February 2019 – Page 3

Mixing abstract, nature

Sidi Schaffer’s current exhibit, In Partnership with Nature, is at the Zack Gallery until March 3. (photo by Olga Livshin)

Sidi Schaffer’s art has gone through several different incarnations. At the beginning of her career, in postwar Romania, she adhered to a realistic approach. “For several years, the central images of my work were people,” she said in an interview with the Independent.

After her family immigrated to Israel, she continued her studies and received her art education degree. “At that time, I fell in love with the Impressionists, especially Cezanne, and started painting more landscape and still life,” she said. “I tried to catch the essence, the light and beauty of my surroundings. Even my palette changed.”

The next stage in her artistic development came after she immigrated to Canada in 1975. It was as if every country triggered a twist in her artistic road. “I needed to establish new roots and master new challenges,” she recalled. “In 1980, I went back to school to study printmaking at the University of Alberta. They told me: ‘Paint abstract, throw away realism.’ I followed my teachers’ good advice … and totally immersed myself in abstraction. I simplified my work; my focus became my inner world, my feelings and my emotions. The art-making process became a sacred ritual.”

But pure abstraction didn’t hold her interest for long. Her abstract compositions acquired random elements of realism. “I tried to make my works integrated, bring together abstract and figurative,” she said. “I tried to express the concept of unity between the internal and the external, between the spiritual and the physical.”

Her current show, In Partnership with Nature, which opened at the Zack Gallery on Jan. 31, combines her inclination towards abstraction, her love of nature and her ability to bridge the realistic and the spiritual in her paintings. It also highlights her innate optimism. The show is airy, uplifting and charming, the works prompting a quiet gladness in viewers.

It’s about flowers, but in an oblique, complex way. “I love flowers,” said Schaffer. “Nature is my biggest inspiration. When it surrounds me, I feel alive, free, and in awe of all its beauty and miracles.”

For years, she has been drying flowers between pages of books. “I have piles of those books in my house,” she said. “I always wanted to preserve the flowers’ beauty, even after the original bloom. I have been doing it since I was a young girl…. In autumn, I also dry leaves with their amazing colours and abstract designs. Nothing is more beautiful. Sometimes, I pick a flower just to remind me of a place and time.”

A few years ago, Schaffer decided to try and incorporate those dried flowers and leaves into her art. “I wanted to make them the subject matter,” she said. “Every picture in this show, except one, has one or more dry flowers or leaves in them.”

photo - “Grace into Focus 1” by Sidi Schaffer is part 1 of a triptych — “Grace into Focus 1” by Sidi Schaffer is part 1 of a triptych. *(photo from Sidi Schaffer)*

All of the images in the exhibit are mixed media. She experimented with acrylic and oil paint, with old prints and new drawings, with collage. The dried leaves or flowers form the heart of the compositions.

“I wanted to give them importance,” she explained. “Some of the landscapes in this show look fantastic, because dry leaves play the part of trees. Some abstract collages were like memory boxes for me, with layers. There are dry petals there, and lettering and musical notes.”

Schaffer’s collaboration with the elements of nature tends towards whimsical. Flower petals float on the visual breeze. Mundane dandelions turn into exotic palm trees. Waves of musical notation sparkle with rainbow colours.

“I played with the images,” said the artist. “I didn’t take myself seriously when I prepared this show.”

Schaffer said every image in the exhibit started with an idea. “But I never knew how it would come out,” she said. “It’s a process, a discussion between me and the flowers. Sometimes, it is a struggle. I look at the flowers and they supply more ideas. This one flower I had, I put it on the painting and the petals came off. I left them off, incorporated into the image.… From a flash of excitement to the end result, each image reflects my emotional journey. By the time I finish a painting, it seldom resembles my original starting point. What is important for me is the visual poetry, the relationship of form, space, colour and light.”

Schaffer’s exploration into creative possibilities is nourished by her rich inner life. Before her retirement, she taught art and painted commissions, but never, for example, something made specifically to harmonize with anyone’s living room décor.

“I paint what is inside of me,” she said. “I don’t paint for anyone’s sofa. I enjoy the hours I spend in front of my canvas. It is an intense emotional outlet and, when I’m finished, I feel happy, but, at the same time, drained and vulnerable.”

In Partnership with Nature is at the Zack until March 3.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Comedy for youth sport

Comedian Jacob Samuel headlines A Night of Shticks & Giggles Feb. 21 at the Rothstein Theatre. (photo from JCCGV)

In just one week, I will be standing on stage at one of the most exciting events I have ever been a part of. On Feb. 21, some of the funniest stand-up comedians in Vancouver will join me in the Jewish Community Centre of Greater Vancouver’s Rothstein Theatre, using laughter to raise money for JCC youth sports scholarships.

A Night of Shticks & Giggles is co-produced by the JCC and Rise of the Comics. Headlined by 2017 Yuk Off champion Jacob Samuel – It’s good to finally see a successful Jewish comedian, right!? – it will also feature a performance from Larke Miller, who I remember watching on The Late Late Show with Craig Ferguson, as well as several other local comedic stars.

While the show will be one of those guaranteed good times for the audience, for me, it also represents a unique opportunity to combine two of my great passions.

Passion #1: As the delegation head for the JCC Maccabi Games – an athletics and arts program that provides Jewish teens the opportunity to travel and experience an Olympic-style international event – I have the responsibility and honour of raising scholarship funds to enable as many teens as possible the chance to participate in this life-changing event.

Passion #2: As a stand-up comic still in his rookie season, I get to meet, learn from and share the stage with some of the city’s top comics. Not to mention the opportunity to stand and perform my craft in front of an audience of 200+ in the Rothstein. (Gulp!)

As a producer of the show, the fact that I will be performing my own original set kind of makes me like that kid who got to start on the soccer team because my dad happened to be the head coach. Except, in this case, I also run the soccer team, picked my dad to be the coach and, oh boy, he’s putting me in!

While I might not end up being the funniest comic of the night, I can promise A Night of Shticks & Giggles will deliver the funny in spades.

Among his many local appearances, Samuel has performed on the Rothstein stage before, when the Jewish Independent team held their JI Chai Celebration in December 2017. He followed that up with his Yuk Off championship win, and his career has taken off since.

Harris Anderson, Joey Commisso and Randee Neumeyer have all inspired me with their irreverent, clever and sharp takes on life, as well.

Another one of the comics, Ed Konyha, used to run the award-winning open mic Stand-up and Deliver, the show in which I finally found the courage to perform my very first set as a stand-up comic.

Finally, Scotty Aceman, emcee for the night and producer of Rise of the Comics, has worked with me on a few shows now (this being the largest by far!) and is a huge inspiration for anyone thinking of quitting their day jobs and following their passion – no matter how little money it makes them. Aceman had a career in the cellphone business before giving it all up to bring comedy to Vancouver’s masses. Today, Rise of the Comics showcases Vancouver’s incredible comedy scene, producing and selling out regular live shows while featuring these local talents on their YouTube channel. His latest venture, Rise After Dark, offers people the chance to bring stand-up comedy right into their living room or private event.

Shticks & Giggles is a well-supported community event with a powerhouse of partnerships including the Chutzpah! Festival; Axis, the Jewish Federation of Greater Vancouver’s young adult initiative; and, of course, the Jewish Independent.

Tickets for A Night of Shticks & Giggles are $20 and can be bought online at ticketpeak.com/jccgv. Doors open at 7:30 p.m. on Feb. 21, with the show set to begin at 8 p.m.

Kyle Berger is coordinator, sports department, Jewish Community Centre of Greater Vancouver, and co-producer of A Night of Shticks & Giggles.

Antisemites amid JVP

Jewish Voice for Peace, an American organization that has been highly critical of Israel, announced recently that it is “anti-Zionist.” It is certainly a matter of semantics, as the group’s own executive director acknowledged.

“This doesn’t change anything about our focus or our political analysis,” said Rebecca Vilkomerson. “It just names something that hasn’t been named before.”

On the one hand, at least the group is being honest and not hiding behind the ambiguity they had adhered to until now. On the other hand, it represents a progression in the evolution of the anti-Israel movement.

Until just a few years ago, it was rare for people like those in JVP to say they opposed Israel’s existence. They would claim they were merely opposed to a specific policy or direction of the Israeli government. Now, they admit, they don’t think there should be an Israeli government.

In the same interview in which Vilkomerson made the announcement, she also repeated that “anti-Zionism is not antisemitism.” Again, a few years ago, people said “criticism of Israel is not antisemitism.” This appears to be an evolution.

In what intellectual framework is it acceptable to make a statement like “anti-Zionism is not antisemitism”? The undercurrent of the sentence is that, under no circumstances, by any measure, in no way, is anti-Zionism connected with or affected by antisemitism. Progressive people – which is how JVP and many of Israel’s other critics define themselves – would never dream of dismissing the potential of bigotry toward any other ethnic or cultural group.

More egregiously, Vilkomerson overtly contradicts her very words, acknowledging that there are, indeed, antisemites in the movement.

“Obviously, there are people who are antisemitic or anti-Zionist and there are people who mask their antisemitism with anti-Zionist language. That’s a given,” she says, “but that doesn’t paint anti-Zionism as concept.”

Here is what does paint anti-Zionism as concept: it is a movement utterly unconcerned that there is antisemitism and that there are antisemites within it. The leader of JVP admits that her movement attracts antisemites but expresses not a whiff of displeasure or concern. It is what it is.

“Ever since [the advent of] Zionism there has been anti-Zionism within Jewish communities,” she goes on. This is true. Zionism did not reach a consensus point among European and North American Jews until sometime around the Holocaust. When the implications of Jewish statelessness became the gravest in 2,000 years, a massive majority of Jews worldwide abandoned whatever ambivalent positions they had held and (almost entirely) united to create and support Israel.

There is no false corollary here: the state of Israel was not a “consolation prize” for the Holocaust, as has been suggested on more than one occasion. No one gave the state of Israel to the Jewish people; our ancient homeland was won back through a bloody defensive war and has survived and thrived despite massive external opposition.

We will see if other organizations, including similar Jewish groups in Canada, follow JVP’s suit. We will also continue to see primarily non-Jewish groups argue against Israel’s existence based on an anti-nationalist idealism or more nefarious interests. As we watch these developments, it is worth wondering why, as the first target of a battle against the concept of nationalism, “progressive” activists target Israel. Why not France? Why do Hungarians deserve their own country? What makes Norwegians so special that their nationhood is not called into question?

Closer to the point, Why do the Palestinian people deserve a homeland, which is the stated motivating purpose of JVP and so many other groups, while Israelis do not? Can people who declare “anti-Zionism is not antisemitism” see how these inconsistencies, including the indifference to Jewish statelessness, might make their protests seem hollow?

Conference invigorates

In New York for the 2018 International Conference of Chabad-Lubavitch Women Emissaries. (photo from Lubavitch BC)

Last month, nine shluchos (female emissaries) of Chabad-Lubavitch in British Columbia – Henia Wineberg, Rivki Yeshayahu, Chanie Kaplan, Shainy Wineberg, Fraidy Hecht, Chanie Baitelman, Blumie Shemtov, Chaya Rosenfeld and Malky Bitton – joined more than 3,000 women leaders from all 50 U.S. states and 100 countries at the International Conference of Chabad-Lubavitch Women Emissaries (Kinus Hashluchos) in Brooklyn, N.Y.

The annual event is aimed at reviving Jewish awareness and practice around the world. At this year’s gathering, thousands of women – hailing from as far away as Laos and Angola, Ghana and Uzbekistan – came together for five days of brainstorming about the future of world Jewry and their roles as representatives of the Chabad-Lubavitch movement.

The leaders, who embrace multiple roles and responsibilities, explored numerous issues and learned from professionals and colleagues with years of experience. The topics covered ran the gamut: understanding troubled relationships; adult education and inclusion; responding to tragedy; fundraising; the opioid epidemic; and mental health. There was also a conference within the conference for Hebrew school and preschool directors, as well as one for those who serve students on college campuses. The meeting included a parallel track for lay leaders.

“The Kinus is my yearly dose of inspiration,” said one of the shluchos. “It gives me strength and motivation for the whole year, to continue bringing light to everyone around me.”

Additional highlights of the five-day conference were a visit to the gravesite of the Rebbe, Rabbi Menachem M. Schneerson, of righteous memory, in the New York City borough of Queens; the “class picture,” where they posed for a group photo; as well as the gala banquet, where they were joined by admirers, supporters and influential women leaders for a sit-down dinner.

The conference is a tribute to the legacy of Rebbetzin Chaya Mushka Schneerson, the esteemed wife of the Rebbe, and is timed to the anniversary of her passing. Rebbetzin Schneerson’s deep care for and insight into their work remains a source of inspiration to the Chabad women emissaries.

The conference also serves another vital purpose: it represents an opportunity to connect with colleagues and recharge their personal energy. This gives the participants, especially those going back to isolated outposts, an exhilarating send-off, coupled with the sense that they are not alone.

Fulfilling her promise

A still from Éléonore Goldberg’s animated short film My Yiddish Papi (Picbois Productions/NFB).

On Jan. 25, the National Film Board of Canada released Éléonore Goldberg’s animated short film My Yiddish Papi (Picbois Productions/NFB). It can be streamed free of charge across Canada on nfb.ca, as well as on NFB’s YouTube channel and Facebook page.

The online release of the film marked the International Day of Commemoration in Memory of the Victims of the Holocaust, which is observed on Jan. 27. With My Yiddish Papi, Goldberg has made a personal short film about filial love, duty and the transmission of memory by honouring a promise made long ago: that of illustrating the adventures of her grandfather, a resistance fighter during the Second World War.

Produced by Karine Dubois (Picbois Productions) and Julie Roy (NFB), the film was presented as a world première at the 2017 Ottawa International Animation Festival, and was also selected for the Sommets du cinéma d’animation de Montréal and the London International Animation Festival, among others.

Goldberg is an award-winning Franco-Canadian filmmaker, animator and cartoonist. In My Yiddish Papi, using ink-on-paper animation, she relates the story of her grandfather, Georges (Josek) Goldberg, who became a resistance fighter at age 20 during the Second World War. “He saved many lives and he and his family narrowly escaped Auschwitz,” said Goldberg in an interview on the NFB website. He died, in Paris, in July 2009.

“He would sometimes share his wartime memories when we dined together during the time I lived in Paris,” Goldberg told the NFB. “He never bragged; he was a humble, shy person. He would have liked me to make a graphic novel or film about his resistance adventures, and I had committed to doing it. But time passed and I did nothing. At his death, my promise came back to me.”

Run to reduce poverty

Esther Edel (right) has participated in the Run 4 Afikim twice. (photo from Esther Edel)

The annual Run 4 Afikim supports Afikim, a nonprofit organization in Israel that addresses child poverty. One of the participants in the run – for two consecutive years now – has been former Vancouverite Esther Edel.

Jerusalem-based Afikim was founded in 2008 by Israeli educator and child services administrator Moshe Lefkowitz. At the moment, Afikim staff helps 528 impoverished children in 14 learning centres throughout Israel, mainly in Jerusalem.

Afikim’s approach is to help parents as well, providing family counseling, while the children receive hot meals, tutoring, life skills training and emotional support. Currently, Afikim cannot keep up with the demand for its services, and Lefkowitz would like to see the number of students Afikim accepts increase by 80 this year.

One of the ways Afikim raises funds is the Run 4 Afikim. The website describes the event as a non-competitive relay from Jerusalem to Eilat, totaling 370 kilometres in 36 hours. Participants run in groups of three. Each group completes one leg of nine to 14 kilometres at a time and each runner ends up running multiple legs over the 36 hours. Participants must raise a minimum of $2,000 each to take part.

This year, the Run 4 Afikim began on Jan. 9 and ended on Jan. 11. The event raised more than $265,000, exceeding its goal of $250,000. One of the participants was Edel, who made aliyah in 1997.

“I had a strong religious Zionist education, which contributed to my moving to Israel.… My parents and sister still live in Vancouver. Unfortunately, I do not visit them as often as I would like,” shared Edel in an email interview with the Independent.

While Edel first participated in Run 4 Afikim last year, it wasn’t her first long-distance run.

“I’ve always been active, since I was little. Non-competitive sports and any outdoor activity are parts of my day-to-day life. I’ve participated in numerous 10-kilometre runs over the years. Most of them have been in Jerusalem, as parts of the annual Jerusalem Marathon, generally as fundraisers for different organizations.”

She was introduced to Afikim, she said, “via a good friend, Ruchie Schwartz, who already participated in the run. She had posted on Facebook the recap/promo video of the previous year’s run. When I watched it, I was moved by the passion of the participants and, even more so, by the cause that was driving them to raise funds and awareness for the Afikim Family Enrichment programs.”

The weekly programs include music, sports and other extracurricular activities. “While these types of pursuits are easily available for children from more privileged backgrounds,” explains the website, “Afikim’s children would have no access to them without this program. Like all facets of Afikim, extracurricular activities help close the achievement gap between disadvantaged children and those from higher socioeconomic backgrounds.”

Edel wanted to participate in the Run 4 Afikim but had some doubts. “I was slightly hesitant, as I had taken a break from running for a bit and wasn’t sure if I would get back into it,” she said.

photo - Esther Edel at this year’s run — Esther Edel at this year’s run. *(photo from Esther Edel)*

But those doubts were easily overcome. “I added a few runs to my weekly workout schedule, which I had not consistently been doing before I decided to participate,” she said.

To meet the $2,000 financial contribution requirement, she fundraised using email, connected with people on Facebook, contacted friends by other means and benefited from word of mouth.

“This year, there were eight groups and 32 segments divided between the groups,” she said about the run. “My team ran five segments, which approximately totaled 48 kilometres over 36 hours. Due to the timing of the segments, all the groups were functioning on very little sleep throughout the run. It’s mainly 36 hours where adrenaline and endurance get you through.”

Edel’s team schedule included, on the Wednesday evening, one run from the Jerusalem starting point, and three running segments on the Thursday, the first starting at 5:30 a.m., the second at 2:30 p.m. and the third at 10:45 p.m. “Friday morning, we started at 6 a.m. and most of the participants completed the final few kilometres to Eilat,” she said.

Edel added, “It’s important to note that it is purely volunteer-based, with the maximum effort to keep the overhead as low as possible.… Throughout the run, there are always one or two escorts, including trained paramedics, who also volunteer their time each year to drive the roadside escort.”

Edel also mentioned the lunch on the Thursday, which was “an organized activity, with all the runners and some of the Afikim children. This allowed us to connect with the Afikim kids and see firsthand how this run and fundraising affect these children.”

To learn more about Afikim’s work, visit afikim.org.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Making home a sanctuary

My kids love a song called “Make me a sanctuary.” The Hebrew comes directly from Exodus 25:8. It’s based on a Shaker hymn (much of the Jewish musical liturgy comes from outside sources) and it’s in Hebrew and English. The English lyrics say: “Lord, prepare me, to be a sanctuary, pure and holy, tried and true, with thanksgiving, I’ll be a living sanctuary for you.” In Hebrew transliteration: “V’asu li mikdash, v’shochanti b’tocham,va’anachnu n’varech yah, me-ata v’ad olam.” Translation: “Make me a sanctuary, that I may dwell among them, and we will bless Hashem, now and forever.”

This comes from the Torah portion Terumah, and describes how the people will make an exquisite ark so that they can worship together. I’m a “maker” and love creating things. I spin, knit, weave and sew. I write knitting patterns. I love to build and create. Today, I just finished making some cloth napkins. However, a home (or a congregation) can’t be an inspirational sanctuary without the basics. In Canada, that includes heat.

Recently, I noticed our house seemed cool. I perched on the stairs to check the thermostat. Someone installed it decades ago in a way that makes it hard for shorter adults, like me, to see. (My partner, whose ancestors spent time in Eastern Europe, didn’t seem cold.)

The next morning, the boiler wasn’t working. After checking the thermostat battery and shrugging, my partner went to work. As the work-from-home adult, I called repair places. Although it was warm outside for winter, the forecast predicted plummeting temperatures. I worried.

The busy repair places offered an appointment for the next day. We have two gas fireplaces, which pumped out heat valiantly while I called Manitoba Hydro. Hydro scheduled someone to come out to check our boiler’s pilot light. As the temperatures dropped, the boiler kept cycling, but no heat came up, so I shut it off.

At lunchtime, a chirping alarm went off in the basement. Something else was wrong, but I couldn’t even tell what was beeping. We have an old house. Its antiquated systems can be confusing. (Smart house upgrades circa 1918, 1952, etc.) I was also tired when this started from a busy weekend. I was so befuddled by what was going on with the boiler that I wondered if I was confused due to some kind of gas leak.

Once I shut it off the boiler, I was no longer confused but so tired from the cold that I wanted to take a nap. I was wearing a toque, a heavy Icelandic wool sweater and a shawl, but part of me was like, “Don’t take a nap! People die this way! How will the Hydro guys get in if you fall asleep?!”

Here’s the stupid coincidence. The beeping was an older fire alarm with a failing battery, which had nothing to do with the boiler. Installed in 2004, it was guaranteed to last 10 years. It gave up the ghost 15 years later, on the same day as the boiler troubles. We’ve had new, hardwired fire, carbon and radon alarms installed, but missed removing this one. I was freaking out over nothing. I’d call it irrational stupidity, possibly caused by a tired “freeze” brain.

The Hydro guys came, cheerfully disconnected the old fire alarm, relit the pilot light and told me to get the boiler fully serviced. When the tradesperson serviced the boiler, it was black, dirty and not burning cleanly. It needed attention. I also got the boiler chimney cleaned. It took awhile for the house to heat up, but there was good news. We were warm again! Bad news? I lost the better part of a work week to this drama, and I was cold.

Once I was warm, I thought beyond the basics – but many people can’t. If you’re stuck with challenges like staying warm, you can’t think clearly. In the midst of a Canadian winter, we’re so lucky to have heat. Taking a moment to remember this, and recognize that there are many who are cold this winter, and how it affects us, is very important.

I was incredibly grateful to hear the boiler cycling as everything became toasty. It made me very aware of how hard it is for those among us who cannot afford to keep their houses warm or who are homeless. I was so anxious that I woke up the next morning at 5:30 a.m., panicked that the boiler might stop working again as temperatures plummeted to -30 outside.

For those of us who find something’s wrong, there are ways to fix it. This is a kind of “adulting.” Grown-ups should keep up with home maintenance, whether it’s the fire alarms or getting their boilers serviced and chimneys cleaned regularly. I couldn’t remember the last time this was done at our house.

When I had twins, life got busy. We did the best we could, but forgot a lot of important details. We all need heat during the winter. Aside from being grateful, do something that I didn’t do – be proactive. Getting your heat in order before the cold temperatures and cold freeze brain hit is wise. I wish I’d known better, but you can still get it serviced in the wintertime.

Here’s wishing you a well-maintained warm, cozy home, with up-to-date fire alarms, during all the cold snaps. It’s much better to be safe and warm than sorry.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. See more about her at joanneseiff.blogspot.com.

Kinneret levels still low

Waterfalls in the Golan Heights. (photo by Michael Davis courtesy Ashernet)

Water from the Golan Heights region’s streams, as well as melting snow from Mount Hermon, will eventually find their way into the Kinneret (Sea of Galilee). Unfortunately, even though precipitation has been plentiful this year, it will not be enough to refill completely the underground water resources or the Kinneret. Presently, the lake level stands at 213.58 metres below sea level, which is below the red line, one of three level measurements. When the lake falls below 214.87 metres below sea level, the pipes extracting the water from the lake are lower than the entry point of the pipes feeding the main pumping station of Israel’s water authority. When the water level in the lake is somewhere between the upper red line and the lower red line, lake water can be pumped to the country’s main fresh water pumping station for distribution along the Israel National Water Carrier. Fresh water is also sourced from the many natural aquifers that are found all over the country.

מחריף המשבר

סמנכ”ל הכספים וסגן יו”ר מועצת המנהלים של ענקית התקשורת הסינית וואווי, מאנג וואנז’ו (2014).

ארה”ב הגישה סוף סוף את הבקשה הרשמית לקנדה להסגיר לידה את סמנכ”ל הכספים וסגן יו”ר מועצת המנהלים של ענקית התקשורת הסינית וואווי, מאנג וואנז’ו. זאת, לאור אישומים פליליים חמורים כנגדה וכנגד החברה. וואנז’ו נעצרה בשדה התעופה הבינלאומי של ונקובר בסוף חודש דצמבר, כאשר ביקשה להחליף מטוס בטיסה מהונג קונג למקסיקו דרך ונקובר. האמריקנים הם אלו שביקשו מהשלטונות הקנדיים לעצור אותה. בית המשפט העליון של מחוז בריטיש קולומביה הסכים לשחרר א וואנז’ו בתנאים מגבילים עד לדיון בבקשת ההסגרה, הליך שיכול להימשך שנים. הדיון הראשון בבית המשפט יתקיים בראשית חודש מרץ.

משרד המשפטים האמריקני פרסם בסוף חודש ינואר את כתב אישום הפלילי כנגד חברת וואווי, הסמנכ”ל וואנז’ו ומספר דיקרטורים בכירים נוספים, הכולל לא פחות מעשרים ושלוש עבירות. בהן: הונאת ארבעה בנקים (בהם אי’ץ.אי.בי.סי) להסוות קשרים עם מסחריים עם איראן תוך כדי הפרת האמברגו על איראן, גניבת סודות מסחריים וטכנולוגיות מחברת טי. מובייל האמריקנית, זיופים, הלבנת הון, ניסיונות לשיבוש חקירה והשמדת ראיות. במשרד המשפטים מציינים כי הפעילויות הבלתי חוקיות של וואווי ומנהליה נמשכו למעלה מעשור.

וואנז’ו (בת הארבעים ושש) היא בתו של מייסד וואווי הביליונר רן זנפיי. וואווי נחשבת ליהלום הגדול שבכתר הסיני. החברה, מנהליה ובעליה זוכים ליחס מיוחד במדינה. סין רואה בחומרה רבה את הפרשה דבר שגרם לקרע גדול ביחסים שבינה לבין ארה”ב וקנדה. בעקבות כך סין עצרה שני אזרחים קנדים כביכול מסיבות ביטחוניות, והטילה עונש מות על קנדי נוסף החשוד בהברחת סמים. קנדה לכן נמצאת במצב מאוד לא נוח כשהיא כלואה במאבק בין שתי המעצמות הגדולות והחזקות בעולם: ארה”ב מצד אחד וסין מהצד השני.

בקרב קהילת הסינים בקנדה הדעות חלוקות לגבי המקרה של וואנז’ו, וואווי והיחסים המתוחים בין סין לקנדה. סינים רבים מעדיפים בכלל להתרחק מנושאים פוליטיים. “התרבות הסינית היא מאוד טובה בללמד אותך להיות צייתן, לשמור חוק, לא לעשות גלים ולא לעורר רעש”, אומרים סינים שגרים בקנדה. לדבריהם הם חוששים שהמשבר ביחסי סין וקנדה יכול להשפיע לרעה אף על הסינים שגרים כאן בקנדה. יכולה להיווצר מתיחות ופער בין הסינים מסין לאלה שגרים כאן, במיוחד לאור העובדה שצנוזרה מופעלת בסין ומידע מוטעה מפורסם שם. בנוסף יש חשש שהממשלה הסינית יכולה לגרום נזק לסינים קנדים שעדיין עושים עסקים בסין, או שיש להם עדיין משפחה שם. לאור כך סינים רבים שגרים מקנדה מעדיפים שלא להתבטא כלל בנושא זה, ואף נמנעים מלהגיב בפלטפורמות החברתיות השונות.

להלן לקט תגובות של גולשים מקומיים בתגובה לפרסום פרשת מעצרה של וואנז’ו והאישומים החמורים נגדה ונגד חברת וואווי. מייק מציין עד כמה וואנז’ו חיה בתנאים מצויינים למרות שבית המשפט קבע תנאים מגבילים לשחרור שלה על תנאי. הוא מציין את הבית המפואר בו היא גרה, היא חופשיה לאכול בחוץ, לפגוש חברים ולעשות קניות. אדם אומר כי בוודאי יש סינים קנדים שחוששים שהם יחטפו על ידי סין בגלל דעותיהם. אדי אומר כי סינים מקומיים חוששים לבני משפחותיהם בסין אם הם אנטי וואווי. יש גם סינים כאן שחוששים מגזענות אם הם תומכים בסין. קייל טוען כי סינים קנדים שהתערו בחברה המקומית ברובם הם נגד מדיניות סין וואווי. כמובן שיש לקית בחשבון אם יש להם משפחה בסין.

Welcome to Cabaret!

Dylan Floyde as Cliff Bradshaw and Erin Palm as Sally Bowles in Cabaret, presented by Studio 58. (photo by David Cooper)

“I honestly couldn’t think of a more important show to do right now, with such a divided political climate. The past is as important as ever, we must not let it fade. We need stories like these,” Erin Palm told the Jewish Independent about Cabaret, which opened at Studio 58 (Langara College) last week and runs until Feb. 24.

The musical is set in Berlin in 1929, as the Nazis begin their ascent to power in Germany. Palm plays the role of Kit Kat Klub headliner Sally Bowles, the British singer with whom American writer Cliff Bradshaw falls in love.

“Sally is such a complex character. I’d say the most important thing as an actor is honouring her, and acknowledging that she and the other characters in Cabaret are based on the real experiences of Christopher Isherwood, back in Weimar Berlin,” said Palm. “The biggest challenge for me is to know her apathy. It’s painful and tragic.

“I have, hopefully, given her autonomy throughout her journey. I am not a fan of judging the characters I play so, to combat that, I focus on how she is brave, independent and whimsical. She uses humour and imagination as a tool to get through her own challenges and I think that’s where the fun comes in. Really, she’s searching for freedom, and I love playing with that as an actor.”

Palm is in her third and final year at Studio 58. “I became a student the summer after I finished playing Fruma Sarah in Fiddler on the Roof with RCMT [Royal City Musical Theatre] and traveling to Toronto to do the National Voice Intensive. It was a big decision to go back to school, but I know the legacy of Studio 58 is that it turns out fine actors. I wanted to give myself the best opportunity to grow and gain new tools.”

Fellow Jewish community member Josh Epstein makes his directing debut with this production. A multiple-award-winning actor and filmmaker, he was a student at Studio 58, where he played the role of Joey in Pal Joey. “I also met my creative partner, Kyle Rideout, while there and we named our company Motion 58 in honour of Studio 58,” said Epstein. (He and Rideout recently sold a feature film pitch to Paramount with the Transformers producers, di Bonaventura Pictures, said Epstein, “and we have a variety of film and TV projects at various stages of development.”)

About returning to Studio 58 for Cabaret, Epstein said, “I’ve been talking to Kathryn Shaw [Studio 58 artistic director] for a couple of years about returning to direct something, as I now felt ready, and Cabaret was my first and only choice.”

Epstein said he has a few favourite scenes, ones “that bring tears to my eyes, but none more than a late scene between Herr Schultz and Fraulein Schneider, the older couple that has sweetly fallen in love. None of the characters truly knows what’s coming. Herr Schultz still sees himself as a German and firmly believes he won’t lose anything. It’s heartbreaking.”

Another returning Jewish community member for this production is lighting designer Itai Erdal.

“Studio 58 is one of my favourite places to work,” he told the Independent. “I keep coming back because I love the staff and I love the energy of the young students and because I’ve done some of my best work there. I find it to be a great working environment, which often allows for some real magic to happen.”

Erdal is enjoying lighting Cabaret, which has much darkness in it story-wise, as well as being set in a nightclub.

“Lighting musicals is always tricky but it’s really wonderful to light a musical like Cabaret, just because of that darkness you refer to,” he said. “So many musicals are very lighthearted and it is so refreshing to do a musical about something that matters so much. It’s also some of the best music ever written for theatre, so it’s a joy to light these iconic songs and support these brilliant young actors as they tackle those songs.”

Given that Cabaret is such a well-known musical, Epstein said, “I’m definitely encouraging the team to tell the story that’s written, first and foremost, but any staging or performance that’s been done before, I’m not that interested in repeating. We’re creating something that is unique to Studio 58, their intimate space, and it will be aggressive, fun and stimulating.

“I’m very excited for the fresh performances of Sally and the Emcee in our production,” he added. “I think we’ve found a Sally (Erin Palm) that doesn’t feel sorry for herself, that has strength and power and makes active decisions rather than accepting her lot in life. Our Emcee is female and, after watching how Paige Fraser has done it so far, I would never want it any other way. For one, she dances and sings better than most of the men who have played the role before onstage.

“We’ve also played with the musical numbers,” he said. “‘Mein Herr’ is gonna rip the roof off the theatre and I think we’ve reinvented the pineapple song [‘It Couldn’t Please Me More’].”

Epstein recommends that audience members arrive early. “There’s a burlesque show you won’t want to miss,” he said.

The production’s promotional material, which advises that the show is suitable for ages 16+, comes with the warning, “Possible nudity, probable vulgarity and other behaviour your momma won’t approve of!”

For tickets, visit langara.ca/studio-58/current-season.