Multi-instrumentalist and songwriter Ezra Ben-Shalom’s debut solo album, Known and Unknown, was released in 2025. (photo by Michelle Behr)
With his debut solo album, released last year, Kelowna musician Ezra Ben-Shalom shows off his personal side, with a uniquely Jewish touch.
For Ben-Shalom, who reconnected to Jewish ritual practice around five years ago, Known and Unknown – his first solo project – is a deeply personal one. The focus of his music and daily life has become all about asking questions, he said. It’s about finding ways to be of service in the world and creating a connection with something larger than himself.
“I’m doing my best to be of value to the world and to the culture. And, you know, you step in front of a room of people and take a deep breath and open your mouth and sing – I want to offer something that’s real, that’s authentic and that’s meaningful,” the 43-year-old said in a phone interview.
The album is highly Jewish-inspired, owing to his own reconnections – and, he said, he hopes it will encourage empathy among listeners.
“I think the album title was maybe a hint to myself to come from that place of humility, that we don’t have the answers, as much as we think we know or that we learn,” said Ben-Shalom.
The songs on Known and Unknown include some Hebrew words, and the sounds of a shofar on two tracks, though the lyrics are largely in English.
Jewish themes shape much of Ben-Shalom’s interpretation and highly personal expressions; however, he emphasizes that, while his path is Jewish, he sees the disc’s new compositions as something more broadly accessible. The songs, he said, are “about inner experiences and feelings and reflections, and they’re about living in the world as a human being, not as a Jewish human being.”
Themes of transformation, vulnerability and boldness underline the album’s adult alternative and folk-adjacent sounds, and Jewish references abound, with songs titled “Shechina,” “Shake the Dust,” and “El and Gil.”
New name, old passion
Ben-Shalom is the new-ish musical handle of producer and multi-instrumentalist Ezra Cipes, who grew up in Kelowna and has played in bands since he was 14 years old, he told the CJN.
By the time he was 19, Cipes and one of his three brothers co-wrote a song with Indian-born Canadian punk/alternative music icon Bif Naked, who grew up in Winnipeg. He’s also performed regularly and recorded with the Calgary-born indie-pop-folk artists Tegan and Sara. (Bif Naked’s bassist, Chris Carlson, produced, co-wrote and played most of the other instruments on Ben-Shalom’s 2025 album.)
Prior to the new project, another band featuring the musical Cipes family had been nominated in 2022 for a Juno Award in the children’s music category for the second disc by the troupe, called the Oot n’ Oots. The five-piece band comprised Ezra; his three brothers, Matthew, Gabe and Ari; and his daughter, Ruthie, who was the singer.
When that project wound down following the end of 2023 summer festivals, the guitarist and keyboard player turned to exploring a different expressive musical language. He had set out on that musical exploration when the Oct. 7, 2023, attacks by Hamas in Israel, which triggered the Gaza war, refocused his artistic lens.
“Oct. 7 put a lot of things into focus and showed the ways that, really, we’re all lost in one way or another,” he said.
The way the world responded after Oct. 7 was a “frustrating and painful” experience, he said.
“You think, ‘What can any of us do?’ And none of us can fix it – you can’t completely change all these cultural narratives and people’s ideas and correct the record or bring a higher perspective on our own, but we can do our part. We can stand strong in our own truth and share it, proudly and with strength and humility.”
Explaining that he’s always needed “a little spiritual medicine in my life,” Ben-Shalom described reading at night, from literature and philosophy to spiritual and self-help books, and had long realized he needed to do that, even before he connected with Judaism.
Pivotal turn to Judaism
Growing up, while his family – who own a successful organic vineyard – belonged to a local synagogue, they weren’t traditionally observant, though he became bar mitzvah and attended Jewish summer camp.
But, as an adult, he reflected, he was “totally disconnected” when it came to traditional Jewish practice and observance.
It was a moment in 2020, early during the pandemic, following a sweat lodge ceremony led by Ron Hall, a longtime family friend who’s an Indigenous artist and biologist, that brought Ben-Shalom an epiphany.
“It [the sweat lodge] was one of those moments that really flipped a switch in my whole life, and it was just a hinge moment. I thanked him [Hall] for the ceremony, and I shared with him how powerful it was and how meaningful it was, how deep it was,” said Ben-Shalom.
“And I said to him that he’s lucky to have the traditions to draw on to connect with his own soul and with the creator and I said to him: ‘All I have is this shallow materialistic Western culture.’
“And he said, ‘What are you talking about, Ezra? You’re Jewish. You come from an Indigenous people.’”
Nobody had ever said that to him before, Ben-Shalom recalled, and it became a turning point.
“I had grown up thinking it was cool to be Jewish and, like, neat, but also vaguely embarrassing to be Jewish, and it was something I didn’t really like to talk about or get into very much because … I always felt othered,” he said.
The COVID-era wave of social justice movements brought a resurgence of ideas “about decolonization and equality,” he said. “It’s good to support the Indigenous people keeping their culture, keeping their language, keeping their tradition, keeping the oral culture alive.”
He felt a tinge of hypocrisy. “And then I realized I was not honouring my own ancestors and I didn’t know my own language. I didn’t know my own story,” he said.
Ben-Shalom now attends the local Chabad, lays tefillin and wears tzitzit and a kippah.
He described one of the first times he performed the new music at a live show at the Kelowna venue Revelry in 2024.
“I got off stage and my whole body was sore, from holding myself and breathing and keeping myself grounded and keeping myself in a state of service,” he said. (Since then, he’s felt “a little bit more relaxed” performing the new material.)
“The songs are almost like prayers, and you have to kind of get into that place to sing them, where there’s a genuine connection and not just notes and not just words.”
Ben-Shalom hopes to bring the album in a live performance to audiences across Canada, and to ensure that includes Jewish audiences, he told the CJN.
“I’d like to play for all audiences that will have me, but, in particular, I want to go and play for Jewish people,” he said. “I want to share these songs with Jewish people. I want to bring inspiration, pride and honour to our tradition, to Jewish people.”
Jonathan Rothman is a reporter for the CJN based in Toronto. This article was originally published on thecjn.ca and is reprinted with permission.