing up as a Jewish young adult in White Rock, I always had mixed feelings about celebrating the High Holidays. On one hand, I enjoyed the traditions and the feeling of community that I experienced when we would go to services. However, early fall has always been a hectic and stressful time for our family as well. Aside from Rosh Hashanah and Yom Kippur, there was the beginning of a new school year, all four family birthdays falling within a month of one another and, finally, Thanksgiving. It’s a six-week family marathon.

During the High Holidays, I also was overwhelmed with the feeling of being the “token Jew” in every class. At the beginning of every school year, I dreaded having to approach the teacher and ask for time off so that I could observe holidays that most of my peers, and even some of my teachers, had never heard of. I almost had a sense of guilt, as if I were inventing holidays just to get out of class. All I wanted was to fit in and be like everybody else. And, in the White Rock of my childhood, there was little cultural, ethnic or religious diversity. There were two other Jewish kids at my school, but we rarely – if ever – acknowledged our mutual Jewish connection outside the context of Hebrew school, synagogue or youth group. It wasn’t that we were actively hiding our Jewishness; for me, I simply felt that any sign of difference was “uncool.”

I am currently on a 10-month program teaching English in Israel with Masa Israel Teaching Fellows (MITF). I am living in Kiryat Gat, a small, mostly religious up-and-coming city in the south of Israel. For the next 10 months, I will be teaching English to the children of the community in which I live. Most of the people here do not speak English, and I feel grateful to be in a place where I can help break language barriers and contribute to English language education. For me, however, it has been quite an adjustment.

With the challenges of settling into a new country, in a town where not many people speak English, I am overwhelmed by the tremendous sense of community and unity. Despite the inconvenience of the train and bus schedules around the holidays, it wasn’t just me being inconvenienced. For the first time in my life, I was in the same situation as everyone around me.

Recently, I celebrated my first Israeli Rosh Hashanah with a host family that I was connected to through the MITF program. The Lipik family welcomed my peers and I, quite literally, with open arms and have made us feel at home. My roommate and I walked to Rosh Hashanah services in the morning and passed many others doing the same. Suddenly, I realized that, although I had been prepared to feel like an outsider in a tight-knit community of people who were more religious than me, my Rosh Hashanah experience was so welcoming. I smiled at the children who listened to the shofar with wonder, and I was reminded that children are simply children, no matter where they live or what language they speak.

Later, we joined our host family at their backyard barbeque along with their extended family and friends, and we ate our hearts out as we basked in the smell of smokey chicken kebabs and toasted marshmallows for dessert. Throughout it all, it sunk in that, this year, I don’t have to explain myself. This year, it is my turn to learn – to watch and listen to how other Jews celebrate, being curious about the differences, but, more often, being surprised by the many similarities in our traditions. My first Rosh Hashanah in Israel taught me that although I am far from my home in Canada, I am exactly where I need to be – I feel right at home.

Laura Soda is currently on a 10-month program teaching English in Israel with Masa Israel Teaching Fellows. For more information on the MITF and other Masa programs, visit masaisrael.org.

Format ImagePosted on October 7, 2022October 5, 2022Author Laura SodaCategories Israel, LocalTags education, Israel, Judaism, Kiryat Gat, Masa Israel Teaching Fellows, memoir, MITF, teaching, White Rock
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